May 24 Modern & Contemporary Print Sale #5258

MO

DER

N &

CO

NTEM

PO

RA

RY

PRIN

TS & M

ULTIPLES A

UC

TION

#5267 | MA

Y 24, 2016 | D

ALLA

S

MODERN & CONTEMPORARY PRINTS & MULTIPLESMAY 24, 2016 | DALLAS

Front Cover Lot: 69149 Takashi Murakami

Inside Front Cover Lot: 69093 KAWS

Inside Back Cover Lot: 69017 Mel Bochner

Back Cover Lot: 69072 Keith Haring

40956

Heritage Signature® Auction #5267

Signature® Floor Session(Floor, Telephone, HERITAGELive!®, Internet, Fax, and Mail)

Heritage Auctions Design District Showroom 1518 Slocum Street • Dallas, TX 75207

Tuesday, May 24 • 11:00 AM CT • Lots 69001-69271

LOT SETTLEMENT AND PICK-UPAvailable immediately following the floor session or weekdays 9:00 AM – 5:00 PM CT by appointment only.

Lots are sold at an approximate rate of 65 lots per hour, but it is not uncommon to sell 50 lots or 80 lots in any given hour.

This auction is subject to a Buyer’s Premium of 25% on the first $200,000 (minimum $14), 20% of any amount between $200,000 and $2,000,000, and 12% of any amount over $2,000,000.

TX Auctioneer licenses: Paul Minshull 16591; Teia Baber 16624; Edward Beardsley 16632; Madeline Brophy 17100; Holly Culbreath 17513; Sarah Davies 17505; Chris Dykstra 16601; Samuel Foose 11727; Alissa Ford 17104; Helen Goblirsch 17508; Kathleen Guzman 16142; Gregory Holman 17653; Jennifer Marsh 17105; Marina Medina 17512; Bob Merrill 13408; Brian Nalley 17134; Leanne O’Donnell 17650; Scott Peterson 13256; Mark Prendergast 17118; Michael Provenzale 17157; Michael Sadler 16129; Barry Sandoval 17649; Martin Scammel, Jr. 17659; Nathan Schar 17365; Kimberly Serrano 17657; Anthony Singleton 17507; Andrea Voss 16406; Jacob Walker 16413; Phillip Wooten 17656.

LOT VIEWINGHeritage Auctions Design District Showroom 1518 Slocum Street • Dallas, TX 75207

Saturday, May 21 – Monday, May 23 10:00 AM - 5:00 PM CT

View lots & auction results online at HA.com/5267

BIDDING METHODS® 1 Bidding

Bid live on your computer or mobile, anywhere in the world, during the Auction using our HERITAGELive!® program at HA.com/Live

Live Floor Bidding Bid in person during the floor sessions.

Live Telephone Bidding (floor sessions only) Phone bidding must be arranged on or before Monday, May 23, by 12:00 PM CT. Client Service: 866-835-3243

Internet Absentee Bidding Proxy bidding ends one hour prior to the session start time. Live Proxy bidding continues through the session. HA.com/5267

Fax Bidding Fax bids must be received on or before Monday, May 23, by 12:00 PM CT. Fax: 214-409-1425

Mail Bidding Mail bids must be received on or before Monday, May 23.

Phone: 214-528-3500 • 877-HERITAGE (437-4824)Fax: 214-409-1425Direct Client Service Line: 866-835-3243Email: [email protected]

Modern & Contemporary Prints & MultiplesMay 24, 2016 | Dallas

This Auction is cataloged and presented by Heritage Auctioneers & Galleries, Inc., doing business as Heritage Auctions.

© 2016 Heritage Auctioneers & Galleries, Inc.

HERITAGE is a registered trademark and service mark of Heritage Capital Corporation, registered in U.S. Patent and Trademark Office.

1Patent No. 9,064,282

Consignment Directors: Frank Hettig, Leon Benrimon, Holly Sherratt

Cataloged by: Elizabeth Cassada, Taylor Curry

Steve IvyCEO

Co-Chairman of the Board

Jim HalperinCo-Chairman of the Board

Paul MinshullChief Operating Officer

Todd ImhofExecutive Vice President

Greg RohanPresident

Worldwide Headquarters 3500 Maple Avenue • Dallas, Texas 75219

Phone 214-528-3500 • 877-HERITAGE (437-4824) HA.com/Modern

Fine & Decorative Arts Department Specialists

Frank HettigDirector, Modern & Contemporary Art

Holly SherrattDirector, Modern & Contemporary Art

San Francisco

Leon BenrimonDirector, Modern & Contemporary Art

New York

Ed Beardsley Vice President and Managing Director

Ed JasterSenior Vice President

MODERN & CONTEMPORARY ARTPRINTS & MULTIPLES

PABLO PICASSO Lot 69168

4 To view full descriptions, enlargeable images and bid online, visit HA.com/5267

69001

Josef Albers (1888-1976)I-S LXXIIb, 1972Screenprint in colors17-1/2 x 17-1/2 inches (44.5 x 44.5 cm) (image)28 x 28 inches (71.1 x 71.1 cm) (sheet)HC 1/10 (aside from an edition of 100)Signed, titled, dated, and numbered in pencil in lower margin, with the blindstamp of the publisherPublished by Ives-Sillman, New Haven

LITERATURE:Danilowitz, 215.

Estimate: $2,000-$3,000

Auction #5267 | Tuesday, May 24, 2016 | 11:00 AM CT 5

69002

Josef Albers (1888-1976) and Bradbury Thompson (1911-1995)The Washburn College Bible, 1979The first edition three-volume bible designed by Bradbury Thompson, including three screenprints in colors by Josef Albers as frontispieces, with mounted colored plates preceding each book of the bible14-1/4 x 10 x 2-1/4 inches (36.2 x 25.4 x 5.7 cm) (each volume)Ed. 218/398Each print is signed, dated ‘73,’ and numbered in pencil in the lower marginPublished by Washburn College, Topeka, Kansas

The frontispieces by Josef Albers include Introitus (Volume I), Seclusion (Volume II), and Ascension (Volume III).

Estimate: $1,000-$1,500


69003

Richard Anuszkiewicz (b. 1930)Untitled, 1968Plastic cube multiple in black and white10 x 10 x 10 inches (25.4 x 25.4 x 25.4 cm)Ed. 1/150Signed, dated, numbered, and inscribed ‘To M.L.K. JR.’ on accompanying plexiglas plaquePublished by the artist to benefit CORE (Congress of Racial Equality)

Estimate: $800-$1,200


69004

Richard Anuszkiewicz (b. 1930)Untitled (Translumina), 1989Screenprint in colors24 x 24 inches (61 x 61 cm) (image)Ed. 52/99Signed, dated, numbered, and dedicated ‘For Elaine - 7/17/91’ in pencil in lower margin

Estimate: $2,000-$3,000


69005

Arman (1928-2005)UntitledPawn chess pieces in polyester resin5-1/4 x 5 x 1-1/4 inches (13.3 x 12.7 x 3.2 cm)Signed on the underside

Estimate: $3,000-$5,000

69006

Arman (1928-2005)UntitledPhonograph toys in polyester resin1 x 2-1/2 x 1-5/8 inches (2.5 x 6.4 x 4.1 cm)Signed on the underside

Estimate: $800-$1,200


69007

Arman (1928-2005)UntitledToy cars in polyester resin9 x 12-1/8 x 2-7/8 inches (22.9 x 30.7 x 7.3 cm)

Estimate: $7,000-$9,000


69008

Robert Arneson (1930-1992)Moby Brick, 1975Lithograph in colors on wove paper9-1/2 x 10-1/2 inches (24.1 x 26.7 cm) (image)16-1/4 x 16-3/4 inches (41.2 x 42.5 cm) (sheet)Ed. 13/50Signed and numbered in pencil in lower margin, with the blindstamp of the publisherPublished by Landfall Press, Inc., ChicagoPrinted by Jack Lemon

Estimate: $1,000-$1,500


69009

Charles Arthur Arnoldi (b. 1946)Untitled, 1983Monotype in colors on wove paper, in two sheets29-1/4 x 50-1/4 inches (74.3 x 127.6 cm) (sheet, overall)Signed and dated in pencil lower center

Estimate: $3,000-$5,000

69010

Charles Arthur Arnoldi (b. 1946)Untitled, 1983Monotype in colors on wove paper, in two sheets30 x 50 inches (76.2 x 127 cm) (sheet, overall)Signed and dated in pencil lower center

Estimate: $3,000-$5,000


69011

Ruth Asawa (1926-2013)Untitled, 1970Foil embossing on wove paper24 x 24 inches (61 x 61 cm) (image)25-1/4 x 25-1/4 inches (64.1 x 64.1 cm) (sheet)Signed and dedicated ‘To Ernest F. de Soto’ in pencil in lower marginPrinted by Editions Press, San Francisco

Estimate: $1,200-$1,800


69012

John Baldessari (b. 1931)Double Motorcyclists and Landscape (Icelandic 2003), from The Overlap Series, 2003Lithograph in colors on Somerset paper28 x 27-1/2 inches (71.1 x 69.9 cm) (image)29-1/4 x 28-1/2 inches (74.2 x 72.3 cm) (sheet)Ed. 24/90 (there were also 20 artist’s proofs)Signed, dated, and numbered in pencil in lower marginPublished by Brooke Alexander Editions, New YorkPrinted by Derriere L’Etoile Studioes, New York

LITERATURE:Hurowitz, 115.

Estimate: $3,000-$5,000

69013

John Baldessari (b. 1931)Raised Eyebrows/Furrowed Foreheads: Figure with Globe, 2009Screenprint in colors31-3/4 x 30-3/4 inches (80.6 x 78.1 cm) (sheet)Ed. 49/70Signed, dated, and numbered in pencil in lower margin, with the blindstamp of the publisher and their inkstamp on the reversePublished and printed by Gemini G.E.L., Los Angeles

Estimate: $2,000-$3,000


69014

Jennifer Bartlett (b. 1941)Homan-ji III (set of four), 1995Japanese mineral color on handmade Kozo paper, with blue, platinum, silver, and gold leaf24 x 24 inches (61 x 61 cm) (sheet, each)Each signed and dated in pencil lower right

Estimate: $3,000-$5,000


69015

Uta Barth (b. 1958)Ground #56, 1995Color photograph on panel24 x 30 inches (61 x 76.2 cm)Ed. 6/8Signed, dated, and numbered on the reverse

Estimate: $2,000-$3,000


69016

Joseph Beuys (1921-1986)Amerikanischer Hasenzucker (American Hare Sugar), 1974Offset lithograph in colors, with a stamped sugar packet contained in a handmade cardboard box filled with cotton24-3/4 x 35-1/2 inches (62.7 x 90.2 cm) (sheet)1-3/4 x 2-1/2 inches (4.4 x 6.3 cm) (sugar packet)2-3/4 x 4-1/4 x 3-1/2 inches (6.9 x 10.7 x 8.8 cm) (box)Ed. 23/40The lithograph is signed, titled, and numbered in pencil center leftThe box is signed and numbered in pencil, and the sugar packet is signed in inkPublished by Edition Staeck, Heidelberg

LITERATURE:Schellmann, 96.

Estimate: $4,000-$6,000


69017

Mel Bochner (b. 1940)Amazing (Inverse), 2014Silkscreen with color shifting inks68-1/2 x 47 inches (174 x 119.4 cm) (sheet)PP 3/6 (aside from an edition of 20)Signed, dated, and numbered in pencil lower right

Estimate: $15,000-$25,000


69018

Vija Celmins (b. 1939)Alliance, 1983Aquatint with mezzotint and drypoint on Fabriano paper10 x 7-3/8 inches (25.4 x 18.8 cm) (plate)24 x 19-1/4 inches (60.9 x 48.8 cm) (sheet)Ed. 26/48 (there were also 10 artist’s proofs)Signed and numbered in pencil in lower margin, with the blindstamp of the publisherPublished by Gemini G.E.L., Los AngelesPrinted by Kenneth Farley and Doris Simmenlink

LITERATURE:Gemini G.E.L., 9.4.

Estimate: $4,000-$6,000


69019

Vija Celmins (b. 1939)Constellation - Uccello, 1983Aquatint in colors and etching on Fabriano Rosapina white paper9-3/4 x 13-1/8 inches (24.9 x 33.3 cm) (plate)23-1/4 x 23 inches (69.2 x 58.4 cm) (sheet)AP 12/12 (aside from an edition of 49)Signed and numbered in pencil in lower margin, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles


Estimate: $4,000-$6,000


69020

After Marc Chagall (1887-1985)Maternity, 1954Lithograph in colors on Arches paper20-1/4 x 26-1/2 inches (51.4 x 67.3 cm) (image)22-1/4 x 30-3/4 inches (56.5 x 78.1 cm) (sheet)From an edition of 300Published by Galerie Maeght, Paris

LITERATURE:Mourlot, CS 7.

Estimate: $5,000-$7,000

69021

Marc Chagall (1887-1985)Loth et ses filles, pl. 9, from Die Bibel, 1958Etching with watercolor on Arches paper12-3/8 x 9-3/4 inches (31.5 x 24.9 cm) (image)21 x 15-1/4 inches (53.3 x 38.7 cm) (sheet)Ed. 76/100Signed and numbered in pencil in lower marginPublished by Tériade, Paris

LITERATURE:Cramer, 30.

Estimate: $2,500-$3,500


69022

Christo and Jeanne-Claude (b. 1935)Wrapped Trees, Project for the Avenue des Champs-Elysees and Rond-Pont des Champs-Elysees, Paris, 1992Lithograph in colors with hand-coloring and collage of transparent polyethylene, thread, photograph, map, tape and staples on Guarro paper mounted on board27-5/8 x 29-1/2 inches (70.1 x 74.9 cm)HC XXV/XXV (aside from an edition of 100)Signed, dated, and annotated in pencilPublished by Polígrafa, Barcelona


Estimate: $4,000-$6,000


69023

Chuck Close (b. 1940)Alex Katz, 1996Digital pigment print on Arches Aquarelle cold press paper41-1/4 x 32-1/4 inches (104.8 x 81.9 cm) (image)46-7/8 x 35 inches (118.8 x 88.9 cm) (sheet)PP (aside from an edition of 10)Signed, dated, and inscribed in pencil in lower margin

Estimate: $3,000-$5,000


69024

Chuck Close (b. 1940)Dalai Lama, 2005Digital pigment print39-3/4 x 33 inches (101 x 83.8 cm) (image)48-3/4 x 41-1/4 inches (123.8 x 104.7 cm) (sheet)Ed. 17/30Signed, dated, and numbered in pencil in lower margin

Estimate: $4,000-$6,000


69025

Chuck Close (b. 1940)Renée Cox, 2012Digital pigment print on Hahnemühle photo rag paper29-5/8 x 22 inches (75.2 x 55.9 cm) (image)35-1/2 x 26 inches (90.1 x 66 cm) (sheet)Ed. 9/25Signed, dated, and numbered in pencil in lower margin

Estimate: $4,000-$6,000


69026

Chuck Close (b. 1940)Self Portrait #2, 1997Linocut on wove paper11-5/8 x 9 inches (29.5 x 22.9 cm) (image)24 x 18 inches (61 x 45.7 cm) (sheet)TP (aside from an edition of 70)Signed, titled, dated, inscribed, and dedicated ‘To Daria, love Chuck’ in pencil in the marginPublished by Pace Editions, New York

Estimate: $4,000-$6,000


69027

Chuck Close (b. 1940)Self-Portrait, 2000Screenprint in colors on Saunders Waterford paper58-1/4 x 48 inches (148 x 121.9 cm) (image)65-1/2 x 54 inches (166.3 x 137.2 cm) (sheet)Ed. 57/80 (there were also 15 artist’s proofs)Signed, dated, and numbered in pencil in lower marginPublished by Pace Editions, Inc., New York

Estimate: $50,000-$70,000


69028

Chuck Close (b. 1940)Emma, 2002113-color hand printed ukiyo-e woodcut on Shiramine paper36 x 29-3/4 inches (91.4 x 75.6 cm) (image)42-3/4 x 34-3/4 inches (108.5 x 88.2 cm) (sheet)Ed. 27/55 (there were also 8 artist’s proofs)Signed, dated, and numbered in pencil in lower marginPublished by Pace Editions, Inc., New York

Estimate: $40,000-$60,000


69029

George Condo (b. 1957)Untitled, 1989Etching with aquatint on Hahnemühle paper9-1/4 x 7 inches (23.5 x 17.8 cm) (plate)18 x 14-3/4 inches (45.7 x 37.4 cm) (sheet)Ed. 49/55Signed and numbered in pencil in lower marginPublished by Pace Editions, Inc., New York

Estimate: $1,500-$2,000


69030

Le Corbusier (1887-1965)Portrait, 1960Lithograph in colors on wove paper28 x 23-5/8 inches (71.1 x 59.9 cm) (image)29-7/8 x 25-1/8 inches (70.6 x 63.8 cm) (sheet)Ed. 75

LITERATURE:Weber, 64.

Estimate: $2,000-$3,000


69031

Salvador Dalí (1904-1989)Tauromachie surréaliste, 1966-67The complete set of seven heliogravures with drypoint and hand coloring on Arches paper12-1/2 x 16-1/4 inches (31.8 x 41.3 cm) (image, largest)19-3/4 x 26 inches (50.1 x 66 cm) (sheet, largest)Ed. 80/150Each signed and numbered in pencil in lower margin with the blindstamp of the artistPublished by Maeght Edituer, Paris

LITERATURE:Field, 70-11;Michler/Löpsinger, 154-160.

Estimate: $10,000-$15,000


69032

Salvador Dalí (1904-1989)Three Plays by the Marquis de Sade, 1969The complete portfolio comprising twenty-five lithographs in colors on Japan paper, with title and justification pages, text in English, in the original purple cloth-covered portfolio box25-5/8 x 19-3/4 inches (65 x 50 cm) (sheet, each)Ed. 12/JEach signed and numbered in pencil in lower marginPublished by Shorewood Publishers, New YorkPrinted by Mourlot, Paris, and Wolfensberger, Zurich

LITERATURE:Field, 69-1;Michler/Löpsinger, 1232-1256B.

Estimate: $12,000-$18,000


69033

Salvador Dalí (1904-1989)Alice’s Adventures in Wonderland, by Lewis Carroll, 1969The complete set of one etching in colors and 12 heliogravures with woodcut remarque, hors-texte, title page, text and justification, on Mandeure paper, loose as issued and contained in original cream cloth-covered portfolio with leather spine18-1/4 x 13-3/4 inches (46.2 x 34.9 cm) (sheet, each)Ed. 2370/2500Signed in pencil on the title pagePublished by Maecenas Press-Random House, New York

LITERATURE:Michler/Lopsinger, 321-333.

Estimate: $5,000-$8,000


69034

Salvador Dalí (1904-1989)Song of Songs of Solomon, 1971The complete portfolio comprising twelve etchings in color with gold dust on folded Japan paper, in original blue cloth-covered portfolio box with silver medallion15-3/4 x 9-7/8 inches (40 x 25.1 cm) (image, each)22-1/8 x 30 inches (56.2 x 76.2 cm) (sheet, each)Ed. XXXVIII/LEach signed in pencil in lower marginPublished by Leon Amiel, New YorkPrinted by Jacques David

LITERATURE:Field, 71-17;Michler/Löpsinger, 468-479.

Estimate: $8,000-$12,000


69035

Salvador Dalí (1904-1989)La Conquête du Cosmos I (Conquest of Cosmos I), 1974Six engravings and lithographs in colors on BFK Rives paper29-1/2 x 21-3/4 inches (74.9 x 55.2 cm) (image)39-1/4 x 27-1/2 inches (99.6 x 69.8 cm) (sheet)EAEach signed and inscribed in pencil in lower marginPublished by Levine & Levine Graphics, Inc. Printed by Imprimerie Artistique Bellini, Paris

LITERATURE:Field, 74-12.A; B; C; D; E; F.

