Minolta 35 Color

8/11/2019 Minolta 35 Color

1/20
http://www.orphancameras.com/http://www.orphancameras.com/


2/20

Mfln@Ltq-3

AAodel

I

INSTRUCTIONS

FOR USINO


3/20

The

Most

lmproved

35--

Camera

M i no l t a - ' 35

M ode l

I I

i s

a c am era

oF 35m m

i n

s i z e

dev i s ed and

i n t e g r a t e d w i t h

ad j us tab l e

s e l f - t i m e r

and f l a s h

s y nc h ron i z e r ,

i t s

b a c k

c ov e r

s y s tem

be i ng c onv en i en t f o r t i l m l oad i ngs ,

hav i ng

ey e

ad j us tab l e

dev i c e

fo r i t s s i ng l e ey e -p i ec e

ran ,3e i nde r

a nd

c onv en i en t l y

y ou

c an m ak e

y o u r

s ho t w i t hou t

pu t t i ng

t o r w a r d

i t s

l e n s

b a r r e l .

O F c ou rs e the s huL te r i s s e t s i m u l t aneous l y w hen the f i l m w as

w ound ,

t h u s

p rev en t i ng

doub l e ex pos u res .

The f i l m i s

v e ry

ec onom i c a l l y

us ed by

l oad i ng i t t o

m agaz i ne , c u t t i ng

i t a t

w i l l

i n

p r o p e r

l e n g t h

ou t oF l ong f i l m .

A l s o v a r i ous

s u i t ab l e

t e l epho to l ens es

be i ng

p rov i ded ,

on e

qam era

c an be

u t i l i z e d f o r

f e a t u r e s

us ua l l y nec es s a ry o r s ev e ra l

c am eras .

Standard

Lens of

Minolta-35

T h e S u p e r

R ok k o r

C oa ted

F

z .a -+ s m m

Lens t i t t ed m ak es

v e ry s ha rp

toc us and F rom

t h e

s h o r t e s t

r ange

t o i n F i n i t e i t h a s

s upe r i o r c apac i t v t o m ak e s ha rp f i ne dep i c t i ons .

A l s o

the l ens has

no ted c o l ou r

t r ans pa renc y c apac i t y ,

h i gh l y

p ra i s ed

by m any k now n ph o to

s pec i a l i s t s

i n hom e l and as w e l l

as t hos e

i n a b r o a d

und

i t i s now

an

es tab l i s hed

t a c t t h a t

t he

tu l les t

sa t isFac t ions

are be ing expec ted

by var ious

users

oF th is

l ens .

T h i s

i s one oF t he

reas ons

tha t w e a re

s t i l l

s t i c k i ng t o

t h i s t i ne s t anda rd

t r

l z . B

l e n s

r a t h e r t h a n

t h o s e o F l a r g e r i n

d a m e t e r .

o


4/20

M o u n t

F u i i

T ak en

by

A t r . S .

lwaha r a


5/20

l .

S u p e r

R o k k o r

L e n s

F

z . o - t + s m m

i s a

l e n s

w i de r

i n i t s c ov e r i ng

ang l e and deepe r

i n i t s

range oF

foc us

i n

c om pa r i s on

w i t h

u s u a l

5om m

l ens es f o r 3 5m m c am eras

und

most

f i t ted fo r

snao-

sh

ot t i

na

s .

l ens ba r re l i s

unnec es s a ry

o

be

pu l l ed

i t

o u t

w hen

y ou

m ak e

y o u r

s h o t t i n g . T h e l r i s - S t o p D i a l

i s

g r a d u a t e d

r o m

F

z . B

t o F

t 6

and i t s g radua t i ons a r e reg i s t e red

t h e i r

r es pec t i v e s t ages

F rom l m .

( s .

g

F t )

t o i n f n i t e

a l on3

w i t h

depths

oF range oF focus

too.

