I personally want to thank all the countless

wonderful beautiful ladies of Rock and Hip-

Hop . Without your added flavor and flair

the music videos, photo shoots and album

covers just would have been quite the

same without you . The models that can

stand the test of time truly show their

strength and tenacity.

Let it be know that some of the artist you

assisted were remembered because YOU

was that chick in the VIDEO or the ALBUM

cover. Many artist have had the choice to

use the same lady or make a series like

Aerosmith did with Alicia Silverstone or

Puff Daddy did with— -

Never let it go without your appreciation

known the ladies have held these artist

down since before TV; but TV has allowed

some of you to prosper and make major ca-

reer moves. There will always be another

pretty face—sometimes to many to count—

just make sure your hustle is tru to you and

youll sure to go far… I appreciate you

NEEDLE&GROOVE

2- Editor Comments

3.-Contents

7– silent Sundays

9-Nix Jones

11-Creative Heaven

13– Jean Grae

16—Amber Fox

18-Nonscence

19—Cover Story—From Rock to Hip-Hop

24– 1980‘s flashback

27– Silk-n-It

Publisher—editor

D.J.Quest95

OWNED AND OPERATED BY JONATHAN (D.J.QUEST95)GROOMS AND FULL MOON PRODUC-

TIONS . COPYRIGHT PENDING. ALL ARTICLE HAVE PERMISSION RIGHTS AND OR COVER BY

FREE SPEECH—ALL ASSOCIATES OF THIS PUBLICATION EXERCISE THEIR FREEDOM OF SPEECH

AND RIGHT S OF EXPRESSION.

EDITOR—D.J.QUEST95

ADVISIOR-AAVIANNA

WRITERS– SILK-N-IT

MEKKA SUNSHINE

KENYATTA ALBENY

PHOTOGRAPHY– HERB BIAS

GRAPHIX— Q-GRPHIX

QUEEN LOLLIPOP

MUSIC EDITOR—YO MOMMA

FINAL PROOF— BARACK OBAMA

MODEL SELECTIONS— BILL CLINTON

Needle&Groove Magazine

Www.needle-groove.webs.com

Cleveland Ohio , 44121

216-539-8307

needle&groove: is an urban entertainment magazine that is geared to introducing readers

and industry professionals to up and coming artist, D.J.'s and producers in the business.

We are based in the MIDWEST where from this location we are readily accessible every

market in the U.S. and abroad. In January 2009 needle&groove an online web publica-

tion .

After being in business for one year and working with the ever popular INTRO maga-

zine which handles mainstream artist- I decided to look for ways to improve and grow

"needle&groove'' will handle independent artist -and also offered as a down-loadable

PDF for our web site for readers. The turn-page format that we utilize offers comfort of

reading right from your PC.

With turn-page technology we are able to give our readers the same feel of turn the page

of the magazine but online. Unlike other online magazines that offer turn page technology

our readers can click on a page and to enlarge the font for better readability. Readers are

given an option of three sizes which consist of small, medium, and large. The readers also

have the option of viewing the magazine in full screen mode. Our readers can also print

out their favorite pages or email the publication to a friend. Add us to your Myspace or

Face Book page by clicking on the icon that is located below the publication.

How to get in the groove::

needle&groove is a marketing and network tool for artist, D.J.'s and producers. If you are looking to

network or working on your next album and need to find a producer that shares your vision? Shooting

a video and looking for models? Do you simply just want to put the word out that you have a new pro-

ject coming out?

Steady Spinnin,

needle&groove

send all questions and submissions to :

needle.groove@yahoo.com

We are a Sheffield band named Silent Sun-

days! The band formed in mid 2006 after

trying many different line-ups until we

found a comfortable line-up and an always

positive atmosphere.

We are a 4-Piece band, and have a wide va-

riety in the styles of music that we play. We

play a mixture of covers and originals which

range between punk, rock and indie.

With a Lead guitarist and Drummer into

some of the more heavier genres, our music

includes fast solos, fast rhythms, Strong

and rhythmic drumming and some awe-

some fills. Also on the lighter side, the band

has a bassist and rhythm guitarist into

lighter, more indie style music, giving songs

a nice melodic feeling with some chords

new to the guitaring world, fast chord

changes, funky bass riffs and clever chord

structures. With Dave as our lead vocalist

and Tray and Tom as back-up vocalists, our

vocal range is almost endless, so we like to

include clever and melodic vocal parts, with

some strong vocal parts for all 3 of the

vocalists. We are now doing any gigs that are available around the UK, so if you want to book us, call Tray on 07912617761 or Tom on 07933316523, or just message us on this site or our myspace, which is

http://www.myspace.com/silentsundays.

