Nadia kim portfolio
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Transcript of Nadia kim portfolio
DESIGN 101 Professor. Florencia Vetcher
Reversed Space Two design approaches (point and line, plane and surface) are used to create a space with two opposite images. A tall and large opening lets great amount of light and air to enter which attracks people, but as people enter, the space gets smaller and surrounding walls are constructed with steep angles. At the end, they have to crawl under thestructure through a small opening to exit.
Picked and pulled planes create different opening sizes that change the perspective of the folly at the entrance and the exit.
a.
b. c. d.
model (a&b&c) model (d)
a grid is divided by the quarter of myfamily members’ total ages
dots occur order of 1-2-3-4-3-2-1 at the intersection of lines that follow thecharacteristics of the family members
variation of drawing b, rotated and resized. emphasis on the triangles which are createdby lines
based on drasing c, pick a point to pull the principal triangles, extract secondary triangles that fold up and down. shear shapes spatially
Project 1 - point and line
a. axonometric intersection extrude the shapes vertically and horizontally,find the volume inside the intersection
b. component variation using the volume from axonometric intersection drawing, 5 variations of component are generated by adding 2 triangles around the opening of the component, which makes the opening smaller in eachvariation
Project 2 - plane and surface
1”=1’ Plan Nadia Kim
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1”=1’ Section B Nadia Kim
Conceptual Drawing Nadia Kim
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1”=1’ Section A Nadia Kim
a. plan b. section 1c. section 2
e. component opening diagram f. conceptual drawing
FInal Project - Reversed Space
1”=1’ West Elevation Nadia Kim
d. west elevation
a. east elevation b. south elevation
e. west elevation f. north elevation
c. entrance
d. exit
TECHNICS Professor. Antonio Furgiuele
Structure for Unsupported Bodies
A wooden structure is made to hold an unstable motion of two people who are leaning against each other back to back.
The form of the structure is designed to only fit into specific bodies.
The structure is made with several layers of thin woods for stronger support.
a. body motion
b. process
c. model d. close-up
e. performance
REPRESENTATION 1 professor. Yehre Suh
Reinterpretation of the Space
Using a 10’x10’x10’ space in higgins hall, I created an imaginary space with continuous staircases, where gravity isn’t applied.
After constructing the space digitally, I layered the plan and elevations of the space to make3-dimensional drawing.
For an analogue drawing, I attached the plan and elevations as how the space was constructed, and extruded them to express3-dimensional space.
a. analogue
b. digital drawing
c. plan and elevation of thespace
d. collage
Solid, Void, and Components
Using the volumes which are extrusions of a shape and its variations from the axonometric drawing from a townhouse analysis, a void iscreated.
In the model, the solid and void are reversed due to removal of an exterior solid wall.
Another shape from the axnometric synthetic drawing is used for the components. The shape is folded into 5 different ways creating 5 components. Then, they disperse andinterconnect to each other within the space.
In the model, components had to be shifted due to the weight balance.
DESIGN 102 Professor. Duks Koschitz
b. solid & void drawing
a. solid & void model
c. components drawing
d. components model
Body Motion
In the composite body motion photo, one person is leaping and another is cartwheeling. They start their activities opposite from eachother, and switch sides at the end. There are drawings of composite body motions, leaping, and cartwheeling. The first drawing is geometries that arms and legs create, and the second drawing is lines that connect eachbody joint
a. composite b. leaping c. cartwheeling
Desynchronized Harmoney
A space is designed for two occupants who are derived from the body motions. Leaping represents a ballerina and cartwheeling represents a breakdancer. They have opposite personalities (a break dancer is extroverted while a ballerina is introverted) ,but in the space, they use space harmonically.
A space is composed of 3 floors, which are intersecting floor planes, and each of the occupantuses space diagonally.
