Missing Soluch

9
MAHMOUD DOWLATABADI Translated by Kamran Rastegar MELVILLEHOUSE HOBOKEN, NEW JERSEY

description

erhaps the most important work in modern Iranian literature, this starkly beautiful novel examines the trials of an impoverished woman and her children living in a remote village in Iran, after the unexplained disappearance of her husband, Soluch. Lyrical yet unsparing, the novel examines her life as she contends with the political corruption, authoritarianism, and poverty of the village. it follows her vacillations between love for Soluch and anger at his absence, and her struggle to raise her children without their father. The novel critically evokes the unfulfilled aspirations of modern Iran — portraying a society caught between a past and a future that seem equally weighed down by injustice. This landmark novel — the first ever written in the everyday language of the Iranian people — revolutionized Persian literature in its beautiful and daring portrayal of the life of a marginal woman and her struggle to survive.

Transcript of Missing Soluch

Page 1: Missing Soluch

M A H M O U D D O W L A T A B A D I

Translated by Kamran Rastegar

MELVILLEHOUSEHOBOKEN, NEW JERSEY

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1.

Mergan raised her head from the pillow. Soluch was gone. Herchildren were still asleep—Abbas, Abrau, and Hajer. Mergantied the loose curls around her face into a scarf, rose, andstepped through the doorway into the small yard. She walkedstraight to the bread oven. Soluch was not there. Lately, atnight, Soluch had been sleeping outside next to the oven.Mergan didn’t know why. She would just see him sleeping outbeside the oven. He had been coming back home late at night,very late. He would go straight to the awning over the oven andcurl up beneath it. He had a tiny body. He would fold himself,pull his knees to his belly, and fit his hands between his thighs,which were hardly more than two bones. He would rest his headagainst the edge of the wall, draw up his donkey-skin blanket—

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made from the skin of the same donkey that got sick and diedthe last spring—and go to sleep. Or, perhaps he wouldn’t sleep.Who knows? Maybe he stayed up until dawn, muttering andmumbling to himself. He’d grown less talkative of late. He’dcome and go without a word. In the mornings, Mergan wouldstand over him, and Soluch would rise in silence. Not looking athis wife, he would sneak out before the children were up, exit-ing through the opening in the wall. Mergan would only hearher husband’s cough as he walked away down the alleyway. Andthen Soluch would be gone. Soluch and his cough would begone. He didn’t even own shoes or slippers for Mergan to hearhis footsteps as he left. But where would he go? Mergan couldnever understand. Where could he go? Where would he losehimself? It wasn’t clear—no one knew. Or, no one would say.People kept to themselves. People were preoccupied with theirown lives and hid their faces inside upturned collars. Theywouldn’t show their faces. No one would see anyone. It was as ifthe residents of the village of Zaminej were hidden beneath adry layer of ice. The boundless, insistent cold would fill theempty and winding alleys of Zaminej. Ragged Soluch wouldhead out and disappear, wearing no shoes and no hat, barelyprotected by the hide of his old donkey thrown over his shoul-ders, in a cold that was so cold even a stray dog wouldn’t lingerfor a moment outside. And Mergan had no idea where her hus-band had gone. At first, she was curious where, but she eventu-ally lost interest. So he’d go. So let him!

Mergan no longer felt close to her husband. Her attractionto him had faded long ago, and now only habit remained.Lately, even the habit was becoming weaker and weaker. . . andsoon, it seemed, it would be gone altogether. All of the visible

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and the hidden things that bind a husband and wife together nolonger existed between Mergan and Soluch. They shared nei-ther their work nor their intimate lives. Without work there’sno pleasure, and without pleasure, no love. Without love,there’s no speaking, and without speaking, there is no shoutingand arguing, no laughter and joy. Both the heart and the tonguegrow old, breath dies on the lips. The face loses life whendevoid of light in the eyes. Hands grow idle from boredom, andthe shovel and hoe and spade and scythe lie unused in theempty shed, hidden under a heavy layer of dust. What else?Once things are so bad that even the donkey has died, and if thewinter’s so dry and cold that the body tries to press up underthe animal’s cold, black body, with sorrow overflowing from thevery pit of the soul . . . Under these circumstances, what is leftto bind two people together? What is left to feel or to say?