The E.P is now available and we are in cur-rently back in the studio recording our 10-track album. Songs on the album include: Never Mind My Angel Thin Black Jeans... and more. The band write songs together, and all have there own inputs on each songs, which is our favourite way to do it.

We have made it through to the National Fi-

nals of the GBOB competition!

Thanks to everyone who came to support us

at The Plug

Now we need you to come support us at a

famous venue, Birmingham Town Hall,

where the likes of The Beatles have played!

Hailing from Cleveland, Ohio, Phoenix Jones is an accomplished emcee as well as a dope pro-

ducer. Already with one ug classic under his belt (Prince of Thieves), he is now working on his

new cd, There Can Only Be One.

Telakinetic Recordz

Telakinetic Recordz was founded by Ryan "Phoenix

Jones" Harris in 1998 as a method of producing

quality Hip Hop music under one banner. Since its

conception, Phoenix has recruited 9 MCs and 1 R&B

artist, all who have realized the potential of a united

effort. Team Tech (as it is affectionately known) is

not just another sub-par label. C.E.O Phoenix Jones

is the great-nephew of one of the music industrys

most legendary black producers, Henry Allen of the

Cotillion Records (Atlantic) Imprint. I was really

young when I first got exposed to my Uncles great-

ness, says Jones. I still remember my family bump-

ing Perfect Combination by Johnny Gill & Stacey

Lattisaw, then finding out it was all him. From a

young age, Phoenix wished to follow in Allens foot-

steps. How can you deny the talent of the man who

discovered Luther Vandross? says Jones With his

Uncles drive under his belt, Phoenix feels that now is

the opportunity to re-establish Cleveland as a domi-

nating force in Hip Hop. We see the game so clearly

because Clevelanders listen to East, West, Midwest,

& Southern Hip Hop. says Jones. Seeing the impor-

tance of the mixtape DJ in todays Hip Hop game, Te-

lakinetic Recordz sided with Freakshow Entertain-

ment DJ G Spot to further fortify the movement.

With G Spot winning the 2003 Scene Award, plus

rocking Club Moda, I knew this was the perfect DJ

for Telakinetic to do business with. says Jones.With

the promotional and political pieces in place, Telaki-

netic Recordz is poised to push its first official re-

lease Prince of Thieves by Phoenix Jones, Im follow-

ing the game laid down by Jay-Z in his reasonable

doubt days. recalls Phoenix. Supported by the blaz-

ing hot single Hip Hop is my Hoe, Telakinetic Re-

cordz is making the steps from an underground label

to becoming a Hip Hop staple not only in Cleveland,

but across the entire United States. Were gonna keep

building until little green men come to cop an album,

Phoenix jokes, But seriously, our following extends

from Cleveland to Washington D.C. and Lexington,

Franklin, TN—January 27, 2009- Indieheaven.com and Creative Soul announce CREATIVE HEAVEN Artist Development, Production, and Label Services New company will serve independent Christian artists providing them impeccable service and support. With the majority of the established music industry reeling from devalued music assets, a busi-ness model based on antiquated delivery mechanisms, and artists who are now in the drivers seat, two of the leading independent Christian artist resources combine to increase the quality and quantity of independent Christian music. Indieheaven.com President, Keith Mohr states, “Myself and Eric Copeland, President of Crea-tive Soul, have seen the writing on the wall for the established music industry since the mid 90’s. Both of our companies have worked hard for years providing value and service to inde-pendent artists who are serious about their music and missions. Coming together is a logical step for our companies, birthing a wider palette of quality music from emerging artists and introducing them to a worldwide platform.” Creative Soul President, Eric Copeland states, “Many Creative Soul artists have amplified their music ministries through Indieheaven for years, and now Indieheaven artists have a way to work with myself and my team to take their music and ministry to a national audience. Many artists struggle to find their way, often times alone in their area with no one to guide them, bounce ideas off, and really IMPROVE and hone the talent God has given them. Working with a seasoned production team here in Nashville (not in some random spot around the US), we focus on developing YOUR original sound with the talent and experience of the folks here.” Mohr has interacted with thousands of independent artists through his online community, and Copeland has produced hundreds of high quality independent projects utilizing the same talent pool major labels have employed on their artists albums. Working with many independent art-ists over the years has earned both companies a solid reputation in the independent scene. CREATIVE HEAVEN will continue to build on their reputations, serving artists who are minis-try based, with servant hearts and who do not settle for mediocrity. Interested artists can click HERE for more information. ABOUT INDIEHEAVEN Indieheaven is an independent Christian musician resource agency that provides a world class profile with unlimited content, physical and digital distribution (100% of sales going to the art-ist), marketing, promotion, and management services. Indieheaven also provides strong com-munity through their IH Network. Online non-stop since 2002, Indieheaven is located in the heart of CCM, Franklin, TN. Indieheaven‘s reputation has been earned through impeccable ser-vice and attention to the needs of their members. Discover the Future of Music at: Indieheaven