The major structure is parallelograms and is same for both of the occupants. However, other details such as wood sticks or glass planes follow the characteristics of the occupants. For example, the break dancer’s first floor is open to public, connected with the stairs of the public space, wherethat of the ballerina is hidden behind the gate.
a. parallelogram components moodel b. parallelogram components drawing
c. body motion modeld. body motion drawing e. body motion model diagram
f. hybrid model (parallelogram + body motion)
To navigate through the space, two occupants must go through the breakdancer’s entrance since it is the only connected space from the sidewalk. The second floor is has a long hallway, which is their communal practice space. The third floor is the bedroom. The ballerina’s bedroom faces the street indicating that although she is an introvert, she likes to observe people. The breakdancer’s bedroom faces the backyard meaning that even though she is outgoing, she needs some privacyof her own.
In drawings, lighter magenta represents the ballerina, and darker magenta represents the breakdancer.
a. sections
b. plans
c. west elevation
d. east elevation
a. south elevation b. north elevation
c. cross section 1 d. cross section 2 e. cross section 3
f. south elevation model
g. north elevation model
street perspective
REPRESENTATION 2 Professor. Farzam Yazdanseta
House X Analysis
Using ‘L’ extrusion, which is a basic geometric system in House X, as a motif, I constructed a drawing that shows the specific moment in the house, which is the collision of the two ‘L’extrusions of each quadrant.
The collision space is shown throughout the rotation from worm’s eye view to the side elevation of the quadrant.
Sensory Botanical Research Center
Locating on Grand and Chrystie street in Chinatown, New York City, Sensory Botanical Research Center provides not only a space to study nature, but also to see and feel the nature.
The research center is designed in three systems -- multi-funtion, nature and shadow,continuity of the volume
DESIGN 201 Professor. Karen Bausman
Nadia KimKaren Bausman
Site Plan1/8”=1’0”
Design 201Fall 2014a. site plan
Nadia KimKaren Bausman
Site Section1/8”=1’0”
Design 201Fall 2014
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b. site section
The majority of the elements in the projectfunction in several ways such as structure,program, and engineering.
● Columns : Columns have triangular structuralsupport system in the corners of its parellelogram shape. MEP takes place insidethe support system. The hole in the center is for exhibition. This is a space for therecent study of botanical speicies. The column also provides seating area betweenthe support system.
● Envelope : The envelope on Chrystie streetcarves into the floor planes, allows itself tobe facade and columns at the same time.
● Bookstacks : Bookstacks are laid out to workas walls. They create selfenclosingspaces, which become individual study spaces
Multi-function
Nadia KimKaren Bausman
Grand Street Sections1/8”=1’0”
Design 201
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Nadia KimKaren Bausman
Grand Street Sections1/8”=1’0”
Design 201
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Nadia KimKaren Bausman
Detail Assembly 1/2”=1’0”
Design 201Fall 2014
a. Grand street section b. Chrystie street section
c. column assembly
d. column model
To create a botanical research center where individuals can experience the nature the fullest, the facades are designed to accordingto the nature in the surrounding.
● The facade of Chrystie street is affected bythe trees from Sara Roosevelt park, which is located on the opposite side of the site. Toutilize the casted tree shadows on Chrsytie side, the majority of facade consistsof glass, allowing the shadows to enterinto the building.
● The facade of Grand street is affected by theneighboring building’s shadows. Toprevent the nonnature elements from entering the building, the facadeis designed that the most of the facade’s surfaces arecovered.
Nature and the shadow
Nadia KimKaren Bausman
Elevations1/8”=1’0”
Design 201Fall 2014
Nadia KimKaren Bausman
Design 201Fall 2014
Detail Section1/2”=1’0”
a. elevations
b. model
c. detail section
d. shadow rendering
To create spaces that are with different levelsbut also continuous open spaces, the floor planes are designed to have gradual changesin size. Higher level floors have open spaces towards Chrystie street which also associateswith concept of allowing the tree shadows. Lower level floors have open spaces towardsthe boudary of the neighboring building on Grand Street, constructing a similar contextuallanguage.
