Music - richmondelt.es · W. A. Mozart term 1 review Oh, Christmas Tree Tree • Review of the...
Transcript of Music - richmondelt.es · W. A. Mozart term 1 review Oh, Christmas Tree Tree • Review of the...
PRIM
ARY
Richmond
MusicTEACHERrsquoS BOOK
Term 1
3
Contents Introduction 4
Syllabus for term 1 12
Schemes of work for term 1 13
Teaching suggestions for lesson 1 18
Teaching suggestions for lesson 2 20
Teaching suggestions for lesson 3 22
Teaching suggestions for lesson 4 24
Teaching suggestions for lesson 5 26
Teaching suggestions for lesson 6 28
Teaching suggestions for lesson 7 30
Teaching suggestions for lesson 8 32
Teaching suggestions for term 1 review 34
Scores 37
Reinforcement worksheets 45
Tests 55
Answer keys 61
Relaxing and breathing 69
Staves 72
12
term
1Syllabus
12
LessonTopics
MusicSTRAND 1 Listening
STRAND 2 Musical performanceSTRAND 3 Moving and dancing
1 Venues for Music
bull Venuesfortheperformanceofmusicthroughouthistory
bull Propertiesofsound
bull Experimentingwiththepropertiesofsound
bull StoryVenues for Music
2 Fermata Sign
bull Thefermatasignbull Reviewofnotevaluesandrests
bull Reviewofsound-lengtheningsigns
bull Vocalperformancebull Performingrhythmswithbodypercussion
bull Accompanyingpiecesofmusicwithbodypercussionostinatos
bull Fermata Sign
3 Plink Plank Plunk
bull Partsofapieceofmusicintroductionbridgeandcoda
bull Reviewofmusicalforms
bull Performingadancewithacomplexform
bull Creatingandperformingstepsforadance
bull Singingwiththenamesforthenotes
bull Plink Plank Plunk L Anderson
4 Please Repeat
bull ReviewofnotesfromDoorCtoRersquoorDrsquoontherecorderrepeatsignsandmusicalscales
bull Musicalimprovisation
bull Performingontherecorderandmalletpercussioninstruments
bull Improvisingoveragivenbackingtrack
bull Please Repeat
5 Electrophones bull Activelisteningwithgraphicscores
bull Electrophonesbull Instrumentselectricguitarandsynthesiser
bull Experimentingwithelectrophones bull Feuillet Ineacutedit No 4 O Messiaen
6 The Zulu Warrior
bull MusicaroundtheworldAfricaandAmerica
bull Instrumentsdjembezurnabanjoandquena
bull Reviewofelectrophones
bull Vocalperformancebull Accompanyingpiecesofmusicwithobjectsthatmakeasound
bull Creatingandperformingvocalostinatostoaccompanyapieceofmusic
bull ExcerptsofmusicfromAfricaandAmerica
bull The Zulu Warriortraditionalsong
7 En Todo Tempo Faz Ben
bull MusicintheMiddleAgesbull Listeningtopiecesofclassicalmusic
bull Instrumentstaborandthree-holedpipe
bull Writingareviewofaconcert
bull Performingontherecorderbull Accompanyingpiecesofmusicon schoolpercussioninstruments
bull Creatingandperforminglyricsfor a givenmelody
bull ExcerptsofmusicfromtheMiddleAges
bull En Todo Tempo Faz Ben CantigaNo111AlfonsoXtheWise
8 Eine Kleine Nachtmusik
bull Accidentalsthesharpbull Intervalstonesandsemitones
bull ThenoteFaorFonthestavetherecorderandmalletpercussioninstruments
bull Listeningtopiecesofclassicalmusic
bull Performingontherecorderbull Accompanyingpiecesofmusicon malletandschoolpercussioninstruments
bull Eine Kleine NachtmusikWAMozart
term 1 review Oh Christmas Tree
bull Reviewofthecontentsandmusicalpracticeofterm1 bull Oh Christmas TreetraditionalChristmassong
6
The Roman Empire
The Modern Era
The Present Age
The Middle Ages
There have always been venues for music The Romans built amphitheatres outdoors with the seats in a semicircle in front
of the stage The acoustics were so good that we still use them nowadays
Nowadays we still use venues from the past but we donrsquot only listen to music in concert halls Contemporary music uses
electronic equipment to amplify sound so that it can be played on big stages
to thousands of people
During the Middle Ages monks sang Gregorian chant in cathedrals a type of religious music performed a cappella in Latin In village squares and cities jongleurs set up small
portable stages where they performed their productions
During the Modern Era the royalty and nobility loved to organise concerts and dances in the chambers of their
palaces They also began to stage operas in theatres with a big stage and a separate orchestra pit
Activity 1 Story Venues for Music CD 1 track 2 () bull Contents Venues for the performance of music throughout history Properties of sound () All track numbers refer to the Class Audio
Listen and read about venues for music throughout history
1
12
Venues for Music1TERM
ES0000000023937 659366_Music6_TRIM1_19492indd 6 21052015 165602
Nowadays we still use venues from the past but we donrsquot only listen to music in concert halls Contemporary music uses
electronic equipment to amplify sound so that it can be played on big stages
to thousands of people
Teaching suggestions1 Say Look at the pictures on page
6 What place can you see in the first picture And in the secondthird fourthfifth picture When did these scenes take place Have you been to a concert in any of these venues What type of music did you listen to
Then play the track and say Listen and read the story Pause the track after each excerpt and ask comprehension questions such as
bull Picture 1 (the Roman Empire) What is an amphitheatre When did Romans build them What were the acoustics like
bull Pictures 2 and 3 (the Middle Ages) What did monks sing during the Middle Ages What is the meaning of a cappella (if the students do not know
the answer demonstrate it vocally) Where did jongleurs sing and play
bull Pictures 4 and 5 (the Modern Era) Where did the royalty and nobility organise concerts and dances When did this happen Where did operas take place Where was the orchestra
bull Pictures 6 and 7 (the Present Age) Where do we listen to music nowadays What type of instruments does contemporary music use
Say Guess where Irsquom performing if Irsquom a member of a rock banda monka jongleuran opera singer a member of a symphony orchestra Finally ask Can you explain the meaning of venue