T h e F o c a l

P l ane

S h u t t e r

F i t t e d

w o rk s

c oup l ed

w i t h s h u t t e r

s peeds

o F

t

1 2 5

-

5 o o

s e c o n d a n d

B i n

t he c as e

oF i t s

rap i d

s h u E t e r

a nd

in the

case

bF s low

speed

shut ter

i t r n , o r k s

c oup l ed w i t h

f r o m

t /B

scc . to L

and T.

4,

Counter

D ia l

:

\L /hen

the

counter

n u m b e r

' o '

i s

{ i x e d

u n d e r

t h e

ar row-mark

a l -Ler

Ioad ing

the

f i l m

i n

the c am era ,

t h e

s :m e w i

l l

m ov e

on one by

one f o l l ow i ng

y ou r

s uc c es s i v e t ak i ngs

u n t i l i t

r eac hes

t o

N o . 39 .

(3)


6/20

5 . Coup led

Range-F inder and

Viewer

:

T w o - i m a g e - c o i n c i d e n c e

t y p e

c oup l ed range [ i nde r i s

dev i s ed

c om b i r ' r ed

w i t h

t h rough

f i n d e r .

The

v i ew

r a n g e

c ov e red

i n

t i l m i s

s l i gh t l y

l a r g e r

t h a n t h a t

s een

i n

t h e

f i nde r and

i s c onv en i en t t o r

i t s

s nap s ho t t i ngs .

V i s ua l R egu l a t i ng F i nde r : Loos en

the

ey e l ens s c rew

p r o p e r l y

and

pus h

ey e l ens

o u t .

Then v i s i b i l i t y

oF

the f a r - s i gh ted c an be

p i o -

pe r l y

ad j us ted . The

s y nc h ro

te rm i na l

i s

tw o - t e rm i na l

s v s te rn

l i k e Le i c a .

O pen i ng and s h u t t i n g oF t he

bac k

c ov e r i s m ade

by m eans oF

f i x i n g

t h e m a r k

' S h u t '

o r

' O p e n '

t o

t he

po i n t

m a rk ed

: 2 .

S i m u l t ane -

ous l y

t he w i ndow

oF m agaz i ne

l o a d e d

w i l l

au tom a t i c a l l y

open o r

s h u t .

B .

The m agaz i ne

i s c ons i s t ed

o t

t h ree

pa r t s , s poo l ,

i n n e r c a s e

and t he

o u t e r

c as e .

When

Y ou

des i r e

t o l oad

y ou r s u i t ab l e l ong

t i l m i n

i t ,

p l eas e

c u t i t i n

p r o p e r

l eng th and

l o s d i t i n

t he

d a r k

r o o m .

6 .

7 .

GJ


7/20

A . W i n d i n g

K n o b

B.

Counter D

a l

C.

Release

But ton

D. Rewind

Lever

E"

R a p i d

S h u t t e r

D i a l

F .

S l o w S h u t t e rD i a l

G.

Rewind

Knob

H.

Back

Cover

Lock

l . l r i s

S t o p

R i n g

J .

Focus ing

ever

@


8/20

K.

Sel f - t imer

L .

S ta r t i ng

But ton

for Se l f - t imer

M.

Rewind

Shaf t

N . F u l l - v i e wR a n g eF i n d e r

O.

Term ina l

ro r

F lash

Synchron izer

P .

Accessory

Rai l

O.

Pressure

Plate

R.

Take-up

Spoo l

S .

S p r i n s

C l i p

T .

Sprocket

Gear


9/20

R e g u l a t i o n

o f

S h u t t e r

S p e e d s

The fo l l ow i ng Fea tu res o noL unc -

t ion

proper ly before the

shut ter

i s

au tom a t i c

s e t

b y

w i nd i ng

th e

f i l m w i n d i n g

k n o b .

R ap i d

S h u t t e r

:

P i c k

up

the k nob

oF

R ap i d

Shu t t e r D i a l

and t u rn

i t

t o

r i g h t o r l e f t t o t h e

d e s i r e d

s peed

u n d e r t h e

po i n t

a r row -

m a r k e d

i n c as e

t h e

s peeds

s o u g l r t

r a n g i n g

f r o m

|

1 2 5

t o

I

I

5 o o

s ec ond . l n

s uc h c as e , how ev e r ,

r h e

d i a l

oF S l ow

S h u t t e r

h a s t o

be

k ep t

unde r

s peeC

po i n t oF

I

f

2 5 s 2 c .

