SYMPHONIC BAND

Please note: Our band and orchestra music is now being collated by an automatic high-speed system. The enclosed parts are now sorted by page count, rather than score order. We hope this will not present any difficulty for you in distributing the parts. Thank you for your understanding.

SHANNON FALLSMvt. II from the suite SEA TO SKY

RALPH FORD (ASCAP)

INSTRUMENTATION

1 Conductor 1 C Piccolo 3 1st Flute 3 2nd Flute 2 Oboe 2 Bassoon 3 1st B � Clarinet 3 2nd B � Clarinet 3 3rd B � Clarinet 1 E� Alto Clarinet 2 B � Bass Clarinet 1 E� Contrabass Clarinet 2 1st E� Alto Saxophone 2 2nd E� Alto Saxophone 1 B � Tenor Saxophone 1 E� Baritone Saxophone 3 1st B � Trumpet 3 2nd B � Trumpet 3 3rd B � Trumpet

1 1st F Horn 1 2nd F Horn 1 3rd F Horn 1 4th F Horn 2 1st Trombone 2 2nd Trombone 2 3rd Trombone 2 Euphonium 1 Baritone Treble Clef 4 Tuba 1 String Bass or Optional PAD Bass 2 Synthesizer (Choir Patch,

Harp Patch or Optional Piano) 2 Mallet Percussion

(Marimba, Bells) 1 Timpani 3 Percussion I

(Triangle, Suspended Cymbal/Bass Drum)

2 Percussion II (Tam Tam, Crash Cymbals)

WORLD PARTSAvailable for download from

www.alfred.com/worldparts

1st Horn in E�2nd Horn in E�3rd Horn in E�4th Horn in E�1st Trombone in B � Bass Clef2nd Trombone in B � Bass Clef3rd Trombone in B � Bass Clef1st Trombone in B � Treble Clef2nd Trombone in B � Treble Clef3rd Trombone in B � Treble ClefBaritone in B � Bass ClefTuba in E� Bass ClefTuba in E� Treble ClefTuba in B � Bass ClefTuba in B � Treble Clef

SUITE: SEA TO SKY I. March: The Lion’s Gate II. Shannon Falls III. Stawamus Chief IV. Whistler/Blackcomb and BeyondPr

evie

w On

ly

Lega

l Use

Req

uire

s Pu

rcha

se

PROGRAM NOTESSHANNON FALLS was commissioned by the West Vancouver Youth Band Society for the WVYB Symphonic Band division Douglas J. Macaulay, Conductor, on the occasion of the band’s 75th anniversary. Since its founding in 1931, the West Vancouver Youth Band Society has provided an opportunity for dedicated young people to play and perform music of the highest caliber in a community band setting. As “The Offi cial Youth Band of West Vancouver”, the WVYB represents the community locally and internationally and has won countless awards and accolades for its outstanding achievements. Musical excellence, the importance of community, and the value of tradition, are the legacy carried by each West Vancouver Youth Band member past and present.

In August of 2002, I fi rst traveled to the beautiful city of Vancouver to conduct a new music reading session. It was during this visit that I met Douglas Macaulay who then graciously invited me to join the clinic panel for the Whistler Music Festival held each year in the beautiful resort town of Whistler, B.C. On my subsequent visits to the Whistler Music Festival my host, Doug, and his mentor, Martin Berinbaum, Director of Bands at the University of British Columbia, took the time to introduce me to this remarkable drive along Highway 99 that is known as the “Sea-to-Sky” Highway. The journey from Vancouver to the peak of Whistler, which starts at sea level and ends at over 7000 feet, begins by traveling from the city core across the Lions Gate Bridge where one is the immediately met by the Mountains of the North Shore. To the west of the Lions Gate Bridge, is the beautiful seaside town of West Vancouver stretching from the ocean up, way up , to the Sea-to-Sky corridor—a highway that clings to the mountainside through spectacular natural scenery, expansive forest lands, and ocean vistas. Following the highway brings many wonderful surprises. After passing the ferry terminal nestled between the banks of Horseshoe Bay, and the picturesque Village of Lions Bay, one encounters the popular diving site of Porteau Cove and the Britannia mine heritage site. Magnifi cent Shannon Falls soon comes into view with its massive fl ow seemingly bursting from the rocky cliffs. A little further up the Sea-to-Sky, you’re met by the shear rock face of the Stawamus Chief Mountain, a granite monolith that sits at the edge of the town of Squamish with its endless forests, enormous population of Bald Eagles, and reputation for exciting outdoor sport. Then it’s on to the spectacular Ski Resort of Whistler, British Columbia, and the location for many events of the Vancouver 2010 Winter Olympics. From the Village below, the Skyride to the top of the Whistler Mountain offers a breathtaking view beyond Whistler to an endless landscape of glacier capped peaks and untouched wilderness. I highly recommend everyone take the time to personally make this journey that I have taken. Each movement of this suite for band was composed in an effort to capture the grandness, the scope, and the enormous natural beauty of this part of our world and, hopefully, express it to you with music in a way that words cannot.

NOTES TO THE CONDUCTORThe opening of SHANNON FALLS should be extremely transparent in texture and sound. Take care to balance the divisi in the fl ute choir when three parts are written. Should you have the option of using a real harp, please do so; however, when played on the synthesizer, the musician should amplify the keyboard through a sound system that has been integrated with the wind ensemble. A stereo pair of speakers should be placed in the rear of the group at an angle towards the conductor’s podium. Should you also choose to employ the optional PAD Bass (a low “string-pad” synthesizer patch), it should be amplifi ed through the same system. Use of the optional PAD Bass, which is indicated on the String Bass part, will enhance the efforts of your ensemble.

