New Features Guidefujifilm-dsc.com › en › manual › gfx100 › gfx100_nfg...2 GFX 100 Owner’s...

New Features GuideVersion 2.00

Features added or changed as a result of fi rmware updates may no

longer match the descriptions in the documentation supplied with

this product. Visit our website for information on the updates avail-

able for diff erent products:

https://fujifilm-x.com/support/download/firmware/

BL00005092-200 EN

Contents

GFX 100 fi rmware version 2.00 adds or updates the fea-

tures listed below. For the latest manuals, visit the follow-

ing website.

http://fujifilm-dsc.com/en/manual/

No. Description GFX 100P

SeeP

Ver.

11A COMPRESSED option has been added to H IMAGE

QUALITY SETTING > RAW RECORDING >

RECORDING TYPE in the shooting menu.

106 1 2.00

22g CLASSIC Neg. and N ETERNA BLEACH BYPASS

options have been added to H IMAGE QUALITY

SETTING > FILM SIMULATION in the shooting menu.

107 2 2.00

33Separate ROUGHNESS and SIZE options are now

available for H IMAGE QUALITY SETTING > GRAIN

EFFECT in the shooting menu.

108 3 2.00

44 A COLOR CHROME FX BLUE item has been added to

H IMAGE QUALITY SETTING in the shooting menu.109 4 2.00

55The A SHOOTING SETTING > FOCUS BKT item in

the shooting menu now off ers a choice of MANUAL

and AUTO focus bracketing options.

139 5 2.00

66

The B MOVIE SETTING > F-Log/HLG RECORDING

item in the shooting menu has been renamed

F-Log/HLG/RAW RECORDING and now supports

RAW output.

158 7 2.00

77

The procedure for rating pictures has changed. As a re-

sult, the content of the playback information displays

has changed and a RATING item has been added to the

playback menu.

172,

173,

187

9,

10,

11

2.00

88

Movie recording can now be controlled via a wider variety of ex-

ternal devices. As a result, the D CONNECTION SETTING >

PC CONNECTION MODE item in the setup menu has been

renamed CONNECTION MODE.

244 12 2.00

1

GFX 100 Owner’s Manual: P 106 Ver. 2.00

RAW RECORDING

Choose whether to compress RAW images.

RECORDING TYPERECORDING TYPE

OptionOption DescriptionDescriptionUNCOMPRESSED RAW images are not compressed.

LOSSLESS COMPRESSED

RAW images are compressed using a reversible algorithm

that reduces fi le size with no loss of image data. The im-

ages can be viewed in Capture One Express Fujifi lm, RAW

FILE CONVERTER EX, FUJIFILM X RAW STUDIO, or other

software that supports “lossless” RAW compression. Qual-

ity is the same as UNCOMPRESSED, but the resulting

fi les are anywhere from about 30 to 90 percent (14-bit

RAW) or 45 to 100 percent (16-bit RAW) of their uncom-

pressed size.

COMPRESSED

RAW images are compressed using a “lossy”, non-reversible

algorithm. Quality is about the same as UNCOMPRESSED,

but the resulting fi les are anywhere from about 25 to 35 per-

cent (14-bit RAW) or 30 to 40 percent (16-bit RAW) of their

uncompressed size.

OUTPUT DEPTH(bit)OUTPUT DEPTH(bit)

OptionOption DescriptionDescription16bit RAW pictures are recorded at a bit depth of 16 bits.

14bit RAW pictures are recorded at a bit depth of 14 bits.

O When selected, 16bit only takes eff ect in single-frame drive mode.

Changes and Additions

Changes and additions are as follows.

2


FILM SIMULATION

Simulate the eff ects of diff erent kinds of fi lm, including black-

and-white (with or without color fi lters). Choose a palette ac-

cording to your subject and creative intent.

OptionOption DescriptionDescription

c PROVIA/STANDARDStandard color reproduction. Suited to a wide range of

subjects, from portraits to landscapes.

d Velvia/VIVIDA high-contrast palette of saturated colors, suited to na-

ture photos.

e ASTIA/SOFTEnhances the range of hues available for skin tones in por-

traits while preserving the bright blues of daylight skies.