S l ow

S h u t t e r :

I n

c as e

o F

s hu tLe r

s peeds des i r ed a re rang i ng t r o m

t - l

l B

s e c .

t u r n

t h e

d i a l

t o

t h e

p o i n t

u n d e r t h e

m ark

( . ) .

I n

s uc h

c as e

d i a l

oF

R ap i d

S h u t t e r

has

to

b e

p l ac ed

u n d e r

t h e

po i n t

oF

I

f

2 5

s ec .

B u l b

S h u t t e r :

Pu t

"

B

"

oF

R aP i d

S h u t t e r

D i a l

u n d e r

t h e a r r o w -

m a r k e d

p o i n t ,

l n

t h i s

c as e ,

a s l o n g

a s y ou pus h o n t h e s h u t t e r ,

t h e

s hu t t e r s c reen w i l l

b e k e p t

o p e n . B u t

i n s uc h c as e

t h e d i a l

o F S l o ' w S h u t t e r

has

to be k ep t

unde r s hu t t e r

s pbed

o F

|

125

s ec .

4 . T ime

Shut ter

:

To open the

shut ter

screen,

f

i x

"

T

" on the

Slow Shut ter

D ia l

a t the mark

( . )

and

push the

but ton .

To

c lose the shut ter screen jus t remove the d ia l From mark

"

T " to

s hu t t e r s peed

" l "

s ec ond .

B e w a r e i n

s u c h

c as e

the R ap i d

Shut ter D ia l has

to be

kept

f i xeC a t the

po in t

oF

t

I

z5

sec.

'1


10/20

How

to

Use

Self-Timer

R em ov e

the

l ev e r

oF s e l f - t i m e r

t o

t h e d i r e c -

t i o n

a r row -m erk ed .

l t w i l l s t o p

a t a n y

pos i t i on .

V /hen

y ou

pus h

the

S t a r t e r

B u t t o n

to t he d i r ec t i on

a r row -m ark ed ,

t h e l e v e r

w i l l

s La r t

i t s m ov em en t

and ac t au tom a t i c a l l y

on

t h e

s h u t t e r .

W h e n

y ou

pus h

dow n

t he

l e v e r

t o

a deg ree oF

r i g h t

a n g l e ,

t h e n

t he

w o r k i n g

t i m e

o F

i t w i l l

b e a b o u t

B - 9 s e : o n d s

a n d a d e g r e e o F l - 3

t he

c o r res pond i ng

t i m e

w i l l be abou t 4 s ec onds ,

w hen

t h e

s h u t t e r

i s

t o be re l eas ed .

C o u p l e d

R a n g e

F i n d e r { r

Y i e w e r

Look i ng

th rough

the

f i n d e r

pus h

to rw a rd

o r bac k w a rd t he

l e n s

b a r r e l

by t u rn i ng i t b y m eans oF Foc us i ng

L e v e r u n t i l

t he

r o u n d

i m age

on

t he

r "nge f i nde r i n c en te r oF f i nde r

a nd

t h e

w h o l e

i m a g e

o n t i n d e r

w o u l d

c o i nc i de ,

w h i c h a re

s e e n

a t

t h e

ou t s e t

s epa ra te l y

o r

doub l y . C o i nc i denc e oF

thes e tw o

i m ages

m eans

a

r i g h t

f o c u s

oF ob j ec t i v es

a i m ed .

R em ov e t h i s v i s ua l a d -

j u s t e r

b y t u r n i n g

i t t o

t he

p o i n t

t h a t s u i t

t o

y o u r

v i s i b i l i t y , t h e n

i t

w i l l

h e l p

y o u

t o

l o o k

th rough

the f i nde r

m uc h eas i e r . Es pec i a l l y

t h i s dev i c e

i s

eF fec t i v e

t o

ey es f a r - s i gh teJ .

