Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist...

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Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant- garde), photograph by Nadar, 1867 (right) Jackson Pollock (American ‘Action’ painter, 1949 Life magazine photo for article, “Is He the Greatest Living Painter in the United States?”

Transcript of Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist...

Page 1: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Modern Art 109From mid-19th century to mid-20th century

(left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar, 1867(right) Jackson Pollock (American ‘Action’ painter, 1949 Life magazine photo for article, “Is He the Greatest Living Painter in the United States?”

Page 2: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Realism and the Origin of the Avant-Garde in Paris

Gustave Courbet and

Edouard Manet

Page 3: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Gustave Courbet (French, 1819-1877) Self-Portrait, c. 1845

Page 4: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Gustave Courbet, Burial at Ornans, 1849 compare with Thomas Couture, Romans of the Decadence, 1847

Page 5: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Henri Fantin-Latour. Portrait of Édouard Manet. 1867, oil on canvasArt Institute of Chicago, Chicago

Parisian dandy, flaneur, and “Painter of Modern Life”

Page 6: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

(left) Titian or Giorgione, Venus of Urbino, 1510 (Louvre) source for (right) Edouard Manet’s Olympia 1863

Page 7: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Jean-Léon Gérôme (French Academic painter), Phrynee Before the Judges, 1861

Honoré Daumier cartoon: “Venuses Again, Always Venuses”

Page 8: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Alexandre Cabanel (French Academic Painter, 1823-1889) The Birth of Venus, 51 x 88 inches, 1863

Page 9: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

William Bouguereau, Birth of Venus, 1879 and Paul Baudry, Venus and Cupid, c. 1857

Page 10: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,
Page 11: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

1) Modernity (What characterizes modern experience?)

2) Modernism (What kind of culture did modern artists create in response to modern experience?)

3) the avant-garde (Why is avant-garde art – radically innovative in form and content – considered historically significant and make up the modern canon that we study? Why not traditional art?)

From lecture and the Marshall Berman reading, “The Experience of Modernity,” be able to define these terms and address these questions:

Page 12: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Industrialization of Europe and U.S. about 1850

Page 13: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Gustave Courbet, Burial at Ornans, 1849 compare with Thomas Couture, Romans of the Decadence, 1847

Page 14: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

ÉDOUARD MANET, Olympia, 1863, oil on canvas, 4’ 3” x 6’ 3” Musée d’Orsay, Paris

Page 15: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Alexandre Cabanel (French Academic Painter, 1823-1889) The Birth of Venus, 51 x 88 inches, 1863

Page 16: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Why was Manet’s Olympia ridiculed by the Parisian artworld of 1865?

Page 17: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Édouard Manet, Universal Exposition of 1867, 1867, oil on canvas

The Painter of Modern Life

Page 18: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,
Page 19: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Emperor Napoleon III by Hipolyte Flandrin (Salon of 1863) with Plan of Paris – radical urban renewal of Paris 1853-1869 designed by Baron Haussmann,

Page 20: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Napoleon III and Baron Haussmann’s urban renewal of Paris:1853-1869

Contemporary view of Blvd. Haussman with Galeries Lafayette, finished in 1912,one of the first department stores: commodity culture

Page 21: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Interior of GalleriesLafayette finished in1912.

Page 22: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

The Great Exhibition of 1851 in the Crystal Palace by Joseph Paxton architect, Hyde Park, London, England 1851, moved to Sydenham in 1852, burned down in 1936

Page 23: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,
Page 24: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Queen Victoria opens the Great Exhibition in the Crystal Palace in Hyde Park, London in 1851

Page 25: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Joseph Paxton, Crystal Palace, 1851, detail of exterior structure

Page 26: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Building The Crystal Palace from prefabricated iron parts

Page 27: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Cartoon from Punch, British satirical magazine

Page 28: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Crystal Palace Science Exhibit: Envelope Machine

Page 29: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Announcing the invention of photography (the daguerreotype) at The Joint Meeting of the Academies of Science and Fine Arts in the Institute of France, Paris, August 19, 1839, unsigned engraving

Page 30: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

First Impressionist Exhibition 15 April 1874: “Exhibition of the Société Anonyme of Painters, Sculptors, and Printmakers”

(left) Nadar (1820-1910) Nadar’s Studio at 35 Boulevard des Capucines’ (right) Claude Monet (French Impressionist, 1840-1926), Boulevard des Capucines, 1873 (31 1/4 x 23 1/4")

Page 31: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

CLAUDE MONET, Impression: Sunrise, 1872. Oil on canvas, 1’ 7 1/2” x 2’ 1 1/2”. Musée Marmottan, Paris.

