Molly Sherman - Interior Design Portfolio

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MOLLY SHERMAN GRADUATE STUDENT OF INTERIOR DESIGN PRATT INSTITUTE [email protected] l 314-482-7840

description

Graduate Student of Interior Design at Pratt Institute

Transcript of Molly Sherman - Interior Design Portfolio

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MOLLY SHERMAN

GRADUATE STUDENT OF INTERIOR DESIGN PRATT INSTITUTE

[email protected] l 314-482-7840

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CONCEPT BOARDS

ADVERTISING AGENCYDECEMBER 2011

PROJECT GOAL:

To design a two story office space in Midtown’s Pepsi Co.

Building for a newly formed advertising, branding and

strategy agency. The agency was comprised of 3 founding

partners and 45 employees. Team thinking, communication

and collaborative participation with clients and among

employees was critical to the company. We were asked to

plan for flexibility of workspaces, the need for community as

well as privacy, and public spaces that reflect the identity

and work ethos of the company.

BANDING DIAGRAMS

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NEGATIVE  SPACE  =  OPPORTUNITY  FOR  CIRCULATIONPOTENTIAL  FOR  CASUAL  

MEETING  SPACES  IN  NEGATIVE  SPACE

ENCLAVE  BAND

WINDOW  TREATMENT/SCREENING  TO  COME  DOWN  FROM  CEILING  BANDS?

VIEW  THE  CEILING  PLANES  AT  DIFFERENT  HEIGHTS  FROM  THE  EXTERIOR

Angled  lip  to  conceal  lights,suspension  hardware  and  dust

PANELS  ILLUMINATED  FROM  ABOVE  WITH  HIDDEN  FLUORESCENTS

RECESSED  DOWNLIGHTS  on  the  underside  of  panels

PANELS  suspendedfrom  ceiling  at  different  heights

Thinner  profile  -­  elongated  angle

Thin  Gap  in  flooring  between  bands  -­  thin  strip  of  lighting?  -­  inlaid  material?  -­  change  in  flooring?

Sloped  Wall  to  allow  for  someleaning

Laptop  tables  on  swivel  arms

Partitions  to  provide  someprivacy

Height-­Adjustable  Armrests

10TH FLOOR PLAN

11TH FLOOR PLAN

PROCESS SKETCHES

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10TH FLOOR REFLECTED CEILING PLAN

11TH FLOOR REFLECTED CEILING PLAN

DINING AREA

The design for my advertising agency is centered around the concept of

banding. This simple organizational system works in tandom with the

inherent grid structure of the Pepsi Co. Building. The dropped ceiling

bands divide the programmatic space below. Ceiling heights, color and

light help differentiate these spaces. In an effort to highlight these bands,

I designed one that houses the stair and reception area. It spans the

two floors, connecting the penthouse terrace with the reception desk.

This band is occupable on both levels: housing the waiting room on the

stairs and screening room on its ceiling plane. Additionally, in an attempt

to create collabortative spaces and counter the health problems caused

by sitting all day, I designed several standing options for the employees

in breakaway zones.

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SECTIONS

SCREENING ROOM

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ENCLAVE

RECEPTION

OPEN OFFICE SPACE

CONFERENCE ROOM WAITING AREAWORKSPACES

DINING

TERRACE BREAKAWAY SPACES

RECEPTION

FURNITURE SELECTION

CEILING DETAILS

DUCTWORK

RECESSED  DOWNLIGHTS

HIDDEN  STRIP-­FLUORESCENTS

COLOR  PAINTED  ON  1”  VERTICAL  AND  6”  DIAGONAL

Sun  Screen  embedded  in  each  panel  

MecHO  Sun  ShadeS  -­  can  be  customized      by  width  and  length

EuroVeil  Basket  Weave  -­  5%  Open  -­  GreenGuard  Certified

Motorized  Shade

Automatic  adjustment  of  shade  positions  according  to  solar  penetration

supports  more    than  12  zones

SunDialer  -­Mechosystems

WINDOW TREATMENT DETAILS

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: VIRTUAL SHOPPING

IN THE REAL WORLD

PROJECT GOAL:

To select an internet-based retail company and translate

their website into a brick-and-mortar store. A thorough

investigation of the brand and the way the website works

should generate a design that reflects the brand as a

complete spatial, temporal environment. The final design

should be a hybrid between a traditional shopping

experience and the individualized experience that

technology affords the customer.

