MIchael Rogovin Portfolio
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Transcript of MIchael Rogovin Portfolio
MICHAEL ROGOVIN
Education
Professional
Graduate Architecture StudentUniversity of Cincinnati, DAAP School of Architecture and Interior Design August, 2013-Present, Master of Architecture, 2016
Bachelors of Science of ArchitectureUniversity of Cincinnati, DAAP School of Architecture and Interior Design September, 2008-2012
Graduate Assistant ScholarshipCincinnati, Ohio. Spring 2015 - 2016 DAAP GA contracts are a highly competitive opportunity to teach within the undergraduate program in a variety of both hand and digital skills.
Private Vray Rendering Tutoring Cincinnati, Ohio. Fall 2012 - Spring 2014 Lessons primarily in Vray Rhino with post production work in Photoshop. Student Reference: David Saldoff <[email protected]>
Programs: Rhino, SketchUp, Grasshopper, Revit, AutoCAD, Photoshop, Illustrator, InDesign, Vray.
Assorted Skills: Free-hand sketching/drafting, 3D Printing/ laser cutting experience, Watercolor, Oil painting, MIG welding, Home renovation experience, Computer building for rendering and 3D work, Mac OS-X expert.
Experience
Terry Boling ArchitectCincinnati, Ohio. August, 2014 - Present Worked independently under the advisement of Terry Boling to assemble a permit set for an adaptive reuse project in Cincinnati’s historic OTR neighborhood.
GBBN ArchitectsCincinnati, Ohio. January - May, 2014 Schematic-design, Rendering/graphics work, and Revit drafting for historic submission preparation, and educational projects.
William McDonough + Partners San Francisco, California. January - May, 2013 Designed for client and competition work with responsibilities including parametric scripting, 3D modeling, CAD drafting, and presentation materials.
Ziger/Snead ArchitectsBaltimore, Maryland. Winter Quarter, 2012 Schematic-design, graphic/standards work, client presentations, and Revit drafting for educational and commercial buildings.
Earl Swensson AssociatesNashville, Tennessee. Spring Quarter, 2011 Schematic-design, client presentations, and Revit drafting for healthcare and commercial buildings.
The Office of Planning and ArchitectureHarrisburg, Pennsylvania. January - April and Sept - Dec, 2010 Pre-design through early CD development on residential, civic, and commercial buildings.
University of Cincinnati Graduate Architecture [email protected] - Cell (513) 259-5608 Portfolio - http://issuu.com/m-rogovin/docs/rogovin_portfolio_09-2013
MICHAEL ROGOVIN
GRADUATE STUDIOINDEPENDENT STUDIO PROJECTFall 2012
VISITORSCENTER
CONTEXT SENSITIVEDesigning for Columbus, Indiana carries special significance with the excellent body of built work on display, from Saarinen’s First Christian Church constructed in 1942 to Venturi’s Fire Station # 4 built in 1968. In recent years the city’s architecture prowess has lost some of its steam in creating new buildings. Columbus needs to be able to respects its past while simultaneously looking to the future where architectural tourism may be a stronger economic force than the manufacturing that once shaped the city.
TO BUSINESS DISTRICT
6th st.
HOLD CORNER TO EMBRACE TIGHTER SET-BACKS WITHIN BUSINESS DISTRICT.
WASHINGTON ST.
COLUMN GRID VERTICAL CIRCULATION
WASHINGTON ST.EXPLORATORY STAIR TO RURAL PLAINS
7th st.
