Mortality & Mythology - Recurring...
Transcript of Mortality & Mythology - Recurring...
IOWA STATE
UNIVERSITY
CI 505: A. TROXEL
MORTALITY & MYTHOLOGY
How to use
Courtesy of Commander-Salamander
As the human species flourished and mastered the
necessary components of sustaining life around 10,000
years ago they began to observe their environment and
look deeper to provide an explanation for civilization’s
most important question; who are we? Oral traditions
and subsequent written mythology provides a true sense
of our culture’s deepest and most valued traditions.
Mythology attempts to provide order and balance to a
seemingly random and chaotic world. Myths include
stories, traditions, and propositions about the very fabric
of a systematic belief system; which humans have
developed to explain the world and life itself (creation,
death, and afterlife).
Many civilizations throughout human history have
experimented with these inquiries and produced belief
systems that have united vast populations; while tearing
others apart. Mythology is a very humanistic creation
that transcends time and searches to provide evidence
for the most fundamental question that humans have
ever attempted to answer, which is to provide the
universal definition that explains our purpose and
existence.
Four Essential Types of Myths
1. COSMIC (creation, natural elements, universe) 2. THEISTIC (stories of deities) 3. HERO (heroic cycle, ideal individuals) 4. PLACE & OBJECT (sacred locations & objects)
WHAT IS MYTHOLOGY?
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MORTALITY & MYTHOLOGY
The Epic of Gilgamesh is considered by many
historians and scholars to be the most enduring
masterpiece of literature in human history. The themes
of the epic are believed to be a culmination of various
ancient poems and stories combined into one piece of
work that illustrates mankind’s conscious desire to gain
immortality. This story is written on twelve clay tablets
written in Akkadian, the language of Sumer’s Semitic
captors, found in the vast Assyrian library of King
Ashurbanipal.
The Epic of Gilgamesh chronicles a legendary and
historic king from the Sumerian city-state of Uruk. The
story concentrates on the transformation of a tyrannical
ruler (Gilgamesh) to a just king. Initially Gilgamesh is
challenged by Enkidu (wild man) but eventually the two
demigods forge a deep bond and eventually venture out
on a quest to obtain immortality. King Gilgamesh
ultimately realizes that death is inevitable
and his only chance at immortality is in
his legacy to be a righteous ruler.
GILGAMESH THE KING
COURTESEY OF LAURA GIBBS
CHASING IMMORTALITY
ATLAS
COURTESEY OF BORIS VALLEJO
OSIRIS WAS A ZOMBIE!
The Egyptian God of the
Underworld was dismembered by his
brother but later pieced back together
by his wife (Isis) and revived to father
Horus and judge the deceased.
MORTALITY & MYTHOLOGY
INFAMOUS IMMORTALS
ANNUNAKI COURTESEY OF TORTUGA767
The Egyptians mummified the body so that the BA
(soul) would recognize the body in the afterlife. The
Romans placed coins on the eyes/mouth of the
decreased so they could pay Charon to ferry them
across the river Styx. Emperor Huang made an entire
army that would become animated after death. Many
other cultures also practiced rituals like those noted
above to prepare the death for the afterlife.
Mythology is rooted in oral traditions that are passed on
between generations and provide insight into both life and
death. Many stories chronicle the creation of humans;
Abrahamic faiths outline the creation of humans from clay,
Sumerians attributed their existence to genetic alteration by
the Annunaki, the Ancient Egyptians suggest that humans
emerged from Aten's tears, and the Greeks subscribe to
the four phases of human creation. In every tradition our
existence is attributed to an omnipotent immortal being who
is credited as being the divine creator of the universe.
Many cultures have been driven to cheat the inevitable
from Ponce de Leon's quest for the Fountain of Youth to
Chinese emperor Huang's drive to obtain the elixir of
life. The vast majority of discussions on the topic of
immortality have noted mythological and historical figures
that have succeeded. The result has been a large following
that believe in the existence of a location or object that will
help obtain immortality. These beings are not limited but
include:
Annunaki (Seven Sumerian Gods)
Ennead (Nine Egyptian Gods)
Greco-Roman Pantheon (12 Olympian Gods)
Demigods: Hercules, Achilles, Tithonus, etc.