G)


11/20

F l a s h

S y n c h r o n i z e r

.

P l eas e F i x t he

t e r m i n a l

oF

t h e c o r d t o

p l ug ,

t o

t h e r e d

po i n t

a l ong

t h e

d i r ec -

a r row -m ark ed .

p l eas e us e

F . P .

bu l bs , t he

bu l bs t o r

s h u t t e r s .

.

When

a S p ee d F l a s h

(an

e l ec t r i c d i s -

i s

us ed

:

m o k e

t h e

r e d

m a r k

" X "

o F t h e

S p e e d

D i a l

t o

c o i nc i de

w i t h t h e

'

.

' .

p u t

t h e

p o i n t

' 2 5 '

o F

t h e

H i g h

D i a l t o F i x

t o t he po i n t

a r row -m ark ed .

a l l

i s

n o w

m a d e

r e a d y

F o r

' X '

p o i n t

and i t w i l l be t l as h s y nc h ron i z ed

s hu t t e r s peed

o F 1

125

s ec . by us i ng

Speed

F l as h and a l s o

t h e

F l as h

S p e e d

be

u s e d

a t

s hu t t e r s peeds s l ow e r t han

s ec .

by s i m p l y t i x i ng i t t o t he

po i n t

' . ' .

Handling

of

Back

Cover

B a c k

C ov e r

L o c k

" O o e n "

a t t h e

oF t he c am era t o t he

po i n t

r ed

t h e n t h e B a c k

C ov e r w i l l

o p e n .

F i x t he Bac k

C ov e r aga i n ,

y ou

h a v e

to

the m agaz i ne

i ns i de i n r i gh t

pos i -

rew ind ing nozz le

must be kept

l eav e i t

upw a rd , o t he rw i s e t he

w i l l no t

be f i x ed

p r o p e r l y .

Interchange

of

Lenses

n

c as e

to i n t e r c hange

w i t h

v a r i ous t e l e -

l ens es ,

p l e a s e

t u r n t h e

l ens ba r re l

n

An t i - c l oc k -w i s e w uy

f o r a b o u t

t w o o r

t i m es , t hen t he

l e n s

w i l l

c om e oF t .


12/20

Comple t ion

M aEaz i nes

fo r M i no l t a -3

5

C am era

a r e

c ons i s t ed

oF

A ,

B , &

C

i n

t h r e e p a r t s . P l eas e t am i l i a l i z e y o u r -

s e l F

w i t h

em p ty

m agaz i nes

w i t houL

t h e

f i l m

l o a d e d

i n s i d e .

As s how n

i n

d i e 3 r a : n

"

I

"

p u t

"

B " i n

"

C " ,

b e w a r i n g

n o t t o

p l a c e

" B "

i n

u p s i d e

d o w n .

A s s h o w n i n d i a g r a m

2 " &

"

3 "

pu t

' (

C

"

i n

"

A

" , p l ac i n3 eac h

w i ndow

oF

t h e , r

i n

s t r a i gh t und

t L r r n

" C "

i n a n t i - c l o c k - w i s e

w a y

un t i l i t

w i l l

be f i x ed

s tab l e

w i t h a

s ound

o F

"

T i c k

"

f r o m i t .

( O F

c o u r s e

the

s ound

"

T i c k

"

w i l l

o : c u r

e r r e n

by t u rn i ng i t i n c l oc k w i s e

w ay

b u t

i n

t h i s c a s e i t i s

a d v i s a b l e

t o

t u r n

i t

i n

an t i - c l oc k -w i s e w ay i n

o r d e r

t o

av o i d any i nc onv en i enc es

t h a t

m i gh t oc c u r aF te r

l oad i ng t he

t

t l m J

As s how n i n d i eg ram

"

4

"

t he

w i n d o w so F

" A "

f ) ' " C "

s h o u l d

c o i nc i de

eac h

o t h e r i n s t r a i g h t ,

o t he rw i s e t he s 3m e w i l l no t be

t i x ed

p r o p e r l y .

