Military Classics Illustrated vol.4

51

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History of weapons and wars

Transcript of Military Classics Illustrated vol.4

Page 1: Military Classics Illustrated vol.4
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World War II forever altered global history. Courage was redefined by the Americans called onto defend freedom, and defy the enemy's unconscious brutality inflicted upon decent citizens of theworld.

For U.S. GI's in the trenches, justice had a name: "MI-Garand". Due to its astonishing power,it is, as Gen. Patton put it, "the ultimate battle impliment".

Now, Investment Arms, Inc. pays homage to this magnificent firearm and the men whoextinguished the fires of hell with it. Our "Tribute to the American Fighting Spirit"Limited Edition MI-Garand is an authentic, working semi-automatic rifle.

The walnut stock is laser engraved, depicting in chronological 0 er,wartime events which shaped our future. WWII Unit insignia grac itherside of the forend. Hold it in your hands, and emotions you thought werfaded and distant, will come back in a wave. There is no rifle on e h likethe M I-Garand, and this edition is limited by the availability of thisrestored classic weapon. Order early to avoid disappointment!

)III..Irl~'llY(~I..AS~

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Thanks for the ideas. We'll get workingon them. -Ed

KEEP 'EM COMING1 have read three Military Classics

issues. 1have found them to be exactlywhat 1 have been looking for If youkeep printing them, I'll keep buyingthem I

Thanks for a great magazine.-LeRoy SingletonJI:

via e-mail l!iI

-Philip Garciavia-email

films. 1hope you have coverage on themaking of "Windtalkers" and A&E's"Lost Battalion" soon.

It's great that you did topics onminority warriors such as the BuffaloSoldiers. I hope you do one on the for­gotten warriors the Philippine Scouts1930's who fought along sideAmerican troops in Bataan andCorregidor. It's a subject which a vastmajority of military enthusiasts areignorant about.

You've got a great magazine.Hopefully it will be bigger in size soonjust like the European military and avi­ation magazines.

-Roy LongChambersburg, PA

TARAWA TO OKINAWAPQ Box 1702 Burbank, California 91507·1702

~lsit the no website at:

p..:V./www.kingncountry.com/ufoot.htm

CONTENT SUGGESTIONS1just got the third issue and was

highly surprised that you did an articleof the Legion Etrangere. I have most ofthe equipment and complete uniformof the "Beau Geste" era style. Will youdo an article about the making of "TheLight Horsemen" film and it's uniformssoon and the highly accurate "Band ofBrothers" series? It's great that you aredoing articles on the making of war

introducing our Herringbone Twillility Coats, Trousers and Caps.~ee USMC HBT sample and price sheet,

aen a self addressed stamped envelope to:

ries of them serving in operation DesertStorm with me. 1 was shopping in theAmerican PX tent, recognized theiruniform and tried to use some highschool French to just be friendly. I wasjust ignored and I thought, boy whatan S.O.B.lln the movie "Legionnaire" Inoticed, as a retired Army veteran, thatno one used their bayonet. I mean theyhad run out of ammo, but no one evenpulled out the "cold steel." I guess VanDamme was going to kick his way thruthe Arab mobs! I'd really like to seesomething on Canadian troops ofWWl, my grandfather was in the 25thNova Scotia Infantry Regiment in1917-1918.

SHERMAN ENGINEYour article on the Sherman tank is

the best consolidation of informationon the tank 1 have ever seen. The onlything that was left out was that theFord 8 cylinder engine was a RollsRoyce Merlin with the middle fourcylinders cut out. Ford had kept theplans from when England had askedthem to make engines for them, andisolationist Henry Ford refused.Interestingly, the English used a gaso­line version of the American WWlLiberty aircraft engine in their tanks,and the Russians made a diesel versionof the Liberty for their 134.

-Dave Grantvia e-mail

You are correct that a traditionalBowie should have a clip point, thoughthe term has been stretched a bit toinclude other large knives with different­ly styled blades. -Ed

FLAMIN' SHERMANI recently picked up a copy of your

magazine, specifically to read aboutthe MA Sherman tank. The article wasvery well written, with one exception.The author [ailed to mention a highlyeffective modification used during thewar Rather than firing shells, theShermans in my father's battalion weremodified as flame throwers. Thesewere used in the Pacific, most notablyduring the battle for Okinawa.

-Rick Goldbergvia e-mail

your fine article on Bowies. I have oneminor point with which to disagree,however. I have always understood aBowie to be a large, heavy, fixed bladeknife with a prominent guard and a clippoint. Indeed, all of the knives shownin your article have clip points exceptfor the one at the bottom of page 11.This knife is more in the form which Iwould classify as a dirk or dagger. HaveI been mistaken in my understandingthat one of the distinguishing marks ofa Bowie is a clip pOint?

Thanks for the good work.-Ross AsherHOLLston, TX

LEGION ETRANGEREJust read your magazine cover to

cover. I loved every bit of it. As a CivilWar re-enactor for 14 years, the freshinfo about other historic periods reallysparked my interest. Civil War stuff isabout to burn out a bunch of us re­enactors. Your article about the FrenchLegion Etrangere brought back memo-

111 I1ths before filming began so that itlooked like it belonged in his hands.As for the silk patch comment, Ibelieve that's from the book, so thatdramatic extension of the truth and therange, may belong to Cooper.

The valley used in the massacrescene was specially planted with theproper plants and they were allowed togrow to the correct height for the timeof year that is depicted in the scene.

So there are my few additions. Ihope they are of some interest. Thanksagain for the good work. Ilook for­ward to the next issue.

-Christopher B. SeivardlCG Cinematographer

Hershey, PA

SURPLUS FIREARM FANI really like your new publication

and intend to pick up every new issueand become a subscriber once offered.I am a real fan of the Surplus Firearmsseries and have every issue tuckedaway. I would like to get the first issueo[ Military Classics Illustrated and hopethat you could direct me on how to doso. Until then keep up the good work.

-R/ Mick TaylorLTUSN

Unfortunately the first issue is out ofplint and currently not available. -Ed

WHAT'S A BOWIE?I have just found your issue with the

article on Bowie Knives in your BattleBlades section. First, allow me to thankyou for your excellent magazine. I hopeI see it more often, and that you even­tually offer subscriptions. Being a col­lector and user of knives, I enjoyed

MILITARY FILM LORThanks [or a great magazin . I par­

ticularly enjoyed th di u i n [warfilms, both in your c lumn and in Mr.Gagliassos "Movies Militair "pi cc.

Working in the film indu try, I oftensee the similarities b tw n film-mak­ing and military action. Ih r are guer­rilla filmmakers, small unit actions,and large scale operati ns. There areunits and uniforms, pr tocol, and SOPI think when you mix a film companywith the subject of th military, thosesimilarities mesh ev n further.

I'd like to add som notes on thefilms mentioned in the issue. "FortApache" was photographed withblack and white infrared film. Thistechnique allowed the big sky overMonument Valley to be that beautifuldark shade instead of white. However,so that the uniforms and flags wouldreflect the correct amount o[ lR light,they were made in colors that arenon-standard to say the least.Apparently lots of pinks and brownsand yellows.

During the shooting of "She Wore AYellow Ribbon," Ford and hisCinematographer Winton C. Hoch,quarreled over the safety of keepingthe company out in the middle of thevalley during a thunderstorm. Fordwon. They stayed, and the footage issome of the most amazing in the film.Hoch won an Academy Award for theCinematography, but he and Fordnever spoke again.

I took a class with Dante SpinottiASC, AIC who often shoots for MichaelMann, and photographed "Mohichans".Mann is obsessed with accuracy anddetail. He made Daniel Day Lewiscarry his Pennsylvania Long Rifle for

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Mario Nascimbene's music for The Vikings(1959), sounded pretty Norse for an Italian composer. It isevocative, haunting and perfectly fits the mood of the pic­ture. Intermezzo.

cutlasses. Two Viking films, 1958's The Vikings starringKirk Douglas and The Long Ships also boast wonderfulscores that capture the far northern barbarians sea-goingadventures in a lusty fashion.

My own favorite sea-going score is Michelle Legrand'sbeautiful underwater and submarine theme [rom Howard

Film composer jerry Goldsmith has written the scores fordozens of great films. One of his best would have to be his1970 score the Oscar winning Patton. Goldsmith capturesthe spirit of George Patton in all of his contradictions sowell, that a musical image of a 3rd Century Roman com­mander caught up in a 20th Century general's body addswonderfully to George C. Scott's magnificent portrayal.

Goldsmith also did a great score evoking legendaryheroics and military bravado for The Wind and the Lion in1976. His music for this john Milius adventure filmalternately brings out the best of Sean Connery's Barbarypirate derring-do and Brian Keith's TheodoreRooseveltian imperialistic bluster.

In his eighties, Elmer Bo"stein is still one of the filmcommunity's top and most prolific composers. His scorefor The Great Escape (1963) features an appropriatelywhimsical military-type theme that suddenly turns sus­penseful, tragic and heroic at all the right times.Berstein may be best known for perhaps the most rec"ognizable movie theme of all time, the main thememusic for the classic western The Magnificent Seven. Hisscore for Cecil B. De Mille's 1958 remake of TheBuccaneer is a one of those grand examples of a scorethat's better than the actual film.

Seagoing military films particularly lend them­selves to great movie music. Music in pirate moviesin particular, like the Erich Wolfgang Korngold scorefor the Errol Flynn starring classic Captain Blood cap­ture all the gusto and open-seas spirit of adventurenecessary in a story about salty dogs and sparring

There is absolutely no question that John William'sscore for 1941 (1979) is a lot offun...and perhaps one of

his best efforts. Varese Sarabande.

While a good deal of the music from The Horse Soldiers (1959)was traditional ("Bonnie Blue Flag," "Lorena," "When JohnnyComes Marching Home" some was written especially for the filmby David Buttolph, including the rousing, "I Left My Love." Delphi.

Max Steiner's music for the 1936 Charge of the LightBrigade, still stands as one of the most rousing actionscores ever written. Marco Polo.

breed of musical cat altogether.Creating a mood or rhythm thatmakes a scene in a great military filmcome alive is that final element thatcompletes the war film experience.

The music doesn't have to always behuge orchestrated themes that soundof brass and drums overflowing, some­times contemporary or even recogniz­able classic pieces of music can set thetone and work the scene in a trulyeffective way. In the trailer for the newmilitary drama Blackhawk Down BobDylan's "Knocking on Heaven's Door"is used to great effect before you see anAmerican copter downed by aSomalian RPG rocket. Of course theuse of "Ride of the Valkyries" in the AirCavalry attack sequence in ApocalypseNow is one of the most unique uses ofmusic in a war film ever conceived.But it's usually the more traditionalmilitary type themes that seem to grabmilitary history buffs by their ears.

What follows is not al ist, just some observations of the bestmusic from military films that sometimes isn't even fromthe top films.

Surely one of the best soundtra ks [or a military histori­cal film would have to be composer Max Steiner's incredi­ble score for The Charge oj the Light Brigade (1936.) Steinerseemed to specialize in military and historical epics, alsowriting the music [or the lassic Custer film They DiedWith Their Boots On, and many other great WarnerBrothers' films of the 1930s and 40s. His music throughthe final ten-minute charg s quen e builds with wonder­ful traditional-style them s so p rrectly that it can rouse

an audience to cheers. By the tim the British standardbearer is shot from his h rse and holds the tattered ban­ner up to be scooped out or his dying grip, the musicswells with such martial pride that it is one of the high­lights of the film.

The imagery o[ a cavalry charge seems to loan itself par­ticularly well to gr at film composing. Sam Peckinpah'sflawed epic Major Dundee (1963) features a great score ByDaniele Amfitheatror, that beautifully emphasizes theFrench lancers depicted in that film with a combination ofgutsy energy and traditional sounds that greatly adds tothe often brutal battle scenes.

David Buttolph's soundtrack for john Ford's TheHorse Soldiers is one of the best Civil War scores evercomposed. The use of traditional American themesincluding the Johnny Reb favorite "Bonnie Blue Flag"matches in perfectly with the film's made up Unioncavalry song "I Left My Love." That original song wascomposed by Stanjones, a former Park Service Rangerwho also wrote the hit "Ghost Riders in the Sky" andpenned several original period sounding Indian Warsongs [or Ford's Rio Grande.

james Horner's melancholy, but heroic themes forthe ageless story of the all black 54th MassachusettsInfantry Glory made their the film's fatal charge onFort Wagner exultant and mournful at the same time.

MoviesMilitolre

Those Wonderlul WarFilm Soundtracks

Music and the military just seem to go togetherhand-in-hand. From the days of ram's horns tokettledrums, trumpets and bugles, armieshave risen, passed in review, fought battles andfinally bedded down to some sort of musical

accompaniment. But military movie music is a different

6 MILITARY CLASSICS ILLUSTRATED MILITARY CLASSICS ILLUSTRATED 7

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Uncut & UncensoredFollowing Footage Was Taken Of Marines By Combat Camera.

There Is No Narration.D China Marines: 6th Marine Division in China during September/ October 1945.landing at Chinwaogtao, Marines marching through the streets ofTsingtao, fonnalsurrender of the Japanese (MajGen. Eiji Nagano) to Gen. Lemuel Shephenl at theTsingtao racetrack, 40 min.D Scenes From Operation Starlite 1965, Chu !ai, Beach landing, Marines On Patrol,Tanks, Amtracs, Helicopters, 20 min.D Scenes From 1st Mar. Div., Vietnam pre·redeployment, Hill 510, IZ Baldy, FSBRyder & IZ Ross, Feb. 1971, 12 min.D Scenes From Op.lndependence, Hili 10, near Dai Loc, My Dong Village HappyValley, (very graphic) Feb. 1967, 12 min.D Scenes From Op. Baxter Gardens, 1st Marine Division, near Hue City (very graphic)Apri11968 & Scenes From Op. Mameluke Throst, near An Hoa, May 1968, 20 min.

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MARINES IN VIETNAMD Sand & Steel: Airbase at Chu Lai, 15 min.D Marines 1965 & Operation Piranha, 45 min.D Marines 1967 & Operation County Fair, 45 min.D Marines 1968 & On Target, 45 min.D Day In Vietnam: Overview I-Corps Ops, 50 min.D Chieu Hoi Program &The Viet Cong, 40 min.D Op. Dewey Canyon & Legacy Program, 45 min.D Ugly Angels (Choppers) & Wings Of AMarine, 40 min.D Siege At Khe Sanh & Contact, 45 min.D VMCJ Photo Recon, Full Blade &Jungle War, 60 min.D Hospital Ship USS Repose & Corpsman, 45 min.D Marine Engineers & Seabees in Vietnam, 40 min.

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oEdinburgh Tattoo 1958: Marine Corps Partiopation in the International Festival of Music in Scotland, 20 min.oMarines 1966: Helicopter Sqd. 365 In Caribbean, 26th Marines Embark/Vietnam, 4th Marines, Ops. Hastings &Prairie, 30 min.oMarines II: Helicopten,lShips OfThe Sky: 2fIlms dealing with early uses ofhelicopters by Marines in Korea & 1951Xi, 40 min.

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oSeagoing Leathernecks: Produced in 19605, details training (Sea School) and shipboard duties of Marine detachments, 30 min.oMarine Observation: fixed wing &helicopters. 2fIlms, "Tactical &Gunnery Observation" &"Eagle Eye Bravo," 30 min.

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While Major Dundee was something ofa mixed bagcinematically, Daniele Amfitheatrof's music was pretty

darned good. The "Major Dundee March" is particularlyinteresting. Tsunami.

Who can forget the prideful swell of the James Horner'ssoundtrack as Gibson's William Wallace exhorts the Scots tofight at his side in the pivotal and bloody battle of SterlingBridge in 1297. (Okay, I know in the film there is no men­tion of the bridge.)

The Rogers Rangers epic Northwest Passage (see my articlein this issue) is another great score that works so incrediblywell with the action on screen. Herbert Stoharts use of tradi­tional British military themes like "The British Grenadiers"and the beautiful and stirring, "Over the Hills and Far Away"were perfect matches for this top notch story of the Frenchand Indian War. By the by, the Napoleonic War British mini-series of a few years ago, Sharp's Rifles used "Over the Hillsand Far Away" as its closing theme, as well.

The Man Who Would Be King, The Longest Day, NorthwestMounted Police, Gunga Din, The Alamo, 1941, Captain fromCastile, take your piCk. There are plenty of great war filmmusic scores for you to enjoy. And more and more CDreleases are tapping into this market by repressing or evenfreshly recording new version of many of the classic olderscores that were previously no longer available.

So pop that CD into the stereo, lay back and rediscoverthe magic of great military films music. Until the nexttime, "Lest we forget." G

Hughes' favorite movie Ice Station Zebra. Listening to Jarre'squietly proud music just brings to mind the powerful graceof that nuclear sub in the film gliding under the Polar ice cap.

John Barry not only gave filmgoers the epic sweep andsound of the 1860s American Plains in Dances With Wolves,but 25 years earlier he wrote the great and awe inspiringmusic for Zulu. Barry's score makes wise and liberal use ofboth traditional Zulu sounds and the 24th Regiment ofFoot, South Wales Borderers' actual regimental song, "Menof Harlech."

Mel Gibson's Braveheart in 1995 certainly featured one ofthe most memorable of more recent war film scores.

8 MILITARY CLASSICS ILLUSTRATED

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George Wostenholm & Son, to alsoproduce them. However, only thosemade by Wilkinson have the "F-SFighting Knife" logo acid-etched onthe blade.

With approximately, 56,048 of theSecond Pattern produced byWilkinson alone, the Ministry ofSupply eventually authorized 154,000of the newly modified Third Patternstyle, which became official onFebruary 6,1943. This new knife wasparkerized entirely black, includingthe handle and guard, which due to

war-time conditions was made of a castalloy, instead of brass. Also, the check­ered handle gave way to one with con­centric rings.

After the British Government adopt­ed the Second Pattern, their cutlerycontractors, including Wilkinsonbegan making these knives for privatesale in their commonwealth, as well asfor the exiled Dutch and NorwegianGovernments. Examining the surviv­ing knives reveal that variations on thehandle treatments and guards havebeen observed within the three basicpatterns. By 1942, Captain Fairbairnwas transferred to the U.S. Governmentfor training their instructors in thecloak and dagger knife fighting tech­niques. This resulted in the newlyformed Office of Strategic Services("OSS, "the forerunner of the CIA),who adopted a close copy of theFairbairn-Sykes Knife on July 1,1942for their personnel. On August 24,1943 the delivery was completed on all10,000 of these knives made by

Landers, Frary and Clark of NewBritain, Connecticut. The blade, how­ever, was more slender and the handlewas made out of steel, not brass.Another version, made by the CamillusCutlery Company, was the MarineRaiders Stiletto, believed to have beenused by the 4th Raider Battalion. It hada checkered zinc handle and the ini­tials, USMC, in a fancy scroll designetched on the center of the blade.Camillus manufactured 14,370 ofthem. Still another version was madeby the Case Cutlery Company for theSpecial Services Force. It was known asthe V-42, for the year it was authorizedand had a handle made out of ovalleather washers with a pointed steelpommel cap.

MILITARY CLASSICS ILLUSTRATED 11

Only the early Fairbairn-Sykes knivesmade by Wilkinson have the etched "F-S"

;:3:=;-:::", in the ricasso. They also featured theearly checkered handle. RobertBuerlein.

the words, F-S Fighting Knife, etchedon one side and the Wilkinson logo onthe other. The scabbard was darkbrown leather with a nickel-platedreinforced brass chape on the tip toprevent the stiletto style blade frompuncturing through.

Within a couple months, on April29, 1941, some alterations were autho­rized to expedite production. Knownas the Second Pattern, it replaced therecurved crossguard with a straightone and eliminated the flat ricasso ofthe blade, allowing the blade's grindlines to continue up to the guard. Inaddition, the handle checkering wasless pronounced. With the adoption ofthe Second Pattern, the War Officeauthorized other cutlery firms,prinCipally in Sheffield, includingJ. (john) Clarke & Son and

Indian Ishapore "I" stamp can be seen on this F-S crossguard. The "ENGLAND"marking was added when the knives were imported into the United States for civil­ian sale after being declared surplus. Chuck Fowler collection.

Crossguard ofknife made by William Rogers ofSheffield. Maker's -E:~mark is obscured by British proof. Chuck Fowler collection.

sides of its 7-inch-long blade and easy­to-grip slender handle, it was 12 inch­es overall. However, it should be notedthat the dimensions varied somewhat,since the blades were hand drawn andground. Within a few months, 1,250 ofthese daggers were in the hands of theCommandos.

There were three basic patterns pro­duced during the War. The first pat­tern had a brass checkered handle thatwas nickel-plated and three differentcrossguards. Initially, the recurvedcrossguard was 3 inches wide (type 1),but this was quickly shortened to 2inches wide (type 2) Eventually, therecurved crossguard became slightlymore shallow (type 3) with the handlecheckering less precise. On one side ofthe blade's flat area, referred to as thericasso, just below the crossguard, had

A British Commando gets ready for araid. He is carrying one of the early pat­tern F-S knives. Imperial War Museum.

"Enterprises must be prepared withspecially-trained troops of the hunterclass, who can develop a reign of terrordown the enemy coasts. I look to theJoint Chiefs of Staff to propose mea­sures for vigorous enterprise and aceaseless orfensive against the wholeGerman-occupied coastline, leaving atrail of German corpses behind."

With Churchill's call for his newspecially trained "Commando" troopscame the new kind of knife that wouldfacilitate their "reign of terror"-thesleek double-edged sanguinary stilettodeveloped by Captains William EwartFairbairn and Eric Anthony Sykes.Prior to World War II , they learned theart of killing quickly and silently whileserving in the Shanghai InternationalPolice. The pair returned to England in1939 where they became close combatinstructors for the Army Training newCommando units for guerrilla warfarenow also came under their auspices.Feeling that they could improve on thetwo knuckle-duster pattern knives, theBC41 and the Middle East Knife, thatwere currently being used, Fairbairnand Sykes approached the War Officein November, 1940 with their newdesign for killing. The long establishedfirm of Wilkinson Sword Limited pro­duced the prototypes to be tested. ByJanuary 1941, the Fairbairn-SykesKnife, correctly referred to as the "F-SFighting Knife," was officiallyapproved and ordered into produc­tion. With a razor-sharp edge on both

during the 1899-1902 South AfricanWar, Churchill knew only too wellhow the hit-and-run tactics of theirBoer adversaries, using small groups ofmen to ride on horseback in what theycalled "commando," dragged out a warthat should have been easily won byEngland a year earlier.

Now, 38 years later, during hiscountry's darkest hour, Churchill'swords to the War Cabinet Secretariat,General Ismay, read in part,

The Fairbairn-Sykes Commando Knife

With the British Army'sExpeditionary Forcetrapped against thebeaches of Dunkirk, theircountry's Prime Minister,

Sir Winston Churchill, on June 4, 1940wrote the words that unleashed a newkind of warrior to mangle the cogs ofthe Nazi German war machines thathad just rolled over all of NorthernEurope-The British Commando.

Having served in his country's army

The F-S Fighting knife was popular with many services, including the British air­borne troops. Chuck Fowler collection.

10 MILITARY CLASSICS ILLUSTRATED

Page 7: Military Classics Illustrated vol.4

I,Y.~'S1\4~J'

"t..'t::";;=..~..

$34.95

GERMAN 6THSTURMPIONEERBATTALION'STOSSTRUPPEN',12TH DIVISION

This 12" figure has over 20 points ofarticulation mld features the authentic lookof a WWI French Riflemml. Each figureincludes: ml Adriml helmet, Single breastedgreat coat, Tunic Dickie, Breeches withinfmltry stripe, Puttees, Boots, Leather Ystrap mld waist belt, cartridge boxes,haversacks, 2-titer emteen, bayonet frogmld scabbard, M-2 gas mask and bag, Largewire cutters, 1886 Epee bayonet and 1907Berthier rifle. Due to small parts mld sharppoints these items are not suitable for small children.

ITEM: MFRI

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BRITISH LEWISGUNNER, 1STBATTALIONLANCASHIREFUSILIERS, 29THDIVISION

Tltis 12" figure has over 20 points ofarticulation and features the autllenticlook of a WW1 German Assault Trooper.Each figure includes: belt and buckle,M1887 Haversack (Bread Bag), M1907Water Bottle, M1887 Entrenching tool,

~ Bayonet mld Scabbard, Assault PackHolled Great Coat Wrapped around

M1910 Mess Tin, 1917 Patterned Hmld grenade Bags, Stick Grenade,Hespirator (Gas Mask), Gas C~lJ1, MPI8 Sub-Machine Gun wi SnailMagazine. Due to small parts mld sharp points these items are notsuitable for small children. ITEM: MSGT $29.95

This 12" figure has over 20 points ofarticulation mld features theauthentic look of a British LewisGunner. Each figure includes: ahelmet with cover, Uniform Blousewi 29th Division insignia, Trousers,Ammo Boots with Puttees, P'08Shoulder Braces mHlwaist belt, Webley No. VI Pistol, Pistol holsterand ammo pouch, P '08 Haversack, Water Bottle, P'08 Bayonet frog,Enfield Bayonet, Entrenching Tool wi Handle and Carry, Small BoxRespirator mld Bag, Lewis Mk I Machine Gun and Holled RainPoncho. Due to small parts and sharp points these items are notsuitable for small children. ITEM: MBLG $34.95

US 2ND 'BERDAN'SHARPSHOOTER

CS IST TEXAS INFANTRYMANTItis 12" figure has over 20 points of mticulation mldfeatures the authentic look of a CS 1st TexasInfmlltymm1. flach figure includes: a Forage cap withTexas plate, 1842 Musket, Socket bayonet with scab­bard, Leather belt with Texas plate, Cap pouch, CS car­tridge box mld sling, Haversack, Tm Cup, Texas issuefrock coat, Trousers, brogmJs mld Hard pack with blml­ket mld emteen. Due to small parts mld sharp pointsthese items are not suitable for small children.

