Milbank - De Lubac

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Ars Disputandi Volume 8 (2008) : 15665399 Willemien Otten , The Suspended Middle. Henri de Lubac and the Debate concerning the Supernatural By John Milbank London: SCM Press, 2005;x + 117 pp.; pb. £ 16.99; : 9780334040453. John Milbank is one of the most prominent representatives, if not the out- right founder, of the so-called Radical Orthodoxy movement. Inasmuch as this English based but strongly ecumenical theological movement aims at retrieving the Christian tradition for the purpose of doing contemporary theology with a critical posture towards its surrounding culture, they have considered it in its premodern phase as basking in a deifying, Neoplatonic light. Naturally, that is, when seen from a Neoplatonic perspective, Augustine and the Greek fathers have enjoyed their primary sympathy. But Radical Orthodoxy has developed a strong interest in Thomas Aquinas as well, typecast more as quintessentially Catholic than historically medieval it seems, even though on the surface Aquinas may be harder to reconcile with Neoplatonism. The way to do so could have gone the historical route as in recent studies by Fran O’Rourke by tracing the Dionysian element in Aquinas and to a certain extent the path of Dionysius and John of Damascus is indeed being followed, presented on p. 19 as the dominance of Au- gustinianism in Thomas blended with Procleanism, but Milbank, who appears to revel in performing theological acrobatics of the most dicult, if not convoluted kind, has decided in this book to walk us instead through the thought and works of Henri de Lubac. He finds the reason and occasion for this approach in De Lubac’s Surnaturel, published in 1946 and condemned in the Pius XII’s encyclical Humani generis in 1950. The work has never been translated into English. Justi- fying De Lubac’s findings on the supernatural as true to the thought of Thomas, he engages in a reading of Aquinas and the medieval tradition that may not yet be fully Neoplatonic but that is certainly non-neo-Thomistic and as such, if we follow the compelling logic of Milbank’s double negation, less Aristotelian and more truly Thomistic. As a side-eect, calling de Lubac the greatest twentieth- century theologian proves another way for Milbank to criticize the primacy of Von Balthasar’s theological aesthetics, which for Milbank is a divine gnostic drama (p. 14) and insuciently rationally consistent. As Milbank states on p. 53, De Lubac’s view of the supernatural which he wants to highlight in celebrating this author as the greatest twentieth-century c August 2, 2008, Ars Disputandi. If you would like to cite this article, please do so as follows: Willemien Otten, ‘Review of The Suspended Middle. Henri de Lubac and the Debate concerning the Supernatural,’ Ars Disputandi [http://www.ArsDisputandi.org] 8 (2008), 124125.

Transcript of Milbank - De Lubac

Page 1: Milbank - De Lubac

Ars DisputandiVolume 8 (2008): 1566–5399

Willemien Otten

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The Suspended Middle. Henri de Lubacand the Debate concerning theSupernaturalBy John Milbank

London: SCM Press, 2005; x + 117 pp.; pb. £ 16.99; :978–0–334–04045–3.

John Milbank is one of the most prominent representatives, if not the out-right founder, of the so-called Radical Orthodoxy movement. Inasmuch as thisEnglish based but strongly ecumenical theological movement aims at retrievingthe Christian tradition for the purpose of doing contemporary theology with acritical posture towards its surrounding culture, they have considered it in itspremodern phase as basking in a deifying, Neoplatonic light. Naturally, that is,when seen from a Neoplatonic perspective, Augustine and the Greek fathers haveenjoyed their primary sympathy. But Radical Orthodoxy has developed a stronginterest in Thomas Aquinas as well, typecast more as quintessentially Catholicthan historically medieval it seems, even though on the surface Aquinas may beharder to reconcile with Neoplatonism. The way to do so could have gone thehistorical route as in recent studies by Fran O’Rourke by tracing the Dionysianelement in Aquinas and to a certain extent the path of Dionysius and John ofDamascus is indeed being followed, presented on p. 19 as the dominance of Au-gustinianism in Thomas blended with Procleanism, but Milbank, who appears torevel in performing theological acrobatics of the most difficult, if not convolutedkind, has decided in this book to walk us instead through the thought and worksof Henri de Lubac. He finds the reason and occasion for this approach in DeLubac’s Surnaturel, published in 1946 and condemned in the Pius XII’s encyclicalHumani generis in 1950. The work has never been translated into English. Justi-fying De Lubac’s findings on the supernatural as true to the thought of Thomas,he engages in a reading of Aquinas and the medieval tradition that may not yetbe fully Neoplatonic but that is certainly non-neo-Thomistic and as such, if wefollow the compelling logic of Milbank’s double negation, less Aristotelian andmore truly Thomistic. As a side-effect, calling de Lubac the greatest twentieth-century theologian proves another way for Milbank to criticize the primacy of VonBalthasar’s theological aesthetics, which for Milbank is a divine gnostic drama(p. 14) and insufficiently rationally consistent.

As Milbank states on p. 53, De Lubac’s view of the supernatural which hewants to highlight in celebrating this author as the greatest twentieth-century

c© August 2, 2008, Ars Disputandi. If you would like to cite this article, please do so as follows:Willemien Otten, ‘Review of The Suspended Middle. Henri de Lubac and the Debate concerning the Supernatural,’ ArsDisputandi [http://www.ArsDisputandi.org] 8 (2008), 124–125.

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Willemien Otten: Review of The Suspended Middle. Henri de Lubac and the Debate concerning the Supernatural

theologian, has the following components: it is gift without contrast (on p. 91called ‘exchange without reciprocity’), sees spirit and grace as inseparable, viewsthe cosmos as such as oriented towards the supernatural, and links grace and art.While the latter point especially allows him to criticize Von Balthasar, the earlierpoints reflect De Lubac’s view of nature and grace as more integrated than allowedfor in Cajetan’s reading of Aquinas as pura natura, from which the secular wasderived (p. 22). The ‘suspended middle’ is actually a term used by Von Balthasarto describe De Lubac’s new approach in which philosophy always extends totheology and there is no theology without an inner philosophical structure (p. 11,n. 14), an approach to which Milbank also refers as non-ontology (p. 32), as itneither is in the sphere of natural theology nor in that of doctrine. It is in thissphere that the future of theology and of true, not secular humanism, lies forRadical Orthodoxy.

To argue all this carefully and fairly responsibly in the space of just over a 100pages is in itself a remarkable feat and Milbank’s stated insight into De Lubac’scontribution certainly deserves our attention and credit. However, I have twocriticisms. Whether De Lubac’s Surnaturel really ranks with Heidegger’s Beingand Time and Wittgenstein’s Philosophical Investigations remains to be seen, andmore generally points to Milbank’s tendency to overstate his case. While thatmay be excused as a matter of temperament, where the book’s thesis really fallsflat in lacking scholarly proof, revealing at the same time a more structural flawin Radical Orthodoxy, is in giving us a subtraction narrative (as in the logic ofdouble negation or the non-Cajetan Aquinas, but also in the non-Humani Generis‘Surnaturel’) rather than conducting a constructive analysis in historical theology.Precisely at this point it seems a wide gulf separates De Lubac from Milbank,which can only be bridged when more careful historical study of the varioustheologians and periods mentioned – the importance of the early Middle Agescomes especially to mind as the period linking Augustine and Aquinas – will beseriously undertaken.

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