Music for Septet & Computer - University at Buffalolippe/music4/septet/Lippe-SeptetScore.pdfMusic...
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Music for Septet & Computer for flute, clarinet, trombone, piano, percussion, violin, & cello by Cort Lippe 2013 Commissioned by the E-Mex Ensemble für neue Musik, and made possible with funds from the Ministerium für Familie, Kinder, Jugend, Kultur und Sport des Landes Nordrhein-Westfalen © 2013 Cort Lippe All International Rights Reserved
Transcript of Music for Septet & Computer - University at Buffalolippe/music4/septet/Lippe-SeptetScore.pdfMusic...
Music for Septet & Computer for flute, clarinet, trombone, piano, percussion, violin, & cello by Cort Lippe 2013 Commissioned by the E-Mex Ensemble für neue Musik, and made possible with funds from the Ministerium für Familie, Kinder, Jugend, Kultur und Sport des Landes Nordrhein-Westfalen © 2013 Cort Lippe All International Rights Reserved !
1
Perc.
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X X X X X X X X X X X X X
XX
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low,%medium,&%high%toms
All instruments should be amplified with cardioid or hyper-cardioid microphones. (Piano and percussion should have two microphones each, and the other instruments need one each.)
Instrumentation:
Percussion Instruments
Accidentals hold throughout a measure unless cancelled by a natural sign.
cues in the full score for the computer part
Flute in CClarinet in BbTenor Trombone (with straight mute)PianoPercussion (see details below)ViolinCello
low%&%high%bongos
snare large%ride%&crash%cymbals
low%&%high%woodblocks
tambourinechinese%cymbal maraca
trombone
conductor
Suggested stage setup: piano
Possible percussion setup (used by Michael Pattmann):
vibraphone
maracatambourine
(sticks)
flute
clarinet
(sticks) music
mic 1
vibes
1%octave%crotales
suspendedtambourine
(sticks)
woodblocks
ride
crash
cello
violin
percussion
mic2music
chinese cymbal
bongos
crotaleslowtom
tom
tomsnare
Full score is in C.
1
Flute
Bb Clarinet
Trombone
Piano
Percussion
Violin
Violincello
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Music for Septet and Computer
accel. poco a poco...
- i - Cort Lippe 2013
q ≈ 112
veryshort
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q ≈ 152
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128
132
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16
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140
rit. poco a poco...
q ≈ 110(vibes)
17
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&
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&
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17
FE34 X X X X# X# X X X X# X# X Xb X X Xb X#
X Xb Xb .fX X Xn X# E E X a
FXb X X# X X
D34 X X# En X# X Xn X X X X X
X X X X X X X XfX X Xb X X# E X a
F Eb .
FD34 D Sz
E .>F
E .P
D D D SzE .>F
D34 D D D
Df
D D D
D34 D D D
D X#X> XX X# X X# X XXXX>D D
D34 D D D
D D D D
D34 D D D
D D D D
D34 D D D
D D D D
D34 D D D
D D D D
144
148
D q ≈ 160-168
rapid gliss (approx. a quarter step above and below note)
19
Fl.
Cl.
Tbn
Pno.
Perc.
Vn.
Vc.
&
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&
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18
Eb . X X£
# a X XfXb Xb X Xb Xn X X X X X
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Xb X E Ó
ƒX>b a X> a ¥ D a X# X X X
£XJn
X Xb X# Xn X Xb X EfX X X X X X X X X X X X X# X Xb X Xb
X Eƒa X @ X @ ¥ D X XJ £
b Xb X X
E .P D D E .>
Sz f
E .F
D D D
Df
D D D
¥ Xb X X X X X X X Dƒ@ XbX> XX>
¥ @ X X X X X X @ D
D X£
>b X> X> X£
> X> X> XXX> D
Eb ¥ D ¥ EbXb ¥ E .
D D D D
D D D D
D D D D
D D D D
D D D D
D D D D
D D D D
D D D D
152
156
20
Fl.
Cl.
Tbn
Pno.
Perc.
Vn.
Vc.
&
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&
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19
D @ X> X>b X a . @ X>b X>b X a . ¥ X> X>b ¥Ó
fX>b a X> a ¥
D X a X a£X a X a X @ X# @ a
£FX# a @ X . a X X . Xb X a a .
PX
D X> X> ¥ X> X> ¥ a . X> X X> @ ¥fa X @ X @ ¥
¥ a . X X @ Xb @ X . @ a£Xb a
X @ Xb FX@ X X a . @ X . @ Xb . a . X X PX
DSzX> a ¥
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D D D D
¥ X£Xb Xb X X X X ¥ X Xb X X ¥ a . X Xb X X @ ¥ D @f XbX XX
¥ a XbX ¥ D D D
X£
> X> X># ¥ ¥ D D D
D D D D
D D D D
D D D D
D D D D
D D D D
D D D D
D D D D
D D D D
D D D D
160
164
rit. poco a poco...