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Order online: TheHistoryNetShop.comFor product or shipping inquiries -email:~; tei. 1-800-3'58-6327.

This 12" figure has over 20 points of articulationmld feanlres the authentic look of a US 2nd'Berdml' Sharpshooter. Each figure includes:Forage cap mld M1858 Frock Coat. Other issuedgear includes a leather belt, Federal-Issue U.S.buckle, M1855 Bayonet Scabbard, 11855 CapPouch, MI855 Cartridge Box with Sting, M1855Cmlleen, Patter 1851 Haversack, Federal-Issuecup, Prussian pattern knapsack with BlanketHoll, M1859 Sharps Socket Bayonet and SharpsM1859 Rifle. Due to small parts and sharp

points these items are not suitable for small children.ITEM: CBAC $29.95 r==~~~~~"-'---1.

TItis 12" figure has over 20 points of mticulationmld features tlle autllentic look of a US 2ndWisconsin Infmlttymml. Each figure includes: aHardee hat with Infmllry Hom emblem, 1854Austriml Lorenz tille, Socket bayonet mldscabbard, Leather belt with US plate, Cap pouch,US cartridge box mld sling, Haversack, Tm Clip,Cmlteen, Brogmls, Federal frock coat, Trousers,Double bag knapsack, Gum Blmlket HoU mldCanvas leggings. Due to small pm1S mld sh~u1J points tllese items are notsuitable for small children. ITEM: CSTW $34.95

US 2ND WISCONSININFANTRYMAN 'IRONBRIGADE'

SCOTTISH 6THnTHBATTALION BLACKWATCH 51ST(HIGHLAND) DIVISIONTIJis 12" figure has over 20 points ofatticulation mld features the autllentic lookof a 7tll Battation 'Black Watch' soldiet:Each figure includes: P08 Shoulder Braces,P08 Left!tight CaJ.1ridge Pouches, P08Haversack, Water Bottle, P08 Frog Bayonet,Enfield Bayone~ Entrenching Tool wi $Hmldle &Carry, Small box Hespirator mldBag mld '0. 1MKl11 Enfield IDfle. Due to small pm1S mld shmlJ point~

these items are not suitable for small children.ITEM: MSBW $29.95

Typical checkered grip pattern Commando knife. The handle has been nickel-plated.Chuck Fowler collection.

"Blackened" version of the checkered grip. As the finish is somewhat worn, thebrass can be seen underneath. Chuck Fowler.

"Beaded and Ribbed" guard of the F-S Fig~ting knife. While it is believed these wereprivately purchased variants, some have been found with British War Departmentmarks. Chuck Fowler collection.

"NATO" markedknife dated 1977. It is presumed that these knives were made privatelyto be soldcommercially and were never issued to NATO forces. GanyJames collection.

Battle BladesAmusingly, many American military

aficionados inverted the names of thetwo former Shanghai policemen andrefer to the F-S Fighting Knife as the"Sykes-Fairbairn Commando Dagger."Among the many fighting groups thatused these knives besides the BritishCommandos, included the BritishParatroopers, the British RoyalMarines, the British Special Air Service,the Australian Special Air Service, theBritish Special Boat Section, the FreeFrench and French Commandos, theCanadian Paratroopers, the PolishParatroopers, the U.S. First RangerBattalion, the U.S Army SpecialForces, the Dutch Commandos, theBurma Army, The Indian Army, theIndian Parachute Division and theNATO Special Forces.

The continued popularity and his­torical significance of this style stilettocan be attested to the fact that compa­nies are still making it today. There areonly minor variations on the knife thatthe British Commandos wieldedduring England's darkest hour towhich Winston Churchill predictedonJune 18, 1940, would be one daybe described as "their finest hour."

The author would like to thankFred Bratmon, Robert Buerlein, ChuckFowler, John R. Gangel, Ivan Hillerand Jim Phillips for their assistance.

For further reading, the followingbooks are recommended.

Get Tough! How to Win in Hand-to­Hand Fighting, as Taught to the BritishCommandos and u.s. Armed Forces,Major William E. Fairbairn, 1942, Outof Print, available through RutgersBook Center, Highland Park, NJ08904, Phone: (732) 545-4344.

Fighting Knives: An Illustrated Guideto Fighting Knives and Military SurvivalWeapons of the World, Frederick J.Stephens, 1980, Arms and ArmourPress, London, England.

Allied Military Fighting Knives and theMen Who Made Them Famous, RobertBuerlein, 1984, The AmericanHistorical Foundation, Richmond, VA.

ass Weapons, Dr. John W Brunner,1994, Phillips Publications, PO Box168, Williamstown, NJ 08094-0168.

British Commonwealth MilitaryKnives, Ron Flook, 1999, Howell Press,Charlottesville, VA 22903.

Commando Dagger: The CompleteHistory of the Fairbairn-Sykes FightingKnife, Leroy Thompson with forewardby Col. Rex Applegate. ~

12 MILITARY CLASSICS ILLUSTRATED

Page 8: Military Classics Illustrated vol.4

Crewman Peter Tuttle on the forward 8­inch twin turret guns. The original gunswere removed and the current guns arehollow cast replicas.

MILITARY CLASSICS ILLUSTRATED 15

The ship's company on the forward 8-inch gun turret. Uniform for the day is "workingwhites" one of the most comfortable living history impressions available.

Murmansk expedition. In 1921 her tive crew member is literally trained inlast noteworthy cruise made world various aspects of navy life before theyheadlines as she bore the remains of are passed to serve before the public.the Unknown American Soldier from Among the various disciplines are:the Great War home to the Washington 0 5-inch gun drillNavy Yard for interment at Arlington 06 Pounder gun drillCemetery. o "Single stick" (cutlass) drill

She served as a training vessel at var- 0 French foil fencingious times for the U.S. Naval Academy o Small arms drilland today her mission is still training 0 Signaling (both Myer andand education. Owned and operated International Code of Signals)by the Independence Seaport Museum o Navigationat Penn's Landing in Philadelphia she 0 Engine Room operations discussionhas been host for various living history o Chanty singingcrews since the mid-1980's. InJanuary 0 Knot-tying and rope workof 1996 the present living history cre\v Most crew members are crosswas established by the museum todemonstrate and interpret life aboardthe historic artifact. Today's prospec-

Olympia's crew during a few moments of relaxation. Crew members hand makeeach of the hammocks, and the musical instruments are original to the late 1890's.

had left the office early that afternoondue to a bout of insomnia, one thatbegan the night the Maine blew up.The cable bore the signature authorityof the Assistant Secretary of the Navy,Theodore Roosevelt. In an instant theUnited States was 'mobilizing' for warunder the authority of an absent cabi­net member. Long was warned by onewag that if he ever left Theodore alonein the office again, it was likely that hewould declare war all on his own. TheOlympia became the object of interna­tional attention once news of the cablebecame public and Dewey was theman on the spot, the tip of the sword.The U.S. declared war on April 25 andDewey immediately set off to containthe Spanish fleet, known to be inManila Bay, Philippine Islands.

The first taste of blood for the U.S.came on May 1 when the U.S. AsiaticSquadron, led by the FlagshipOlympia, steamed into Manila Bayand, after a sharp engagement follow­ing the famous command "You mayfire when ready Gridley," sunk theSpanish Fleet in quick order, establish­ing an American presence there thatwould last nearly 100 years. Deweybecame a national hero, was promotedto the highest rank in the history of theNavy and the Olympia was treated tothe equivalent of a ticker tape paradein every port she visited during herreturn voyage home in 1899.

She later served the first part of the20th Century in the Carribean,Atlantic and Mediterranean. In 1916she was named flagship of the AtlanticFleet and participated in the GreatWar, eventually participating in the

Though the Olympia's keel was laid in1891 and she entered into service in1895, the original ship's bell bears thedate 1893, a reference to the date ofherlaunching.

1Jlan in the age of the old steam navy.From cooking, 5-inch gun drill, swordpractice and signaling, the crew makeslife for both the visitor, and the crew­men themselves, as close as anyonemight come to experiencing things asthey once were.

The USS Olympia is the oldest steelhulled naval vessel in the UnitedStates. Her keel was laid by the UnionIron works of San Francisco, Californiain 1891 and she was commissionedinto service in 1895. She was servingin the Asiatic Squadron when warclouds developed between the UnitedStates and Spain inJanuary of 1898.Commodore George Dewey joined theships company that month and madeher his flag ship as commander of thesquadron.

On16 February, 1898, Dewey,aboard the Olympia, learned of thedestruction of the USS Maine inHavana harbor on the evening before.In the afternoon of February 25th hereceived the following cable from theNavy Department in Washington D.C.

Dewey, Hong Kong: ORDER THESQUADRON,. TO HONG KONG.KEEP FULL OF COAL. IN THEEVENT OF DECLARATION OF WARSPAIN, YOUR DUTY WILL BE TO SEETHAT THE SPANISH SQUADRONDOES NOT LEAVE THE ASIATICCOAST, AND THEN OFFENSIVEOPERATIONS IN PHILIPPINEISLANDS. KEEP OLYMPIA UNTILFURTHER ORDERS.

The cable was not signed by theSecretary ofthe Navy John D. Long, he

~

served aboard her during her 30 yearsof active service.

On a number of weekends duringthe calendar year, the Olympia springsto life with the aid of a living historycrew who demonstrate life as it wasaboard the ship in 1898. Comprised ofnearly 30 crewmen, and officiallyknown as the liVing History Crew ofthe USFS (US Flag Ship) Olympia, thecrew strives to display numerousaspects of how it was to live as a crew-

,.

By Philip Schreier

Permissionto comeaboard?

LivingHistor

14 MILITARY CLASSICS ILLUSTRATED

The Olympia today sits at Philadelphia's Penn's Landing in a slip on the DelawareRiver, just opposite from the newly berthed USS New Jersey.

living History on the USS Olympia'.At the intersection ofPhiladelphia's South Streetand the Delaware River sits inneglected glory, one ofAmerica's national treasures,

Admiral Deweys flagship from the 1898Battle of Manila Bay, the USS Olympia.The protected cruiser settled at her pre­sent berth in 1957 alongside the USSBecuna, a submarine from the WorldWar II period. Today she stands as amemorial to the officers and men who

Page 9: Military Classics Illustrated vol.4

years and a professionalmuseum curatorial staff con­tinues to work daily to savethe historical artifacts thatcomprise this 344-foot, S,800ton ship. The adjacent muse­um now houses the importantcollection of original pho­tographs and uniforms thatwere once left to fade in natu­ral sunlight prior to the muse­ums acquisition of the vessel.Today, many improvementshave begun to help reversedecades of neglect and theeffects of time and weather onthis old battle wagon.

It is a most rewarding expe­rience to walk a starboardwatch late at night, listening tothe clang of halyards againstthe masts, the sounds of therocking channel buoys and thesoft murmur of passing rivertraffic as you ascend the ironstairs to the bridge. There, onthe bridge flooring you can

find a pair of well worn brassplates in the shape of Dewey'sshoes, marking the spot where

he gave the command to the shipsCaptain, Charles V Gridley, to "Firewhen ready .." that May morning whenthe curtain was about to close on thefinal act of the Old World Empire andopen anew on the American Century

Visit the USFS Olympia atPhiladelphia's Penn's Landing or on theweb at http://www.spanamwar.com/olympia.htm. ~

The author striking a pose on one of theworking 5-inch port side guns. Gun drillincludes blank firing of the gun as wellas a cleaning drill.

MILITARY CLASSICS ILLUSTRATED 17

is not required to participate in today'sliving history programs. While onemajor attraction to a living historyevent for me is the camaraderie that acamp fire offers, it has been replacedby the smoking lamp and a gatheringround the ships capstan to sing seachanties and bull sessions.

The Olympia has undergone majorrestoration efforts in the last eight

The bridge of the ship contains the wheel house and charttable. Visitors here see how ships navigation was run as wellas communication displays.

Crew members Bill Munday, Peter Tuttle, Philip Schreier and "Pops" McSherry showoff their dress blue and dress white uniforms on the Olympia's starboard gangway.

ship'S council composed ofelected crewmen and over­seen by the staff of the sea­port museum. The crewadheres to a strict authen­ticity policy and most uni­forms are handmade byapproved providers cho­sen for their understand­ing of the crews require­ments. As a participant innumerous living historyand re-enactment units,the Olympia crew is per­haps one of the cheapestimpressions I have everoutfitted. All that is need­ed is a set of 'workingwhites' for daily events.The guns and equipmentare all original fixtures, thebiggest expense is the peri­od shoes provided by alocal Amish cobbler.

Patrick McSherry is oneof the founders of what isnow the crew. He and hisfather "Pops" were formerCivil War re-enactors whobecame bored with therepetitive nature of the civil war hobbyand formed a brass band to add a newdimension to their historical pursuits.Soon after approaching the museumstaff they were invited to form theships band in 1996 and eventuallybroadened their interests to includenaval life aboard ship to the extensiveprograms offered today. While talentwith a period instrument is desired, it

The fluorescent lights and the large clock in the background are the only signs thatthis isn't a period photograph taken in the ship's engine room.

trained in all the disciplines but thosethat have special talents or backgroundin any area are often asked to concen­trate on the areas of their expertise.The entire crew fills in on some of themajor areas like gun drill where origi­nalS-inch and 6 pound guns are actu­ally fired with blank rounds. (Theships guns are fired from the seawardor port side so as not to disturb the res­idents of Philadelphia's nearby hotelsand condos. The port side offers a clearview of the newly berthed USS NewJersey in Camden, NJ).

Navy life aboard the Olympia is aspecial aspect of the living history pro­gram. Crew members actually sleep inthe hammock bays or in the JuniorOfficers cabins in the stern of the ship.The ship lacks all the comforts ofhome such as lavatories, runningwater, heat or air conditioning. I wasquite surprised to learn on my firstcrew visit that the Olympia was origi­nally outfitted with electric lights andan ice making machine, which wouldhave certainly been the first time manyoriginal crew members ever encoun­tered such modern luxuries. Onenight in a hammock will certainly giveyou an appreciation for a soft mattressand the chiropractor.

The present crew is directed by the

Rob Kinney in the uniform of one of theship's company of U.S. Marines.Photographed in the junior officers cab­ins, this berth is small but comfortable.

16 MILITARY CLASSICS ILLUSTRATED

Page 10: Military Classics Illustrated vol.4

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Your guide to the best selection in books, videos, collectibles and more! In conjunction with theeditors of the PRIMEDIA History Group, we are pleased to bring you a wide array of familiar andunusual history items. Please take a few moments to browse our collection and decide how youwant to make history a part of your day.

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The M1903 MARK I rifle modified to usethe "U.S. Pistol, Cal..30, Model of 1918"also known to collectors as the"Pedersen Device. " Photo courtesy ofRemington Arms and Arms Historian,Roy Marcot.

magazine cutoff. He then took a longstick-like object from the rifle case andsnapped it onto the right side of the rifleso that it protruded at a 45 degree angle.Without pause, he shouldered the rifleand fired forty rounds as fast as he couldpull the nigger; snatched up a new mag­azine and emptied it as well.

Turning to the surprised Ordnanceofficers, he offered the rifle for inspec­tion, pointing out that he had replacedthe bolt with a blow-back device thatfired a smaller, lighter cartridge fromthe fony round protruding magazine.

"Imagine, gentlemen," he is certainto have said, "the effect of eighty shotsfired at an enemy in less than a minuteby an entire of company of soldiers, ora regiment or even a division!"

Pedersen had developed a Simpleblowback device that looked like the topof a semi-automatic piStol. It locked intothe bolt race and accepted cartridges fedto it from the fony round magazine. Astandard Model 1903 rifle only requiredfive relatively simple modifications touse the device: 1) an oblong port had tobe cut in the left side of the receiver to

worked closely with the RemingtonArms Company. On this crisp autumnday, Mr. Pedersen took what appeared tobe a standard Springfield Model 1903rifle from a case and pressed a clip of car­tridges into the magazine. After firing allfive shots at the distant target, heremoved the rifle's bolt and from a metalpouch clipped to his belt pulled a block­like object which he pushed into thebolt race and locked in position with the

THE PEDERSEN DEVICEThe U.S. Army's Secret World War I Weapon

An unnamed employee of the Remington Arms Companydemonstrating the Pedersen device.

18 MILITARY CLASSICS ILLUSTRATED

On October 8, 1917, eightmonths after the United Statesentered the "Great War," acivilian trudged to the firingline at the Congress Heights

Rifle Range at Washington D.C. Withhim were three high-ranking OrdnanceDepartment officers including GeneralCrozier, Chief of Ordnance.

The civilian was].D. Pedersen, anindependent small arms deSigner who

Page 11: Military Classics Illustrated vol.4

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Editor's Note: Photographs were fur­nished by Arms Historian Roy Marcotand are original Remington ArmsCompany photos taken during World WarI. They were first published inJoe Poyer'snew book, "The Model 1903 SpringfieldRifle and its Variations, "from which thiscolumn is excerpted and which is avail­able from North Cape Publications, Dept.MCI, P.O. Box 1027mc, Tustin CA 92781or by calling 1-800-745-9714,for $22.95plus $3.25 postage. CA residents add7. 75% sales tax. G

rounds of ammunition at the Germandefenders as they trudged across nomans land have been sufficient to bringthe long-sought break through?

Probably not. The American plannersdid not seem to have taken into accountthe effect the additional thirteen poundsof weight on already overburdenedtroops, or the artillery bombardment onthe attackers, the hampering effects ofgas shells nor the muddy wastelandbetween the trenches. The Pedersendevice and its .30 caliber cartridge hadonly one third to one half the averagedistance in range between trench lines. Ifthe attackers started out with .30-Model1906 bolt in their rifles they would haveto stop at some point and insert thedevice, thereby losing momentum. Andas later testing proved, men under theintense pressure of an offensive and theall-too real possibility of death wouldhave lost sufficient of their rifle bolts andjammed enough of the Pedersen deviceswith mud and grit when they droppedthem to reduce their effectiveness.

When World War 1ended, 65,000Pedersen devices had been manufac­tured and they were placed in storagealong with the 101,775 or so M1903Mark I rifles built for them. Theyremained in storage under strict secre­cy until March 23,1931 when theywere offered to the Marine Corps andNavy who rejected them as having nopractical use. In April of that year, theywere melted down for scrap steel andthe Mark I rifles returned to inventory.The few dozen of the devices-orless-that survived are today eagerlysought by collectors.

An interesting foot note: despite therigorous security measures to protectthe existence of the Pedersen deviceduring and after World War I, ArmyIntelligence discovered a completeM1903 Mark I rifle with Pedersendevice in the reference collection of theRheinisch Westfallian Sprengstoff,A.G. in Nurnberg, Germany in thesummer of 1945. It had been in thecollection since 1920!

Ammunition pouch holding five maga­zines, magazine and .30-ModeI1918ammunition, Pedersen device and metalscabbard with cartridge belt attachment.

defensive stalemates. They envisionedseveral divisions of American troopsclimbing out of their trenches and walk­ing across no man's land firing theirPedersen device-equipped rifles fromthe hip to lay down such a storm of leadthat the enemy deep would be forceddeep into their trenches and unable tofire back. And because each soldierwould carry 400 rounds of ammuni­tion, they would have plenty left todefend themselves once they had cap­tured a portion of the enemys trenches.Then, because the killing machine gunswould have been silenced from thestart, successive waves would reinforcethem to push through the enemy linesfor the long-sought breakthrough.

When the Pedersen device­equipped rifles were used in a defen­sive posture, each soldier would have400 rounds of ammunition to fire atthe attacking enemy, thus supplement­ing their heavy machine guns with "alight machine gun in the hands ofevery soldier."

Production for delivery to the AEFin time for the 1919 spring offensivebegan in early 1918. But in October ofthat same year, the great breakthroughcame as Allied forces smashed throughthe German lines and raced to theRhine. A demoralized government inBerlin called for an armistice a monthlater and the last shot of World War Iwas fired on November 11,1918.

It is interesting to speculate aboutwhat might have happened if theOctober breakthrough had notoccurred and if the Pedersen deviceshad arrived as planned. Would thespectacle of three divisions worth ofAmerican troops climbing out of theirtrenches and pumping millions of

,+--,.,.. o'~ ,. ,

/.

the Western Front. During the fightingseason of 1917 alone (early spring tomid autumn) nearly 500,000 soldierson both sides had lost their lives infutile attacks on ea h other's trencheswhich stretched in nearly unbrokenlines from the Swiss-French to theBelgian-Dutch borders.

Major attacks on opposing trenchline made in multidivisional strengthwere known as "offensives." Afterweeks of intense anitlery bombard­ment the offensive usually jumped offshortly after dawn as the artillery bom­bardment ceased abruptly. Whistlesblew and the first wave of troops on aone, two, three or more division frontclambered "over the top" burdenedwith packs, equipment and armsweighing up to seventy pounds andslogged across the shell-cratered,barbed wire encrusted mud betweenthe opposing trenches

Within minutes, the defender'sartillery whistled in, targeting theexpanse of no mans land and theattacker's trenches. With the highexplosive came gas shells. The attack­ers, fought for every breath throughtheir gas masks as they sloggedthrough the mud and mire while thedefending infantry poured machinegun and rifle fire into attackers.

If the attacking soldiers managed tocut through the tangles of barbed wireand get into the enemy trenches, theywere usually so exhausted and low onammunition that they could not with­stand the automatic counterattack. Inthe three previous years, not one offen­sive had been successful.

General Pershing and the OrdnanceDepartment saw in the Pedersen devicethe solution to both the offensive and

yards, that was thought to be morethan sufficient to kill an enemy soldier.

Pedersens invention in combinationwith this puny cartridge was destinedto stand the entire OrdnanceDepartment on their collective ear dur­ing the next eighteen months. It wasquickly classified "Secret" andPedersen was sent immediately toFrance via fast destroyer to demon­strate it for Generaljohn Pershing. Byearly 1918, the General, who com­manded the American ExpeditionaryForce, was sufficiently convinced of itsutility that he requested devices, modi­fied rifles, spare parts and ammunitionsufficient to equip 100,000 troops forthe start of the 1919 offensive.

The excitement can be understoodwith a brief history of the Great War on

This photograph ofan original Remington Arms engineering drawing shows the 40round magazine and its method ofattachment.

allow the empty cases to be ejected, 2)the stock line had to be lowered belowthe port, 3) the sear had to be modifiedwith the addition of a lever that releasedthe devices firing pin, 4) a shallow slotwas cut into the back top of the triggerto allow the sear lever to make contactand 5) the magazine cutoff spindle hadto be modified with a groove to hold thedevice in place. Those M1903Springfield rifles so altered were desig­nated "United States Magazine Rifle,Caliber .30, Model of 1903 Mark I"-anattempt to disguise its true nature.

A cartridge fed into the device fromthe forty round magazine protrudingfrom the right side of the receiver andthe firing pin was cocked when theslide was drawn back and released.When the rifle's trigger was pulled, thetrigger moved the lever on the modi­fied sear and released the devices firingpin to strike the cartridge's primer.When the cartridge recoiled to the rear,it struck the slide, forcing it back in itstrack against a recoil spring. The .30caliber bullet went the other way downthe rifle's barrel.

The cartridge was a pistol roundwith a .30 caliber 80 grain gildingmetal jacketed bullet over 3.5 grains ofpowder which produced a muzzlevelocity of 1,300 feet per second fromthe rifle barrel. The service bullet in the.30-M1906 cartridge would penetrate60 inches of pine (a measure of perfor­mance then in use) while the .30­M1918 bullet would only penetrate 8inches. But at ranges of up to 350

An original Remington Arms Company engineering drawingshows the interaction of the M1903 modified searandthe firing pin release lever in the Pedersen Device.

20 MILITARY CLASSICS ILLUSTRATED

TheArmory

Page 12: Military Classics Illustrated vol.4

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AVIATOR'S CAPQ: I recently inherited a trunk full

A: You are partially right. These weresent to the troops by the Queen duringthe Boer War, but as Her Majesty was avehement anti-smoker, the contentswas chocolate. A newspaper piece ofthe period pretty well tells the wholestory. "With her customary kindnessand forethought, Her Majesty causedto be dispatched to the troops in SouthAfrica shortly before the close of theold year, a very large number of ele­gantly deSigned blue, red and gold tinboxes containing chocolate in cakes, atonce a most sustaining and appetizingform of food. Every soldier at the fronthad a box specially aSSigned to him; innearly every case they were duly deliv­ered, and in all they were immenselyappreciated. Often they were senthome by the recipient untouched, thatthey might be treasured heirlooms."Lots of soldiers must have sent theirboxes home, as even after 100 years,they still turn up very frequently­sometimes with the chocolate stillinside. A Queen Victoria chocolate boxin good shape is worth in the $75 to$125 range-considerably more ifitstill has its contents. The "VRI" standsfor Victoria Regina Imperatrix (VictoriaQueen Empress.)

The Model 1915 Adrian helmet was usedby a number of nations, though it ismost closely associated with theFrench. This version has a MedicalCorps insignia on the front.

-Frank MobleyDecatur; AL

grenade with the letters "RF"(Republique Francaise). It was usedprimarily by the infantry. One alsoencounters more unusual insigniassuch as yours, which is Medical Corp.Value on your helmet, in good shape isaround $200. A standard infantryexample is worth somewhat less.

BOER WARCHOCOLATE TIN

Q: I have a lithographed tin boxthat has been in my family for years.It is 61/4 inches long and 3 1/4 incheswide. In the center of a red back­ground is an embossed portrait ofQueen Victoria. There is a crown,the letters "VRI" and "SOUTHAFRICA 1900." I was told that itwas a tobacco tin that was sent tothe troops during the Boer War. AmI correct?