Regarding tempo throughout, my markings are suggestions, not absolutes. Milk the rallentando, and especially the “hold way back” marking at measure 58, for everything you can. It should be as dramatic as possible. Likewise, exaggerate all dynamic indicators. These decisions and musical moments are for you and your musicians to discover.

Soloists should relax and explore the musical line for themselves, playing in a rubato style but not out of time. The animato at measure 35 should be very light and possess a “dance-like” quality to contrast the previous lyrical material.

As in the beginning of the movement, the last eight measures should return gently to the transparency and fade into nothing. I hope that you, your musicians and your audiences enjoy SHANNON FALLS.

Prev

iew

Only

Lega

l Use

Req

uire

s Pu

rcha

se

&&&?&&&&&&&&

&&&&?????

&?

&?

ãã

####################

######

43

43

43

4343

43

43

43

43

43

43

43

43

43

43

43

43

4343

4343

43

43

43

43

43

43

Bb Clarinets

Bb Trumpets

Trombones

F Horns

12

1

23

1

23

1

23

12

12Flute

Oboe

Bassoon

Eb Alto ClarinetBb Bass Clarinet

Eb AltoSaxophones

Bb TenorSaxophone

Eb BaritoneSaxophone

34

Euphonium

Tuba

Mallet Percussion(Marimba, Bells)

Percussion 1(Triangle, Suspended Cymbal/Bass Drum)

Percussion 2(Tam-Tam, Crash Cymbals)

Timpani

Synthesizer orOpt. Piano(Choir Patch,Harp Patch)

Piccolo

String Bass(opt. PAD Bass)

Eb ContrabassClarinet

Expressive q = 76-84

Expressive q = 76-84

Tune: A, D, F

∑œœœ# --pdiv. 2nd

˙̇̇molto sost.œ-

p˙molto sost.

∑œ-p

˙molto sost.

∑∑∑∑∑∑∑

∑∑∑∑∑∑∑∑∑

œp

Harp Patch

œ œ œ# œ œ

∑∑∑

ŒTriangle— Œ

1∑

∑...˙̇̇#

(lower part to dbl. ob.).˙∑

.˙

∑∑∑∑∑∑∑

∑∑∑∑∑∑∑∑∑

œ œ œ œ# œ

∑∑∑

∑

2∑

∑œœœ#-- ˙̇̇

œ- ˙∑

œ- ˙∑∑∑∑∑∑∑

∑∑∑∑∑∑∑∑∑

œ œ œ œ# œ œ

∑∑∑

Œ — Œ

3∑

Solo

∑...˙̇̇#.˙

∑.˙

∑∑∑∑∑Œ Œ œ-P

(Solo Hn.)

∑∑

∑∑

Œ Œ œ-P∑∑∑∑∑∑

œ œ œ œ# œ

∑∑∑

∑

4∑

∑œœœ# -- ˙̇̇

œ- ˙∑

œ- ˙∑∑∑∑∑œ œ# œ

∑∑

∑∑

œ œ# œ∑∑∑∑∑∑

œ œ œ œ# œ œ

∑∑∑

∑

5∑

∑...˙̇̇#.˙

∑.˙

∑∑∑∑∑œ# .œ Jœ-∑∑

∑∑

œ# .œ jœ-∑∑∑∑∑∑

œ œ œ œ# œ

∑∑∑

∑

6∑

Ralph Ford (ASCAP)FULL SCOREApprox. Duration - 3:30 Shannon Falls

Mvt. II from the suite: SEA TO SKY

© 2007 BELWIN-MILLS PUBLISHING CORP. (ASCAP),a division of ALFRED PUBLISHING CO., INC.

All Rights Reserved including Public Performance26773S

Commissioned by the West Vancouver Youth Band Society for the WVYB Symphonic Band Division Douglas J. Macaulay, Conductor, on the Occasion of the Band’s 75th Anniversary

Prev

iew

Only

Lega

l Use

Req

uire

s Pu

rcha

se

&&&?

&&&&&&&&

&&&&????

?

&?

&?

ãã

#######

#####

########

######

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fl.

Ob.

Bsn.

A. Cl.

B. Cl.

A. Saxes.

T. Sax.

Bar. Sax.

34

Euph.

Tuba

Mlts.

Perc. 1

Perc. 2

Timp.

Synth.

Picc.

Str. Bass

Cb. Cl.

∑œœœ#-- ˙̇̇

œ- ˙

∑œ- ˙

∑∑∑∑∑œ œ# œ œ

∑∑

∑∑

œ œ# œ œ

∑∑∑∑∑

∑œ œ œ œ# œ œ

∑∑∑

∑

7

∑

∑...˙̇̇#b

F.˙b

F∑

.˙F

∑∑∑∑∑.˙

∑∑

∑∑

.˙

∑∑∑∑∑

∑œ œ# œ# œ œ# œ

∑∑∑

∑

8

∑

∑...˙̇̇

.˙

∑.˙

∑∑∑∑∑œ

fœ œ

∑∑

∑∑

œf

œ œ

∑∑∑∑∑

∑œF

œ œ œ œ œ

∑∑∑

∑

9

∑

∑...˙̇̇

.˙

∑

.˙∑∑∑∑∑œ ˙

∑∑

∑∑

œ ˙

∑∑∑∑∑

∑œ œ œ œ œ

∑∑∑

∑

10

∑

∑...˙̇̇

.˙

∑.˙

∑∑∑∑∑œ œ œ

∑∑

∑∑

œ œ œ

∑∑∑∑∑

∑œ œ œ œ œ œ

∑∑∑

∑

11

∑

a2

∑œp

œ œ œ# œ œœœ# œœ œœ# œœ œœ-œ#p œ œ œ œ-

∑œp œ œPŒ Œ œPŒ Œ œPŒ

ṗŒ ṗŒ

œp œPlay.˙

pŒ ṗŒ ṗ

∑∑

.˙p

Œ ˙̇#p∑∑

Œ ˙p

Œ ṗŒ(8vb thr. if PAD Bass)˙pœœ# œœ œœ œœ œœ œœ#pœ œ# œ œ œœ

∑∑

Œ Trgl. —P Œ

12

∑

13

13

a2

∑∑∑

.˙Pœ œ# œ

˙̇ œœ#

˙ œ.Ṗ.˙

PœP

œ# œœ ˙œ#P ˙.˙

P∑∑

œœPAll ˙̇

œ#P ˙∑∑

.˙P.˙

P.˙Pœœœ#P

˙̇̇.˙

∑∑

∑

13

∑26773S

4

Prev

iew

Only

Lega

l Use

Req

uire

s Pu

rcha

se

&&&?

