Microcelebrity and Parenting in Malaysia
-
Upload
julian-hopkins -
Category
Education
-
view
47 -
download
0
Transcript of Microcelebrity and Parenting in Malaysia
www.sass.monash.edu.my
Celebrity Studies Journal Conference 2016University of Amsterdam
“Sooo cute”: Microcelebrity and Parenthood in Malaysia
Dr Julian HopkinsMonash University Malaysia
www.sass.monash.edu.my
Microcelebrity
• ‘Micro’: smaller, niche audience (Marwick 2013, Senft 2008)
• Celebrity: professional self-branding/commodification (Marwick 2013, Senft 2012)
Malaysia/Singapore• Managing perceived intimacy and
commodifying privacy (Abidin 2013, 2014)
• Lifestyle blogs – ‘extended parasocial relations’ translating brands and leveraging authenticity (Hopkins & Thomas 2011, Hopkins 2016)
• “brands […] are also produced by consumers, through the everyday practices in which consumers use branded goods to create social relations and shared meanings and affect” (Foster 2007: 717)
• Commoditisation <> Branding • Labour – affective, emotional, domestic
(Carah 2014; Hardt 1999)• Consumption work (Foster 2005)• Actor-network theory: “economy of
qualities” and destabilising “voicy consumers” (Callon 2001; Callon et al. 2002)
Branding
www.sass.monash.edu.my
• Brands are relations• Effectively creating those relations requires skill• Social media expands opportunities for this skill to be
monetised• Microcelebrities are good at this
www.sass.monash.edu.my
Research Questions
• How do microcelebrities represent and share their experiences of parenting online?
• What motivations do microcelebrities have for sharing parenting experiences online?
• Does being a microcelebrity influence parenting choices? • What ethical questions do microcelebrities face with
regard to online representations of their children, and how are they resolved?
www.sass.monash.edu.my
Method
• PhD research 2007-2010 – the monetisation of personal blogging – emergence of the lifestyle blog (Hopkins 2016)
• 2016 – online observation, textual analysis and interviews– Criteria: English language blog, income from social media, ‘social media native’, a
parent and talks about his/her children– 38 ‘About Me’ pages downloaded for emergent coding in NVivo– Two months of selected microcelebrities’ online activities downloaded– Ongoing observation and interviews
• Ethics– Names, URLs and brand names have been changed– Exact wording changed where requested
So you may be wondering how we finally got a nice canvas print in our bedroom, after leaving the walls bare for so long?
Well Printposters were introduced to me and the peeps there suggested that for my house I try a 3-photo collage instead of a 1-piece like many people
do. So I thought of my bedroom, and to make a story with the three photos!I decided to use photos from our wedding, the maternity photoshoot, and the
new-born photos :)
In just a few days the canvas print arrived at my door in a big box, together with a hook that you can stick on and also remove easily after use. So the boss did the
work, cos he’s better at that than me. Not that much skill is needed for this though :P
But just to be sure it was in the middle, I stood back to check while he tried it out. Hehe what a major project hor? Now you know why we didn’t get a picture up
before :’)
How do microcelebrities represent and share their experiences of parenting online?
amanda Now that we have our photos on the wall it makes a big difference to how we feel. Seeing the poster reminds us how far we’ve come and how blessed we are.
Get 30% off @printposters orders by following their account or by quoting AMANDALOVE in the checkout at www.printposters.com.
See more on the blog – www.amanda.com (bio has link)nasha_tan I like it!!! maggie234 That’s awesome
amanda
amanda
amanda Our story.Customised canvas print from www.printposters.com. @printposterskongah Is the quality good? Hope you like the postersamanda @kongah Great! They are awesome :)rdbalipictures Wonderful!traceychowisme Oooh lovely!
No formal disclosure on Instagram
We now have new portraits at home! Check it out and find out how you can have your own personalised canvas print with Printposters, and get a 30% discount too. Just follow Printposters on Facebook or quote AMANDALOVE in the checkout at www.printposters.com.
We now have new portraits at home! Check it out and find out how you can have your own personalised canvas print with Printposters, and get a 30% discount too. Just follow Printposters on Facebook or quote AMANDALOVE in the checkout at www.printposters.com.