Estimate: $8,000-$12,000


69036

Salvador Dalí (1904-1989)Les amours jaunes, 1974The complete portfolio comprising ten etchings with gold toned flakes on Japan paper, with justification, in original red linen covered clam-shaped portfolio11-3/4 x 8-1/2 inches (29.8 x 21.6 cm) (image, each)15 x 11 inches (38.1 x 27.9 cm) (sheet, each)Ed. CLXIV/CCEach signed and numbered in pencil in lower marginPublished by Pierre Belfond, ParisPrinted by Ateliers Bellini, Paris

LITERATURE:Field, 74-15.Michler/Löpsinger, 693-702.

NOTE:This work is accompanied by a signed certificate of authenticity from Brana Fine Art, Pacific Palisades, California, dated March 29, 1993.

Estimate: $6,000-$8,000


69037

Gene Davis (1920-1985)Untitled, 1980Screenprint in colors39 x 30-3/4 inches (99.1 x 78.1 cm) (image)40 x 31-3/4 inches (101.6 x 80.6 cm) (sheet)Ed. 36/74Signed, dated, and numbered in pencil in lower margin

Estimate: $4,000-$6,000


69038

Willem de Kooning (1904-1997)Man and the Big Blond, 1982Offset lithograph in colors on wove paper21-1/4 x 27 inches (54 x 68.6 cm) (image)25-1/8 x 30-1/4 inches (63.8 x 76.8 cm) (sheet)Ed. 150Signed in pencil lower rightPublished by the Rainbow Art Foundation, New York

Estimate: $3,000-$5,000


69039

Jim Dine (b. 1935)Heart for Film (set of two), 1993Woodcut in colors on Mohawk Superfine Cover paper15-1/8 x 13 inches (38.4 x 33 cm) (image, each)23 x 17-1/2 inches (58.4 x 44.4 cm) (sheet, each)Ed. 394/500; 395/500 (there were also 20 artist’s proofs)Each initialed and numbered in pencilCo-published by the artist and Pace Editions, Inc., New York, as a fund-raiser for Film Forum, New York

LITERATURE:Elizabeth Carpenter, 60.

Estimate: $2,000-$3,000


69040

Jim Dine (b. 1935)Blue Vase, Yellow Flowers, 1993Etching, heliogravure, power-tool, and monotype with hand coloring on wove paper22 x 18-3/8 inches (55.9 x 46.7 cm) (image)34 x 25-1/2 inches (86.3 x 64.7 cm) (sheet)Ed. 50/56 (there were also 13 artist’s proofs)Signed, dated, and numbered in pencil in lower marginCo-published by Pace Editions, Inc. and Waddington Graphics, New York

LITERATURE:Carpenter, 75.

Estimate: $3,000-$5,000


69041

Jim Dine (b. 1935)Two Hearts at Sunset, 2005Lithograph in colors on wove paper20-1/2 x 26-1/4 inches (52.1 x 66.8 cm) (sheet)Ed. 68/200 (there were also 10 artist’s proofs)Signed and dated in white pencil lower left and numbered lower rightPublished by Marco Fine Arts Contemporary, Hawthorne, CA

Estimate: $2,000-$3,000

69042

Jim Dine (b. 1935)The Blue Heart, from 2005 Suite, 2005Lithograph in colors on wove paper26-1/4 x 20-1/4 inches (66.8 x 51.6 cm) (sheet)Ed. 70/200 (there were also 10 artist’s proofs)Signed and dated in white pencil lower right and numbered lower leftPublished by Marco Fine Arts Contemporary, Hawthorne, CA

Estimate: $2,000-$3,000


69043

Jim Dine (b. 1935)Four Hearts at Sea, 2005Lithograph in colors54 x 40 inches (137.2 x 101.6 cm) (sheet)Ed. 11/12Signed, dated, and numbered in pencil lower center

Estimate: $6,000-$8,000


69044

Olafur Eliasson (b. 1967)No.’s 1, 2, 8, 16, 19, and 25, from the Cartographic series (six works), 2000Six photogravures on Hahnemühle paper from the set of twenty-five18 x 18 inches (45.7 x 45.7 cm) (image, each)18-3/4 x 18-3/4 inches (47.6 x 47.6 cm) (sheet, each)Ed. 9/16Each signed and dated in pencil lower right and numbered lower leftPublished by Niels Borch Jensen, Berlin

Estimate: $6,000-$8,000


69045

M. C. Escher (1898-1972)Day and Night, 1938Woodcut on Japan paper15-3/8 x 26-5/8 inches (39.1 x 67.6 cm) (image)18-1/8 x 29-1/8 inches (46 x 73.9 cm) (sheet)Signed and inscribed in pencil in lower margin

LITERATURE:Bool, 303.

Estimate: $20,000-$30,000


69046Richard Estes (b. 1932)Holland Hotel, 1984Screenprint in colors on museum board45-1/2 x 72-1/4 inches (115.6 x 183.5 cm) (sight)Ed. 3/100 (there were also 15 artist’s proofs)Signed in gold ink lower right and numbered lower leftPublished by Petersburg Press, New York and LondonPrinted by Domberger KG, Stuttgart

LITERATURE:Arthur, 127.

Estimate: $12,000-$18,000


69047

Shepard Fairey (b. 1970)One Hell of a Leader, Make Art, Not War, and Rock the Vote (three works), 2004; 2006; 2008Two screenprints in colors; one color poster24 x 18 inches (61 x 45.7 cm) (sheet, each)Each signed and dated in pencil, with one numbered ‘22/300’ and one inscribed ‘AP’ in pencil in lower margins

Estimate: $1,000-$1,500

69048

Shepard Fairey (b. 1970)Sonic Firestorm, from the 50 Shades of Black series, 2014Screenprint on varnished cotton rag archival paper42 x 42 inches (106.7 x 106.7 cm) (sheet)Ed. 50/50Signed, dated, and numbered in pencil in lower margin

NOTE:This work is accompanied by a certificate of authenticity from Obey Giant Art and Obey Giant Fine Art Editions.

Estimate: $1,000-$2,000


69049

Lucio Fontana (1899-1968)Concetto Spaziale, 1968Etching and aquatint with embossing and punched holes on Fabriano paper18-1/4 x 24-7/8 inches (46.5 x 63.2 cm)Ed. 63/210Signed, dated, and numbered in pencil along lower edgePublished by International Graphics Society, New York

LITERATURE:Ruhe and Rigo, E-47

Estimate: $4,000-$6,000

69050

Gunther Forg (1952-2013)Untitled (two works), 1988Screenprints on Arches paper31-1/2 x 27-1/2 inches (80 x 69.9 cm) (sheet, each)Ed. 25/25 (there were also 2 artist’s proofs)Each signed and dated in pencil lower right and numbered lower left

Estimate: $1,000-$1,500


69051

Sam Francis (1923-1994)Deux Magots (SF-3), 1960Lithograph in colors on BFK Rives paper25 x 35-5/8 inches (63.5 x 90.4 cm) (sheet)Ed. 6/55 (there were also 9 artist’s proofs)Signed in pencil lower right and numbered lower leftPublished by Kornfeld & Klipstein, BernPrinted by Emil Matthieu Atelier, Zürich

LITERATURE:Lembark, L3.

Estimate: $3,000-$5,000

69052

Sam Francis (1923-1994)Happy Death Stone (SF-10), 1960Lithograph in colors on Rives BFK paper24-3/4 x 35-1/2 inches (62.9 x 90.2 cm) (sheet)Bon a tiré (aside from an edition of 90)Signed, numbered, and inscribed ‘95’ in pencil along lower edgePublished by Kornfeld & Klipstein, Bern

LITERATURE:Lembark, 10.

Estimate: $3,000-$5,000


69053

Sam Francis (1923-1994)Coldest Stone (SF-15), 1960Lithograph in colors on Rives BFK paper24-7/8 x 35-5/8 inches (63.2 x 90.5 cm) (sheet)Ed. 13/65Signed and numbered in pencil lower centerPublished by Kornfeld & Klipstein, Bern Printed by Emil Matthieu Atelier, Zürich


Estimate: $2,000-$3,000

69054

Sam Francis (1923-1994)Dark Egg, 1963Lithograph on Rives BFK paper16-3/4 x 20-1/8 inches (42.7 x 51.1 cm) (sheet)AP (aside from an edition of 20)Signed and inscribed in pencil along lower edgePublished by Tamarind Lithography Workshop, Albuquerque


Estimate: $1,500-$2,000


69055

Sam Francis (1923-1994)Out of My Coffin (SF-44), 1963Lithograph in colors on wove paper13 x 10 inches (33 x 25.4 cm) (sheet)Signed and inscribed ‘4/05’ in pencil along lower edgeTitled, dated, and inscribed ‘SF 44’ in pencil on the reverse

Estimate: $2,000-$3,000

69056

Sam Francis (1923-1994)Surrounded White (SF 58), 1964Lithograph in colors on Rives BFK paper35-1/2 x 24-5/8 inches (90.2 x 62.5 cm) (sheet)Ed. 23/35Signed and numbered in pencil along lower edgePublished by Kornfeld & Klipstein, BernPrinted by Matthieu Atelier, Zürich


Estimate: $2,000-$3,000


69057

Sam Francis (1923-1994)Sulphur Water, 1967Lithograph in colors on Rives BFK paper27-3/4 x 19 inches (70.5 x 48.3 cm) (sheet)Ed. 16/50Signed and numbered in pencil along lower edge, with the blindstamp of the publisherPublished by San Francisco Museum of Art, San Francisco Printed by Joseph Press, Los Angeles


Estimate: $1,500-$2,000

69058

Sam Francis (1923-1994)Up and Down, 1967Lithograph on Arches paper30 x 22-1/4 inches (76.2 x 56.4 cm) (sheet)Ed. 6/25Signed in pencil lower right and numbered lower left, with the blindstamp of the publisherPublished and printed by Hollander Workshop, New York

Estimate: $2,000-$3,000


69059

Sam Francis (1923-1994)Untitled, from Portfolio 9, 1967Lithograph in colors on wove paper17 x 22 inches (43.2 x 55.9 cm) (sheet)Ed. 77/100Signed and numbered in pencil along lower edge, with the blindstamp of the publisherPublished by Hollander’s Workshop, New York

LITERATURE:Lembark, 87/SF-61.

Estimate: $1,500-$2,000

69060

Sam Francis (1923-1994)Damp (SF 90), 1969Lithograph in colors on Rives BFK paper26 x 37 inches (66 x 94 cm) (sheet)Ed. 16/20Signed and numbered in pencil lower left, with the blindstamp of the publisherPublished by Tamarind Lithography Workshop, AlbuquerquePrinted by Daniel Socha, Albuquerque


Estimate: $2,000-$3,000


69061

Sam Francis (1923-1994)Untitled (SF-243), 1968Screenprint in colors40-3/4 x 27-1/2 inches (103.5 x 69.9 cm) (sheet)Ed. 58/300Signed and numbered in pencil along lower edgePublished by Minami Gallery, Tokyo Printed by Jikken Insatsu, Tokyo

LITERATURE:Lembark, S1.

Estimate: $1,500-$2,000


69062

Sam Francis (1923-1994)Untitled (SF-343), 1990Lithograph in colors on wove paper46 x 29-3/4 inches (116.8 x 75.6 cm) (sheet)Ed. 42/50Signed and numbered in pencil along the lower edge


Estimate: $3,000-$2,000

69063

Sam Francis (1923-1994)Untitled (SF-344), 1990Lithograph in colors on wove paper46 x 30 inches (116.8 x 76.2 cm) (sheet)Ed. 47/50Signed and numbered in pencil along the lower edge


Estimate: $3,000-$5,000


69064

Sam Francis (1923-1994)Untitled, from the Papierski Portfolio (SF-355), 1992Lithograph in colors22 x 30 inches (55.9 x 76.2 cm) (sheet)Ed. 9/50Signed and numbered in pencil along lower edge

Estimate: $1,500-$2,500


69065

Helen Frankenthaler (1928-2011)Connected by Joy, 1967-1973Intaglio in colors with etching and sugar-lift aquatint on handmade Jeff Goodman brown paper14 x 18-3/4 inches (35.6 x 47.5 cm) (image)16-1/2 x 21-1/4 inches (41.9 x 53.9 cm) (sheet)Ed. 24/27Signed, dated, and numbered in pencil, with the blindstamp of the publisherPrinted by Donn H. StewardPublished by ULAE, New York

LITERATURE:Harrison, 39.

Estimate: $3,000-$5,000

69066

Helen Frankenthaler (1928-2011)Soho Dreams, 1987Etching, aquatint, and drypoint in colors on wove paper15-3/4 x 18-3/4 inches (39.9 x 47.5 cm) (plate)25-1/2 x 30-3/4 inches (64.7 x 78.1 cm) (sheet)Ed. 61/71 (there were also 8 artist’s proofs)Signed, dated, and numbered in pencil in lower margin, with the blindstamps of the publisherPublished by 2RC Edizion d’Arte, Rome


Estimate: $2,000-$3,000


69067

Helen Frankenthaler (1928-2011)Plaza Real, 1987Etching and aquatint in colors on Rives BFK paper20 x 26-1/2 inches (50.8 x 67.3 cm) (image)28-1/2 x 35 inches (72.3 x 88.9 cm) (sheet)Ed. 18/60Signed, dated, and numbered in pencil in lower marginPublished by Ediciones Polígrafa, Barcelona


Estimate: $3,000-$5,000


69068

Sam Gilliam (b. 1933)Buoy Landscape III, 1982Etching and screenprint in colors on wove paper24-1/2 x 20 inches (62.2 x 50.8 cm) (image)32 x 24 inches (81.2 x 60.9 cm) (sheet)Ed. 17/25Signed, titled, dated, and numbered in pencil

Estimate: $800-$1,200

69069

Sam Gilliam (b. 1933)Golden Neck, 1993Unique offset lithograph and screenprint with hand-painting and collage on wove paper43 x 29-3/4 inches (109.2 x 75.6 cm) (sheet)Ed. 22/24Signed, titled, dated, and numbered in pencil along lower edge

Estimate: $2,000-$3,000


69070

Wang Guangyi (b. 1957)Believer: Peasant Girl and Believer: Worker (two works), 2002Lithograph in colors on wove paper19-5/8 x 15-3/4 inches (49.8 x 40 cm) (image, each)24-3/4 x 19-3/4 inches (62.8 x 50.1 cm) (sheet, each)Ed. 185/199; Ed. 134/199Each signed and numbered in pencil in lower marginPublished by Kwai Po Collection, Hong KongEstimate: $1,500-$2,000

69071

Wang Guangyi (b. 1957)Gillette, from the Great Criticism series, 2002Lithograph in colors on wove paper29-1/2 x 23-1/4 inches (74.9 x 59.1 cm) (image)35-1/4 x 27 inches (89.5 x 68.5 cm) (sheet)Ed. 152/199Signed and numbered in pencil in lower marginPublished by the Kwai Po Collection, Hong Kong

Estimate: $1,000-$1,500


69072

Keith Haring (1958-1990)Medusa Head, 1986Aquatint on Hahnemühle paper50-1/4 x 93-3/4 inches (127.6 x 238.1 cm) (plate)54 x 98 inches (137.16 x 248 cm) (sheet)Ed. 5/24Signed, dated, and numbered in pencil in lower right marginPublished by Niels Borch Jensen Editions, Copenhagen

LITERATURE:Littmann, pp. 54-5.

Estimate: $40,000-$50,000


69073

Keith Haring (1958-1990)Untitled, from the Pop Shop VI series, 1989Screenprint in colors on wove paper11-1/2 x 14-3/4 inches (29.2 x 37.5 cm) (image)13-1/2 x 16-1/2 inches (34.2 x 41.9 cm) (sheet)Ed. 80/200 (there were also 30 artist’s proofs, 5 printer’s proofs, and 20 hors de commerce)Stamped with the Keith Haring Estate certificate of authenticity, signed by the executor for the estate, Julia Gruen, and numbered in pencil on the reversePublished by Martin Lawrence Limited Editions, Inc., New YorkPrinted by Durham Press, Durham, PA

LITERATURE:Littmann, 151.

Estimate: $6,000-$8,000


69074

Keith Haring (1958-1990)Untitled, from the Pop Shop IV series, 1989Screenprint in colors on wove paper11-1/2 x 14-3/4 inches (29.2 x 37.5 cm) (image)13-1/2 x 16-1/2 inches (34.2 x 41.9 cm) (sheet)Ed. 162/200 (there were also 30 artist’s proofs, 5 printer’s proofs, and 20 hors de commerce)Signed, dated, and numbered in pencil in lower margin, with the blindstamp of the publisherPublished by Martin Lawrence Limited Editions, Inc., New YorkPrinted by Durham Press, Durham, PA

LITERATURE:Littmann, p. 147.

Estimate: $8,000-$12,000


69075

Damien Hirst (b. 1965)For the Love of God, Believe, 2007Screenprint in colors on wove paper12-3/4 x 9-1/2 inches (32.5 x 24.1 cm) (sheet)Ed. 177/1700Signed and numbered in pencil along lower edgePublished by Other Criteria, London

Estimate: $1,200-$1,800


69076

David Hockney (b. 1937)The Wave, 1990Lithograph in colors on Arches 88 paper27 x 38-1/8 inches (68.6 x 96.8 cm)Ed. 32/50Signed, dated, and numbered in pencil lower edge with the blindstamp of the publisherPublished by Tyler Graphics, Ltd., Mount Kisco, New York

LITERATURE:MCA Tokyo, 324.

Estimate: $15,000-$20,000


69077

Howard Hodgkin (b. 1932)Red Palm, 1986Lithograph in colors with pochoir42-1/4 x 53-1/4 inches (107.2 x 135.1 cm) (sheet)Ed. 40/85Initialed, dated, and numbered in pencil

LITERATURE:Heenk, 75.

Estimate: $2,000-$3,000

69078

Howard Hodgkin (b. 1932)Mango, 1991Etching with carborundum with hand-coloring on handmade Du Chene paper29-7/8 x 43-7/8 inches (75.9 x 111.5 cm) (sheet)Ed. 48/55Initialed, dated, and numbered in pencil lower centerPublished by Waddington Graphics, LondonPrinted at 107 Workshop, Wiltshire

LITERATURE:Heenk, 83.

Estimate: $4,000-$6,000


69079

Patrick Hughes (b.1939)Journeys, 2000Hand painted 3D lithographic multiple in colors, in the original perspex presentation box16-1/2 x 34-1/2 x 6-3/4 inches (41.9 x 87.6 x 17.1 cm) (overall)Ed. 26/40Signed and numbered in pencil in lower marginPrinted and hand-colored by Jack Shireff at the 107 Workshop, Wiltshire

Estimate: $4,000-$6,000


69080

Robert Indiana (American, b. 1928)The American Dream, 1997The complete book bound with 24 screenprints in colors and a suite of 6 separate loose screenprints in colors on wove paper22-1/2 x 17 inches (57.2 x 43.2 cm) (book)Ed. 162/395Each of the six prints are signed and numbered in pencilPublished by Marco Fine Arts Contemporary Atelier, El Segundo

The book includes poetry by Robert Creeley, a foreword by Susan Ryan, and captioning by Michael McKenzie. Contained in its original black calf binding with the artist’s name in red on the front and spine, the book also comes in its original cardboard holding box.

This work is accompanied by a certificate of authenticity from Marco Fine Arts signed by both the president of the publisher and by the artist.

The six suite of separate loose screenprints include: The American Dream, 1960-61; Love, 1966; The Metamorphosis of Norma Jean Mortenson, 1967; Highball on the Redball Manifest, 1963; One Indiana Square, 1970; Picasso, 1974.