&&

&&

&

&&&&&&&?????

&?

&?

ãã

#######

#####

###

#####

######

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fl.

Ob.

Bsn.

A. Cl.

B. Cl.

A. Saxes.

T. Sax.

Bar. Sax.

34

Euph.

Tuba

Mlts.

Perc. 1

Perc. 2

Timp.

Synth.

Picc.

Str. Bass

Cb. Cl.

∑∑∑

.˙

œ#> œ œ œ..˙̇#>.˙#.˙.˙

œ#>> œ œ œ.˙#.˙#.˙

∑∑

.>̇œ# ˙

.˙#∑∑

.˙

.˙

.˙

..˙̇# œ# ˙

.˙∑∑

∑

14

∑

∑∑∑

˙ œœ œ# œ œ

˙̇ œœ#

˙ œ

˙ œ˙ œœ œ# œœ ˙œ# ˙

˙ œ∑∑

œœ ˙̇

œ# ˙∑∑

˙ œ

˙ œ˙ œŒ ‰ jœ# œ œ

œ œ ˙

∑∑

∑

15

∑

∑∑∑

.˙#˙ œ˙̇## œ˙# œ

.˙#

.˙#˙̇# œœ#˙# œ#.˙#

∑∑

˙̇# œœ#˙# œ#

∑∑

.˙#

.˙#

.˙#

œ# œ œ œ# œ# œ˙# œ#

∑∑

∑

16

∑

∑∑∑

˙ œ œ#

œ œ# œ

˙̇ œœ#

˙ œ

˙ œ œ#˙ œ œ#œ œ# œœ ˙œ# ˙

˙ œ œ#∑∑

œœ ˙̇

œ# ˙∑∑

˙ œ œ#

˙ œ œ#˙ œ œ#

œœ œ œœ# œ œœ œ

˙ œ œ#∑∑

∑

17

∑

∑∑∑

Ḟ œ

œ#F .œjœ

œœF..œœ jœœ

œF .œjœ

Ḟ œ

Ḟ œ

œœ#F..œœ jœœ

œF ˙

Ḟ œ∑∑

œœ#F ˙̇

œF ˙∑∑

˙F

œ

Ḟ œ˙F

œ

œœ# œ œœ œ œ œ

˙ œ∑∑

∑

18

∑

∑∑∑

˙ œ

œ œ œ#

˙̇# œœ˙# œ

˙ œ˙ œ

œ œ œ#˙# œ

˙ œ˙ œ

∑∑

˙̇# œœ#

˙ œ∑∑

˙ œ

˙ œ˙ œ

œ œ# œ œ œœ#

˙ œ∑∑

∑

19

∑

∑∑∑

˙p

œ œ#

.ṗ

..˙̇#p

.˙#pṗ œ œ#

.ṗ

..˙̇p

.˙#p˙p

œ œ#∑∑

..˙̇p

.˙#p∑∑

.ṗ

.ṗ

.˙pœ œ œ# œ œœ

.˙∑∑

Œ — Œ

20

∑26773S

5

Prev

iew

Only

Lega

l Use

Req

uire

s Pu

rcha

se

&&&?

&&&&&&&&

&&&&?????

&?

&?

ãã

#######

#####

########

######

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fl.

Ob.

Bsn.

A. Cl.

B. Cl.

A. Saxes.

T. Sax.

Bar. Sax.

34

Euph.

Tuba

Mlts.

Perc. 1

Perc. 2

Timp.

Synth.

Picc.

Str. Bass

Cb. Cl.