Answers to your Militaria Questions

By Garry James

A: You have a nice example of theubiquitous Model 1915 French AdrianHelmet. It first came into use in WorldWar I, but was used by France andother nations for many years thereafter.During the Great War the Adrian wasemployed by the Russians, Belgians,Rumanians, Americans and Serbians.There is even a photo of WinstonChurchill wearing one in the trenches.The national or branch of serviceinsignias could be applied separately.The most common is the standard

During the Boer War Queen Victoria sent these tins full of chocolate to the Britishtroops. Many were sent back home as souvenirs, so they are notparticularly rare.

22 MILITARY CLASSICS ILLUSTRATED

FRENCH ADRIAN HELMETQ: I have an old military helmet

that I would like to know moreabout. It is blue-gray, has a leatherliner and a separate attached crest ontop. The emblem on the front depictsa snake within a wreath and the let­ters "RF." What do I have? How oldis it? Does it have any value?

-Will BlankenshipRochester; NY

Page 13: Military Classics Illustrated vol.4

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MILITARY CLASSICS ILLUSTRATED 25

Aluminumbinoculars

go back toaround the time

of the AmericanCivil War. These arescarcer than brassfield glasses, butstill don't bring a lotofmoney. The regi­mental markingsadd interests andsome value.

interesting. They appear to be madeof aluminum and have brownleather grips. Dual sunshades can bepulled out over the lenses. There isno maker's name, but the slidingbarrels of the eyepieces are engraved"H.C.B." "Scots Guards." I'm assum­ing they were used by some Britishofficer, but have no idea how oldthey are. Any idea?

-Ralph SpauldingNew York, NY

A: From the pictures, it looks likeyour field glasses probably date from thelatter part of the 19th century for binoc­ulars, though this older style was evenused as late as World War 1. Aluminumas a material dates back to the AmericanCivil War. It was more expensive thanbrass or steel, and the lightness wasmuch appreciated by those who carriedthem. The engraving certainly addsinterest and value, though older binocssuch as these are still not really tooexpensive. Iii

U.s.NAVY CUTLASSI have an interesting sword. It is

all black, has a black plastiC grip andthree branch sheet metal guard. Theblade is curved with a clip point andmeasures 25 inches long. I wouldguess from its appearance that it issome sort of Navy cutlass.

-Arlen HodgesMemphiS, TN

about $50 to $75.

BRITBINOCSA: Myoid binoculars are pretty

A: Your description pretty wellmatches that of aU .5. Model 1917Naval Cutlass. It was the follow-on tothe earlier Model 1860 cutlass and waspatterned after a Dutch blade of similarconfiguration but with wooden insteadof Bakelite grips. These cutlassesremained in service for some time, andwere even seen on some vessels duringWorld War II.

as 1907, and perhaps that is where thegreat influx started. In any event,while they are decorative, they havelittle value, despite their age. A Grasbayonet in great shape is worth only

The U.S. Model 1917 Naval Cutlass wasmodeled after an earlier Dutch design.These remained in service for a numberofyears.

This overseascap was made inFrance andpri­vatelypur­chased by anAmerican officer.The insignia isthat of the AirCorps and thepiping that ofthe SignalCorps.

French Model 1875 Gras bayonetsare very common, though the riflesare fairly scarce.

A: You have a bayonet for theFrench Model 1874 Gras rifle. It isamazing to me how many of thesethings turn up. I have no idea whythere are so many Gras bayonetsaround and so few Gras rifles. I doknow that the famed early militarysurplus house of Francis Bannermanand Sons was offering for sale as early

wooden grip with brass trim andblack metal scabbard. On the top ofthe blade it is marked, "Mre dArmesTulle Modi 1880." Is this rare?

-Mark WarrenPhiladelphia, PA

GRAS BAYONETMy Father gave me an old bayonet

that has been in his garage for years.It has a long, slender pointed blade,

24 MILITARY CLASSICS ILLUSTRATED

of material from my great uncle.While most of it is just family paper­work, there was a military capinside, as well. It is dark brown, hasorange and white piping on theedges and a lieutenant's insignia onone side of the front and a set ofwings with a propeller on the other.It has gold striped lining with thename "BEVIERE/ll Rue Nationale,Tours" in gold beneath the leathersweatband. What do I have?

-Susan QuarnessSt Louis Park, MN

A: It sounds very much like youhave an American aviator's overseascap from World War 1. It is interestingthat it was made in France, and has theorange and white colors of the U.S.Signal Corps. The Army Air Corps waspart of the Signal Corps at one time.Sounds like a pretty rare and desirablebird to me. Most World War I aviationgear brings a premium nowadays.

Page 14: Military Classics Illustrated vol.4

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THE OFFICIAL VIRGINIACIVIL WAR BATTLEFIELDGUIDE

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IN THEIR OWN WORDS:D-DAY

Of tile 384 Civil War baUlefields dted as clitiatlto presel"eby tile congressionally appointed Civil Wm' Sites Advisol)'Commission, J23 moe located in Virgillia. 'nlis guideprovides in-deptll descliptions of 13 major aunpaigns and127 ill(tividual lr.utIes.lncludes 128 historiatl :U1d modemphotogrdphs, 142 battlefield maps :U1d deL1iled dliving

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IN THEIR OWN WORDS:RACE ACROSS EUROPE

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LITTLE BIGHORN: TheUntold StoryThe product of more than 20 years of researcll, tllis studydraws on some of the most impressive source material inlag­inable, including restored footage of tile first-ever reconstruc­tion of the battle, filmed in 1908 lvitll many of Ule AmericanIndians who took part in the re-a! fight. 'I1lfough t1lese author­itLtive accounts, a remark.1bly cohesive new view of tile leg­endary battle emerges. Video, approximately 100 minutes.

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June 6, 1944 ... D-Day. It was the greatest mili­taJ)' assault ever staged. Code nmned OperationOverlord, the massive invasion of Normandy bythe Allies involved more than a qUaJ1er of a mil­lion soldiers, sailors mId :urmen, 5,000 ships:U1d 3,000 aircraft. In nearly fivc hours of com­pelling firsth:lIId accounts, vetenms of the epicconllict speak with unprecedented honesty,detail mId emotion. Four audio CD set.

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IN THEIR OWN WORDS:WAR IN THE PACIFIC

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THE BISHOP'S BOYS: A Lifeof Wilbur and Orville WrightBrilhant, self-trained engineers, tile Wright brotllershad a unique blend of native talent, chmllcter and fam­ily experience tlmt perfectly suited tlwm to the L15k ofinvention. Using a wealth of Wright fanlily correspon­dence and diaries, autilOr Tom Crouch tells a tale \viUI­in a tale, skillfully weaving tile story of the invention oftile airplane into tile drama of a unique and unforget­tLble fanlily. Learn how and why the Wright brotherswere able to succeed where so many beller-trained,

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CIVIL WAR COMBATSubtitled America's Bloodiest Battles, this four-videoset focuses on Slliloh, Antietam, Gettysburg and ColdHarbor-battles outstan(hng for their terrible humanCOSI. Includes commenl:u)' by historians, firsthandaccounts and reenactment footage. Viewing timeapproximately 200 minutes.

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LONG MAY SHE WAVE: AGRAPHIC HISTORY OF THEAMERICAN FLAG

WYATT EARP

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BOOTS AND SADDLES: Or,Life in Dakota withGeneral Custer

THE LIFE OF BUFFALO BILl:Or, The life and Adventuresof William F. Cody as Told ByHimselfCody was born in 1846, during the period of the greatWestward migrations, and lived right in the IruddJe of it all.Pioneers, horse thieves, eattle rustlers, Indians, soldiers,scouts and hunters - Cody knew them all. He led wagonlr'dins, drove stagecoaches, rode for the pony express and was a scout for tile Union dur­ing tile Civil War. Some of his tales may be till, but for sheer excitement and the romanceof tile Wtld West, this book has it all. 344 pages, softcover. $ 6

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The Wild West from a wife's perspective! Eli7.abeth("Libby") Custer describes her life on the Plains WitllGeorge Armstrong Custer until his disastrous defeat atthe Little Bighorn. She nursed frostbitten soldiers,camped among the Sioux and saw the captnre of Rain­in-the-Face. All the while she maintained a home - nomean feat in a land of pUnishing blizzards, scorchingsunmlers and few amenities. She gives us quite a dif-ferent picture of the Custer we are used to today. 292 pages, softcover.

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WYATT EARP: The LifeBehind the LegendThis is a major contribution to the histOl)' of theAmerican West. It provides the first complete andaccurate look at Wyatt Earp's colorful career, andplaces into context the important role that he and hisbrothers played in the Arizona territOlY Author CaseyTefertiller providcs readers the facts about WyattEarp as tile sources-many of thcm newly uncov­ered-rcvealthem, allowing the readers to make up

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ANGELS AT DAWN: The LosBanos RaidThis fascinating book tells the story of one of themost successful and least known American militaryactions in ltistory: the rescue of more than 2,000American and other Allied civihans from a Japaneseinternment camp in the Pltilippine islands. Well writ­ten and full of detail, Angels at Dawn is a gloriouspage in th.is country's history. 276 pages, softcover.

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PATTON'S GHOST CORPS:Cracking the Siegfried LineIn December 1944, General George Patton turned theThird Army north, taking two of his army's threecorps and all of his armor to strike the massive Naziattack through the Ardennes. The single corps leftbehind was XX Corps, the "Ghost Corps." Not only didthey have to defend what had been tile entire ThirdAnny front, they received orders to attack and breaktluough the Siegfried Line. 244 pages, softcover.

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Page 15: Military Classics Illustrated vol.4

A SHORT HISTORY OF THECIVIL WAR AT SEA

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FRANK AND JESSE JAMESAuthor Ted P. Yeatman follows Jesse and FrankJames from the Civil War through their 16­year career as outlaws, and includes the livesof those who outlived Jesse. Read about theirfamous bank robberies, the firebombing ofthe James farm and the recent exhumationand forensic examination of the purportedremains ofJesse James. 480 pages, hardcover.

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Author Spencer C. Thcker, eminent naval and militaryhistoJian, provides a concise and lively overview ofthe "blue water" Civil War, or fighting on the seas andattacks directed from the sea. This volume coverssignificant naval battles, such as the first clash ofironclads at Hanlpton Roads, the Union capture ofNew Orleans, fierce action in the Charleston BarbOl;mId the Battle of Mobile Bay. 188 pages, softcover.

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RYOMA: Life of aRenaissance Samurai

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THE DRAGON STRIKES:China and the Korean War,June-December 1950What brougllt the Chinese into tile Korean War? Howcould a primitive force, such as the People's UberationAmlY (PLA), stand up against Amel;ca's modemmili~'lry might? Anthor mId Koreml War vetel"JlI PallickC. Roe was a young intelligence officer serving \vith the3d Battalion, 7t11 marines as tlley advanced towm'd the

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Some of the world's most renowned military histori­ans imagine "what if." David McCullough envisionsGeorge Washington's untimely end had he notescaped Long Island on August 29, 1776; james M.McPherson theorizes that General Robert E. Leecould have won the war in 1862 if a copy of hisSpecial Order No. 191 hadn't been lost to GeneralGeorge McClellan; and Stephen Ambrose describeswhat might have happened had the D-Day invasionfailed. 395 pages, hardcover.

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AT FREEDOM'S TABLE:MORE THAN 200 YEARS OFRECEIPTS &REMEMBRANCES

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WHAT IF?

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The CSS David was the first vessel designed specifically from the keelup as a torpedo boat, and the first in nav,tl history to explode a torpe­do against the side of ml enemy ship. On that night of October 5, 1863,the USS New Ironsides was placed out of action for ahnost two years.Umited edition print. 11" x 17". Includes certificate of authenticitysigned by tile artist, joseph Hinds.

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THE OSPREY ENCYCLOPEDIA OFRUSSIAN AIRCRAFT

Tmr\OIIOIIDIH!

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ENCYCLOPEDIA OF CIVILWAR USAGE

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THE AIRCRAFTCARRIER STORY: 1908­1945

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PICKETT'S CHARGE - TheLast Attack atGettysburgPickett's Charge is probably the best-known mili­tary engagement of the Civil War, lvidely regardedas the defining moment of the battle ofGettysburg and celebrated as the high-waleI'mark of the Confederacy. Author Earl J. Hessnotes that the epic stature of the engagement hasgrown at the expense of reality. Be sweeps awaythe accumulated mytlls about Pickett's Charge to provide the definitive histolY ofthe engagement. 512 pages, hardcover. ITEM: CPCG $29.95

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Page 16: Military Classics Illustrated vol.4

By Dan King and Harlan Glenn

30 MILITARY CLASSICS ILLUSTRATED

Type 99 "Arisaka" Infantry Rifle

(

n the year 1942 it was not certain that the Allies would win over their foe inthe East-the unbeaten]apanese. The Pacific war was touch and go with vic­tories and losses for both sides. All was held in the balance as the bloody bat­tles for the Solomon Islands proved. It was not until late 1943 that America

was certain that the]apanese could be beaten and that the war could be broughteventually to a close.Imperial Japanese Army (IJA) infantryman, rank ofSuperior Private of the 29th Regiment 2nd Division on theCanal. Note camou­flage body net (gisomo), combat cap (ryakubo) with neck flaps (botare), helmet (tetsubo) with net (tetsubo yo gisomo) and cover(tetsubo ooi). Written on the cotton cloth sewn onto the leather sling was the soldier's name & unit. He is armed with an ArisakaType 99 7.7mm rifle (Kyukyu shiki) with fixed Type 30 (1897) bayonet (juken). The Type 99 "Arisaka" was adopted by the Japanesemilitary in 1939, with approx 2,500,000 of them being produced by government and private arsenals in Japan, Korea and

Manchuria until 1945. Japanese rifles are often referred to as "Arisaka" due to the fact that the head of the 1905 commissionto produce a modern firearm for Japan was famed artillery Colonel, Nariaki Arisaka. The correct designation for this

weapon is the Type 99 Infantry Rifle (Kyukyu Shiki Hohei Shoju) although many collectors refer to them aseither an "Arisaka" or Type 99. Regardless of its nomenclature, the weapon was sturdy and well-built with

beautiful "urushi" varnished stock and surprisinglylustrous bluing on earlier warproduction rifles.The T-99 had a muzzle velocity of2,390 fps and amaximum range of3,700 yards. Some interestingaspects of the 8.31b T-99 rifle are a chromed borewhich reduced rust and rifling wear, a flip-down wiremonopod for added support when firing at longrange (often discarded in the Pacific), the flip-upanti-aircraft sites with wings, the dust cover, a bake­lite muzzle cover, and a safety that involved turning aknurled knob with the palm of the hand. The safetywas designed for soldiers wearing cold-weathermittens facing Russian & Chinese troops. When theweapon was initially developed, Japan saw herselffighting not in the tropical Pacific but against hernorthern neighbors. The IJA soldier was not"issued" a weapon, it was "loaned" to him from theEmperor, for it bears the monarch's mum (kiku nogomonsho). One interesting example is the differ­ence in which the Japanese and U.S. Marines weretrained to handle their rifles when going to ground.The U.S. Marine would use the butt ofhis '03Springfield or M1 Garand to break his fall.Japanese soldiers went to ground with their palms,elbows and knees first keeping the rifle off theground, securely nestled on their leg taking care tokeep it out of the dirt - for this was an item belong­ing to the Emperor to be treated with respect.The Japanese soldier and his bayonet were a

fierce combination. He was trained for night fighting, with his closestally; the bayonet. They affectionately referred to their bayonets as"Gobo ken" (a Burdock root) due to the physical similarity and the factthat in Japanese "Gobo" means to overwhelm one's opponent.To the Japanese soldier, the Bayonet was not a last resort weapon (asin the West) but one ofchoice whenever possible. The Japanese sol­diers not only underwent straw-dummy bayonet training, but in Chinamany were forced to bayonet live "bandits" to anesthetize the naturalhuman tendency to preserve life. The result of this "training" blanchedhesitation from the soldiers' hearts enabling them to unflinchinglyadminister deadly stabs at close range. The authors have spoken first­hand with Japanese veterans who have attested to the psychologicaleffect of "breaking in" a new soldier using this cruel, yet effectivemethod. The IJA preferred the night attack when possible. "We wereinstructed to close with the enemy, hold him tight and bloody him withourbayonets" states IJA veteran Corporal Akira Goto.Japan had seen her enemies flee before waves of the Emperor's finest,bearing flashing bayonets during foreign wars from 1894-1942. Theyear 1942 saw the end of running before the bayonet. It was in theSolomons the IJA encountered a new enemy not intimidated by coldsteel-the U.S. Marines.

MILITARY CLASSICS ILLUSTRATED 31

Page 17: Military Classics Illustrated vol.4

The Pacific war was one of outrightsavagery where no quarter was givennor taken. The taking of prisoners forthe years of 1942 to 1945 was at timesunheard-at times it simply was notan option. The japanese had beenschooled with a vision of supremacy,and that to surrender and or to acceptdefeat would bring dishonor and dis­grace. As for the Americans, the Pacificwar was personal-they had beenattacked and those who were takenprisoner were killed, butchered orbeaten. One would rather fight to thedeath than suffer the fate of those menwho were lost in the first six months ofthe war when japan ran rampant andshe seemed unstoppable.

The fighting that took place in theSolomons from 1942 to 1943 was thetrue lynch pin of the Pacific war. Ifjapan lost, her empire would begin tocrumble so she had to hold it at allcosts. America, on the other hand,had revenge in its eyes and as thehatred grew so did its ability to fight,and her military became a force to bereckoned with.

japan's forces were hardened veter­ans who had been blooded from yearsof combat in China. Those early yearsserved as a training ground for the bru­tal battles which were about to beginbetween japan and the Allied Armies.For the most part, the Americans werefresh-faced volunteers eager to provethemselves yet still wet behind the ears.Their ranks were bolstered with thoseveterans that had also served in Chinaand in Panama. It was these veteranswho kept the young ones in hand andhelped to hold the line at such places asBloody Ridge in the defense ofHenderson Field on Guadalcanal. Ifone thing could be said for theAmericans, it is that they were qUicklearners and were able to adapt to therigors of jungle fighting. Many historybuffs seem to have forgotten the battlesof the Solomons for better documentedaffairs as Tarawa and Iwo jima. Yet hadit not been for the foot slogging effortsof those in the swamps and jungles ofthe Solomon's the war would havesurely taken a different turn-and a farbloodier one at that. i1jtiI

32 MILITARY CLASSICS ILLUSTRATED

Above: IJA soldier stalking U.S. Marines in theSolomons. His "fast pack" (sento bukuro) containedonly items essential for instant action orpatrolling.Note the canteen (type "A" "KO") the breadbag (zat­suno) and his homefront comfort bag (imon bukuro)hanging from his belt. The Japanese soldier carried inhis breadbag not bread but rice, universally held in awhite cotton sock tied at the end. The soldier's typicalrations consisted of rice, canned meats and fish, veg­etables, pickled radish andpickled plums, shoyusauce, powdered miso for soup, salt, sugar and tea.On Guadalcanal, poor planning, logistical issues, ter­rain and weather, prohibited much of what the soldierneeded from ever reaching him giving birth to thenickname "Starvation Island" that continues to thisday. Ironically, in the initial phase of the campaign,large stores of captured Japanese supplies fell intothe hands ofgrateful U.S. Marines who felt they hadbeen abandoned by the U.S. fleet. U.S. veterans havecommented to the authors that Japanese cannedrations were better tasting than their own, possiblydue to the Japanese use ofMSG in canned goods asearly as WWI.

Right: This IJA soldier wears his body net (khaki varia­tion-many were tri-colored purple, yellow & green),fast pack, canteen strap, breadbag strap and gas­mask strap with quick-release button.

Below: Leather ammo pouches (zengo) contained 30 rounds, wrapped in paperwedges of 15 rounds each separated into three stripper clips of five rounds each.Note the way the pouches open outward to allow the wearer to access them whencrawling and crouching and to avoid spilling the contents. The soldier wore twopouches in the front, and a larger ammo pouch in the back (kogo) that contained 60rounds. Note the metal painted button on the tunic.

Left: IJA Captain (Tai-i) patrolling with Type 98 Shin gunto sword in hand with com­pany grade officer's blue and brown sword tassel. He is wearing his private purchaseuniform and equipment with ofa Type 14 Nambu semi-automatic, Bmm pistol(named after designer Colonel Kijiro Nambu) with holster and lanyard, a canteen(suito), breadbag (zatsuno) and a mapcase (zuno). He has on two belts, the leatherone is his sword belt (rytakutotai) and the green cloth belt (dojime) is his equipmentsecuring belt, used to keep his gear close to prevent it from flopping when running.The officer is also sporting his combat cap with bullion star and neck flap. The chin­strap button on the officer's cap is has a cherry blossom design, while the enlistedcap's chinstrap buttons are plain brass. This captain wears a tropical rank buttonpatch attached to his left breast pocket.The enlisted man behind him is wearing the tropical tunic with darker colored collaron which are sewn his corporal rank collar tabs. He has placed leaves in his helmetnet. The short sleeves on both of these soldiers' combat uniforms are particularlysuitable to the tropical climate of the Pacific theater.

IJA enlisted combat cap with raretheater sewn-in camouflage stitch­ing. The Japanese used leather, rub­berized cloth and ersatz tree bark forchinstraps on enlisted caps.Chinstraps were brown, green andblack. Combat caps came withstitched and non-stitched bills. Thekhaki "mustard color" of this cap

denotes this soldier is a veteran from the China Theater. Later in the war the IJAwent from a mustard colored wool cap to green which was more suitable for tropicalconditions. The gauze inner lining is visible through the stitched vent holes. Thisliner carries the quartermaster mark which includes a date stamp and location ofmanufacture. The cap has a leather sweatband. The spade-shaped metal pin is usedto attach the neck flap to the factory-installed cotton string loops on the cap.

MILITARY CLASSICS ILLUSTRATED 33

Page 18: Military Classics Illustrated vol.4

IJA soldier in his nighttime element. Note theemployment of foliage in his helmet net and bodynet. The use ofwhite cotton gloves (gunte-literal­Iy "military glove") was common, especially withcrew-served weapons, machine guns, mortars,etc. This "China hand" soldierhas his gloves on toprovide a bettergrip with his sweat-drenchedhands. Many American and British vets will attestto the IJA proficiency at night operations, andtheir uncanny ability to perform recon andprobesduring late hours. This soldierhas his signed flag(yosegaki) tied to his rifle as a type of "friend orfoe" identification device held over from the earli­er campaigns in China, and as a protection amuletin battle.Japanese soldiers received signed flags whenthey went off to war from different sources. Fromfamily members, co-workers, neighbors, and orfellow students orany group pfpeople they had anassociation. Flags were also presented after spe­cial campaigns.The "meatball" flag symbolized the Emperor inbatt/e.

MILITARY CLASSICS ILLUSTRATED 35

Gas mask bag. The string in the "x" pattern on the bag is normally tiedaround the body to keep it close-in tight when running. Also seen is the steelhelmet with coverand net. The leather rear ammo pouch holds 60 roundsand an oiler on the right side. There are two thumb-sized holes on the bot­tom of the pouch which aid in removing the ammunition packets. This sol­dier has put his signed flag (yosegakij in the left side ofhis rear ammo pouchfor safe keeping. The helmet net is a variation pattern. The Japanese sol­diers were issued helmet nets as well as those made their own from bodynets, vehicle nets macrame and wire, and even communication wire.

The method of tying the chinstrap on the Model 30 steel helmet. This tech­nique was a holdover from the earlier Samurai period and had not changedin hundreds ofyears! It explains why the chinstraps on Japanese helmetsseem to be "too long" for westerners who are unfamiliar with the compli­cated yet efficient method ofsecuring the helmet. The ends of the wovenchinstraps are usually sewn into a point being 18-22 inches long on eachside depending on manufacturer. The helmet did not have a separate linerbut consisted ofan integral leather three-pad liner held in place by twosplit-pin rivet pins on the side, and a metal star which doubled as the thirdsplit-pin rivet in front. The leather liners each contained a cotton filled padused as padding as well as a compress in the event ofa combat wound.

Side view of the leggings and boots.Also seen is the soldier's "comfort bag"~mon bukuro) which he received fromthe homefront filled with letters ofencouragement, hard candies, cannedtreats, yam, and usually origami cranesfor good luck. Civilians bought and filledthese bags out of their patriotic duty andshipped them to soldiers abroad.

Business end of the Type 99 7.7mm rifle with attached T-30 bayonet. This soldierhas lost his cleaning rod, which was held in theend of the stock. The Japanese used a "flashless" powder that made it difficult for Marines to locate the direction from whichsniper fire came, making it a deadly mission to locate hidden bunkers and sniperpositions. The rifle gave offa high pitchedcracking sound making it distinguishable from the Marines '03 Springfield and M1 Garand rifles. Many a U.S. veteran recalls thereport ofa Type 99 rifle.

34 MILITARY CLASSICS ILLUSTRATED

Japanese woolleggings, orput­tees, in use by theIJA from WWI upuntil the end ofWWII. The leg­gingswerewrapped frombottom to top, andcriss-crossed inthis fashion tokeep them tight.The IJA soldier

was able to tie his leggings in 30 seconds or less. The boots were cowhide withleather soles, hobnails and horseshoe heel. Mounted and armored troops were alsoissued leather boots with red rubber hardened soles to prevent slipping on metallicsurfaces.

Page 19: Military Classics Illustrated vol.4

The IJA canteen with the owner's name"Kaneko" written on a piece ofcottonsewn onto the carrier. This canteen isthe type "A" (ko) pattern with the leathercork strap and with buckles going fromside to side.