@


13/20

F i l m

t o M " g a z i n e

As s how n

i n d i ag ram

"

|

"

pu t

t he

end oF f i l m t o s poo l

"

B

"

Fac i ng

em u l s i on s i de oF t he F i l , n i n s i de .

n c as e oF us i ng l ong f i l m , p l eas e

c uL

i t

i n abou t

|

. 6

m e te r s

( s

F t . )

i n l e n g t h

and

r o l l

up .

A s s h o * n

i n d i a g r a m

"

2

"

p u t

i t i n

"

C "

f r o m

" b "

s i d e o F

B .

I n s e r t i t

a s s ho ' w n

i n

d i ag ram

"

3

"

s o

d s t o

m ak e t he end oF f i l m no t

to prevenL smooth inser t ion . ln

s uc h c as e

i F t he

end oF

f i l m

w ou l d

ben t s l i 3h t l y ou tw a rd ,

i t

w i l l

be c on -

v en i en t Fo r

t he f o l l ow i ng

ac t i ons .

F r o m

the

abov em en t i oned

p o i n t

t h a t

w as benk , t he

e n d o F f i l m

w , i l l

c om e ou t

F r o m t h e

m agaz i ne ,

s o p u s h i n g i t a n d t u r n " C " i n

an t i - c l oc k -w i s e

W d y ,

t h e

s o u n d

"

T i c k

"

w i l l

be

hea rd

and

th e

m agaz i ne

w i ndow

w i l l

c l os e .

I n

c es e

w hen

t h e

t i l m be

i m pos s ib l e

t o

p u l l

i t

o u t f

r om

m agaz i ne ,

open

the

rv indow

by

turn ing

i t r i g h t o r l e F t p u s h i n g " C "

' s

k nob ,

t h e n

tu rn i ng

on l y t he

s poo l

" B "

i n an t i - c l oc k -w i s e w ay ,

t he

f i l m end

t h a t

w as

b e n t

w i l l

c om e ou t F rom the

w i nC ow , Then

p l e a s e

t a k e

ou t t he

f i l m and

t u r n -

i ng

"

C "

aga i n and

then f i x

i t a s

abov em en t i oned .

A

-

@


14/20

l .

P l ac e

t h e

R ew i nd i ng

Lev e r

t o t h e

pos i t i on

o F

"

R

" .

( T h e n

F i l m

Wi nd i ng

K n o b

w i l l t u r n

f

r e e l y

t o

t h e

d i r ec t i on

a r row -m ark ed . )

2 .

O pen t he b ac k c ov e r .

l .

P u l l

up t he

R ew , i nd i ng

K n o b

an d

i n s e r t

i t

t r o m

the

b o t t o m

oF

m agu -

z i ne

a n d a t t a c h i t

t o t he

R ew i nd

S h a f

.

A s

s how n

i n

d i ag ram

( 3 )

i t

has

t o

be m ade s o as

to

m ak e

F i l m

c om e

out f rom center oF the rnagaz ine.

D i ag ram

( 4 )

s how s t ha t

i n

c as e

i F

ou t l e t oF t he f i l m

i s

one -s i ded

t h e

b a c k

c ov e r

w i l l no t

be c l os ed

ev en

t h o u g h

i t

m i gh t

b e

i ns e r t ed

o rc i b l y .

. Tu rn

the

F i m V / i nd i ng

Knob

an d

f i x

t he end oF

f i l m

f rom the

f

r o n t

s i d e

t o t h e

S p r i n g

C l i p .

5 . \ ( / i n d t h e W i n d i n g K n o b

s l ow l y

s o

as

t o

as c e r t a i n

w he the r

P e r F o r a -

t i o n o F

t h e

f i l m

has

w e l l

gea red

i n to t he

S p r o c k e t

G ea rs

and

c l o s e

the

Bac k C ov e r .

5 . R e t u r n

the

R ew i nd Lev e r

t o

t he

o r i g i na l

p o s i t i o n

f r o m t h e

pos i t i on

, , R " .