Of late, Soluch had grown confused, silent. He wouldn’ttalk, and it was as if he couldn’t hear either. It wasn’t as ifMergan had very much left to say to see if he could hear her ornot. Was there anything left, even one small thing, that they stillshared to give Mergan an excuse for speaking to him? Wheneverything has been buried in a sickly and silent dust, what goodis there in opening one’s lips to speak? Mergan’s lips had beensewn shut by invisible hands. Only her eyes remained open. Hereyes were wide open as if she were in shock. As if even the verywalls astonished her. Or the air. Or day and night. As if she wereastonished by her very being, her walking, her breathing, herfeeling the cold to the very marrow of her bones. As if the factthat she had a mother who had given birth to her, suckled her,and had raised her was astonishing and terrifying. Was it true?Could it be possible? What a strange, incredible world.

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Everything was strange. For Mergan, everything wasstrange, and the strangest of all was Soluch’s empty place. Butnever before had his absence provoked such a reaction in her.This wasn’t fear; this was terror. A new terror, sudden and unfa-miliar. Without realizing it, her eyes were wide open, her mouthleft gaping. Soluch’s empty place seemed emptier today thanever before. It seemed like a sign to Mergan. Something bothvisible and hidden, like what the village women called “the spirit,”a sort of myth. It was possible that Soluch had really gone. Thiswas becoming clearer to Mergan. She began to realize thatSoluch’s removing himself from everything, his avoidingMergan and the house, was not just a sign of something else, butrather revealed the heart of the matter. Soluch had separatedhimself, cast himself off far away. Like the tip of a finger cut off,tossed aside. How many long nights had Soluch passed alonegoing to Kelenjar? How many heavy days had he spent forlornand weak in some ruins or a field or in shelters. . . ? Whatthoughts had he had, what had he imagined? He had—no doubt—painfully torn the children from his heart, one by one, and castthem away. And in the same manner, he had hidden Merganaway in the folds of his memories. Nothing was left for him toleave behind—certainly not his regrets. He’d taken those alongwith him. Apparently he did. It’s not easy to tear regret fromone’s heart and to cast it away. And it’s not easy to leave it insomeone else’s care. No, he must have gone with a heavier bur-den on his heart. He must have gone. So let him go. Let him go!

Let him go?This seemed easy for Mergan to say to herself. But only to

herself. Because she had never before felt as at one with Soluchas she did at this moment. She sensed she had suddenly lostsomething, and she didn’t know what it was. She knew its

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name, which was Soluch, but she didn’t know its essence. . . Itfelt like something else. Was it possible to say that Mergan had,in fact, lost part of herself? She didn’t know. It wasn’t her handor an eye or her heart. No, her spirit, her sensation, her self hadbeen lost. It felt as if the ceiling was torn off above her, herwalls, brought down. She felt naked. Naked inside, naked andlying on ice. As if her arms were bound behind her. Just as ifshe had been thrown naked and bound and speechless onto thesurface of ice that formed in the gutter beside the public baths.Naked, yet without a shadow. Is it possible for any object to lacka shadow? This was what Mergan felt of herself: exposed,bound, shadowless, cold, threatened. Her heart beat as a lumpof burning coal in the cold of midnight. It burned quickly.Something was alight. The old ashes that covered everything inMergan’s life had suddenly been blown off from her heart.Something lost, voiceless, and forgotten had raised its headinside her chest. Soluch, an ancient love, covered with rust. Akindness mixed with pain, a sudden sensation; she suddenlyrealized how much she wanted Soluch.

As long as you still have your eyes, everything looks normal.But if somehow suddenly you’re blinded—say, by a hot iron orby a beast’s cold claw—all at once you can no longer see the firein the fireplace that you had stoked for all your life. For the firsttime, you realize what you’ve given up, what a dear thing it isyou’ve lost: Soluch.

Has Soluch really gone? Where to? What about me? And Hajer?And the boys—Abbas and Abrau? Soluch has gone! Where the hellhas he gone to? Who does he think will protect us now?