MILITARY CLASSICS ILLUSTRATED 37

Above: Close-up of this "superior private's"early type felt "pillow" collar insignia. Eachstar is hand-stitched onto the red backing.Later in the war the insignia changed to amore cost effective flat bevo design. This sol­dier is wearing an undershirt which also has acollar. This soldier has also hand-stitchedadditional camo into his uniform.

Above: This soldier is wearing hiscombat cap with neck flaps underhis helmet. The combat cap wasalso worn backwards under thehelmet as a personal preference.

Close-up of the "comfort bag"(imon bukuro). The bag has bothnational and military Japaneseflags printed on the top. The say­ing, "Bu Un Cho Kyu," written inkanji, translates to "Long Life,Victory in Battle". The elongatedbox on the left of the bag is forthe name and address of the onedonating the bag.

A wounded Japanese soldier awaits medical attention while he balances his weaponbetween his legs to keep it offof the ground. The Japanese rifles carried the Imperial16petal Mum on the receiver and were treated with the utmost respect. The soldierwas informed that while "he" was expendable and could be replaced for the cost ofamailing a draft card which was "2 rin", his weapons was a valuable and expensivepiece ofmachinery that belonged to the Emperor and carried his holy seal. Today,Japanese rifles that have the Imperial Mum on the receiver are much sought afterbycollectors, as the rifles that were surrendered to the Allies at the end of the war hadthe mum ground offordefaced with an "X" ground through the center.

Japanese NCO (sergeant­major) of the 7th Division,28th Regiment advancingcautiously through theundergrowth atGuadalcanal with Type 14Nambu 8mm pistol in hand.Note the gauze wrappingfor improved grip on hisbrass handled (brownpainted) NCO sword. Hehas tucked his sword intohis 2'!,-inch leather swordbelt instead ofusing thetypical retaining positionwith the leather strap.Officers also oftenwrapped their ancestralswords to protect thecloth handle. He is carry­ing his breadbag on hisright hip and is wearinghis rank insignia fastenedwith a safetypin on hisleft breast pocket. Histropical-weight uniform ismuch more comfortablefor the Pacific than thesummer service cottonuniform. Note the cottonlanyard that is attachedto the rear of the pistolwhich was used espe­cially in nighttime fight­ing to enable quickretrieval if the pistol wasdropped.

Japanese soldier in the standard "guard" position with the rifle resting comfort­ably on the right front ammo pouch. The weapon can be held for hours in thismanner.

A close-up of the equipment this sol­dier is carrying: Canteen, breadbag,rear pouch with black oiler, ComfortBag, grenade pouch and body net. Thecanteens painted brown are aluminumwith cork and aluminum cap.

36 MILITARY CLASSICS ILLUSTRATED

Close-up of the canteen and rear ammopouch with metal oiler. The oiler had anintegral metal swab attached to theinside of the cap. This oiler is blackpainted metal, but they were also madein black bakelite.

Page 20: Military Classics Illustrated vol.4

Detail of the various equipmentstraps worn across the chest. Here can be seen the canteenstrap, breadbag, fast pack, helmet ties and gasmask. The whitepatch of cotton on the soldier's left is his name and unit. Thisold "China hand" has taken the time to sew stitching into histunic to allow the addition of more camouflage.Lining is visible through the hand-stitched vent holes. The interiorliner carries the quartermaster which contains the 1939 datestamp and location ofmanufacture as Tokyo.The cap has a leathersweatband. Of impor­tance is the spade­shaped metal pin used toattach the neck flap tofactory installed cottonsting loops on the caps.

A very rare piece ofJapanese gear indeed!The cloth carryingpouch for the Type 97cast iron fragmentationgrenade. The grenadehad a four-to-five sec­ond fuse and 6.2 gramsof TNT which was acti­vated bypulling the pinattached to a piece ofcotton cord or twine,and then striking thegrenade cap on a hard surfacesuch as the helmet, a rifle stock. The brass metal tab on the frontleather ammo pouch was changed to steel later in the war asbrass was needed for ammunition. The white string hanging nextto the grenade is the string for the Comfort-bag.

38 MILITARY CLASSICS ILLUSTRATED

Above: An infantry Colonel advancing with both handsfull, ready for action. He is carrying in his left hand hisType 14 Nambu pistol, and in his right is his symbol ofrank, his ancestral samurai sword with the red and browncloth tassel dangling from the end. His scabbard hasbeen carefully fitted with a leather protective sheath andis stuck into his 3-inch-wide cloth sword belt for combataction. He is wearing private purchase dark green ridingbreeches with riding boots that retain the spur supportblock behind each heel. Japanese officers were issued ahorse, and even though the officers in the Pacific nolonger rode horses (compared to the China front) officers'boots were still produced with this spur support. The rid­ing boots were produced predominately in black, but alsoin dark and red-brown.

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Page 21: Military Classics Illustrated vol.4

2~L e8 SOll._2~Part.

SCHOOL OF THE TROOPER DISMOlT1\TEIl

.l'Iak,

S''Pport~.

indicated by one of the new trooperscontending, "Many were enlistedunder the express declaration thatthey were to rank with the cadetsat the Military Academy, andthat they should not be sub­ject to the more severerestrictions of Army disci­pline. Many were told,when they were entreat­ed to enlist, that theywould have nothing todo but ride on horse­back over the coun­try, to explore theWestern prairies andforests, occupa­tions...."

Others succumbedto the belief that theywere, "to explore farand wide the Westernterritory, and bear thearms of the Union intothe country of many

The regiment's lieutenantcolonel, Stephen WattsKearny was an officer in theU.S. infantry before being trans­ferred to the dragoons as secondin command. As a RegularArmy manhis ideas about the regiment's disciplineand training differed from Dodge's viewson these subjects. National Archives.

Left Mou.linet.

4~L"880n ._l~~ Part.

Plat&24-

By John P. LangellierPHOTOGRAPHY BY LYNNE McCREADY

rized the raising of 600 mountedrangers ...."

Frontier-wise, these hardy horsemencut colorful figures. Washington Irving,destined to become a noted Americannovelist of this era, turned from his fic­tion to describe these men. Irvingnoted that the rangers adopted thehunting dress of the day and "were aheterogeneous crew; some in frockcoats made of green blankets; others inleather hunting shirts, but the mostpart in marvelously ill-cut garmentsmuch the worse for wear, and evidentlyput on for rugged service." In general

Irving thought, "they looked not unlikebandits, returning from their plunder."

What the Rangers lacked in spit andpolish, they made up for by theirhorsemanship. The army realized thatthe experiment proved the worth ofwell-mounted troopers. All thatseemed absent was traditional disci­pline. Consequently, the Rangers gaveway to a more permanent organiza­tion. On March 2, 1833 legislationprovided for establishment of theUnited States Regiment of Dragoons.

From the outset, a certain elitist airprevailed amongst the horse soldier as

When the United States Congress authorized the Regiment ofDragoons no manual existed for the American horse soldier. Thatrequirement ultimately was addressed and appropriate illustrations provided to ensure that the troopers understood their trade.The dismounted trooper is shown in a dress uniform, while the later mounted engraving depicts a trooper wearing shelljacketand forage cap. Library of Congress.

SCHOOL OF THE TROOPER DlS~lOUNTE·D.

By the late 1820s, furs, land, mineral wealth, and other opportu­nities made the Indian territories west of the Mississippi River anincreasingly inviting realm. In response to pressures for expan­sion, the United States government attempted to move theNative Americans out of the path of empire. Federal officials saw

to it that some groups were relocated through means of force or by negotiat­ed treaties. To insure compliance, and to strike out against those who wouldnot accept the dictates of the "Great White Father's" efforts at resettlement,military force seemed necessary. Not only would the frontier military estab­lishment keep the Indians in check but, just as importantly, they were toprotect the Indian's treaty-reserved areas from white encroachment.

While conventional infantrymen had served in a similar capacity in thegarrisons elsewhere, vast distances on the Great Plains, coupled with the factthat many tribal groups of the region possessed horses, reqUired a moremobile type of soldier. Consequently, onJune 15, 1832, "Congress autho-

.(~(Ji«t.i

Illustrations by E. Forbes in the regimental history of the Second U.S. Dragoons depicted the evolution of the horse soldier's uniformduring the 1830s through the early 184Os. The volume also captured the short-lived experiment to arm some of the men with lances.

American Horse Soldiers on the Frontier,1832-1845

Oh! The dragoon bold! he scorns all care,As he goes the rounds with his uncropped hair;He spends no thought on the evil starThat sent him away to the border war.

His form in the saddle he lightly throws,And on the moonlight scout he goes,As merrily trolls some old-time songAs over the trail he bounds along.

Oh! Blithe is the life that a soldier leadsWhen a lawless freedom marks his deed;And gay his path o'er the wildwood sod,Where a white man's foot hath never trod.

-Popular Period Ballad

Page 22: Military Classics Illustrated vol.4

Because the Hall's hammer was actuallyfitted inside the breechblock, it was nec­essary to offset the rear and front sightsin order to aim properly. Chuck Fowlercollection.

Actually, many of the top-rankingofficers represented the best leadershipthen available. Nevertheless, some ofthese men saw their assignment as ameans of furthering personal ambitions.Consequently, Dodge, a man describedby one of his subordinates as, "thick set,somewhat grey, a thorough backwoods­man, very fond of talking of his ownexplOits ... ," found some problem inholding together his command. Notexactly tactful, nor unassuming, thecolonel increased friction among hisofficers. Impervious to his own role incausing dissension, he blamed othersfor the unrest. Indeed, his diary whichbespoke of his own lack of advancededucation: "1 find more treachery anddeception practiced in the Army than 1

MILITARY CLASSICS ILLUSTRATED 43

plague the infantrymen. Far from beingexempt, the dragoon endured the sametiring routine as the frontier "dough­boy" and more. This factor causedmany men to express their discontent.

Again, Private Hildreth, ventured hisopinions. He thought that the dragoonsstill might have endured their lot if theirofficers treated them more decently.Unfortunately, according to Hildrethsome of the "brass" were ill-educated,brutal, and alcoholic individuals,causing a few of the rank and file tobelieve the government broke its sideof the enlistment contract by commis­sioning such men. Their responsecame through desertion, a problemthat constantly gnawed at the U.S.Army during the Victorian era.

Early cartridge boxes contained a com­partment not only for cartridges, but forpercussion caps. The small area on theright would have originally been linedwith lamb's wool to protect the caps.Chuck Fowler collection.

It was found that caps could be more conveniently carried in special belt-mountedboxes like the ones shown here. These are a very early pattern that first appeared inthe 184Os. Chuck Fowler collection.

we made of it would be entirely out ofthe question.. "

The men soon grew tired of theparade field. After all, they joined onthe premise of adventure. Then, too,instead of enjoying any of the privilegesand comforts promised them, theyfound not only the onerous tasks of thefoot soldier as part of their lot, but alsothey took on the extra responsibilities,"that peculiarly belong to theDragoon." Thus, they performed drill,fatigues, guard, and military functionsin addition to building their own quar­ters, stables, and other structures, andraising some of their own food. Allthese tasks came after each troopertended his mount and horse equip­ment, bothersome duty, which did not

exceeded the concerns of the averageinfantry officer. He reasoned that thiswas so because "with cavalry ... theamount of duty, instruction, andresponSibility, may safely be consid­ered doubled in comparison of theextraordinary fact, that cavalry tacticswere unknown in the army; and withthat, whole theory and practical detailwere to be studiously acquired-in amanner invented-by officers beforethey could teach others."

Even basic dismounted drill taxedpatience because few of the men boastedprior military service. Private JamesHildreth underscored this fact when hewrote: "Sergeant Roberts ... was the onlyone in the troop that knew how to puthis left foot foremost and to attempt to

describe the ludicrous piece of work

The Hall breech-loading carbine was the earliest U.S. martial arm to use the per­cussion ignition system. It went through a series of incarnations during its career.From top, Model 1833, Model 1836, Model 1840, Model 1842, Model 1843. All weresmoothbore. The M33 was .64 caliber and the others, .52. Chuck Fowlercollection.

organizing the regiment.Kearny, a thoroughgoing professional,

antiCipated rapidly filling the ranksfollowed by a lengthy period of inten­sive training at Jefferson Barracks,Missouri, the original site designated asheadquarters for the unit. The WarDepartment instructed him to moldthe men into a formidable fightingforce of tightly diSCiplined troopers.

Turning this dream into a realityproved another matter. Indeed, manyof the men were not familiar with eventhe basics of horsemanship. LieutenantPhillip St. George Cooke, one of theregiment's young officers, summarizedthe sense of frustration, which soon setin when he contended that the leadershad to produce "order out of chaos."He concluded the task ahead far

Indian tribes." Allegedly, "it was aprospect that did not fail to excite theenterprising and roving disposition ofmany fine men whose imaginationswere inflamed ... with the thoughts ofscouring the far prairies on fine horses,amid buffalo and strange Indians."

With this, recruiting officers expectedto handpick their men. In fact, CaptainEdwin V Sumner supposedly provedsuccessful in signing up his share ofadventuresome individuals whom anewspaper described as, "the finestlooking raw recruits we ever saw; allNew Yorkers, selected by CaptainSumner himself from the northernand western counties of the state with­in the age of 25 years, and as nearly aspossible, 5 feet 8 inches in height, allpossessing a good English educationand men of strictly correct habits."

While the report seemed morewishful thinking than fact, officersattempted to follow the directive toenlist native-born men between twenty­five and thirty-five, "whose size, figure,and early pursuits may best qualifythem for mounted soldiers."Moreover, the rank and file, "were tobe sought from all parts of the countryso that there would be no sectionaltone" to the new regiment. Even atan early stage, concern over regionaldifferences proved a concern.

Nevertheless, politics of the periodplayed a key part in the formation of thedragoons. First of all, the appointmentof officers for the regiment providedcongressmen with a certain amount ofpatronage, although this fact provedminor when compared to other matters.More consideration seems to have beengiven to mixing regular Army officersand one-time Ranger officers. In theory,the fonner group would teach theirquasi-civilian brothers-in-arms aboutmilitary procedures and discipline,while the latter individuals could sharetheir knowledge about the West andthe Indians who peopled it.

For a leader of this composite outfit,President Andrew Jackson personallyselected the colonel, fellow Indian­fighter and hero of the Western press,Henry Dodge. A veteran of theBlackhawk War, Dodge had headedthe Rangers, remaining with that unituntil it was disbanded. His second-in­command, Stephen Watts Kearny, acareer infantry officer, assumed theresponsibility for recruiting and

42 MILITARY CLASSICS ILLUSTRATED

I, .

Page 23: Military Classics Illustrated vol.4

They lived in large barracks of oakshingles that "afforded poor protectionfrom the cold." Likewise, "the roofswere leaky, but buffalo robes kept thewater from the saddles, knapsacks,and clothing, assuring to preserve adry sleeping place for the night. Attimes rain came down the widechimneys, perhaps besprinkling therusty pork and flour, or drippinginto the camp-kettles and dilutingthe bean soup." Inadequate quarterswere not the only nuisances.

As often proved the case in a frontiergarrison, time weighed heavy. Whennot performing drills or other martialactivities, the troops entertained them­selves with impromptu dances, wherethey joined the infantrymen from FortGibson and members of the Osage,Creeks, and Seminoles who campedaround the post. One of the sergeants,a towering six feet six inches of horsesoldier, usually served as the master ofceremonies. Some of the Tennesseansbrought out fiddles and, occasionally,even a banjo or clarinet accompaniedthe musicians. Sometimes one of thebuglers added his talents since the gov­ernment authorized no band for thedragoons unlike their counterparts inthe other combat arms.

When not dancing, the men mightjust listen to music or sing some oftheir favorites such as "The Hunters ofKentucky" or "0 Tis my Delight in aStorm Season of the Year". Additionally,observing various aspects of the localIndian life, such as horse races, dances,wrestling, foot races, and ball gamespassed idle time. The young artist,George Catlin, who spent the winterwith the dragoons, particularly becamean avid spectator at the latter event.

When a tallow candle could bespared, the literate men could takeadvantage of the regimental librarywhich contained such titles asRobinson Crusoe or the Life of GeneralMarion, the famed Revolutionary Warcavalry leader. Others probably playedcards, until nine in the evening whentattoo sounded and the men retired forthe night.

With the approach of spring, the pacequickened. First of all, General HenryLeavenworth arrived and, on April 30,1834, the Regiment of United StatesDragoons, along with the SeventhUnited States Infantry, held a review.Shortly thereafter, Captain CliftonWharton took 60 men to escort a groupof traders to Santa Fe, thereby relievingthe infantrymen their fonner task.

With the loss of Wharton's contin­gent, reinforcements, in the form of

MILITARY CLASSICS ILLUSTRATED 45

\.-

___J~----'--"--""--'----

The early mounted pattern white buffleather waistbelt was fitted with a ratherflimsy sheet brass buckle which had theiron belthooks soldered onto the reverse.It was replaced in 1839. Chuck Fowlercollection.

Both the Model 1833andModel 1836Hall had sliding integral bayonets, a feature thatwould be seen on some U.S. martialanns as late as 1903. Chuck Fowler collection.

The 1839 Pattern dragoon saber belt was a sturdy buff leather affair that wouldremain in service through the Mexican War and beyond. It had a cross strap (missingon this example) to help support the weight of the edged weapon. Also shown are awhite buff saber knot and carbine sling. Chuck Fowler collection.

---- ---- -----------_--=:, .

The butt of theModel 1833 Hallwas fitted with aspecial tool com­partment whichheld a ramrodworm and vent pickturnscrew combo.The '33 was theearliest percussionweapon to beadopted by the U.S.military. ChuckFowler collection.

The lead-filled brass ovaldragoon enlistedplate isset up the reverse from theinfantry model and bucklesfrom left to right. ChuckFowler collection.

The Model 1833 dragoonhelmet (reproductionshown) was an interestingamalgam ofFrench andBritish styles. Garry Jamescollection.

What it lacked in appearance, the Model1833 leather forage cap more than madeup for in practicality. As well as having afront visor it had a drop-down neck flapand could be folded up when not in use.Chuck Fowler collection.

--"

The dragoons were first issued with the Model 1833 saber (top) a rather delicateblade copied after a British pattern. In 1840 they were given a heavier weapon basedon a French model, that was nicknamed by the troopers, "Old Wristbreaker. " For atime, they remained in service together. Chuck Fowler collection.

ever expected to find with a Body ofMen who Call themselves Gentlemen [.]My situation is unpleasant [Jefferson]Davis who I appointed as my adjutantwas among the first to take a standagainst me[.] Major [Richard] Masonand Davis are now two of my mostinveterate enemiesL]"

The regiment faced outside chal­lenges, however, which required the fullcooperation of every member. Ordersarrived from the War Department send­ing Dodge's ill prepared and under­strength command of five companies toFort Gibson, near present-day Tulsa,Oklahoma. Lieutenant Cookeexpressed the sentiments of some of hiscomrades when he quipped, "at theappearance of winter, in November,before any clothing or the proper armshad been received; before two compa­nies received their horses; just at thatseason when all civilized, and, I believe,barbarous nations, even in the state ofwar, suspend hostilities and go intowinter quarters, these five companiesreceived an order to march out of theirs;to take to the field!" Cooke commented,"... the corps having been raised for thedefense of the frontier, would be dis­banded if it remained inactive so far inthe interior at]efferson Barracks."

Whether this accusation found sub­stance in fact or not, the partially con­stituted regiment set out on its firstmarch. Riding forth on November 20,1833, the men made their way towardFort Gibson. Upon their arrival in mid­December, they received a warm wel­come. This cordial reception soon gaveway to the daily problems of setting upcamp. For one thing, February broughtbitter weather that destroyed the localforage. The horses suffered. Moremounts had to be procured, along withfodder from the Arkansas Territory.Next, a steamboat carrying theirclothing ran aground. Dodge decrieda lack of ammunition, which madetarget practice next to impOSSible. Hecould not abide by this fact since hefelt it "a matter of the first importanceto Make Men ... Good marksmen,[therefore,] on relieVing the Guards Ihave directed the Men to fire at a targetfifty paces [away]." Much to his cha­grin, the Colonel found, "the greaterpan of them Know Nothing about theuse of Arms[.]"

Other matters proved irritating, asthe group waited for warmer weather.

44 MILITARY CLASSICS ILLUSTRATED

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accomplishment, Kearny broke campand set out again. As fate would haveit, he intercepted a party of Siouxreturning from a foray into Sac-Foxcountry Holding a conference at once,he secured a promise from the 15braves that they would refrain fromsuch raids against their ancient foes.

Then, Kearny reined south. Aftersearching for a location to found a newmilitary post at the mouth of RaccoonFork of the Des Moines, he proceededto the Sac-Fox settlements west of his

own garrison. There, heattempted to impress thisgroup of Native Americanswith the advantages ofpeace with the Sioux. Afterhis council, Kearny wrotethe adjutant general of theUS. Army that he couldover-awe the tribes from theMissouri north to theMinnesota with only onehundred and fifty dra­goons. Fortunately, henever had to test his boast,a claim that would berepeated with disastrousresults later in the centuryby other military officers.

While Kearny conductedbusiness with Sioux andthe Sac-Fox, ColonelDodge tackled a longerand more hazardousmarch with his three compa­nies of 120 troopers, baggagewagons, and a pair of three­pounder swivel guns. Hisorders directed him to visitthe tribes of the UpperPlatte River, then circleback through the ArkansasRiver Valley. A train of packanimals carried sixty days'rations, while extra flourwas loaded into two ox-drawn wagons. By 10 Junethe dragoons halted nearthe mouth of the PlatteRiver for a meeting with theOtos. Seven days later,Dodge held discussions

with the Omahas at the same location.From there he continued up the

Platte. By June 23, Dodge met thePawnees at Grand Island, Nebraska.Some two weeks later, at a spot sometwenty miles upstream from the forksof the Platte, the soldiers treated withthe Arickara. Pushing forward, theforce came into view of the Rockiesbefore cutting south and startingtoward the Arkansas. Between August6 and 1a the dragoons rested at Bent's

o

good will effort with the Sioux. Soggyground slowed the column but, amonth later on July 7, Kearny's blue­clad cavaliers reached the Wabash'sSioux village on the Mississippi Rivernear present-day Winona, Minnesota.Several days later, tribesmen appearedand began discussions. They eventuallyagreed to restrain their warriors fromraiding the neighbOling Sac-Fox country,an impressive promise since these weretheir hereditary enemies. With this

ensued. The talks bore fruit since thegovernment agents succeeded in mak­ing one of the few agreements withthese two bands that came out of thepre-Civil War era. Despite the fact thatsimilar terms with the Kiowas werenot achieved, the dangerousSouthwestern Plains tribesremained relatively peaceful for therest of the year.

To the north, Kearny's troops alsocarried out a peacemaking mission. OnJune 7, 1835 he led 150 dragoons on a

During the period covered by this article, dragoons carried thesesingle-shotpistols. From top: Model 1819, Model 1836, Model 1842.All have swivel ramrods to facilitate loading on horseback. As canbe discerned from the photos, the Model 1842 was simplya percus­sion variant of the 36, with brass furniture. Chuck Fowler collection.

only limited objectives. On the otherhand, the operation underscored sever­al important lessons about campaign­ing. For instance, the dragoons becameaware that big, farm-fed horsesrequired corn to maintain their vigor.Conversely, Catlin's mustangs and thearmy mules, which traced their ances­try back to the Santa Fe trade, in manyinstances, grew fat on the Plains' grass­es. Moreover, the dragoons found theircumbersome supply wagons slowedprogress on the march. Learning fromtheir mistakes, the regi-ment managed to survivedetractors. Congress didnot cut appropriations forthe troopers who, in 1835,took up station in threesquadrons on the cuttingedge of the frontier of thatperiod.

Colonel Dodge estab­lished his headquarterswith four companiesalong the Missouri Riverat Fort Leavenworth,while Kearny, with threecompanies, reported toFort Des Moines, a newinstallation on the westbank of the MississippiRiver near the mouth ofthe Des Moines River inIowa. Major Mason ledthe remaining three com­panies from Fort Gibsonand rode about eightymiles up the ArkansasRiver to begin construc­tion of yet another newcantonment, CampJones.

Dodge soon found thathe could hold only partialcontrol over his command.This proved especially truebecause Dodge's andKearnys forces were in onemilitary district whileMason's contingent fellinto the jurisdiction of yetanother department. Aftera miserable winter in poor­ly constructed huts, Mason's menreceived orders to head for Comancheand Kiowa country in order to strength­en the friendly relations with thesetribes, which had been started duringthe first expedition. OnJune I, MajorMason set up Camp Holmes on thefringe of Comanche country for a treatysite. Toward the end of August 1835 aweek long conference with three treatycommissioners and delegations fromthe Wichita and Comanche nations

MILITARY CLASSICS ILLUSTRATED 47

a base camp was established where 109of the command remained behind tolook after 86 of their comrades whofell victim to the soaring mercury anda "distressing bilious fever." The horsesalso suffered. Many died. So did someof the men, including GeneralLeavenworth. Other losses camethrough desertion. Dodge summarizedthe whole expedition in a letter. Hecontended, "perhaps there never hasbeen in America a campaign that oper­ated More Severely on Man andHorses. The excessive Heat of the Sunexceeded anything I ever experienced[.J I marched from Fort Gibson with500 Men and When I reached thePawnee Pict Village I had not morethan 190 Men fitfor duty."

After this disastrous foray, the sur­vivors returned to Fort Gibson, in lateAugust. Nonetheless, they accomplishedtheir task of showing the flag and, atleast for the moment, attainedpromises of peace with the powerfulplains Indians they met. In so doing,their first effort seemed a success.