21

21

∑Œa2 œ#p

œ

Œ œ#pœ

˙ œŒ œ

pœ œ œ

Œ œœ#p œœ#œœ œœ

Œ œ#p

œ œ œ

ṗ œ∑∑∑

œ jœ ‰ Œ

∑∑∑∑∑∑∑∑∑∑∑

ŒMarimba (soft mlts.)œœœ#p

œœœ œœœ œœœ∑

∑

21

∑

∑.˙

P.˙P˙#P

œ œœ#P

œ œ œ œ-

œœ#P

œœ# # œœ œœ œœ--œ#P

œ# œ œ œ-

˙#P œ œ∑∑∑∑

∑∑∑∑∑∑∑∑∑

œ# œ# œ œ œ# œ

∑œœœ##P

œœœ# œœœ œœœ œœœ-∑

∑

22

∑

∑Œ œ#p

œ œ œ

Œ œ#pœ œ œ

˙p

œŒ œ

pœ œ œ

Œ œœ#p œœ#œœ œœ

Œ œ#p

œ œ œ

ṗ œ∑∑∑∑

∑∑∑∑∑∑∑∑∑

œ Œ Œ∑

Œ œœœ#pœœœ œœœ œœœ∑

∑

23

∑

∑.˙

P.˙Pœ#P

œ œ#œ#P

œ œ œ œ-

œœ#P œœ##œœ œœ œœ--

œ#P œ#

œ œ œ-

œ#P œ œ#∑∑∑∑

∑∑∑∑∑∑∑∑∑

œ# œ# œ œ œ# œ∑

œœœ##Pœœœ# œœœ œœœ œœœ-

∑

∑

24

∑

∑Œ œ œ

Œ œ œ

.˙NŒ œ œ œ œŒ œœ œœ œœ œœŒ œ œ œ œ

.˙N∑∑∑∑

∑∑∑∑∑∑∑∑∑

Œ œ œ œ œ

∑Œ œœœ œœœ œœœ œœœ

∑

∑

25

∑

∑œ œ œœ œ œ

.˙œ œ œ œ œ-

œœ œœ œœ œœ œœ--œ œ œ œ œ-

.˙∑∑∑∑

∑∑∑∑∑∑∑∑∑

œ œ œ œ œ œ

∑œœœ œœœ

œœœ œœœœœœ-

∑

∑

26

∑

∑œ# œ ˙

œ# œ ˙

.˙Œ œ œ œ œŒ œœ# œœ# œœ œœŒ œ# œ œ œ

.˙∑∑∑∑

∑∑∑∑∑∑∑∑∑

œ# œ œ œ œ œ

∑Œ œœœ# œœœ œœœ œœœ

∑

∑

27

∑26773S

6

Prev

iew

Only

Lega

l Use

Req

uire

s Pu

rcha

se

&&&?

&&&&&&&&

&&&&?????

&?

&?

ãã

#######

#####

########

######

45

45

45

45

45

45

45

45

45

45

45

45

4545

45

45

45

45

45

45

45

45

45

45

45

45

45

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fl.

Ob.

Bsn.

A. Cl.

B. Cl.

A. Saxes.

T. Sax.

Bar. Sax.

34

Euph.

Tuba

Mlts.

Perc. 1

Perc. 2

Timp.

Synth.

Picc.

Str. Bass

Cb. Cl.

∑˙ œF˙ œF˙ œFœ# œ œ

Fœœ œœ œœ#Fœ œ œ#F˙ œF

ṗ œ∑∑

ṗ œ

∑∑∑∑∑∑

..˙̇div.

˙̇p

œœṗ œœœœ# œœœ œœœ

∑œœœ# œœœ œœœ#Œ

pœ œ.·æSus. Cym.

28

∑

29

29

∑œ œ# œ

œ œ# œ

œ œ œ œ# œœ œ# œ

œ œ# œ

œ#- ˙.˙

.Ḟœœ--F

˙̇

œFœ œ œ# œ

.Ḟ∑∑

œœ-F ˙̇

œ#-F ˙.˙F..˙̇#FœF

œ œ œ# œ

.Ḟ.˙Fœœœ# Œ(to Synth. Choir)Œ

∑∑

œF

Œ Œ¿ Œ Œ

29

∑

∑œ# .œ jœ--œ# .œ jœ-.˙#œ# .œ Jœ-

œ# .œ jœ--œ#- ˙.˙.˙œœ-- ˙̇

.˙#

.˙

∑∑

œœ- ˙̇

œ#- ˙.˙..˙̇#.˙#

.˙

.˙

∑∑∑∑

∑

30

∑

∑œ œ# œ œ

œ œ# œ œ

œ œ œ# œ œ œ

œ œ# œ œ

œ œ# œ œ

œ# - ˙

.˙

.˙œœ-- ˙̇

œ œ œ# œ œ œ

.˙

∑∑

œœ- ˙̇

œ# - ˙.˙..˙̇#

œ œ œ# œ œ œ

.˙

.˙

∑∑∑∑

∑

31

∑

∑.˙.˙œ# œ œ.˙

.˙

œ# - ˙

.˙#

.˙#œœb-- ˙̇œ# œ œ

.˙#

∑∑

œœb- ˙̇

œ# - ˙.˙..˙̇#bœ# œ œ

.˙#

.˙#

∑∑∑∑

∑

32

∑

∑œf

œ œœf

œ œ

‰ fjœ œ œ œ œ

œf

œ œ

œf

œ œ

œ-f ˙

ḟ œ˙Nf œœœ--f

˙̇‰

fjœ œ œ œ œ

˙Nf œ

∑∑

œœ-f˙̇

œ-f ˙˙f

œ˙̇f

œœ‰

fjœ œ œ œ œ

˙Nf œ˙Nf

œ

∑∑∑∑

∑

33

∑

∑œ œ œœ œ œœ ˙œ œ œ

œ œ œ.˙

.˙

.˙

..˙̇œ ˙

.˙

∑∑

..˙̇

.˙

.˙

..˙̇œ ˙

.˙

.˙

∑∑∑∑

∑

34

∑26773S

7

Prev

iew

Only

Lega

l Use

Req

uire

s Pu

rcha

se

&&&?

&&&&&&&&

&&&&?????

&?

&?

ãã

#######

#####

########

######

45

45

45

45

45

45

45

45

45

45

45

45

4545

45

45

45

45

45

45

45

45

45

45

45

45

45

43

43

43

43

43

43

43

43

43

43

43

43

4343

43

43

43

43

43

43

43

43

43

43

43

43

43

45

45

45

45

45

45

45

45

45

45

45

45

4545

45

45

45

45

45

45

45

45

45

45

45

45

45

43

43

43

43

43

43

43

43

43

43

43

43

4343

43

43

43

43

43

43

43

43

43

43

43

43

43

bb

bb

bb

bbnnnnnn#nnnn#

nn#nnnn#

nnnnnbnb

bbbb

bb

bb

bb

bb

bb

bb

bb

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fl.

Ob.

Bsn.

A. Cl.

B. Cl.

A. Saxes.

T. Sax.

Bar. Sax.

34

Euph.

Tuba

Mlts.

Perc. 1

Perc. 2

Timp.

Synth.

Picc.

Str. Bass

Cb. Cl.