21
Fl.
Cl.
Tbn
Pno.
Perc.
Vn.
Vc.
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Perc.
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20
X D DU D D
D D D D
X D DU D D
D D D D
aFX# X X
PE .U D D
D D D D
DF P
XX E .E .UU ¥
p¥ EEbE X Xb X> E
ïX.a ¥ a X. X Xb X> E @
X X# ¥ ¥ ¥ EEE
P ƒ ï
P ƒ F ï ï pf P
a£X Xb X
£X X XX# E .E X X X.b a ¥ a X. ¥ a XbX. XX X .X .
¥ EEbE ¥ a X£
b Xb£X X.n XX XX ¥ a X
£b Xb
£X Xn a X X.b a ¥ a X.
D DU D D
D D D
D DU &15 ¥ a .
FXbX XX ww
D a X#X XX EE Xb . X X Xb X E
D DU D D
D D D D
D DU D D
D D D D
168
172
q ≈ 144 E(crotales)q ≈ 160 - 176
hard. stks.crotales
sempre l.v.
22
Fl.
Cl.
Tbn
Pno.
Perc.
Vn.
Vc.
&
&
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&
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&15
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21
D D D D
D D DU D44 ¥pX# @ X @
D D D D
D D DDU D44
D D D D
D D DUp X.44 a ¥ D
X X X>b EE> D ¥ XbX X.>Xb X X X @ Xb .X .X . XXX
Xb X X£@ X
X> X X£
b @ X X X Xb @ Xb .X . ¥ ¥ X. a D44
ƒ ï p f pƒ
ï f ƒ PEE
pE .E .U
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a X Xb a XbX. a . XX. ¥ ¥ a X X.b a ¥ ¥ X.>b a ¥ ¥
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D D D D
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& D44X X# X X# . X . Xb
D D D D
D D DU D44 ap
X. X.
D D D D
D D DU ¥44 pX.b a D
176
180rit. poco a poco... F q ≈ 152 - 160
(sempre straight mute)
con sordino
pizz
pizz
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Cl.
Tbn
Pno.
Perc.
Vn.
Vc.
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22
¥ Xb D ¥ X. a ¥ X. a DPX.# a ¥ D D X. a ¥
D X.b X. ¥ D ¥ a X. X.b X.
F¥ D
¥ pa X. D D D
PX. a ¥ D X.# X. ¥ Xb X a
D ¥ X.# X. ¥ X. X# XFX a D ¥
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FX ¥ D
D a X. X. a D D aPX. X. a D D a X. a X.#
X. a ¥ D D X ¥ @ X. @ ¥ D XbFX.> @X.> a D
D D DF P
DF
D
D DP
D X.# X. ¥ DF
D D ¥ X.>#X. D ¥ X X a ¥ D
D D X. ¥ @ X. @ ¥ D ¥ X.>a D
D D D D ¥ @FX @ D
a . X>XXXX a D D ¥ a X> X X>®XX a ¥ D ¥ afX> a X
£XX ¥
D D D PX.ba ¥ D D
D D D D
D X.# a ¥ D X# a ¥ D D ¥ a X. X. a ¥ X. a X. a
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FX
¥ D
X# X. @ ¥ D ¥PX.# X. D D D ¥ a X.b D
D D ¥ X.b a D D
184
189
snare (same hard stks.)
rimshotrim only
vibraphonehard stks.
arco
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Pno.
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23
@FX. @ @ X. @ ¥ Xb X a ¥ a X. ¥ D ¥ X. X. a X. ¥ ¥ X. a
D ¥ @ X @ X# X# a . X# X . Xfa ¥ D
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a X. a D
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a X a D D X.#a X. a D
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a £X> ¥ X£X X ¥ D ¥ X X X X X>
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D D D F X.a ¥ D
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f¥ D D X.
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a X. a D X.ba ¥
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a X.a D D
P X.# a a X.
193
197
bongos& woodblk.
toms
pizz
arco pizz.
23
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Tbn
Pno.
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24
X X# X ¥ a X.n a X. a X.bf
¥ ¥ @FXn @ X @ X# @ X ¥ @ X @ Xn ¥
X£Xb X ¥ D X
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X Xb@ X X# X X X# X
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DE
fD
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£¥ X. a X.b X.b X.n X. X
£.# X.b X>
fX D ¥
FX. a a X. ¥
X. a a X. ¥ X a a X# ¥ X# a a X a X# Eƒ
¥ ¥ a .pX# E
Df
DF
¥F@ X @ X# D
Df
Dƒ
D D
D X.ba X. a X.
a @ X. @ D D ¥ X.# X.#
D ¥ a X Xa ¥ D Xb
a ¥ D D
D ¥ a£X. a X a D D
D D D D
¥
fX. a X. a D D
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D ¥ X£Xb Xn
¥ fX. a D D
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¥ X XX X ¥ ¥ X# ¥X
fX a D D
X.# a X.#f
a D D ¥F X.b
a a X.b¥ D
D ¥ afX
D aƒX E P
¥ D apX.