2 Say Look at page 7 and ask a student to read out the first paragraph Then hit a triangle and let the students
Contentsbull Venues for the performance of
music throughout history
bull Properties of sound
bull Units of sound measurement
bull Physics of sound vibration and sound waves
Key languagebull venue amphitheatre outdoors
seat semicircle stage acoustics monk jongleur set up portable production royalty nobility chamber pit concert hall contemporary equipment amplify
bull emit wave transmit medium perceive measure timbre dynamics volume decibels duration metronome second pitch tone frequency hertz
18
Activity 3 Fermata Sign CD 1 track 4
Play with body percussion2
Say the right rhythm to accompany the song and explain why Then listen and play along
3
14
The musicians are in the wrong places Explain where they should be and why
4
R L
R L
R L
R L
If to this rhythm
We add a tie
We get
You know two other sound-lengthening signs
bull The tie joins two or more notes of the same pitch adding their lengths together
bull A dotted note or rest lengthens the duration of the note or rest by half its original value 119134119134 119134119134
119134119134 119135119135(
ReVIeW
R L R both R L R both R L R R L R R L R both
snap R L R L snap R L R L
R L R L snap snap snap
R L R L R L R L
TERM 1
9
lesson 2
ES0000000023937 659366_Music6_TRIM1_19492indd 9 11052015 125300
2 Say Look at page 9 and ask individual students to read out the review box To ensure comprehension write the following scores on the board
44amp œœœœœœœœ œœœ œœ
34amp œ œjœ œ œ œ
j œ ˙
Then call a student to the board and ask Are there any mistakes in the scores Write them correctly in your Activity Book Add dots where necessary
Then perform each rhythm in the speech bubbles and say Repeat after me Repeat the procedure until the students can perform the new rhythmic group correctly
Finally say Look at the first score in activity 2 What does the letter RL
mean Perform two bars at a time patting your legs and say Repeat after me When the students are ready repeat the procedure four bars at a time
To end perform the second and third rhythms four bars at a time with the suggested body percussions
3 Ask a student to read out the instruction and say What is the metre of the firstsecondthird rhythm Pay attention to the body percussions and repeat after me and play the rhythms
Finally ask Which is the right rhythm to accompany the song Why Play the track and accompany the song with the first rhythm
4 Ask a student to read out the instruction and say Put up your hands to answer
Materialsbull Studentrsquos Book pages 8 amp 9
bull Class Audio CD 1 tracks 4 amp 5
bull Score of Fermata Sign Teacherrsquos Book page 38
bull Activity Book page 5 activities 1 2 3 amp 4
bull Reinforcement worksheet Teacherrsquos Book page 47 activities 1 2 3 amp 4
LibroMedia extrasbull Recordings of all the texts
in the Studentrsquos Book
bull Karaoke of Fermata Sign
bull Interactive activities
21
Listen and learn the dance Then make up the missing steps and dance it with your classmates1
16
introduction
introduction
AA B A B A CC A B AAbridge coda
codabridge
Make up the steps
Make up the steps Make up the stepsTake five steps make a statue and take another
five steps back to your partner Repeat
Greet your partner with body percussion
Take three steps to the side and snap your fingers
Repeat in the other direction
With your partner turn eight steps
in each direction
A
C
B
10 Activity 1 Plink Plank Plunk by L Anderson CD 1 track 6 bull Contents Parts of a piece of music introduction bridge and coda
Plink Plank Plunk
ES0000000023937 659366_Music6_TRIM1_19492indd 10 21052015 165604
Teaching suggestions
1 Say Look at page 10 Listen and follow the structure and tell the students when each part starts Then ask What is the metre (quadruple metre) How many bars does each part have (intro 2 part A 8 part B 8 part C 16 bridge 2 coda 6)
Play the track and show the steps for the dance Then with the students facing each other in two rows practise the steps while you hum the melody
Part A
bull Bars 1ndash4 Both rows take three steps to the same side and snap fingers Repeat in the other direction Do it again
bull Bars 5ndash8 Taking a partner by the elbow turn eight steps clockwise Repeat in the other direction
Part B
bull Bars 1ndash2 Clap right hands with a partner Do it again with the back of the hand and snap fingers Repeat with the other hand
bull Bars 3ndash4 One row puts both hands in front of them with palms up The other row claps the hands of the first row The first row puts the left hand on the right hand and the other row does the same
bull Repeat
Part C
bull Bars 1ndash4 Take five steps in any direction and make a statue for two beats
bull Bars 5ndash8 Take five steps back to the starting position and make a statue for two beats
bull Repeat
Contentsbull The performance of a complex
choreography
bull Parts of a piece of music introduction bridge and coda
bull Review of musical forms
bull Review of units of sound measurement
Key languagebull introduction bridge coda
bull missing step snap greet partner statue
bull organisation determine chorus verse attract section join style tempo character tail
22
3
Contents Introduction 4
Syllabus for term 1 12
Schemes of work for term 1 13
Teaching suggestions for lesson 1 18
Teaching suggestions for lesson 2 20
Teaching suggestions for lesson 3 22
Teaching suggestions for lesson 4 24
Teaching suggestions for lesson 5 26
Teaching suggestions for lesson 6 28
Teaching suggestions for lesson 7 30
Teaching suggestions for lesson 8 32
Teaching suggestions for term 1 review 34
Scores 37
Reinforcement worksheets 45
Tests 55
Answer keys 61
Relaxing and breathing 69
Staves 72
12
term
1Syllabus
12
LessonTopics
MusicSTRAND 1 Listening
STRAND 2 Musical performanceSTRAND 3 Moving and dancing
1 Venues for Music
