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moving as not moving
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Notice
Santiago Díez-Fischer
www.santiagodiezfischer.com.ar
For Ensemble Dal NienteFirst performance: July 21st 2012 at the 46th International Summer Course for New Music, Darmstadt
Bass Flute, Bass Clarinet, Baritone saxophone, E-guitar, Viola, Cello, Double Bass.
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String
���g
! �j�+ Scordatura Viola
Scordatura Cello
Scordatura Double bass
��+
��
���g��
Bow pressure
a lot, scratch
pseudo scratch, slow bow
ordinary
flautato
molto flaut.
Left hand pressure�� muted with the finger. Half pressure
ordinary
bow vibrato
��
Battuto bow (one coup)
Battuto bow
Tap the string with the hand tapping
paper clip
Left Hand position to mute the string. See the hand mouvement gothe next page.
With paper clip in the III and IV string (the same clip for both of them)
Passage from the muted sound to theordinary notation and position of the hand and bow.
sul pont
N
54M
IV
C
sul tasto
position of the finger of the left hand
pressure of the bowString
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Violoncello and Double bass movement
Viola movement
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j
a lot, scratch
pseudo scratch, slow sponge
ordinary
flautato
molto flaut.
E-guitar
�� ���+� �= Scordatura E -guitar
VI V Soft part of the sponge
Hard part of the sponge
Sponge vibrato
Pedal
Whammy (Digitech) pedal. Alternatively a programabledigital multi-effects unit may be programmed to achieve L.H. an equivalent result. It requires an expression pedal.
Wh.M.
H.M.
02
20
88
2 Differents distortion
Expression pedal goes DOWN two octaves at its highest state and up to original sound at its lowest
Expression pedal goes UP two octaves at its highest state and down to original sound at its lowest.
Expression pedal goes UP one octave at its highest state and DOWN one octave at its lowest. Original sound sounds in harmony.
Whammy Mode
Harmony Mode
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pressure of the sponge
The dynamics depending onthe speed of the sponge in the long of the string
Play with the sponge et with a lot of pressure muting the string. very radical and nerveus gesture.
Play with the sponge. In this case it’s the hard part of the sponge (green or blue)The soft part is this
Whammy pedal.In this case Harmony Mode octave upoctave down
The “E-guitar clef” CC
G
$
88
CTAB 3
3Dist. 2
Dist. 1
Play with the left hand
Cut the sound Pull cable out of guitar and hold in hand.Touch with the thumb.This sound will be a G.
Make this rythmicwith the touch and release
��5:4
Left hand
�
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� ordinary
eolian sound (1/2 air and 1/2 sound)
� without mouth
Flute, clarinet and saxophon
Neck in the mouth
lip’s position
This sound is a throat soundlike someone willing to speak and not being able to do so.
7KURDW¬VRXQG¬�OLNH�WKH��M��6SDQLVK��¬,W�PXVW�EH�SOD\HG¬ZLWKRXW�WKH¬PRXWKSLHFH�¬7KH�OLSV¬VKRXOG�EH�SODFHG�LQ¬WKH�SRVLWLRQ�DV�VKRZQ�LQ�D¬¬¬UHG�FLUFOH¬LQ�WKH�GUDZLQJ�¬7KH�VRXQG¬VKRXOG�EHJLQ¬LQ�D¬UDGLFDO��KDUG�¬VSDVPRGLF�ZD\�¬$V�LI¬D�VZLWFK¬EOLQNV�RQ�DQG�RII¬WKH�LQVWUXPHQW��0DNH�WKLV�VRXQG�ZLWK�ILQJHULQJ�RI�WKH�ORZHVW�QRWH�
hu
� � Throat sound/pressure
Voice With voice. Sing the same notein the easiest octave. Just in the caseswhere voice must do a different noteit will be indicated with a circle.
This sound is a throat soundlike someone willing to speak and not being able to do so.
Throat sound/pressure
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Play the harmonic but with a little bit of the bass sound. A sound with a lot of air and noise should be heard.
harmonic
Sound with air
� G
G�®
�®
M
voice
¯ ¯
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�¯ ¯ ¯ ¯ ¯ ¯G xhu hu hu
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paper clip
paper clip
!
Bass Flute
Bass Clarinet in B@
Baritone Sax.
Electric Guitar
Viola
Violoncello
Double bass
accell.
�# (
hu
��N
G��N
�Ü
G��## ��
G ��G
G G
G��## ��##
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�
e= 80
� �hu
e= 60
hu
sp.
sp.st.
very slow bow r +
3 54 4
3 54 4III
note
G G3:4
��
st.
note
M
GIV
((
G G3:4
Dist. 1
Whammy
�
GG
e= 60
G
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C
CC
C
CM
MM
M
III
02
� �G
�hu
�xWh.M.
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rit.e= 80
sp.
mst.
accell.
5
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B@ Cl.
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sp.st.
note
IVIII
5
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3
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2
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G G
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B. Fl.
3:4
GGG
G
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M
C
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CC
�hu hu
x�G
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TAB 5
5
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Dist. 2
Dist. 1
02
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e= 80
!
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B. Fl.
B@ Cl.
B. Sx.
E.Gtr.
Vla.
Vc.
Db.
11
�
11
11
e= 52
G��rr
��rr
C
hu
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3accell.
5
5
5
5
4
4
4
4
GIV
3:4G
IV
III
G G
C C
C CC
C
C
IV
C
G
G G G
G
G
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C C
C
M
�
ÃÅ̄(ï�
G
M
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ï¬ ¯# ¯ ¯ ¯ ¯ x
3:2
G�®
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C M
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voice
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C
02
G
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GG� � �
GG�
CTAB
3
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CTAB
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Dist. 1
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¯ ¯
#1 2 3 4
2 4 5(
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!
