Middle Ages Art. ÁSt. Francis’ Rule Approved ÁGiotto Á1288-92? ÁTempera on wood and ground...

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Middle Ages Art Middle Ages Art

Transcript of Middle Ages Art. ÁSt. Francis’ Rule Approved ÁGiotto Á1288-92? ÁTempera on wood and ground...

Page 1: Middle Ages Art. ÁSt. Francis’ Rule Approved ÁGiotto Á1288-92? ÁTempera on wood and ground gold. Middle Ages Art.

Middle Ages ArtMiddle Ages Art

Page 2: Middle Ages Art. ÁSt. Francis’ Rule Approved ÁGiotto Á1288-92? ÁTempera on wood and ground gold. Middle Ages Art.

St. Francis’Rule Approved

Giotto

1288-92?

Tempera on wood and ground gold.

Middle Ages ArtMiddle Ages Art

Page 3: Middle Ages Art. ÁSt. Francis’ Rule Approved ÁGiotto Á1288-92? ÁTempera on wood and ground gold. Middle Ages Art.

The Crucifixion

Giotto

1305

Tempera onwood andground gold.

Middle Ages ArtMiddle Ages Art

Page 4: Middle Ages Art. ÁSt. Francis’ Rule Approved ÁGiotto Á1288-92? ÁTempera on wood and ground gold. Middle Ages Art.

Vitruvian Vitruvian Man Man

Leonardo daLeonardo daVinciVinci

14921492

TheTheL’uomoL’uomo

universauniversalele

Page 5: Middle Ages Art. ÁSt. Francis’ Rule Approved ÁGiotto Á1288-92? ÁTempera on wood and ground gold. Middle Ages Art.

Renaissance ArtRenaissance Art

The Body The average adult human figure is about

7 to 7.5 heads tall./ The idealized human figure is traditionally

represented as being 8 heads tall. The length of the arm is such that the

finger tips come down to mid-thigh. The arms wingspan (measured between

the tips of the middle fingers) is about equal to the body height.

The length of the foot is about equal to the length of the forearm.

Page 6: Middle Ages Art. ÁSt. Francis’ Rule Approved ÁGiotto Á1288-92? ÁTempera on wood and ground gold. Middle Ages Art.

Renaissance ArtRenaissance Art

The Head The eyes are at the mid-height of the head. The height of the face is about equal to the

length of the hand. The corner of the mouth to the corner of

the eye is equal to the height of the ear. The width of the base of the nose is equal

to the width of the eye.

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Art and PatronageArt and Patronage Italians were willing to spend a lot of

money on art./ Art showed social, political, and spiritual

values./ Italian merchants and traders had

money

Public art in Florence was organized and supported by guilds.

Art was used as a form of competition for social & political status!

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Page 9: Middle Ages Art. ÁSt. Francis’ Rule Approved ÁGiotto Á1288-92? ÁTempera on wood and ground gold. Middle Ages Art.

Renaissance ArtRenaissance Art

Humanism:

/ idea that individuals are important contributors to society and should be respected

Classicism: / Recreated classical themes such as

Greek gods and goddesses (Church did not approve!)

/ Studied Greek and Roman statues to understand proportions and symmetry

Page 10: Middle Ages Art. ÁSt. Francis’ Rule Approved ÁGiotto Á1288-92? ÁTempera on wood and ground gold. Middle Ages Art.

PerspectivePerspective

Perspective!Perspective!Perspective!Perspective!Perspective!Perspective!

Perspective!Perspective!Perspective!Perspective!

First use First use of linear of linear

perspective!perspective!

Perspective!Perspective!Perspective!Perspective!

Linear Linear perspectivperspective: larger e: larger objects objects look look closer closer than than smaller smaller objects in objects in the the backgrounbackgroundd

Page 11: Middle Ages Art. ÁSt. Francis’ Rule Approved ÁGiotto Á1288-92? ÁTempera on wood and ground gold. Middle Ages Art.

Emphasis on IndividualismEmphasis on Individualism Batista Sforza & Federico de Montefeltre: Batista Sforza & Federico de Montefeltre:

The Duke & Dutchess of UrbinoThe Duke & Dutchess of Urbino

Piero della Francesca, 1465-1466.Piero della Francesca, 1465-1466.