bull Venuesfortheperformanceofmusicthroughouthistory
bull Propertiesofsound
bull Experimentingwiththepropertiesofsound
bull StoryVenues for Music
2 Fermata Sign
bull Thefermatasignbull Reviewofnotevaluesandrests
bull Reviewofsound-lengtheningsigns
bull Vocalperformancebull Performingrhythmswithbodypercussion
bull Accompanyingpiecesofmusicwithbodypercussionostinatos
bull Fermata Sign
3 Plink Plank Plunk
bull Partsofapieceofmusicintroductionbridgeandcoda
bull Reviewofmusicalforms
bull Performingadancewithacomplexform
bull Creatingandperformingstepsforadance
bull Singingwiththenamesforthenotes
bull Plink Plank Plunk L Anderson
4 Please Repeat
bull ReviewofnotesfromDoorCtoRersquoorDrsquoontherecorderrepeatsignsandmusicalscales
bull Musicalimprovisation
bull Performingontherecorderandmalletpercussioninstruments
bull Improvisingoveragivenbackingtrack
bull Please Repeat
5 Electrophones bull Activelisteningwithgraphicscores
bull Electrophonesbull Instrumentselectricguitarandsynthesiser
bull Experimentingwithelectrophones bull Feuillet Ineacutedit No 4 O Messiaen
6 The Zulu Warrior
bull MusicaroundtheworldAfricaandAmerica
bull Instrumentsdjembezurnabanjoandquena
bull Reviewofelectrophones
bull Vocalperformancebull Accompanyingpiecesofmusicwithobjectsthatmakeasound
bull Creatingandperformingvocalostinatostoaccompanyapieceofmusic
bull ExcerptsofmusicfromAfricaandAmerica
bull The Zulu Warriortraditionalsong
7 En Todo Tempo Faz Ben
bull MusicintheMiddleAgesbull Listeningtopiecesofclassicalmusic
bull Instrumentstaborandthree-holedpipe
bull Writingareviewofaconcert
bull Performingontherecorderbull Accompanyingpiecesofmusicon schoolpercussioninstruments
bull Creatingandperforminglyricsfor a givenmelody
bull ExcerptsofmusicfromtheMiddleAges
bull En Todo Tempo Faz Ben CantigaNo111AlfonsoXtheWise
8 Eine Kleine Nachtmusik
bull Accidentalsthesharpbull Intervalstonesandsemitones
bull ThenoteFaorFonthestavetherecorderandmalletpercussioninstruments
bull Listeningtopiecesofclassicalmusic
bull Performingontherecorderbull Accompanyingpiecesofmusicon malletandschoolpercussioninstruments
bull Eine Kleine NachtmusikWAMozart
term 1 review Oh Christmas Tree
bull Reviewofthecontentsandmusicalpracticeofterm1 bull Oh Christmas TreetraditionalChristmassong
6
The Roman Empire
The Modern Era
The Present Age
The Middle Ages
There have always been venues for music The Romans built amphitheatres outdoors with the seats in a semicircle in front
of the stage The acoustics were so good that we still use them nowadays
Nowadays we still use venues from the past but we donrsquot only listen to music in concert halls Contemporary music uses
electronic equipment to amplify sound so that it can be played on big stages
to thousands of people
During the Middle Ages monks sang Gregorian chant in cathedrals a type of religious music performed a cappella in Latin In village squares and cities jongleurs set up small
portable stages where they performed their productions
During the Modern Era the royalty and nobility loved to organise concerts and dances in the chambers of their
palaces They also began to stage operas in theatres with a big stage and a separate orchestra pit
Activity 1 Story Venues for Music CD 1 track 2 () bull Contents Venues for the performance of music throughout history Properties of sound () All track numbers refer to the Class Audio
Listen and read about venues for music throughout history
1
12
Venues for Music1TERM
ES0000000023937 659366_Music6_TRIM1_19492indd 6 21052015 165602
Nowadays we still use venues from the past but we donrsquot only listen to music in concert halls Contemporary music uses
electronic equipment to amplify sound so that it can be played on big stages
to thousands of people
Teaching suggestions1 Say Look at the pictures on page
6 What place can you see in the first picture And in the secondthird fourthfifth picture When did these scenes take place Have you been to a concert in any of these venues What type of music did you listen to
Then play the track and say Listen and read the story Pause the track after each excerpt and ask comprehension questions such as
bull Picture 1 (the Roman Empire) What is an amphitheatre When did Romans build them What were the acoustics like
bull Pictures 2 and 3 (the Middle Ages) What did monks sing during the Middle Ages What is the meaning of a cappella (if the students do not know
the answer demonstrate it vocally) Where did jongleurs sing and play
bull Pictures 4 and 5 (the Modern Era) Where did the royalty and nobility organise concerts and dances When did this happen Where did operas take place Where was the orchestra
bull Pictures 6 and 7 (the Present Age) Where do we listen to music nowadays What type of instruments does contemporary music use
Say Guess where Irsquom performing if Irsquom a member of a rock banda monka jongleuran opera singer a member of a symphony orchestra Finally ask Can you explain the meaning of venue
2 Say Look at page 7 and ask a student to read out the first paragraph Then hit a triangle and let the students
Contentsbull Venues for the performance of
music throughout history
bull Properties of sound
bull Units of sound measurement
bull Physics of sound vibration and sound waves
Key languagebull venue amphitheatre outdoors
seat semicircle stage acoustics monk jongleur set up portable production royalty nobility chamber pit concert hall contemporary equipment amplify
bull emit wave transmit medium perceive measure timbre dynamics volume decibels duration metronome second pitch tone frequency hertz
18
Activity 3 Fermata Sign CD 1 track 4
Play with body percussion2
Say the right rhythm to accompany the song and explain why Then listen and play along
3
14
The musicians are in the wrong places Explain where they should be and why
4
R L
R L
R L
R L
If to this rhythm
We add a tie
We get
You know two other sound-lengthening signs