Abrahamic Monotheism (Yahweh, Jehovah, Allah, God)
THE JOURNEY Contemporary thought theorizes that immortality is a
spiritual process rather than a physical journey.
Buddhism and Hinduism acknowledge the process of
reincarnation, the Abrahamic faiths illustrate a heavenly
paradise for believers, and other animistic religions
acknowledge the transfer of a spirit onward after death.
Ancient ideologies viewed the afterlife as a continuation
. of their mortal existence.
PICK YOUR POISON
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TERRA COTTA ARMY
COURTESEY OF VYBR8
The first emperor of China, Qin Shi
Huang, sought immortality. One of the
remedies prescribed by his doctors was to
ingest mercury. This sped up the process
and eventually killed him.
MORTALITY & MYTHOLOGY
THAT’S EPIC! GOOD VS. EVIL
The intent of mythology is to showcase an
individual’s (deity or human) struggle to
complete a task in order to provide some
explanation to an unknown concept or event. Some
believers subscribe to these stories as literal, where
scholars typically pinpoint the symbolic message of the
myth as the original intent. Usually the antithesis of the
hero is a symbol of an abstract idea – ambition, greed,
pride, selfishness, life and death. In many ancient
cultures adherents obeyed their gods out of fear of their
wrath or what they may unleash upon them.
Myths are not devoid of villains; how else could
heroes become righteous if they didn’t overcome evil.
Monsters make multiple appearances throughout
mythology. The appearance of these beings often
represent struggle and reveal their intent to plunge the
world into darkness and chaos. In many of the quests,
the success or failure of the individual, and some cases
humanity, depends solely on the epic battle between
good and evil.
9 MYHTOLOGICAL MONSTERS Some the monsters evident in mythology “existed” in the mortal world while other had a very important role in the afterlife. Regardless here is a list of some of the most terrifying monsters in religion and mythology.
1. Gorgons: Most famous was Medusa. Look them
in the eye and be turned to stone! 2. Chimera: Part lion, goat, and dragon and breathed
fire. 3. Cerberus: Guarded the entrance to hell. The 3
heads kept the living away while the tail, with a dragon head, kept the dead in the underworld.
4. Sphinx: Guardian of wisdom. Can you answer the
riddle of the Sphinx? 5. Ammit: Devoured the heart of the sinful and
obliterated their existence. Be nice! 6. Apophis: Giant snake that fought the passage of
the pharaoh through the night. Wanted to plunge the world into darkness.
7. Minotaur: Head of a bull and guarded the labyrinth. 8. Satan: Fallen angel of darkness, rules Hell.
9. Gallas: Mesopotamian demons that drug the sinful
to the underworld. They usually hid in dark alleys.
Cerberus could be tamed by
deceased souls traveling
through the underworld by
giving him honey cakes.
CERBERUS COURTESEY OF BORIS VALLEJO
APOPHIS OF ANCIENT EGYPT
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MORTALITY & MYTHOLOGY
CHARON THE FERYMAN
ALEXANDER LITOVCHENCHO
their final judgment was given. This hall was called the
hall of two truths. Osiris presided over the the
judgment of souls during the weighing of the heart
ceremony. If an individual’s heart was heavy with sin it
was devoured by Ammit the gobbler and they ceased
to exist. However if one was righteous and their heart
was lighter than the feather of Ma’at(truth and justice)
they were admitted into the field of Reeds (paradise).
Ancient Greek and Romans subscribed to an
afterlife that the God Hades/Pluto ruled. Souls were
brought to the edge of the River Styx (separated life
and death) and ferried across if they had coins to be
judged. Once across into the underworld a soul would
be judged and destined to live eternity in one of three
locations (1.) Fields of Elysium (Righteous), 2.)
Tartarus (Sinful), 3.) Asphodel Fields (Intermediate
between the two))
The Greeks believed in three
powerful goddesses called the Fates.
They decided how long someone lived.
Clotho (the spinner), Lachesis (the
measurer), Atropos (cut the thread).