Estimate: $7,000-$10,000


69081

Lee Jaffe (b. 1950)Untitled (Jean-Michel Basquiat in green shirt), 1984Archival digital print36 x 24 inches (91.4 x 61 cm) (image)40 x 30 inches (101 x 76.2 cm) (sheet)Ed. 3/15Signed, dated, and numbered in ink in lower margin

Estimate: $3,000-$5,000

69082

Simen Johan (b. 1973)Untitled #90, 2000Digital dye coupler7-1/2 x 7-1/2 inches (19.1 x 19.1 cm) (image)10 x 8 inches (25.4 x 20.3 cm) (sheet)Ed. 10/25

Estimate: $500-$700


69083

Jasper Johns (b. 1930)Flag, from Lead Reliefs, 1969Lead relief with polystyrene and wood backing in an aluminum frame17 x 23 inches (43.2 x 58.4 cm)Ed. 35/60 (there were also 10 artist’s proofs)Signed, dated ‘60-69,’ and numbered by the artist with an electric steel stylus in the lower marginPublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini G.E.L., 26.27;ULAE, 74.

Estimate: $50,000-$70,000


69084

Jasper Johns (b. 1930)#5 (after ‘Untitled 1975’), from 6 Lithographs (after ‘Untitled 1975’), 1976Lithograph in colors on Rives BFK newsprint gray paper30-1/8 x 29-3/4 inches (76.5 x 75.6 cm) (sheet)Ed. 15/60 (there were also 13 artist’s proofs)Signed, dated, and numbered in pencil in lower margin, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini G.E.L., 26.86;ULAE, 178.

Estimate: $4,000-$6,000

69085

Jasper Johns (b. 1930)Untitled, 1977Screenprint in colors on Patapar printing parchment10 x 10 inches (25.4 x 25.4 cm) (sheet)From an edition of 3000 for the catalogue cover Jasper Johns ScreenprintsPublished by Brooke Alexander, Inc., New YorkPrinted by Simca Prints, Tokyo and New York

LITERATURE:ULAE, S13.

Estimate: $1,000-$1,500


69086

Jasper Johns (b. 1930)Target with Four Faces, 1968Screenprint in colors on Rives BFK paper36 x 26 inches (91.4 x 66 cm) (image)41-1/2 x 29-5/8 inches (105.4 x 75.2 cm) (sheet)Ed. 95/100 (there were also 10 artist’s proofs)Signed and dated in red ink and numbered in pencil in lower marginPublished by the artist to benefit Merce Cunningham Dance Company, New York

LITERATURE:ULAE, 55.

Estimate: $15,000-$20,000


69087

Jasper Johns (b. 1930)Ventriloquist, 1985Lithograph in colors on J. Green paper33 x 22-1/4 inches (83.8 x 56.5 cm) (image)42 x 28 inches (106.6 x 71.1 cm) (sheet)Ed. 48/67Signed, numbered, and dated in pencil in lower margin, with the blindstamp of the publisherPublished by ULAE, Inc., Bay Shore

Estimate: $20,000-$30,000


69088

Donald Judd (1928-1994)Untitled, 1974Aquatint on wove paper35-1/4 x 23-1/8 inches (89.7 x 58.7 cm) (image)41-7/8 x 29-1/2 inches (121.6 x 74.9 cm) (sheet)Ed. 38/70 (there were also 6 artist’s proofs)Signed and numbered in pencil lower right, with the blindstamp of the printer and their inkstamp on the reversePublished by the artistPrinted by Styria Studio, Inc., New York


Estimate: $2,000-$3,000


69089

Donald Judd (1928-1994)Untitled, 1961-69Woodcut in cadmium red25 x 16 inches (63.5 x 40.6 cm) (image)30 x 22 inches (76.2 x 55.8 cm) (sheet)Ed. 6/10Signed lower right in pencil, dated and numbered lower leftSigned, dated, numbered, and inscribed ‘11 R’ in pencil on the reversePublished by the artistPrinted by Roy C. Judd


Estimate: $10,000-$15,000


69090

Alex Katz (American, b. 1927)Camp, from Carnegie Hall 100th Anniversary Portfolio, 1990Woodcut in colors on Japanese paper60 x 40 inches (152.4 x 101.6 cm)Ed. 55/60Signed and numbered in pencil lower leftPublished by Carnegie Hall Development Fund for the Carnegie Hall Centennial Portfolio, New YorkPrinted by John C. Erickson, Vinalhaven Press, Vinalhaven

Estimate: $1,500-$2,500

69091

Alex Katz (b. 1927)Black Hat (Nicole), 2010Woodcut on wove paper17 x 23-3/4 inches (43.2 x 60.2 cm) (sheet)Ed. 29/30Signed and numbered in pencil lower leftPublished by Peter Blum Editions, New YorkPrinted by Christopher T. Creyts, Collaborative Art Editions, St. Petersburg

Estimate: $1,500-$2,500


69092

Alex Katz (b. 1927)Good Afternoon 2 (Gray Rowboat), 1975Lithograph in colors on Arches Cover paper27-3/8 x 35-7/8 inches (69.6 x 91.2 cm) (sheet)Ed. 59/100Signed and numbered in pencil lower leftCo-published by Marlborough Graphics, Inc., New York and the Trenton City Museum, Trenton

LITERATURE:Maravell, 78.

Estimate: $6,000-$8,000


69093

KAWS (b. 1974)Ups and Downs, 2013The complete set of ten screenprints in colors on Saunders Waterford High White paper, in original black cloth-covered portfolio case35 x 23 inches (88.9 x 58.4 cm) (sheet, each)Ed. 93/100 (there were also 20 artist’s proofs)Each signed, dated, and numbered in pencil along lower edgePublished by the artist, New York

Estimate: $25,000-$35,000


69094

KAWS (b. 1974)Presenting the Past, 2014Screenprint in colors on Saunders Waterford paper32 x 32 inches (81.3 x 81.3 cm) (sheet)Ed. 7/250 (there were also 50 artist’s proofs)Signed and dated in pencil lower right and numbered lower leftPublished by the artist

Estimate: $4,000-$6,000


69095

Ellsworth Kelly (1923-2015)Nine Squares, 1976-77Screenprint and lithograph in colors on Rives BFK paper40-5/8 x 40-5/8 inches (103.1 x 103.1 cm) (sheet)PP (aside from an edition of 44)Signed and inscribed in pencil lower right, with the blindstamp of the publisherPublished by Tyler Graphics Ltd., Mount Kisco

LITERATURE:Axsom, 164.

Estimate: $10,000-$15,000


69096

Ellsworth Kelly (1923-2015)Blue with Black I, 1974Lithograph in colors on Arjomari paper42-1/2 x 37-1/4 inches (108.0 x 94.6 cm) (sheet)Ed. 50/50 (there were also 9 artist’s proofs)Signed in pencil lower right and numbered lower left, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles


Estimate: $3,000-$5,000

69097

Ellsworth Kelly (1923-2015)Blue with Black I, 1974Lithograph in colors on Arjomari paper42-1/2 x 37-1/4 inches (108.0 x 94.6 cm) (sheet)Ed. 23/50 (there were also 9 artist’s proofs)Signed in pencil lower right and numbered lower left, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles


Estimate: $3,000-$5,000


69098

Ellsworth Kelly (1923-2015)Colored Paper Image XV (Dark Gray and Blue), from the Colored Paper Images series, 1976Pressed paper pulp in colors29-1/4 x 29-1/4 inches (74.4 x 74.4 cm) (image)31-3/4 x 30-3/4 inches (80.6 x 78 cm) (sheet)Ed. 20/23 (there were also 7 artist’s proofs)Signed and numbered in pencil in lower margin, with the blindstamp of the publisherPublished by Tyler Graphics Ltd., Mount Kisco


Estimate: $8,000-$12,000


69099

Ellsworth Kelly (1923-2015)Black Variation 1, 1975Lithograph and intaglio with debossing on Rives BFK paper32 x 23-7/8 inches (81.3 x 60.4 cm) (image)42 x 34 inches (106.7 x 86.4 cm) (sheet)Ed. 22/25 (there were also 11 artist’s proofs)Signed and numbered with the blindstamp of the publisherPublished and printed by Gemini G.E.L., Los Angeles

LITERATURE:Gemini G.E.L., 589.

Estimate: $3,000-$5,000

69100

Ellsworth Kelly (1923-2015)Dark Gray and White, 1979Screenprint and collage on Rives paper support30 x 42 inches (76.2 x 106.7 cm) (sheet)Ed. 16/41 (there were also 10 artist’s proofs)Signed and numbered in pencil lower right, with the blindstamp of the publisherPublished by Tyler Graphics Ltd., Mount Kisco


Estimate: $3,000-$5,000


69101

Ellsworth Kelly (1923-2015)Grand Case, 1980Lithograph on Rives BFK paper30 x 34-1/2 inches (76.2 x 87.6 cm) (sheet)Ed. 12/25 (there were also 9 artist’s proofs)Signed and numbered in pencil lower right, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles


Estimate: $4,000-$6,000

69102

Ellsworth Kelly (1923-2015)Bordrouant, 1980Lithograph on Rives BFK paper30 x 34-1/2 inches (76.2 x 87.6 cm) (sheet)Ed. 11/25 (there were also 9 artist’s proofs)Signed and numbered in pencil lower right, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles


Estimate: $3,000-$5,000


69103

Ellsworth Kelly (1923-2015)Calla Lily 3, 1984Lithograph on Rives BFK paper36 x 25 inches (91.4 x 63.5 cm) (sheet)Ed. 11/30 (there were also 9 artist’s proofs)Signed and numbered in pencil lower right, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles


Estimate: $8,000-$12,000

69104

Ellsworth Kelly (1923-2015)Calla Lily 2, 1984Lithograph on Rives BFK paper36 x 25 inches (91.4 x 63.5 cm) (sheet)Ed. 11/30 (there were also 9 artist’s proofs)Signed and numbered in pencil lower right, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles


Estimate: $8,000-$12,000


69105

Ellsworth Kelly (1923-2015)Philodendron I, 1984Lithograph on Rives BFK paper25 x 36 inches (63.5 x 91.4 cm) (sheet)Ed. 11/30 (there were also 9 artist’s proofs)Signed and numbered in pencil lower rightPublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini G.E.L., 28.131;Axsom, 207.

Estimate: $8,000-$12,000

69106

Ellsworth Kelly (1923-2015)Dark Gray Curve, 1987-1988Lithograph printed in grey on Arches Cover26 x 84 inches (66 x 213.4 cm)Ed. 13/25Signed and numbered in pencil lower right, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini, 1356.

Estimate: $7,000-$9,000


69107

Jeff Koons (b. 1954)Balloon Dog (Blue), 2002Chrome glazed porcelain10-1/2 inches (26.7 cm) diameterEd. 1010/2300Retains original MOCA label with facsimile signature to verso

Estimate: $15,000-$25,000

69108

Jeff Koons (b. 1954)Cracked Egg, 2008Aluminum with transparent coat4-3/4 x 3 x 3 inches (12.1 x 7.6 x 7.6 cm)

This edition was published by the Los Angeles Contemporary Museum of Art as a gala invitation.

Estimate: $800-$1,200


69109

After Fernand Léger (1881-1955)Composition abstraite, circa 1950Glazed ceramic plaque17-1/8 x 13-1/4 x 2 inches (43.4 x 33.5 x 5.1 cm)Ed. 53/250Initialed lower right and numbered in ink on label affixed verso

Produced by L’atelier Brice, Biot for the Musée national Fernand Léger, Biot

Estimate: $10,000-$15,000


69110

Sol LeWitt (1928-2007)Forms Derived from a Cube (11), 1991Screenprint in colors on Somerset paper30 x 30 inches (76.2 x 76.2 cm) (image)32 x 32 inches (81.2 x 81.2 cm) (sheet)Ed. 32/35 (there were also 9 artist’s proofs)Signed and numbered in pencil lower rightPublished by Achenbach Graphics, Düsseldorf

Estimate: $800-$1,200


69111

Sol LeWitt (1928-2007)Eight Small Etchings/Color, 1999Portfolio comprising eight etchings in colors housed in original white clamshell box4 x 4 inches (10.2 x 10.2 cm) (plate, each)8 x 8 inches (20.3 x 20.3 cm) (sheet, each)Ed. 24/40 (there were also 10 artist’s proofs)Each signed, numbered, and annotated sequentially ‘1-8’ in pencil in lower margin, with the blindstamp of the publisherPublished by Crown Point Press, San Francisco

Estimate: $6,000-$8,000


69112

Roy Lichtenstein (1923-1997)As I Opened Fire (triptych), 1966The complete set of three offset lithographs in colors on wove paper23-3/4 x 19-1/2 inches (60.3 x 49.5 cm) (image)25-1/8 x 20-3/4 inches (63.8 x 52.7 cm) (sheet)From an edition of an unknown sizeOne signed lower rightPublished by Stedelijk Museum, Amsterdam

LITERATURE:Corlett, App. 5.

Estimate: $3,000-$5,000

69113

Roy Lichtenstein (1923-1997)Pyramids, 1969Lithograph in colors on Arches paper11-1/2 x 34-3/4 inches (29.2 x 88.3 cm) (image)16-1/2 x 38-5/8 inches (41.9 x 98.1 cm) (sheet)Ed. 52/101Signed, dated, and numbered in pencil in lower marginPublished by the artist for the Print Collectors of the Friends of Art, Kansas CityPrinted by Atelier Mourlot, New York

LITERATURE:Corlett, 87.

Estimate: $5,000-$7,000


69114

Roy Lichtenstein (1923-1997)The Solomon R. Guggenheim Museum Poster, 1969Screenprint in colors on Rives paper23 x 23 inches (58.4 x 58.4 cm) (image)28-1/2 x 28-1/2 inches (72.3 x 72.3 cm) (sheet)Ed. 151/250 (there were an unknown number of artist’s proofs)Signed, dated, and numbered in pencil lower rightCo-published by the artist and Leo Castelli Gallery for the Guggenheim Museum, New York


Estimate: $8,000-$12,000


69115

Roy Lichtenstein (1923-1997)Brushstroke, 1971Multiple with mixed media and paper scroll mounted on board in Plexi case18-3/4 x 46-1/4 x 2-3/4 inches (47.6 x 117.5 x 7 cm) (overall)Ed. 50/100Signed and numbered in pencilCo-published by Centro Multipli and Galleria La Salita, Rome

Estimate: $6,000-$8,000

69116

Roy Lichtenstein (1923-1997)The New Gallery of Contemporary Art, 1978Screenprint on paper15 x 18-1/4 inches (38.1 x 46.3 cm) (image)17-1/2 x 20-3/8 inches (44.5 x 51.8 cm) (sheet)Signed in pencil lower rightPublished by the artist and the New Gallery of Contemporary Art, Cleveland

NOTE:This print was made by Lichtenstein after his 1967 Landscape 4, from the Ten Landscapes portfolio.

Estimate: $1,000-$2,000


69117

Roy Lichtenstein (1923-1997)Water Lilies Plate, 1990Glazed ceramic12 inches (30.5 cm) diameterEd. 2664/3000Marked ‘Rosenthal Studio-Linie, Germany’ verso

Estimate: $800-$1,200

69118

Roy Lichtenstein (1923-1997)Mirror, from the Harvey Gantt Portfolio, 1990Screenprint in colors on white 4-ply board10 x 7-1/8 inches (25.4 x 18 cm)Ed. 210/250Signed, dated, and numbered in pencil along lower edgePublished by Gemini G.E.L., Los Angeles


Estimate: $3,000-$5,000


69119

Robert Longo (b. 1953)Untitled, pl. 15 from Men in the Cities, 2005Archival pigment print on Crane portfolio rag paper39-3/4 x 26-3/8 inches (101.1 x 67.1 cm) (image)44 x 30 inches (111.7 x 76.2 cm) (sheet)Ed. 4/15Signed, dated, and numbered in pencilPublished by Adamson Editions, Washington, D.C.

Estimate: $6,000-$8,000


69120

Robert Longo (b. 1953)Untitled, pl. 19 from Men in the Cities, 2005Archival pigment print on Crane portfolio rag paper39-3/4 x 26-3/8 inches (101.1 x 67.1 cm) (image)44 x 30 inches (111.7 x 76.2 cm) (sheet)Ed. 4/15Signed, dated, and numbered in pencilPublished by Adamson Editions, Washington, D.C.

Estimate: $6,000-$8,000


69121

Robert Longo (b. 1953)The Entertainer, 1986Lithograph on wove paper30-1/8 x 12-1/8 inches (76.5 x 30.8 cm) (image)30-1/8 x 18 inches (76.5 x 45.7 cm) (sheet)Ed. 57/85 (there were also 15 artist’s proofs)Signed and dated in pencil lower right and numbered lower left

Estimate: $1,000-$1,500


69122

Robert Mangold (b. 1937)1/2 Gray Curved Area, Series X, 1968Screenprint in colors12 x 24 inches (30.5 x 61 cm) (image)14 x 26 inches (35.5 x 66 cm) (sheet)Ed. 2/50Signed, titled, dated, and numbered in pencil along lower edge, with the drystamp of the publisher lower leftPublished by Chiron Press, New York

Estimate: $1,000-$1,500

69123

Robert Mangold (b. 1937)1/2 Brown Curved Area, Series V, 1968Screenprint in colors12 x 24 inches (30.5 x 61 cm) (image)14 x 26 inches (35.5 x 66 cm) (sheet)Ed. 50/50Signed, titled, dated, and numbered in pencil along lower edge, with the drystamp of the publisher lower leftPublished by Chiron Press, New York

Estimate: $1,000-$1,500


69124

Yue Minjun (b. 1962)Untitled (Smile-ism)Lithograph in colors on wove paper43-1/2 x 35-1/2 inches (110.5 x 90.2 cm) (sheet)Ed. 30/45Signed in pencil lower right and numbered lower left

Estimate: $4,000-$6,000

69125

Yue Minjun (b. 1962)Untitled (Smile-ism)Lithograph in colors on wove paper33-1/4 x 31-1/2 inches (84.6 x 80 cm) (sheet)Ed. 30/45Signed in pencil lower right and numbered lower left

Estimate: $4,000-$6,000


69126

Marilyn Minter (b. 1948)Vamp, 2013Dye coupler19-3/8 x 13 inches (49.2 x 33 cm)Ed. 8/25Signed in ink on label affixed verso

Estimate: $4,000-$6,000


69127

Joan Miró (1893-1983)Untitled, from Cahiers d’Art (two works), 1934Pochoir in colors on wove paper12-1/4 x 9-1/4 inches (31.1 x 23.5 cm) (sheet, each)From an edition of 48Published by Editions Cahiers d’Art, ParisPrinted by Créte, Paris

LITERATURE:Dupin, 14 & 15.

Estimate: $2,000-$3,000


69128

Joan Miró (1893-1983)Untitled, from La bague d’aurore, 1957Etching and aquatint in colors4-5/8 x 5-1/2 inches (11.7 x 14 cm) (image)13-3/4 x 10-1/8 inches (34.9 x 25.7 cm) (sheet)Ed. I/IISigned and numbered in pencil in lower margin

Estimate: $2,000-$3,000

69129

Joan Miró (1893-1983)Untitled, from La bague d’aurore, 1957Aquatint in colors5-1/2 x 4-1/2 inches (14 x 11.4 cm) (image)13-7/8 x 10-1/4 inches (35.2 x 26 cm) (sheet)Ed. I/IISigned and numbered in pencil in lower margin

Estimate: $2,000-$3,000


69130

Joan Miró (1893-1983)Obscur laurier, 1962Etching and aquatint in colors7-7/8 x 5-1/2 inches (20.1 x 14 cm)Signed in pencil lower rightEd. 200

Published by Guy Levis Mano

LITERATURE:Cramer, 75;Dupin, 305.