201
204 G
chinese
soft stks.
arcogliss.
arco sul pont.
(trombone)
molto sul pont.
Fl.
Cl.
Tbn
Pno.
Perc.
Vn.
Vc.
&
&
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&
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B
25X.a a .
X# X£
aX X
F¥ a
X£@@
£
X# X@¥
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a ¥ D ¥ ƒX># X>
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pX X
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£X# X Xn X
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fX a ¥
a X£X X£X# X X a ¥ a X
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£# X# X XJ X#
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D D Df
D D ¥ƒXXb> XX>
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a Xb Xn XJ £X X a ¥ D a X
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£.>#X# a Xn> X> D
D @PX. a @ X. @ X. ¥ a . X. @ X. a a . X. ¥ @ X. .
FX. @ D
a X. @ ¥ @ X. a ¥ @ X. @ X. ¥ a .fX. @ X. X. @ X. @ X. @
ƒX> X> E
D D D
D D D
a .p
X#@X X
@ ¥ @X
Fa ¥ @
X# X@ a
X@ ¥ ¥
f
X£
>a X X
£X X X X#
X# a ¥ @X# X
@ a .X
a a£Xb X
£a a X X
£a a X X
£a X @ ¥
X>
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X> Ep
X X E . F w X a ¥ D B
¥ fa X
£X X
£X# X X X a ? D ¥
ƒX>b X> ¥& a X# O#p
208
211
(soft stks.)chinese
crash
sub.
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Cl.
Tbn
Pno.
Perc.
Vn.
Vc.
&
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&
&&
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Pno.
Perc.
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&
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&
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26
a X X X X D a X# X X X D D D
¥X X X X X X X X# . X a . ¥ D ¥
P@£X. X.# X. X
£. a a a a
£X.n
F
f
¥ a . X# X X Xn Xb X# a . X X X X Xb Eb D ¥ a X E
¥ a X X X# X X X Xb X X . X @ a D D
P F f
f F
D D D a X X X X X X# X# X X X X X# X# Xb Xn X
Xb a ¥ D a X X X X X# X . X a . D
F
f F
D D D D
D D D
D D D D
D D D
@pX . E . E E>
FD D
D ¥ aF X> @ @ X
a X X X> @D
D D ¥ a X# E E D
D D D
F fw w w X X Xb E
Xa ¥ a . X# X# X X X X X# X# X a ¥ a
PX£. X. X
£X. X.# X. X
£a a a X
£. X.b X
£X.n X#
f
F
wO OX O#X# O.E . Ow OX OX OX OE
OX a ¥ D ? D D
f
214
218rit. poco a poco...
l.v.
24
Fl.
Cl.
Tbn
Pno.
Perc.
Vn.
Vc.
&
&
?
&?
&
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Tbn
Pno.
Perc.
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27
X£. a X X X a a X X X. X.b X. X
pa ¥ DU D
DpX# X ¥ D X X a a X X a X a X X X a ¥
aP X# X X
a ¥ D aX.aX.
@ £X.aXp¥ DU D ¥ a
pX X
X X# X X X a Xn X a ¥ D D D
X# X D ¥ X£
b a X ¥ a £Xbpa DU D
D D ¥pa X X X X# X# X X
£X X Xb . X @ Xb X X X X# X
FX X .
D D DU D
D D D D
D D DU D
D D D D
D D DU D
D D D D
D D DU D
D D D D
X a a X. X.n X. X.# X X a ¥ D DU pX X# X X X X X Xb Xn X a
D ap Xb X X ¥ ¥ X Ea
X# Xa
X# XaX
a ¥
D D DU D
D pE X a ¥ a X# X E a X X X X X X a X X X
221
225
Hq ≈ 138
(violin)
q ≈ 84 - 92
(balance computer with violin)
rit. un poco a tempo
rit. un poco a tempoaccel. un poco
senza sordino
con sordinomolto sul pont.
sempre molto sul pont. con sordino
Fl.
Cl.
Tbn
Pno.
Perc.
Vn.
Vc.
&
&
?
&?
&&
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Cl.
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Pno.
Perc.
Vn.
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28
D aPX# Xn X X# Xn Xp
a ¥ ¥ a X X# a ¥ D
D ¥ a X X X# X Xn X a ¥ a X# X Xb X Xn X a X X#
D aPX X X X# X X
ap¥ X X X X# X
¥
D a X# X Xb X X X X# X Xn X# X X X a ¥ a X£
b X X£Xb a ¥
X X# X X a D aPX X# X# Xn X X Xb X X X
pa D
D D D D
D D D
D D D D
D D D
D D D D
D D D
D D D D
D D D
D D D D
E# D D a . X# X X Xn X
Xa ¥ a X X Xb X X X X# X X X X X a ¥ ¥ X X ¥ D
X# Xb XPX X Xb X . X Xn X X# X
pa ¥ ¥ X E X X Xb X
X X# X X Xb Xn X X# X X# X Xn X X X X X X# E X a D
229
232
rit. poco a poco
q ≈ 72 - 78 rit. poco a poco
25
Fl.
