Music History Baroque A.A.F
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Transcript of Music History Baroque A.A.F
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BaroqueBaroque" means irregular, and consequently, flawed pearl.
It is applied
generally to the dynamic and undisciplined artistic creativity of the
seventeenth century.
The Baroque is a period
of artistic style that
used exaggerated
motion, clear and easilyinterpreted detail to
produce drama, tension,
exuberance and
grandeur in arts.
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Began in Rome, Italy
From 1600 to 1750Divided to 3 phases : 1) Early Baroque (c.1590-1625)
2) High Baroque (c.1625-1660)
3) Late Baroque (Rococo) (c.1660-1725)
The conflict between
the Protestants and
Catholic had a great
effect on art.
Counter
reformation
and the
launching of
campaigns forchurches
demand for
art to serve
as a
propaganda
paintings and sculptures in church
contexts should speak to the illiterate
Patrons of art: - The Church
- The Courts
- Secular governments
- The middle class
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Characteristics of Baroque Art
Direct,
Obvious,
Dramaticimages
Draws viewer
to participate
in the scene
Depictions feel
physically and
psychologically real
Contrasts between
dark, light and
shadow
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grandiose visions, ecstasies and conversions,
martyrdom and death, intense light, intense
psychological moments.
Extravagant settings and
ornamentation
Solimena, Francesco (1657-1747)
The Martyrdom of Sts Placidus
and Flavia
http://www.terminartors.com/artistprofile/Solimena_Francescohttp://www.terminartors.com/artistprofile/Solimena_Francescohttp://www.terminartors.com/artistprofile/Solimena_Francescohttp://www.terminartors.com/artistprofile/Solimena_Francescohttp://www.terminartors.com/artistprofile/Solimena_Francesco -
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Michelangelo Merisi or
Amerighi da Caravaggio
Italian artist, active in Rome,
Naples, Malta and Sicily
Period : 1565-1609
he handled his success poorly,
was jailed on several
occasions, vandalized his own
apartment, and ultimately had
a death warrant issued for him
by the Pope
Was famous for dramatic
use of lighting, shadows or
Chiaroscuro
Had a very bad temper
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The Conversion on the Way to Damascus, 1601
Shadow and light used toheighten the drama, depth
and meaning of his painting.
Religion Related
depicts a moment of intense
religious ecstasy
placement of the characters -
Conversion
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The Martyrdom of Saint Matthew(15991600)
located in the Contarelli
Chapel of the church of the
French congregation SanLuigi dei Francesi in Rome
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Rembrandt Harmenszoon van Rijn Born 15 July 1606 in Leiden,Dutch Republic, was a
Dutch Painter and etcher,
greatest painters and
printmakers in
European art and the
most important in
Dutch History
greatest creative triumphsare exemplified especially
in his portraits of his
contemporaries, self
portraits and illustrations
of scenes from the Bible
Great skill and sympathetic
understanding of people
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The storm on the sea of
Galilee
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The Anatomy Lesson of Dr.
Nicolaes Tulp , 1632
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Rembrandt Etching:
A self Portrait with Flat nose
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Franois Boucher29 September 170330 May 1770
Proponent of the rococo style
known for his idyllic and
voluptuous paintings onclassical themes,
decorative allegories, and
pastoral scenes
also designed theater
costumes and sets, and the
ardent intrigues of the comic
operas of Charles Simon
Favart
Also involved doing
Tapestry works
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Portraits of Madame de Pompadour
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Pastoral Scene
The Bridge, 1751
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Allegory of Painting
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Baroque Fashion
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Disappearance
Of ruff, favouring
Broad lace or
linen collars
Rising
Waistlines
(both men &
women)
Hoses fade,
Breeches used
Full sleeves
Fashionable
Bodices with
High/low
Necklines
Full/ 3
quarter
sleeves
Open skirts
Revealing
petticoat,
or closed
all around
Coat and
waistcoat
inside
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Laughing Cavalier by Frans Hals
Slashed Doublet
Wide Reticella Lace
Collar and Cuffs
Broadbrimmed hat
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James I England
James Hamilton, Earl
of Arran Charles I
D th C L t Eli b th L d St l
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Dorothy Cary, Later
Viscountess Rochford
1614-18
Elizabeth, Lady Style
of Wateringbury
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Sara Wolphaerts Van
Diemen, 1630
Marie-Louise de
Tassis, 1620
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Footwear
Heeled
shoes with
shoe roses
By 1620,
heeled
boots
became
popular
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Lower Class
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Petticoat
with Apron
Jacket
BodiceBreeches Doublets
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Baroque Architecture
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Bold, curving
& not at all symmetricalbuildings
With ornate decoration
Curving
facades
Highly
decorated
pediments Ceilings
painted
to show
illusionism
TrompeLoeil
Ovalshape
used
Marble,Gilt and
Bronze
Used
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Gian Lorenzo Bernini
Italian artist and
prominent
architect
Worked mainly in Rome
Bernini possessed
the ability to depict
dramatic narratives
with characters
showing intense
psychological states,
especially in
Sculptures
7 December 1598 -28
November 1680
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Apollo and Daphne
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St. Peters Square, Vatican City
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Francesco Borromini 25 September 15992 August 1667
was a leading figure
in the emergence ofRoman Baroque
architecture
idiosyncratic
architecture,manipulating of
Classical architectural
forms, geometrical
rationales in his plans
and symbolic meanings
in his buildings
Career
constrained by
his own
personality
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San Carlo alle Quattro Fontane
Sant' Ivo alla Sapienza
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Sant Ivo alla Sapienza
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The End
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