ABOUT CREATIVE SOUL Creative Soul has over 20 years experience in helping Christian artists produce great sounding albums, songs, and arrangements, as well as finding their true potential, calling, and the right course for their music ministry. We‘re experienced with client needs, working on a deadline, fix-ing problems, and providing services like MP3 demos and overnight approvals. Our producers are not just studio engineers, but amazing songwriters, arrangers, and consultants, who can help guide your project and career as you seek to grow to a new level of music and ministry. For more information, visit Creative Soul Online

Born in Cape Town, South Africa on November

26, 1976, the daughter of South African jazz

musicians (her father and mother are the cele-

brated musicians Sathima Bea Benjamin and

Abdullah Ibrahim), she studied Vocal Perform-

ance at the LaGuardia School of Music & Art

before majoring in Music Business at New

York University.

Ibrahim initially worked under the name

What? What? and joined a hip hop music

group called Natural Resource in the mid-

1990s, along with rapper Ocean, and in 1996

they released a pair of 12-inch singles called

Negro League Baseball [2] b/w "Bum Deal" b/

w "They Lied," and "Bum Deal(remix)" b/w

"They Lied(remix)" b/w "I Love This World"

on their own label Makin' Records.[1] She also

appeared on singles by fellow Makin' Records

artists Pumpkinhead and Bad Seed, and on

the O.B.S. (Original Blunted Soldiers) double

12-inch single alongside crew members

Pumpkinhead, Bad Seed, and Meat-pie, and

produced much of the material released on

the label under the pseudonym Run Run

Shaw. During this period she established

strong ties with the Brooklyn Academy crew,

with which she would appear throughout her

career.

Natural Resource dissolved in 1998, after

which Ibrahim changed her stage name from

What? What? to Jean Grae, a reference to the

X-Men character Jean Grey. Under her new

moniker, she released her first LP—Attack of

the Attacking Things—in 2002, and followed

it with two more album releases over the next

two years. Throughout her career she has also

recorded tracks with numerous major hip hop

artists, Atmosphere, The Roots, Talib Kweli,

The Herbaliser, Da Beatminerz, Phonte, Mr.

Len, Masta Ace, Vordul Mega, C-Rayz Walz,

Mos Def, and Immortal Technique among

them.

Jean has recorded an unreleased album

with celebrated North Carolina producer 9th

Wonder, of Little Brother fame, entitled

Jeanius. This unfinished record was leaked on

the internet, and subsequently work was

stopped on this album.[3] However, at the re-

lease party for 9th Wonder's Dream Merchant

Volume 2 album she stated that Jeanius was

still going to be released. This album was

eventually released first through Zune Live

Marketplace two weeks before its disc release

on July 8, 2008.[4] The album features the

track "My Story", about the abortion she had

as a teenager.[5] Elsewhere, it's been reported

that her proposed fourth album, provisionally

titled Phoenix has gone into production. It has

been reported by several camp insiders that

9th Wonder will handle the lion's share of the

production duties with unknown UK producer

Passion hifi and NY resident Clinikal provid-

ing a beat each.