BRAND ANALYSIS

STYLE QUIZ SHOWROOMS

VIDEOS

WEBSITE ANALYSIS

FEATURED GUEST STYLISTS

INTERACTIVE SHOPPING DIAGRAM

:

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STYLE QUIZ

PERSPECTIVAL SECTION

SPACIAL FLOW CHART DIAGRAM

The internet-based company I chose to

design for is Stylemint, a members-only

t-shirt company. It is a brand that is as

much about the clothing as it is about the

customer experience. Each customer takes

a style quiz that determines their personal

style and are then shown their own

showroom of clothes that aligns with their

preferences. Stylemint uses videos from

featured stylists that recommends different

ways to wear each article of clothing.

“MODERN”SHOWROOM

“CLASSIC CHIC”SHOWROOM

“RUNWAY”SHOWROOM

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STYLE QUIZ

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A

FLOOR PLAN FLOORING PLAN REFLECTED CEILING PLAN

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EXTERIOR ELEVATION

CASH WRAP SHOWROOM

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FITTING ROOM WAITING AREADISPLAY CASES

CUSTOMER EXPERIENCE DIAGRAMS

My design translates the website’s style quiz into a spatial flow-chart.

Each customer takes their own path through the store and ultimately

ends up in one of three different showrooms. When a customer shows

interest in an article of clothing, a video is projected onto the

showroom’s wall that depicts how to wear that item. The experience

combines the quick filtering technology of the internet with the tactile

experience of traditional shopping. My store pairs sculpture and a

refined, elegant material palette with affordable t-shirts as a nod to the

way that Stylemint’s editors pair their inexpensive clothing with luxury

items.

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PRATT LIBRARY: ACADEMIC LOUNGE

MARCH 2012

PROJECT GOAL:

To reimagine the underused Pratt Library. The current

library, built in 1896, is now a patchwork of additions and

renovations. We were tasked with repurposing the space in

a way that facilitates varying activities and draws a broader

range of students to the library. We were also asked to

rethink the study spaces to support a variety of study habits

and to consider both communal and individual activity.

PROGRAM RELATIONSHIPS

+

PROGRAM SCHEMATIC

BASEMENT

1ST FLOOR

2ND FLOOR

3RD FLOOR

CONCEPT DIAGRAM

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PROCESS DIAGRAMFURNITURE SYSTEM DESIGN DEVELOPMENT

INDIVIDUAL STUDY CARRELCOMPUTER STATIONS

2ND FLOOR PLAN

1ST FLOOR PLAN

BASEMENT FLOOR PLAN

Built-­in  Bench

Embedded  LED  Up-­Lighting

Varied  HeightPrivacy  Panels

Suspended  Task  Lamps

Stand-­up  Computer  stations  for  Quick  Library  Catalog  

Look-­up

SIt-­Down  Computer  stations  for  Research

Suspended  Lighting

INSPIRATION

Banquet-­Style  Seating

Suspended  Task  Lighiting

Negative  Space  Between  Units  creates  casual  seating  alcoves

GROUP STUDY UNITS

Open  Cube  Frames  the  sculpture:  both  to  highlight  it  and  To  protect  it

EXHIBITION CUBE

Desk  Height

Open  Shelving  for  Librarian  Access

3  Cube  Units  make  up  one  Librarian  Workstation

REFERENCE DESK

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2ND FLOOR PLAN

1ST FLOOR PLAN

BASEMENT FLOOR PLAN

My design juxtaposes the traditional, classical architecture of the Pratt Library with a modern, rectilinear,

intervention. I delegated different programs to various floors, depending on whether they are individual

or social activities. I developed a furniture system that can be composed in a variety of ways to house

different program. The furniture pieces are compositions of planes and voids that, when read against the

white of the existing structure, become sculptural. The entire intervention, including integrated lighting,

floats in the space, leaving the existing library untouched.