Amanda Chan shared Amanda Chan – amanda.com’s photo
www.amanda.com/2016/04/new-photos-on-the-wall
Amanda Chan – amanda.com’s photo
www.sass.monash.edu.my
Magdalene
• YouTube – April (6), May (5). Mostly family and daily activities, one makeup tutorial
• Dayre – almost daily• Snapchat – daily• Twitter – rarely
Blog Instagram Facebook April May April May April MayAdvertorial 2 2 11 6 13 5Children 4 4 21 14 14 14Events 1 Family 1 1 4 3 1 1Personal 4 1 2 4 5 4Parent Post 2 1 6 2ootd 1 Consumer Post 1 Miscellaneous 1 1 1Total 11 9 41 30 40 27
• Malaysian-Chinese, English mother tongue • Married with two children: boy (3) and girl (1)• Age: 32• Undergraduate degree• Home-maker/self-employed
Blogging since 2004Instagram followers: 110,000Twitter followers: 18,500Facebook followers: 12,821YouTube subscribers: 1,378Dayre followers: 34,390
www.sass.monash.edu.my
Amanda
• Dayre – daily• Snapchat – daily• YouTube – rarely• Twitter – rarely• She was on a
sponsored holiday in April – high number of Events
Blog Instagram Facebook April May April May April MayAdvertorial 1 6 14 12 10 17Children 1 1 8 4 8 9Events 1 1 27 4 27 3Family 1 1 2 1 4Personal 1 10 8 6Parent Post 1Food 1 1 2Consumer Post 4Miscellaneous 1 1Total 3 9 51 34 60 42
• Malaysian-Chinese, English mother tongue • Married with one child: boy (6 months)• Age: 27• Undergraduate degree• Self-employed
Blogging since 2008Instagram followers: 15,000Twitter followers: 2,344Facebook page likes: 8,606YouTube subscribers: 375Dayre followers: 2,476
www.sass.monash.edu.my
Amanda on Instagram
• Instagram – younger and more engaged audience
• Consistent aesthetics• Representations of motherhood,
femininity, and family• Consumption and display• Caption is paid for
www.sass.monash.edu.my
Yvonne
• Facebook – an online shop for clothes. Business posts: April (10), May (11)
• Has an active MLM business
Blog 1 Blog 2 Blog 3 April May April May April MayAdvertorial 1Paid Link Post 2 3 1 1 1Business 2 2 2 1Children 3 4 1 2Family 3 1 4 2Parent Post 1Personal 2 2Food 4 2 3 3Consumer Post 1 3Health 3 3Miscellaneous 1Total 18 16 11 12 3 4
• Malaysian-Chinese, Chinese mother tongue• Married with three girls: 13, 11 and 8• Age: 41-45• Diploma level• Self-employed
Blogging since 2007Instagram followers: 669Facebook page likes: 6,515
www.sass.monash.edu.my
Wendy
• Her other social media platform use is limited to personal use
Blog April MayPaid Link Post 2 1Business 1Children 1Family 2Personal 3Food 2 2Consumer Post 3Miscellaneous 1Total 8 10
• Malaysian-Chinese, Chinese mother tongue
• Married with one child: girl (11 years)• Age: 46• Diploma• Employed
Blogging since 2006Pinterest followers: 207
Commodity Blog?
• Paid link• Globalised supply
chain– ‘content marketing’
So last weekend I was shopping and checking out some sales. While I was browsing, I saw a lady standing opposite me who had the same top on as me! Horror! She didn’t notice me so I quickly moved away and avoided her. But because I wanted to keep shopping there I used my bag to cover my chest to hide the top. It was a little embarrassing although a bit funny too. I bet if I had done my shopping online at portland store Guitar Centers, I do not have to worry about meeting someone with the same outfit again.
Has this ever happened to you before?Wendy
www.sass.monash.edu.my
How do microcelebrities represent and share their experiences of parenting online?