RELAX CORNER TOWARDINDIANA PLAINS
ESTABLISH MASS EMBELLISH
1 2 3 4 5 6 7
1234567
54321
321
4 3 2 1
4 3 2 1
4 3 2 1DNUP DN UP
DN
UP
M
LIBRARY
ELEVATOR
ELEVATOR
ELEVATOR
KITCHEN
CAFE/ BOOKSTORE
AUDITORIUMGALLERY
OFFICESRECEPTION
750 sqft RESIDENCE750 sqft RESIDENCE 500 sqft 500 sqft 500 sqft 500 sqft 500 sqft
W
M W
DN
DN
DN
DN
DN
1 2 3 4 5 6 7
1234567
54321
321
4 3 2 1
4 3 2 1
4 3 2 1DNUP DN UP
DN
UP
M
LIBRARY
ELEVATOR
ELEVATOR
ELEVATOR
KITCHEN
CAFE/ BOOKSTORE
AUDITORIUMGALLERY
OFFICESRECEPTION
750 sqft RESIDENCE750 sqft RESIDENCE 500 sqft 500 sqft 500 sqft 500 sqft 500 sqft
W
M W
DN
DN
DN
DN
DN
1 2 3 4 5 6 7
1234567
54321
321
4 3 2 1
4 3 2 1
4 3 2 1DNUP DN UP
DN
UP
M
LIBRARY
ELEVATOR
ELEVATOR
ELEVATOR
KITCHEN
CAFE/ BOOKSTORE
AUDITORIUMGALLERY
OFFICESRECEPTION
750 sqft RESIDENCE750 sqft RESIDENCE 500 sqft 500 sqft 500 sqft 500 sqft 500 sqft
W
M W
DN
DN
DN
DN
DN
Third Floor Plan
ELEVATION - EASTERN FACADE
Second Floor Plan
First Floor Plan
MECH. AND DISTRIBUTION
LOBBY AND TEMP GALLERY
PERMANENT COLLECTION
LIBRARY
EASTERN EXPOSURE
ARTIST RESIDENCE
EGRESS
EGRESS
Progam and PrivacyProgram was distributed vertically based on desire for privacy versus public access with the artist residence being the most private and the temporary gallery and lobby being the least. An exploratory stair encourages patrons to move upwards within the building granting access to the permanent collection while isolating them from the noise and distraction of the street.
SECTION PERSPECTIVE LOOKING SOUTH
Lobby PersPectiveAs an architectural center, the goal of the building was not to foreground itself but present the historic buildings of columbus to a new audience. To achieve this, the connection to the street and urban fabric was an important step to encourage engagement beyond the walls of the center. Floor to ceiling glass was used to invite passers-by in and open up views out.
PARAMETRIC STUDIOINDEPENDENT STUDIO PROJECTSPRING 2012
MAGNETICFLOW
As with many Midwestern cities, Cincinnati has transitioned away from heavy manufacturing. On top of this, the city’s urban core, known as Over the Rhine (OTR), was overlooked for many years in favor of new suburban developments on the cities outskirts. Despite this, OTR is in a period of revival with a renewed interest in the arts, dining, and nightlife. As a result there is a growing interest in new manufacturing for artists and their works, involving 3-D prototyping utilizing computers and advanced robotics. This became the driving program behind my capstone studio project, a computer arts center, to produce, educate, and display a new generation of art and manufacturing.
OPEN TO BELOW
CIRCULATION
STAIR
OPEN TO BELOW
OPEN TO BELOW
ELE.
MECH
REST.
REST.
MECH500 SQ.FT.
CLASSROOMS
500 SQ.FT.
DIRECTOR’S OFFICE
500 SQ.FT.
COMPUTER LAB2000 SQ.FT.
WORKROOM2000 SQ.FT.
CONFERENCE500 SQ.FT.
CONFERENCE500 SQ.FT.
N
EGRESS
ELE.
RETAIL4 X 500 SQ.FT.
LIBRARY800 SQ.FT.
GALLERY6000 SQ.FT.
MECH
REST
.
REST.
LOBBY1000 SQ FT.
UP
UP
GALLERY4 X 500 SQ.FT.
OPEN TO BELOW
CIRCULATION
STAIR
OPEN TO BELOW
OPEN TO BELOW
ELE.
MECH
REST.
REST.
MECH500 SQ.FT.
CLASSROOMS
500 SQ.FT.
DIRECTOR’S OFFICE
500 SQ.FT.
COMPUTER LAB2000 SQ.FT.
WORKROOM2000 SQ.FT.
CONFERENCE500 SQ.FT.
CONFERENCE500 SQ.FT.
N
EGRESS
ELE.
RETAIL4 X 500 SQ.FT.
LIBRARY800 SQ.FT.
GALLERY6000 SQ.FT.
MECH
REST
.
REST.
LOBBY1000 SQ FT.
UP
UP
GALLERY4 X 500 SQ.FT.
modernity vs. Parametricism
In order to achieve a design that reflects the high tech nature of the building’s program, I looked to combine a parametric design approach with a rational modern one. The resulting hybrid design utilizes modern spatial planning and massing. The site uses a grid altered by a magnetic attractor script that expands the grid at points chosen to direct site forces and the user experience. A similar script was used to create a sun shade system that adapts to the desire for exposure, climate, and the overall architecture.
I-71 ENTRY
SERV
ICE
ENTR
Y
PARK
ING
PARK
ING
SCUL
PTUR
EPA
RK
CEN
TER
READ
ING
RD.
DESI
GN
GIL
BERT
AVE
.
E.LIBERTY ST.