NOTE:This lot is accompanied by the book Obscur Laurier, numbered XIV.

Estimate: $2,000-$3,000

69131

Joan Miró (1893-1983)Les essències de la terra, 1968Lithograph with hand coloring in watercolor on Japon nacré paper16-3/4 x 14 inches (42.5 x 35.6 cm) (sheet)Ed. 64A/100Signed in pencil lower right and numbered lower leftPublished by Ediciones Polígrafa, BarcelonaPrinted by Mourlot, Paris


Estimate: $6,000-$8,000


69132

Joan Miró (1893-1983)Le grand ordinateur, 1969Etching, aquatint, and carborundum in colors on Arches paper39-3/8 x 25 inches (100.1 x 63.5 cm) (plate)41 x 26-1/2 inches (104.1 x 67.3 cm) (sheet)HC (aside from an edition of 75)Signed in pencil lower right and inscribed lower leftPublished by Maeght, Paris

LITERATURE:Dupin, 503.

Estimate: $7,000-$9,000


69133

Joan Miró (1893-1983)Jardin au clair de lune (Hommage a Teriade), 1973Lithograph in colors on Arches paper18-1/8 x 14-5/8 inches (46 x 37.1 cm) (image)23-1/2 x 17-1/4 inches (59.6 x 43.8 cm) (sheet)Ed. 25/100Signed in pencil lower right and numbered lower leftPublished by Centre National D’Art Contemporain Ministere Des Affaires Culturelles, Paris

LITERATURE:Mourlot, 896.

Estimate: $3,000-$5,000

69134

Joan Miró (1893-1983)Obra gráfica, 1978Lithograph in colors on wove paper11-3/4 x 16-3/4 inches (29.8 x 42.7 cm) (image)18 x 22-1/4 inches (45.7 x 56.5 cm) (sheet)HC (aside from an edition of 75)Signed and inscribed in pencil in lower marginPublished by Dirección General de Patrimonio Artístico, Madrid


Estimate: $2,000-$3,000


69135

Robert Motherwell (1915-1991)Untitled, from Ten Works by Ten Painters, 1964Screenprint in colors with collage on Mohawk Superfine paper22 x 16 inches (55.9 x 40.6 cm) (image)24 x 20 inches (60.9 x 50.8 cm) (sheet)From an edition of 500Printed by Ives-Sillman, New HavenPublished by the Wadsworth Atheneum, Hartford

LITERATURE:Belknap, 5;Engberg/Banach, 16.

Estimate: $800-$1,200

69136

Robert Motherwell (1915-1991)Untitled, from The Basque Suite, circa 1971Screenprint in colors on wove paper22-1/2 x 17-1/4 inches (57.2 x 43.8 cm) (image)37-1/4 x 28 inches (94.6 x 71.1 cm) (sheet)Ed. 107/150 (there were also an unknown number of artist’s proofs)Signed and numbered in pencil in lower marginPublished by Marlborough Graphics, Inc., New York

LITERATURE:Belknap, 81;Engberg/Banach, 56.

Estimate: $2,000-$3,000


69137

Robert Motherwell (1915-1991)Calligraphic Study IV, 1976Lift-ground etching and aquatint on HMP handmade paper8-3/4 x 11-3/4 inches (22.2 x 29.8 cm) (plate)22-3/4 x 18 inches (57.7 x 45.7 cm) (sheet)Ed. 5/30Signed and numbered in ink in lower margin, with the artist’s circular blindstamp

Estimate: $2,000-$3,000


69138

Robert Motherwell (1915-1991)Elegy Study I, 1989Lithograph in colors on light brown TGL handmade paper39 x 61 inches (99.1 x 154.9 cm) (sheet)Ed. 46/50 (there were also 20 artist’s proofs)Signed and numbered in pencil lower right, with the blindstamp of the publisherPublished by Tyler Graphics Ltd., Mount Kisco

LITERATURE:Engberg/Banach, 488.

Estimate: $8,000-$12,000


69139

Dave Muller (b. 1964)Untitled, from the White Columns 2007 portfolio, 2007Letterpress print with plastic14 x 22 inches (35.6 x 55.9 cm) (sheet)Unique (aside from the edition of 100)Signed and dated in pencil lower right

Estimate: $2,000-$4,000


69140

Vik Muniz (b. 1961)Self Portrait, from Pictures of Soil, 1997Gelatin silver22-1/4 x 19-1/4 inches (56.5 x 48.8 cm) (image)23-7/8 x 20-1/8 inches (60.6 x 51.1 cm) (sheet)Ed. 4/10Signed, titled, dated, and numbered in pencil verso

Estimate: $5,000-$7,000


69141

Takashi Murakami (b. 1962)And Then (Blue), 1999Screenprint in colors on wove paper15-3/4 x 15-3/4 inches (40 x 40 cm) (image)20-1/2 x 20-1/2 inches (52 x 52 cm) (sheet)Ed. 39/50Signed, dated, and numbered in pencil on the reversePublished by Kaikai Kiki & Co. Ltd., Tokyo

Estimate: $5,000-$8,000

69142

Takashi Murakami (b. 1962)And Then (Pink), 1999Screenprint in colors on wove paper15-3/4 x 15-3/4 inches (40 x 40 cm) (image)20-1/2 x 20-1/2 inches (52 x 52 cm) (sheet)Ed. 15/50Signed, dated, and numbered in pencil on the reversePublished by Kaikai Kiki & Co. Ltd., Tokyo

Estimate: $5,000-$8,000


69143

Takashi Murakami (b. 1962)Champignons, 2002Screenprint in colors21-5/8 x 21-5/8 inches (54.9 x 54.9 cm) (image)27-5/8 x 26-3/4 inches (70.1 x 67.9 cm) (sheet)Ed. 35/50Signed, dated, and numbered in pencil in lower marginPublished by Kaikai Kiki & Co. Ltd., Tokyo

LITERATURE:Kaikai Kiki, II.19.

Estimate: $5,000-$8,000

69144

Takashi Murakami (b. 1962)Making a U-Turn, the Lost Child Finds His Way Home, 2004Screenprint in colors on wove paper27-1/2 x 27-1/2 inches (69.9 x 69.9 cm) (sheet)31-1/2 x 31-1/2 inches (80 x 80 cm) (sheet)Ed. 11/50 (there were also 10 artist’s proofs)Signed, dated, and numbered in pencil in lower marginCo-published by the artist and Kaikai Kiki Co., Ltd., Tokyo

LITERATURE:Takashi Murakami Prints: “My First Art” Series, Kaikai Kiki Gallery, Japan, 2008, p. 43, illustrated in color;Takashi Murakami “I Love Prints And So I Make Them,” Kaikai Kiki Gallery, Japan, 2009, p. 60, illustrated in color.

Estimate: $4,000-$6,000


69145

Takashi Murakami (b. 1962)An Homage to Monogold 1960 C; An Homage to Yves Klein Multicolor C; An Homage to Monopink 1960 C; An Homage to IKB 1957 C (four works), 2012Offset lithographs in colors on wove paper29-1/8 x 20-7/8 inches (73.9 x 53.1 cm) (sheet, each)Ed. 145/300; 148/300; 176/300; 179/300Each signed and numbered in ink lower rightCo-published by the artist and Kaikai Kiki & Co. Ltd., Tokyo

Estimate: $4,000-$6,000


69146

Takashi Murakami (b. 1962)Jellyfish Eyes 1, 2, 3, and 5 (four works), 2004Offset lithographs in colors on wove paper19-3/4 x 19-3/4 inches (50 x 50 cm) (sheet, each)Ed. 117/300; 96/300; 216/300; 213/300Each signed and numbered in silver ink lower rightCo-published by the artist and Kaikai Kiki & Co. Ltd, Tokyo

Estimate: $3,500-$4,500


69147

Takashi Murakami (b. 1962)Hey! You! Do You Feel What I Feel? and Flower Ball (3D) - Papyrus (two works), 2013Offset lithographs in colors on wove paper28 x 28 inches (71.1 x 71.1 cm) (sheet, each)Ed. 148/300Each signed and numbered in silver ink lower rightCo-published by the artist and Kaikai Kiki Co. Ltd., Tokyo

Estimate: $1,500-$2,000

69148

Takashi Murakami (b. 1962)And Then x 6 (Lapis Lazuli: The Superflat Method) and And Then x 6 (Red: The Polke Method) (two works), 2013Offset lithographs on high gloss wove paper19-3/4 x 19-3/4 inches (50 x 50 cm) (sheet, each)Ed. 170/300; Ed. 65/300Each signed and numbered in ink lower rightCo-published by the artist and Kaikai Kiki Co. Ltd., Tokyo

Estimate: $1,500-$2,000


69149

Takashi Murakami (b. 1962)Superflat Monogram: Panda and His Friends, 2005Screenprint in colors on wove paper30-1/2 x 30-1/2 inches (77.5 x 77.5 cm) (image)33-1/2 x 33-1/2 inches (85 x 85 cm) (sheet)Ed. 39/50 (there were also 9 artist’s proofs)Signed, dated, and numbered in pencil in lower marginPublished by Kaikai Kiki Co., Ltd., Tokyo

Estimate: $15,000-$25,000


69150

Shirin Neshat (b. 1957)Untitled (Hands), 2005Digital inkjet print on wove paper17-3/4 x 11-3/4 inches (45.1 x 29.8 cm) (image)22 x 17-3/4 inches (55.8 x 45 cm) (sheet)Signed by the photographer and by collaborators Rafael Fuchs and Izhar Patkin, and numbered in pencil in the margin

Estimate: $3,000-$5,000

69151

James Nares (b. 1953)Untitled, 2002Chronophotograph10 x 13-1/4 inches (25.4 x 33.7 cm) (sight)Ed. 20/25Signed, dated, numbered, and inscribed in pencil on the reverse

Estimate: $1,000-$1,500


69152

Kenneth Noland (1924-2010)Doors and Ghosts, 1983Monotype in colors78-3/4 x 42-3/4 inches (200 x 108.6 cm)Signed, titled, dated, and annotated verso

Estimate: $8,000-$12,000


69153

Thomas Nozkowski (b. 1944)Untitled #2, 2002Aquatint and etching in colors on wove paper21-3/4 x 29-1/2 inches (55.1 x 74.9 cm) (sheet)AP 9/10Signed, dated, inscribed, and numbered in pencil on the reverse

Estimate: $2,000-$4,000


69154

Chris Ofili (b. 1968)Afro Harlem Muses (diptych), 2005Two lithographs in colors with embossing, on one sheet of Somerset velvet paper12-3/4 x 9 inches (32.4 x 22.9 cm) (image, each)21 x 27-1/2 inches (53.3 x 69.8 cm) (sheet)Ed. 21/60Signed, titled, dated, and numbered in pencil in lower marginPublished by David Zwirner Gallery, New York

Estimate: $2,000-$4,000


69155

Claes Oldenburg (b. 1929)Hard Times Bulb - Night, 1995Unique lithograph with chine collé and metal collage on Dieu Donné handmade gray paper31-1/2 x 24 inches (80 x 61 cm) (sheet)From an edition of 27Signed in pencil lower right, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini G.E.L., 38.65;Axsom/Platzker 257.

Estimate: $8,000-$12,000


69156

Claes Oldenburg (b. 1929)Hard Times Bulb - Day, 1995Unique lithograph with chine collé and metal collage on HMP Koller Canvas tan paper31-1/2 x 24 inches (80 x 61 cm) (sheet)From an edition of 27Signed in pencil lower right, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini G.E.L., 38.64;Axsom/Platzker 256.

Estimate: $8,000-$12,000


69157

Claes Oldenburg (b. 1929)Arched Soft Screw as Building, from The Soft Screw series, 1976Lithograph on Arches paper67-1/2 x 45 inches (171.5 x 114.3 cm) (sheet)Ed. 17/35 (there were also 11 artist’s proofs)Signed in pencil lower right and numbered lower left, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles


Estimate: $2,000-$3,000


69158

Elizabeth Peyton (b. 1965)Prince Harry and Prince William, 2000Lithograph in colors on wove paper24 x 19 inches (61 x 48.3 cm) (sheet)Ed. 99/350Signed, dated, and numbered in pencil lower centerPublished by the Public Art Fund, New York

Estimate: $1,500-$2,500

69159

Elizabeth Peyton (b. 1965)Jackie and John, 2000Lithograph in colors on wove paper24 x 19 inches (61 x 48.3 cm) (sheet)Ed. 25/350Signed, dated, and numbered in pencil lower rightPublished by the Public Art Fund, New York

Estimate: $3,000-$5,000


69160

Pablo Picasso (1881-1973)Taureau sous l’arbre, 1952Partially glazed ceramic plate8 x 8 inches (20.3 x 20.3 cm)From the edition of 500With the Madoura Plein Feu and Edition Picasso stamps on the underside

LITERATURE:Ramié, 159.

Estimate: $2,000-$3,000


69161

Pablo Picasso (1881-1973)Femme du barbu, 1953Terre de faïence pitcher, partially glazed16 inches (40.6 cm) highFrom an edition of 500Inscribed ‘Edition Picasso’ with the Madoura Plein Feu stamp on the underside

LITERATURE:A. Ramié, 193.

Estimate: $20,000-$30,000


69162

Pablo Picasso (1881-1973)Corrida sur fond noir, 1953Glazed ceramic plate15-1/4 inches (38.7 cm) widthFrom an edition of 500Dated upper center, with the Edition Picasso and Madoura Plein Feu stamps on the underside


Estimate: $7,000-$9,000

69163

Pablo Picasso (1881-1973)Visage gris, 1953Terre de faïence plate15-1/4 x 12-3/8 inches (38.9 x 31.5 cm)From the edition of 500With the Edition Picasso and Madoura Plein Feu stamps on the underside


Estimate: $8,000-$12,000


69164

Pablo Picasso (1881-1973)Visage de profil, 1953Terre de faïence vase partially glazed and painted10 inches (25.4 cm) highEd. 8/150Incised ‘Edition Picasso 8/150 Madoura’ and with the Edition Picasso and Madoura Plein Feu stamps on the underside


Estimate: $12,000-$18,000


69165

Pablo Picasso (1881-1973)Le barbu, 1953Terre de faïence pitcher partially glazed and painted13 inches (33 cm) highFrom the edition of 500Inscribed ‘Edition Picasso’ and ‘Madoura,’ with the Madoura Plein Feu and Edition Picasso stamps on the underside


Estimate: $10,000-$15,000


69166

Pablo Picasso (1881-1973)Hen subject, 1954Glazed white earthenware pitcher painted in blue5-1/2 x 6-1/2 x 4-1/2 inches (14.0 x 16.5 x 11.4 cm)From the edition of 500Inscribed and stamped with the Madoura Plein Feu and Edition Picasso stamps on the underside


Estimate: $2,500-$3,500


69167

Pablo Picasso (1881-1973)Lampe femme, 1955Partially glazed ceramic vase14-1/2 inches (36.8 cm) highFrom an edition of 100Inscribed ‘D’Apres Picasso’ and with the Madoura Plein Feu stamp on the underside


NOTE:This lot is accompanied by a certificate of authenticity from the Union Française des Experts, signed and dated June 25, 1993.

Estimate: $10,000-$15,000


69168

Pablo Picasso (1881-1973)Lampe femme, 1955Partially glazed ceramic vase14-1/2 inches (36.8 cm) highFrom an edition of 100Stamped with the D’Apres Picasso and Madoura Plein Feu stamps on the underside


NOTE:This lot is accompanied by a certificate of authenticity from the Union Française des Experts, signed and dated June 25, 1993.

Estimate: $10,000-$15,000


69169

Pablo Picasso (1881-1973)Lampe femme, 1955Partially glazed and painted white earthenware vase14 inches (35.6 cm) highEd. 200Inscribed ‘Edition Picasso’ and with the Madoura Plein Feu and D’Après Picasso stamps on the underside


Estimate: $8,000-$12,000


69170

Pablo Picasso (1881-1973)Lozenge with Mask, 1956Red earthenware hexagonal tile, painted in black and white15-1/2 x 7-3/4 x 1-1/4 inches (39.4 x 19.7 x 3 cm)Ed. 30/350Numbered and inscribed ‘J. 172,’ with the Madoura Plein Feu and Edition Picasso stamps on the reverse


Estimate: $4,000-$6,000

69171

Pablo Picasso (1881-1973)Tetes, 1956Partially glazed earthenware pitcher5 inches (12.7 cm) highEd. 500Inscribed with ‘Edition Picasso’ on the underside


Estimate: $3,000-$5,000


69172

Pablo Picasso (1881-1973)Arène, 1958Partially glazed ceramic vase12-1/4 inches (31 cm) highEd. 50/100Inscribed ‘Edition Picasso,’ numbered, and with the Madoura Plein Feu and Edition Picasso stamps on the underside


Estimate: $20,000-$30,000


69173

Pablo Picasso (1881-1973)Codiga, 1959Red earthenware dish painted in black16-1/4 x 16-1/4 inches (41.4 x 41.4 cm)Ed. 14/50With the Madoura Plein Feu and Empreinte Originale de Picasso stamps on the underside


Estimate: $3,000-$5,000

69174

Pablo Picasso (1881-1973)Dove Subject, 1959Glazed white earthenware pitcher painted in blue6 x 9 x 4-1/2 inches (15.2 x 22.9 x 11.4 cm)Ed. 173/500Numbered and inscribed, with the Madoura Plein Feu and Edition Picasso stamps on the underside


Estimate: $2,500-$3,500


69175

Pablo Picasso (1881-1973)Personnages et cavalier, 1968Terre de faïence tile painted in black4-1/4 x 6-1/4 inches (10.7 x 15.9 cm)Ed. 40/500Numbered and with the Madoura Plein Feu and Empreinte Originale de Picasso stamps on the reverse


Estimate: $2,000-$3,000

69176

Pablo Picasso (1881-1973)Femme et toreador, 1968Terre de faïence tile painted in black6-3/8 x 4 inches (16.3 x 10.2 cm)Ed. 40/500Numbered and with the Madoura Plein Feu and Empreinte Originale de Picasso stamps on the reverse


Estimate: $1,000-$2,000


69177

Pablo Picasso (1881-1973)Petit soleil (in green and blue), 1968Partially glazed terracotta plaque3-3/4 x 6-1/4 inches (9.4 x 15.9 cm)Ed. 7/100Inscribed ‘J147,’ numbered, and with the Madoura Plein Feu and Empreinte Originale de Picasso stamps on the reverse


Estimate: $1,000-$2,000

69178

Pablo Picasso (1881-1973)Petit soleil (in yellow and green), 1968Terre de faïence plaque partially glazed and painted3-7/8 x 6-3/8 inches (9.9 x 16.3 cm)Ed. 35/100Inscribed ‘J.146,’ numbered, and with the Madoura Plein feu and Empreinte Originale de Picasso stamps on the reverse


Estimate: $2,000-$3,000


69179

Pablo Picasso (1881-1973)Petit indien, 1968-69Red earthenware plaque painted in black6-1/2 x 6-1/2 inches (16.5 x 16.5 cm)Ed. 14/200Incised ‘J.237,’ numbered, and with the Madoura Plein Feu and Empreinte Originale de Picasso’ stamps on the reverse


Estimate: $1,000-$2,000

69180

Pablo Picasso (1881-1973)Visage aux traits en X, 1968Terracotta plaque painted in black6-3/4 x 6-3/4 inches (17 x 17 cm)Ed. 23/200Inscribed ‘J.235,’ numbered, and with the Madoura Plein Feu and Empreinte Originale de Picasso stamps on the reverse


Estimate: $2,000-$3,000

69181

Pablo Picasso (1881-1973)Carreaux à la danseuse (two works), 1971Unglazed terracotta plaques5-3/4 x 5-3/4 inches (14.6 x 14.6 cm) (each)Ed. 51/500; Ed. 26/500Each numbered and with the Poinçon Original de Picasso stamp on the reverse


Estimate: $400-$600


69182

Pablo Picasso (1881-1973)Les trois femmes, 1922Drypoint and etching on Arches paper, printed circa 19477 x 5-1/8 inches (17.8 x 13 cm) (plate)13 x 9-7/8 inches (33 x 24.8 cm) (sheet)From an edition of 60 (there were also 40 impressions on Japon paper)Signed in red crayon in lower marginCo-published by Lucien Vollard and Marcel Lecomte, ParisPrinted by Macquart, Paris

LITERATURE:Bloch, 51;Baer, 68.