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Isabella d’Este –Isabella d’Este – da Vinci, da Vinci, 14991499 1474-1539

“First Lady of the Italian Renaissance.”

Great patroness of the arts.

Known during her time as “First Lady of the World!”

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Geometric Arrangement Geometric Arrangement of of

FiguresFigures The Dreyfus The Dreyfus Madonna Madonna with the with the PomegranatPomegranatee

Leonardo da Leonardo da VinciVinci

14691469

Used Used mathematics mathematics to create to create art!art!

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Light & Light & Shadowing/Softening Shadowing/Softening

EdgesEdges

ChiaroscuroChiaroscuro

SfumatoSfumato

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Filippo Filippo BrunelleschiBrunelleschi1377 - 14361377 - 1436

ArchitectArchitect

Cuppolo of St. Cuppolo of St. MariaMariadel Fioredel Fiore

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Filippo BrunelleschiFilippo Brunelleschi

Commissioned to build the cathedral dome./ Used unique

architectural concepts. He studied

the ancient Pantheon in Rome.

Used ribs for support.

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Comparing DomesComparing Domes

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Other Famous Other Famous DomesDomes

Il Duomo St. Peter’s St. Paul’s US capital

(Florence) (Rome) (London) (Washington)

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The Ideal CityThe Ideal City Piero della Piero della

Francesca, 1470Francesca, 1470

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Page 22: Middle Ages Art. ÁSt. Francis’ Rule Approved ÁGiotto Á1288-92? ÁTempera on wood and ground gold. Middle Ages Art.

The Renaissance “Man”The Renaissance “Man”

Broad knowledge about many things in different fields.

Deep knowledge/skill in one area. Able to link information from

different areas/disciplines and create new knowledge.

The Greek ideal of the “well-rounded man” was at the heart of Renaissance education.

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1.1. Self-Portrait Self-Portrait -- da -- da Vinci, 1512Vinci, 1512

1452 - 15191452 - 1519

Artist

Sculptor

Architect

Scientist

Engineer

Inventor

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Leonardo, the Artist:Leonardo, the Artist:From hisFrom hisNotebooks of over Notebooks of over 5000 5000

pages (1508-1519)pages (1508-1519)

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Mona LisaMona Lisa – da Vinci, – da Vinci, 1503-41503-4

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Mona LisaMona Lisa OROR da da Vinci??Vinci??

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The Last Supper The Last Supper - da - da Vinci, 1498Vinci, 1498& Geometry& Geometry

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horizontal

vert

ical

PerspectivPerspective!e!

The Last Supper The Last Supper - da - da Vinci, 1498Vinci, 1498

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A Da Vinci “Code”:A Da Vinci “Code”:St. John St. John oror Mary Magdalene? Mary Magdalene?

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Leonardo, the SculptorLeonardo, the Sculptor

An An Equestrian Equestrian StatueStatue

1516-15181516-1518

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2.2. Michelangelo Michelangelo BuonorratiBuonorrati

1475 – 15641475 – 1564

He He represented represented the body in the body in three three dimensions dimensions of sculpture.of sculpture.

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PerspectivPerspective!e!

PerspectivPerspective!e!

BetrothBetrothal al

of the of the Virgin Virgin

RaphaelRaphael

15041504

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Raphael’sRaphael’s Canagiani Canagiani Madonna, Madonna, 15071507

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ComparingComparing Madonnas Madonnas

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The School of Athens The School of Athens – – Raphael, 1510 -11Raphael, 1510 -11

Raphael

Da Vinci

Michelangelo

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Portrait of Pope Julius IIPortrait of Pope Julius II by Raphael, 1511-1512by Raphael, 1511-1512

More concerned More concerned with politics than with politics than with theology.with theology.

The “Warrior The “Warrior Pope.”Pope.”

Great patron of Great patron of Renaissance Renaissance artists, especially artists, especially Raphael & Raphael & Michelangelo.Michelangelo.

Died in 1513Died in 1513