7 . Tu rn t he

F i l m Wi nd i ng

Knob t o t h e

pos i t i on

w he re i t

au tom a t i c a l l Y

s tops and

r e l e a s e t h e

s h u t t e r .

P lease

repeat

such ac t ion

for

two

o r

t h r e e

t i m es

and w i nC

u P

t o t h e

Tak e -up

S p o o l

a l l

t hos e f i l m ex -

pos ed

d u r i n g

s uc h

t r i a l

t i m e

o F

l o a d n g i t .

B .

T u r n

the

k nob

D i a l w i t h

t i n g e r

t he a r row

m a r k .

Counter

f i x O

a t

@

o n

t he

t i p s

a nd


15/20

4 .

l .

H o d c am era

f i r m l y

p res s i ng

o n

y o u r

f ac e i n o rde r

t o

p rev en t

i t f r om s hak i ng .

S /hen

y ou

re l eas e

s hu t t e r

a t

s hu t t e r

s peed s l ow e r

t h a n

|

125

s ec ond ,

p t e a s e

us e a

t r i p o d

o r

p l ac e

the

c am era

o n o r

p r e s s i n g

a l o n g

s om e th i ng

s tab l e ,

s o

a s t o k e e p i t t r o m

s hak i ng .

2 . W i n d

t h e F i l m

W i n d i n q

K n o b

u n t i l

t h e s a m e w i l l

a u t o m a t i -

c a l l y

s t op . The ro ta t i on oF

the

F i l m

R ew i nd i ng

Knob a t

t he

t i m e

w hen

y ou

w i nd

t h e

F i l m \X / i nd i ng

K n o b m e 3 n s

t h a t t h e t i l m i s b e i n g w o u n d .

3 . P l e a s e t u r n

t h a S h u t t e r S p e e d

D i a l

a n d f

i x

t h e

de te rm i ned

s

oeed .

T u r n

the

l r i s

S top R i ng

and

F i x

t h e

des i r ed

i r i s

d i aph ragm .

P I e a s e r e F e r

t o t he

r e l a t i v e

l i s t i n n e x t

page

fo r d i aph ragm

v e rs us

s hu t t e r s peeds .

Look i ng

th rough t he

f i n d e r

m ov e t he

Foc us i ng Lev e r un t i l

tw o i m ages

w i l l

c o i nc i de .

6 . P u s h the re l eas e b u t t o n s l ow l y bu t g radua l l y t i rm . D o no t

pus h

s t rong l y bec aus e

the

c a m e r a

w i l l

s hak e .

L i gh t

r hy s m i c a l

m o t i on oF

F o c a l P l a n e S h ut t e r

g i v es

a f i ne ex -

p o s u r e

o n

the

F i l m .

D e te rm i na t i on

o f Ex pos u re T i m es :

D e te rm i na t i on oF ex pos u re t i m e

i s t he m os t i m po r t a n t f ac to r

f o r

gene ra l

pho to

t a k i n g s .

l t

has

t o

be as c e r t a i nedu s u a l l y

unC e r

c a reFu l

c ons i de ra t i ons

o F

deg ree oF

l i gh t

av a i l ab l e ,

s eas on ,

t i m e ,

s ens i t i v enes s

o F

g rade

oF

f i l m

e t c . Bu t i t

be i ng too c om p l i c a ted t o ex p l a i n s i m p l y on

thes e

v a r i o u s

c om b i ned c ond i t i ons

to

the beg i nne rs ,

t he

s ho r t es t

c u t

f o r

t hem

w i l l be r a t he r r e l y on

us e oF ex pos u re

m e t e r s

a t

t he

beg i nn i ng

u n t i l

t h e y

c ou l d m as te r

t hem theo re t i c a l l y .


16/20

",

sh;;;";'i"""a,

F i gu res

eng rav ed

on

the

s u rFac e

oF l ens ba r re l s uc h

a s

2 . 8 ,

4 ,

5 . 6 ,

B ,

|

|

t 6

e t c . a r e

s i g n s s h o w i n g b r i g h t n e s s

o F

t h e

l e n s .