I-71 ENTRY
SERV
ICE
ENTR
Y
PARK
ING
PARK
ING
SCUL
PTUR
EPA
RK
CEN
TER
READ
ING
RD.
DESI
GN
GIL
BERT
AVE
.
E.LIBERTY ST.
extend PLane from street
WraP front of buiLding form second fLoor Push and PuLL PLanes
PuLL uP to form back WaLL return PLane to form roof
design Progression
1. FLATTENED GLAZING 2. PLACE CONTROL POINTS
3. PLACE MORE POINTS 4. TRIM LINES TO ORIGINAL SHAPE
5. CUT-OUT INDIVIDUAL GLAZED PANELS
6. FOLD PANELS BACK TO ORIGINAL SHAPE
magnetic DisPlacement -Magnetic displacement is a tool used to manipulate a grid parametrically, based on a set of control points determined by the design needs.
ELEVATION FACING SOUTH
context and the casino
ELEVATION FACING NORTH
The chosen site sits upon a highly visible corner at the edge of OTR’s historic urban fabric and I-71 highway. Further complicating things, a casino is being built at the site’s southern end. With it comes some of the flamboyance of Vegas but with a Midwestern twist. The result is a site that has not one distinct identity but several competing influences. As such, it seemed appropriate to develope a clean style that would not offend OTR’s history and at the same time stand up to the bright lights of the new casino.
ELEVATION LOOKING EAST
GRADUATE STUDIOINDEPENDENT STUDIO PROJECTFall 2012
NORTHSIDEPAVILION
DECREASED DENSITY
Two years after the completion of the original Living Local Northside project I decided to revise what I considered the project’s greatest failing, the central court yard. The resulting Pavilion structure was designed independently and is intended to fit within the site’s organization.
PAVILION GRID
RAISE BASE TO MEET STRUCTURE
PULL DOWN GRIDAS STRUCTURE
TIGHTEN GRIDFOR STRUCTURE
ParametricaLLy controlleD Pavilion
Through a Grasshopper controlled definition the grid was adjusted to increase density and account for structural loads. At these same points the grid was pulled to the ground to form a single fluctuating plain.
TIGHTENED GRID
site anD griD
As a central courtyard to the market site, the idea was to create a usable gathering space that would bind the various buildings together with an iconic pavilion structure. The site grid was subdivided to create the tight rigid structure and then manipulated using three control points defined by the original site grid.
Pavilion plot
Site gridControlPoints
AMBERLY VILLAGEINDEPENDENT STUDIO PROJECTSummer 2012
CREST HILLSVINEYARDCREST HILLSVINEYARD
AMBERLY VILLAGEINDEPENDENT STUDIO PROJECTSummer 2012
This studio project sought to repurpose a large abandoned golf course just outside of Cincinnati. The site included a poorly maintained clubhouse which was reclaimed as a Winery processing building, rentable event space, and student run restaurant. The expansive former greens are to be used for agriculture, the growing of grapes, and as park grounds.
1 - Existing Structure 2 - Addition added on north for a Restaurant
strategy
3 - Wine cellar added below existing structure to open onto to green
4 - Connect upper level with exposed walkway
ax i s a n d An c h o r
Extending from the Vineyard main building, an axis was drawn across the site intending to connect the far extents of the former gulf course. The axis terminates at a pavilion intended for social events three seasons of the year. Within this context, a modern take on the primitive hut seemed appropriate as to not overwhelm the surrounding landscape but instead nestle within it.
P L A N E
F R A M E
TASTING PAVILION
WINERY
VITICULTURE LAND- Grapes prefer sunny south facing slopes with good drainage.
VEGETABLE LAND- Relatively flat area with good sun and close Proximity to kitchen.
ORCHARD LAND- Being the least picky of soil, slop, and sun conditions, fruiting trees make used of some of the less desirable land.
F R A M E
5 - Final massing negotiates with terrain to form view corridor
ORIGINAL BUILDING SHELL
FERMENTATION AND AGING TUNNEL
LIGHT WELL
ORIGINAL BUILDING SHELL
FERMENTATION AND AGING TUNNEL
RestroomRestroom
Elevator
Nan
awal
l
UP
Grand Ball Room
UP
Slope1/20
+4’
DN
UP
Service Space
Bar
DN
UP
DN
DN
UP
BAR
Restroom
Restroom
Restroom
Restroom
Open Kitchen
Service Stair
Dining Room
Elevator
DN
LOWER LEVELWine storage and fermentation
FIRST LEVELEntry and Ballroom
SECOND LEVELRestaurant and entry
For Wine to age properly the barrels must remain undisturbed for a few months to several years. During this time, the wine prefers stable cooler temperatures in order to produce the best flavors. For this reason the tunnel inserted under the original building houses much of the long term storage. This also creates an opportunity for guests to have a stronger interaction with the product as they are forced to pass it on their way out to the park lands.