bull The tie joins two or more notes of the same pitch adding their lengths together
bull A dotted note or rest lengthens the duration of the note or rest by half its original value 119134119134 119134119134
119134119134 119135119135(
ReVIeW
R L R both R L R both R L R R L R R L R both
snap R L R L snap R L R L
R L R L snap snap snap
R L R L R L R L
TERM 1
9
lesson 2
ES0000000023937 659366_Music6_TRIM1_19492indd 9 11052015 125300
2 Say Look at page 9 and ask individual students to read out the review box To ensure comprehension write the following scores on the board
44amp œœœœœœœœ œœœ œœ
34amp œ œjœ œ œ œ
j œ ˙
Then call a student to the board and ask Are there any mistakes in the scores Write them correctly in your Activity Book Add dots where necessary
Then perform each rhythm in the speech bubbles and say Repeat after me Repeat the procedure until the students can perform the new rhythmic group correctly
Finally say Look at the first score in activity 2 What does the letter RL
mean Perform two bars at a time patting your legs and say Repeat after me When the students are ready repeat the procedure four bars at a time
To end perform the second and third rhythms four bars at a time with the suggested body percussions
3 Ask a student to read out the instruction and say What is the metre of the firstsecondthird rhythm Pay attention to the body percussions and repeat after me and play the rhythms
Finally ask Which is the right rhythm to accompany the song Why Play the track and accompany the song with the first rhythm
4 Ask a student to read out the instruction and say Put up your hands to answer
Materialsbull Studentrsquos Book pages 8 amp 9
bull Class Audio CD 1 tracks 4 amp 5
bull Score of Fermata Sign Teacherrsquos Book page 38
bull Activity Book page 5 activities 1 2 3 amp 4
bull Reinforcement worksheet Teacherrsquos Book page 47 activities 1 2 3 amp 4
LibroMedia extrasbull Recordings of all the texts
in the Studentrsquos Book
bull Karaoke of Fermata Sign
bull Interactive activities
21
Listen and learn the dance Then make up the missing steps and dance it with your classmates1
16
introduction
introduction
AA B A B A CC A B AAbridge coda
codabridge
Make up the steps
Make up the steps Make up the stepsTake five steps make a statue and take another
five steps back to your partner Repeat
Greet your partner with body percussion
Take three steps to the side and snap your fingers
Repeat in the other direction
With your partner turn eight steps
in each direction
A
C
B
10 Activity 1 Plink Plank Plunk by L Anderson CD 1 track 6 bull Contents Parts of a piece of music introduction bridge and coda
Plink Plank Plunk
ES0000000023937 659366_Music6_TRIM1_19492indd 10 21052015 165604
Teaching suggestions
1 Say Look at page 10 Listen and follow the structure and tell the students when each part starts Then ask What is the metre (quadruple metre) How many bars does each part have (intro 2 part A 8 part B 8 part C 16 bridge 2 coda 6)
Play the track and show the steps for the dance Then with the students facing each other in two rows practise the steps while you hum the melody
Part A
bull Bars 1ndash4 Both rows take three steps to the same side and snap fingers Repeat in the other direction Do it again
bull Bars 5ndash8 Taking a partner by the elbow turn eight steps clockwise Repeat in the other direction
Part B
bull Bars 1ndash2 Clap right hands with a partner Do it again with the back of the hand and snap fingers Repeat with the other hand
bull Bars 3ndash4 One row puts both hands in front of them with palms up The other row claps the hands of the first row The first row puts the left hand on the right hand and the other row does the same
bull Repeat
Part C
bull Bars 1ndash4 Take five steps in any direction and make a statue for two beats
bull Bars 5ndash8 Take five steps back to the starting position and make a statue for two beats
bull Repeat
Contentsbull The performance of a complex
choreography
bull Parts of a piece of music introduction bridge and coda
bull Review of musical forms
bull Review of units of sound measurement
Key languagebull introduction bridge coda
bull missing step snap greet partner statue
bull organisation determine chorus verse attract section join style tempo character tail
22
12
term
1Syllabus
12
LessonTopics
MusicSTRAND 1 Listening
STRAND 2 Musical performanceSTRAND 3 Moving and dancing
1 Venues for Music
bull Venuesfortheperformanceofmusicthroughouthistory
bull Propertiesofsound
bull Experimentingwiththepropertiesofsound
bull StoryVenues for Music
2 Fermata Sign
bull Thefermatasignbull Reviewofnotevaluesandrests
bull Reviewofsound-lengtheningsigns
bull Vocalperformancebull Performingrhythmswithbodypercussion
bull Accompanyingpiecesofmusicwithbodypercussionostinatos
bull Fermata Sign
3 Plink Plank Plunk
bull Partsofapieceofmusicintroductionbridgeandcoda
bull Reviewofmusicalforms
bull Performingadancewithacomplexform
bull Creatingandperformingstepsforadance
bull Singingwiththenamesforthenotes
bull Plink Plank Plunk L Anderson
4 Please Repeat
bull ReviewofnotesfromDoorCtoRersquoorDrsquoontherecorderrepeatsignsandmusicalscales
bull Musicalimprovisation
bull Performingontherecorderandmalletpercussioninstruments
bull Improvisingoveragivenbackingtrack
bull Please Repeat
5 Electrophones bull Activelisteningwithgraphicscores
bull Electrophonesbull Instrumentselectricguitarandsynthesiser
bull Experimentingwithelectrophones bull Feuillet Ineacutedit No 4 O Messiaen
6 The Zulu Warrior
bull MusicaroundtheworldAfricaandAmerica
bull Instrumentsdjembezurnabanjoandquena
bull Reviewofelectrophones
bull Vocalperformancebull Accompanyingpiecesofmusicwithobjectsthatmakeasound
bull Creatingandperformingvocalostinatostoaccompanyapieceofmusic
bull ExcerptsofmusicfromAfricaandAmerica
bull The Zulu Warriortraditionalsong
7 En Todo Tempo Faz Ben