Estimate: $8,000-$12,000


69183

Pablo Picasso (1881-1973)Sculpteur modelant, pl. 5, from Le Chef-d’Oeuvre Inconnu, 1927Etching on Van Gelder Zonen paper7-5/8 x 10-7/8 inches (19.3 x 27.7 cm)Ed. 68/99Signed and numbered in ink in lower marginPublished by Ambroise Vollard, Paris


Estimate: $2,000-$4,000


69184

Pablo Picasso (1881-1973)Jeune sculpteur au travail, pl. 46, from La Suite Vollard, 1933Etching on wove paper10-3/8 x 7-3/8 inches (26.4 x 18.7 cm) (plate)17-3/8 x 13-1/4 inches (44.1 x 33.6 cm) (sheet)From the total edition of 310Signed in pencil in lower marginPublished by Vollard, Paris, 1939Printed by Lacourière, Paris


Estimate: $8,000-$12,000


69185

Pablo Picasso (1881-1973)Le repos du sculpteur devant un nu à la draperie, from La Suite Vollard, 1933Etching on Montval laid paper10-3/4 x 7-5/8 inches (27.3 x 19.3 cm) (plate)17-1/2 x 13-1/4 inches (44.5 x 33.7 cm) (sheet)From the edition of 310Signed in pencil in lower marginPublished by Ambroise Vollard, Paris, 1939

LITERATURE:Bloch, 160;Baer, 313.B.c.

Estimate: $8,000-$12,000


69186

Pablo Picasso (1881-1973)Sculpteur et son Modèle devant une Fenêtre, from La Suite Vollard, 1933Etching on Montval paper7-5/8 x 10-1/2 inches (19.3 x 26.7 cm)From the edition of 260Signed in pencil lower rightPublished by Ambroise Vollard, Paris, 1939


Estimate: $7,000-$9,000


69187

Pablo Picasso (1881-1973)Picador et cheval, 1959Linocut on Arches paper25 x 21 inches (63.5 x 53.3 cm) (image)29-1/2 x 24-1/2 inches (74.9 x 62.2 cm) (sheet)Ed. 27/50Signed and numbered in pencil in lower marginPublished by Galerie Louise Leiris, Paris

LITERATURE:Bloch, 912.

Estimate: $10,000-$15,000


69188

Pablo Picasso (1881-1973)Le déjeuner sur l’herbe, 1962Linocut in black and brown on Arches paper20-7/8 x 25-1/8 inches (53.1 x 63.8 cm)Ed. 38/50Signed and numbered in pencil in lower marginPublished by Galerie Louise Leiris, Paris


Estimate: $20,000-$30,000


69189

Pablo Picasso (Spanish, 1881-1973)Faune et chèvre, 1959Linocut in colors on Arches paper8-1/4 x 4-1/2 inches (21 x 11.4 cm) (image)13-3/4 x 9-1/4 inches (34.9 x 23.4 cm) (sheet)Ed. 4/50Signed and numbered in pencil in lower marginPublished by Berggruen, Paris, 1964


Estimate: $4,000-$6,000

69190

Pablo Picasso (1881-1973)Vieillard et femme couchée, 1960Etching on Ancient verdâtre laid paper5 x 7 inches (12.7 x 17.8 cm) (image)8-1/4 x 11-3/4 inches (20.9 x 29.8 cm) (sheet)Ed. 13/50Stamp signed and numbered in pencil in lower marginPublished by Galerie Louise Leiris, 1980Printed by Frélaut, 1961

LITERATURE:Bloch, 981;Baer 1066.B.a.

Estimate: $3,000-$5,000


69191

Pablo Picasso (1881-1973)Le peintre et son modèle, 1965Linocut on Arches paper20-3/4 x 25 inches (52.7 x 63.5 cm) (image)24-1/2 x 29-1/2 inches (62.2 x 74.9 cm) (sheet)Ed. 106/160 (there were also 35 artist’s proofs)Signed and numbered in pencil in lower marginPrinted by Hidalgo Arnéra


Estimate: $10,000-$15,000


69192

Pablo Picasso (1881-1973)Shakespeare, 1965Lithograph on wove paper8-7/8 x 6-7/8 inches (22.2 x 17.5 cm) (image)18-5/8 x 12-1/4 inches (47.3 x 31.1 cm) (sheet)Ed. 123/150Signed and numbered in pencil along lower edgePublished by Editions Cercle d’Art, Paris

LITERATURE:Bloch, 1197;Mourlot, 405.

Estimate: $2,000-$3,000

69193

Pablo Picasso (1881-1973)Degas imaginant, from La Séries 156, 1971Etching on wove paper, printed 197814-3/8 x 19-1/4 inches (36.5 x 48.9 cm) (plate)19-3/4 x 25-3/4 inches (50.1 x 65.4 cm) (sheet)EA IX/XV (aside from an edition of 50)Signed in ink and numbered in pencil in lower marginPublished by Galerie L. Leiris, Paris


Estimate: $4,000-$6,000


69194

After Pablo Picasso (1881-1973)Fleurs et mains, 1958Lithograph in colors on Chiffon de Mandeure paper26 x 19-5/8 inches (66 x 49.8 cm) (sheet)Ed. 11/200Signed and numbered in pencil along lower edge

Estimate: $4,000-$6,000

69195

After Pablo Picasso (1881-1973)La Flute DoubleOffset lithograph on wove paper16-1/2 x 20-1/2 inches (41.9 x 52.1 cm) (sheet)Ed. 271/500Numbered in pencil lower left

Estimate: $1,000-$2,000


69196

After Pablo Picasso (1881-1973)La verre d’absinthe, 1965Etching and collotype19-3/8 x 23-3/4 inches (49.3 x 60.5 cm)Ed. 13/300Signed and numbered in pencil in lower margin

Estimate: $5,000-$7,000


69197

After Pablo Picasso (1881-1973)Centaur, 1964Glass with pigment11-1/2 x 13 x 4 inches (29.2 x 33 x 10.2 cm)Etched and inscribed ‘Picasso / Rova - A / F.A. 1964’ under the back footCreated by Egidio Constantini of Fucina Angeli after a design by Picasso

Estimate: $15,000-$25,000


69198

Michelangelo Pistoletto (b. 1933)Frattali, 1999/2000Acrylic on shaped mirror22-1/4 x 29-5/8 inches (56.5 x 75.2 cm)Signed, titled, and dated in white paint pen verso

NOTE:This lot is unique and accompanied by a photographic certificate of authenticity signed by the artist and stamped by the Associazione Culturale Arte Nova, Pescara.

Estimate: $2,000-$3,000


69199

Jaume Plensa (b. 1955)Macbeth (four works), 2001Mixed media on handmade paper and plastic22-1/2 x 20 inches (57.2 x 50.8 cm) (sheet, each)Ed. 32/50Signed and numbered in pencil along lower edge

Estimate: $3,000-$5,000


69200

After Jackson Pollock (1912-1956)Untitled Portfolio, 1951The complete set of six screenprints on Strathmore paper, from the posthumous printing of 50, authorized by Lee Krasner, 196423 x 29 inches (58.4 x 73.7 cm) (sheet, each)Ed. 35/50 (there was also an earlier lifetime edition of 25)Each numbered in pencil, with the artist’s estate blindstamp in lower marginPublished by Bernard Steffen

LITERATURE:O’Conner & Thaw, 1091-1096.

Estimate: $30,000-$50,000


69201

Mel Ramos (b. 1935)Dove Tail, from the Leda and the Swan series, 1969Lithograph on silver foil, with embossing, collaged to Fabriano Classico paper25-5/8 x 20 inches (65.1 x 50.8 cm) (foil sheet)28-1/4 x 22 inches (71.6 x 55.8 cm) (paper sheet)AP II (aside from an edition of 100)Signed, dated, and inscribed in pencil in lower margin, with the blindstamp of the publisherPublished by Collector’s Press, San Francisco

LITERATURE:Schepers, 49.

Estimate: $1,200-$1,800


69202

Mel Ramos (b. 1935)AC Annie, 1972Offset lithograph in colors30 x 24 inches (76.2 x 61 cm) (sheet)Ed. 762/5000Signed in pencil lower right, and stamp-numbered with the publisher’s inkstamp on the reversePublished by Edition Bischofberger, Zurich

LITERATURE:Schepers, 65/GC 3-71.

Estimate: $1,500-$2,500


69203

Mel Ramos (b. 1935)Miss Fruit Salad, 1980Silkscreen in colors on aluminum46 x 38-1/2 inches (116.8 x 97.8 cm) (sheet)Ed. 6/7 (there were also 3 artist proofs)Incised with signature and edition number in lower margin

Estimate: $6,000-$8,000


69204

Robert Rauschenberg (1925-2008)Lichen, 1972Offset lithograph in colors42 x 30 inches (106.7 x 76.2 cm) (sheet)Ed. 17/101Signed, dated, and numbered in pencil lower right, with the blindstamp of the printerPrinted by Styria Studio, New York

EXHIBITED:Victoria Regional Museum Association, Victoria, Texas, May 27-July 3, 1977.

Estimate: $3,000-$5,000

69205

Robert Rauschenberg (1925-2008)Arcanum X, from the Arcanum Suite, 1981Screenprint in colors with collage on heavy wove paper22-1/2 x 15-1/2 inches (57.2 x 39.4 cm) (sheet)Ed. 58/85Signed, dated, and numbered in pencil lower left, with the blindstamp of the printerPrinted by Styria Studio, Inc., New York

Estimate: $1,500-$2,500


69206

Robert Rauschenberg (1925-2008)Samarkand Stitches I, 1988Unique fabric assemblage with screenprinting on Ikat silk and domestic fabrics75 x 63 inches (190.5 x 160 cm)Ed. 26/71Stitched signature and date lower left, with the publisher’s copyright stitched to the reversePublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini G.E.L., 1404.

Estimate: $12,000-$18,000


69207

Robert Rauschenberg (1925-2008)Bellini #5, 1989Intaglio in colors on Arches paper59 x 38-1/4 inches (149.9 x 97.2 cm)Ed. 37/50Signed, dated, and numbered in pencil in lower margin with the blindstamp of the publisherPublished by ULAE, West Islip

Estimate: $6,000-$8,000

69208

Robert Rauschenberg (1925-2008)Hollywood Sphinx, from the series Illegal Tender L.A., 1991Lithograph in colors on HMP Koller handmade granite gray paper40-1/2 x 30-1/4 inches (102.9 x 76.8 cm) (sheet)Ed. 24/58 (there were also 10 artist’s proofs)Signed, dated, and numbered in pencil lower right, with the blindstamp of the publisher lower right and their ink stamp on the reversePublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini G.E.L., 41.195

Estimate: $3,000-$5,000


69209

Robert Rauschenberg (1925-2008)Architecture, from the Tribute 21 series, 1994Offset lithograph in colors on wove paper41 x 27 inches (104.1 x 68.6 cm) (sheet)Ed. 14/50Signed, dated, and numbered in pencil lower left, with the blindstamp of the publisherPublished by Felissimo, TokyoPrinted at ULAE, West Islip

NOTE:The Tribute 21 series celebrates twenty-one different humanitarian themes for the twenty-first century.

Estimate: $3,000-$5,000

69210

Robert Rauschenberg (1925-2008)Rotary Drive, from Ground Rules, 1997Intaglio in colors with photogravure on Fabriano Esportazione paper22-1/4 x 30 inches (56.4 x 76.2 cm) (sheet)Ed. 36/44 (there were also 12 artist’s proofs)Signed, dated, and numbered in pencil lower right, with the blindstamp of the publisherPublished by ULAE, West Islip

Estimate: $2,500-$3,500


69211

James Rosenquist (b. 1933)Art Gallery, 1971Lithograph in colors on Rives BFK paper30-1/8 x 22-1/4 inches (76.5 x 56.6 cm) (sheet)Ed. 15/30Signed, dated, and numbered in pencilPublished by the University of South Florida

LITERATURE:Glenn, 41.

Estimate: $600-$800


69212

Ed Ruscha (b. 1937)Brews, 1970Screenprint in colors17-7/8 x 27 inches (45.5 x 68.6 cm)Ed. 15/75Signed, dated, and numbered in pencil in lower marginPrinted and published by Alecto Studios, London

LITERATURE:Engberg, 40.

Estimate: $4,000-$6,000 Starting Bid: $3,200


69213

Ed Ruscha (b. 1937) and Ken Price (1935-2012)Flies and Frog, 1969Lithograph in colors on Copperplate Deluxe paper18 x 30 inches (45.7 x 76.2 cm) (image)23 x 34 inches (58.4 x 86.3 cm) (sheet)Ed. 13/40 (there were also 7 artist’s proofs)Signed by both artists, dated, and numbered in pencil in lower margin, with the inkstamp of the publisherPublished by Tamarind Lithography Workshop, Los Angeles


Estimate: $4,000-$6,000


69214

Ed Ruscha (b. 1937)Insects, 1972The complete portfolio of six screenprints in colors, three on paper-backed wood veneer, and three on Fabriano watercolor paper, with original portfolio box including the title/justification page20 x 27 inches (50.8 x 68.6 cm) (sheet, each)Ed. 29/100 (there were also 15 artist’s proofs in Roman numerals)Each signed, dated, and numbered in pencil along the lower edgePublished by Multiples, Inc., New YorkPrinted by Styria Studio, New York

LITERATURE:Walker Art Center/Siri Engberg, 60-65.

Estimate: $15,000-$25,000


69215

Ed Ruscha (b. 1937)Evil, 1973Screenprint in colors on wood-grain veneer paper19-3/4 x 29-5/8 inches (50 x 75.2 cm)Ed. 20/30 (there were also 4 artist’s proofs)Signed, dated, and numbered in pencil on the reverse, with the publisher and printer’s blindstamp lower leftPublished and printed by Cirrus Editions, Los Angeles

LITERATURE:Walker Art Center, 70.

Estimate: $12,000-$18,000


69216

Ed Ruscha (b. 1937)Makeup dept., from the Artists and Photographs portfolio, 1975Dye-transfer print on acetate16 x 20 inches (40.6 x 50.8 cm)Ed. 29/60 (there were also 17 artist’s proofs)Signed lower right and numbered lower leftPublished by Multiples Inc., New York


Estimate: $1,500-$2,000

69217

Ed Ruscha (b. 1937)Big Dipper Over Desert, 1982Aquatint in colors on wove paper24 x 36 inches (61 x 91.4 cm) (image)33-1/2 x 45 inches (85 x 114 cm) (sheet)Ed. 35/48 (there were also 10 artist’s proofs)Signed, dated, and numbered in pencil in lower margin, with the blindstamp of the publisherPublished by Crown Point Press, OaklandPrinted by Peter Pettengill

Estimate: $3,000-$5,000


69218

Ed Ruscha (b. 1937)Reloj de Arena, 1988Etching in colors on wove paper18-1/4 x 13-1/8 inches (46.5 x 33.3 cm) (image)30 x 22-1/8 inches (76.2 x 56.1 cm) (sheet)Ed. 30/45Signed, dated and numbered in pencil in lower marginPublished by Ediciones Poligrafa, Barcelona


Estimate: $2,000-$3,000


69219

Ed Ruscha (b. 1937)Jockey, 1988Aquatint on wove paper29-5/8 x 17-5/8 inches (75.2 x 44.8 cm) (image)39-3/4 x 26-3/4 inches (100.9 x 67.9 cm) (sheet)Ed. 18/20 (there were also 10 artist’s proofs)Signed, dated, and numbered in pencil in lower margin, with the blindstamps of the publisher and printer lower rightPublished by Crown Point Press, San FranciscoPrinted by Renee Bott


Estimate: $8,000-$12,000


69220

Ed Ruscha (b. 1937)Sunliners (set of seven), 1996Etchings with aquatint in colors on Hahnemüle paper10-1/4 x 7-1/4 inches (26 x 18.5 cm) (image)17 x 13 inches (43.1 x 33 cm) (sheet)Ed. 19/50 (there were also 8 artist’s proofs for each)Each signed, dated, and numbered in pencil in lower marginPublished by Pace Editions Inc., New York

LITERATURE:Engberg, 237-243.

Estimate: $6,000-$8,000


69221

Richard Serra (b. 1939)Double Ring II, 1972Lithograph on Curtis Rag paper35-1/4 x 48 inches (89.4 x 121.9 cm) (sheet)Ed. 16/65Signed and numbered in pencil, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles

LITERATURE:S. von Berswordt-Wallrabe, 3.

Estimate: $4,000-$6,000


69222

Richard Serra (b. 1939)Ballast I, II, III (set of three), 2011Etching on Hahnemühle Copperplate Warm White 300 gsm paper36 x 16-1/2 inches (91.4 x 41.9 cm) (sheet, Ballast I)30 x 23 inches (76.2 x 58.4 cm) (sheet, Ballast II)36 x 26-1/4 inches (91.4 x 66.6 cm) (sheet, Ballast III)Ed. 38/45Each signed, dated, and numbered in pencil on the reversePublished and printed by Gemini G.E.L., Los Angeles

Estimate: $15,000-$20,000


69223

Shinique Smith (b. 1972)Double Dahlia, Red Rose, and Purple Pansy (three works), 2008Screenprint, archival inkjet, silk, canvas, aluminum can, and collage on heavy wove paper30 x 22-1/2 inches (76.2 x 57.2 cm) (sheet, each)Ed. 1/10Each signed, titled, dated, and numbered in pencil along the lower edgePublished by the Lower Eastside Printshop, New York

Estimate: $4,000-$6,000


69224

Laurie Simmons (b. 1949)Ballet Trocadero (Blue)Dye coupler4 x 2-3/4 inches (10.2 x 7 cm) (sight)Ed. 14/20Signed, titled, and numbered in ink on the reverse

Estimate: $2,000-$4,000

69225

Laurie Simmons (b. 1949)Walking John Hancock (Chicago), 1992Ektacolor9 x 6 inches (22.9 x 15.2 cm) (image)14 x 11 inches (35.5 x 27.9 cm) (sheet)Signed and dated in ink in lower margin

Estimate: $1,000-$1,500


69226

Kiki Smith (b. 1954)Bat, 2000Dimensional iris print with collage16-1/2 x 15-1/2 x 1-1/4 inches (41.9 x 39.4 x 3.2 cm)Ed. 17/22Signed, dated, and numbered in pencil along lower edgePublished by Pace Editions, Inc., New York

Estimate: $1,000-$1,500


69227

Kiki Smith (b. 1954)Born, 2002Lithograph in colors on Saunders Watercolor HP from St. Cuthberts Mill paper68 x 56 inches (172.7 x 142.2 cm) (sheet)Ed. 11/28Signed and dated lower right and numbered lower left, with the blindstamp of the publisherPublished by ULAE, Inc., Bay Shore

Estimate: $10,000-$15,000


69228

Pierre Soulages (b. 1919)Etching No. 2, 1952Etching and aquatint in colors on Velin Arches paper15-1/8 x 21-7/8 inches (38.4 x 55.6 cm) (image)19-3/4 x 26 inches (50.2 x 66 cm) (sheet)Ed. 61/100Signed and numbered in pencil in lower marginPrinted and published by Lacourière, Paris

Estimate: $3,000-$5,000

69229

Pierre Soulages (b. 1919)Sérigraphie no. 15, 1981Screenprint in colors41-1/2 x 28-1/2 inches (105.4 x 72.4 cm)Ed. 16/250Signed and numbered in pencil lower leftPublished by Circle Fine Art, ChicagoPrinted by Michel Caza, Cergy

LITERATURE:Encrevé, 107.