Recommended for outdoor portrait photography.

i CLASSIC CHROME Soft color and enhanced shadow contrast for a calm look.

g PRO Neg. Hi Off ers slightly more contrast than h PRO Neg. Std.

Recommended for outdoor portrait photography.

h PRO Neg. StdA soft-toned palette. The range of hues available for skin

tones is enhanced, making this a good choice for studio

portrait photography.

g CLASSIC Neg.Enhanced color with hard tonality to increase image

depth.

X ETERNA/CINEMAFilm movies using a palette that features subdued colors

and deep shadows.

N ETERNA BLEACH BYPASS

Unique color with low saturation and high contrast. Suit-

able for still and movie.

a ACROS * Take black-and-white photos with rich gradation and out-

standing sharpness.

b MONOCHROME * Take pictures in standard black and white.

f SEPIA Take pictures in sepia.

* Available with yellow (Ye), red (R), and green (G) fi lters, which deepen shades of

gray corresponding to hues complementary to the selected color. The yellow (Ye)

fi lter deepens purples and blues and the red (R) fi lter blues and greens. The green

(G) fi lter deepens reds and browns, including skin tones, making it a good choice

for portraits.

3


GRAIN EFFECT

Add a fi lm grain eff ect.

ROUGHNESS

OptionOption DescriptionDescriptionSTRONG Choose for rougher grains.

WEAK Choose for smoother grains.

OFF Turn the eff ect off .

SIZE

OptionOption DescriptionDescriptionLARGE Choose for coarser grains.

SMALL Choose for fi ner grains.

4


COLOR CHROME FX BLUE

Increase the range of tones available for rendering blues.

OptionOption DescriptionDescriptionSTRONG Choose for a strong eff ect.

WEAK Choose for a weak eff ect.

OFF Turn the eff ect off .

N COLOR CHROME FX BLUE options have also been added to.

• H IMAGE QUALITY SETTING > EDIT/SAVE CUSTOM SETTING

(GFX 100 Owner’s Manual P 118)

• C PLAY BACK MENU > RAW CONVERSION


• D SCREEN SET-UP > REAR SUB MONITOR SETTING


• D BUTTON/DIAL SETTING > EDIT/SAVE QUICK MENU

(GFX 100 Owner’s Manual P 222, 255)

• D BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING

(GFX 100 Owner’s Manual P 223, 259)

5


FOCUS BKT

Choose from AUTO and MANUAL focus bracketing modes.

• MANUAL: In MANUAL mode, you choose the following.

OptionOption DescriptionDescriptionFRAMES Choose the number of shots.

STEP Choose the amount focus changes with each shot.

INTERVAL Choose the interval between shots.

Focus and FRAMES/STEPThe relation between focus and the options chosen for FRAMES and

STEP is shown in the illustration.

1 2 3 4 5

:

Starting focus position

• Focus proceeds from the starting position toward infi nity.

• Small STEP values translate to small changes in focus, larger values to larger

changes.

• Regardless of the option chosen for FRAMES, shooting ends when focus

reaches infi nity.

Frames

Step

6

• AUTO: In AUTO mode, the camera calculates FRAMES and STEP

automatically.

1 Select A SHOOTING SETTING in the shooting menu, high-

light FOCUS BKT, and press MENU/OK.

2 Select AUTO and choose an INTERVAL.

The view through the lens will be displayed.

3 Focus on the nearest end of the

subject and press MENU/OK.

The selected focus distance ap-

pears as A on the focus distance

indicator.

SETSET POINT B

SET POINT ACONTROL THE FOCUS RING

FOCUS BKT SETTING

N The same focus range can be chosen by focusing on the farthest

end of the subject fi rst.

4 Focus on the farthest end of the

subject and press DISP/BACK.

The selected focus distance (B) and

focus range (A to B) appear on the

focus distance indicator.