Previously signed to Babygrande Records, she signed a deal in 2005 with Talib Kweli's Blacksmith Records. On 28 April 2008, Jean Grae posted a blog on her MySpace page say-ing goodbye to her fans. [6] She later cited dis-enchantment with the music industry and de-sire to start a family as the reasons behind the 'retirement' and said that she was working on new material and still wanted to continue in music: "You know what? I need that Grammy. I think I might be able to stop after that".[7] As of July 2008, Talib Kweli posted a blog ex-plaining things about the album and includes the fact that she is not retiring, and encour-ages fans to purchase the album by "one of the last true MCs left". Grae returned to live per-formance later that year.[8]

On September 18, 2008, Jean Grae posted

a Craigslist offering her creative services for

$800/16 bars.[9][10] On her MySpace blog en-

try, she states, "I don't wanna complain any-

more, I just wanna change some things about

the way artists are treated and the way you

guys are allowed to be involved, since it IS the

digital age."[11

Albums

Attack of the Attacking Things (2002) The Bootleg of the Bootleg EP (2003)

This Week (2004)

The Orchestral Files (2007)

Jeanius with 9th Wonder (2008)

The Evil Jeanius with Blue Sky Black Death

(2008)

"This is Simply Nonscence"

When I first noticed this kid he fooled me being in videos with the stars and then it hit me you just gotta

peep them for yourself hilarious.

Interview with Nonscence by $ilkUnlimited

O H Ten. Cap City Boy but been EVERYWHERE

Is that a trick question?

Who influenced you? Good music influenced me.

Is that another trick question?

Man where can I start? I released alot of songs, got one album Super Saucy on iTunes and one single Cruise The

World on iTunes. I have another single about to drop on iTunes called Have You Seen Her. The buzz on that record

is crazy and it's only been out for a month.

Can't even count. I been on tv for music and non music related situations. I've done MTV Fight Klub, been on Starz,

Local TV ect ect

are you looking for a deal?

Hell no. Don't like being raped. Especially with no vaseline. The only way I would do a label deal is if I had control

over all my publishing and had the opportunity to negotiate my contract the way I wanted. But we all know I can file

that under never especially the way the industry is now.

Honestly the way people are in America they won't give u recognition you deserve unless you are with the big people.

Look at Em, he didn't get the respect he deserved until the Dre Situation. 50 didn't until the Em situation and so on

and so forth. So what I decided to do is use my jed-i mind trick and make it happen. And by the way I am in those

videos.

I got about 5 or 6 videos online right now. Working on alot more.

Try to take over the world Pinky

5 years from now I'm gonna be looking back on this situation glad that I went through it.

What don't I have going on in Miami is the question. Right now I'm working on music, a clothing line, branding my

name and company, shows, meet and greets, hugging women and kissing babies. You kno the whole Barack

Thing......

www.myspace.com/gotsence

www.youtube.com/nonsencetv

yeah them asses shut down my gotsence account cus too many people liked me more than their favorite artist.

$ILKUNLIMITED

where you from

how long you been rapping

Can you free style? If not why?

how many songs/ cd’s have you released

how many times you been on tv

what made you insert yourself into industry videos?

how many?

whats next?

5 yr goal?

what do you have going on in MIA?

any websites?

Rock and roll (also known as rock ’n’ roll) is a form of music that evolved in the United States in the late 1940s and early 1950s. Its roots lay mainly in rhythm and blues, coun-try, folk, gospel, and jazz. The style quickly spread to the rest of the world and developed further, leading ultimately to modern rock music.

The term "rock and roll" now covers at least two different meanings, both in common us-age. The American Heritage Dictionary[1] and the Merriam-Webster Dictionary[2] both de-fine rock and roll as synonymous with rock music. Conversely, Allwords.com defines the term to refer specifically to the music of the 1950s.[3] For the purpose of differentiation, this article uses the latter definition, while the broader musical genre is discussed in the rock music article.

Classic rock and roll is usually played with one or two electric guitars (one lead, one rhythm), a string bass or (after the mid-1950s) an electric bass guitar, and a drum kit. In the earliest rock and roll styles of the late 1940s and early 1950s, either the piano or saxophone was often the lead instrument, but these were generally replaced or supple-mented by guitar in the middle to late 1950s. The beat is essentially a boogie woogie blues rhythm with an accentuated backbeat, the lat-ter almost always provided by a snare drum.

The massive popularity and eventual world-

wide view of rock and roll gave it a unique so-

cial impact. Far beyond simply a musical

style, rock and roll, as seen in movies and in

the new medium of television, influenced life-

styles, fashion, attitudes, and language. It

went on to spawn various sub-genres, often

without the initially characteristic backbeat,

that are now more commonly called simply

Hip hop music is a music genre typically consisting of a rhythmic vocal style called rap which is accompanied with backing beats. Hip hop music is part of hip hop culture, which began in the Bronx, in New York City in the 1970s, predominantly among African Americans and Latino Americans.[1][2] The term rap music is often used synonymously with hip hop music.