REFERENCE DESK QUIET STUDY

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COMPUTER AND REFERENCE ROOM

QUIET STUDY ROOM

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TERRACE

LIBRARY FACADE EXHIBITION SPACE

LOUNGE SEATINGCOMPUTER STATIONS

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VITRA DESIGN MUSEUMAPRIL 2011

PROJECT GOAL:

To design the lobby, gift shop, cafe, temporary exhibition

space and admin offices for the Vitra Design Museum. We

were assigned designers to research and garner

inspiration from for the design of the museum.

Additionally, we were tasked with designing a temporary

exhibition of their work. The designers I focused on were

Josef and Anni Albers. On top of focusing on the Albers,

we were also asked to consider the branding of Vitra.

INSPIRATION: JOSEF ALBERS

DIAGRAMS OF OVERLAPPING VOLUMES

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GROUND FLOOR PLAN

MEZZANINE FLOOR PLAN

LOBBY

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TICKETINGFACADE

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SECTIONS

The design for my Vitra Design Museum was inspired by the

geometry of Josef Albers’ artwork. I interpreted his repeated use

of overlapping squares by creating spaces that intersect in plan. In

order to achieve a dynamic space with these overlapping volumes,

I raised the exhibition gallery onto a four foot platform and

designed a ramp access that becomes the focal point of the

museum. I placed the cafe on the mezzanine level in a volume that

hovers above the lobby. This square volume punches through the

shell of the original building and sits above the sidewalk, creating

an outdoor gathering space and giving the Vitra Design Museum a

distinct presence from the street.

TEMPORARY EXHIBITION

TICKETING:TICKETING:General Admission $12Seniors (65+) $9Students $8

MUSEUM HOURS:Tues - Thurs 10 AM - 6 PMFri 10 AM - 9 PMSat - Sun 9 AM - 7 PM

Temporary Exhibition 1Temporary Exhibition 1Gift Shop 1Museum Cafe 1.5Collection 2

ANNI ALBERS:Weaving at the Bauhaus

on view until September 4, 2011

GEORGE NELSON:Architect, Writer, Designer, Teacher

September 12 - December 18 2011September 12 - December 18 2011

JEAN PROUVE:The poetics of the technical The poetics of the technical object

January 2, 2012 - April 4, 2012

Fri 10 AM - 9 PMSat - Sun 9 AM - 7 PM

Temporary Exhibition 1Gift Shop 1Museum Cafe 1.5Collection 2

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ANNI ALBERS

weaving at the baushaus

SCENES FROM THE TEMPORARY EXHIBITION

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INTEGRATIVE HEALTH CENTERMARCH 2011

PROJECT GOAL:

To design an Integrative Health Center located in the heart

of Manhattan. The space is meant to be a place of therapy

and healing for the sick as well as a place that promotes

wellness for people without illness. The program includes a

reception/lobby area, an organic cafe, locker rooms, therapy

and administrative offices, and yoga, massage therapy,

acupuncture and meditation rooms.

PROCESS DIAGRAMS

ON-SITE LIGHT OBSERVATION

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PROCESS COLLAGESLIGHT STUDIES

PROCESS RENDERINGS

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UNFOLDED ELEVATION OF CORRIDORS

FLOOR PLAN

The concept for my integrative health center is about slowly revealing the

space to the client. I strategically use the corridors to create deliberate lines

of sight. Throughout the space, the human body is silouhetted which offers

the client glimpses of a space and its use before he has reached it. This effect

is created through the use of light, shadow and materials of varying opacity.

CORRIDOR DIAGRAM VIEW DIAGRAM

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SECTIONS

CAFERECEPTION

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SKETCHES & PAINTINGS

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