The newspapers of the era thoughtotherWise, however, and pronouncedthe experiment a failure. The MissouriRepublican maintained, "after a full andfair trial of a year-after the expendi­ture of an immense sum of money­after the loss of an hundred men, andsome of the most promising officers inthe service-it must be evident, thatthis regiment ... , ought to be disband­ed or merged into the equally effectiveranks of the infantry." The New YorkEvening Star echoed these sentimentswith the conclusion, "considering thelittle that could have been antiCipated,and less that has been achieved, theexpense of so many valuable lives andso large an amount of property, hasbeen but of small avail."

In truth, the first expedition achieved

Hall carbine cartridges contained powder and ball, or in some cases,buck-and-ball. The distinctive red and white string identifies it as a Hallround. Chuck Fowler collection.

the week has raised from 103 to 107 inthe thermometer."

Despite the soaring mercury, every­thing seemed in readiness. OnJune la,1834, General Leavenworth reviewedthe assembled companies, each ofwhich followed what became a com­mon practice for mounted forces in theUnited States since they rode mountsof "one color entirely." Catlin under­scored this point noting, "there is acompany of bays, a company of blacks,one of whites, one of sorrels, one ofgreys, one of cream color. ... Thisregiment goes out under the com­mand of Colonel Dodge, and fromhis well-tested qualifications andfrom the beautiful equipment at hiscommand, there can be little doubtthat they will do credit to themselvesand an honor to their country, so faras honors can be gained and laurelscan be plucked from their wild stemsin a savage country." This last sournote, in some ways, better capturedthe expedi tion's future fate than theglowing accounts about Dodge andthe fine outfitting of his party

To begin with, Leavenworth decidedto accompany 'the troops on their firstleg of the trek. He and approximatelyfive hundred mounted men rode westto impress the Pawnees and Comanchewith the power of the United States. Byso doing, officials believed these NativeAmericans would make treaties, whichwould insure peace on the frontier.

The cavalcade soon found survivalmore important than their mission.july's heat caused forty-five men and

three officers to experienceserious illness. As dayspassed, more joined theirnumber on the sick list.Some 180 miles out fromFort Gibson, the situationdeteriorated to the extent that

Dragoons carried their pistols in a brace ofhol­sters located on the pommel of the saddle. ChuckFowler collection.

46 MILITARY CLASSICS ILLUSTRATED

five additional companies, started outfrom Jefferson Barracks. The 453­mile trip went smoothly for the horsesoldiers. One enlisted man ofCompany "I" kept a journal in whichhe logged their daily progress. AtSpringfield, Missouri, he passed judg­ment on the local civilian population,pronouncing the inhabitants as, "idleand lazy depending upon their negroesfor support which is the custom in allslave states." Perhaps more than sectionalbias colored the observer's opinionbecause he noted further, "all men inthe country sell Whiskey and otherthings to us soldiers at a most exorbi­tant price-for instance, 25 cents apint for Whiskey, 12 1/2 cents a quartfor milk." It seems that martial fundsoften seemed more welcome than thetroops themselves.

Soon the troops would not have toworry about their dealings with otherwhites. Instead, far from settlements,preparations for a summer campaignbegan In anticipation, the camp camealive. One man described the atmo­sphere: "throughout the day, a constantscene of bustle and noise, the black­smith shops are kept in continualoperation, tailors and saddlers findconstant employment, and in fact noone has time to idle ... standing duringthe whole of the day exposed to theheat of the broiling sun, which during

IIII

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James Clyman was a mountain manturned dragoon. In 1833, when Clymanreceived his commission as a secondlieutenant, he purchased this flashyuniform, which was regulation full dressexcept for the yellow silk sash that wassupposed to be orange in color. State ofCalifornia Parks and RecreationDepartment.

With his usual enthusiasm, PhilipKearny reported to France accompaniedby fellow junior officers, Henry Turnerand William Eustis. Arriving after avoyage from New York on October 1,1839, the trio found the Americanambassador and former secretary ofwar, Lewis Cass, interested in theirduties. They even managed to dinewith the king before reporting to theFrench cavalry school. When theycompleted their study, Turner andEustis returned home but Kearnyremained abroad so that he could sailto Africa where he participated in aforay with the French before returningto the United States.

Kearny was reunited with Turnerand Eustis at Carlisle Barracks,Pennsylvania, the newly establisheddragoon school of instruction. There,the men employed their training fromSaumur, along with Kearny's experi­ences in North Africa, to complete thefirst manual for the American horsesoldier. By 1841, their colonel declaredthat beginning on March 23 the sys­tem, which finally had been approvedby the Army, would be followed to theletter. Kearny made it clear, "neitherorder of augmentation ... nor detail of

MILITARY CLASSICS ILLUSTRATED 49

The 1833-pattern dragoon enlisteddress uniform resembled the fineryworn by their officers as this sergeant'soutfit topped with a white horsetailplume indicates. Details of the outfitcontain both British and French ele­ments. Smithsonian Institution.

Sumner as preSident of a board to comeup with a standard system for the car­bine. Kearny ultimately gained approvalfor three other officers to visit France asobservers at the Royal Cavalry School inSaumur to study French cavalry tactics.One of these favored young subalternswas his nephew, Philip Kearny. Morethan nepotism was involved here. Theyounger Kearny joined the military overhis father's objection but, when hisgrandfather died and willed him morethan a million dollars, the heir enjoyedindependence enough to ignore hiselder's wishes. Philip Kearny's wealthproved an asset in that the men gainedbenefits if they served in his companynot regularly available to other troopers.For example, ifhe saw "a well turned­out soldier with clean equipment anduniform" he would, according to PrivateTom Elderkin of Kearny's company,"praise the man and give him a fewbucks as a reward." The same privatenoted that anytime new types of saddlesor equipment became available Kearnywould buy it "out of his own pocket forus .... " Little wonder then that the rankand file thought he was, "a hunky-doryshoulder strap," which was barrack'sslang for a popular officer.

with the butt of his rifle. As I ran forthe river several rifles were dischargedat me; a ball struck my leg, whichthrew me down, when the Indiansbrought me back to the store."

The Seminoles displayed compassionfor the formerly enslaved African­American who had lived among themat one time. The remaining captivesdid not fare as well. Eventually, a cap­tured dragoon sergeant, a white civiliancarpenter, and another black "were putto death in a most cruel manner." Afterholding their prisoners for four days,the Seminoles "tied them to a pine­tree, and inserted in their flesh sliversof light wood, setting them on fire, andat the same time placing torches attheir feet. In this way it was five or sixhours before they died." Another 11dragoons fell during the original battlewhile two more sustained wounds.Harney and the remaining men man­aged to avoid this end and, in fact,returned with a small party of dragoonsand artillery men in December of 1840to take vengeance. According to anearly history of the incident, Harney'sforce "committed dreadful havoc" onthe enemy "so that his name became aterror to them far and wide." FromDecember 7 to 10, Harney's detach­ment pursued the foe from one islandto another in a forerunner of a searchand destroy mission. They capturedmany women and children and hungseveral of the men responsible for theattack on the trading store.

While their brothers-in-arms wagedwar against the Seminoles, the FirstDragoons (as the regiment was knownafter 1836) continued to make routinepatrols on the frontier, although of amuch-reduced scale to the first expedi­tions undertaken by that unit. Otherchanges took place in the mid-1830s,including Henry Dodge's resignation toaccept an appointment as the territorialgovernor of Wisconsin. Kearny tookover and immediately set about theknotty task of shaking down theregiment after a fairly easy-goingperiod under Dodge.

For one thing, the newly mintedcolonel noted that no manual existed forthe use of the dragoon's breech loadingHall carbine. Early in the unit's historyhe wrote to Dodge requesting that some­thing be done to fill this void but to noavail. In Kearny's estimation Dodge,"never did, nor could drill a company orsquadron of cavalry," and as a conse­quence displayed little interest in suchmatters. With only one copy of the latestFrench mounted manual available in theregiment, Kearny appOinted Captain

~(jjOJC

jc

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Frontiersman and former major of theBattalion ofMounted Rangers, HenryDodge, was the first colonel of the U.S.Dragoons when the regiment was formedin 1833. He preferred buckskins to the regu­lation uniform as indicated by GeorgeCatlin's painting from 1834. MissouriHistorical Society Art Collection.

In the field, including the Florida swamps,a white cotton uniform provided some reliefagainst the summer heat, but the leathercap still served as headgear, offering littleprotection from the sun.

\my that would be paid for in lives ata later time.

The government also seemed toerror in that same year when it cre­ated the second regiment of dra­goons, which immediately went offto duty in the Everglades, anunlikely terrain for the deploy­ment of mounted troops. In fact,the new unit ended up being dis­mounted as they fought a bloodyanti-guerrilla action in theswamps of Florida.

For the next seven years, theSecond Dragoons spent most oftheir efforts in a semi-tropical envi­ronment, ill suited to their employ­ment. Nevertheless, they harassedand pursued tiny bands ofSeminoles, as small as a familygroup or an individual enemy, with­out really coming to grips with theirfoes as a whole. One of the officerssummed up the frustration he andhis comrades experienced in theunfamiliar, unconventional type ofwarfare. He recorded: "The peculiarservice devolving upon the officer inthe scouts through the country wasquite as debilitating as the effects ofthe climate upon the constitution.His duties were divested of allattributes of a soldier. ... His com­mand of 30 or 40 men resembledmore a vandatti than a body of sol­diers, in the service of their coun­try." With these words, an earlyVictorian soldier described theproblems of jungle fighting thatwould be echoed in years to come.

For more than a half decade, theSecond Dragoons attained a reputa­tion for their "dash," but at the costof the lives of seven officers andsome 212 enlisted men, most of whosuccumbed to disease rather thanfrom encounters with the illusiveSeminoles and their black allies. Onenotable exception occurred inJuly of1839, when the regiment's second incommand, Lieutenant ColonelWilliam S. Harney, barely escapedwith his life after a night attack upona trading post where he and nineteenof his troops encamped.

According to a black interpreterwho accompanied the party, at thebreak of day onJuly 23, "I heard theyell of Indians and the discharge ofrifles; and as I ran out I found theywere all around us." One of thewhite traders received a wound"but continued to talk some min­utes, when an Indian, placing a rifleclose to him, fired. Still he talked,when the Indian beat his brains out

Fort, while Dodge heard from theOsages who sent a promise to keeppeace with their enemies, theCheyennes and the Arapahoes. FromBent's Fort, the men faced east andreturned home to Fort Leavenworthacross Kansas.

By their summer campaigns of 1835,Colonel Dodge and his subordinatesdemonstrated that the expedition ofthe previous year did not display thereal potential of these horse soldiers.They had shown that they could makesuccessful incursions into distantIndian Territory and made valuablemaps of the routes they took. Indeed,Dodges 1,600 miles cost only one man,a soldier who died of "inflammation ofthe bowels." This record stood in sharpcontrast to the previous year. Also,there had been no clash with thetribes. In fact, the Indians seemedimpressed that the United States Armycould at last find them in their vasthomelands. The idea that a mobile,well-equipped foe could strike themeven on the limitless prairies made apowerful impression on the potentiallyhostile warriors of the West. It seemedexpedient, for the moment at least, forboth sides to keep the peace.

Despite these achievements, the outcryover the costs of the dragoon expeditionsonce again rang out among settlers,taxpayers, and in the halls of Congress.The Saint Louis Missouri Republicancontinued to criticize the expeditions.The paper lambasted the Indianremoval policy then in force on thegrounds that relocating eastern tribesjust west of the Missouri settlementscreated a possible smoldering powderkeg, which could ignite in a bloodyIndian war. Even LieutenantColonel Kearny came to share inthese sentiments.

Similarly, Colonel Dodge and severalhigh-ranking military officials support­ed the idea that a continuous line ofsmall forts would provide the best typeof protection for the frontier settle­ments, at a reduced cost. Local politi­cians, aware of the economic benefitsfor their constituents living near theproposed installations, pushed forcongressional approval. By January 31,1836, a static frontier defense policywent into effect. This practice restrict­ed the movements of the dragoons inthe West for the next half dozen yearsbut may well have proved false econo-

48 MILITARY CLASSICS ILLUSTRATED

"

Page 26: Military Classics Illustrated vol.4

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Spoon lever (Model 1843)

to be dispose of them in other ways.Morale sank but the secretary of warhelped relieve the situation in hisreport. He noted that the governmentsaved an insignificant sum by dis­mounting the regiment. He calledattention to the extended frontierwhich was too vast an area for the FirstDragoons to police alone, therefore, herecommended that the regiment of rifle­men be remounted, and with petitionsfrom the legislatures of Missouri andLouisiana to support this proposal,Congress retracted its earlier decision.In March of 1843, officers and menalike rej oiced when they heard thattheir beloved horses were to bereturned. A holiday spirit prevailedand a gill of whiskey went to each man.After a variety of amateur theatricalperformances to celebrate the event­probably in the wake of several toastsofjohn Barleycorn-the officers ofFort Jesup decided to fire a salute tothe occasion. They moved in a body tothe parade ground where the retreatand reveille gun stood. With no horsesavailable as yet, two of the officersmounted the loaded piece to ride itwhen it was fired. In the scuffle todetermine who would gain this honor,one of the gentlemen ended up on topof the vent hole. When the gun wentoff, he went up several feet in the air,then came down with his uniformafire. Fortunately, some of his com-

proposed that two-thirds of the newregiment be taken from civilian appli­cants or from the ranks. While theproposal went down in defeat, theSecond Dragoons would find theirorganization's very life threatened. TheHouse of Representatives called for theelimination of the unit in 1842. A com­promise ultimately halted this movewhen the Senate proposed the idea thatthe Second Dragoons be converted toa rifle regiment. By taking away thehorses and substituting rifles forcarbines, the size of the army wouldremain the same but costs would belower without the additionalexpense of mounts.

General Order Number 22 of March13,1843 reqUired the Second to turnover its horses to the First Dragoons or

50 MILITARY CLASSICS ILLUSTRATED

execution" would be tolerated andthat the commanders would notdepart from this "bible" to even "theslightest degree."

Not to be outdone, the SecondDragoons, who finally transferredfrom Florida to stations in Louisianaand Arkansas in 1842, began a "stren­uous schedule of training" underCaptain William]. Hardee. Thisfuture Confederate lieutenant generaljust had returned from a tour ofEurope himself, where he too had theopportunity to look at what the OldWorld had to offer. Now, as the regi­ment's executive officer, he oversawthe tactical exercises and mounteddrill of the unit. He even managed toarm the four companies located atFort Jesup, Louisiana with lances, andfor a short while these men were theonly regular army troops to carry thisweapon. The remainder of the com­panies continued to practice with thesaber, Single-shot pistol, and carbine.

Just as Hardee began to makeprogress in his training efforts, Congressbegan a retrenchment typical of all post­war periods. With the cessation of majorhostilities against the Seminoles,reductions were ordered inWashington. Actually, the debate aboutthe Second Dragoons could be tracedback nearly six years when theJacksonians used the legislation, whichproposed the outfit's creation as aspringboard to attack the United StatesMilitary Academy. These politicianswanted to do away with West Point,claiming its graduates did not learn tofight Indians there, a major reason forthe existence of the army in the mindsof many a frontiersman. Despairingthat they could not close the Academy,the representative from Kentucky

The National Park Service has restored the parade ground at Ft. Scott much as itappeared in its heyday when the hooves ofhorses and the clatter ofsabers carriedby bold dragoons echoed on parade.

Page 27: Military Classics Illustrated vol.4

rades rolled him in the grass andextinguished the flames before theycould cause real harm.

FollOwing the lead of their superiors,some of the soldiers partook of spiritstoo. One intoxicated ranker blurtedout, "hereafter, we'll do e-ev'ithin'mounted! We'll eat (hic), drink (hic),and sleep in the (hic) saddle; we'll livemounted and (hic) we'll d-die mounted."

During the brief period when theSecond converted to a rifle regiment,Kearny's men gained a number ofmounts, which put the First Dragoonsat full strength. This fact helpedKearny carry out the directive toestablish a temporary outpost at themouth of the Raccoon Fork of the DesMoines River in order to keep peacewith the Sac-Fox in the few yearsremaining before their relocationacross the Missouri.

Not all the tribes liVing in Iowa of1843 proved as easy to deal with, how­ever. The Winnebagos crossed theMississippi to the former Illinois andWisconsin homeland to hunt. Thisactivity drew Captain Sumner's com­mand from Fort Atkinson, Kansas, outto track and return the foragingIndians so that he could induce themto return to their new reserve.

Further west, another dragoon officer,Philip St. George Cooke, who during theCivil War was destined to oppose hisfuture son-in-law, j.E.B. Stuart, led twodetachments to protect traders andtravelers on the Santa Fe Trail. SomeTexans had threatened to disrupt theroute and confiscate the caravans ofMexican merchants. A band led byJacob Snively attempted to make goodthis boast, but Cooke's contingentmanaged to disarm the would-beraiders and sent some off to Texas andothers toward Missouri. After seeingthe traders safely across the ArkansasRiver at the Cimarron CroSSing, hemarched back to Fort Leavenworth.Fearing further outbreaks by theTexans along the road, Cooke took tothe saddle in August to escort 140wagons belonging to Mexican busi­nessmen. Beyond the Arkansas Riverthey met a Mexican patrol, which wentthe remainder of the way to Santa Fe.

These amicable relations would notlast long because the press of ManifestDestiny soon brought Mexico and theUnited States to the edge of war. Beforethe conflict actually commenced, the

52 MILITARY CLASSICS ILLUSTRATED

dragoons concluded some of theirlast forays to the frontier, undertakenin part due to the growing push ofpioneers to the Pacific Northwest.

Thus Kearny led one of the lastmajor expeditions of this type, leavingFort Leavenworth on May 18, 1845with five companies of his FirstDragoons. FollOwing the Oregon Trail,they reached Fort Laramie, which wasstill a fur trade post, on June 14, wherethey met local Sioux. They exchangedgifts and demonstrated their martialskills to impress the warriors with theimportance of remaining peacefultoward the whites. A portion of thecommand then crossed the continen­tal divide at South Pass, turnedaround toward Fort Laramie, and rodesouth along the front of the RockyMountains. Kearny's troops moved onto Bent's Fort, and from there followedthe Santa Fe Trail back toLeavenworth. When the expeditionleft this place, months earlier, PhilipSt. George Cooke exclaimed, "it was abeautiful sight!-the squadrons weregliding, two abreast, along gentlecurves, over the fresh green grasswhich was brilliant in the slant rays ofthe sun." The scene was enhanced bythe horses with their "gallant bearing;-bearing fifty blacks led; fifty graysfollowed; then fifty bays; next fiftychestnuts-and fifty more blacksclosed the procession: the arms glit­tered; the horses' shoes shone twin­kling on the fast moving feet." Now,after ninety-nine days in the field andwith the conclusion of 2,200 miles inthe saddle, Kearny's men came backon August 24,1845.

"And what news" did they hearwhen they reached "the States?" Aftermeeting Apaches, Kiowas, and othertribes and gaining invaluable experi­ences on the Plains, which would"break down anything but a cast ironhorse" the column received a newchallenge. Cooke and his comradesfound the newly elected PresidentJames K. Polk was considering "a warwith Mexico so inevitable, that ourdistant march at this time has beencriticized in camp...." Despite internalquestioning, the lessons learned onthis last excursion to the West "madeit pOSSible" in the words of one notedhistorian "for the United States to

patrol the prairies and plains and thusmake effective American authority"on the frontier. It now appeared thatthe bold dragoons once again wereriding high in the saddle as a new erawas dawning in response to the pow-erful cry of "manifest destiny." G

Page 28: Military Classics Illustrated vol.4

'

By Paul W. Miraldi and Owen ThorntonMILITARY CLASSICS ILLUSTRATED 55

- -

The Camouflage Uniforms and Gear of the U.S. Army SpecialForces in South East Asia in 1961-1966 was an Odd Mix of Home­Grown Military Styles and Civilian and Foreign Patterns.54 MILITARY CLASSICS ILLUSTRATED

Left: These two early advisors both wearexamples of the John Wayne dense("JWD'? camo pattern which is printedon heavyweight cotton material. Theadvisor on the left sports the classicthree-pocket shirt with seven-pockettrousers, which feature a zipper fly. Thesuit is said to have reached its "fullmaturity, " meaning that as far as colors,the black has turned to purple. This isdue to the inferior vegetable dyes usedin all Asian countries. Soaking the gar­ment in vinegar could counteract this.Headgear is another example ofa pri­vate purchase Vietnamese-made "cow­boy hat" in the tadpole "sparse" pattern,which is an early choice for hats. The hatfeatures two screened eyelets on eachside. On one side is a metal snap. Insidethe hat is lined in red, a color originallyused by the German Afrika Corps, afterresearch showed that it kept the wear­er's head cooler. The hat also features avinyl sweatband.The .advisoron the right wears anotherset ofJWS, an early pattern that cameinto service around 1962. This is a vari­ant cut; the shirt features the coveredbuttons on the pocket flaps andextremely wide button loops. Trousershave the five-pocket style, lacking theslash pockets. All pockets on thetrousers feature the large bellows. Thisis one of the more popularpatterns andis very sought after by collectors.Headgear is a typical French style cam­paign hat in the ever-popularparachutesilk material. This pattern WWIIparachute silk was also done in two dis­tinctive styles. The pattern worn here inthe hat and around the neck is in the"smooth" pattern.

This advisor carrying a BrowningAutomatic Rifle, wears the JohnWayne dense (JWD) pattern shirtand pants. Shirt worn is a very rare tai­lor-made four pocket shirt styled exactlylike a U.S. Jungle fatigue shirt, completewith exposed buttons, but lacking thetwo take up tabs on the waist. This pat­tern shirt was neveran original garmentcut, which makes it very desirable andrare. The John Wayne dense is the mostcommon and is even copied by a com­pany called Tigerstripe Products.Matching boonie hat is in the same JWDpattern and is typically lined with blackmaterial and features the white tag withthe size letter in red. This hat features ared "M" for Medium. It also incorporatestwo metal grommets for air circulation.

Backside ofadvisorgives a goodlook at his 1st model CIDG rucksack,

first produced in a heavy greenishgrey duck material. These weredirect copies of the NVA rucksacks,and were capable ofcarrying quite

a bit ofgear. This also pro­vides an excellent view ofthe advisor's 1st model two­quart canteen and carrier,which was modeled after anexperimental WWII canteen

and cover.

Special Forces advisorwearing the 2nd modelVietnamese-producedwindproofpattern cam­ouflage. The shirt fea­tures two large breastpockets, each securedwith a single covered

button, gas flap,buttoned cuffs,and air vents under

the arm. When theSouth Vietnamese formed their ownAirborne Brigade, they continued to out­fit their airborne soldiers in this patternusing bolts of original British surplus air­borne material. Once these wereexhausted, the Vietnamese quartermas­ters began printing their variation of thispattern in 1962. These sets are very rareand sought-afterby collectors. Worn onthe advisor's pistol belt is a small hunt­ing knife which featured a natural staghandle and a 6-inch blade. These typesofknives were common among mostearly advisors.

"muu:2Q)cc.:J'Eeno(5.<:11.

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I I

Early American Special Forces serv­ing temporary duty ("TDY") in Vietnamarrived wearing the same heavy ODcotton uniforms of the conventionalarmy serving both stateside and inEurope. These uniforms were ill-suitedfor Vietnam's tropical climate andlacked the camouflage properties ofthe country's thick jungles. The U.S.Army had "officially" done away withcamouflage at the ending of WWll,and felt that the OD green uniformfilled the need of camo utilities. By theend of 1948, the Research andDevelopment Laboratory had devel­oped a pattern known as ERDL, butwould leave the idea of camouflageduniforms shelved until 1962 when fur­ther studies would be carried out at Ft.Benning, Georgia.

At this time, the only camouflagebeing produced by the U.S. was themapleleaf "Mitchell" pattern whichwas offered in shelter halves and hel­met covers and the older WWIl styleduckhunter helmet covers.

Many soldiers had locally producedsets of camouflage uniforms made outof these Mitchell shelter halves, whileserving with the 1st Special ForcesGroup Airborne ("SFGA") on Okinawain the late '50s and early '60s. Othersprivately purchased sets of commercialcamouflage from popular sportinggood outlets like Sears and Roebuck.The U.S. Army had regulations con­cerning the wearing of "unauthorized"uniforms, such as foreign camouflageor hunting camo purchased privatelyfrom the states. These regulations wereusually disregarded in exchange for thecomfort and protection the camouflageuniforms provided. As well, theenforcers of these regulations were farfrom the dangerous areas that theSpeCial Forces inhabited. Later in thewar, Military Assistance CommandVietnam ("MACV") began to realizeafter the loss of many men that the jobof 'advising' was extremely difficult­and dangerous. Service with many ofthese units began increasing Viet Cong("VC') reprisal as early as 1963. Manyat MACV headquarters realized that theAmerican SpeCial Forces advisors werebeing targeted by the Viet Cong, andbounties were being put on their heads.

By 1965, MACV ordered thatAmericans serving in the advisory roleto begin wearing parts or all of the uni­forms of their "host" unit; this includedheadgear, badges and camouflage

clothing. Many AmericanSpeCial Forces, already awareof the fact that wearing a greenberet and non-camouflagedclothing could draw unwantedgunfire from the enemy, begandonning these uniforms andheadgear well before thepaperpushers in Saigon'sMACV HQ deemed it neces­sary.

