Melody writing - Higgins & Higgins Cashel Jan 2011.pdf · • Melody and rhythm: 27 ... Music...

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Melody writing PPMTA - Cashel 12 January 2011 Anna-Marie Higgins

Transcript of Melody writing - Higgins & Higgins Cashel Jan 2011.pdf · • Melody and rhythm: 27 ... Music...

Page 1: Melody writing - Higgins & Higgins Cashel Jan 2011.pdf · • Melody and rhythm: 27 ... Music resources ... E-mail amhiggins@leavingcertmusic.com Thanks to John for organising this

Melody writing

PPMTA - Cashel

12 January 2011

Anna-Marie Higgins

Page 2: Melody writing - Higgins & Higgins Cashel Jan 2011.pdf · • Melody and rhythm: 27 ... Music resources ... E-mail amhiggins@leavingcertmusic.com Thanks to John for organising this

Junior Cert: 35 marks

WORD SETTING

GIVEN OPENING

ANSWERING PHRASE

• Melody and rhythm: 27

• End on keynote: 4

• Phrasing: 4

Page 3: Melody writing - Higgins & Higgins Cashel Jan 2011.pdf · • Melody and rhythm: 27 ... Music resources ... E-mail amhiggins@leavingcertmusic.com Thanks to John for organising this

JC: One bar is given (2010)

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JC: Answering Phrase (2010)

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Summary

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LC: Template for Q.1

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5th

year: Q.1

Tonic solfa

Phrasing, expression and instruments

Developing the given material

Final phrase: A2

Answering phrase: A1

3rd phrase: B

Compound Duple rhythm patterns

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6th

year: Q.1 and Q.3

Question 3: Gigue

Anacrusis

Minor Melody

Other weird starts e.g. three quavers; Gavotte;

opening extending onto second system...

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Other points

Exam questions: how soon?

Rests e.g. Q.1 in 2001

Rhythm at cadences

Harmonic progessions

Q.2

Ordinary Level

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“Rough work”

Keys, scales and tonic solfa

Strong leaps

Weak leaps

Leading note to tonic

“Rough work”

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Developing Material

Rhythmic development

Melodic development

Inversion

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Final Phrase: A2

Rhythmic development

Melodic development

Inversion

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Modulating

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Answering Phrase: A1

Develop bars 1 and 2

Extend the range

Modulate

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Sequences

Possibilities?

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B phrase

Sequence

Imperfect cadence

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Compound Duple

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Compound Duple Tune

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Gigue in Binary Form

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Q.3

AA1BB1 – ABA1B1 – ABB1A1 – AA1A2B – AA1BA2

Keep close to the Q.1 plan

The first two bars of the phrase are identifiable as A or B

The third and fourth bar of each phrase are built around

(i) a modulating cadence,

(ii) an Imperfect cadence and

(iii) a Perfect cadence

Don’t have two sequences

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Bar 4

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Anacrusis (Layout 1)

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Anacrusis (Layout 2)

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Q1 – HL – LC – 2010 – A1 – Minor

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Q1 – HL – LC – 2010 – B – Minor

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Q1 – HL – LC – 2010 – A2 – Minor

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Other weird starts

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Other points

Exam questions: how soon?

Rests e.g. Q. 1 in 2001

Rhythm at cadences

Harmonic progessions

Q. 2

Ordinary Level

Page 29: Melody writing - Higgins & Higgins Cashel Jan 2011.pdf · • Melody and rhythm: 27 ... Music resources ... E-mail amhiggins@leavingcertmusic.com Thanks to John for organising this

Final slide

Senior Cycle, Music resources

http://www.teachnet.ie/melody

E-mail

[email protected]

Thanks to John for organising this talk