Estimate: $2,000-$3,000


69230

Frank Stella (b. 1936)Grid Stack, 1970Lithograph on Arjomari paper45-1/2 x 35 inches (115.6 x 88.9 cm) (sheet)Ed. 39/50 (there were also 7 artist proofs)Signed, dated, and numbered in pencil with the blindstamp of the publisherPublished and printed by Gemini G.E.L., Los Angeles

LITERATURE:Axsom, 46;Gemini G.E.L., 225.

Estimate: $20,000-$30,000


69231

Frank Stella (b. 1936)Swan Engraving V, 1984Etching and engraving on wove paper59-1/2 x 49-3/4 inches (151.1 x 126.5 cm) (sheet)Ed. 12/25Signed, dated, and numbered in pencil lower right, with the blindstamp of the publisherPublished by Tyler Graphics, Mount Kisco


Estimate: $3,000-$5,000

69232

Frank Stella (b. 1936)Shards I, 1988Offset lithograph and screenprint in colors on wove paper45 x 40 inches (114.3 x 101.6 cm) (sheet)Ed. 73/100Signed, dated, and numbered in pencil lower rightPublished by Petersburg Press, New York


Estimate: $4,000-$6,000


69233

Donald Sultan (b. 1951)Black Lemons and Egg, April 14, 1987Aquatint on wove paper47-1/2 x 61-3/4 inches (120.7 x 156.8 cm) (image)48-7/8 x 62-7/8 inches (124.1 x 159.7 cm) (sheet)Ed. 11/14Signed, titled, dated, and numbered in pencilPublished by Parasol Press, Ltd., New York

Estimate: $2,500-$3,000

69234

Donald Sultan (b. 1951)Black Lemons, April 16, 1987Aquatint on wove paper62 x 47-1/2 inches (157.5 x 120.7 cm) (image)62-7/8 x 48-7/8 inches (159.7 x 124.1 cm) (sheet)Ed. 11/14Signed, titled, dated and numbered in pencilPublished by Parasol Press, Ltd., New York

Estimate: $2,500-$3,000


69235

Donald Sultan (b. 1951)Black Lemons, April 16, 1987Aquatint on wove paper62 x 47-1/2 inches (157.5 x 120.7 cm) (image)62-7/8 x 48-7/8 inches (159.7 x 124.1 cm) (sheet)Ed. 11/14Signed, titled, dated, and numbered in pencilPublished by Parasol Press Ltd., New York

Estimate: $2,500-$3,000

69236

Donald Sultan (b. 1951)Black Lemon, April 20, 1987Aquatint on wove paper62 x 47-1/2 inches (157.5 x 120.7 cm) (image)62-7/8 x 48-7/8 inches (159.7 x 124.1 cm) (sheet)Ed. 11/14Signed, titled, dated, and numbered in pencilPublished by Parasol Press Ltd., New York

Estimate: $2,500-$3,000


69237

Donald Sultan (b. 1951)Water Under the Bridge (three works), 1979The complete portfolio of three aquatints on wove paper11-7/8 x 11-7/8 inches (30.2 x 30.2 cm) (image, each)18 x 18 inches (45.7 x 45.7 cm) (sheet, each)Ed. 2/45Each initialed, dated, and numbered in pencil in the marginPrinted by Crown Point Press, San FranciscoPublished by Parasol Press Ltd., New York

Estimate: $700-$900


69238

Donald Sultan (b. 1951)Yellow Peppers, from the Fruits and Flowers III suite, 1993Screenprint in colors on wove paper12 x 12 inches (30.5 x 30.5 cm) (image)Ed. 74/125 (there were also 25 artist’s proofs)Signed, titled, dated, and numbered in pencil in the marginPublished by Parasol Press Ltd., New York

Estimate: $1,000-$1,500

69239

Donald Sultan (b. 1951)Four Oranges, April 2, 1993Screenprint in colors on wove paper30-1/4 x 30-1/4 inches (76.8 x 76.8 cm) (image)37 x 36 inches (93.9 x 91.4 cm) (sheet)Ed. 28/108 (there were also 9 artist’s proofs)Signed, titled, dated, and numbered in pencil in the marginPublished by the Lincoln Center/List Print Program, New York

Estimate: $1,200-$1,800


69240

Donald Sultan (b. 1951)Aqua Trumpet, March 1, 2011Screenprint in colors on Nideggen Sand paper25-1/2 x 38 inches (64.8 x 96.5 cm) (sheet)Ed. 28/40Signed, titled, and dated in pencil along the left edge and numbered lower right

Estimate: $1,200-$1,800

69241

Rufino Tamayo (1899-1991)Salomé, 1984Lithograph in colors on wove paper29-7/8 x 21-3/4 inches (75.9 x 55.4 cm) (sheet)Ed. 141/250 (there were also 25 artist’s proofs)Signed in white chalk lower right and numbered lower leftPublished by the Metropolitan Opera Association & Circle Fine Art, New York

LITERATURE:Pereda, 307.

Estimate: $1,000-$1,500


69242

Wayne Thiebaud (b. 1920)Three Ice Cream Cones, 1964Sugarlift aquatint on wove paper5 x 4-7/8 inches (12.7 x 12.4 cm) (plate)15 x 11 inches (38.1 x 27.9 cm) (sheet)Ed. 2/25Signed, titled, dated, and numbered in pencil in lower marginPublished by Crown Point Press, San Francisco

Estimate: $5,000-$7,000


69243

Wayne Thiebaud (b. 1920)Candy Apples, 1964Sugarlift aquatint on wove paper5 x 5-3/4 inches (12.7 x 14.5 cm) (plate)15 x 11 inches (38.1 x 27.9 cm) (sheet)Ed. 3/25Signed, titled, dated, and numbered in pencil in lower marginPublished by Crown Point Press, San Francisco

Estimate: $5,000-$7,000


69244

Wayne Thiebaud (b. 1920)Suckers State I, 1968Lithograph on Rives BFK paper16 x 22 inches (40.6 x 55.9 cm) (sheet)Ed. 68/150 (there were also 11 artist’s proofs)Signed, numbered, and inscribed in pencil lower right, with the blindstamp of the publisherThe publisher’s ink stamp on the reversePublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini G.E.L., 52.1

Estimate: $6,000-$8,000


69245

Wayne Thiebaud (b. 1920)Suckers State II, 1968Lithograph on Rives BFK paper16 x 22 inches (40.6 x 55.9 cm) (sheet)Ed. 150The publisher’s blindstamp lower right, with their ink stamp on the reversePublished by Gemini G.E.L., Los Angeles


Estimate: $6,000-$8,000


69246

Wayne Thiebaud (b. 1920)Candy Counter, from Seven Still-Lifes and a Rabbit, 1970Linocut in black and tan on Arches paper18-1/2 x 25-1/4 inches (47 x 64.1 cm) (image)22-3/8 x 30 inches (56.8 x 76.2 cm) (sheet)AP (aside from an edition of 50)Signed, dated, and inscribed in pencil in lower marginPublished by Parasol Press Ltd., New York

Estimate: $3,000-$5,000


69247

Wayne Thiebaud (b. 1920)Barbecue Beefs, from Seven Still-Lifes and a Silver Landscape, 1970Screenprint in colors on Arches paper22-1/4 x 30 inches (56.5 x 76.2 cm) (sheet)Ed. 13/50Signed and dated in pencil lower right and numbered lower leftPublished by Parasol Press Ltd., New York

Estimate: $3,000-$5,000

69248

Wayne Thiebaud (b. 1920)Sandwich, from Seven Still-Lifes and a Rabbit, 1970Linocut in colors on Arches paper22-1/4 x 30 inches (56.5 x 76.2 cm)Ed. 46/50 (there were also 10 artist’s proofs)Signed and dated in pencil lower right and numbered lower leftPublished by Parasol Press Ltd., New York

Estimate: $3,000-$5,000


69249

Various Artists (20th Century)A Portfolio of Thirteen Prints to Commemorate the Conversion of New York City’s Second Avenue Courthouse Building to the New Home of Anthology Film Archives, the First Museum Dedicated to Avantgarde Film and Video, 1981-82The complete set of thirteen prints in various media, with title page and colophon, housed in the original burgundy portfolio case43 x 32 x 1-1/2 inches (109.2 x 81.3 x 3.8 cm) (portfolio)Ed. 70/75 (there were also 13 artist’s proofs)Each signed, numbered, and datedPublished by Anthology Film Archives, New York

Includes:Raimund Abraham, Untitled, 1982; Carl Andre, Yucatan, 1982; Rudolf Baranik, Words F.A.F.A., 1981; Joseph Beuys, Untitled, 1982; Alice Neel, Untitled, 1982; Claes Oldenburg, Study for a Civic Monument in the Form of Two Windows, 1982; James Rosenquist, Water Lilly, 1981; Robert Rauschenberg, Untitled, 1982; Richard Serra, St. Louis, 1982; Harry Smith, Untitled, 1982; May Stevens, Untitled, 1981; Andy Warhol, Eric Anderson (Chelsea Girls), 1982; William Wegman, October 1981 Rangeley, Maine, 1982.

Estimate: $6,000-$10,000


69250

Various Artists (20th Century)S.M.S. (Shit Must Stop), a collection of 73 original multiples (six portfolios), 1968Illustrated paper portfolios in their original cardboard mailing boxesDimensions variable14 x 7-1/2 inches (35.6 x 19.1 cm) (each box)Signed and numbered on a paper contained in the first box.Published by The Letter Edged in Black Press Inc., New York

Among the many artist represented are the following:Marcel Duchamp, Man Ray, Roy Lichtenstein, Christo, Julien Levy, Ray Johnson, Meret Oppenheim, Dick Higgens, Joseph Kosuth, John Cage, On Kawara, Arman, Bruce Nauman, Mel Ramos, Hannah Weiner, Claes Oldenbug, Bernar Venet, Richard diterHamilton, Enrico Baj, Yoko Ono, and Dieter Roth.

Estimate: $1,500-$2,500


69251

Victor Vasarely (1906-1997)Hommage à Picasso, 1974Screenprint in colors19-3/4 x 19-3/4 inches (50 x 50 cm)Ed. XXI/XXXSigned and inscribed in pencil in lower margin

Estimate: $800-$1,200


69252

Massimo Vitali (b. 1944)Marina di Carrara, Torre Fiat, from the Landscape with Figures portfolio, 2006Offset lithograph in colors25-7/8 x 33-3/4 inches (65.7 x 85.7 cm) (image)27-1/2 x 35-1/4 inches (69.8 x 89.5 cm) (sheet)Ed. 41/120Stamped with the artist’s credit and numbered on versoPublished by Brancolini Grimaldi, London Printed by Steidl Verlag, Göttingen, Germany

Estimate: $1,500-$2,500

69253

Massimo Vitali (b. 1944)Viareggio Sun, from the Landscape with Figures portfolio, 2006Offset lithograph in colors25-7/8 x 33-3/4 inches (65.7 x 85.7 cm) (image)27-1/2 x 35-1/4 inches (69.8 x 89.5 cm) (sheet)Ed. 41/120Stamped with the artist’s credit and numbered on versoPublished by Brancolini Grimaldi, LondonPrinted by Steidl Verlag, Göttingen, Germany

Estimate: $1,500-$2,500


69254

Andy Warhol (1928-1987)Flowers, 1964Offset lithograph in colors22 x 22 inches (55.9 x 55.9 cm) (image)23 x 23 inches (58.4 x 58.4 cm) (sheet)From an edition of approximately 300Signed and dated in ink in lower marginPublished by Leo Castelli Gallery, New YorkPrinted by Total Color, New York

This work was published to coincide with a Warhol exhibition at Leo Castelli Gallery, New York, November 21-December 17, 1964.

LITERATURE:Feldman/Schellmann, II.6.

Estimate: $15,000-$25,000


69255

Andy Warhol (1928-1987)Liz, 1964Offset lithograph in colors21-7/8 x 21-7/8 inches (55.6 x 55.6 cm) (image)23 x 23 inches (58.4 x 58.4 cm) (sheet)Signed and dated ‘65’ in ball-point pen in lower margin.Published by Leo Castelli Gallery, New York


Estimate: $30,000-$50,000


69256

Andy Warhol (1928-1987)Jimmy Carter I, 1976Screenprint in colors on Strathmore paper39-1/4 x 29-1/2 inches (99.7 x 74.9 cm) (sheet)AP 17/25 (aside from an edition of 50)Signed and numbered in pencil lower center; also signed by Jimmy CarterPublished by the Democratic National Committee, Washington, D.C.Printed by Gem Screens, New York


NOTE:This work is accompanied by a letter from The Carter Presidential Center concerning the request to have this print autographed by Jimmy Carter, signed by Christopher Mitchell and dated July 30, 1987.

Estimate: $5,000-$7,000


69257

Andy Warhol (1928-1987)Vote McGovern, 1972Screenprint in colors on Arches paper42 x 42 inches (106.7 x 106.7 cm) (sheet)Ed. 73/250Signed and dated in ink, with the artist’s copyright stamp on the reversePublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini G.E.L., 396;Feldman/Schellmann, II.84.

Estimate: $15,000-$25,000


69258

Andy Warhol (1928-1987)Cow, 1976Screenprint in colors45 x 29-5/8 inches (114.3 x 75.2 cm)Signed and dedicated ‘To Joan’ in felt tip penPublished and printed by Factory Additions/Bill Miller’s Wallpaper Studio, Inc., New York for the exhibition at the Modern Art Pavilion, Seattle Center

LITERATURE:Feldman/Schellmann, II.12A.

Estimate: $8,000-$12,000


69259

Andy Warhol (1928-1987)After the Party, 1979Screenprint in colors on Arches paper21-1/2 x 30-1/2 inches (54.6 x 77.5 cm) (sheet)Ed. 949/1000 (there were also 30 artist’s proofs, 3 printer’s proofs, and 10 hors commerce)Signed and numbered in pencil lower right, with the blindstamp of the printerPublished by Grosset and Dunlap, Inc., New YorkPrinted by Rupert Jasen Smith, New York


Estimate: $10,000-$15,000


69260

Andy Warhol (1928-1987)Flowers, 1974Unique screenprint on J. Green paper40-7/8 x 27-1/4 inches (103.8 x 69.2 cm)Ed. 191/250Initialed in pencil lower right with the blindstamp of the publisherSigned, dated, and numbered with the copyright stamp on the reversePublished by Castelli Graphics, Inc., New York


Estimate: $5,000-$7,000


69261

Andy Warhol (1928-1987)Flowers, 1974Unique screenprint with handcoloring in watercolor on J. Green paper40-7/8 x 27-1/4 inches (103.8 x 69.2 cm)Ed. 191/250Initialed in pencil lower right with the blindstamp of the publisherSigned, dated, and numbered with the copyright stamp on the reversePublished by Castelli Graphics, Inc., New York


Estimate: $5,000-$7,000


69262

Andy Warhol (American, 1928-1987)$ (Quadrant), 1982Unique screenprint in colors40 x 32 inches (101.6 x 81.3 cm)Ed. 34/35Signed and numbered in pencil lower right


Estimate: $60,000-$80,000


69263

Andy Warhol (1928-1987)$ (9), 1982Unique screenprint in colors on Lenox Museum Board40 x 32 inches (101.6 x 81.3 cm) (sheet)Ed. 12/35 (from the edition of unique color variants)Signed and numbered in pencil lower left with the blindstamp of the printerPublished by Andy Warhol, New YorkPrinted by Rupert Jasen Smith, New York

LITERATURE:Feldman/Schellmann, IIA.285.

Estimate: $80,000-$120,000


69264

Andy Warhol (1928-1987)$ (9), 1982Unique screenprint in colors on Lenox Museum Board40 x 32 inches (101.6 x 81.3 cm) (sheet)Ed. 25/35 (from the edition of unique color variants)Signed and numbered in pencil lower left, with the blindstamp of the printerPublished by Andy Warhol, New YorkPrinted by Rupert Jasen Smith, New York

LITERATURE:Feldman/Schellmann, IIA.286.

Estimate: $80,000-$120,000


69265

Andy Warhol (1928-1987)Red Lenin, 1987Screenprint in colors on Arches 88 paper39-1/4 x 29-1/4 inches (99.7 x 74.3 cm) (sheet)Ed. 73/120 (there were also 24 artist’s proofs, 6 printer’s proofs, 10 hors d’commerce, and 46 trial proofs)Signed and numbered in pencil by the executor of The Estate of Andy Warhol, Frederick W. Hughes, on a stamped certificate of authenticity on the reversePublished by the artist, New YorkPrinted by Rupert Jasen Smith, New York


Estimate: $80,000-$120,000


69266

Andy Warhol (1928-1987)Pine Barrens Tree Frog, from the Endangered Species portfolio, 1983Screenprint in colors on Lenox Museum Board38 x 38 inches (96.5 x 96.5 cm)Ed. 78/150Signed and numbered in pencil lower leftPublished by Ronald Feldman Fine Arts, Inc., New YorkPrinted by Rupert Jasen Smith, New York

LITERATURE:Feldman/Schellmann, II. 294.