Page 32: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Claude Monet, Railroad Bridge at Argenteuil, 1874(right) Anonymous, photo of the Argenteuil Railway Bridge, c. 1895

The Impressionist Eye is, in short, the most advanced eye in human evolution

-Jules Laforgue

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Page 34: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Nicole Myers, Associate Curator at the Nelson-Atkins Museum of Art, talks about Claude Monet's Water Lilies triptych during a press preview of the exhibit, April 1,

2011, in Kansas City, Mo. For the first time in 30 years the three panels are united.

Page 35: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

PIERRE-AUGUSTE RENOIR, Le Moulin de la Galette, 1876. Oil on canvas, approx. 4’ 3” x 5’ 8”. Louvre, Paris.

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(left) Auguste Renoir, The Loge, 1874 (right) Mary Cassatt, In the Loge, 1880

Page 37: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Berthe Morisot, The Wet Nurse Angèle Feeding Julie Manetoil on canvas, 1880, private collection

“Modernity is the transitory, the fugitive, the contingent.”- Charles Baudelaire

Page 38: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Modern Art in Africa, Asia, and Latin America: An Introduction to Global Modernisms

“. . . .every Museum of Modern Art in the United States and Europe should be required, in the spirit of truth in advertising, to change its name to Museum of Western Modernism until it has earned the right to do otherwise.”

Holland Cotter NYTimes, 2012

Page 39: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

http://upload.wikimedia.org/wikipedia/commons/8/89/Colonisation2.gif

Open link below to follow the geographical history of European colonialism, 1492-2008

Page 40: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

(left) Unknown, The Miraculous Mass of Saint Gregory, Mexico City, 1539, feather on wood, 26 x 22,” commissioned by the first colonial governor of Tenochtitlan (Mexico City) as a gift for Pope Paul III(center right) Giovanni Pietro Birago, Mass of Saint Gregory, painting, Milan, c. 1490 , typical source for feather painting(corner right) Pre-Conquest Aztec feathered shield, c. 1500 CE

Page 41: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Yoshikazu, Picture of Foreigners Enjoying a Banquet, December 1860, Yokohama, color woodblock

Children dance at the May Festival Ball given in honor of the Japanese ambassadors

Frank Leslie’s Illustrated Newspaper, June 6, 1860

Page 42: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

(left) Ando Hiroshige, Kameido Ume (Japanese apricot) Garden, woodcut, ink on paper, 1857, from the series, One Hundred Famous Views of Edo

(right) Vincent Van Gogh, Plum Tree in Bloom (after Hiroshige), oil on canvas,1887

Page 43: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

(left) Yorozu Tetsugoro, Self Portrait with Red Eyes, oil on canvas, 1912 – Expressionist / Cubist / Futurist / Global avant-garde modernism

(right) Ernst Ludwig Kirchner (German Expressionist, 1880-1938), Self Portrait with Model, oil on canvas, 1910

Page 44: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

Transformative influence of African tribal sculpture Picasso’s epiphany in June 1907 at the ethnographic museum in Paris

Georges Braque: “It is as if someone had drunk kerosene to spit fire."

“My first exorcism painting….

For me the masks were not just sculptures. They were magical objects...intercessors...against everything - against unknown threatening spirits....They were weapons . . . to keep people from being ruled by spirits. To help them free themselves. . . . If we give a form to these spirits we become free."

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(left) Aina Onabolu (Nigerian, 1882-1963), Portrait of a Lawyer, oil on canvas, 1910(right) Egungun Mask, unknown Yoruba carver, Nigeria, late 19th/early 20th century Picasso, Les Demoiselles d’Avignon, 1907, icon of Western avant-garde painting

Page 46: Modern Art 109 From mid-19 th century to mid-20 th century (left) Édouard Manet (French Realist painter, ‘father’ of the avant-garde), photograph by Nadar,

(left) Aina Onabolu, Portrait of a Man (Self Portrait?), oil on canvas, 1954(right) Onabolu, Nude Study, drawing, 1920(?)