Cl.
Tbn
Pno.
Perc.
Vn.
Vc.
&
&
?
&
?
&
&
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Fl.
Cl.
Tbn
Pno.
Perc.
Vn.
Vc.
&
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29
X X# E . X.-a ¥ DU
f
D D ¥ aP
X£.# X# @
£X.# X. X ¥
D ¥ X£X X# X.
aX E . X.-
a ¥ DU aPX X# ¥ D
fX. X
£.b @ X X.n X. D D D ¥ a
fX£
.# X#
D DU D
¥F Xb X X. D D a X
£X X X. a D
D DU D
Df
D D
D DU D
D X.# X. ¥ D D
D DU ¥ apX
FX.> a . ¥ a . X.> ¥
DFX a ¥ ¥ X a ¥ @ X.
> a D
D DU D
D D D
aX# E . X.-
a ¥ DU D
D aF
X£.b X @ X
.n X. @ X X.# @ X
X.b X. X.#@ @ X
X.@X
ƒ
X.#¥ D
a X E . X.- a ¥ DU ¥ apX X# X. a ¥
DFa X X ¥ a .
fX X. a ¥ X
£#£X X X.b ¥ a
FX X X X# X.# ¥
236
239
q ≈ 48 - 52(tambourine)
q ≈ 120 - 132I
con sordino
tambourinefinger roll single strike
shake onlyshakemaraca
singleshake
Fl.
Cl.
Tbn
Pno.
Perc.
Vn.
Vc.
&
&
?
&
?
&
&
?
Fl.
Cl.
Tbn
Pno.
Perc.
Vn.
Vc.
&
&?
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&
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30
D PX. X
£.# X# Xn X a D a
fX. X.# X. D
D D D ¥ fX# X X X
@£
X. X. Xb ¥ D DFX£
. X. X.b¥ D
D D a . X a£X. X.b X Xb Xn X X X
f
D X> X#Fa£X. X. D
f¥ a
FX X ¥
D aFXb X X. a X. X.b ¥ E .
f¥
D Dfa X# X# a X# Xb a X# X ¥ D
D DF
D
D D X.# . X# @ X# X @ a . X# ¥ D
D ¥ a X X X. a E#E>Da . X
¥ X.> a . D @fX. X. @ ¥ D D
D fX> ¥ D
D D D ¥ aFX Xb
aPX Xb X X X X D DXb
FX.b X
£X.b X Xn a D D
F@ X
X.b¥ ¥
fX X.#@ D
¥Fa X# X
PX X a ¥ D @
f
X X# XƒX a ¥
¥ @ X# X @ @ X# X @ ¥ D ¥ a XF
X ¥
D D D
242
245
gliss
tambourine maraca
maraca
Fl.
Cl.
Tbn
Pno.
Perc.
Vn.
Vc.
&
&
?&
?
&
&
?
Fl.
Cl.
Tbn
Pno.
Perc.
Vn.
Vc.
&
&
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&?
&
&
?
31X¥ D
PX# X a X X Xb E
fD
a .FX X.b X.# a . X X.# X. ¥ a
PX X X# @ X X D
aP X X
¥ D @P X Xb @ ¥ ¥ @
F X X @a
X Xb¥ ¥
X X X Xbf
afX X X Xb X
PX a ¥ @ X# X# X a Xn X X# X X Xb X
FXn a D
¥ a Xb X ¥ a X E X ¥ D
FX X# X ¥ D D PE D
DP
D D
FD D D
f
D ¥ X.b X. X Xb . ¥ D D
X X X ¥ D D ¥ XX XbX D
¥ aFX. @ X
.> a . ¥ D D
D afX. @ X. a . a X. @ X
. a . D D
D D a f X#X XX a D
D D D f XX XX ¥
D DFa X# X E D
D ¥ afX.b X.b Xb @ X X a D ¥ a
FXb Xb X X X X# X X# X @
@fXb a Xb D D D
DPE a
FX X D
248
251
tambourine
tambourine& maraca
Fl.
Cl.
Tbn
Pno.
Perc.
Vn.
Vc.
&
&?
&
?
&&
?
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Cl.
Tbn
Pno.
Perc.
Vn.
Vc.
&
&
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32
f
X# X X@ ¥ ¥ a . X#
P
X@ X Xb @ X# X @ E D
D Dp@ X X @ X a . D
D ¥FX[X X X X ¥ a .