bull MusicintheMiddleAgesbull Listeningtopiecesofclassicalmusic
bull Instrumentstaborandthree-holedpipe
bull Writingareviewofaconcert
bull Performingontherecorderbull Accompanyingpiecesofmusicon schoolpercussioninstruments
bull Creatingandperforminglyricsfor a givenmelody
bull ExcerptsofmusicfromtheMiddleAges
bull En Todo Tempo Faz Ben CantigaNo111AlfonsoXtheWise
8 Eine Kleine Nachtmusik
bull Accidentalsthesharpbull Intervalstonesandsemitones
bull ThenoteFaorFonthestavetherecorderandmalletpercussioninstruments
bull Listeningtopiecesofclassicalmusic
bull Performingontherecorderbull Accompanyingpiecesofmusicon malletandschoolpercussioninstruments
bull Eine Kleine NachtmusikWAMozart
term 1 review Oh Christmas Tree
bull Reviewofthecontentsandmusicalpracticeofterm1 bull Oh Christmas TreetraditionalChristmassong
6
The Roman Empire
The Modern Era
The Present Age
The Middle Ages
There have always been venues for music The Romans built amphitheatres outdoors with the seats in a semicircle in front
of the stage The acoustics were so good that we still use them nowadays
Nowadays we still use venues from the past but we donrsquot only listen to music in concert halls Contemporary music uses
electronic equipment to amplify sound so that it can be played on big stages
to thousands of people
During the Middle Ages monks sang Gregorian chant in cathedrals a type of religious music performed a cappella in Latin In village squares and cities jongleurs set up small
portable stages where they performed their productions
During the Modern Era the royalty and nobility loved to organise concerts and dances in the chambers of their
palaces They also began to stage operas in theatres with a big stage and a separate orchestra pit
Activity 1 Story Venues for Music CD 1 track 2 () bull Contents Venues for the performance of music throughout history Properties of sound () All track numbers refer to the Class Audio
Listen and read about venues for music throughout history
1
12
Venues for Music1TERM
ES0000000023937 659366_Music6_TRIM1_19492indd 6 21052015 165602
Nowadays we still use venues from the past but we donrsquot only listen to music in concert halls Contemporary music uses
electronic equipment to amplify sound so that it can be played on big stages
to thousands of people
Teaching suggestions1 Say Look at the pictures on page
6 What place can you see in the first picture And in the secondthird fourthfifth picture When did these scenes take place Have you been to a concert in any of these venues What type of music did you listen to
Then play the track and say Listen and read the story Pause the track after each excerpt and ask comprehension questions such as
bull Picture 1 (the Roman Empire) What is an amphitheatre When did Romans build them What were the acoustics like
bull Pictures 2 and 3 (the Middle Ages) What did monks sing during the Middle Ages What is the meaning of a cappella (if the students do not know
the answer demonstrate it vocally) Where did jongleurs sing and play
bull Pictures 4 and 5 (the Modern Era) Where did the royalty and nobility organise concerts and dances When did this happen Where did operas take place Where was the orchestra
bull Pictures 6 and 7 (the Present Age) Where do we listen to music nowadays What type of instruments does contemporary music use
Say Guess where Irsquom performing if Irsquom a member of a rock banda monka jongleuran opera singer a member of a symphony orchestra Finally ask Can you explain the meaning of venue
2 Say Look at page 7 and ask a student to read out the first paragraph Then hit a triangle and let the students
Contentsbull Venues for the performance of
music throughout history
bull Properties of sound
bull Units of sound measurement
bull Physics of sound vibration and sound waves
Key languagebull venue amphitheatre outdoors
seat semicircle stage acoustics monk jongleur set up portable production royalty nobility chamber pit concert hall contemporary equipment amplify
bull emit wave transmit medium perceive measure timbre dynamics volume decibels duration metronome second pitch tone frequency hertz
18
Activity 3 Fermata Sign CD 1 track 4
Play with body percussion2
Say the right rhythm to accompany the song and explain why Then listen and play along
3
14
The musicians are in the wrong places Explain where they should be and why
4
R L
R L
R L
R L
If to this rhythm
We add a tie
We get
You know two other sound-lengthening signs
bull The tie joins two or more notes of the same pitch adding their lengths together
bull A dotted note or rest lengthens the duration of the note or rest by half its original value 119134119134 119134119134
119134119134 119135119135(
ReVIeW
R L R both R L R both R L R R L R R L R both
snap R L R L snap R L R L
R L R L snap snap snap
R L R L R L R L
TERM 1
9
lesson 2
ES0000000023937 659366_Music6_TRIM1_19492indd 9 11052015 125300
2 Say Look at page 9 and ask individual students to read out the review box To ensure comprehension write the following scores on the board
44amp œœœœœœœœ œœœ œœ
34amp œ œjœ œ œ œ
j œ ˙
Then call a student to the board and ask Are there any mistakes in the scores Write them correctly in your Activity Book Add dots where necessary
Then perform each rhythm in the speech bubbles and say Repeat after me Repeat the procedure until the students can perform the new rhythmic group correctly
Finally say Look at the first score in activity 2 What does the letter RL
mean Perform two bars at a time patting your legs and say Repeat after me When the students are ready repeat the procedure four bars at a time
To end perform the second and third rhythms four bars at a time with the suggested body percussions
3 Ask a student to read out the instruction and say What is the metre of the firstsecondthird rhythm Pay attention to the body percussions and repeat after me and play the rhythms