Besides protection, the wear­ing of the Vietnamese uni­forms, were shows of supportand helped with unit cohesion.On the camouflage uniform,many SF personnel sported theeqUivalent rank of theirVietnamese counterpart; manytimes this was worn centeredon the front of the uniform aswell as on either pocket flap.Most of the time, but notalways, these camouflage uni­forms were worn void of anypatches, although members ofthe elite "Mike Force" worenumerous pocket and sleeveinsignia during operations.Period photos show some SFpersonnel wearing a pin ofU.S. airborne wings as well asCIBs and a pair of clothparachute wings and SouthVietnamese para wings onboth the duckhunter andtigerstripe uniforms. Many ofthe South Vietnamese woretheir unit insignia; the LLDB"jumping tiger" on the leftsleeve of their tigerstripe andduckhunter uniforms. Thestrikers wore patches on theircamouflage and adopted somebrightly colored scarves.Besides the typical tigerstripeand duckhunter uniforms pro­vided by the Vietnamese quar­termasters, other camouflagefound its way into Vietnamsuch as the French "Lizard"pattern, British airborne SASpattern and Belgian camou­flage smocks, which were usu­ally worn by members whileserving with the 10th SFGA inGermany at Bad Toltz.

MITCHELL PATTERNThe Mitchell pattern or

"Maplelear' was printed with aleaf pattern usually on thickheavy canvas. The pattern wasfirst introduced as a camou­flage shelter half during thelast months of the Korean

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War, around 1953, and was used byboth the Army and Marine Corps. Thepattern was printed on two sides; agreen side was intended for spring andsummer and featured a four-color con­figuration with large maple leaves. Theopposite side was roller-printed with abrown dominant pattern, intended foruse during the fall and winter. Thebrown side had a four color disruptedpattern, sometimes referred to as theNational Police pattern, since theNational Police used it as their uni­form. Uniforms made from these shel­ter halves are usually identical to theOG 107 uniforms, although trousershave been seen that are very similar tothe herringbone twill "HBr trousers ofWWII having two large hip cargopockets. Even though the material wasquite heavy and therefore warm, it fea­tured a camouflage pattern and hadthe added benefit of being water repel­lent fabric.

TIGERSTRIPEThe French, during their occupa­

tion, first introduced these camou­flaged uniforms to Vietnam after thesurrender of the japanese. Many of theParas wore the French pattern calledVeste deSaunt mle 1947/53, or the"lizard" pattern. Vietnamese copies ofthis was first produced in 1959, andissued to the then-new SouthVietnamese Marine Corps. Soon after,the demand for these garments out­grew the small Vietnamese quarter­master system and "off shore" sourcessuch as japan, Taiwan, Korea andHong Kong began prodUCing tiger­stripe clothing for the growing ClDGprogram. By 1962 several patternswere introduced and today are verysought after by collectors.

In 1963, the basic issue for a ClDGstriker was two sets of tigerstripefatigues, a matching flop hat or"boonie hat," one pair of the Bataboots, a pistol belt, one canteen, anindigenous rucksack, and a weapon.U.S. advisors were usually able toobtain two sets of tigerstripe or duck­hunter if available in larger size.

COMMERCIALEarly advisors had no access to cam­

ouflage clothing that was lightweightand functional. At this time, many werestill wearing the heavy and uncomfort­able OG 107 cotton fatigues. Early CIAand civilian operatives working in

58 MILITARY CLASSICS ILLUSTRATED

Vietnam in the mid '50s had procuredsets from U.S. commercial sportinggoods outlets. The style was a directcopy of the popular WWII MarineCorps pattern used throughout thePacific Island-hopping campaign. Thecamouflage features large "spots." It isbusier than its Vietnamese predecessor,with the "spots" interacting with eachother. The "duckhunter" pattern isprinted on lightweight cotton materialand sometimes on heavyweight cottonduck material, with the backgroundbeing tan. The spots vary in color, rang­ing from dark brown to lime green, andan Indian red. These "duckhunter"camouflage fatigues were popular withthe early advisors since they offered apractical camouflage uniform, werecomfortable, lightweight, breathable,and had the added room of large cargopockets on the trousers. The "duck­hunter" shirt featured two "patch"pockets located on the breast, althoughthe common variation featured the twolower pockets. There was also a threepocket variation which had the typicaltwo lower pockets with an additionalthird smaller open pocket on the leftbreast. Photos show some U.S. SpecialForces advisors officers wearing theirU.S. rank and Branch of Service("BOS") on their collars. The author hasnever seen an example of any SpecialForces member wearing the SSI on theduckhunter uniform. Early fatigues fea­tured pockets that were usually securedwith a Single blackened "Burst ofGlory" metal tack button, or largeWWII style plastiC button, normallyOD green or brown.

MDAPThe ClDG "strikers" were organized

into local defense forces and were con­sidered civilian employees of the U.S.government. They were recruited, fed,housed, trained, paid, and outfitted byU.S. Special Forces, not the Army tothe Republic of Vietman "ARVN." Ofthese uniforms, the Mutual DefenseAssistance Program "MDAP" patternduckhunter was the first camouflage tobe distributed to the ClDG "Strikers".The MDAP pattern duckhunter cam­ouflage was printed in two known pat­terns and two different weights ofmaterial, and in three known varia­tions or cuts ofjacket and trousers.

During Operation SWitchback, theprogram outgrew CIA control andorders were put in to have these cam­ouflage uniforms produced by "offshore" countries such as japan, Koreaand Hong Kong. Although two differ­ent patterns have emerged, both share

Black Bata boots bought and paid forby the American Special Forces, andproduced in Canada. This is the rarerblack version. The OD green oneswere more common.

Typical French-made campaign hat in a"duckhunter" pattern, popular with both thestrikers and American Special Forces. The Ekcombat knife is a good example ofprivate purchasecutlery. This style ofknife was employed from WWII throughout the Vietnam War.It could be purchased from the John Ek Knife company ofMiami, Florida.

MDAP pattern duckhunter cowboy hat. Note the two screened eyelets. Identicalones in tigerstripe were popularand are very desirable today by collectors.

Page 31: Military Classics Illustrated vol.4

American Special Forces advisor wear­ing a set of the Vietnamese copy of theBritish windproof. This is an example ofthe second model of the pattern, beingprinted on lightweight poplin material.The advisor wears the second model jun­gle boots and a Green Beret with the 5thgroup beret flash. The advisor wears a.38 cal pistol on his hip in a locally-madebrown leather holster. Circa 1965-66.

MILITARY CLASSICS ILLUSTRATED 61

Early Special Forces advisor wearing theFrench ''Veste deSaunt mle" 1947/53 or"lizard" pattern smock. These Frenchthrowbacks to the First Indochina Warwere easily available on the surplusmarket and popular among manySpecial Forces advisors. The advisorwears the standard first model OG 107pants with his camouflage smock, alongwith the unpopular brimmedjungle hat.Web gear consists ofan OG 107 M1936pistol belt, M1942 pattern first aidpouch, a lensatic compass pouchsecured to his single universal pouchand a single M1910 aluminum canteenin the Korean War era cover which stillfeatured the M1910 hook system. TwoMK II pineapple grenades are suspend­ed to his M1956 H-harness. Worn on hisright hip is his Colt M1911A1.45 cal pis­tol, secured in a very crude Vietnamesemade holster. On his left hip is a BoyScout's Western knife that featured a 6­inch blade and leather sheath.Canadian-made black Bata boots areworn in lieu of the black leather boots.Weapon is a Stevens 12-gauge shotgun.

U.S. produced green beret with anadded camouflage liner. This setup wascommon among some members of theSpecial Forces.

This Green Beret wears an example ofthe Sears commercial duckhunter camopattem shirt and trousers. These camou­flage fatigues were popular since theywere lightweight and fast drying andoffered the added advantage ofcamou­flage over the heavy U.S. produced cot­ton fatigues. Headgear worn by this advi­sor is a tan cowboy hat, which was pro­duced in a variety ofpatterns and colors.Web gear is a variety of WWII era surplusitems such as his M1916 brown leatherholster, khaki first aidpouch and twin cellammunition pouch, X-harness and hisPAL Bowie-style fighting knife. Worn overhis shoulderis a pouch designed to holdthe long stick magazines ofhisThompson or M3 submachine gun.

Special Forces advisor wearing thegreen beret with the flash that wasadopted in 1963, it represents the 1st,5th and 7th SFGAs and the colors ofSouth Vietnam. The advisor wears theSpecial Forces DI pin, depicting him asan enlisted man.

MODELSThe first model was done in the clas­

sic heavyweight material and featuredthe "Burst of Glory" buttons whichwere believed to have been blackened.It's believed that since none were mintcondition, that the blackened finishhad flaked off. The shirt featured twobreast pockets, each secured with aSingle metal button, with an additionalbuttoned sleeve pocket. Another iden­tification characteristic is a vertical "W"weave stitch in the collar and buttoncuffs. These have been seen in photosas early as 1961-62. The matchingtrousers featured two rear pockets eachwith a single metal button closure andtwo cargo pockets and a Single lowercigarette pocket.

The second model of the MDAP"Duckhunter" was the same pattern asthe 1st model, but with plastic buttonsreplaCing the metal tack buttons. Theshirt featured two breast pockets; eachsecured with a single plastic button.The pocket features a bellow on the leftside. The left sleeve cigarette or first aidpocket was eliminated. Matchingtrousers featured two rear pockets,each secured with a single button, andtwo large cargo pockets, both with thebellow facing toward the rear, and aSingle plastic button. The second gen­eratlon also featured the small first aidpocket/Cigarette pocket. On the left legJust below the cargo pocket, plasticbuttons replaced the metal ones. Thesewere cut similar to the standard tiger­stnpe pants.

The third model featured a differentpattern where each of the spots wereintermixed and touching each other.Patterns before had always been sepa­rated. The shirt now incorporated twobutton closures on each of the twobreast pockets. Trousers did away withthe two slash pockets and featured tworear pockets, each with a button clo­sure and two cargo pockets and a sin­gle left-sided first aid-dreSSing "cigarette

60 MILITARY CLASSICS ILLUSTRATED

the same geometric shapes. The patternIS always seen printed on a tan back­ground. Unlike the sporting goods out­let pattern the shapes rarely touch eachother. These almost always features"clusters" of spots. Another distinguish­able characteristic is the white size tagfound inside both trousers and shirts.Even when torn, the frayed white tagcan usually be seen, determining aMDAP made garment.

I, '

Page 32: Military Classics Illustrated vol.4

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pocket." The waist also incorporated abutton take-up tab on each side.

The final, and fourth model, fea­tured the same pattern as the first twobut was printed on lightweight cottonpoplin material. The shirt had twobreast patch pockets, much like thoseon the American OG 107 lacking thebellows. The shirt also had the buttoncuffs as the first three cuts, but lacksthe vertical "W" weave or stitch in thecollar. Trousers used incorporate two­button take-up tabs on either hip, tworear pockets, two cargo pockets, butlack the two slash pockets usuallyfound on American garments.

BRITISH WINDPROOF"SAS", VIETNAMESEAIRBORNE PATTERN"BULLETPROOFS"

The windproof pattern was a directcopy of the British SAS pattern of lateWWII, first introduced in the form of apullover smock. This pattern also sawuse in Korea between 1950-53, andwas later issued to French Paratroopersserving during the first Indo-Chinawar. When the South Vietnameseformed their own Airborne Brigade,they continued to outfit their airbornesoldiers in this pattern using bolts oforiginal British surplus airborne mate­rial. Once these were exhausted, theVietnamese Quartermasters beganprinting their own variation of this pat­tern around 1962. The pattern is print­ed in two distinct variations on twodifferent weights of material, and inthree distinctive cuts like manyVietnamese uniforms.

The first model of this Windproofpattern was complete, and very color­ful, containing four very rich colors;plum, lime green, pinkish grey, and apine green. This was roller-printed ona pink background, which was a silkymid-weight cotton material.

It featured two chest pockets, eachwith a covered button, button cuffs,shoulder loops, reinforced shouldersand elbows and a large gas flap, muchlike the American OG 107 cotton uni­forms of the '50s. Underneath thearmpits were small air vents for the aidin cooling. The uniform was puttogether with all-green cotton threadand features a high quality Asian but­ton. Matching trousers featured fourpockets; two front slash pockets, andtwo rear pockets, each with a coveredbutton, and a four-button fly and belt

62 MILITARY CLASSICS ILLUSTRATED

Page 33: Military Classics Illustrated vol.4

berets were worn was when visitingbigshots arrived at camp, or when sol­diers were around other u.S. militarypersonnel in the rear, such a NhaTrang, at the H.Q. or for photo oppor­tunities. The bush hat or flop hat wasworn on operation because it provid­ed protection for the neck and facefrom the fierce heat.

"Duckhunter" matching hats werealso made in the same MDAP materialand came in cowboy style, CIDG stylepatrol cap, and in the manner of theM1945 field cap. Many SouthVietnamese LLDBs wore duckhunterberets as well. Other hats could bemade in matching material at any ofthe many tailor shops that sprung upnear any of the camps.

"Tigerstripe" matching hats came inthree known issued styles, with shortbrims and one that featured two snaps,these are all referred to as the CIDG'sboonie hats. Others were produced inboth the cowboy and FrenchCampaign style, as well as berets andpatrol caps. III

smock had two large "bellow" breastpockets secured with three snap fas­teners. There is a large pocket behindthe right pocket, secured with a zipper.A small patch pocket on the face of theright pocket had tape pencil loopssewn in. The two lower pockets,mounted on a slant with the buttoninward, had snap fasteners similar tothe top pockets and two drainageholes. The smock also had two ventila­tion holes in the armpit and buttoncuffs. It wasn't uncommon to see U.S.advisors wearing these French colonialleftovers early in the war. These jacketswere freely available on the militarysurplus market until the mid 1960swhen supplies began to dry up.

ABOUT THE AUTHORSPaul W Miraldi has been colleCting uniforms from Vietnam for almost 20 years,

with emphasis on Special Forces related items. He has written articles for MilitaryIllustrated dealing with Special Forces, Rangers, Special Operations, junk ForceAdvisors and ARVN Ranger advisors,and has helped in numerous History Channelprojects dealing with Special Forces, snipers, and tunnel rats. He assisted WesternCostume with Brad Pitt's uniform in the recent release "Spy Games," and is the presi­dent of the Vietnam War Historical Society, a non-profit organization dedicated to thepreservation ofpersonal and unit histories from the Vietnam WaJ:

Miraldi has written two books for Schiffer Publishing dealing with the completeuniforms and equipment ofboth US. Army Infantry, LRRPs and Rangers as well asUS. Military Advisors. His next book will deal solely with Rangers and LRRPs. Twomore books are planned dealing with Special Forces.

Owen Thornton hails originally from Ireland, and has spent much of his adult lifedealing with Vintage clothes and uniforms. He has one of the largest tigerstripe col­lections as well as other patterns from Vietnam, and currently is a military clothingappraiserfor VintageTrends.com.

HEADGEARContrary to popular belief, the

Green Beret wasn't worn very often.Most of the time no headgear wasseen, or a Vietnamese-made jungleflop hat was worn. The berets werehot and provided no protection fromthe tropical sun. The only time the

Anotherexample of the commerciallyproduced "duckhunter" camouflage popularwithmany advisors. The shirt is printed on lightweight cotton and features two breastpock­ets andplastic buttons. Headgear is a locally-made piece common with special Forcesadvisors, in the parachute material. Around his neck is a smallpiece ofpara silk. Notethe dark green T-shirt. The advisorsports an unauthorizedgoatee andmustache.

FRENCH "LIZARD"PATTERN

The camouflage smock. was thethird model French camo known asthe "lizard" pattern, and featured hardbrush strokes and a feathering off pat­tern of red-brown and light green on atan khaki background. Thejump

64 MILITARY CLASSICS ILLUSTRATED

loops. Extra material was on the kneesfor added strength.

By 1964, the pattern evolved intothe second variation which featured asimpler print with the shapes beingmore defined and with a slightly differ­ent color scheme, but the same overallpattern. The second generation wasprinted on lightweight cotton poplinmaterial. It contained the same styleelements as the previous version.

The third variation, based on theoriginal, is in the same color schemeand material as the second generationand was printed on cotton poplin. Itwas cut identically to the first model"exposed button" u.s. Jungle fatigues.The shirt featured four pockets, allwith exposed buttons, shoulder loops,but lack the side take-up tabs.Matching trousers are cut the same,featuring two rear pockets, eachsecured with a single button, twolower cargo pockets, both with twoexposed light green hand sanded but­tons, and a survival pocket in the leftcargo pocket. On the knees and crotchextra material is added like itsAmerican counterpart. This variationis believed to have continued throughthe end of the war although in decreas­ing numbers. Like many Vietnamesegarments, extra pen pockets wereadded by some. As well, the Advisorsto the Vietnamese Airborne and theVietnamese Paras added two extra zip­pered pockets behind the two-slantedchest pockets, very similar to theFrench lizard para smocks.

The authors have seen very few pho­tos of an American Special Forcesmember wearing this pattern, althoughit was very popular. Once again, clothpatches as well as metal insignia, are upfor debate. Photos show u.S. Advisorsassigned to Team 162 and workingwith the Vietnamese Airborne wearingthese camouflage uniforms with allinsignia sewn on as well as other uni­forms with all patches including nameand "u.S. ARMY" direct embroideredon these uniforms as well as combatpatch, rank and Branch of Service.

rI1

II'

Page 34: Military Classics Illustrated vol.4

I ,

The Victrola "VI" was a popularphonograph thatwas manufactured in great numbers for overadecade. During WWI, armies on both sides of thefront used these American machines to bringmusic to the troops. They were relatively inexpen­sive ($25-$32.50 by war's end), and easily trans­portable. Victor records of the time were availablefor 75 cents each, with thousands of titles listedin the catalogue. The large numbers ofsurvivorsof this Victrola (and its slightly smaller sibling, theVictrola "IV'? is testimony to its practicality, bothat the front and in thousands ofhomes.

World War I was theFirst Conflict to SeeWidespread use ofthe Phonograph.What did theSoldiers Reallylisten To?

here is a time­honored rela­tionshipbetween war­

fare and musical orrhythmic expression.From the trumpet blastsof ancient armies, toVietnam anthems suchas "The Ballad of theGreen Berets," musichas played a significantrole in the lives of sol­diers (and nations).Trumpets, bugles anddrums throughout his­tory have "telegraphed"battlefield commands tothe troops. By the eigh­teenth century, massedarmies in linear forma­tions were maneuveredby a bewildering varietyof drumbeats-and itwas every soldier'sresponsibility to recog­nize and respond tothese signals.

By Timothy C. Fabrizioand George F. Paul

Page 35: Military Classics Illustrated vol.4

fAKE ME BACK TO OEAR OLO BLIGHTY (1)

Jack Dunn, SOlI 01 .\ ltUll, O\'t! in France lo·da~.

Iie,ep" fil, doinj:l: his bil, up t!I his eyes in clay:Losch nj~hl. alltr a fiJolhl, 10 pass the time .::tlong,

•. ~~~~'.: g~.t.•~. lillIe ~r.:~.o~~~~.e••t~I.~~.~~.~)~~. ~I~~~ ~.o.~g.

In the trenches beneath a gloomy sky,British soldiers set theirweapons aside toenjoy a tune from a portable "reflex"phonograph. Courtesy ofPhilippe Le Ray.

7 (;t,n:rt lQ11 fQfl) • fl6Pif-,1 w fJ ~,I.," pr;!<)AG()~'/l-R~: ..\~A.'!Tl,·5. , .';\ rflflJ)jtal ill' 1'{O{dlH'atinll JHHU' ..oid.lt .. :\\"'11:,' k ... dl' I.:. I l~r"a ...otl'n' ...Cllli IltLdl, ... ..11· ... n':':lt-.I"- d( (. h,\, ... ~ 1 H

(.)(. 1>1"0..... (.' i1'. df' Y'luHcdt' : Hlai", 11, ... !lflllllllt'-. .": ;tjlpfl'l1l1l4llt l"~}d,·tUj·JH la .1.·..·1 "I,'. t ,·t II! ',n', 11111, I ,·n' ...jt

411 '\. t.! 1,'" luit:u,\ tl(Ju.· ... la 1IIU"iIIIW. C.'nillu" !HIItIHI''', ell" '< 1Ilh'lti 1!J1hl"1I1t'Bt t1"" IlI"'tJ ~ltnl"h 1 ...

"I' ,;" •••• ~~_ I\rl"ud c::t. ,noll" ;\.Int~..

A group of five blind soldiers in Nantes, France with their instructor (standing, left).Among the skills taught to these disfigured men was music, and according to thecaption, some of them rapidly excelled at their instruments. A part of the music roomis a Pathephone "No.4." Courtesy ofPhilippe Le Ray.

MILITARY CLASSICS ILLUSTRATED 69

In a scene dated October 12, 1917, Germans enjoying bottled beer gatheredaround a European talking machine.

In the spring of 1918, this contented group of Germans quaffed beer andplayed aFrench Pathe phonograph.

~'.."l't'

The first Song orthe land sung bythe daughterof the Presidentof the United States.

During World War I, Columbia sold a discrecording ofPresident WoodrowWilson's daughter, Margaret, whose roy­alty was donated to the American RedCross. It's a pity that altruism and talentare not always balanced. A 22"x 28"dealerposter.

~."

These German officers and an NCO enjoy wine and other domestic amenities in aquiet sector. The presence of trees and the immaculate fortification suggest anartillery battery or other rear area. As is often seen, the Germans made extensiveuse of older, external horn phonographs. Quite a few of these machines survive.

turies, the value of music for troops The first "recreational" militarywas proved again. Every major conflict music became available on records inof the past 200 years has spawned its the 1890s. Yet, for armies fighting inown songs, easily recognizable to the Cuba during the Spanish-Americanpublic at large. Some, like the melan- War, in China during the Boxercholy "Lili Marlene," first popular with Rebellion, or during the PhilippineGerman troops in the Second World Insurrection, recorded music could beWar, became worldwide hits. heard only from the delicate and often

Martial music had a positive influ­ence on the soldiers' morale. Fifes,flutes and pipes were found to have anuplifting effect on the troops' fightingspirit. For example, Scots wouldrelentlessly wade through blisteringfusillades with bagpipes wailing-aphenomenon so impressive that theBritish army adopted the instrument,with legendary results. Naturally,courage under fire was not the Simpleproduct of stirring musical accompani­ment. However, the ameliorativeeffects of these instruments in battlewere indisputable.

In the nineteenth and twentieth cen-

68 MILITARY CLASSICS ILLUSTRATED

Christmas 1916 in a German underground bunker. These men are listeningto a French Pathephone Model "A. " The anemic-looking Christmas tree onthe table did little to assuage the stress of two years ofwar evident on the facesof these soldiers. Courtesy ofPhilippe Le Ray.

II.I1<

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A doughboy playing a Pathe disc phono­graph. Why pose with a talkingmachine? Perhaps to show the folksback in the States that he had all thecomforts ofhome.

l~[ G~[AT[H SIORY [Vm TOLD( WHEN TilE BLUES ARE C1IANGFO TO GOI.O I

MILITARY CLASSICS ILLUSTRATED 71

Jt; IiR IYlLf(4ll{."For the blue stars in the window tell astory of their own,Of the soldiers for 'Old Glory' for our lib­erty and home,If the word comes 'they have fallen,'Then the blues are changed to gold,And it's then we kneel in prayer, for theheroes 'over there,'For that's the greatest story ever told."

What attracted these American soldiers the most? The tempting pile ofdoughnuts?The closeness ofa pretty girl? Or the photographer's camera? Temporarily, theVictrola "VI" was ignored. When all those "sinkers" were gone, they'd play it.Courtesy of Todd Emery.

These British soldiers are recuperating to the sound ofa continental phonograph.CourtesyofPhmppeLeRa~

time, soldiers could hear a variety ofprofessionally rendered music duringinevitable periods of boredom.

The talking machines used by sol­diers of the First World War variedsomewhat according to the uniform.The earlier style phonographs, withexternal amplifying horns, remainedpopular in Europe considerably aftermore "modern" models, with internal­ly housed horns, became predominantin the United States during the teens.For this reason, images of French,Belgian, German and Austrian soldierslistening to recorded music oftendepict the older type machines witheye-catching horns.

The British were fond of reflex-style"suitcase" portable machines. These

-FIRST AlD- FRENCHf,r A.MERICAN

SOLDIERSwith

VICTOR RECORDS

"United by Misfortune" reads the cap­tion of this Great War postcard depictingtwo horribly wounded French Sailors.One can only hope that the Pathe"reflex" phonograph on the cartbetween them offered some solace.Courtesy Garry James.

"-The Victor company issued a shortcourse of emergency French forAmerican soldiers. Included wereinstructional 785 and phrase book.Courtesy ofAlan H. Mueller.

apparatus. Most phonographs werespring-driven, requiring the user to"crank it up" before playing. Althoughcylinder records were still being manu­factured, the ubiquitous 78 disc recordhad gained precedence. More impor­tantly, phonographs and records hadbecome less expensive and moreportable. This last point was a validconsideration in an environment ofmud and flying shrapnel. For the first

unpredictable phonographs of theperiod. There is scant documentationof phonographs and records beingused by fighting men at the turn of thetwentieth century. Not until the FirstWorld War, did recorded music beginto playa major role in bringing distrac­tion to the troops.

By the outset of WWI in August1914, the talking machine had evolvedinto a durable and easily operated

The YMCA provided these doughboys with a Victrola for their entertainment.

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All ..........."""""'............ No"" ..._.,1 P.-w",1tn

=.;-'"~..,::---,-.. -­.....<.. I...,......,lI..",- .. lhidors.-°._.,.-ta-s"""."".''''1''_+<''''-.., ..... -.Ard_.I1_",",~.c..b........~oI-Mko<-dwi-*!oW OS. fIiA"''Il',k <'1 II ..."..I••0)_,k l1_-,..&.-..:.J__...........