HANGING ON BY A THREAD
Once an individual’s life has ended, many cultures
have a final judgment that takes place to determine
what happens in the afterlife. The determining factor
for the vast majority of religious and mythological
ideologies is the position someone took in the epic
battle between good and evil. This divine judgment
consumed the life of many believers across various
religions.
In Mesopotamian myths, those who died traveled
into an underworld where they took on a ghostly
shade and wandered in the darkness.
. . . the house where none leave who have entered
it . Where dust is their fare and clay their food.
(Epic of Gilgamesh, Wolkstein and Kramer, 1983,
p.159)
Ancient Egyptians illustrated their underworld as a
tapered valley with a river running through the
terrtain. There were seven halls in this environment,
each of which having a different function. The
majority of common souls were standing at the
entrance of the fifth hall and pleading for entrance
into the subsequent halls. Those that were favored
were eventually admitted into the seventh hall where
their final judgment was given. This hall was called
JOURNEY’S END AND FINAL JUDGEMENT
WEIGHING OF THE HEART CEREMONY
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MORTALITY & MYTHOLOGY
CHRIST THE REDEEMER PHOTO COURTESEY OF AVINASH ACHAR
WORLDWIDE RELIGION TODAY Culture can be defined as a set of norms and values
that are shared by a specific population. Religion is largely
regarded as the most influential cultural component of
modern society, as it formulates an ethnic identification and
lifestyle for many followers. Religion has undergone
massive transformations throughout human history and
today is a very complex and diversified system. Most
religions have an overarching doctrine. The foundational
doctrines have been debated over time and various
religious sects have diverged within the belief systems.
The global dynamic illustrates that a majority of the world’s
population subscribes to a religious doctrine. A 2012 poll
reported that 59% of the World’s population is religious;
whereas 23% indicate no religious affiliation; with 13%
citing atheism (Gilani, Shahid & Zuettel, 2012).
The fastest growing religious
movement in the United States is the
non-religious (15% growth between
2001-2008 – American Religious
Identification Survey (2009)).
QUIZ
Andrew Troxel Social Studies Teacher
Hello!
I appreciate you taking the time to review this
document and increase your knowledge about
mythology. I use this document in my Antiquity
course as part of the Historical Inquiry Unit. I was
thrilled to use the LAYAR software for this project as
part of my graduate course through Iowa State
University because I can add so much more rich and
interesting content throughout the document. Please
let me know what you think about this document and
feel free to contact me with questions!
PERSONAL INFORMATION
Please take a moment and test your newfound knowledge of immortality and mythology. You’re well on your way to become the next Indiana Jones! Please visit the following site to take the quiz for this document. This link should be available for those using LAYAR. https://docs.google.com/spreadsheet/viewform?formkey=dHFXQk5yZTl3dW9sV1VMMk5XZ2FnY1E6MQ#gid=1
MORTALITY & MYTHOLOGY
TEXT REFERENCES Gilani, I. S., Shahid, R., & Zuettel, I. (2012). Global index
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Philip, N., & Wilkinson, P. (2007). Eyewitness
companions mythology. (1 ed.). London: DK Publishing.
Thompson, W. I. (2002). The evolution of the
afterlife.Journal of Consciousness Studies, 9(8), 61-71.
Retrieved from http://www.imprint.co.uk/pdf/afterlife.pdf
Woolf, G. (2007). Ancient civilizations: The illustrated
guide to belief, mythology, and art. New York: Barnes &
Noble and Duncan Brothers.
IMAGE REFERENCES Annubis by Jeff Dahl, available under a creative commons
Attribution License 3.0 Unported at
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http://www.flickr.com/photos/75197388@N00/7682216862.
Forbidden Gardens-Terracotta Army 2008 by Vybr8, available
under a creative commons Attribution-Share Alike License 3.0
Unported at http://en.wikipedia.org/wiki/File:ForbiddenGardens-
TerraCottaArmy_2008'4-crwpps.jpg
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commons license Attribution-Noncommerical-Share Alike 2.0
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Vallejo, B. (Artist). (1988). Atlas. [Print Drawing]. Retrieved from
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Retrievedfrom http://www.imaginistix.com/details.cfm?Id=531
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