• Half or more content is advertorials or commercially related
Multiple platforms• Blogs are still used• Instagram is important• Facebook often replicates Instagram
and/or the blog• Snapchat is becoming more popular• YouTube is in the minority – but seen as
important• Twitter is not popular• Polymedia (Madianou and Miller 2013)
Dayre – Magdalene and Amanda • A locally developed mobile
blogging app• More meaningful• Less commercialised
www.sass.monash.edu.my
What motivations do microcelebrities have for sharing parenting experiences online?
Financial• Ability to earn up and above
to the average Malaysian salary (approx RM 2,500)
• Substantial additional income and goods for the family
• Domestic, emotional and affective labour is monetised
Intrinsic• Keeping memories• Creative outlet• Sharing information with
other parents
Branding and commodification is not a sufficient explanation
www.sass.monash.edu.my
‘Baby Blogs’
What motivations do microcelebrities have for sharing parenting experiences online?
My intent was to blog about my time through my pregnancy, being a mother and parent, hoping that it will be a good way for
her to find out about her childhood when she is older and can read.
Motivation Identity
www.sass.monash.edu.my
Lifestyle Blogs (‘Pre-Baby’) ‘Baby Blogs’
What motivations do microcelebrities have for sharing parenting experiences online?
My vision for the long-term (wow…) of my blog is that I will eventually be able to look back at all my posts when I’m older and
grey. This space will aid the future old and forgetful woman remember all the
blessings, ups and downs, and milestones of the life that God has sent to her. I
mean, me.
My intent was to blog about my time through my pregnancy, being a mother and parent, hoping that it will be a good way for
her to find out about her childhood when she is older and can read.
Motivation Identity
Taylor is also highly regarded in the fields of skin care, fashion, e-commerce, and social. She has been invited on a few
occasions to collaborate with brands as a model, ambassador and social media.
Taylor’s high sense of beauty and fashion as well as her strong based of followers have made her highly sought after on
social media.
Motivation
IdentityFinancial
I have even done a series of advertorials for Nappies in Mother & Baby magazines. Below are just a few of the articles which featured mainly Nurul and Naini, and their growth from little newborns to 1 year old toddlers! It was a lot of fun doing these. Thank you Nappies once again for this
great opportunity which serves as lovely keepsakes for me and my twins.
Taylor is also highly regarded in the fields of skin care, fashion, e-commerce, and social. She has been invited on a few
occasions to collaborate with brands as a model, ambassador and social media.
Taylor’s high sense of beauty and fashion as well as her strong based of followers have made her highly sought after on
social media.Motivation
Identity
Financial
Authenticity
www.sass.monash.edu.my
The truth, the partial truth, and nothing but that which is true• Authenticity is asserted but there is no claim to purity• Negative content is avoided• Paid advertorials and content is the norm• The audience have different expectations and interests
www.sass.monash.edu.my
Does being a microcelebrity influence parenting choices?
• Possibly in financial ways• Offline influences probably outweigh online• Concern with judging
– e.g. Not sharing breastfeeding images because she might get negative comments
– The need to negotiate ideals of motherhood and femininity
What ethical questions do
microcelebrities face with regard to
online representations of their children, and
how are they resolved?
magdalene I’d like to teach the world to swing in perfect harmony. ♥ #battlerboy #michelleong #jimong #heyseanmichellebelle19th.king What’s battler’s full name?tupanga Miss timid michelle.. soooo cutesailormoon @19th.king Sean Maximus Ong! They call him battler because he was born premature due to pre-eclampsia but he managed to pull through and is growing well :)mickee_lim @susantonggh look on battlerleenapreena Peni @peterabulioqwertyjpelle Nice pun @magdalene! Haha19th.king @sailormoon Oh oh ic ix
magdalene
www.sass.monash.edu.my
What ethical questions do microcelebrities face with regard to online representations of their children, and
how are they resolved?• Only Wendy hides her child’s face – because the girl is older and worries
about her friends at school, etc.• Yvonne explained that it was getting more difficult as they got older, so
she had to catch them at the right moment• Magdalene and Amanda both argued that it was an inevitable part of life
and as such it was not an issue• They would advise their children to practice basic online safety measures
such as not putting their address online, not trusting strangers, etc.• Abidin (2015) “micro-microcelebrities”: unclear legal position and parents
decide.
www.sass.monash.edu.my
Relational Brands: the confluence of Commercial, Identity, and Relations
• Social media enables identity performance and the tracking of interactive development of interpersonal and social relations – stimulates commercial interest
• If brands are used in social and interpersonal relations, how are microcelebrities impacting their followers’ lives?