SETSET POINT A

CONTROL THE FOCUS RINGSET POINT BFOCUS BKT SETTING

N Instead of pressing the DISP/BACK button, you can press MENU/OK

and select A again.

5 Take photographs.

The camera will calculate values for

FRAMES and STEP automatically.

The number of frames will appear

in the display.NO

7


F-Log/HLG/RAW RECORDING

Choose the destination for F-Log, HLG (Hybrid Log-Gamma), or

RAW movies shot while the camera is connected to an HDMI device.


b P Y PThe footage is processed using fi lm simulation and both

saved to the memory card and output to the HDMI device.

b F-Log Y F-LogThe footage is recorded to the memory card and output to

the HDMI device in F-Log format.

b P Y F-LogThe footage is output to the HDMI device in F-Log format

but saved to the memory card with fi lm simulation applied.

b F-Log Y PThe footage is recorded to the memory card in F-Log format

but output to the HDMI device with fi lm simulation applied.

b HLG Y HLGThe footage is recorded to the memory card and output to

the HDMI device in HLG format.

b P Y RAWThe footage is output to the HDMI device in RAW format but

saved to the memory card with fi lm simulation applied.

b F-Log Y RAWThe footage is recorded to the memory card in F-Log format

and output to the HDMI device in RAW format.

b HLG Y RAWThe footage is recorded to the memory card in HLG format

and output to the HDMI device in RAW format.

8

N • F-Log off ers a gentle gamma curve with a wide gamut suitable for

further processing post-production. Sensitivity is restricted to values

between ISO 800 and ISO 12800.

• The HLG (Hybrid Log-Gamma) recording format conforms to the inter-

national ITU-R BT2100 standard. When viewed on HLG-compatible dis-

plays, high-quality HLG footage faithfully captures high-contrast scenes

and vivid colors. Sensitivity is restricted to values between ISO 1250 and

ISO 12800. HLG recording is available when H.265(HEVC) is selected

for B MOVIE SETTING > H.265(HEVC)/H.264 in the shooting menu.

• Film simulation (P) footage is recorded using the option selected for

B MOVIE SETTING > F FILM SIMULATION in the shooting menu.

• Footage shot with b P Y F-Log or b F-Log Y P cannot be recorded

to the memory card and output to the HDMI at diff erent frame sizes

(4K, Full HD). In addition, the following B MOVIE SETTING options

are unavailable:

- MOVIE MODE frame rate options of 59.94P and 50P

- V INTERFRAME NR

- HDMI OUTPUT INFO DISPLAY

• RAW output cannot be recorded to the memory card.

• In-camera image enhancements are not applied to the RAW output.

• The crop (picture angle) and quality of footage output to external

devices diff ers from that shown in the camera monitor. View the RAW

footage on the external device.

• Footage output to external devices is generated from the original

RAW data and its quality, which varies with device specifi cations, may

not be equal to that achieved as the end result of post-production

or the like.

• Focus zoom is not available when RAW is selected for HDMI output.

• RAW footage output via HDMI to incompatible devices will not dis-

play correctly but will instead will display as a mosaic.

• The minimum and maximum sensitivities for P, F-Log, or HLG footage

recorded to the memory card when RAW is selected for HDMI output

are ISO 1250 and ISO 12800, respectively.

9


The Playback Display

This section lists the indicators that may be displayed during

playback.

O For illustrative purposes, displays are shown with all indicators lit.

01/01/2019 10:00 AM

A CB D E F G H

I

J

KLMNOPQRS

T

U

b

a

Z

Y

X

V

W

A Date and time

B Face detection indicator

C Bluetooth ON/OFF

D Image transfer order

E Image transfer status

F Number of frames selected for upload

G Card slot

H Frame number

I Protected image

J Location data

K Image quality

L Image size

M Film simulation

N Dynamic range

O White balance

P Sensitivity

Q Exposure compensation

R Aperture

S Shutter speed

T Playback mode indicator

U Movie icon

V Time code

W Red-eye removal indicator

X Gift image

Y Photobook assist indicator

Z DPOF print indicator

a Voice memo

b Rating .................................................................11

10


The DISP/BACK Button

The DISP/BACK button controls the display

of indicators during playback.