Finally ask Which is the right rhythm to accompany the song Why Play the track and accompany the song with the first rhythm
4 Ask a student to read out the instruction and say Put up your hands to answer
Materialsbull Studentrsquos Book pages 8 amp 9
bull Class Audio CD 1 tracks 4 amp 5
bull Score of Fermata Sign Teacherrsquos Book page 38
bull Activity Book page 5 activities 1 2 3 amp 4
bull Reinforcement worksheet Teacherrsquos Book page 47 activities 1 2 3 amp 4
LibroMedia extrasbull Recordings of all the texts
in the Studentrsquos Book
bull Karaoke of Fermata Sign
bull Interactive activities
21
Listen and learn the dance Then make up the missing steps and dance it with your classmates1
16
introduction
introduction
AA B A B A CC A B AAbridge coda
codabridge
Make up the steps
Make up the steps Make up the stepsTake five steps make a statue and take another
five steps back to your partner Repeat
Greet your partner with body percussion
Take three steps to the side and snap your fingers
Repeat in the other direction
With your partner turn eight steps
in each direction
A
C
B
10 Activity 1 Plink Plank Plunk by L Anderson CD 1 track 6 bull Contents Parts of a piece of music introduction bridge and coda
Plink Plank Plunk
ES0000000023937 659366_Music6_TRIM1_19492indd 10 21052015 165604
Teaching suggestions
1 Say Look at page 10 Listen and follow the structure and tell the students when each part starts Then ask What is the metre (quadruple metre) How many bars does each part have (intro 2 part A 8 part B 8 part C 16 bridge 2 coda 6)
Play the track and show the steps for the dance Then with the students facing each other in two rows practise the steps while you hum the melody
Part A
bull Bars 1ndash4 Both rows take three steps to the same side and snap fingers Repeat in the other direction Do it again
bull Bars 5ndash8 Taking a partner by the elbow turn eight steps clockwise Repeat in the other direction
Part B
bull Bars 1ndash2 Clap right hands with a partner Do it again with the back of the hand and snap fingers Repeat with the other hand
bull Bars 3ndash4 One row puts both hands in front of them with palms up The other row claps the hands of the first row The first row puts the left hand on the right hand and the other row does the same
bull Repeat
Part C
bull Bars 1ndash4 Take five steps in any direction and make a statue for two beats
bull Bars 5ndash8 Take five steps back to the starting position and make a statue for two beats
bull Repeat
Contentsbull The performance of a complex
choreography
bull Parts of a piece of music introduction bridge and coda
bull Review of musical forms
bull Review of units of sound measurement
Key languagebull introduction bridge coda
bull missing step snap greet partner statue
bull organisation determine chorus verse attract section join style tempo character tail
22
6
The Roman Empire
The Modern Era
The Present Age
The Middle Ages
There have always been venues for music The Romans built amphitheatres outdoors with the seats in a semicircle in front
of the stage The acoustics were so good that we still use them nowadays
Nowadays we still use venues from the past but we donrsquot only listen to music in concert halls Contemporary music uses
electronic equipment to amplify sound so that it can be played on big stages
to thousands of people
During the Middle Ages monks sang Gregorian chant in cathedrals a type of religious music performed a cappella in Latin In village squares and cities jongleurs set up small
portable stages where they performed their productions
During the Modern Era the royalty and nobility loved to organise concerts and dances in the chambers of their
palaces They also began to stage operas in theatres with a big stage and a separate orchestra pit
Activity 1 Story Venues for Music CD 1 track 2 () bull Contents Venues for the performance of music throughout history Properties of sound () All track numbers refer to the Class Audio
Listen and read about venues for music throughout history
1
12
Venues for Music1TERM
ES0000000023937 659366_Music6_TRIM1_19492indd 6 21052015 165602
Nowadays we still use venues from the past but we donrsquot only listen to music in concert halls Contemporary music uses
electronic equipment to amplify sound so that it can be played on big stages
to thousands of people
Teaching suggestions1 Say Look at the pictures on page
6 What place can you see in the first picture And in the secondthird fourthfifth picture When did these scenes take place Have you been to a concert in any of these venues What type of music did you listen to
Then play the track and say Listen and read the story Pause the track after each excerpt and ask comprehension questions such as
bull Picture 1 (the Roman Empire) What is an amphitheatre When did Romans build them What were the acoustics like
bull Pictures 2 and 3 (the Middle Ages) What did monks sing during the Middle Ages What is the meaning of a cappella (if the students do not know
the answer demonstrate it vocally) Where did jongleurs sing and play
bull Pictures 4 and 5 (the Modern Era) Where did the royalty and nobility organise concerts and dances When did this happen Where did operas take place Where was the orchestra
bull Pictures 6 and 7 (the Present Age) Where do we listen to music nowadays What type of instruments does contemporary music use
Say Guess where Irsquom performing if Irsquom a member of a rock banda monka jongleuran opera singer a member of a symphony orchestra Finally ask Can you explain the meaning of venue
2 Say Look at page 7 and ask a student to read out the first paragraph Then hit a triangle and let the students
Contentsbull Venues for the performance of
music throughout history
bull Properties of sound
bull Units of sound measurement
bull Physics of sound vibration and sound waves
Key languagebull venue amphitheatre outdoors