Estimate: $25,000-$35,000


69267

William Wegman (b. 1943)Rousseau, 2003Digital pigment print on Somerset Velvet Enhanced paper34-3/4 x 29-7/8 inches (88.3 x 75.9 cm) (image)39-3/4 x 33-3/4 inches (100.9 x 85.7 cm) (sheet)Ed. 14/15Signed, titled, dated, and numbered in pencil in lower margin

Estimate: $3,000-$5,000


69268

Tom Wesselmann (1931-2004)Still Life with Lilies and Mixed Fruit, 1998Screenprint in colors23-1/2 x 29-3/4 inches (59.7 x 75.6 cm) (image)AP 2/12 (aside from an edition of 100)Signed and inscribed in pencil in lower marginPublished by Cooper Square Prints, New York

Estimate: $6,000-$8,000


69269

Tom Wesselmann (1931-2004)Helen Nude, 1981Screenprint in colors on wove paper31 x 32 inches (78.7 x 81.3 cm)Ed. 129/150Signed, dated, and numbered in pencil in lower margin with the blindstamp of the publisherPublished by Transworld Art Inc., New York

Estimate: $6,000-$8,000


69270

Tom Wesselmann (1931-2004)Smoker, 1976Lithograph in colors with embossing on Arches paper14 x 22-5/8 inches (35.6 x 57.4 cm) (image)22-1/2 x 30-1/8 inches (57.1 x 76.5 cm) (sheet)Ed. 72/75Signed, dated, and numbered in pencil lower center, with the blindstamp of the printerPublished by Multiples, Inc., New YorkPrinted by Styria Studio, New York

Estimate: $4,000-$6,000

69271

Hannah Wilke (1940-1993)Hername, 1978-91Etching (from sixteen individual plates) on Rives BFK paper23-1/4 x 18 inches (59.2 x 45.7 cm) (plates, overall)36 x 26 inches (91.4 x 66 cm) (sheet)Ed. 3/30Signed, dated, and numbered in pencil along lower edgeCo-published by Volatile Editions and Mark Patsfall Graphics, Cincinnati

Estimate: $2,000-$3,000

End of Auction

INDEXALBERS, JOSEF 69001, 69002

ANUSZKIEWICZ, RICHARD JOSEPH 69003, 69004

ARMAN 69005, 69006, 69007

ARNESON, ROBERT 69008

ARNOLDI, CHARLES ARTHUR 69009, 69010

ASAWA, RUTH 69011

BALDESSARI, JOHN 69012, 69013

BARTLETT, JENNIFER 69014

BARTH, UTA 69015

BEUYS, JOSEPH 69016

BOCHNER, MEL 69017

CELMINS, VIJA 69018, 69019

CHAGALL, MARC 69020, 69021

CHRISTO AND JEANNE-CLAUDE 69022

CLOSE, CHUCK 69023, 69024, 69025,

69026, 69027, 69028

CONDO, GEORGE 69029

LE CORBUSIER 69030

DALÍ, SALVADOR 69031, 69032, 69033,

69034, 69035, 69036

DAVIS, GENE 69037

DE KOONING, WILLEM 69038

DINE, JIM 69039, 69040, 69041, 69042, 69043

ELIASSON, OLAFUR 69044

ESCHER, M. C. 69045

ESTES, RICHARD 69046

FAIREY, SHEPARD 69047, 69048

FONTANA, LUCIO 69049

FORG, GUNTHER 69050

FRANCIS, SAM 69051, 69052, 69053, 69054,

69055, 69056, 69057, 69058, 69059,

69060, 69061, 69062, 69063, 69064

FRANKENTHALER, HELEN 69065, 69066, 69067

GILLIAM, SAM 69068, 69069

GUANGYI, WANG 69070, 69071

HARING, KEITH 69072, 69073, 69074

HIRST, DAMIEN 69075

HOCKNEY, DAVID 69076

HODGKIN, HOWARD 69077, 69078

HUGHES, PATRICK 69079

INDIANA, ROBERT 69080

JAFFE, LEE 69081

JOHAN, SIMEN 69082

JOHNS, JASPER 69083, 69084, 69085, 69086, 69087

JUDD, DONALD 69088, 69089

KATZ, ALEX 69090, 69091, 69092

KAWS 69093, 69094

KELLY, ELLSWORTH 69095, 69096, 69097, 69098,

69099, 69100, 69101, 69102,

69103, 69104, 69105, 69106

KOONS, JEFF 69107, 69108

LÉGER, FERNAND 69109

LEWITT, SOL 69110, 69111

LICHTENSTEIN, ROY 69112, 69113, 69114, 69115,

69116, 69117, 69118

LONGO, ROBERT 69119, 69120, 69121

MANGOLD, ROBERT 69122, 69123

MINJUN, YUE 69124, 69125

MINTER, MARILYN 69126

MIRÓ, JOAN 69127, 69128, 69129, 69130,

69131, 69132, 69133, 69134

MOTHERWELL, ROBERT 69135, 69136, 69137, 69138

MULLER, DAVE 69139

MUNIZ, VIK 69140

MURAKAMI, TAKASHI 69141, 69142, 69143, 69144,

69145, 69146, 69147, 69148, 69149

NESHAT, SHIRIN 69150

NARES, JAMES 69151

NOLAND, KENNETH 69152

NOZKOWSKI, THOMAS 69153

OFILI, CHRIS 69154

OLDENBURG, CLAES 69155, 69156, 69157

PEYTON, ELIZABETH 69158, 69159

PICASSO, PABLO 69160, 69161, 69162, 69163,

69164, 69165, 69166, 69167, 69168, 69169, 69170,

69171, 69172, 69173, 69174, 69175, 69176, 69177,

69178, 69179, 69180, 69181, 69182, 69183, 69184,

69185, 69186, 69187, 69188, 69189, 69190, 69191,

69162, 69193, 69194, 69195, 69196, 69197

PISTOLETTO, MICHELANGELO 69198

PLENSA, JAUME 69199

POLLOCK, JACKSON 69200

RAMOS, MEL 69201, 69202, 69203

RAUSCHENBERG, ROBERT 69204, 69205, 69206,

69207, 69208, 69209, 69210

ROSENQUIST, JAMES 69211

RUSCHA, ED 69212, 69213, 69214, 26215, 29216,

69217, 69218, 69219, 69220

SERRA, RICHARD 69221, 69222

SMITH, SHINIQUE 69223

SIMMONS, LAURIE 69224, 69225

SMITH, KIKI 69226, 69227

SOULAGES, PIERRE 69228, 69229

STELLA, FRANK 69230, 69231, 69232

SULTAN, DONALD 69233, 69234,69235, 69236,

69237, 69238, 69239, 69240

TAMAYO, RUFINO 69241

THIEBAUD, WAYNE 69242, 69243, 69244, 69245,

69246, 69247, 69248

VASARELY, VICTOR 69251

VITALI, MASSIMO 69252, 69253

WARHOL, ANDY 69254, 69255, 69256,

69257, 69258, 69259, 69260, 69261, 69262,

69263, 69264, 69265, 69266, 69267

WEGMAN, WILLIAM 69267

WESSELMANN, TOM 69268, 69269, 69270

WILKE, HANNAH 69271

Terms and Conditions of AuctionAuctioneer and Auction: 1. This Auction is presented by Heritage Auctions, a d/b/a/ of Heritage Auctioneers & Galleries, Inc.,

or Heritage Auctions, Inc., or Heritage Numismatic Auctions, Inc., or Heritage Vintage Sports Auctions, Inc., or Currency Auctions of America, Inc., as identified with the applicable licensing information on the title page of the catalog or on the HA.com Internet site (the “Auctioneer”). The Auction is conducted under these Terms and Conditions of Auction and applicable state and local law. Announcements and corrections from the podium and those made through the Terms and Conditions of Auctions appearing on the Internet at HA.com supersede those in the printed catalog.

Buyer’s Premium: 2. All bids are subject to a Buyer’s Premium which is in addition to the placed successful bid:• Fifteen percent (15%) on Domain Names & Intellectual Property Auction lots;• Seventeen and one-half percent (17.5%) on Currency, US Coin, and World & Ancient Coin Auction

lots (the Buyer’s Premium is 19.5% for auctions in Hong Kong), and except for Gallery Auction lots as noted below;

• Nineteen and one-half percent (19.5%) on Comic, Movie Poster, Sports Collectibles, and Gallery Auction (sealed bid auctions of mostly bulk numismatic material) lots;

• Twenty-two percent (22%) on Wine Auction lots;• For lots in all other categories not listed above, the Buyer’s Premium per lot is twenty-five percent (25%)

on the first $200,000, plus twenty percent (20%) of any amount between $200,000 and $2,000,000, plus twelve percent (12%) of any amount over $2,000,000.

• Auctions through 13 May 2016 have a minimum Buyer’s Premium of $14 per lot. Thereafter, minimum Buyer’s Premium per lot is $19, except for Movie Posters and Sports Collectibles lots wherein the minimum Buyer’s Premium is $14 per lot.

Auction Venues: 3. The following Auctions are conducted solely on the Internet: Heritage Weekly Internet Auctions

(Coin, Currency, Comics, Rare Books, Jewelry & Watches, Guitars & Musical Instruments, and Vintage Movie Posters); Heritage Monthly Internet Auctions (Sports, World Coins and Rare Wine). Signature® Auctions and Grand Format Auctions accept bids from the Internet, telephone, fax, or mail first, followed by a floor bidding session; HeritageLive! and real- time telephone bidding are available to registered clients during these auctions.

Bidders: 4. Any person participating or registering for the Auction agrees to be bound by and accepts these

Terms and Conditions of Auction (“Bidder(s)”). 5. All Bidders must meet Auctioneer’s qualifications to bid. Any Bidder who is not a client in good

standing of the Auctioneer may be disqualified at Auctioneer’s sole option and will not be awarded lots. Such determination may be made by Auctioneer in its sole and unlimited discretion, at any time prior to, during, or even after the close of the Auction. Auctioneer reserves the right to exclude any person from the auction.

6. If an entity places a bid, then the person executing the bid on behalf of the entity agrees to personally guarantee payment for any successful bid.

Credit: 7. In order to place bids, Bidders who have not established credit with the Auctioneer must either

furnish satisfactory credit information (including two collectibles-related business references) or supply valid credit card information along with a social security number, well in advance of the Auction. Bids placed through our Interactive Internet program will only be accepted from pre-registered Bidders. Bidders who are not members of HA.com or affiliates should preregister at least 48 hours before the start of the first session (exclusive of holidays or weekends) to allow adequate time to contact references. Credit will be granted at the discretion of Auctioneer. Additionally Bidders who have not previously established credit or who wish to bid in excess of their established credit history may be required to provide their social security number or the last four digits thereof so a credit check may be performed prior to Auctioneer’s acceptance of a bid. Check writing privileges and immediate delivery of merchandise may also be determined by pre-approval of credit based on a combination of criteria: HA.com history, related industry references, bank verification, a credit bureau report and/or a personal guarantee for a corporate or partnership entity in advance of the auction venue.

Bidding Options: 8. Bids in Signature® Auctions or Grand Format Auctions may be placed as set forth in the printed

catalog section entitled “Choose your bidding method.” For auctions held solely on the Internet, see the alternatives on HA.com. Review at http://www.ha.com/c/ref/web-tips.zx#biddingTutorial.

9. Presentment of Bids: Non-Internet bids (including but not limited to podium, fax, phone and mail bids) are treated similar to floor bids in that they must be on-increment or at a half increment (called a cut bid). Any podium, fax, phone, or mail bids that do not conform to a full or half increment will be rounded up or down to the nearest full or half increment and this revised amount will be considered your high bid.

10. Auctioneer’s Execution of Certain Bids. Auctioneer cannot be responsible for your errors in bidding, so carefully check that every bid is entered correctly. When identical mail or FAX bids are submitted, preference is given to the first received. To ensure the greatest accuracy, your written bids should be entered on the standard printed bid sheet and be received at Auctioneer’s place of business at least two business days before the Auction start. Auctioneer is not responsible for executing mail bids or FAX bids received on or after the day the first lot is sold, nor Internet bids submitted after the published closing time; nor is Auctioneer responsible for proper execution of bids submitted by telephone, mail, FAX, e-mail, Internet, or in person once the Auction begins. Bids placed electronically via the internet may not be withdrawn until your written request is received and acknowledged by Auctioneer (FAX: 214-409-1425); such requests must state the reason, and may constitute grounds for withdrawal of bidding privileges. Lots won by mail Bidders will not be delivered at the Auction unless prearranged.

11. Caveat as to Bid Increments. Bid increments (over the current bid level) determine the lowest amount you may bid on a particular lot. Bids greater than one increment over the current bid can be any whole dollar amount. It is possible under several circumstances for winning bids to be between increments, sometimes only $1 above the previous increment. Please see: “How can I lose by less than an increment?” on our website. Bids will be accepted in whole dollar amounts only. No “buy” or “unlimited” bids will be accepted.

The following chart governs current bidding increments (see HA.com/c/ref/web-tips.zx#guidelines-increments).

Current Bid ..............Bid Increment< $10.................................................$1$10 - $49 ......................................... $2$50 - $99 ......................................... $5$100 - $199 ................................... $10$200 - $499 ................................... $20$500 - $999 ................................... $50$1,000 - $1,999 ........................... $100$2,000 - $4,999 ........................... $200$5,000 - $9,999 ........................... $500

Current Bid ..............Bid Increment$10,000 - $19,999 ................... $1,000$20,000 - $49,999 ................... $2,000$50,000 - $99,999 ................... $5,000$100,000 - $199,999 ............ $10,000$200,000 - $499,999 ............ $20,000$500,000 - $999,999 ............ $50,000$1,000,000 - $4,999,999 .... $100,000$5,000,000 - $9,999,999 .... $250,000>= $10,000,000 .................. $500,000

12. If Auctioneer calls for a full increment, a bidder may request Auctioneer to accept a bid at half of the increment (“Cut Bid”) only once per lot. After offering a Cut Bid, bidders may continue to participate only at full increments. Off-increment bids may be accepted by the Auctioneer at Signature® Auctions and Grand Format Auctions. If the Auctioneer solicits bids other than the expected increment, these bids will not be considered Cut Bids.

Conducting the Auction: 13. Notice of the consignor’s liberty to place bids on his lots in the Auction is hereby made in

accordance with Article 2 of the Texas Business and Commercial Code. A “Minimum Bid” is an amount below which the lot will not sell. THE CONSIGNOR OF PROPERTY MAY PLACE WRITTEN ”Minimum Bids” ON HIS LOTS IN ADVANCE OF THE AUCTION; ON SUCH LOTS, IF THE HAMMER PRICE DOES NOT MEET THE “Minimum Bid”, THE CONSIGNOR MAY PAY A REDUCED COMMISSION ON THOSE LOTS. ”Minimum Bids” are generally posted online several days prior to the Auction closing. For any successful bid placed by a consignor on his Property on the Auction floor, or by any means during the live session, or after the ”Minimum Bid” for an Auction have been posted, we will require the consignor to pay full Buyer’s Premium and Seller’s Commissions on such lot.

14. The highest qualified Bidder recognized by the Auctioneer shall be the Buyer. In the event of a tie bid, the earliest bid received or recognized wins. In the event of any dispute between any Bidders at an Auction, Auctioneer may at his sole discretion reoffer the lot. Auctioneer’s decision and declaration of the winning Bidder shall be final and binding upon all Bidders. Bids properly offered, whether by floor Bidder or other means of bidding, may on occasion be missed or go unrecognized; in such cases, the Auctioneer may declare the recognized bid accepted as the winning bid, regardless of whether a competing bid may have been higher. Auctioneer reserves the right after the hammer fall to accept bids and reopen bidding for bids placed through the Internet or otherwise.

15. Auctioneer reserves the right to refuse to honor any bid or to limit the amount of any bid, in its sole discretion. A bid is considered not made in “Good Faith” when made by an insolvent or irresponsible person, a person under the age of eighteen, or is not supported by satisfactory credit, collectibles references, or otherwise. Regardless of the disclosure of his identity, any bid by a consignor or his agent on a lot consigned by him is deemed to be made in “Good Faith.” Any person apparently appearing on the OFAC list is not eligible to bid.

16. Nominal Bids. The Auctioneer in its sole discretion may reject nominal bids, small opening bids, or very nominal advances. If a lot bearing estimates fails to open for 40–60% of the low estimate, the Auctioneer may pass the item or may place a protective bid on behalf of the consignor.

17. Lots bearing bidding estimates shall open at Auctioneer’s discretion (generally 40%-60% of the low estimate). In the event that no bid meets or exceeds that opening amount, the lot shall pass as unsold.

18. All items are to be purchased per lot as numerically indicated and no lots will be broken. Auctioneer reserves the right to withdraw, prior to the close, any lots from the Auction.

19. Auctioneer reserves the right to rescind the sale in the event of nonpayment, breach of a warranty, disputed ownership, auctioneer’s clerical error or omission in exercising bids and reserves, or for any other reason and in Auctioneer’s sole discretion. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (seller’s and buyer’s premium) and any other damages or expenses pertaining to the lot.

20. Auctioneer occasionally experiences Internet and/or Server service outages, and Auctioneer periodically schedules system downtime for maintenance and other purposes, during which Bidders cannot participate or place bids. If such outages occur, we may at our discretion extend bidding for the Auction. Bidders unable to place their Bids through the Internet are directed to contact Client Services at 877-HERITAGE (437-4824).

21. The Auctioneer, its affiliates, or their employees consign items to be sold in the Auction, and may bid on those lots or any other lots. Auctioneer or affiliates expressly reserve the right to modify any such bids at any time prior to the hammer based upon data made known to the Auctioneer or its affiliates. The Auctioneer may extend advances, guarantees, or loans to certain consignors.

22. The Auctioneer has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers.

Payment: 23. All sales are strictly for cash in United States dollars (including U.S. currency, bank wire, cashier

checks, travelers checks, eChecks, and bank money orders, and are subject to all reporting requirements). All deliveries are subject to good funds; funds being received in Auctioneer’s account before delivery of the Purchases; and all payments are subject to a clearing period. Auctioneer reserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bank are subject to a ten business day hold, and thirty days when drawn on an international bank. Clients with pre-arranged credit status may receive immediate credit for payments via eCheck, personal, or corporate checks. All others will be subject to a hold of 5 days, or more, for the funds to clear prior to releasing merchandise. (Ref. T&C item 7 Credit for additional information.) Payments can be made 24-48 hours post auction from the My Orders page of the HA.com website.

24. Payment is due upon closing of the Auction session, or upon presentment of an invoice. Auctioneer reserves the right to void an invoice if payment in full is not received within 7 days after the close of the Auction. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (seller’s and buyer’s premium) on the lot and any other damages pertaining to the lot or Auctioneer. Alternatively, Auctioneer at its sole option, may charge a twenty (20%) fee based on the amount of the purchase. In either case the Auctioneer may offset amount of its claim against any monies owing to the Bidder or secure its claim against any of the Bidder’s properties held by the Auctioneer..

25. Lots delivered to you, or your representative are subject to all applicable state and local taxes, unless appropriate permits are on file with Auctioneer. Bidder agrees to pay Auctioneer the actual amount of tax due in the event that sales tax is not properly collected due to: 1) an expired, inaccurate, or inappropriate tax certificate or declaration, 2) an incorrect interpretation of the applicable statute, 3) or any other reason. The appropriate form or certificate must be on file at and verified by Auctioneer five days prior to Auction, or tax must be paid; only if such form or certificate is received by Auctioneer within 4 days after the Auction can a refund of tax paid be made. Lots from different Auctions may not be aggregated for sales tax purposes.

26. In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If you attempt to pay via eCheck and your financial institution denies this transfer from your bank account, or the payment cannot be completed using the selected funding source, you agree to complete payment using your credit card on file.

27. If any Auction invoice submitted by Auctioneer is not paid in full when due, the unpaid balance will bear interest at the highest rate permitted by law from the date of invoice until paid. Any invoice not paid when due will bear a three percent (3%) late fee on the invoice amount. If the Auctioneer refers any invoice to an attorney for collection, the buyer agrees to pay attorney’s fees, court costs, and other collection costs incurred by Auctioneer. If Auctioneer assigns collection to its in-house legal staff, such attorney’s time expended on the matter shall be compensated at a rate comparable to the hourly rate of independent attorneys.

28. In the event a successful Bidder fails to pay any amounts due, Auctioneer reserves the right to sell the lot(s) securing the invoice to any underbidders in the Auction that the lot(s) appeared, or at subsequent private or public sale, or relist the lot(s) in a future auction conducted by Auctioneer. A defaulting Bidder agrees to pay for the reasonable costs of resale (including a 15% seller’s commission, if consigned to an auction conducted by Auctioneer). The defaulting Bidder is liable to pay any difference between his total original invoice for the lot(s), plus any applicable interest, and the net proceeds for the lot(s) if sold at private sale or the subsequent hammer price of the lot(s) less the 15% seller’s commissions, if sold at an Auctioneer’s auction.

29.Auctioneer reserves the right to require payment in full in good funds before delivery of the merchandise. 30. Auctioneer shall have a lien against the merchandise purchased by the buyer to secure payment of

the Auction invoice. Auctioneer is further granted a lien and the right to retain possession of any other property of the buyer then held by the Auctioneer or its affiliates to secure payment

Terms and Conditions of Auctionof any Auction invoice or any other amounts due the Auctioneer or affiliates from the buyer. With

respect to these lien rights, Auctioneer shall have all the rights of a secured creditor under Article 9 of the Texas Uniform Commercial Code, including but not limited to the right of sale (including a 15% seller’s commission, if consigned to an auction conducted by Auctioneer). In addition, with respect to payment of the Auction invoice(s), the buyer waives any and all rights of offset he might otherwise have against the Auctioneer and the consignor of the merchandise included on the invoice. If a Bidder owes Auctioneer or its affiliates on any account, Auctioneer and its affiliates shall have the right to offset such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bidder’s property in their possession..