EXIT TO VINEYARD AXIS TOWARDS PAVILION
context vs. IntentTerminating the axis started with the storage tunnel is a tasting pavilion. Unlike the main building which sits in opposition to the nature it inhabits, this structure is intended to be integrated into the landscape. Extensive use of wood softens the building’s opposition to the surroundings. The absence of walls means there is never a disconnect from the outdoors.
tasting Pavilion
MODEL MAKINGVARIOUS STUDIO PROJECTSSummer 2012
ILLUMINATEDWORKS ILLUMINATEDWORKS
MODEL MAKINGVARIOUS STUDIO PROJECTSSummer 2012
LIGHT TUNNELConstructed with 72 stacked hexagons each rotating at 6 degrees to form a geometric light tunnel.
This piece was built over a three month period during my senior year of high school.
TOWER LAMPThe Tower Lamp was constructed as a reinterpretation of the formal qualities of Dominique Perrault’s Bibliothéque Nationale de France (BNF) as defined though light. Construction was completed with a combination of digital fabrication and handwork. Running vertically along the lamp, louvers control the light being emitted much like the large wooden panels used in the BNF.
HAND SKETCHESPARIS STUDY ABROADSummer 2011
FIELDSKETCHES
HAND WORKVARIOUS PROJECTS2007-2009
VARIOUS ARTS
HAND WORKVARIOUS PROJECTS2007-2009
VARIOUS ARTS
BEE-HAVEOIL ON WOOD, 24” X 24”2007
CLUSTERVARIOUS MATERIALS, 12” X 12”
2009
DYLAN # 1OIL ON CANVAS, 12” X 24”2007
DYLAN # 1OIL ON CANVAS, 12” X 24”2007
CUT-OUT SELF PORTRAITOIL ON WOOD, 36” X 48”2007
NUDEPASTEL, 12” X 24”
2007
DYLAN # 3OIL ON CANVAS, 12” X 24”2007
Education
Professional
Graduate Architecture StudentUniversity of Cincinnati, DAAP School of Architecture and Interior Design August, 2013-Present, Master of Architecture, 2016
Bachelors of Science of ArchitectureUniversity of Cincinnati, DAAP School of Architecture and Interior Design September, 2008-2012
Graduate Assistant ScholarshipCincinnati, Ohio. Spring 2015 - 2016 DAAP GA contracts are a highly competitive opportunity to teach within the undergraduate program in a variety of both hand and digital skills.
Private Vray Rendering Tutoring Cincinnati, Ohio. Fall 2012 - Spring 2014 Lessons primarily in Vray Rhino with post production work in Photoshop. Student Reference: David Saldoff <[email protected]>
Programs: Rhino, SketchUp, Grasshopper, Revit, AutoCAD, Photoshop, Illustrator, InDesign, Vray.
Assorted Skills: Free-hand sketching/drafting, 3D Printing/ laser cutting experience, Watercolor, Oil painting, MIG welding, Home renovation experience, Computer building for rendering and 3D work, Mac OS-X expert.
Experience
Terry Boling ArchitectCincinnati, Ohio. August, 2014 - Present Worked independently under the advisement of Terry Boling to assemble a permit set for an adaptive reuse project in Cincinnati’s historic OTR neighborhood.
GBBN ArchitectsCincinnati, Ohio. January - May, 2014 Schematic-design, Rendering/graphics work, and Revit drafting for historic submission preparation, and educational projects.
William McDonough + Partners San Francisco, California. January - May, 2013 Designed for client and competition work with responsibilities including parametric scripting, 3D modeling, CAD drafting, and presentation materials.
Ziger/Snead ArchitectsBaltimore, Maryland. Winter Quarter, 2012 Schematic-design, graphic/standards work, client presentations, and Revit drafting for educational and commercial buildings.
Earl Swensson AssociatesNashville, Tennessee. Spring Quarter, 2011 Schematic-design, client presentations, and Revit drafting for healthcare and commercial buildings.
The Office of Planning and ArchitectureHarrisburg, Pennsylvania. January - April and Sept - Dec, 2010 Pre-design through early CD development on residential, civic, and commercial buildings.
University of Cincinnati Graduate Architecture [email protected] - Cell (513) 259-5608 Portfolio - http://issuu.com/m-rogovin/docs/rogovin_portfolio_09-2013
MICHAEL ROGOVIN