PX E# D
D ¥ @ Xb . EP
D D
D D aFX X X X Xb X X a . ¥
D D D
D D D
D D ¥ a .p
XXb XX a . ¥ @XXb
@ ¥
¥ @ X X X X Xb X X ¥ D a .ØX Xb X# Xn Xb X a . ¥
X# X#a ¥
D D X# ¥ a X X a
D ¥ a X. @ X. a . @ X. X. @ X. a . ¥ ¥ X. X. @ X
. X. a . ¥
a X E ¥F
D ¥ aP@ X. X. @ X. @ ¥ D
D D D
D D D
D D D afX X X X X X
E X X X E P D ¥ £ p
XJ. X
£
. X.a a .
X#@Xna
D D D
fa Xb X Xb X a ¥ @ X X Xb X a . @ X XbP
X D D
254
257
senza sordino
senza sordino, normale
senza sordino, normale
Fl.
Cl.
Tbn
Pno.
Perc.
Vn.
Vc.
&
&?
&
?
&&
?
Fl.
Cl.
Tbn
Pno.
Perc.
Vn.
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&
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33
DFX.# a ¥ D ¥ a .
FX X X# . X Xb . E
pX . @ ¥ D
F@X. X.#
¥ D ¥ FX X X# Xb X
¥ a .F
X X. a ¥ D @ X X# X a . D
¥ Ef ¥ D ¥ a
FX X X# Xb X X
fa ¥
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PD
D D D
DF
DP
D
DF
D f D
D a X# X X a a . X X X . X X . X X ¥ D
¥ E# ¥ D a X X D
¥ a .fX. @ X. a ¥ ¥
FX X a
P¥ D
D DF f D
D D D
D ¥ X X X X XX> X X D
D ¥ @ X# . X X.-fa . ¥ a
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. E X.- a .f
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260
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34 X Xfa D D a
ƒX Xb ¥ D
D DU ,
D D ƒX a Xb X X X
f¥ D
D DU ,
afX#
X Xb X Xn ¥ Xƒa ¥ D D
¥ @PX . X X# . X X# . wU
p,
D Df
DF
D DU ,
D D X.# X. X. X E
w wU
D ¥fX
ƒ ¥ afX X
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fX.> @ X
.>@ X.>@ X.> X.> a . XX
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a . ¥ DU ,
D D D
D a .PX X wU p
D ¥fa X X X X#
ƒa D D ¥ @
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Xb X E . wUp,
X Xb X Xn X# X ¥ Xƒa ¥? D D @ X.b
FX.n X X.# .
X a . ¥ aPXb X wU
p,
266
269
sempre rit. poco a poco
q ≈ 100 (wait for computer silence)
seque quasi subito
26
27
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35
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# X X X X Xf
X X X X E .P
¥ E# . E ¥ X#
X X# X X X X X X# X XfE D D
ƒX£
># X# X# X Xb X Xf X
£n X X X X X E P
X E ¥ X E ¥ X
X a E# a X X X Xf D D D
ƒ X> Xb XfX
£b X X X X Xb E .
P¥ E# . ¥ E . X
E X X a ¥ a X Ef Ó
D D
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§
X X Xb fD D D D
D D ¥fX>#
FX# a
£X X
X
£
bX a X
X a X Xb a a Xb X X#Xn a @ X X
X@X X X#
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[
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>X X
Ø X£
b X X X X Xb E . D D
D D D D
ƒ X§
>X X X X X X[
X X X X XXXXXXXX X £X X w a .
PX E . a .
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X X X X X X X XfX>. E
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FD
D D D D
D D X# ¥ £Xj> X £ XJ# X£XJ> X# . X># X
£XJ X £
XJ> X £ Xj#
ƒXXb>
X£bX£XXf
X£
b£X X X X Xb E
PX# E
¥ X# XE# .
a X# X X X a a X Xf D D D
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fX£X X X X X E
PX# X E X X E .
a X# E a X# X afX># E
D D
271
275
Jq ≈ 100
poco)stacc.
-ii-
normale
accel. un poco... q ≈ 108
poco)stacc. normale
gliss.poco)stacc. normale
poco)stacc.
normale
hard%stks. chinese
l.v.
medium%stks. ride
l.v. l.v.
crash
l.v.
(snares%off)
hard%stks.
gliss.
poco)stacc. normale
gliss.
poco)stacc.normale
(piano)
molto)vib.
28
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&
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36
D D . a X w
EPa X X w
FE X
Pa X ¥ a
fX> D
D D w
E PXa X# E . F X E P
a X# X a XF¥ D
Ó@ X>#f @ X# X a X# @ X X# X
X>n X# X X X @ X @ X# X># X X @ X# X Xn X[[
> X aa X X£>@ X># X X
ƒa X X
wP ¥ E# .
FE D P @ X . @ X>. @ X>.f X a .