Rapping, also referred to as MCing or emcee-

ing, is a vocal style in which the performer

speaks rhythmically and in rhyme, generally

to a beat, recently, however, a difference has

developed between "rapping" and "MCing".

"MCing" has been used to describe those art-

ists who possess and exercise superior lyrical

ability and prowess. Beats are traditionally

generated from portions of other songs by a

DJ, or sampled from portions of other songs

by a producer, though synthesizers, drum

machines, and live bands are also used, espe-

cially in newer music. Rappers may perform

poetry which they have written ahead of

time, or improvise rhymes on the spot with

or without a beat. Though rap is usually an

integral component of hip hop music, DJs

sometimes perform and record alone, and

many instrumental acts are also defined as

hip hop.

Ok there you have it the official definition of

Rock and Roll and Hip Hop according to

Wikipedia— which is accurate enough for

me .

It is fair to say that 2008 is a 1980‘s revival ,

everything 80‘s is ―poppin‖ back up from

Lasonic Classic Boom Box which now has

now has an I-POD port a USB port and still

manages to hold on to the LED‘s or THUMP

LIGHTS.

A lot of people like to pretend that Hip-Hop

was around since the beginning of time : this

is ToTallY un-true. And keeping it real most

are African-Americans who act like they never

used to listen to Rock. Bullshit…..

Before Hip-Hop went mainstream WE BLACK

FOLKS were listening to Duran Duran, Men At

Work, Hall And Oats, Peter Gabriel , Phil

Collins just to name a few. And some were

funky enough to sneak in a hot track that we

accepted like the Rock group ‗ YES‘ with

Owner of a Lonely Heart and ―Falco‖ with

Rock ME Amedeus………

This type of crossover was felt by early Hip-

Hop acts , as well as present day. Shit main-

stream Hip-Hop owes its present day life to

the merger of Rock and Hip-Hop. The break-

out remake of Aerosmith Walk this Way by

Run-D-MC pushed the rap group to the top of

Billboard Charts and put Aerosmth on the

charts.

Most of the early Hip-Hop mainstream music

was Rock based or infused, Run-D-MC,

Beastie Boys, LLCool J—Rock the Bells and

Dr. Jeykle and Mr. Hyde—A.M. PM. Was rock

infused along with countless others. We as a

genre, culture, and a race generally are ap-

peased when someone of another race has a

quality of music or sound WE like— like Tears

for Fear—If I heard another Remix for Shout I

was gonna Shout!!!!!!!!!!!!!!!!

Now lets pay homage to the innovators who

I can think of who really put forth a good

hard azz Rock REMIX - if you can think of

some I missed pleased forward to—

needle.groove@yahoo.com

1. Run-D-MC & Aerosmith—Walk this way

2. Public Enemy & Anthrax-

3. Dem Franchise Boys & Korn—

4. Jay-Z & Linken Park

5. Biggie Smalls - Bejamins Rock Remix

6. P Diddy& Jimmy Page

7. Lil Wayne & Kevin Rudolf

Im sure there are more feel free to e-mail

me .

Now there seems to be an Rock Renaissance

sprouting from the strumming of the Guitar

Hero and Rock Band Video Games. This is

truly a cross culture event in the making—

40 and over truly remember the songs,

young thirty‘s know some and 20‘s remem-

ber their parents or older siblings playing

the songs. But it‘s the kids that get it down

the best, they grew up on video games like

we grew up on GOOD music and doing

chores around the house.

I personally think the move is good—almost

strategic, by this I mean one could argue

that

that mainstream hip-hop to some degree

has lost its luster and many of the artist

sound the same with an exception of a hand

ful.

The true HIP-HOP sound has been replaced

with a repetitious guttural style that does

not contain content and creative verse writ-

ing. Many argue that the creativity was se-

verely bruised when Tupac and Biggie died.

But maybe just maybe the redirection back

to the 80‘s through style and culture, gim-

micks and bad hairdos, movie flash backs

and guitar hero will inspire an 80‘s baby to

truly take a objective and unselfish stab at

some real Hip-Hop lyrics with a fresh

throwback beat.

