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Transcript of MFL: Making the New National Curriculum work for your Primary or Secondary School insetcourses.com...
MFL: Making the New National Curriculum work
for your Primary or Secondary School
insetcourses.com tutor: John Bald
Monday 20 October 2014
Please ensure your mobiles are switched off
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AN OLD PROBLEM...(FROM CHAUCER, G, PROLOGUE, LATE C14 )
And frenssh she spak ful faire and fetisly, After the scole of stratford atte bowe, For frenssh of parys was to hire unknowe.
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...AND A NEW SOLUTION...
Use the findings of brain research to inform teaching
Identify what works, and build on it
Identify what doesn’t work, and cut it out
Reference: Language Understanding, Towards a Post-Chomskyan Linguistics. Terry Moore and Chris Carling, 1982.
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BRAIN CELLS AND CONNECTIONS(FROM THE LEARNING BRAIN, BLAKEMORE AND FRITH, 2005)
As we learn, brain cells form connections with each other that build into networks. These connections are strengthened with practice.
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ERIC KANDEL
In Search of Memory: the Emergence of a New Science of Mind (NY, 2006). (www.bookfinder.org)
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THE BRAIN ADAPTS ITSELF TO DIFFERENT LANGUAGES
Reading Aloud in English and Italian, evidence from brain scans (active areas in black)
Left: reading system of English and Italian combinedCentre: sound processing more active in ItalianRight: word form area more active in English
(fromThe Learning Brain, Blakemore and Frith, 2005)
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DYSLEXIA’S BROKEN BRIDGES
Centre image shows reduced functions in isthmus and in temporal cortex
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THE AREAS OF THE BRAIN USED FOR WRITTEN AND SPOKEN LANGUAGE ARE INTERLINKED AND OVERLAP(DR. MATT DAVIS, MRC, LANGUAGES TODAY, SPRING 2013)
• Hearing • Reading • Both
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WE PROMOTE THE FORMATION OF NETWORKS IN CHILDREN’S MINDS BY
Understanding the adjustments they need to make to their thinking
Explaining these clearly in terms children understand.
Clear and attractive presentation
Teaching spoken and written language together, so that children can see the links between them.
Encouraging and answering questions
Encouraging them to practise
WE HINDER THE FORMATION OF NETWORKS BY
Copying, which requires children to switch their
attention continually between the master version and their own. These jerky movements thinking and the formation of connections.
Overloading, by presenting too much new written material at a time, or presenting spoken language that is too fast for children to understand.
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COPYING ERRORS FROM A YEAR 7 MIXED-ABILITY CLASS
Quel as âge tu. Quel âge as-tu?O habite tu Ou j’habites-tu Où habites-tu?Où habite a Londres. J’habite à Londres.Common t’appelle tú_ Comment t’appelles-tu?Je onzo age J’ai onze ansJa un douze J’ai douze ans
(experienced teacher, pupils had models of the sentences they were trying to write, from which they could copy.)
For more examples, see Heather Rendall, Classic Pathfinder 6, CILT 2006.
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THE NEW NATIONAL CURRICULUM
Uses the full capacity of the brain to build understanding and learning
Allows teachers to take professional decisions
Expects all children to make progress
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ASSESSMENT WITHOUT LEVELS: COMMON EUROPEAN FRAMEWORK OF REFERENCE.
A: Basic User
B: Independent User
C: Proficient User
Downloadable – enter Common European Framework in any search engine.
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GRAMMAR FOR COMMUNICATION.
Presents the key features of the language clearly enough for learners to use them while they are thinking about what they want to say.
Is based on sentence building rather than translation – translation can then be used to provide reinforcement.
Should include positive and negative forms from the outset.
Should focus on verb and subject, and should treat “tense” (old French, tens) as a synonym for time rather than a term denoting a different verb form.
Must be introduced early, and is then practised as key patterns recur in all subsequent work.
Needs to be combined with idiom, so that pupils learn to phrase things as a native speaker would, and a systematic approach to learning vocabulary..
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KEY FEATURES OF FRENCH…
The French like their spoken language to flow, and their written language to be precise.
All nouns have a gender. (Very occasionally, two – le or la professeur)
The form of verbs varies more than in English, and the negative is tricky.
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... A SUGGESTED FIRST ORDER...
Colours have key features – vert, bleu, rouge, blanc, jaune, orange, noir, violet, marron. Say together, study, look away, write on sleeve.
Bonjour! (G’day). Drop the tongue to pronounce.
Sing and point (to self and people) pronouns
Sing and point être. I usually do negative first.
