Music Printing Brochure - WordPress.comJacqueline Wolf, Gianmario Borio 9.30h "Key Note Chair –...
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The international workshop Music Printing and Publishing in Modern Italy – New Approaches has three main objectives: – to discuss the latest results of recent research in the field of music printing and publishing in Italy before 1800 – to encourage exchange of scholars working in this area and develop new research approaches and perspectives – to present and discuss some innovative research tools, as the new database Printed Sacred Music in Europe 1500-1800. Organised by University of Fribourg – Switzerland Institute of Musicology Caʼ Foscari University, Venice – Italy Department of Philosophy and Cultural Heritage Fondazione Giorgio Cini, Venice – Italy Institute for Music Swiss Consulate in Venice – Italy Locations Swiss Consulate in Venice Palazzo Trevisan degli Ulivi Campo SantʼAgnese 810 – 30123 Venice Tel. +39 041 522 59 96 [email protected] International Workshop Venice, 13-14 February 2014 Music Printing and Publishing in Modern Italy New Approaches Fondazione Giorgio Cini, Venice Island of San Giorgio Maggiore – 30124 Venice Institute for Music Tel. + 39 041 271 02 20 – [email protected] www.cini.it Contacts Dr. David Bryant – [email protected] Caʼ Foscari University, Venice Dr. Luigi Collarile – [email protected] University of Fribourg – Caʼ Foscari University, Venice
Transcript of Music Printing Brochure - WordPress.comJacqueline Wolf, Gianmario Borio 9.30h "Key Note Chair –...
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The international workshop Music Printing and Publishing in Modern Italy – New Approaches has three main objectives:
– to discuss the latest results of recent research in the field of music printing and publishing in Italy before 1800
– to encourage exchange of scholars working in this area and develop new research approaches and perspectives
– to present and discuss some innovative research tools, as the new database Printed Sacred Music in Europe 1500-1800.
Organised byUniversity of Fribourg – Switzerland
Institute of Musicology
Caʼ Foscari University, Venice – ItalyDepartment of Philosophy and Cultural Heritage
Fondazione Giorgio Cini, Venice – ItalyInstitute for Music
Swiss Consulate in Venice – Italy
LocationsSwiss Consulate in VenicePalazzo Trevisan degli UliviCampo SantʼAgnese 810 – 30123 VeniceTel. +39 041 522 59 [email protected]
International WorkshopVenice, 13-14 February 2014
Music Printing and Publishing in Modern ItalyNew Approaches
Fondazione Giorgio Cini, VeniceIsland of San Giorgio Maggiore – 30124 Venice
Institute for MusicTel. + 39 041 271 02 20 – [email protected]
www.cini.it
ContactsDr. David Bryant – [email protected] Caʼ Foscari University, Venice
Dr. Luigi Collarile – [email protected] of Fribourg – Caʼ Foscari University, Venice
http://www.cini.ithttp://www.cini.it
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" Thursday, 13 February 2014" Swiss Consulate in Venice (Palazzo Trevisan) !
9.00h" Opening
David Bryant, Luigi Collarile Jacqueline Wolf, Gianmario Borio
9.30h " Key NoteChair – David Bryant Respondents – Neil Harris, Luca Zoppelli
Luigi Collarile(University of Fribourg – Caʼ Foscari University, Venice)
Edizioni musicali italiane perdute. Nuove prospettive bibliografiche e storiografiche
11.00h " Study Session IRespondents – Patrizio Barbieri, Iain Fenlon
Bianca Maria Antolini (Conservatorio di Perugia)Il «Dizionario degli editori musicali italiani». Bilancio di una ricerca
Rodolfo Baroncini (Conservatorio di Adria)«In Merzaria»: l'officina Gardano e il contestosocio-antropologico delle contrade di San Salvador e San Zulian (Venezia, 1580-1610)
15.00h " Study Session IIChair – Luigi CollarileRespondents – Marco Di Pasquale, Rudolf Rasch
Patrizio Barbieri (Rome)Prime testimonianze sui librai musicali di area veneta a Roma: nuovi documenti, 1567-1569
Rebecca Edwards (St. Martinʼs University, Washington)A Valuable Perspective on the Relationship between Musicians and Printers in 16th-CenturyVenice: the Case of Claudio Merulo
Carrie Churnside (Birmingham City University)Reflections upon Working on Italian Music Printing and Publishing in the Seventeenth- and Eighteenth-Centuries Italy
17.00h " Study Session IIIRespondents – Rodolfo Baroncini, Rebecca Edwards
Iain Fenlon (Kingʼs College, Cambridge)Composers, Dedicatees and Publishers
Marco Di Pasquale (Conservatorio di Vicenza)Intorno alla pratica della dedica. Il caso dellʼAccademia Filarmonica di Verona
" Friday, 14 February 2014" Fondazione Giorgio Cini (Island of S. Giorgio) ! Sala Barbantini
9.00h" Study Session IV
Chair – David Bryant Respondents – Bianca M. Antolini, Carrie Churnside
Constance Frei (University of Geneva)I primi tipografi musicali bolognesi
Giulia Giovani (Istituto Storico Germanico, Rome)Riflessioni sulla stamperia Silvani «all'insegna del violino»
Rudolf Rasch (Utrecht University)Italian Engraved Music Editions before and after Corelliʼs Sonatas Opus 5 (1700)
11.00h" Study Session V
Respondents – Constance Frei, Giulia Giovani
" Paolo Giorgi (Bologna)Maurizio Cazzati (1616-1678) compositore estampatore: un esempio di autoimprenditoriamusicale seicentesca
Daniele Torelli (Libera Università di Bolzano)Lʼimpronta dei piombi: il riconoscimento dei caratteri in edizioni musicali sconosciute
15.00h " Study Session VI
Chair – Luigi Collarile Respondents – Neil Harris, Daniele Torelli
Laurent Pugin (RISM Switzerland)Aruspix – A Software Suite and its Applications
Rodolfo Zitellini (University of Fribourg – RISM Switzerland)Mapping Music Typefaces.Toward a Digital Catalogue
17.00h " Printed Sacred Music in EuropeChair – Gianmario Borio (Fondazione Giorgio Cini)
Key Note
David Bryant, Elena Quaranta (Caʼ Foscari University, Venice)
How does Printing Reflect Patterns of Consumption in the Church Music of Sixteenth-and Seventeenth-Century Italy?
Presentation of the New Database
Luca Zoppelli (University of Fribourg)
with David Bryant, Luigi Collarile, Laurent Pugin, Elena Quaranta, Rodolfo Zitellini