Mergan was slowly coming to. Her eyes were slowly openingand comprehending what had happened. Once again, the pres-sure from a wild force was building up within her. Her eyes

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became themselves again. They apprehended what was aroundher clearly. Everything was alive, as if new. In the dry, cold heartof the winter, life was once again boiling up. It was as if every-thing had come back to life. It felt as if the field of ice that hadsurrounded and imprisoned Mergan for months was cracking.Mergan could move again. She’d gone from ice to fire. She wasburning, and she wanted to burn. Covered in flames, like a catdrenched in gasoline and set alight. She felt the melting of allthe ice in the world within herself. She was burning, so much sothat she felt she could melt the head of winter itself. Speechless,silent. Silent and unresisting. The heart beating in Mergan’schest was no heart. It was a furnace. A furnace of anger.

She came to. Despite these feelings, something drew her tokeep her eyes on Soluch’s empty place. In Mergan’s eyes,Soluch’s empty spot sank slowly into the ground, deeper anddeeper. It was a womb. It had the shape of one. With a place fora head, two legs pressed together, a bent back. Had Soluch real-ly been so small as to fit inside that space?

Mergan turned away. Soluch’s granary was still in the mid-dle of the yard, next to the pit. A granary only half-built. It hadstands and the first level was finished; its walls were crackedand dried out. The intensity of the cold had left cracks in it.Soluch had left it there incomplete. He left it there half-built,in disgust. It had been a month that the clay oven had just beensitting there unfinished. No one had asked Soluch to build it.He’d just started building it one day, apparently out of bore-dom. And then a few days later he abandoned it just as sudden-ly. Why shouldn’t he have abandoned it? When there are nogoods, no grain? What’s the point of a granary? And why builda clay oven? For whom? For which bread, which dough from

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what basin? What a waste, all the dirt that Soluch had carried onhis back. What a waste, the clay that he used in the structure.What a waste, the sweat on his brow. What a waste, Soluch! Hewould kneed the clay, kneed it and shape it so much that he’dgive it life. No baker could fashion his dough like that. Soluchworked like an alchemist—all the granaries, those full of flourand grains, all the new clay ovens of Zaminej had been shapedby the slim hands and gaunt fingers of Soluch. As long as theyneeded him, everyone considered Soluch an artisan. They sawhim as someone with a different skill in each finger of his hand:Soluch the clay-oven maker, Soluch the pit digger, Soluch thedredger, Soluch the reaper, Soluch the room plasterer, Soluchthe porter, Soluch the blacksmith. . . They even came from sur-rounding villages to take him to build their clay ovens. InSoluch’s fingers, mud became as pliable as wax.

May those fingers be adorned with flowers.Now, Soluch’s legacy was only this unfinished, cracked

granary. Was there a skilled granary builder in the place whereSoluch had gone?

Abrau, Mergan’s second son, with his big ears and his wideand sleepy eyes stepped across the doorway into the yard andwent straight to the ditch beside the wall. His mother passedhim and disappeared inside the stable. To Abrau, his mother’scoming and going was different than it usually was. Today shewas aimless, erratic. She couldn’t stay still. She came out thedoor and went to the porch, beside the clay oven. She seemeduneasy. Unconsciously, she made circles around herself, pokedher head into this hole and that one, mumbling to herself.

“Gone. Fine! Gone. . . Gone. Ha! Let him go! Let him go tohell and back! Go. So what? What do I care? Go!”

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© 2007 Mahmoud Dowlatabadi Translation © 2007 Melville House Publishing

Missing Soluch was first published by Nashr-i Chishmih-yiFarhang-i Mu’asir as Ja-yi khali-i Suluch in 1979.

Melville House Publishing300 Observer HighwayThird FloorHoboken, NJ 07030

www.mhpbooks.com

First Melville House Printing: May 2007

Library of Congress Catloging-in-Publication Data

Dawlatabadi, Mahmud.[Ja-yi khali-i Suluch. English]Missing Soluch / Mahmoud Dowlatabadi ; translated by

Kamran Rastegar.p. cm.

Novel.Translated from Persian.ISBN-13: 978-1-933633-11-4ISBN-10: 1-933633-11-5I. Rastegar, Kamran. II. Title.

PK6561.D39J313 2007891’.5533—dc22

2006101686

Printed in Canada @ WEBCOM

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