MILITARY CLASSICS ILLUSTRATED 73

An enterprising Victor dealer added this patriotic jacket to a regular Victor monthlyrecord supplement. Courtesy ofAlan H. Mueller.

}

The soldiers aboard "Transport Mercury" enjoyed books, cards, a banjolin, and ofcourse, the Victrola. Courtesy ofDennis Peterson.

l

Even after more than a year ofAmericaninvolvement in the war, this Victoradvertisement that appeared in July1918 stressed that, "Any time is dancingtime, " with only one bit ofkhaki evidentamong the dancers (fifth from right).

Early in the war, this hopeful Frenchcouple in German-occupied Alsace con­jured up images of triumphant Gallictroops marching to their rescue, whilethe Pathephone played patriotic airs. Inreality, the drama of the province'seventual return to French control wasfar less breathtaking. French forceswere stalled for years far to the west.CourtesyofPhmppeLeRa~

already noted, the portability ofphonographs of the period did allowthem to be carried among the worst ofthe fighting, however far more appro­priate venues were first aid stations,hospitals, artillery batteries, supplydepots and rear areas where men rest-

It should be noted that, despitesome advertisements and staged pho­tographs, trenches and bunkers weregenerally no place for phonographsand records. The constant mud, dustand dampness surely rendered themuseless in a short time. As we have

In what appears to be a hospital ward, soldiers in non-combat dress relax with aphonograph. Courtesy ofDennis Peterson.

employed a sound-reflecting metal"dish" in the lid to amplify volume.However, the undisputed giant of thewartime phonograph industry was theVictor Talking Machine Company,located in Camden, New Jersey (andits British and European affiliates).Although Victor did not introduce a"suitcase" style portable until 1921 ,the company's smaller table-topVictrolas were common behind thefront lines of all the armies during theGreat War.

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impressions of the Second World Warto the same degree.

The home front was a different mat­ter. Records such as "Keep the HomeFires Burning," "Pack Up YourTroubles in Your Old Kit Bag," "TheRose of No Man's Land," and variousmedleys of historical "War Songs" soldin large numbers, as did sheet music.The Great War was the first major con­flict in which this phenomenonoccurred. Record companies offeredcatalogues dedicated to "PatrioticMusic" for consumption by worriedfamilies and pining sweethearts allover the globe.

General William T. Sherman's oftenquoted (and misquoted) commemaryon war stated, in part, "Boys, it is hell."The truth of that sentiment has beenrepeatedly brought home to successivegenerations. Nearly 40 years elapsedbetween the invemion of the phono­graph (Thomas Edis n's "favorite"invention) in 1877, an I the point atwhich the machines were stout andreliable enough to go to war. Onceenlisted, the phonograph made signifi­cant contributions toward mitigatingShermans vision of combat. War is stillhell, but [or most of the twemieth cen­tury, the phonograph helped to assuagethe spirits of fighting men and women,as well as their loved ones at home. ~

"We're All Going Calling on theKaiser." War-related records wereundoubtedly available to soldiers onactive duty, but young men, then asnow, were interested in the latest pop­ular tunes: music that reminded themof happier times and places. Pop histo­ry has predictably persisted in depict­ing doughboys forever caroling "OverThere": a silly romantic notion thatthankfully has not afflicted modern

ed. Of all the front-line positions, thoseof the Germans, generally built alonghigher ground, with deeper fortifica­tions, afforded an atmosphere moreconducive to playing records.

A common misconception (promot­ed by some advertising of the time)suggests that soldiers in France wereparticularly fond of listening to recordsof patriotic and marching songs suchas "It's a Long Way to Tipperary," and

Uncle Sam kicks the Kaiser in...perpetuity. This topical toy surmounted the turntableofa talking machine, and the mechanism created amusing effects.

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76 MILITARY CLASSICS ILLUSTRATED . MILITARY CLASSICS ILLUSTRATED 77III:

The legendary studio headshouted across the desk atthe well-known director."The American Revolution!Nobody cares about the

American Revolution! My god, youwant your actors to wear those sillygoddamn powdered wigs!" So hard­nosed studio boss Harry Cohn suppos­edly shouted at director Frank Capraof It's a WonderJul LiJe fame whenCapra had the temerity to suggest amajor film on George Washington atValley Forge.

Lucky for military history buffs thatsome film industry types like directorsjohn Ford, King Vidor and MichaelMann persevered and managed to pro­duce such classics of early Americanfilm adventure as Drums Along theMohawk, Unconquered, Northwest

Passage and Last oj the Mohicans.Thanks to these talented filmmakersaudiences can still thrill to the cellu­loid explOits of Rogers Rangerstrekking northward to attack theAbenakis, Ottawa war chief Pontiac'sconfederacy of Woodland warriors lay­ing siege Fort Pitt, and colonialAmerican infantry charging to the res­cue of a besieged frontier stockade.

But in the early days of films it wasn'tso hard to get stories of the French andIndian War, the American Revolutionand the War of 1812 on screen.Numerous producers and directorscranked out dozens of short silentfilms with titles like With WashingtonUnder the British Flag, The Spirit oj 76,Betsy Ross and Washington at ValleyForge all celebrating America's 18thcentury military heritage.

It was D.W Griffith's 1924 epic ofthe American Revolution, America, thatreally brought the redcoats and colo­nials to the forefront of the country'smovie screens. Designed as a compan­ion film to Griffith's hugely successful,and controversial Civil War extrava­ganza Birth oj a Nation, the film com­bined various stories of the Revolutionfrom Bunker Hill to the eastern Indiancampaigns of the Mohawk Valley into atapestry tribute to the founding of theUnited States. It was full of derring-doand rescuing American maidens in dis­tress, though it's "penny dreadful"depiction of the English managed toget the film banned in Great Britain.Acting legend Lionel Barrymore playedthe lead British baddy in similaroverblown evil fashion to jason Isaac'sfictionalized Banastre Tarleton charac-

ter in last year's The Patriot.Griffith's America made the 1920s

studios take note and soon severalother big budget Early American warrilms were hitting movie screens.Paramount's Old Ironsides in 1926graced theaters with the tale of the1804 U.S. Naval and U.S Marineattacks under Stephen Decatur againstthe Barbary Pirates in Algeria. Thehandsomely mounted production wasdirected on a lavish scale by jamesCruze, who several years before haddirected the epic western The CoveredWagon, and starred tough guy WallaceBeery and Charles Farrell.

MGM decided the country's EarlyAmerican frontier military was goodcannon fodder for the box-office bymaking several nicely done mini-epicsstarring silent cowboy star Tim McCoy.

The first one, Winners oj the Wilderness,(1927) was a well-done story ofBraddock's Massacre on theMonongahella at the beginning of theFrench and Indian War in 1755. Evenmore interesting was The Frontiersmanwith a story built around the brutalCreek Indian War in 1814 whereAndrew jackson smashed hostile fac­tions of the Creek Indian nation at thedecisive battle of Horseshoe Bend.

Few films before or since have dealtwith this fascinating story of the com­plex Creek nation which was made upof more then its share of slave owningplantation owner Creeks living an opu­lent southern lifestyle. Both of theseMGM films, directed by WS. Van Dykefeatured extensive battle scenes thoughthe film's running times were usuallyaround one hour. And of course

McCoy's lead character was always aheroic frontier gentleman type battlingto save the frontier from bloodshed.

There were also several early filmversions of james Fenimore Cooper'sclassic story of the French and IndianWar, The Last oj the Mohicans.Including a better than average 1920version directed by Maurice Tournierand a 1936 effort starring future gen­tlemanly cowboy star Randolph Scottas the buckskin-bedecked Hawkeye.

One would think that super direc­tor/producer Cecil B. De Mille wouldhave jumped at portraying America'sfight for independence. But it was theWar of 1812; often referred to as the"Second War of Independence" thatactually caught De Mille's attentionwith The Buccaneer in 1938. Thoughthe story line featured jean Lafitte and

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Rnngets, Toties, Mohnwks nnd Lobstetbncks

There is little question that MGM's Northwest Passage (1939), based on the novel by Kenneth Roberts, was one of the grittiestFrench and Indian War films ever. Directed by master King Vidor (who also was responsible for, among others, the classic warfilm The Big Parade), it was produced on a lavish scale. Author's collection.

78 MILITARY CLASSICS ILLUSTRATED

many of them captured and torturedby the pursuing enemy. Yet Rogers'raid on St. Francis destroyed the abilityof the Abenakis to carry out any fur­ther depredations. All of this made itinto the film version, which was nowbeing directed by King Vidor.

It is a stunning film of stark con­trasts, beautiful photography andexciting action scenes that suggestedthe kind of gut-wrenching brutalitythat even few films today dare toexhibit. One Ranger, overtaken by sav-

MILITARY CLASSICS ILLUSTRATED

Though their outfits were not particularly authentic, the attitudes of the actors por­traying Rogers Rangers more than made up for it. Spencer Tracy was an excellentRobert Rogers, though at one time Wallace Beery had been considered for the role.Author's collection.

down on hapless New England settle­ments for almost 100 years, raping,scalping, looting and torturing as sortof a mercenary raider force for theFrench out of Canada. Rogers and hisseasoned men, some of them youngBritish officers studying forest warfare,took the war up to the Abenakis with asecret and daring raid hundreds ofmiles behind enemy lines. Out ofRogers force of several hundred men,less then half made it back to the safetyof the British fort at Crown Point,

For a film made in the late 1930sDrums Along the Mohawk is decadesahead of so many others in its realisticdepiction of early American frontierlife. Edna Mae Oliver's portrayal of agutsy widow, Mrs. McKlennan whoproudly proclaims "A woman doesn'thave any politics. I'll shoot the day­lights off any redcoat, Indian, Tory orAmerican who thinks he can comearound here trying to tell me my busi­ness!" won her an Academy Awardnomination. just one more great pieceof this now deservedly classic film.

Other highlights include WardBond's rough and tumble portrait of aseasoned colonial frontier ranger andRoger Imhof as the real life GeneralHerkimer. Much of the story lineincorporates actual Revolutionary Warevents in upstate New York including avivid description and the aftermath fthe Battle at Orinsky

The year 1939 gave theat I' audi­ences more grea t fi lms fr mHollywood than any other y ar b f ror since. Gone With the Wind, ungaDin, Stagecoach and MI~ mith oe toWashington, among many oth I' , wereall released that golden y ar. Th v rynext year another classic of the artyAmerican (Well, British olonial any­way) military was released, th sl e ­tacular Rogers Rangers epic, Northwe tPassage.

Kenneth Robert's best-selling novelof Rogers Rangers, the first Americanguerrilla fighters who gave inspirationto the modern SAS and Special Forces,had been serialized in the SaturdayEvening Post. By the time the film even­tually hit theaters Robert's book hadbeen a best seller for three years goingthrough 45 editions both here andabroad. MGM jumped at the chance toturn the French and Indian War epicinto a film.

In an unusual move, director WS.Van Dyke from those old Tim McCoyfrontier films, was hired to shoot agreat deal of second unit battle andexpedition footage on location inNorthern Idaho before any footage wasshot with the principal actors. Thoughoriginally Wallace Beery had been con­sidered for the part, Spencer Tracy wascast as the iconoclastic and flawedMajor Robert Rogers who had createdand led the famed forest fighting forcewith eventually Robert Young andWalter Brennan co-starring as a coupleof last minute Ranger recruits.

Most of the story line fairly accurate­ly follows the Ranger raid on theAbenaki Indian village of St. Francis in1759. The Abenakis had swooped

on the early American frontier in anamazingly human fashion. A magnifi­cent and authentic looking hodge­podge of a colonial fort was construct­ed from designs by art director RichardDay along with numerous periodhouses including a roadside tavern.But it was the original and authenticcharacters that screenwriter LamarTrotti recreated from Edmonds' bookthat really bring this film to life.

The battle scenes in Drums Along theMohawk are nothing short of brutallyrealistic. Director Ford didn't pull hispunches as you see Mohawk warriorsand Tories break into the besiegedstockade savagely grabbing women andchildren as militiamen fight back withequal ferocity, choking, clawing andclubbing. And then finally theContinental regulars come to the rescuebursting into the burning stockade.

Milber was nominated for an AcademyAward for his efforts.

By the next year the French andIndian war and the Revolution hadregenerated film makers' interest and anumber of films featuring the early erawere soon in movie theaters-severalof which Were the best the genre wouldever offer up to audiences. john Ford'sDrums Along the Mohawk was basedupon Walter D. Edmonds' best sellingnovel of life on the Mohawk Valleyfrontier during the American

. Revolution. Told through the eyes of ayoung colonial couple played byHenry Fonda and Claudette Colbert,the film would also be the first majorTechnicolor film covering theAmerican Revolutionary War period.

With the Cedar City, Utah area dou­bling for early upstate New York, Fordand his crew set about duplicating life

his Baratarian pirates, Andy jackson'sdirty-shirt troops' spirited defense ofNew Orleans was the action center­piece of the film.

Like all De Mille films the sets, cos­tumes and action were executed in arichly detailed manner that evoked the1812 era quite well, though privateerLafitte, played with appropriate gustohere by Frederic March, is overly cred­ited with the success of the Americandefenses at Chalmmette battlefield thatblustery january morn.

Part of the fun of watching any DeMille historical film is looking at all ofthe period detail that makes the eracome to life. Though you will have toforgive the mitered Prussian-style capsthat many of the British troops wear inthe climactic battle. The battle sceneswere so well done for the time that TheBuccaneer's cinematographer Victor

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RQngers, Tories, MohQwks Qnd LobsterbQcks

MILITARY CLASSICS ILLUSTRATED 81

In one of Unconquered's most dramatic scenes, the 42nd Highlanders come to Ft.Pitt's rescue with wagonloads of dead soldiers. Rather fanciful, but pretty dramatic.Author's collection.

Uprising that chronicled a 1767 armedrebellion incident between Americancolonists and British troops nine yearsbefore the Revolution. The Howards ofVirginia with Cary Grant, told a storyof the effects of America's war for inde­pendence on one Virginia tidewaterfamily. Suave Englishman Grant wasmiscast as a rough-and-tumble earlyAmerican type.

The next major early American mili­tary film would tackle the fresh materi­al of Pontiac's Rebellion in Cecil B. DeMille's beautifully conceivedUnconquered, released to theaters in1947. De Mille's take on history is noteveryone's cup of cinematic tea, but forsheer duplication of a time period thatmakes an era and place come to life DeMille was unsurpassed.

Unconquered tells the story of aVirginia Militia officer, circa 1763,

heroically played by Gary Cooper,who unsuccessfully tries to

stop th massive uprisingof almost all the wood­

land tribes west of....... 4 the Allegheny

mountainsagainst the British. in the real uprising,over a dozen English forts were actuallywiped out or burned to the ground overa three- month period eluring the sum­mer of 1763. British garrisons and hun­dreds of settlers w re slaughtered underthe supposed protection of a white flag.While British commanders counteredwith the first use of biological warfare,spreading small pox infe ted blanketsamong the rebelling tribes.

Only the two largest garrisons atFort Detroit and Fort Pitt managed tosurvive the onslaught of allied warriorsand found themselves under siege foralmost three months. War partiesranged as far as the outskirts ofBaltimore, Maryland that terrible andbloody summer.

Against this dramatic backdrop DeMille set his art director, costume peo­ple and prop department about dupli­cating this colorful colonial time peri­od. The British uniforming and fron­tier costumes are impeccably recreatedincluding uniform details and earlyfloral beadwork styles never beforeseen in a film. Weapons included abeautiful antique Jaeger swivel-breechrifle that is totally true to the time peri­od. How many other films utilized1700s grenades? In Unconquered youcan see colonists lighting the fuses ofthese early explOSive devises and hurl­ing them at Pontiac's warriors withdevastating results. All true to the timeand place.

fifties independent TV series calledNorthwest Passage that suffered fromthe same kind oflow budget mentality.

As discussed in last issue's "MoviesMilitaire" column, the uniforms maybe highly inaccurate but on all otheraccounts Northwest Passage is a tour­de-force of historical military filmmak­ing. If you haven't seen it go rent it­you won't be disappOinted.

The same late 1930s early 1940stime period gave film goers a few otherpleasant, if not top-notch earlyAmerican military adventures includ­ing a John Wayne vehicle Allegheny

Costume sketch for Gal}' Cooper'sbuckskin outfit in Unconquered.WeaponI}', sets and equipment wereconsiderably more authentic than thoseseen in many early films portraying thisera. Author's collection.

music swells and Young's character,Harvard drop-out Langdon Towne,painfully struggles to try to follow theretreating Rangers, Tracy's MajorRogers gives him a little salute andwinks, ''I'll see you at sundown,Harvard." And of course he does.

Only one other film has tried totackle Rogers Rangers as film material,a rather tepid 1953 GeorgeMontgomery "B" movie called Fort Ti,for Fort Ticonderoga. It was shot in 3Dand used ample amounts of stockshots from the earlier and far superiorfilm. There was also a short-lived late

For sheer exuberance, it's hard to fault Cecil B. DeMille's Unconquered (1947). StarringGal}' Cooper and Paulette Goddard, it tells the tale ofBritish regulars and Colonialmilitia vs. woodland Indians in the Allegheny mountains c. 1763. Author's collection.

age revenge eventually goes mad andduring their starvation retreat lives offan Abenaki head until he is confrontedand commits suicide. In one of the bestscenes in the whole film Rogers leadshis men in a human chain across a roil­ing river of rapids. In another greatscene his men haul their whaleboatsover a mountain range to evade Frenchships on Lake Champlain.

In still another powerful piece of thefilm Rogers exhorts a seriously wound­ed Robert Young to stand and marchbecause the Rangers can't spare anymen to help the wounded. As the

80 MILITARY CLASSICS ILLUSTRATED

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Rangers, Tories, Mohawks and Lobsterbacks

While not 100 percent, the British uni­forms in 1992's The Last of theMohicans, like this one worn by StevenWaddington as Major Heyward, wereconsiderably more sophisticated thanmany of those seen a few decadesbefore. Author's collection.

tal realities of frontier warfare and hisMagua, played by Wes Studi is a hard­ened warrior driven to savage revenge.From the Huron and British costumesto how the actors handle theirweapons, The Last of the Mohicans is aperiod military film you can watchover and over again.

20005 Patriot, on the other hand, is aflawed film about the AmericanRevolution that should have beenmuch better. It was produced on ahuge scale with wonderful actorsincluding Mel Gibson, Tom Wilkersonas Lord General Cornwallis and ChrisCooper as a Light Horse Harry Leeclone. There are even some quite goodindividual scenes, but the film suffersfrom the kind of Hollywood excessesthat seem to the think over-the-topaction and politically correct motiva­tions are what audiences crave.

America's new found patriotism hasgenerated renewed interest in thecountry's eXCiting early military histo­ry. As I write this film projects onEthan Allen and his Green MountainBoys and the 1804 US. raids on Tripoliare now in the planning stages.Hopefully the filmmakers involved willlook back at the best of America's earlyhistorical themed classics for inspira­tion. We can always use a few moreexciting movies about colonials, lob­sterbacks, Tories and Mohawks. ~

MILITARY CLASSICS ILLUSTRATED

not, and neither did audiences.Frenetic scenes of colonial Boston lookmore like events of the FrenchRevolution than the American War ofIndependence

It would take the man who broughtMiami Vice to television screens toregenerate original film blood intoearly American subject matter thirtysome years later. Michael Mann's 1992remake of The Last of the Mohicans iseverything a period film epic shouldbe, visually involving, energeticallyexciting without sacrificing a sense oftrue-to-life history.

While the story still follows the samebasic framework of past film interpre­tations, this version is clearly the best.With beautiful period detail, actorswho look, act and talk their roles inperiod style and the huge numbers ofextras needed to stage the famous mas­sacre of the British garrison at FortWilliam Henry. Daniel Day Lewisshines as Nathaniel, the updated ver­sion of Hawkeye whose name some­how sounds much more authentic.

The magnificent fort set was built toscale in the forest of North Carolinaand the extras playing British andFrench troops were expertly trained byformer Marine Corps Captain DaleDye. There is just a visceral movementto so much of this film that it seems towrap you up in it's exotic mid-18thcentury world and not let you go untilthe period ride is completely over.

Mann didn't shy away from the bru-

2,000 British troops were killed orwounded that day including the com­manding General Pakenham, and sev­eral other general officers.

One year later a British productioncompany released an interesting versionof George Bernard Shaw's play TheDevil's DiSCiple staring Burt Lancaster,Kirk Douglas and Sir Lawrence Olivier.Set against the backdrop of BritishGeneral "Gentleman johnny" Burgoynescampaigns during the AmericanRevolution, the film was an interestingand unusual comedy/drama version ofthose events. As in most British histori­cal films the uniforming and weaponswere quite well researched (though theBrown Bess muskets were of the later"India Pattern) and the film features awonderful technique to cover transitionswith stop motion animated paper sol­diers moving about on a map of thecolonial countryside. Its a forgotten mmof our early military heritage thatdeserves another look. Olivier steals themm as Burgoyne-but then hes given allof Shaws best lines.

There were a few other occasionalmms of the earlier military time periodthat didn't seem to hit with audiencesor the critics including an earnest, butstodgyJohn Paul Jones starring RobertStack and a French/Italian productionof Lafayette in 1961 starring amongstothers Orson Wells, jack Hawkins andVittorio de Sica. The less said about1985's dismal Revolution the better. AlPacino as a colonial fur trapper? I think

The Buccaneer (1958), directed by actorAnthony Quinn, was a remake ofhis father­in-law Cecil B. DeMille's earlier film of the same name. Starring Yul Brynner as JeanLafitte and Charlton Heston as Andrew Jackson, it was a rousing ifsomewhat flawedfilm. The Battle ofNew Orleans was a tad on the cheesy side. Author's collection.

film an Academy Award nominationfor Best Special Effects. De Mille's FortPitt really does look like the brick andmortar bastion that had gained it thereputation as perhaps the mostformidable British fortress west of theAlleghenies.

For the next ten years Hollywoodcranked out occasional low budgetRevolutionary War or French andIndian War films like Mohawk, Whenthe Redskins Rode and The Scarlet Coatthat are best forgotten. Walt Disney didfeature the Creek War as part of hisDavy Crockett television show thatwas quite well done. But Disney's one­hour episode only centered on theIndian fighting aspects of that part ofthe War of 1812. Finally in 1958 DeMille returned to early American mili­tary themes prodUCing a remake of his1938 The Buccaneer, directed by histhen son-in-law, actor Anthony Quinn,who had had a bit part in the original.

It was great to see all of that 1812 eraperiod costuming and lush settings ingloriOUS Technicolor, and this new ver­sion of The Buccaneer boasts a magnifi­cent performance by Charlton Hestonas the best-ever Andrew jackson tobluster across a movie screen. From anentertainment standpoint the finalBritish attack is the only down side ofthe film-mainly because of the ratherbland action of the attack sequence,after a pretty suspenseful set up of theactual dramatic events of the final bat­tle at New Orleans.

For some reason De Mille's usuallyimpeccable period detail was discard­ed and the British Highlanders and arocket battery of the Royal Artillery arethe only enemy troops represented outof numerous British Infantry units whotook part in that disastrous assault thatjanuary morning. The highlanders intheir kilts look more like they did a fewmonths later at Waterloo then theyappeared at New Orleans where theywore trews, instead of kilts.

Despite the fact that the battle wasfought days after the armistice wassigned in Belgium, New Orleans wasstill an important victory. jackson's6,000-odd militia, free blacks,Choctaw Indians, frontiersmen,marines, pirates and regulars defeateda then-modern British Army of over11,000 veteran troops who had justhelped whip Napoleon in Europe. Formany years it was the worst defeat theBritish army ever suffered at the handsof a like-trained modern enemy. Over

Bouquet. De Mille does have the 42ndbluffing it's way into Fort Pitt withwagonloads of dead Highlandersimpersonating live soldiers-dramatic,but inaccurate.

The story line is pretty standard butit is as a visual feast of a recreated earlymilitary time period that Unconquered'sbest filmic qualities shine through.Much of the siege of Fort Pitt wasduplicated on massive sound stagesand through the then ingenious use ofspecial effects shots that earned the

When De Mille's film opened critic'sassailed him for having the famousBlack Watch, the 42nd Highlanders,come to Fon Pitts rescue, how prepos­terous they assumed. The same criticsshould have checked their historybooks though. Indeed, the 42ndHighlanders did come to Fort Pitts res­cue after defeating Pontiac's warriorsdecisively at the Battle of Bushy Runusing strategy straight out ofHannibal's ancient tactics resurrectedby their Swiss mercenary Colonel

82 MILITARY CLASSICS ILLUSTRATED

The battle scenes in Last of the Mohicans were graphic and exciting. The film wasmade on a lavish scale. Author's collection.

Page 43: Military Classics Illustrated vol.4

'1'here is no doubt thatwheeled armored vehiclestake a back seat to tanksin terms of reputation asbattle winning machines.

This is ironical in light of the fact thatwheeled AFV were in operation beforethe tank made its battlefield debut dur­ing the First World War. British armyRolls Royce armored cars were used tosupport Colonel T. E. Lawrence(Lawrence of Arabia) in his Arab revoltcampaign in the Middle East, forinstance.

Armored cars lack the firepower andarmor of tanks. In addition, being atracked vehicle, tanks have a muchbetter cross-country performance thanarmored-wheeled vehicles. I well

84 MILITARY CLASSICS ILLUSTRATED

remember an exercise that I took partin in my South African army days thatdrove this point home. As part of aneconomy measure we used armoredcars in these war games. At the time Iwas the Recce Troop sergeant com­manding a World War II BritishDaimler scout car.

Halfway through the war games alloperations ground to a halt when allthe vehicles became bogged down inmud, because an unexpected flashflood turned the arid Karoo terrain in avirtual quagmire. In the end we had totow all the cars out with a few of ourM-4A1 76mm Sherman tanks.