Standard Information off

5.6

01/01/2019 10:00 AM

12800 +1.01/1000

NEXT

Info display

Favorites: Rating PicturesPictures can be rated via the RATING item in the playback menu.

11


RATING

Rate pictures using stars.

1 Select RATING in the playback menu.

2 Rotate the front command dial to choose a picture and the

rear command dial to choose a rating of from 0 to 5 stars

(“I”).

N • The focus stick (focus lever) can be used in place of the front com-

mand dial to choose a picture.

• The rating dialog can also be displayed by pressing the AE-L but-

ton (vertical grip AE-L button) in single-frame, nine-frame, or hun-

dred-frame playback.

• Use touch controls to zoom in or out.

12


CONNECTION MODE

Adjust settings for connection to external devices.


USB CARD READERConnecting the camera to a computer via USB automatically

enables data transfer mode, allowing data to be copied to the

computer. The camera functions normally when not connected.

USB TETHER SHOOTING AUTO

The camera can be controlled from computers, gimbals,

drones, or other devices connected via USB. The camera au-

tomatically enters “tethered shooting” (i.e., remote-control)

mode when the external device is turned on and returns to

normal operation when the external device turned off or dis-

connected.

• Photographs can be taken remotely and automatically

downloaded to computers running Capture One, Adobe®

Photoshop® Lightroom® + Tether Plugin, or FUJIFILM X

Acquire. FUJIFILM X Acquire can also be used to save and

load camera settings.

• Remote photography and movie recording are available

when the camera is connected to a compatible device such

as a gimbal or drone. Use the DRIVE mode dial to switch be-

tween still photography and movie recording. The features

available vary with the device connected.

USB TETHER SHOOTING FIXED

As for USB TETHER SHOOTING AUTO, except that the

camera remains in “tethered shooting” (remote-control)

mode when the external device is off or not connected, al-

lowing the device to resume control when the connection

is re-established after an accidental disconnection or other

disruption. At default settings, pictures are not recorded to

the memory card.

WIRELESS TETHER SHOOTING FIXED

Choose this option for wireless remote photography. Select a

network using D CONNECTION SETTING > NETWORK

SETTING.

13


USB RAW CONV./BACKUP RESTORE

Connecting the camera to a computer via USB automatical-

ly enables USB RAW conversion/backup restore mode. The

camera functions normally when not connected.

• USB RAW CONV. (requires FUJIFILM X RAW STUDIO): Use the cam-

era’s image processing engine to rapidly convert RAW fi les

to high-quality JPEG images.

• BACKUP RESTORE (requires FUJIFILM X Acquire): Save and load

camera settings. Reconfi gure the camera in an instant or

share settings with other cameras of the same type.

O D POWER MANAGEMENT > AUTO POWER OFF settings also apply

during tethered shooting. To prevent the camera turning off automat-

ically, select OFF for AUTO POWER OFF.

N Visit the websites below to learn more about or download the following

computer software:

• Capture One Express Fujifi lm:

https://www.captureone.com/products/express/fujifilm

• Capture One Pro Fujifi lm:

https://www.captureone.com/products/fujifilm

• Adobe® Photoshop® Lightroom® + Tether Plugin:

https://fujifilm-x.com/global/software/adobe-photoshop-lightroom-tether-plugin/

• FUJIFILM X Acquire:

https://fujifilm-x.com/software/fujifilm-x-acquire/

• FUJIFILM X RAW STUDIO:

https://fujifilm-x.com/software/x-raw-studio/

• RAW FILE CONVERTER EX:

https://fujifilm-x.com/software/raw-file-converter-ex-powered-by-silkypix/

7-3, AKASAKA 9-CHOME, MINATO-KU, TOKYO 107-0052, JAPANhttps://fujifilm-x.com

New Features Guidefujifilm-dsc.com › en › manual › gfx100 › gfx100_nfg...2 GFX 100 Owner’s...

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