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B. Fl..
B@ Cl.
B. Sx.
E.Gtr.
Vla.
Vc.
Db.
16
��## x
(
e= 60
�
G G
4
4
4
5
5C M C
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x
x �hu
x
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M
,
,
5’’
M
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IV
� G�
Dist. 102
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B. Fl.
B@ Cl.
B. Sx.
E.Gtr.
Vla.
Vc.
Db.
21
x G G
3:2
x
� � �C
M
voice
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G
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x
G
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5
4
4
5
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3
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G
E
R
e=80e=60e=80
C
C
MM
C MM
M
accell.
CMM M
C M
M C MM
� x �
� ¯# ¯ ¯ �̄ �̄ ¯ ¯ x ¯ ¯ ¯G¯ ¯ x ¯ ¯ ¯ ¯
5:4
# ¯#G¯
G¯
� �g �M
G�
à à ¯Ã à à à à à à à à à à Ãvoice
à ÃM
IV
IV
IV
hu
02
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B. Fl.
B@ Cl.
B. Sx.
E.Gtr.
Vla.
Vc.
Db.
G
G �� ��bb ��##
x
x
3:2
G
��## ��bb �� �� x
x
G
G
x
�
(
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M
x
(
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6
5
5
3
3
4
4
� �
e=72
CMM MM C M MM
MM
MMC $
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C MM C M C M
voice
(���{{
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M
M
¯̄¯{{
¯ ¯ ¯G¯ ¯+
5:4
M02
C
voice
CTAB
5
5
7
7
�G�hu
GC
TAB
5
5
7
7
3
3
6
6
Dist. 2 Dist. 1
Dist. 2 Dist. 2Dist. 1 Dist. 1
GG � �hu
n1 2 3 4
2 3 5(
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�
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B. Fl.
B@ Cl.
B. Sx.
E.Gtr.
Vla.
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Db.
31
(
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e=100
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G x
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C
e= 807
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5
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x
accell.
$ MMM
M $ MM
MMMM
C C
MM
MM
voice
voice voice no voice
®� �� ��# �� ��# ��# ��(
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j(
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CC
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88
®� ®� ®� ®�3:2 C
C C C
III
IV
�� �� ��(
��( �
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TAB
4
4
7
7
Dist. 1
7
7Dist. 2
Dist. 2
Dist. 1
C55
7
7
Dist. 2
¯ ¯ ¯
{ {1 2 3 4
2 4 5(
voice
H.M.
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B@ Cl.
B. Sx.
E.Gtr.
Vla.
Vc.
Db.
36 ¯
(
�
36 x ��bb ��nn ��bb ��##
�
e= 60
(¯ ¯
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MMMÈsub. $
¯r ¯ ¯ ¯ ¯ ¯b �G�
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� � � � � �� G
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G
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3:2
C
MC
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x x
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G
G
x
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CM
C M
M
8
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3
3
4
4
e= 80accell.
M $
x � (�b �# �� ��b�
¯b
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# #
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M� � � ��$
C
� � �IV
IIIIV
IIIII
III II
IIIIV
M MM
MM MM
MM M MM
IV
IV
B. Fl.
CTAB 7
7
Dist. 2
Dist. 2
C66
4
4
Dist. 1
C22
Dist. 2
6
6
Dist. 2
Dist. 1
Dist. 1
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G
�
B@ Cl.
B. Sx.
E.Gtr.
Vla.
Vc.
Db.
41 � � ¯ ¯
3:2
C
¯ ®
3:2
(�#
¯ x
#
!
x
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M
#
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M
M
# x
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9e= 60
b b b
III
5
5
2
2
4
4
3
3
rit. e= 40 e= 72
M
C
5:4
¯ ¯ ¯ ¯
C
III�
20
B. Fl.
� �
CTAB 3
3Dist. 2
Dist. 1
accell.
¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯
Wh.M.
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$
!
�
B@ Cl.B@ Cl.
B. Sx.B. Sx.
E.Gtr.
Vla.
Vc.
Db.
46
46
(�# � �
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3:2
#
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C·M
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10
2
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4
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5
5
voice
voice
G
x
3:2
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5:4
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x
88
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B. Fl.
e= 80accell.
¯ ® ¯ ¯ ¯ ¯ ¯
H.M.
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4
4
5
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B. Sx.
E.Gtr.
Vla.
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Db.
50Æ
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5:4
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III
IV
IIIIV
B. Fl.
e= 60
¯ ® ¯ ¯ ¯
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�
B@ Cl.
B. Sx.
E.Gtr.
Vla.
Vc.
Db.
accell.
55
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IIIIV III
IV
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B. Fl.
voice
voice
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no voice
no voice
B/Bb -7
Bb
2
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M
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B@ Cl.
B. Sx.
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Db.
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rit.
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C33
Dist. 2
Dist. 1
M
B/Eb -23 + Bb
Eb
Bb
50
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�
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B@ Cl.
B. Sx.
E.Gtr.
Vla.Vla.
Vc.
Db.
67
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67 G�� ��
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x �G
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G
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pizz.
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arco
e= 80
C
C
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voice
xno voice
G3:2
¯ ¯ ® ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯
¯ ¯ ¯ ¯
voice
voice no voice
tapping
tapping
tapping
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hu hu hu
31
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Left hand
r r jg g
B. Fl.
voice
voiceThroat sound/pressure
Throat sound/pressure
02