X>
fa . ¥ D D D
D D a .F X X w D
D D
D ¥ a X E w a . Xb X a . D
Df D D
DP
DF
DP
D . aƒ @ X>X>
Xj£X#>¥ D D D E#
w w# EE D
a .fX.¥ X.# X.# a a
£X.n a X.
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£X. a a X.
@ @X. X.#
@ @ƒ
X.#a ¥ E
wP
a X E .F
EPE# ¥ a .
fX>b X a ¥
@fX. a a X.# X.# a a
£X. X£a X.#
@X.@ a
£X.# X£a a X.#
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@ƒ
a Xn E
E .
PX a X# w
FE .
Pa X# X X a a X>b
fX a
279
282
rit. poco a poco...
q ≈ 88
wooden%stks. (snares%on)
medium%stks.
l.v.
29
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&
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37
ƒX
§> X X X Xb Xb f
X£
b X X X X X X @ X# @p
a . X# X a a X# X a . E EP
X X pa E# F E p E# Pw f
X[
>ƒ X X X XfX£X X X X X X a .
X> ¥ a . X># X a X X a @ X# .p P
Xp¥
w# P pE# .
FXPa f
w#
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p PX
p &
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F X Pa
p fw#
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f¥ ¥& a . X> ¥ a .
FX> X a
PX# X a @ X# .p X ¥
w PE . X aPw
X>b XXb XX XX X£
n X X X X X X ¥ D D
D D D
X>X>@ X£X X X
£X £X X X
§X §XXXX @ X X> a . X a . X> ¥ X
£X . X ¥ @
pX X X X X X ¥ a
ïXXXX
Áw ï w p ïÁ w f
D D D
D D D
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fX£
b X X X X X X @ X @p
a . X X a a X X a . E E P
X pX a E F E p E P fw
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fX£
# X X X X X X @ X @p
a . X# X a a X X a . wP
X Xpa E
FE
pE
P fw
286
289
subito
K
poco)stacc.
q ≈ 100 rit. poco a poco...
normale
q ≈ 88
poco)stacc. normale
poco)stacc.normale
poco)stacc. normale
poco)stacc.normale
poco)stacc. normale
30
Fl.
Cl.
Tbn
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Perc.
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&
&&
&
?
&&?
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&
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38
X.- a . D . D
D D
X.- a . D . D
D D
X.- a . D . D
D D ?
ƒ
X §# §>Xb
X
§
#
X Xn
X
X# X#
X#
X# X
X
X# X
X
X X#
X
X X
X
X X#
X#
X X
X
X# X#
X#
Xn X
X
X X#
X
X X
X
Xn X
X
X# X#
X#
X X
X
X X
X
X# X
X# X X X# X Xn X X# XX
¶XXX X
XX X
¶# X
XnX X
X#Xn X
¶XXX# X
X#X
X X X X X# X X X# X X X X X X X X
X.>a . D . D
D D
D D
D D
X.- a . D . D
D D
X.- a . D . D
D D
292
294
accel. poco a poco...
31
32
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Tbn
Pno.
Perc.
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Vc.
&
&
?
&?
&
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&
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39
DƒX
[>bXb X X X
fXb X X X
£a X ¥
FXb X X X X X X X ¥ f
Xb X X X Eb DU D
D X>bƒ
Xb X XfX# X X X
£a X ¥
FX# . X X X . X . X X X . ¥ X
fX X X E DU P
X# . X X X . X . X X X .
DƒX>
Xb fX X X X£a X ¥
¥FX . X X X . X . X X a . X fX X X E DU D
X XX#X# X X X X# X X X X# X X X X X Xn X X Xb X
¶n X X X> a .
ƒD
f
DF
D DUf
DP
D XX> X X X X£aX¥
¥Xj£X X
£Xj Xj
£X X
£ aX X X X E DU D ¥
Xj£X
DƒX> X
X X X X X X X§
X X X X X X£X> X X> X .
f
Pw X E . E
FDU D
D D
D D DU D
DƒX>b X
fX X X X
£# a X ¥
aFX X X X X X a X# X X X E#
fDU D
DƒX># X fX
X X X£a X ¥
aFX X X X X X X X X X a X X X X E
fDU D
296
298
Lq ≈ 108 q ≈ 100
subito
rit. poco a poco... (wait for computer silence)
medium%stks. (snares%off) ride
crash
Fl.
Cl.
Tbn
Pno.
Perc.