35

35

Animato q = 96-100

Animato q = 96-100

Ó Œ ‰ . œ>Fœ œ-

Ó Œ ‰ . œ>Fœ œ-

Ó Œ ‰ . œ>Fœ œ-

jœ.Fœ- jœ. œ œ ˙

∑∑∑

jœ.F œ-jœ. œ œ ˙

jœ.F œ-jœ. œ œ ˙

jœœ..F œœ--jœœ.. œœ œœ ˙̇

jœ.F œ-jœ. œ œ ˙

jœ.F œ-jœ. œ œ ˙

∑∑

Jœ.F œ- Jœ. œ œ ˙

jœ.F œ-jœ. œ œ ˙

∑∑

jœ.Fœ- jœ. œ œ ˙

jœ.F œ-jœ. œ œ ˙

Jœ.Fœ- Jœ. œ œ ˙

∑∑

Ó Œ Œ œœPBells

∑

∑

35

∑

∑∑∑

jœ. œ- jœ. œ œ∑∑∑

jœ. œ- jœ. œ œjœ. œ- jœ. œ œjœœ.. œœ--

jœœ.. œœ œœjœ. œ- jœ. œ œjœ. œ- jœ. œ œ

∑∑

Jœ. œ- Jœ. œ œjœ. œ- jœ. œ œ

∑∑

jœ. œ- jœ. œ œjœ. œ- jœ. œ œJœ. œ- Jœ. œ œ

∑∑∑∑

∑

36

∑

œ œ œ œ ˙œ œ œ œ ˙œFœ œ œ ˙.˙Œ œ Fp œ

œ œ

Œ œœ Fpœœ œœ

œœ∑

.˙

.˙

..˙̇

.˙

.˙∑∑

.˙

.˙∑∑

.˙

.˙

.˙∑∑∑∑

∑

37

∑

∑Ó Œ Œ œ œ œ œ

Ó Œ Œ œ œ œ œ

Jœ.Fœ- Jœ. œ œ ˙

Jœ. œ- Jœ. œ œ ˙jœœ.. œœ--

jœœ.. œœ œœ œœ œa2

jœ.Fœ- jœ. œ œ ˙

jœ.Fœ- jœ. œ œ ˙

∑∑∑∑

∑∑∑∑∑∑∑∑∑∑∑

Ó Œ Œ œFœ œ œ

∑

∑

38

∑

∑Jœœ.. œœ-- Jœœ

.. œœ œœ

Jœ. œ- Jœ. œ œ

Jœ. œ- Jœ. œ œ

Jœ. œ- Jœ. œ œjœœ.. œœ--

jœœ.. œœ œœjœ. œ- jœ. œ œjœ. œ- jœ. œ œ

∑∑∑∑

∑∑∑∑∑∑∑∑∑∑∑

Jœ. .œ- Œ∑

∑

39

∑

∑Jœœ.. œœb -- Jœœ

.. œœ œœ

Jœ. œb - Jœ. œ œ

Jœb . œ- Jœ. œ œ

Jœ. œn - Jœ. œ œjœœn .. œœ--

jœœ.. œœ œœjœn . œ- jœ. œ œjœn . œ- jœ. œ œ

∑∑∑∑

∑∑∑∑∑∑∑∑∑∑∑

Jœ. .œb - Œ∑

∑

40

∑

rall.

rall.

∑œ œ œ ˙.˙

.˙

˙ œpSolo

.˙

œœ œa2

œ ˙

.˙

.˙∑∑∑∑

∑∑∑∑∑∑

∑Œ Œ œp(Solo Bsn.)

∑∑∑∑

.˙

∑

∑

41

∑26773S

8

Prev

iew

Only

Lega

l Use

Req

uire

s Pu

rcha

se

&&&?

&&&&&&&&

&&&&?????

&?

&?

ãã

bb

bb

bb

bb

#

##

#

bb

bbbb

bb

bb

bb

bb

bb

bb

bb

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fl.

Ob.

Bsn.

A. Cl.

B. Cl.

A. Saxes.

T. Sax.

Bar. Sax.

34

Euph.

Tuba

Mlts.

Perc. 1

Perc. 2

Timp.

Synth.

Picc.

Str. Bass

Cb. Cl.

42

42

q = 76-84

q = 76-84

Change A to Bb

∑..˙̇

πœπ ˙œ œ œ

∑∑∑∑∑∑∑∑

∑∑∑∑∑∑

∑œ œ œ

∑∑

..˙̇(Synth. Choir Patch)pœ ˙

∑∑∑

∑

42

∑

∑..˙̇

œ ˙œ .œ Jœ

∑∑∑∑∑∑∑∑

∑∑∑∑∑∑

∑œ .œ jœ

∑∑

..˙̇œ ˙∑∑∑

∑

43

∑

∑..˙̇

œ œ œœ œ œ œ

∑∑∑∑∑∑∑∑

∑∑∑∑∑∑

∑œ œ œ œ

∑∑

..˙̇œ ˙∑∑∑

∑

44

∑

∑..˙̇

œn œ œ.˙

∑∑∑∑∑∑∑∑

∑∑∑∑∑∑

∑.˙

∑∑

..˙̇œn ˙

∑∑∑

∑

45

∑

∑˙̇b œœbœb œ œœP

œ œ œb œ

∑∑∑∑∑∑∑∑

∑∑

œPSolo œ œb

∑∑∑

∑œP œ œ œb œ

∑∑

...˙̇̇bb∑∑∑

∑

46

∑

∑.˙œb ˙

˙b œ œœ ˙b

∑∑∑∑∑∑∑∑

∑∑

œb ˙∑∑∑

∑œ ˙b

∑∑

...˙̇̇b∑∑∑

∑

47

∑

∑œœb œœ œœœ ˙bœ œb œ œ œb

∑∑∑∑∑∑∑∑

∑∑

œb œ œ∑∑∑

∑œ œb œ œ œb

∑∑

œœœb œœœœ œœœœ∑∑∑

∑

48

∑

∑..˙̇

˙ œP.˙

∑∑∑∑∑∑∑∑

∑∑

.˙∑∑∑

∑.˙

∑∑

....˙̇̇̇N∑∑∑

∑

49

∑26773S

9

Prev

iew

Only

Lega

l Use

Req

uire

s Pu

rcha

se

&&&?