The s m a l l e r

t he

num be r oF t i g u res

m en t i oned

m eans he

w i de r

o F

d i a m e t e r

oF

the

l ens , v o l um e

oF l i gh t w ou l d

pas s

t h r o u g h .

O n

t h e

s uppos i t i on

t h a t

t o t a l

v o l um e

oF l i gh t t ha t

w ou l d

pas s

t h r o u g h

t h e

l e n s

u ' r d e r

a c o n d i t i o n o F

i r i s

d i a p h r a g mo F

F

z . B

a s t / t ,

t h e

c o r r e s p o n d i n g v o l u m e

o F

l ; g h t

u n d e r

i r i s

d i a p h r a g m

o F

F + w i l l

6 e t f z ,

F s . 6

t l + ,

F a t l B , F

t t l t 6

a n d

F t 6

1 1 3 2 ,

i . e . t h e

v o l um e oF

l i gh t

w i l l

b e l e s s b y a r a t i o o F

app rox i m a te l y one

doub l e -Fo l d .

Suppos i ng

a

v o l um e oF r i gh t

w ou l d

b e

j u s t

a p p r o -

p r i a t e

a t

s h u t t e r s p e e d

o F t / 5 o

s ec ond

unde r

F 8 , t h e si m i l a r

v o l um e

o F

l i gh t

w i l l r eac h

u p o n t h e

[ i l m s u rFac e

a t s hu t t e r s peed

o F t l

t o o u n d e r

F s . 6 o r I

l 2 o o

u n d e r F 4 .

D e p t h o f F o c u s

When

a

c e r t a i n s u b j e c t

i s f oc us ed ,

those

other than

the

f ixed ob jec t i ves

a round w i l l

a l s o be ac c u ra te l y Foc us ed

s i m u l t aneous l y . Th i s r ange oF

f o c u s

means

the

depth oF

focus .

The

d i a l s how r r

l eF t i s a

s i m p l e

l i s t

fo r same.

A c c o r d i n g

t o t h i s l i s r ,

w hen

y o u

f

o c u s a

c e r t a i n s ub -

j e c t

I o c a -

t i n g

a t

a

d i s t anc e

o F

l o

f c e t a n d

I i x

t h e l e n s

u n d e r

i r i s

d i aph ragm

F

+ a l l

t hos e

ob j ec t i v es

i n

l oc a t i on be tw een

abou t B -12 f ee t w i l l

be ac c u ra te l y

oc us ed .

The

s m a l l e r

he

d i am e te r

oF

the i r i s d i aph ragm

oF

t he

l e n s

the c o r res pond i ng

d e p t h

oF

foc us

w i l l

be deepe r i n

d i s t anc e . I n t he l a t t e r

c as e , how ev e r ,

t h e t i m e

oF ex pos u re

hus

oF c ou rs e

to be m ade l onge r .

@


17/20

R o ta t i on

oF F i l m

Wi nd i ng

K n o b

w i l l s t op au tom a t i c a l l y

w hen a l l

s ho t t i ngs

hav e been c om p l e ted .

t .

P l e a s e

r e p l a c e

R e w i n d i n g

L- -ver

to

the

pos i t ion

oF

"

R

" ,

2 . P i c k

up

the

R ew i nd i ng

Knob

and

turn

to the

d i rec t ion

u r r o

n r - m a r k e d .

The t i l m

w i l l

be w ound

i n

the

o r i g i na l

m agaz i ne .

As s oon as a l l t he

f i l m

has

b e e n

w ound

u p

i n

the m agaz i ne ,

y ou

w i l l Fee l

e

t

J

v s

v e r y

l i g h t

on

y ou r

w i nd i ng m o t i j : n ,

s o

y ou

c a n e a s i l y n o t i c e t h a t

a l l

has now been

w ound

up .

3 . O pen t he

bo t t om c ov e r and

t a k e o ut t h e

f i l m .

