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NATHAN DIAMOND Director of the Arts [email protected] https://dcps.instructure.com/courses/33304

Transcript of NATHAN DIAMOND - Constant Contactfiles.constantcontact.com/6652e437001/644533dc-81e0-4328... ·...

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NATHAN DIAMOND!Director of the Arts

[email protected] https://dcps.instructure.com/courses/33304

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What! is!

DISTRICT! CURRICULUM?!

LUIS CAMNITZER!

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MAKE A BOOK!

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FORM & MEANING!

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STUCK IN THE MIDDLE!

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ARTS ADMINISTRATORS!

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POLICY &! STANDARDS!

ARTS ADMINISTRATORS!

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ARTS ADMINISTRATORS!

STUDENT!EXPERIENCE!

POLICY &! STANDARDS!

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Educationally speaking, producing artworks should be seen as a byproduct of a much more important process: learning to face the world with imagination rather than with submission. We should treat art as a way of thinking, of acquiring and ordering knowledge, as a tool for subverting conventions in order to refresh and reshape culture.

Luis Camnitzer

An Artist, a Leader, and a Dean Were on a Boat…

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How do you

STRUCTURALIZE the individual experience?

OLAFUR ELIASSON!

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How am I building my students capacity for learning? What are the intersections between what I am teaching and what my

students are learning elsewhere? How am I preparing my students for a life beyond K12 education?

NARI WARD!

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DC STATE STANDARDS Strand 2, Visual Arts

FIRST Use overlapping in a collaged still life composition

SIXTH Use a variety of tints, shades and intensities when drawing

HS PROFICIENT Illustrate images that demonstrate the use of light and shadow, texture, reflection and transparency.

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FIRST Engage collaboratively in exploration and imaginative play with materials

SIXTH Combine concepts collaboratively to generate innovative ideas for creating art

HS PROFICIENT Individually or collaboratively formulate new creative problems based on student’s existing artwork.

NATIONAL CORE ARTS STANDARDS Anchor Standard 1, Visual Art

TITUS KAPHAR!

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Combine concepts collaboratively to generate innovative ideas for creating art

Use a variety of tints, shades and intensities when drawing

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communication of

EXPECTATIONS

ARCS of learning

CYCLES of exploration and reflection

CHERYL POPE!

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CONTRAST

PERCEIVING

OTHER

INTERACTION

COMMUNITY

BECOMING

SELF

IDENTITY

GROUPING & SORTING

CONNECTING

MEDIUM

LANGUAGE

PATTERNS & RHYTHMS

BUILDING

STRUCTURE

DETERMINATION

MOVEMENT

TRUSTING

PROCESS

CREATION

GROWTH & CHANGE

BRIDGING

PRODUCT

TRANSFORMATION

ID IN LA DE CR TR

FRAMEWORK for ARTS LEARNING Structure

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FRAMEWORK for ARTS LEARNING Structure

DEVELOPMENT CYCLE

THEMATIC ARC TR

K

HS

BRIDGING

GROWTH & CHANGE

PRODUCT

TRANSFORMATION

3rd through 5th

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ID IN LA DE CR TR

CONTRAST COMMUNITY GROUPING & SORTING

PATTERNS & RHYTHMS

MOVEMENT GROWTH & CHANGE

PERCEIVING BECOMING CONNECTING BUILDING TRUSTING BRIDGING

OTHER SELF MEDIUM STRUCTURE PROCESS PRODUCT

INTERACTION IDENTITY LANGUAGE DETERMINATION CREATION TRANSFORMATION ABSTRACT

CONSTRUCT

ACT

MANIPULATE K – 2nd

3rd – 5th

6th – 8th

HS

FRAMEWORK for ARTS LEARNING Development Cycles

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FRAMEWORK for ARTS LEARNING Unit Design

CONTEXT building engagement

INSTRUCTION providing content

PRACTICE student opportunity

to experiment

APPLICATION student application of learning

ASSESSMENT

FEEDBACK & CRITIQUE

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FRAMEWORK for ARTS LEARNING Collaboration

WHAT CAN CURRICULUM BE?

PLATFORM FORUM

LANGUAGE COMPASS

MAP

JESSICA STOCKHOLDER

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COMMUNITY

IDENTITY

ID

ID

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CONTRAST

INTERACTION

IN

IN

COMMUNITY

IDENTITY

ID

ID

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CONTRAST

INTERACTION

IN

IN

GROUPING&

SORTING

LANGUAGE

LA

LA

COMMUNITY

IDENTITY

ID

ID

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DETERMINATIO

N

PATTERNS & RHYTHMS

DE

DE

CONTRAST

INTERACTIO

NIN

IN

GROUPING&

SORTING

LANGUAGE

LA

LA

COMMUNITY

IDENTITY

ID

ID

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DETERMINATIO

N

PATTERNS & RHYTHMS

DE

DE

CONTRAST

INTERACTIO

NIN

IN

GROUPING&

SORTING

LANGUAGE

LA

LA

CREATION

MOVEMENT

CR

CR

COMMUNITY

IDENTITY

ID

ID

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DETERMINATIO

N

PATTERNS & RHYTHMS

DE

DE

CONTRAST

INTERACTIO

NIN

IN

GROUPING&

SORTING

LANGUAGE

LA

LA

CREATION

MOVEMENT

CR

CR TRANSFORMATION

GROWTH &CHANGE TR

TR

COMMUNITY

IDENTITY

ID

ID

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FORMAL!INSTRUCTION!

CURRICULAR! FRAMEWORK!

INDEPENDENT!LEARNING!

GUIDED!EXPERIENCES!

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CONNECTING TO THE CURRICULUM

VISIT dcps.instructure.com/courses/33304

CONNECT Examine how your work overlaps Determine natural intersections

WRITE Authoring opportunities – Spring 2017

SARAH SZE

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CONNECTING TO THE CURRICULUM

NEW PROGRAM

SARAH SZE

TALK with DCPS Arts IDENTIFY: Target Grades Timing Capacity Thematic Connections

Review the Unit Design Template

Draft DCPS Curriculum Docs

Link to Existing Work

DCPS Arts Editing and Review

ONLINE PUBLISHING

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NATHAN DIAMOND!Director of the Arts

[email protected] https://dcps.instructure.com/courses/33304