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&
&
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&
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&
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40
D ¥PXb X X X X X X Xb ¥ D ¥ a
PXb X X X X
X Xb X X X X X X X X X X X X X X X X X X X X X X X X X X X X X# X
D D D ¥PX# . X X X . X . X
X X# . X . X XX . X . X# X X# . X . X XX . X . X X X# . X . X XX . X . X X Xn . X . X XX . X . X
DPX . X X X . X . X X a . D D
X . X X a . X . X# X X .P X# . XX a . X . X X X . X# . XX a . X . XX X . X# . X X Xn . XX X X X
D D D D
D D D
X£Xj Xj
£X X
£ a ¥ D D D
D Xj£X X
£XjP Xj
£X X££ a
Xj£X X
£Xj Xj
£X X
£ aXj£X X
£Xj Xj
£X X
£ aXj£X X
£Xj
D D DPE X. ¥ a X. a X
X X X. ¥ @ X. @ ¥ E X X. ¥ a X. a X X @ X X. @ ¥ @ X . X
D D D D
D D D D
D PX X X X X X X X
D D D PX X X
X X# X X X X X# X X X X X X# X X X X X X# X a X X X X
D DPX X . X . X X X . X . X X a
PX X X X X X X
X X X X X X X X X X X X X X# X X X X X X X X X# X X X X X X X X X X# X X X X X X X
302
306
sempre rit. poco a poco... q ≈ 80 accel. poco a poco...
cresc. poco a poco...
cresc. poco a poco...
cresc. poco a poco...
cresc. poco a poco...
wooden%stks.chinese
cresc. poco a poco...
cresc. poco a poco...
cresc. poco a poco...
Fl.
Cl.
Tbn
Pno.
Perc.
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Vc.
&
&
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&
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41
X X# X X X X X XF
X X# X X X X X X X X a X X X X X X X# X X X
X# X X X X X X X X XfX X# X X X X X X X
[X X X X
[X X X X
[X X X X
[X X X X
[X X X X
[X X X X
X X# . XX X X . XX XF
X# . X X X X . X X X X . @X . X X X . X . X X X . X . X X X . X . X
X X . X . X X X . X . XfX# X . X X X X X X X X X X X X# X X X X X X X X X X X X X X X
X X X X X X . X X XF
a . X X X X . X X X @ X . X X X X . X a X . X X X . X . X X @ X
X X X . X X X X . X XfX . X X . X X X Xb X X
D DF
D D
DfD.
X @£
X X X X£X X X X
£X X X X
£X X X
Xj£X X
£ a Xj£
# X X£Xj Xj
£# X X
£ aXj£X X
£Xj Xj
£# X X
££ a £Xj# X X
£Xj Xj
£# X X
£ a Xj£
# X X£Xj
Xj£X X
£Xj Xj
£X X
£Xj Xj
£X X
£X X X
£X X X
£X X X
£X X X
£X X X
£X X X
£X X
X X. a X. ¥ @ X X. @ EF
X X. ¥ a X. a X. ¥ @ X X. @ ¥ @ X. @ ¥ X
X X X. ¥ a X. afX. ¥ @ X X. @ a X. X X X. a X. @ X X. @
D D D D
D D D
X X X X X X X XF
X X X X @ X X X . X X X X X . X X X X X . X X X X X . X X X X X . X
X X X X . X X X X X . XfX X X X X X X
§X X X X X
§X X X X X
§X X X X X
§X X X X X
§X X X X X X
§X X X X X
X X X# X X XX XF
X X# X X X X X @ X X X . X X X . X X . X X X X X X X X
X X . X X# X . X XfX# X X X X X X X X X X X X# X X X X X X X X X X X
310
314
sempre accel. poco a poco...
sempre cresc. poco a poco...
sempre cresc. poco a poco...
sempre cresc. poco a poco...
sempre cresc. poco a poco...
sempre cresc. poco a poco...
flz.
sempre cresc. poco a poco...
sempre cresc. poco a poco...
sempre cresc. poco a poco...
sempre cresc. poco a poco...
sempre cresc. poco a poco...
sempre cresc. poco a poco...
sempre cresc. poco a poco...
sempre cresc. poco a poco...
sempre cresc. poco a poco...
33
34
Fl.
Cl.
Tbn
Pno.
Perc.
Vn.
Vc.
&
&?
&?
&
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Pno.
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&
&
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42
X[
X X X X X[
X X X X X[
X X X X X[ƒX a . X
[[> Xb X X X X X X
[b Xb X X X X X
fX£X X X a a X a . X X a . ¥ a
PX X @
fX a ¥ D
X# X X X X X X X X X X X XƒX a X> X X X# X
[Xn X X X Xb Xb X X X
[X X X X#
fX£X X# a X a X a . X X a .
FX# X# a
PXX XX a @
fX# a ¥ D
Xb X X Xƒ
a X> XbX Xb
X£X Xb X
fX a X a . X X a . a
FXb X X
Pa @
fXb a ¥ ¥ a X
X£
X X X X£
X X X X£
X X X X£X
ƒa .