&&&&

&&&&

&&&&????

?

&?

&?

ã

ã

bb

bb

bb

bb

#

##

#

bb

bbbb

bbbb

bb

bb

bb

bb

bb

44

44

44

44

44

44

4444

44

44

44

44

44

44

44

44

4444

44

44

44

44

44

44

44

44

44

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fl.

Ob.

Bsn.

A. Cl.

B. Cl.

A. Saxes.

T. Sax.

Bar. Sax.

34

Euph.

Tuba

Mlts.

Perc. 1

Perc. 2

Timp.

Synth.

Picc.

Str. Bass

Cb. Cl.

All

∑∑

œ œ œ

∑∑∑∑∑

Œ π̇∑∑

Œ π̇∑∑

Œ ˙̇πŒ ˙̇πŒ ˙πŒ ˙̇πŒ π̇

Play

Œ ˙̇πdiv.

Œ ˙̇π∑∑∑∑∑

50

∑

∑∑

œ .œ jœ∑∑∑∑∑

.Ṗ∑∑

.Ṗ∑∑

..˙̇P

..˙̇P.˙PœP

˙.˙..˙̇P

div.

..˙̇P

..˙̇P∑∑∑∑∑

51

∑

∑∑

œ œ œ œ

∑∑∑∑∑

Œ π̇∑∑

Œ π̇∑∑

Œ ˙̇πŒ ˙̇πŒ ˙πŒ ˙̇πŒ π̇Œ ˙̇πŒ ˙̇

π∑∑∑∑∑

52

∑

molto rit.

molto rit.

∑∑

.˙

∑∑∑∑∑

.˙∑∑

.˙

∑∑

.˙˙n œ

..˙̇

.˙

..˙̇

.˙

..˙̇

..˙̇

∑∑∑∑

.·æπSus. Cym.

53

.·æπTam-Tam

54

54

Distant q = 54-58

Distant q = 54-58

div. 2nd

wbπwwwbbπJœƒ ‰ Œ Ó˙bp

Solo œ œ

∑∑∑∑

Jœƒ‰ Œ Ó

∑∑˙b(Bsn.) œ œ

Jœƒ‰ Œ Ó

∑∑

jœƒ

‰ Œ ÓJœjœœƒ‰ Œ Ó

Jœƒ‰ Œ Ó

jœœƒ‰ Œ Ó

Jœƒ‰ Œ Ó

jœœƒ‰ Œ Ó

Jœœƒ‰ Œ Ó

wwwbb

∑∑∑

¿f Œ Ó

54

¿f Œ Ó

wwwwwπw

∑∑∑∑

∑∑∑w∑

∑∑

˙bp

Solo œ œ∑∑∑∑∑

∑www

∑∑∑∑

55

∑

wwww˙ œ œb

∑˙bp

Solo œ œ

∑∑∑

∑∑∑∑

∑∑

w∑∑∑∑∑

∑www

∑∑∑∑

56

∑

wwwww

œbpAll œ œ œb œbw

∑∑

œbp

œ œ œb œbœbp œ œ œn œb

∑∑

œbp

œ œ œn œb

∑∑∑∑∑∑

œbp

œ œ œb œbœbp

œ œ œb œbœbp œ œ œb œbwww

∑∑∑∑

57

∑26773S

10

Prev

iew

Only

Lega

l Use

Req

uire

s Pu

rcha

se

&

&&?

&&&&&

&&&

&&&&????

?

&?

&?

ãã

bb

bb

bb

bb

#

#

#

#

bb

bbbb

bbbb

bb

bb

bbbb

bb

43

43

43

43

43

43

4343

43

43

4343

4343

43

43

43

43

4343

43

43

43

4343

43

43

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fl.

Ob.

Bsn.

A. Cl.

B. Cl.

A. Saxes.

T. Sax.

Bar. Sax.

34

Euph.

Tuba

Mlts.

Perc. 1

Perc. 2

Timp.

Synth.

Picc.

Str. Bass

Cb. Cl.

~~~~~~

hold way back!

hold way back!

w

wwww

w∑∑

w

ww

˙̇pœœ œœ

ṗPlay œ œ

w

∑∑

˙̇pAll œœ œœ

ṗa2

œœ œœwpwwpw

ww

Ó(to Harp)

Œ ‰(huge glissando)

œœ

Ó œœ ‰ &

∑

wæp·æp

58

∑

59

59

Broadly q = 92

Broadly q = 92

Jœƒ‰ Œ Œ

œœ>>

ƒœœnn œœ œœ

œœ œœ œœ œœœœ œœ œœ œœ

œ>ƒ

œn œ œ œ œ œ œ œ œ œ œœƒ

œ œœ>ƒ

All œ# œ œ œ œ œ œ œ œ œ œ˙̇>>ƒ

œœœ>ƒ

œ œ

.>̇ƒ

.>̇ƒœ>>ƒ

a2 œ œ

.>̇ƒ

.>̇ƒ>̇ƒ

œ˙̇>>ƒ

œœœœ>ƒ

œa2 œ

œœ>ƒ

œa2

œ.>̇

ƒ ..˙̇>>ƒœ>ƒ

œ œ

.>̇ƒ .>̇ƒœ>ƒ

œn œ œ œ œ œ œ œ œ œ œœ> œn œ œ œ œ œ œ œ œ œ œ

∑œ>ƒ

Œ Œ¿ƒ

Œ ŒœB.D.

59

·>ƒCr. Cyms.Œ

∑œœ> œœnn œœ œœ

œœ œœ œœ œœœœ œœ œœ œœ

œ> œn œ œ œ œ œ œ œ œ œ œœ œ œœ> œ# œ œ œ œ œ œ œ œ œ œ..˙̇>œ œ œ

>̇ œ œ

>̇ œ œœ œ œ

.>̇>̇ œ œ

.>̇

..˙̇>>

œ œ œ

œ œ œ.>̇..˙̇>>

œ œ œ

>̇ œ œ>̇ œ œœ œn œ œ œ œ œ œ œ œ œ œœ œn œ œ œ œ œ œ œ œ œ œ

∑∑

∑

60

∑

∑œœ œœnn œœ œœ

œœ œœ œœ œœœœ œœ œœ œœ

œ œn œ œ œ œ œ œ œ œ œ œ>̇ œ

œ> œ# œ œ œ œ œ œ œ œ œ œ

Œ œœ œœ œœ œœœ œ œ

>̇ œ

>̇ œœ œœ œœ˙ œ

>̇ œ

Œ œ œ œ œ

Œ œœ œa2 œœ œœ

œ œœ œœ

˙ œ>̇ œ˙̇>> œœ>̇ œ

>̇ œ>̇ œœ œn œ œ œ œ œ œ œ œ œ œœ œn œ œ œ œ œ œ œ œ œ œ

∑œ> Œ Œ

∑

61

∑