• Direct interaction seems to be lessening – i.e. less comments• Phatic and algorithmically quantifiable interactions
increased?• Importance of Likes, Followers, performance
Relations
IdentityCommercial
Brand
Microcelebrity & Parenthood
Brand/Commodity Blog
Baby Blog/Lifestyle Blog
DiversityLabour
Domestic
Affective AgeLanguage
Gender
Class
Ethnicity
Emotional
Global
ConsumptionLocal
www.sass.monash.edu.my
Microcelebrity
• A label for a practice we don’t fully understand yet?• When do they stop being micro?• What is a celebrity?
www.sass.monash.edu.my
• ABIDIN, C. 2013. Cyber-BFFs*: Assessing women’s ‘perceived interconnectedness’ in Singapore’s commercial lifestyle blog industry *Best Friends Forever. Global Media Journal: Australian Edition 7 (available on-line: http://www.hca.uws.edu.au/gmjau/?p=217, accessed 20 January 2014).
• ––––––– 2014. Privacy for Profit: Commodifying Privacy in Lifestyle Blogging. In Selected Papers of Internet Research 15: The 15th Annual Meeting of the Association of Internet Researchers. Daegu, Republic of Korea: Association of Internet Researchers (available on-line: http://spir.aoir.org/index.php/spir/article/view/918, accessed 15 September 2015).
• ––––––– 2015. Micro microcelebrity: Branding Babies on the Internet. M/C Journal 18 (available on-line: http://journal.media-culture.org.au/index.php/mcjournal/article/view/1022, accessed 24 June 2016).
• CALLON, M. 2001. Economy of qualities, researchers in the wild and the rise of technical democracy. In Seminar. Center for Theoretical Study, The Institute for Advanced Studies at Charles University and the Academy of Sciences of the Czech Republic.
• CALLON, M., C. MÉADEL & V. RABEHARISOA 2002. The economy of qualities. Economy and Society 31, 194–217 (available on-line: http://www.informaworld.com/10.1080/03085140220123126, accessed 19 November 2010).
• CARAH, N. 2014. Brand value: how affective labour helps create brands. Consumption Markets & Culture 17, 346–366 (available on-line: http://dx.doi.org/10.1080/10253866.2013.847435, accessed 12 March 2016).
• FOSTER, R. J. 2005. Commodity futures: Labour, love and value. Anthropology Today 21, 8–12 (available on-line: http://dx.doi.org/10.1111/j.0268-540X.2005.00366.x, accessed 13 November 2010).
• HARDT, M. 1999. Affective Labor. boundary 2 26, 89–100 (available on-line: http://www.jstor.org.ezproxy.lib.monash.edu.au/stable/303793, accessed 12 March 2016).
• \HOPKINS• MADIANOU, M. & D. MILLER 2013. Polymedia: Towards a new theory of digital media in interpersonal communication. International Journal of
Cultural Studies 16, 169–187 (available on-line: http://ics.sagepub.com.ezproxy.lib.monash.edu.au/content/16/2/169, accessed 5 January 2016).• MARWICK, A. E. 2013. Status Update: Celebrity, Publicity, and Branding in the Social Media Age. New Haven and London: Yale University Press.• SENFT, T. M. 2008. Camgirls: Celebrity and Community in the Age of Social Networks. (1st edition). Peter Lang Pub Inc (available on-line:
http://uel.academia.edu/TheresaSenft/Books/130671/Camgirls_Celebrity_and_Community_in_the_Age_of_Social_Networks, accessed 28 October 2010).
• SENFT, T. M. 2012. Microcelebrity and the Branded Self. In Blackwell Companion to New Media Dynamics (eds) J. Hartley, J. Burgess & A. Bruns, n/a. Chichester: Wiley-Blackwell (available on-line: http://terrisenft.net/writing/Blackwell%20microceleb/Senft_Blackwell_2012_Final_Microcelebrity%20and%20the%20Branded%20Self%20copy.pdf, accessed 23 July 2014).