D
Df
DF
¥f
a XXX# @ XXX @ ¥
X£X X X
£X X X
£X X X
£X a X
¶> X X# X X# X X X
¶> X X# X X# X X#
X¶
> X X# X X# X X X¶
> X X# X X# X X#
X£X X X X a X a . X X a . a X X X a @ X a X
£X Xb a D
a X. @ X X. @ @ X X X @ X XƒX X> a X
§> X X X X> X X
§X X X> X X X
§X X> X X X X X X X X X X X
Xfa X a X a . X D
FX X X Xf XXX a ¥ a £X X X
D D
D D D
X§
X X X X X X§
X X X X X X§
X X X X X X§XƒX a . X>b ( )Xb X X
X£X X X X
fa X a . X X a .
FX X ¥
PX X @
fX a ¥ ¥ XX XX XX XX a
X# X X X X X X X X XƒX a X>
( )X X X
fX£X X X X a X a . X X a . ¥ ¥ PXXb @ fXn( ) a Xb X¥ X ¥
317
319
q ≈ 108
M
q ≈ 100subito
hi%woodblk. h8m8l%toms
l.v.l.v.
bongos
l.v.
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Cl.
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43
X a ¥ a . X ¥ a X @ ¥ ¥ @ X a a . X a . X a X @ ¥
X a . ¥ D DFX Xb ¥ D ¥
fX[X# XX>
X# a ¥ a . X ¥ a X# @ ¥ ¥ @ X a a . X# a . X a X @ ¥
X# a . ¥ D DfX# X ¥ D
X a ¥ a . X ¥ a Xb @ ¥ ¥ @ X a a . Xb a . X a X @ ¥
Xb a . ¥PX Xn X a . . ¥
FXb D
fX[X @ ¥ ¥ X X @ X
D a . X ¥ a X @ ¥ ¥ @ X a a . X a . X a X @ ¥
X a . ¥ DP
DF
¥ °X# X# X# XXXn EEE
f
¥ X a . a .X ¥
aX @ ¥ ¥ @ X
a a .Xa .
Xa
X @ ¥
D ¥ X X ¥ X>a . D X>
a . ¥ D
¥ a X X ¥ @ X X @ ¥ X X X a a X£X X ¥ a X a X @ X @ X ¥
XX> X£XX D ¥
F@ X X X@. ¥ a X X X X D X X X>f
D D D
D D D
fX X @ X
£# X# X# X £X X
X Xb X XX£
# X# X X X X#Xb X
[X X# X X#
Xn X£X# X X
£X X X
£X# X X#X
ƒ
X#X> a .fX# F
D ¥ X> a . X¥ D
D a . Xn( ) ¥ a X @ ¥ ¥ @ X a a . X a . X a X @ ¥
X a . ¥ D PXb X a . ¥
FX £XbfX D
322
325
subito
toms
sempre%l.v.
woodblks. bongos toms
pizz.
q ≈ 108
35
Fl.
Cl.
Tbn
Pno.
Perc.
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&
&
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?
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44 X
[X# X
X#X[
n X# @Xn X
[XX>X @
[X#X# X ¥ @
[XX X# @ @
[X# X># X X
[#X X X @
X
[X#X#X># X
[
XX#
ƒa D
D D D D
D D ¥ apX# E
FX X# p E. XF
XpE X X# . X @ X X X X# . X X X# E .
@ X> @ X @ X @ X X X# X>n @ @ X X @ a X X>X X#X @ @ X> a X X a X# Xn
X>@ƒX#X X @ D
D D D D
www*
EEE>°
XXX* °
X#XX> XXX X .X .X . XXX# > XXXƒ
XX# X> EEE
D * D D D
D D D
D D D D
D D D
D D D D
D D D
D D D D
D D D
D D D D
D D ¥p X
££X X#
X£X X
XX X
XX X# .
XX# X#
X£X XXX . X
XX . X @ X
X XX£X X a
£XX X
X X# X X X X X# X X X X X£
# X#X XXX @X X X X
X .
328
331
subito
q ≈ 96N
simile...
(sempre pizz.)
36
Fl.
Cl.
Tbn
Pno.
Perc.
Vn.
Vc.
&
&
?
&?
&
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45
D D D
D D ¥ a .f®X X.>a . @ X.># X.># @ a . X.>n ¥ Xj# ¥ @
X>a @
X># X># X>
X @ X E . X E .p X Xp X X .P@ XF
w w Xïa . ¥ D D
D D D
D D ¥fX# X># ¥ X X X> X @ X X> X ® X X
>X
D D D
D DfD ¥ @ X.# @ a . X.# a .
X. X.X.# X. ¥
D D D
D D a . X.> a . X.>#D X. a ¥ ¥ a X.#
D D D
D DfD @X X XX X ¥ X ¥ D
D D D
D D D &15 ¥
f X# X . E
D D D
D D D D
X XX#
X£X X a
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X X X#X X
XX X#
X .X X
XX£X X XX
X . @ X XXX£X X# a
£X X#
X#X X# X X X
. X XX E ¥ D D
335
338
subito
q ≈ 108O
con sordino
bongos
sempre l.v.
crotales
arco
37
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Buffalo 2013