~~~~~~~

~~~~~~~

26773S

11

Prev

iew

Only

Lega

l Use

Req

uire

s Pu

rcha

se

&&&?

&&&&&&&&

&&&&?????

&&&?

ãã

bb

bb

bb

bb

#

##

#

bb

bbbb

bb

bb

bb

bb

bb

bb

bb

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fl.

Ob.

Bsn.

A. Cl.

B. Cl.

A. Saxes.

T. Sax.

Bar. Sax.

34

Euph.

Tuba

Mlts.

Perc. 1

Perc. 2

Timp.

Synth.

Picc.

Str. Bass

Cb. Cl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

∑œœ œœnn œœ œœ

œœ œœ œœ œœœœ œœ œœ œœ

œ œn œ œ œ œ œ œ œ œ œ œ˙n> œ

œ œ# œ œ œ œ œ œ œ œ œ œ..˙̇>>

.˙

œ œ# œ œœ> œ# œ œ..˙̇˙# > œ

œ œ# œ œ.>̇

..˙̇>>

..˙̇

˙n> œ>̇ œ˙̇>> œœ˙n> œ

œ> œn œ œœ> œn œ œœ œn œ œ œ œ œ œ œ œ œ œ

œ œn œ œ œ œ œ œ œ œ œ œ∑∑

∑

62

∑

∑œœ œœ œœ œœbb

œœ œœ œœ œœœœ œœ œœ œœ

œ œ œ œb œ œ œ œ œ œ œ œ˙ œœ œ œ œb œ œ œ œ œ œ œ œŒ œœb œœ œœ œœœ œ œ

˙b œ˙n œœœn œœ œœœ œb œ

˙n œ

Œ œ œ œ œ

Œ œœb œa2 œœ œœb

œœb œœ œœœ œb œ˙ œ˙̇b œœ˙b œ

˙b œ˙b œœ œ œ œb œ œ œ œ œ œ œ œ

œ œ œ œb œ œ œ œ œ œ œ œ∑∑

∑

63

∑

∑œœ œœ œœ œœ œœ œœ œ

a2 œ œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ˙ œœ œ œ œ œ œ œ œ œ œ œ œ˙̇ œœ--

˙ œ-

.œ jœ œ

.œ jœ œ˙̇ œœ--˙ œ-.œ jœ œ˙ œ-˙̇ œœ--˙̇ œœ-˙ œ-˙ œ

˙a2 œœ.œ Jœ œ

.œ jœ œ

.œ Jœ œœ œ œ œ œ œ œ œ œ œ œ œœ œ œ œ œ œ œ œ jœ ‰ ?

∑∑

∑

64

∑

molto rit.

molto rit.

∑œ œ ˙œ œ ˙.˙

œ œ ˙œ œ ˙.˙

.˙

.˙œœ œ

a2 œ.˙

.˙

œ œ ˙œ œ œ œœ œ œœa2 œ œ

.˙

.˙

..˙̇

.˙

.˙

.˙

œ œ ˙∑∑

.æ̇F∑

65

∑

Solo

∑

˙ jœp‰

˙ œFœ œ œ œ

˙ jœp

‰

˙ jœp

‰

.˙

.˙

.˙

.˙œ œ œ œ

.˙

˙ jœp

‰

˙̇ jœp

‰

.˙œ œ œ œ.˙..˙̇œ œ œ œ

.˙

.˙

˙ jœp

䷷

.æ̇ p∑

66

∑26773S

12

Prev

iew

Only

Lega

l Use

Req

uire

s Pu

rcha

se

&&&?

&&&&

&

&&&

&&&&?????

&?

&?

ãã

bb

bb

bb

bb

#

#

#

#

bb

bbbb

bb

bb

bb

bb

bbbb

bb

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fl.

Ob.

Bsn.

A. Cl.

B. Cl.

A. Saxes.

T. Sax.

Bar. Sax.

34

Euph.

Tuba

Mlts.

Perc. 1

Perc. 2

Timp.

Synth.

Picc.

Str. Bass

Cb. Cl.

67

67

Tempo I

Tempo I

∑∑

œ œ œ

.Ṗ

.ṖœœP œ

œ œ œ œ.Ṗ.Ṗ.Ṗ

∑∑∑

∑∑∑∑∑∑∑

.ṖOne only

.˙P

∑∑∑∑

∑

67

∑

∑∑

œ .œ jœ.˙

.˙

œœ œ œ œ œ.˙.˙.˙

∑∑∑

∑∑∑∑∑∑∑

.˙

.˙

‰ JœPœ œ œ œ

∑∑∑

∑

68

∑

∑∑

œ œ œ œ

.˙

.˙

œœ œ œ œ œ œ.˙.˙

.˙∑∑∑

∑∑∑∑∑∑∑

.˙

.˙œœ Œ Œ

∑∑∑

∑

69

∑

∑∑

.˙

