Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For...

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Transcript of Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For...

Page 1: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 2: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 3: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 4: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 5: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 6: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 7: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 8: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 9: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 10: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 11: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 12: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 13: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 14: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 15: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 16: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 17: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 18: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 19: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 20: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 21: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 22: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 23: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 24: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 25: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 26: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 27: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 28: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 29: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 30: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 31: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 32: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 33: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 34: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 35: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:
Page 36: Nethouse...For The Same Rhythm Different sticking versions of a given rhythm can be mixed. For example, using the six-note stickings from Groups B and D in a two measure triplet solo:

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