Nevertheless, wheeled armoredvehicles do have some advantages.They are less expensive to manufac-

ture and more economical to operate.They have a good road performancewhich means that they can travel tothe battlefield without the need oflarge, heavy transport vehicles. Inaddition wheeled AFVs can get towhere they are needed far more rapid­ly than tanks.

In passing it is worth noting that theSouth African army actually usedmulti-wheeled armored vehicles withgreat success in their war in Angoladuring the 1970s and 1980s. The largesix wheel "Ratel" was heavily armedwith a 90mm cannon and one success­fully engaged Cuban/Angolan SovietT54 tanks, although in the end SouthAfrica did have to commit a regimentof "Oliphant" (upgraded Centurions)

tanks to resolve the situation.In World War II and most other

major conflicts armored cars and scoutcars have been used for reconnaissancework and other support duties. TheWhite M3A1 was one of the firstAmerican scout cars and although itwas really outdated by the time TheU.S. entered World War II, it contin­ued to serve in a variety of rolesthroughout the hostilities, not justwith the American forces, but by mostthe other Allied armies.

DEVELOPMENTThe U.S. adopted a fairly casual

approach to armored car development.A retired Colonel Davidson producedthe first American armored car at his

The precursorof the M3A1, the T7,was introduced by White in 1934.Some 76 T7s were issued to the 1stand 13th Mechanized Cavalry at Ft.

Knox, Kentucky. It had a 75horsepower engine and

weighed some 7,700pounds.

MILITARY CLASSICS ILLUSTRATED 85

Page 44: Military Classics Illustrated vol.4

own expense. In 1915 he purchasedseveral Cadillac touring cars to whichhe added an armored body. It is ofinterest to note that, as late as 1935,the Rock Island arsenal made a similarvehicle using a 4 x 2 Studebaker chas­sis. The vehicle much resembled theDavidson cars.

Various car manufacturers had alsoproduced armored car prototypesprior to this.

The White Company produced theirfirst AFY, known as the T7, in 1934. Itwas actually made by the IndianaTruck Company, a White subsidiary.Compared to these other vehicles theT7 was a rugged, small, squat andsquare-shaped car that was a lot morepromising.

The T7 was eventually to becomethe M3A1 scout car. Some 76 T7s wereissued to the 1st and 13th MechanizedCavalry battalions at Fort Knox. TheT7 became designated the "M2."Further developments and improve­ments resulted in the M2 and eventual­ly the M3 and M3Al.

While the Indiana Truck companywas involved in the initial develop­ment of the M3 the White Companyeventually took over the manufactureof all subsequent vehicles, hence thename "White" scout car.

ANATOMY OF THE M31WHITE SCOUT CAR

The M3A1's basic construction con­sisted of a chassis and an armor platedbody. Its power plant was a six cylinderin line JXD Hercules engine rated at110 hp. The transmission was a four­speed crash (non-synchronized) gear­box. This power train it had gave agood road speed of 55 to 60 miles perhour. It was unusual for a four- wheeldrive vehicle had no ability to convertthe drive to two wheels for road use.

The vehicle had a square box-likeappearance. It had a fairly convention­allayout with the engine located in thefront. The driving compartment had aglass windshield and an armor platevisor that could be dropped down overit in combat. The passenger compart­ment was at the rear and separate fromthe driver. Entry to the same was fromthe rear. Both the driver and passengercompartments were open at the top,although a canvas cover was providedfor inclement weather conditions. Itwas fitted with It.-inch cold rolled steelarmor plate that was heat tempered to

86 MILITARY CLASSICS ILLUSTRATED

General George S. Patton often used an M3A 1 as his personal vehicle. Here heinspects French scout cars in Metz. U.S. Army Photo.

The White Scout Car could seat eight men. Often a radio would be placed betweenthe front passenger and center seats.

Usual armament for the M3A 1 was one.50 Browning M3 and a pair ofBrowning 1917 or 1919 30s. The guns were mounted onspecial "trolley" mounts and could easily be moved along a rail that ran around the inside of the passenger compartment.Tripods were carried on the rear armor so the guns could be deployed externally.

MILITARY CLASSICS ILLUSTRATED 87

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A canvas top could be erected over the opencompartment to protect the soldiers from theelements, though it did restrict visibility.

Like othermilitary vehicles, the M3A 1 could, and usually did, carry one or two Jerrycans in special mounts. A collapsible canvas bucket was often strapped to the outside.

M3A 1brass data plate located on the right side of the dashboard. It included mostof the vehicle's specs as well as its serial numbers.

MILITARY CLASSICS ILLUSTRATED 89

Scout cars, halftracks, jeeps and motor­cycles on maneuvers. Despite theresemblance between the scout car andthe halftrack, very few parts were inter­changeable. NationalArchives.

rtA PD IJOJ6

REAR BUMPER

lRIPOO MOUNTS(MOOEl 1917....1)

SEATS

RAil PAD

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tOOL 80X _ .....>r- R....DIO TERMtNAl lOX

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ARMOR WINDSHIElD

ROllER

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Special "combat rims" were added to the wheels to help protect the tires, one ofthe scout car's most vulnerable areas.

Front armored louvers could be closed to protect the radiator in combat. The largesteel roller on the front of the vehicle was designed to help extricate the M3A 1 fromditches, but it really didn't work all that well.

Because of its size, the M3A 1could carry quite a bit of equipment, as seen in thissection from the vehicle manual.

THE M3Al IN SERVICEThe White scout car was tested by

the army and accepted for service latein 1939. An order was placed for theconstruction of some 799 vehicles des­ignated as the M3Al. These were com­pleted ahead of schedule and issued tothe cavalry in 1940. A small number ofnon-standard models were sold to theDutch Government before that coun­try fell to the Nazi forces at the begin­ning of the War.

When The U.S. went to war some10,000 cars were issued to the Armyand Marines with some also going tothe Air Corps. The first cars issued tothe cavalry took part in the great U.S,war games of 1940. The cars servedwith U.S. forces in theatres of WorldWar II. It was extensively used in thePacific where there was not a greatneed for heavier armor.

The car performed as a "maid-of-all­work" being used in a variety of rolesthat included reconnaissance, a vehiclefor forward observers of the artilleryand Air force, a personnel carrier and acommand vehicle. In the latter role theM3A1 was used by some notable per­sonalities including General GeorgePatton who used it in North Africa. It issaid that General Omar Bradley likedthe vehicle and used one extensively.

88 MILITARY CLASSICS ILLUSTRATED

give a face hardened surface.The armor provided protection

against light small arms fire and shrap­nel but not heavier weapons such ascannon, the .50 caliber machine or thehollow charge anti-tank weapons thatwere introduced towards the end ofthe war.

The first versions were eqUippedwith a roller mounted on the frontbumper. This was deSigned to facilitatenegotiating obstacles. Field experiencewould later prove that this device wasineffectual.

While the vehicle was not equippedwith a turret it was armed with a vari­ety of weapons when in service. Theseincluded machine guns on a numberof mounts as well as mortars. Of thelatter, one was designed to be firedfrom the passenger compartment ofthe vehicle, while the other was firedfrom the ground. One of the last vehi­cles constructed was an experimentalmodel fitted with a 37mm cannon.

In all, some 20,000 M3A1s weremade by the time production ceasedaround late 1943 or early 1944.

I

..~ (~() IJ'I' (~l'll

Page 46: Military Classics Illustrated vol.4

Powerplant of the M3A1 was usually asix-cylinder gasoline Hercules that pro­duced 110 horsepower, though Herculesand Buda diesels were also seen.

The White Scout Carsaw considerable servicewith U.S. allies, as witnessed by these M3A1sbeing used by Soviet troops on the Eastern Front.

Armoredplate could be lowered over thefront windshield and raised on the sidesof the doors should it become necessary.

The rest were issued to various alliedforces including the USSR whoreceiv d a ubstamial number.

Oth r re ipients were the FreeFren h and the British. The latter usedit a a ut car, armored personnelcarri r and a command car. One com­mander is reported to have attemptedto \cad his regiment through the.erman panzers to link up with the

paratroopers trapped in Arnhem.The Free French used M3Als exten­

sively in their drive through France torelieve Paris and made extensive use ofit after the war in their colonial con­flicts. The Israelis also used the vehiclein their various conflicts with the Arabs.

The vehicle's main detractions wereits poor off-road performances. Thislead to the development of the Half­track. In fact White made one of thefirst experimental models using astretched M3Al to which was added atracked assembly at the rear.

The White M3Al may not have theglamour or appeal of more famousvehicles like the Sherman tank, but itproved to be a rugged, reliable vehiclethat performed well during the war andall that was asked of it. Unfortunately,not many Whites have survived. Thereare only a few examples in museumsand private collections. G

~

,

~ ~(~()I]'t' (~l'll

COMBAT IN SCOUT CARS

Although during my military service I did not have any actual expe­rience with the White M3A1,Isaw service with the Reece troop ofmy armored regiment. As already mentioned, we used the British

Daimler scout car that had anumber of similarities to the M3A1.The Daimler was alightly armored 4X4 vehicle that, like the White,

had a55410 mph road speed and had an open top and no gun turret.Its main differences were a rear mounted engine and only had thecapacity for a two man crew. Firepower consisted of the crew's per­sonal weapons-that could be a pistOl, asubmachine gun and pos­sibly a few 36 fragmentation grenades. There was provision for thecommander or passenger to man a .303Bren light machine gun.

The Reece Troop's role was to act as the eyes of the regiment byadvancing in front to report on the enemy's location and strength.Other intelligence included the nature of the terrain and the locationof obstacles, both natural and man-made, such as rivers, tank trapsand destroyed bridges.

My responsibilities as troop sergeant included assisting the C.Oof the troop (in my case, the adjutant who was acaptain) as well ascommanding my own vehicle. In this respect I manned the Brengun, operated the radio and reported on information about theenemy and the terrain.

As the vehicle commander, I was assisted by a trooper who wasmy driver. His duties, in addition to driving the vehicle, was maintain­ing and servicing it. Survival in combat and efficient intelligencegathering depended on us both operating closely as ateam. The goalwas to locate the enemy without being detected.

Agood driver had complete control of his vehicle at all times. He

90 MILITARY CLASSICS ILLUSTRATED

needed to have agood eye and appreciation of what terrain the vehi­cle could safely negotiate, especially when travelling over rough, bro­ken ground. With experience he would learn how to select a paththat made the best use of available cover to avoid being seen by theenemy forces. In this respect the commander would also keep an eyeopen, ready to warn the driver of hidden hazards in the vehicle's path.

The commander's main task was to look for the presence of theenemy. The enemy would of course be well hidden making maxi­mum use of natural cover and camouflage.

To detect awell camouflaged enemy this required the comman­der and the driver, for that matter, to have a good battlefield appreci­ation. You needed to know what and where to look for likely enemypositions. To do this you need to put yourself in an enemy comman­der's position and think where you would place guns and tanks.

Agood appreciation of map reading was needed to navigate andpinpoint locations when reporting back to the regiment. The latteralso required complete knowledge of radio operation and the use ofcoding and decoding transmissions.

Finally, both crews needed to be familiar with each other's dutiesin case of either member becoming acasualty. I once had to take theduties of my driver after he injured his hand when negotiating somevery rugged ground. Both of us were fully competent with the armsand weapons at our disposal.

An operation would usually begin with a complete briefing thenight before the start of the operation. We would be assigned ourareas of responsibilities, including the stop and start lines. Thelatter was essential if the operation was to include an artillerybarrage or an air attack. Intelligence about the strength of theenemy and weapon positions, obtained from other sources, would

also be given to us, as well as unit call signs and any other perti­nent information.

Operations generally were either an attack of an enemy positionor an advance. Advances usually occurred after asuccessful attackhad been concluded. Ironically attacks were less hazardous thanadvances. This was because an attack would involve considerablepreplanning and intelligence gathering. In addition, it would usuallybe preceded by an artillery or air strike that would keep the enemyoccupied under cover. We thus had abetter chance of moving abouton the battlefield undetected.

The barrage might also cause some enemy movement or removecover and camouflage, giving us a better chance of seeingenemy positions. Admittedly, we were always in danger ofbeing subjected to friendly fire if we went over the stop linesin the danger area of the barrage.

You had to be pretty dumb to do this because the explod­ing shells in the bombardment area would be pretty obvious.Ashort round (a shell falling short of its intended target) wasmuch more likely. Generally our armor plate would protectus from the shrapnel unless we were unlucky and SUbjectedto adirect hit.

The main attack would usually begin at the conclusion ofthe barrage or air strike. We would then take up defensive positionbehind cover and observe the battle continuing to observe andreport any potential targets.

At the conclusion of the attack, if succeSSful, we would move for­ward to recconoiter the terrain ahead of the advance. This was liter­ally moving into dangerous uncharted territory.

A fast moving advance was best because there was a good

chance of catching the enemy by surprise-seeing him before wewere detected. If the enemy had prepared back-up positions (as theSoviets did in the battle of Kursk in 1943) we could be in trouble­running into aminefield. Apart from knocking out our vehicle it couldhave fatal results, especially if the explosion overturned the car,trapping us in the open-topped cab.

Other dangers were running into hidden artillery and tanks, as adirect hit from either would destroy us. With no protection aboveour heads, we were very vulnerable to artillery air bursts and mor­tar rounds. Infantry in concealed positions could throw grenadesinto the cab.

AuthorArnoldperformedsome ofhis Service in SouthAfrica in a Daimler ScoutCar, similar to this Mark III.Armament generally con­sisted ofpersonal sidearms,a .303 Bren light machinegun, and whatever elsecould be dragged on boardthe two-man vehicle.

If we came under fire and did not sustain a direct hit, our bestreaction was to get out as fast as we could relying on the speed,agility and small size of our scout car to get us out of trouble.

At the end of the day we would move into leaguer with our regi­ment to service the vehicle and prepare the next day's operation.The Reece troop lived an exciting and often nerve wracking life thatkept them continually on their toes.

MILITARY CLASSICS ILLUSTRATED 91

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.The Sniderbreechloaderwas a practical conver.sion of the olderP-53 EnfieldmUzzle-/~der.While·it remained as standard issue in British service foronly. a few years, it was retained by Volunteersand in the colonies for a considerable time.

The' lessons of the American Civil Wartwere not loston the Select Committee's thinking, and while it was

. acknowledged that most of the Federal andConfederate infantry still carried muzzle-loaders,theoutstanding effectiveness of the rimfire Spencer washard to ignore.

A number of British and American guns were. accepted for tests, including the.design of

. Jacob Snider, a New York wine mer­chant. Exhaustive trialswerq:arried out.Some. arms werethought to be too

I

Kealizing that the self- -contained tartridge

. was the wave of thefuture, as early as

1864 British ordnance officialsbegan investigating the practi­cality of a universal issue

. breechloader. To be sure, the.. War Department had experi- .mented with some Sharps:Greene, Starr, Westley Richardsand other rear-charged rifles andcarbines on a limited basis, butthey generally used exterriallyprimed paper ammunition.

By Garry James· ...

Thissing'le-shot "Stopgap"breechload.er remained inuse for over haIf .a century

Page 48: Military Classics Illustrated vol.4

vate a large extractor which pulled thecase free of the chamber. The arm wasnow Simply tipped on its side and theempty dumped

Firing was accomplished by Simplycocking the hammer, aiming the armand pulling the trigger. Ejection waseffected by opening the block andpulling it to the rear to acti-

Two British regulars pose with their newSniders. Despite the gun's reliability, it was des­tined to be officially replaced by the Martini­Henry after a scant five years service.

japanned iron base and fired a 4 0­grain hollow-based Minie-slyl bull-lat some 1,250 feet-per-sec nd.

The prOjectiles thems Ive were aninteresting amalgamalion f Fr n hand British designs in lhallh yemployed the annular gr a egrooves of the form r, bUl r lai n Ithe boxwood or lay', pandingplug of the lall r. Th' e r undswent through nin variali n ( r"Marks"), generally involving moreor less minor lweaking.

Too, Snid r' rigll1almodifi ali nproved lO b om 'what fragil , a ilentailed healin the rear l f the b.rr Ired hot, thus laking lh lemp'r Ul fthe metal. Never h n f Y. nkknow-how, the invenl I' cam upwith a breech "shoe"-a separal ' unilthat could be screwed OnLO lh r ar fthe barrel.

The arm itself went through lh I'

Marks. With the first two, the side­swinging breechblock had no lalch,merely a thumb piece. The block washeld into position by a simple spring­loaded pin which fit into a dimple onthe rear of the shoe face.

Despite many thousand arms beingmade in this manner, authorities feltthe setup was somewhat inadequateand modified the block by adding avery positive latch that had to bedepressed before the breechblockcould be opened, and the retainingstud was conSiderably beefed-upGenerally Mark 1 and Mark 11 gunswere conversions of older pieces, whileMark Ills were commonly, but notalways, completely newly made.

To load a Snider, all the soldier hadto do was put the hammer on half­cock, rotate the breechblock Sideways,insert a cartridge and close the action.

Loading a Snider is very simple. One first opens the breech, swings the block sideways and inserts a cartridge (1). To extract around, open the action and pull back on the block (2). The spent case is then dumped out (3).

Sniders fired a .577-cal­iber self-contained car­tridge. Original earlycases (center) weremade ofa paper-cov­ered coiled brass bodywith separate japannedbase. Currently drawnbrass ammo (left) isavailable for shooters.

@

The Snider wasoffered in a number of configurations

including (from top) the standard Long Rifle,Short Rifle and Carbine. Of the three types, Carbines

seem to be the most prevalent type in the United States.

a Ide r lea ther­topped snapcaps could beused with theSnider.

The chosenround was in .577caliber, eliminating ~the need to changeor sleeve the originalbarrel. The firstrounds were made ofpapier-mache, thoughthese proved unsatisfac­tory, and eventuallywhite paper-coveredcoiled brass rounds, devel­oped by Colonel Boxer ofthe Royal Artillery wereaccepted. These black pow­der cartridges had a separate

complicated, while others were patent­ly unsafe or used cartridges too deli­cale for the rigors of military usage.

Shooting tests proved the Snider sys­tem to be the fastest and most reliable.Some 20 rounds could be fired in just2 minutes, 35 seconds, with its closestrival, the Greene coming in at 3 min­utes 18 seconds. The P-53 Enfieldmuzzle-loader's time was a dismal 7minutes 20 seconds. The breechloaderwas definitely here to stay.

After the smoke cleared, in 1866Snider's design emerged preeminent.Basically it involved cutting 2112 inch­es off the breech of a standard .577Pattern 1853 Enfield rifle-musket. Thebreech was then expanded to receive acartridge, and a hinged breechblockaffixed to the right side of the barrelopening.

A "plunger" (firing pin), which wasstruck by a modified Enfield hammer,was secured through the length of theblock at an oblique angle by a screwretainer. As the retainer resembled thenipple of a percussion musket, the

TbeBritisbSnider

94 MILITARY CLASSICS ILLUSTRATED MILITARY CLASSICS ILLUSTRATE!) 95

Page 49: Military Classics Illustrated vol.4

the lack of deformation of the Sniderbullet that one might experiencewhen ramming a Minie down thelength of the barrel-especially whenthe gun is fouled.

For history, mechanics or shooting,the Snider is a good bet for the modernenthusiast, and while they may be a bithard to come by right now, they arecertainly worth the effort. I have sold,traded and otherwise disposed ofmany arms over the years, but nevermy Sniders. My guess is that this deci­sion will probably have to be left up tomy heirs. ~

MILITARY CLASSICS ILLUSTRATE£:) 97

v

/

Accuracy with the Snider Long Rifle is not too bad aswitnessed by this 1oo-yard seven-inch group. Theauthor has found that the Snider is marginally moreaccurate than the muzzle-loading P-53 Enfield, onwhich it was based. After a few shots, bullets startedkeyholing due to fouling.

Now, fortunately for usSnider lovers, The OldWestern Scrounger (Dept.RS, 12924 Highway A-12,Montague, CA 96064) isoffering some pretty decentblack powder, Berdan­primed, drawn brass caseloads, topped with the 476­grain Lyman 575213 Minie.

Sniders function verywell, simplicity and robust­ness being the keys Whilethe sharp edge of theextractor on U.S. Issue ........Allin "trapdoor" system had ~

the nasty habit of slicingthrough the rim of the cop­per .45-70 cartridge, effec­tively putting the rifle out

fa tion, the same was nottru of the Snider. Its wideextractor encompasses alarge arc of the cartridge rim, cuttingway down on this problem. True, onehas to take time to dump out the case,but after a while the operationbecomes second nature and the guncan be fired and loaded very rapidly.

While it would seem logical that, asthe guns use virtually the same barrels,accuracy between the P-53 muzzle­loader and Snider breechloader shouldbe similar. Interestingly enough, I havefound the Snider seems to have a bit ofan edge on its progenitor either in theMark II or Mark III incarnations. Myguess is that this can be put down to

scarcely so many hUlldr 'ds r turned.Three hundred and 'Iglll)' rpseswere countedth next tl1011l1l1g."

The Snider rapidl} b' am a verypopular arm, but it \ as Il 'v 'I' il1l nd­ed as much m I' lhall.1 stopgap. forno sooner was it adopll'd than ffi­cials began xp nm 'Illlllg wllh therarms, culminaling" Ilh thl' .\dopti nof the fam d.S77 '" 0 1,\llll1l II nryin 1871.

Still the Snider nlll1111'd lo S" 1'-

vice right till the nd f lh' 19th 'eI1lU­

ry with native and olonlallroop .Canada maintained it for quill' a whiland even issued shortened rif!' lO ilcadet corps as late as 1905.

Unfortunately, Jacob nid I' tli 'tisoon after the adoption of his arm andthe owners of the patents were for edto go through an awkward perio I ofnegotiation in order to receive thmonies due then from the Crown.

The Snider has always been one ofmy personal favorites among the19th century single-shots and I haveput many, many rounds throughthem over the years. For a time, acommercial Snider was very difficultto come by, the most available (albeitstill scarce and pricey) loads beingsome put together by Kynoch a num­ber of years ago. For a time I hand­loaded my .577 Snider brass, butwhen the Northridge earthquake vir­tually liquefied my loading equip­ment, I gave up the endeavor andhung my Sniders on the wall.

,./

Snider Long Rifles are pleasant to shoot and quite reliable, though theCarbines are a bit more punishing because of their smaller size.

Campaign of 1868, where according tothe editors of British Battles on Landand Sea, London, 1876, "As the wildfoe came rushing with yells and warcries down the ravine, they were

received by a terrible fire fromthe Sniders of the 4th(Regiment of Foot), whilesome of the Punjabees con­trived to take them on theflank; and Colonel Penn get­ting his steel guns on a com­manding ridge, or spur ofrock, scattered death anddestruction among them onevery hand. From theextreme rapidity of dis­charge of the Snider, thefiring at this time in differ­ent parts of the field was asheavy and continuous asthat of a general actionbetween two large armies.Of more than 5,000 of(Abyssinian Emperor)Theodore's bravest mencomprising the sortie,

FlO. 6.-SNIDER BREECD.LOADER (BREECH OrEI<).

FlO 5.-SNIDER BREECH·LOADER (BREECU CLOSED AXD FULL COCK).

ring at all.The Snider acquitted itself well on

the battlefield and at the target range,where it was a favorite of Volunteerunits. It was first used at the battle ofMagdala during the Abyssinian

t'IO. 4.-SKIDER BREECII·LOADEl~

(l..ONGITUDIXAL S~CT]ON).

This early engraving showsthe basic Snider setup, withthe attached breech'''shoe''and transverse firing pin. Notethat this is an early Mark Iversion without the thumb­piece latch.

l'UNCll. OR TilE LONDON c!iAJ\IV=

In this period cartoonfrom Britain's Punchmagazine, Mr. Punch

" '" - proudly hands John Bull'~~~,.v"'M"''M/~;\\,''-' a new Snider rifle to

S~POurt' nT n' 'O~TEST. R 10U sn-TJIJ\ Ill'$! replace his old Enfield

.L\>.L ll~ DlU-~l~ TBl5 15 Tllll GUN iO '.

l~::::::::::::::::::]~~~~L05AD~~~J>Il\.::1l:ULL:''::~===";:'=,,b===: rifle-musket. This was

TlI TJrE OLD yuZZLE- .... ou RUUoY YUSTN'T 511001' WI TIllT YONl'lY cAN 13Ul I ....-. the first general-

lW..~·,.·l''''''u. Y . issue breechloader in Crownservice.

96 MILITARY CLASSICS ILLUSTRATED

oUl.

niders were made inseveral configurations,butthe most commonwere the three-band stan­dard infantry Long Rifle,a shorter two-band"sergeant's model" ShortRille, an Artillery Carbineand Cavalry Carbine.While all four styles arenot uncommon in theUnited States, there seemto be more CavalryCarbines about than theothers. This is due to thefact that several decadesago Golden States Armsin Pasadena, California imported thou­sands of Snider carbines from Portugal.These guns can instantly be recognizedby a sling ring on the bottom of thestock to the rear of the triggerguard.British issue Cavalry Carbines hadeither a side-mounted ring bar or no

TbeBritisbSnider

Page 50: Military Classics Illustrated vol.4
Page 51: Military Classics Illustrated vol.4

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Available EXCLUSIVELY from

(Le~HortonDISTRIBUTING CO., INC.

Lew Horton· 15 Walkup DriveWestboro, MA 01581800-446-7866. Fax: 508-366-5332www.lewhorton.com

ISmith & Wesson • 2100 Roosevelt Avenue PO Box 2208. Springfield, MA 01102,2208

800,331,0852 • Fax: 413,747,3317 • www.smith,wesson.com