Continuity of the volume
Nadia KimKaren Bausman
Basement & 1st Floor1/8”=1’0”
Design201 Fall 2014
Nadia KimKaren Bausman
2nd & 3rd Floor1/8”=1’0”
Design201 Fall 2014
Nadia KimKaren Bausman
4th & 5th Floor1/8”=1’0”
Design201 Fall 2014
Nadia KimKaren Bausman
Design 201Fall 2014
Axonometric1/32”=1’0”
a. plans
b. axonometric
a. perspective
b. street perspective
c. elevation from inside
d. auditorium-2nd floorclose up
REPRESENTATION 3 Professor. David Mans
Interactive Kiosk
A kiosk is designed in Higgins Hall 4th floor staircase. This Kiosk has interactive surface wall which performs as a display table, information desk, as well as a sitting area. The surface consists of small ball magnetic units and reacts with the pressure. The tubes inside the wall illuminate different colors of light that change the atmosphere of the kiosk.
KIOSK SPACE4TH FLOOR CEREMONIAL STAIRS
MATERIAL: Masonry walls, Cement stairs, Wooden railings
Chosen kiosk space to display Helix GOCAM and Flex Product.
UNDULATING WALL SURFACEIN RELATION TO BOTH PROJECT 2S PRODUCTS
MATERIAL: Formed Cement Walls
The formation of the cement walls range from being seats to display areas and reception desks. They de�ne the space, and the functional-
ities of the spaces.
MAGNETIC FIELDFLEX BED MATERIALITY
MATERIAL: Magnetic Metal
Repeating metal unit balls envelope the wall surfaces. Flex products in the space are free to gradually �ow and connect to any surface of
the wall because of the magnetic balls.
CIRCULATION TUBEHELIX GOCAM STABILIZER
MATERIAL: Glass & Water
The Circulation Tube acts as a path for visitors to follow. It starts from the entrance and ends at the end of the intended circulation which is
the ground �oor of the ceremonial stairs.
diagrammatic scheme
ENTRY
RECEPTIONDESK
LOUNGING/SEATING
DISPLAY
DISPLAY
AESTHETIC UNDULATION
MAGNETICUNIT BALLS
ENTRY
DESIGN 202 Professor. Livio Dimitriu
scientist’s dwellings
A research center in Wave hill, Bronx provides classrooms, a gallery, an outdoor garden, and dwellings for scientists. Built in light wood construction, the center’s architecture not only harmonizes with the surroundings, but also merges with it through the shadows, materials, and altered topography.
Site Plan 1/128”=1’0”
Site Plan 1/32”=1’0” Site Section 1/16”=1’0”
a. site plan
b. shadow study
c. site section
d. models
A site was chosen after careful study of shadows of surrounding elements. Each facade of the building is affected by shadows of neighboring trees in different time of a day, as well as getting much sunlight throughout the day. The shadow of the building also affects the pre-existing Glendore gallery, making avisual connection in between.
Plan at level 1 1/8”=1’0” Plan at level 2 1/8”=1’0”
Plan at level 4 1/8”=1’0”Plan at level 3 1/8”=1’0”
a. plan at level 1 b. plan at level 2
c. plan at level 3 d. plan at level 4
e. outdoor garden merging study
f. model
Outdoor garden is used to resemble the nature. Clay study was carried out to create gentle unity with the pre-existing topography. A plan of the garden is drawn following the claymodel.
dwelling �rst �oor
entry level
dwelling second �oor
gallery level
rootfop
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Section a 1/8”=1’0”
Section b 1/8”=1’0”
Section c 1/8”=1’0”
Section d 1/8”=1’0”
entry level
gallery level
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Detail Section 1/2”=1’0”
a. sections
b. detailed sectionl
c. model
Using the slope of the terrain actively, the building has corresponding floor levels. This allows the minimum excavation of the site as well as provides separate entries to private and public spaces.
The exposed wooden structure of the building creates “fuzzy” shadows resembling those of trees. These are shown internally and externally, implying the architecture’s attempt at providing the neutral ground between artifacts (building) and nature.