˙ œ

.˙

œ œ œ# œ œ œ.˙˙ œ

˙ œ∑

Œ Œ œ-FŒ Œ œ-

F∑∑∑∑

Œ Œ œ-FŒ Œ œœ--

FŒ Œ œ-

F˙ œ

All

˙ œœ œn œ œ œ œn œ œ œ œn œ œ

∑∑∑

.·æpSus. Cym.

70

∑

∑œ

Fœ œb

œF

All œ œb

.˙bFœF

œ œb

œF œ œb‰Fjœn œ œ œb

.˙bF

.˙bFœ œ œn‰ F

FJœn œ œ œb

.˙

.˙b

∑∑

‰Fjœb œ œ œb

‰Fjœb œ œ œb

.˙b

..˙̇b

.˙b

.˙bF

.˙bFœœœbbF

Œ Œ∑∑∑

¿ Œ Œ

71

∑

∑œb ˙œb ˙

.˙œb ˙

œb ˙œ œ œ œn

.˙

.˙œn ˙œ œ œ œn.˙.˙

∑∑

œ œ œ œbœ œ œ œb.˙b..˙̇

.˙

.˙

.˙

∑∑∑∑

∑

72

∑

∑œ œ œb

œ œ œb

.˙bœ œ œb

œ œ œb‰ jœb œ œb œb

.˙b

.˙bœ œ œb‰ Jœb œ œb œb.˙.˙b

∑∑

‰ jœb œ œb œb‰ jœb œ œb œb.˙b..˙̇b

.˙b

.˙b

.˙b

∑∑∑∑

∑

73

∑26773S

13

Prev

iew

Only

Lega

l Use

Req

uire

s Pu

rcha

se

&&&?

&&&&&

&&&

&&&&????

?

&?

&?

ãã

bb

bb

bb

bb

#

#

#

#

bb

bbbb

bb

bb

bb

bb

bb

bb

bb

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fl.

Ob.

Bsn.

A. Cl.

B. Cl.

A. Saxes.

T. Sax.

Bar. Sax.

34

Euph.

Tuba

Mlts.

Perc. 1

Perc. 2

Timp.

Synth.

Picc.

Str. Bass

Cb. Cl.

∑œb ˙bœb ˙b

.˙œb ˙b

œb ˙bœb œ œn œb

.˙

.˙œb ˙bœb œ œn œb.˙b.˙

∑∑

œb œ œb œbœb œ œb œb.˙b..˙̇b

.˙

.˙

.˙∑∑∑∑

∑

74

∑

∑œb œ œn

œb œ œn

.˙nœb œ œ#

œb œ œ#‰ jœb œb œb œ œ

.˙

.˙œb œ œb‰ Jœ#

œb œb œ œ.˙.˙#

∑∑

‰ jœn œb œb œ œ‰ jœn œb œb œ œ.˙b..˙̇n

.˙n

.˙

.˙

∑∑∑∑

∑

75

∑

poco rall.

poco rall.

∑œn œ# œœ#

œn œb œb

.˙nœ# œ# œ#

pœ# œ# œ#

p.˙bœb œ# œbœn œ# œbœb œb œn.˙b.˙b.˙#

∑∑

.˙b

.˙b

.˙b

..˙̇bn

.˙n

œb œn œbœb œn œb

∑∑∑∑

∑

76

∑

a tempo

a tempo

∑..˙̇A

p .˙pŒ ˙

p∑∑

Œ Œ œp.ṗ.ṗ ∑Œ Œ œpŒ

ṗ.ṗ

∑∑∑∑

∑∑

Œ ˙p..˙̇p.ṗ

∑Œ œ œœ..˙̇

∑œp Œ Œ

∑

77

∑

∑..˙̇.˙

.˙

Œ Œ œ#pœp ˙.˙.˙

.˙

.˙..˙

ṗ

.˙

.˙

∑∑∑∑

∑∑

.˙

..˙̇

.˙Œ ˙n.˙...˙˙̇ ..˙̇

∑∑

Œ —Trgl. Œ

78

∑

rit.

rit.

∑..˙̇.˙

.˙

.˙

..˙̇

.˙

.˙

.˙..˙˙.˙.˙

∑∑∑∑

∑∑

.˙

..˙̇

.˙

.˙ .˙...˙˙̇ ..˙̇∑∑

∑

79

∑

∑..˙̇.˙

.˙

.˙

..˙̇

.˙

.˙

.˙

..˙̇

.˙

.˙

∑∑∑∑

∑∑

.˙

..˙̇

.˙Œ œ œ œ œŒ .œ Jœ

..˙̇∑∑

∑

80

∑

∑œœ∏

Œ Œœ∏ Œ Œœ∏

Œ Œœ∏ Œ Œœœ∏

Œ Œ

œ∏Œ Œ

œ∏Œ Œ

œ∏Œ Œ

œœ∏Œ Œ

œ∏Œ Œ

œ∏ Œ Œ

∑∑∑∑

∑∑

ϸ

Œ Œ

œœ∏Œ Œ

œ∏Œ Œ

œœ Œ Œ

œœ Œ Œ∑∑

∑

81

∑26773S

14

Prev

iew

Only

Lega

l Use

Req

uire

s Pu

rcha

se

Prev

iew

Only

Lega

l Use

Req

uire

s Pu

rcha

se

Prev

iew

Only

Lega

l Use

Req

uire

s Pu

rcha

se