Sentence building with family and pets introduces gender and avoir, positive and negative.
MY FIRST STEPS IN SPANISH.
Colours. Rojo, azul, verde, amarillo, marrón introduce most of the variations between Spanish and English pronunciation, and the accent. As with French, say together, study, look away and write on sleeve.
Explain ¡Buenos Días! as a greeting, and what it means.
Sing Ser to 10 green bottles, with actions, explaining how Spanish takes advantage of its word endings to omit the short words we have to put in front of verbs.
Introduce masculine/feminine, via the idea of boys’ and girls’ words for younger children. Eg soy una niña/un niño.
Build sentences about family/pets, around tengo/no tengo.
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... AND BEYOND...
Extend outwards from family and pets to other areas of interest.
Encourage expression through recording, playbacks, blogging, podcasting.
Make and cultivate links to a school in a country that speaks the language.
Develop understanding of the shared Latinate and Greek words that are the foundation of much European public language.
Explore software, internet connections and websites, Youtube, Wickipedia, Taught By Song, Little Tails, BBC sites, news sites...google translate ...(discuss...)
Introduce children’s books, make talking versions using Mantralingua (or other) talking pens, Mantralingua talking tablet, IPC.
Set up a languages section in the library.
Start a club. Please, start a club. And invite parents.
Think about Flame/CLIL, perhaps beginning with Take 10 (Devon)
Sign the staff up for British Council Comenius Courses in the holiday. Generous grants, good teaching, good food, good learning.
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…AND A WAY OF TEACHING FLOW IN FRENCH
Explain that vowels are voice sounds, and that two together can be jerky – say je ai . Can they hear the jerk?
Demonstrate the technique of dropping the first vowel and replacing it with an apostrophe. Write apostrophe on the board. Who thinks it’s an English word? Explain that apostrophe comes from the Greek word for gap, and that we have a gap when we take out a letter. So, we have j’ai.
Have children study j’ai, then clean it off/minimise it, and have them trace it with their finger on their sleeve or desk. Nearly all will get it right. Praise.
Write and explain the sentence J’ai un chat, noting the letter at the end of the word that is not pronounced. Repeat the tracing.
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SENTENCE MODELLING…
Presents new structures clearly and simply
Extends opportunities for study, explanation and questions
Lets children compose written sentences as they do spoken ones,
Eliminates the to-and-fro brain switches involved in copying
Letting us teach written and spoken language together
Allows children to say what they want to say
Lets us present advanced language clearly and flexibly
Raises achievement in reading and writing
Is easy to use, and can be practised on mobile devices.
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Je (point to self, whole hand –finger pointing is rude)Tu (point to a friend, whole hand – they can’t help smiling !)Il (point to a boy, not your tu friend)Elle (ditto a girl) Nous Big circular sweep with both handsVous Point to teacher with both hands – explain that vous is a mark of respect to a grown up. Ils Point to two boys both handsElles Point to two girls both hands
French Verb song(song copyright ©Joe Biswell and John Bald)
A POSSIBLE ORDER FOR VERBS
Pronouns only with actions
Etre (negative with shaking of head)
Etre positive (might try with nodding head)
Some regular verbs - eg regarder, écouter, jouer, penser, manger (these bring out regular patterns)
Any other verb the children would need to use to say something.
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SOME PATTERNS IN FRENCH VERBS
Tu ends in s
ils/elles end in nt
Nous ends in -ons (not nous sommes)
Vous ends in –ez (not vous êtes and vous faites)
These patterns recur in almost all tenses, including those made with auxiliary (helping) verbs, conditionals and subjunctives.
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FOOTNOTE: SPANISH VERBS
Spanish takes a shortcut – unless there is a need to emphasise it, the pronoun is incorporated into the verb.
Spanish verbs can be sung to Ten Green Bottles, using the same gestures as for the French
Negatives are easy – just begin with no.
Tengo is a good starting point, as it can be used to say so many things, and the first person is easy to spell.
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SOME REFERENCES
http://richannel.org/christmas-lectures/2011/meet-your-brain
Clicker 6 + Acapello voices www.cricksoft.com
The Learning Brain, Blakemore S and Frith U Blackwell 2005
Zim Zam Zoum, Vale Venga Vamos. www.taughtbysong.com
Spell it Out. D Crystal, 2012
In Search of Memory. Eric Kandel, Norton 2006.
www.bookfinder.com
Learner English, Swan M and Smith B, CUP 2001
www.rachelhawkes.com
www.linguee.com (idiom in different languages)www.insetcourses.com