Some where in the U.S. or abroad there is a

rapper and a promising producer who just

discovered the 808 kick-drum, a technic

1200 turntable and a MPC multi-track.

Soon there will be a new wave of Hip-Hop

which will fulfill the thirst of the vampire

like True Hip-Hop Heads across the planet.

Shout Out to—The Roots, Talib , Jean Gray,

Hi-tek, Lupe , Geminii, Dax EFX, LOTUG

just to name a few who are keeping it real

for Hip-Hop .

As for my Guitar Hero inspired youth do

your thing, the current Rock Pop gene is so

close to Hip-Hop is ridiculous . Artist like

Creed, Coldplay, Kid Cudi, Ashor Roth ,

Kevin Ruldolf and One Republic have all

done songs or remixes with hip hop artist.

This proves that there will be continued

collaborations and remixes with Rock . Lets

face it they compliment one another like

gold teeth & jehri curls, breakdancing &

cardboard , bubble coats & moon boots.

In closing music transcends all genres , cul-

tures and countries, this has been eveident

since the creation of the drum . Music com-

mands attentions , soothes the souls, and

motivates my movements .

As long as there is Rock and Hip-Hop their

will be a chance of them merging to compli-

ment music as a whole. I for one welcome

the mash-ups , remixes and collabs that are

forthcoming.

D.J.Quest95

Needle&Groove

Hey, remember the '80's? (You don't? I barely remember them myself.) In that far off dec-

ade, we had things called "boomboxes" and "ghetto blasters" for our portable music and

they played "cassette tapes". Now Lasonic brings those days back with the slightly oddly

named HIGH PERFORMANCE PORTABLE MUSIC SYSTEMwhich is a boombox with an

iPod dock in the middle. (Were they inspired by the Flatpack Boombox?) It also features

support for USB flash drives and SD/MMC memory cards. And it weighs 15 pounds which

makes it ideal for hoisting over your head in a tribute to say anything. No word on pricing

yet. [Camille]

HIGH PERFORMANCE PORTABLE MUSIC SYSTEM [via SciFi Tech]

Like that? Read this: Mix Tape USB from Suck UK takes compilations back to the old school

| Retro-fy your tunes with the Flatpack Boombox dock | Blast your sounds with the Boom-

box Bag

Atari Flashback

By Scott Marley

It started a revolution and redefined entertainment for a generation… and today, Atari proves

you can go home again with its Atari® Flashback™ Classic Game Console.

Coming to Europe in time for the Easter holidays, Atari Flashback is a stand-alone, plug-and-

play unit filled with 20 classic Atari games, including Asteroids®, Centipede®, Breakout®

and the never-before-released Saboteur™.

Atari Flashback, a hybrid of the classic Atari 2600 and 7800 consoles, is modelled to resem-

ble a smaller replica of the 7800 and plugs directly into the TV for easy access and instant

gratification.

Take a walk with T.O.U.C.H. Inc. (Talent Out-

reach for Underprivileged Career Hunters) on

the “Pull Up Your Pants and be a Man” Move-

ment. Just what does “Pull Up…” mean to

you? Or better yet what age are you when you

stop sagging your pants? What’s your reason to

broadcast to the world the color of your box-

ers? Are you just trying to fit in or is that your

style? To each his or hers own but damn now

that I’m 40 I’m seeing it in a different light. I

quit saggin years ago and it made a difference

on a business level, folks took me a lil more

serious plus I was in Corporate America. But I

was behind the scenes and I got tired of the Ra-

cial Profiling not to mention the kind of grown

women not girls I liked.

To know me you probably don’t look or think

of me as a Role Model but what is a Role

Model? I never claim to be a squeaky clean an-

gel but I do have morals and has helped that

taught the youth about Hip Hop and not Rap

ect.. But that’s where T.O.U.C.H. Inc. comes in

more than just another Mentoring Organization

as you might think? It’s “Opportunities for

Everyone” as a catalyst towards success as a

chance to get in where you fit in with your

skills of self taught success stories or if you

have a degree; it’s a vehicle of success.

With this country being in a deficit and Stimulus

money being granted why not take full advantage

and help educate our youth in various ways

needed. You may not be an office person but we

need a street team of Ladies and Gentleman to

help and did I mention we are in touch with Ce-

lebrities? It really does take a village to raise a

child and we can’t do it alone nor teach young la-

dies to be women. Join the team at

touchonline.org

$ILKUNLIMITED