7/29/2019 Music in Israel | Listening Guide | Week 4 (2013)

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MUSIC 74&139: MUSIC IN ISRAEL WEEKLY LISTENING ASSIGNMENTS

Note: All required sound files and CD booklets available on bSpace.

Week 4

1. Nights in Canaan - Early Songs of t he Land of Israel (1881-1946), ed. Yakov Mazor

This compilation, edited by a legendary Israeli ethnomusicologist (Yakov Mazor, a veteran researcher ofthe National Sound Archives in Jerusalem), offers an amazing collection of sound documents, and in away a fascinating historical audio documentary about the creation of Hebrewism (refer to Regev-Seroussi, Introduction, for the use of this term), which in its musical form is described in the chapters ofHirshbergs book assigned for this week.

The idea behind the compilation is that the Hebrew songs of the chalutzim, the Jewish pioneers inPalestine before the creation of the State of Israel (1882-1946), can best be documented through thetestimonies of the pioneers themselves. As Mazor writes in the notes to the CD (available on bSpace),many of these songs were written by noted poets and professional musicians, and song anthologiesprinted in this country and elsewhere made a tremendous contribution to the dissemination of Hebrewsong from its very beginnings. Accordingly, musicians and musicologists question whether the term folksong really suits Hebrew song []. Whatever the case, an important role was played by the ordinarypeople who wrote Hebrew texts and composed new melodies, translated foreign songs, adaptedexisting melodies to new texts and transplanted songs from one geographical region to another andfrom one generation to the next.

The old Songs of the Land of Israel (SLI) presented in this CD are sung by many of those ordinarypeople, recorded in their old age (they were born between the years 1905-1923). A sample of themusical anthologies printed in Palestine at the time can be found in the Classified Palestine Songs(available on ERes). More information about cultural life in Palestine before 1948 can be found in the

selection from Tom Segevs book assigned for this week (also available on bSpace).Explore the following tracks, all very short examples, paying special attention to the origins of both textand melody as described in the CD liner notes.Some songs are the recollection of individual informants; others reflect the habit developed amongpioneers to have group sing-along performances (in Hebrew, shirah be-tzibur), described in the sectionsof Hirschbergs book assigned for this week.You also want to be aware, and somewhat respectful, of the age of the informants (see Week 1Listening assignment handout for the use of this term in ethnomusicology): most of them are notprofessional performers: What are your reactions to the sound of their voices?

Here are four groups of songs: listen to as many as you like, but focus on one in each group.

a) Hebrew lyrics added to pre-existing melodiesTracks 6-7: Yiddish and Hebrew texts based on the melody of a Polish folk song.Tracks 18-19 and 32: love song in Arabic and its Hebrew permutations (the song gives the title to thewhole anthology).

b) HebrewismTrack 14: Song reflecting the inspiration that Hebrewism drew from medieval Hebrew poetry.Track 21: Setting of a poem by the Hebrewist national poet, Chayyim Nachman Bialik (1873-1934).Track 25: Song written mainly for children, expressing the orientalistic trend that pervaded the melodiescomposed for Hebrew lyrics since the 1920s.

c) Pioneer lifeTrack 1: Song celebrating agricultural life, the ultimate pioneering ideal.Track 11: This song, already known in Lithuanians yeshives (Talmudic religious schools in easternEurope), was apparently sung in agricultural settlements in times of crisis.Track 24: Song celebrating the flute as the quintessential shepherds instrument (we will develop thispastoral theme in class during the coming week).

d) Political songsTrack 8: Hebrew version of a song of the Komsomol (the Soviet Communist youth movement).Track 27: This song reflects the repertoire of the Zionist-Revisionist party, a current of Zionism activeboth in the Land of Israel and in the Diaspora, inspired by a militaristic/nationalistic agenda.

Track 28: A song from the repertoire of the Jewish Brigade that fought in the British Army during WW2.

2. Ben-Haim, Paul. Piano Music of Paul Ben-HaimTrack 4: Melody and Variations, Op. 42 (1950)We will be listening to more of Paul Ben-Haims music next week (born in Munich as Paul Frankenbergin 1897, he immigrated to Palestine in 1933, and died in 1984). His Melody and Variations originatefrom the composers contributions to the creation of Israeli musical culture. Ben-Haim arranged songs ofthe Jewish ethnic communities of the Middle East, and performed for the Palestine Broadcast Service(radio founded in 1936). The melody was originally written for children and piano beginners.