F o r M i n o l t a - 3 5 C a m e r a v a r i o u s

i n t e r c hangeab l e l ens es

s u i t i ng Fo r

a l l t he

p u r p o s e s

a re

f o r

y ou r

needs

s uc h

as

f o r

t ak i ng

p o r t r a i t s ,

c l os e -

u p

to d i s t an t t ak i ngs

oF boLan i c a l

and an i m a l i f e ,

s po r t s ebc . o r

w h i c h

w onde r f u l f ea tu res oF

R O KKO R

Lens es

w i l l

m ee t

w i t h

a l l o F

y ou r

s uc h requ i r em en ts . O F c ou rs e

they

a re i n t e r c hange :b l e t o

Le i c a

an d

oLhe r c am e ras and

w i l l

g i v e

to

a l l

t hos e

us e rs

the i r [ u l l s a t i s Fac t i ons .

Standard

Super

Rokkor

Coated

F z . A f : / r 5 m m .

W e i g h t ,

5 o u n c e s

( t s o g r m . )

L e n g t h , I . 5

i n c h e s

( 3 .

Bm . )


18/20

S u p e r R o k k o r C o a t e d

F

2 . 8 f : 8 5 m m

W e i g h t , | 3 o u n c e s ( r z o g r m . )

L e n g t h ,

3

i n c h e s

( 2 . 6

c m . )

Es pec i a l l y

a d a p t a b l e f o r

c l os e -up

p o r t r a i t s .

Ex c e l l en t

f o r

d i s t an t

s c enes .

C apac i t y

oF

a n g l e

r a n g e i s 2 6 0 .

I m a g e

t a k e n

i s

1 . 9

t i m es

t h a t o F

s tanda rd

l ens .

T e l e R o k k o r C o a t e d

F

5 . 6

f

: l l O m m

\ X / e i g h t ,

on l y

9 .5

ounc es

( z

z og rm . )

L e n g t h , 2 . 7 i n c h e s ( 6 . B c m . )

R e l a t i v e l y s m a l l

s i z e

a n d

l i g h t w e i g h t

t h i s l e n s

m a k e

i t a

s pec i a l

f a v o r i t e .

un i v e r s a l

dem and .

C apac i t y oF

a n g l e

2oo

.

l m age

tak en

i s

2

. 4

t i m es

t h a t

s t a n d a r d

l e n s .

T e l e

R o k

k o

r

C o a t e

d

F

4 f : l 3 5 m m

A| l t

f I t

'

n l {

l i l

tr J

--

w

|

,u

W e i g h t ,

l B . 5

o u n c c s

( s z o g r m . )

L e n g t h . 4 i n c h e s

( t o c m . )

l ' 1os t s u i t ab l e f o r d i s t . r n t s ub j ec t s an d

s c enes . V i r t ua l l y

t ak es

y ou r

c am era

i n to

the ac t i on f o r

s o o r t s h o t s .

C apac i t y

oF ang l e r ange

i s

|

7o . i m age

tak en

i s

3 t i m es

t h a t

oF

s t a n d a r d l e n s .

( D

w

n

o F

t n

t s

o F


19/20

In terchangeable

Lenses

Super

Rokkor

Coated

Tele Rokkor

Coated

Tele Rokkor

Coated

F

/

z.a

- '

8s

rnm

F ls .6

-

|

t omrn , ;

F l + .

-

t 3 5 m m

L e n s S h a d e :

Round

T yp . .

F i l t e r s :

3 Co lo r S e t

encased

n

fa n cv

ce l l u l o i d

case.

F las hU n i t :

Enlarger

M ino l t aB .C . Mode l

Mode l

E .

" P e n n a n t "

6 X 6

en larg ing ens

"

E.

7

5mm.

& M i n o l t a P e n l i t e

Model

f i t ted

wi th

Rokkor

"

5omm or-


20/20

iu ,

o i i

\ JO

: "

I f n. i o

9

Minolta 35 Color

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Transcript of Minolta 35 Color