seat semicircle stage acoustics monk jongleur set up portable production royalty nobility chamber pit concert hall contemporary equipment amplify
bull emit wave transmit medium perceive measure timbre dynamics volume decibels duration metronome second pitch tone frequency hertz
18
Activity 3 Fermata Sign CD 1 track 4
Play with body percussion2
Say the right rhythm to accompany the song and explain why Then listen and play along
3
14
The musicians are in the wrong places Explain where they should be and why
4
R L
R L
R L
R L
If to this rhythm
We add a tie
We get
You know two other sound-lengthening signs
bull The tie joins two or more notes of the same pitch adding their lengths together
bull A dotted note or rest lengthens the duration of the note or rest by half its original value 119134119134 119134119134
119134119134 119135119135(
ReVIeW
R L R both R L R both R L R R L R R L R both
snap R L R L snap R L R L
R L R L snap snap snap
R L R L R L R L
TERM 1
9
lesson 2
ES0000000023937 659366_Music6_TRIM1_19492indd 9 11052015 125300
2 Say Look at page 9 and ask individual students to read out the review box To ensure comprehension write the following scores on the board
44amp œœœœœœœœ œœœ œœ
34amp œ œjœ œ œ œ
j œ ˙
Then call a student to the board and ask Are there any mistakes in the scores Write them correctly in your Activity Book Add dots where necessary
Then perform each rhythm in the speech bubbles and say Repeat after me Repeat the procedure until the students can perform the new rhythmic group correctly
Finally say Look at the first score in activity 2 What does the letter RL
mean Perform two bars at a time patting your legs and say Repeat after me When the students are ready repeat the procedure four bars at a time
To end perform the second and third rhythms four bars at a time with the suggested body percussions
3 Ask a student to read out the instruction and say What is the metre of the firstsecondthird rhythm Pay attention to the body percussions and repeat after me and play the rhythms
Finally ask Which is the right rhythm to accompany the song Why Play the track and accompany the song with the first rhythm
4 Ask a student to read out the instruction and say Put up your hands to answer
Materialsbull Studentrsquos Book pages 8 amp 9
bull Class Audio CD 1 tracks 4 amp 5
bull Score of Fermata Sign Teacherrsquos Book page 38
bull Activity Book page 5 activities 1 2 3 amp 4
bull Reinforcement worksheet Teacherrsquos Book page 47 activities 1 2 3 amp 4
LibroMedia extrasbull Recordings of all the texts
in the Studentrsquos Book
bull Karaoke of Fermata Sign
bull Interactive activities
21
Listen and learn the dance Then make up the missing steps and dance it with your classmates1
16
introduction
introduction
AA B A B A CC A B AAbridge coda
codabridge
Make up the steps
Make up the steps Make up the stepsTake five steps make a statue and take another
five steps back to your partner Repeat
Greet your partner with body percussion
Take three steps to the side and snap your fingers
Repeat in the other direction
With your partner turn eight steps
in each direction
A
C
B
10 Activity 1 Plink Plank Plunk by L Anderson CD 1 track 6 bull Contents Parts of a piece of music introduction bridge and coda
Plink Plank Plunk
ES0000000023937 659366_Music6_TRIM1_19492indd 10 21052015 165604
Teaching suggestions
1 Say Look at page 10 Listen and follow the structure and tell the students when each part starts Then ask What is the metre (quadruple metre) How many bars does each part have (intro 2 part A 8 part B 8 part C 16 bridge 2 coda 6)
Play the track and show the steps for the dance Then with the students facing each other in two rows practise the steps while you hum the melody
Part A
bull Bars 1ndash4 Both rows take three steps to the same side and snap fingers Repeat in the other direction Do it again
bull Bars 5ndash8 Taking a partner by the elbow turn eight steps clockwise Repeat in the other direction
Part B
bull Bars 1ndash2 Clap right hands with a partner Do it again with the back of the hand and snap fingers Repeat with the other hand
bull Bars 3ndash4 One row puts both hands in front of them with palms up The other row claps the hands of the first row The first row puts the left hand on the right hand and the other row does the same
bull Repeat
Part C
bull Bars 1ndash4 Take five steps in any direction and make a statue for two beats
bull Bars 5ndash8 Take five steps back to the starting position and make a statue for two beats
bull Repeat
Contentsbull The performance of a complex
choreography
bull Parts of a piece of music introduction bridge and coda
bull Review of musical forms
bull Review of units of sound measurement
Key languagebull introduction bridge coda
bull missing step snap greet partner statue
bull organisation determine chorus verse attract section join style tempo character tail
22
Activity 3 Fermata Sign CD 1 track 4
Play with body percussion2
Say the right rhythm to accompany the song and explain why Then listen and play along
3
14
The musicians are in the wrong places Explain where they should be and why
4
R L
R L
R L
R L
If to this rhythm
We add a tie
We get
You know two other sound-lengthening signs
bull The tie joins two or more notes of the same pitch adding their lengths together
bull A dotted note or rest lengthens the duration of the note or rest by half its original value 119134119134 119134119134
119134119134 119135119135(
ReVIeW
R L R both R L R both R L R R L R R L R both
snap R L R L snap R L R L
R L R L snap snap snap
R L R L R L R L
TERM 1
9
lesson 2
ES0000000023937 659366_Music6_TRIM1_19492indd 9 11052015 125300
2 Say Look at page 9 and ask individual students to read out the review box To ensure comprehension write the following scores on the board
44amp œœœœœœœœ œœœ œœ
34amp œ œjœ œ œ œ
j œ ˙
Then call a student to the board and ask Are there any mistakes in the scores Write them correctly in your Activity Book Add dots where necessary
Then perform each rhythm in the speech bubbles and say Repeat after me Repeat the procedure until the students can perform the new rhythmic group correctly
Finally say Look at the first score in activity 2 What does the letter RL
mean Perform two bars at a time patting your legs and say Repeat after me When the students are ready repeat the procedure four bars at a time
To end perform the second and third rhythms four bars at a time with the suggested body percussions
3 Ask a student to read out the instruction and say What is the metre of the firstsecondthird rhythm Pay attention to the body percussions and repeat after me and play the rhythms
Finally ask Which is the right rhythm to accompany the song Why Play the track and accompany the song with the first rhythm
4 Ask a student to read out the instruction and say Put up your hands to answer
Materialsbull Studentrsquos Book pages 8 amp 9
bull Class Audio CD 1 tracks 4 amp 5
bull Score of Fermata Sign Teacherrsquos Book page 38
bull Activity Book page 5 activities 1 2 3 amp 4
bull Reinforcement worksheet Teacherrsquos Book page 47 activities 1 2 3 amp 4
LibroMedia extrasbull Recordings of all the texts
in the Studentrsquos Book
bull Karaoke of Fermata Sign
bull Interactive activities
21
Listen and learn the dance Then make up the missing steps and dance it with your classmates1
16
introduction
introduction
AA B A B A CC A B AAbridge coda
codabridge
Make up the steps
Make up the steps Make up the stepsTake five steps make a statue and take another
five steps back to your partner Repeat
Greet your partner with body percussion
Take three steps to the side and snap your fingers
Repeat in the other direction
With your partner turn eight steps
in each direction
A
C
B
10 Activity 1 Plink Plank Plunk by L Anderson CD 1 track 6 bull Contents Parts of a piece of music introduction bridge and coda
Plink Plank Plunk
ES0000000023937 659366_Music6_TRIM1_19492indd 10 21052015 165604
Teaching suggestions
1 Say Look at page 10 Listen and follow the structure and tell the students when each part starts Then ask What is the metre (quadruple metre) How many bars does each part have (intro 2 part A 8 part B 8 part C 16 bridge 2 coda 6)
Play the track and show the steps for the dance Then with the students facing each other in two rows practise the steps while you hum the melody
Part A
bull Bars 1ndash4 Both rows take three steps to the same side and snap fingers Repeat in the other direction Do it again
bull Bars 5ndash8 Taking a partner by the elbow turn eight steps clockwise Repeat in the other direction
Part B
bull Bars 1ndash2 Clap right hands with a partner Do it again with the back of the hand and snap fingers Repeat with the other hand
bull Bars 3ndash4 One row puts both hands in front of them with palms up The other row claps the hands of the first row The first row puts the left hand on the right hand and the other row does the same
bull Repeat
Part C
bull Bars 1ndash4 Take five steps in any direction and make a statue for two beats
bull Bars 5ndash8 Take five steps back to the starting position and make a statue for two beats
bull Repeat
Contentsbull The performance of a complex
choreography
bull Parts of a piece of music introduction bridge and coda
bull Review of musical forms
bull Review of units of sound measurement
Key languagebull introduction bridge coda
bull missing step snap greet partner statue
bull organisation determine chorus verse attract section join style tempo character tail
22
Listen and learn the dance Then make up the missing steps and dance it with your classmates1
16
introduction
introduction
AA B A B A CC A B AAbridge coda
codabridge
Make up the steps
Make up the steps Make up the stepsTake five steps make a statue and take another
five steps back to your partner Repeat
Greet your partner with body percussion
Take three steps to the side and snap your fingers
Repeat in the other direction
With your partner turn eight steps
in each direction
A
C
B
10 Activity 1 Plink Plank Plunk by L Anderson CD 1 track 6 bull Contents Parts of a piece of music introduction bridge and coda
Plink Plank Plunk
ES0000000023937 659366_Music6_TRIM1_19492indd 10 21052015 165604
Teaching suggestions
1 Say Look at page 10 Listen and follow the structure and tell the students when each part starts Then ask What is the metre (quadruple metre) How many bars does each part have (intro 2 part A 8 part B 8 part C 16 bridge 2 coda 6)
Play the track and show the steps for the dance Then with the students facing each other in two rows practise the steps while you hum the melody
Part A
bull Bars 1ndash4 Both rows take three steps to the same side and snap fingers Repeat in the other direction Do it again
bull Bars 5ndash8 Taking a partner by the elbow turn eight steps clockwise Repeat in the other direction
Part B
bull Bars 1ndash2 Clap right hands with a partner Do it again with the back of the hand and snap fingers Repeat with the other hand
bull Bars 3ndash4 One row puts both hands in front of them with palms up The other row claps the hands of the first row The first row puts the left hand on the right hand and the other row does the same
bull Repeat
Part C
bull Bars 1ndash4 Take five steps in any direction and make a statue for two beats
bull Bars 5ndash8 Take five steps back to the starting position and make a statue for two beats
bull Repeat
Contentsbull The performance of a complex
choreography
bull Parts of a piece of music introduction bridge and coda
bull Review of musical forms
bull Review of units of sound measurement
Key languagebull introduction bridge coda
bull missing step snap greet partner statue
bull organisation determine chorus verse attract section join style tempo character tail
22