31. Title shall not pass to the successful Bidder until all invoices are paid in full. It is the responsibility of the buyer to provide adequate insurance coverage for the items once they have been delivered to a common carrier or third-party shipper.

Delivery; Shipping; and Handling Charges: 32. Buyer is liable for shipping, handling, registration, and renewal fees, if any. Please refer to Auctioneer’s

website HA.com/c/shipping.zx for the latest charges or call Auctioneer. Auctioneer is unable to combine purchases from other auctions or affiliates into one package for shipping purposes. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchandise and the shipping fees is received or credit extended, except when third-party shipment occurs. Buyer agrees that Service and Handling charges related to shipping items which are not pre-paid may be charged to the credit card on file with Auctioneer.

33. Successful international Bidders shall provide written shipping instructions, including specified customs declarations, to the Auctioneer for any lots to be delivered outside of the United States. NOTE: Declaration value shall be the item’(s) hammer price together with its buyer’s premium and Auctioneer shall use the correct harmonized code for the lot. Domestic Buyers on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs.

34. All shipping charges will be borne by the successful Bidder. On all domestic shipments, any risk of loss during shipment will be borne by Heritage until the shipping carrier’s confirmation of delivery to the address of record in Auctioneer’s file (carrier’s confirmation is conclusive to prove delivery to Bidder; if the client has a Signature release on file with the carrier, the package is considered delivered without Signature) or delivery by Heritage to Bidder’s selected third-party shipper. On all foreign shipments, any risk of loss during shipment will be borne by the Bidder following Auctioneer’s delivery to the Bidder’s designated common carrier or third-party shipper.

35. Due to the nature of some items sold, it shall be the responsibility for the successful Bidder to arrange pick-up and shipping through third-parties; as to such items Auctioneer shall have no liability. Failure to pick-up or arrange shipping in a timely fashion (within ten days) shall subject Lots to storage and moving charges, including a $100 administration fee plus $10 daily storage for larger items and $5.00 daily for smaller items (storage fee per item) after 35 days. In the event the Lot is not removed within ninety days, the Lot may be offered for sale to recover any past due storage or moving fees, including a 10% Seller’s Commission.

36A. The laws of various countries regulate the import or export of certain plant and animal properties, including (but not limited to) items made of (or including) Brazilian rosewood, ivory, whalebone, turtle shell, coral, crocodile, or other wildlife. Transport of such lots may require special licenses for export, import, or both. Bidder is responsible for: 1) obtaining all information on such restricted items for both export and import; 2) obtaining all such licenses and/or permits. Delay, failure, or incapacity to obtain any such license or permit does not relieve the buyer of timely payment, or afford them the capacity to void their purchase or payment. For further information, please contact Ron Brackemyre at 800-872-6467 ext. 1312.

36B. California State law prohibits the importation of any product containing Python skin into the State of California, thus no lot containing Python skin will be shipped to or invoiced to a person or company in California.

36C. Auctioneer shall not be liable for any loss caused by or resulting from:a. Seizure or destruction under quarantine or Customs regulation, or confiscation by order of any

Government or public authority, or risks of contraband or illegal transportation of trade, orb. Breakage of statuary, marble, glassware, bric-a-brac, porcelains, jewelry, and similar fragile articles

37. Any request for shipping verification for undelivered packages must be made within 30 days of shipment by Auctioneer.

Cataloging, Warranties and Disclaimers: 38. NO WARRANTY, WHETHER EXPRESSED OR IMPLIED, IS MADE WITH RESPECT TO ANY

DESCRIPTION CONTAINED IN THIS AUCTION OR ANY SECOND OPINE. Any description of the items or second opine contained in this Auction is for the sole purpose of identifying the items for those Bidders who do not have the opportunity to view the lots prior to bidding, and no description of items has been made part of the basis of the bargain or has created any express warranty that the goods would conform to any description made by Auctioneer. Color variations can be expected in any electronic or printed imaging, and are not grounds for the return of any lot. NOTE: Auctioneer, in specified auction venues, for example, Fine Art, may have express written warranties and you are referred to those specific terms and conditions. .

39. Auctioneer is selling only such right or title to the items being sold as Auctioneer may have by virtue of consignment agreements on the date of auction and disclaims any warranty of title to the Property. Auctioneer disclaims any warranty of merchantability or fitness for any particular purposes. All images, descriptions, sales data, and archival records are the exclusive property of Auctioneer, and may be used by Auctioneer for advertising, promotion, archival records, and any other uses deemed appropriate.

40. Translations of foreign language documents may be provided as a convenience to interested parties. Auctioneer makes no representation as to the accuracy of those translations and will not be held responsible for errors in bidding arising from inaccuracies in translation.

41. Auctioneer disclaims all liability for damages, consequential or otherwise, arising out of or in connection with the sale of any Property by Auctioneer to Bidder. No third party may rely on any benefit of these Terms and Conditions and any rights, if any, established hereunder are personal to the Bidder and may not be assigned. Any statement made by the Auctioneer is an opinion and does not constitute a warranty or representation. No employee of Auctioneer may alter these Terms and Conditions, and, unless signed by a principal of Auctioneer, any such alteration is null and void.

42. Auctioneer shall not be liable for breakage of glass or damage to frames (patent or latent); such defects, in any event, shall not be a basis for any claim for return or reduction in purchase price.

Release: 43. In consideration of participation in the Auction and the placing of a bid, Bidder expressly releases

Auctioneer, its officers, directors and employees, its affiliates, and its outside experts that provide second opines, from any and all claims, cause of action, chose of action, whether at law or equity or any arbitration or mediation rights existing under the rules of any professional society or affiliation based upon the assigned description, or a derivative theory, breach of warranty express or implied, representation or other matter set forth within these Terms and Conditions of Auction or otherwise. In the event of a claim, Bidder agrees that such rights and privileges conferred therein are strictly construed as specifically declared herein; e.g., authenticity, typographical error, etc. and are the exclusive remedy. Bidder, by non-compliance to these express terms of a granted remedy, shall waive any claim against Auctioneer.

44. Notice: Some Property sold by Auctioneer are inherently dangerous e.g. firearms, cannons, and small items that may be swallowed or ingested or may have latent defects all of which may cause harm to a person. Purchaser accepts all risk of loss or damage from its purchase of these items and Auctioneer disclaims any liability whether under contract or tort for damages and losses, direct or inconsequential, and expressly disclaims any warranty as to safety or usage of any lot sold.

Dispute Resolution and Arbitration Provision: 45. By placing a bid or otherwise participating in the auction, Bidder accepts these Terms and

Conditions of Auction, and specifically agrees to the dispute resolution provided herein. Consumer disputes shall be resolved through court litigation which has an exclusive Dallas, Texas venue clause and jury waiver. Non-consumer dispute shall be determined in binding arbitration which arbitration replaces the right to go to court, including the right to a jury trial.

46. Auctioneer in no event shall be responsible for consequential damages, incidental damages, compensatory damages, or any other damages arising or claimed to be arising from the auction of any lot. In the event that Auctioneer cannot deliver the lot or subsequently it is established that the lot lacks title, or other transfer or condition issue is claimed, in such cases the sole remedy shall be limited to rescission of sale and refund of the amount paid by Bidder; in no case shall Auctioneer’s maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot. After one year has elapsed, Auctioneer’s maximum liability shall be limited to any commissions and fees Auctioneer earned on that lot.

47. In the event of an attribution error, Auctioneer may at its sole discretion, correct the error on the Internet, or, if discovered at a later date, to refund the buyer’s purchase price without further obligation.

48. Exclusive Dispute Resolution Process: All claims, disputes, or controversies in connection with, relating to and /or arising out of your Participation in the Auction or purchase of any lot, any interpretation of the Terms and Conditions of Sale or any amendments thereto, any description of any lot or condition report, any damage to any lot, any alleged verbal modification of any term of sale or condition report or description and/or any purported settlement whether asserted in contract, tort, under Federal or State statute or regulation or any claim made by you of a lot or your Participation in the auction involving the auction or a specific lot involving a warranty or representation of a consignor or other person or entity including Auctioneer { which claim you consent to be made a party} (collectively, “Claim”) shall be exclusively heard by, and the claimant (or respondent as the case may be) and Heritage each consent to the Claim being presented in a confidential binding arbitration before a single arbitrator administrated by and conducted under the rules of, the American Arbitration Association. The locale for all such arbitrations shall be Dallas, Texas. The arbitrator’s award may be enforced in any court of competent jurisdiction. If a Claim involves a consumer, exclusive subject matter jurisdiction for the Claim is in the State District Courts of Dallas County, Texas and the consumer consents to subject matter and in personam jurisdiction; further CONSUMER EXPRESSLY WAIVES ANY RIGHT TO TRIAL BY JURY. A consumer may elect arbitration as specified above. Any claim involving the purchase or sale of numismatic or related items may be submitted through binding PNG arbitration. Any Claim must be brought within two (2) years of the alleged breach, default or misrepresentation or the Claim is waived. Exemplary or punitive damages are not permitted and are waived. A Claim is not subject to class certification. Nothing herein shall be construed to extend the time of return or conditions and restrictions for return. This Agreement and any Claim shall be determined and construed under Texas law. The prevailing party (a party that is awarded substantial and material relief on its damage claim based on damages sought vs. awarded or the successful defense of a Claim based on damages sought vs. awarded) may be awarded its reasonable attorneys’ fees and costs.

49. No claims of any kind can be considered after the settlements have been made with the consignors. Any dispute after the settlement date is strictly between the Bidder and consignor without involvement or responsibility of the Auctioneer.

50. In consideration of their participation in or application for the Auction, a person or entity (whether the successful Bidder, a Bidder, a purchaser and/or other Auction participant or registrant) agrees that all disputes in any way relating to, arising under, connected with, or incidental to these Terms and Conditions and purchases, or default in payment thereof, shall be arbitrated pursuant to the arbitration provision. In the event that any matter including actions to compel arbitration, construe the agreement, actions in aid of arbitration or otherwise needs to be litigated, such litigation shall be exclusively in the Courts of the State of Texas, in Dallas County, Texas, and if necessary the corresponding appellate courts. For such actions, the successful Bidder, purchaser, or Auction participant also expressly submits himself to the personal jurisdiction of the State of Texas.

51. These Terms & Conditions provide specific remedies for occurrences in the auction and delivery process. Where such remedies are afforded, they shall be interpreted strictly. Bidder agrees that any claim shall utilize such remedies; Bidder making a claim in excess of those remedies provided in these Terms and Conditions agrees that in no case whatsoever shall Auctioneer’s maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot.

Miscellaneous: 52. Agreements between Bidders and consignors to effectuate a non-sale of an item at Auction, inhibit

bidding on a consigned item to enter into a private sale agreement for said item, or to utilize the Auctioneer’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of this provision, Auctioneer reserves the right to charge Bidder the applicable Buyer’s Premium and consignor a Seller’s Commission as determined for each auction venue and by the terms of the seller’s agreement.

53. Acceptance of these Terms and Conditions qualifies Bidder as a client who has consented to be contacted by Heritage in the future. In conformity with “do-not-call” regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is affirmative consent to being contacted at the phone number shown in his application and this consent shall remain in effect until it is revoked in writing. Heritage may from time to time contact Bidder concerning sale, purchase, and auction opportunities available through Heritage and its affiliates and subsidiaries.

54. Rules of Construction: Auctioneer presents properties in a number of collectible fields, and as such, specific venues have promulgated supplemental Terms and Conditions. Nothing herein shall be construed to waive the general Terms and Conditions of Auction by these additional rules and shall be construed to give force and effect to the rules in their entirety.

State Notices: Notice as to an Auction in California. Auctioneer has in compliance with Title 2.95 of the California Civil Code as amended October 11, 1993 Sec. 1812.600, posted with the California Secretary of State its bonds for it and its employees, and the auction is being conducted in compliance with Sec. 2338 of the Commercial Code and Sec. 535 of the Penal Code. Notice as to an Auction in New York City. These Terms and Conditions of Sale are designed to conform to the applicable sections of the New York City Department of Consumer Affairs Rules and Regulations as Amended. This sale is a Public Auction Sale conducted by Heritage Auctioneers & Galleries, Inc. # 41513036. The New York City licensed auctioneers are: Sam Foose, #095260; Kathleen Guzman, #0762165; Nicholas Dawes, #1304724; Ed Beardsley, #1183220; Scott Peterson, #1306933; Andrea Voss, #1320558, who will conduct the Sale on behalf of itself and Heritage Numismatic Auctions, Inc. (for Coins) and Currency Auctions of America, Inc. (for currency). All lots are subject to: the consignor’s rights to bid thereon in accord with these Terms and Conditions of Sale, consignor’s option to receive advances on their consignments, and Auctioneer, in its sole discretion, may offer limited extended financing to registered bidders, in accord with Auctioneer’s internal credit standards. A registered bidder may inquire whether a lot is subject to an advance or a reserve. Auctioneer has made advances to various consignors in this sale. On lots bearing an estimate, the term refers to a value range placed on an item by the Auctioneer in its sole opinion but the final price is determined by the bidders. Notice as to an Auction in Texas. In compliance with TDLR rule 67.100(c)(1), notice is hereby provided that this auction is covered by a Recovery Fund administered by the Texas Department of Licensing and Regulation, P.O. Box 12157, Austin, Texas 78711 (512) 463-6599. Any complaints may be directed to the same address.Notice as to an Auction in Ohio: Auction firm and Auctioneer are licensed by the Dept. of Agriculture, and either the licensee is bonded in favor of the state or an aggrieved person may initiate a claim against the auction recovery fund created in Section 4707.25 of the Revised Code as a result of the licensee’s actions, whichever is applicable.

Rev.4-8-2016

Terms and Conditions of AuctionAdditional Terms & Conditions:

FINE & DECORATIVE ARTS AUCTIONS

FINE AND DECORATIVE ARTS TERM A: LIMITED WARRANTY: Auctioneer warrants authorship, period or culture of each lot sold in this catalog as set out in the BOLD-face type heading in the catalog description of the lot, with the following exclusions. This warranty does not apply to:

i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or

ii. any catalog description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or

iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or

iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalog, or which were unreasonably expensive or impractical to use at the time of publication of the catalog.

The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of these Terms and Conditions of Auction.

FINE AND DECORATIVE ARTS TERM B: GLOSSARY OF TERMS: Terms used in this catalog have the following meanings. Please note that all statements in this catalog, excluding those in BOLD-face type, regarding authorship, attribution, origin, date, age, provenance and condition are statements of opinion and are not treated as a statement of fact.

1. THOMAS MORAN In our opinion, the work is by the artist.2. ATTRIBUTED TO THOMAS MORAN In our opinion, the work is of the period of the artist which may be whole or in part the

work of the artist.3. STUDIO, (CIRCLE OR WORKSHOP) OF THOMAS MORAN In our opinion, the work is of the period and closely relates to his style.4. SCHOOL OF THOMAS MORAN In our opinion, the work is by a pupil or a follower of the artist.5. MANNER OF THOMAS MORAN In our opinion, the work is in the style of the artist and is of a later period.6. AFTER THOMAS MORAN In our opinion, this work is a copy of the artist.7. ASCRIBED TO THOMAS MORAN In our opinion, this work is not by the artist, however, previous scholarship has noted this to be a

work by the artist. 8. SIGNED (OR DATED) The work has a signature (or date) which is in our opinion is genuine.9. BEARS SIGNATURE (OR DATE) The work has a signature (or date) which in our opinion is not authentic.

FINE AND DECORATIVE ARTS TERM C: PRESENTMENT: The warranty as to authorship is provided for a period of one (1) year from the date of the auction and is only for the benefit of the original purchaser of record and is not transferable.

FINE AND DECORATIVE ARTS TERM D: The Auction is not on approval. Under extremely limited circumstances (e.g. gross cataloging error), not including attributions in BOLD-face type, which are addressed in Term F below, a purchaser who did not bid from the floor may request Auctioneer to evaluate voiding a sale; such request must be made in writing detailing the alleged gross error, and submission of the lot to Auctioneer must be pre-approved by Auctioneer. A bidder must notify the appropriate department head (check the inside front cover of the catalog or our website for a listing of department heads) in writing of the purchaser’s request within three (3) days of the non-floor bidder’s receipt of the lot. Any lot that is to be evaluated for return must be received in our offices within 40 days after Auction. AFTER THAT 40-DAY PERIOD, NO LOT MAY BE RETURNED FOR ANY REASON. Lots returned must be in the same condition as when sold and must include any Certificate of Authenticity. No lots purchased by floor bidders (including those bidders acting as agents for others) may be returned. Late remittance for purchases may be considered just cause to revoke all return privileges.

FINE AND DECORATIVE ARTS TERM E: The catalog descriptions are provided for identification purposes only. Bidders who intend to challenge a BOLD-face provision in the description of a lot must notify Auctioneer in writing within forty (40) days of the Auction’s conclusion. In the event Auctioneer cannot deliver the lot or subsequently it is established that the lot lacks title or the BOLD-face section of description is incorrect, or other transfer or condition issue is claimed, Auctioneer’s liability shall be limited to rescission of sale and refund of purchase price. In no case shall Auctioneer’s maximum liability exceed the successful bid on that lot, which bid shall be deemed for all purposes the value of the lot. After one year has elapsed from the close of the Auction, Auctioneer’s maximum liability shall be limited to any commissions and fees Auctioneer earned on that lot.

FINE AND DECORATIVE ARTS TERM F: Any claim as to authorship, provenance, authenticity, or other matter under the remedies provided in the Fine Arts Terms and Conditions or otherwise must be first transmitted to Auctioneer by credible and definitive evidence within the applicable claim period. Auctioneer, in processing the written claim, may require the Purchaser to obtain the written opinion of two recognized experts in the field who are mutually accepted by Auctioneer and Purchaser. Upon receipt of the two opinions, Auctioneer shall determine whether to rescind the sale. The Purchaser’s claim must be presented in accord with the remedies provided herein and is subject to the limitations and restrictions provided (including within the described time limitations). Regardless of Purchaser’s submissions there is no assurance after such presentment that Auctioneer will validate the claim. Authentication is not an exact science and contrary opinions may not be recognized by Auctioneer. Even if Auctioneer agrees with the contrary opinion of such authentication and provides a remedy within these Terms and Conditions or otherwise, our liability for reimbursement for bidder’s third party opines shall not exceed $500. The right of rescission, return, or any other remedy provided in these Terms and Conditions, or any other applicable law, does not extend to authorship of any lot which at the date of Auction was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist, his students, school, workshop or followers. Purchaser by placing a bid expressly waives any claim or damage based on such subsequent information as described herein. It is specifically understood that any refund agreed to by the Auctioneer would be limited to the purchase price.

FINE AND DECORATIVE ARTS TERM G: Provenance and authenticity, excluding attributions in BOLD-face type, are guaranteed by neither the consignor nor Auctioneer. While every effort is made to determine provenance and authenticity, it is the responsibility of the Bidder to arrive at their own conclusion prior to bidding.

FINE AND DECORATIVE ARTS TERM H: On the fall of Auctioneer’s hammer, Buyers of Fine Arts and Decorative Arts lots assumes full risk and responsibility for lot, including shipment by common carrier or third-party shipper, and must provide their own insurance coverage for shipments.

FINE AND DECORATIVE ARTS TERM I: Auctioneer complies with all Federal and State rules and regulations relating to the purchasing, registration and shipping of firearms. A purchaser is required to provide appropriate documents and the payment of associated fees, if any. Purchaser is responsible for providing a shipping address that is suitable for the receipt of a firearm.

FINE AND DECORATIVE ARTS TERM J: Right of Inspection and Return on Certain Lots. Framed Lots estimated at $1000 or less shall not be unframed for inspection and may not be returned based on condition and are sold “AS IS”.

Further to paragraph 36A in the Terms and Conditions of Auction, please note that items containing ivory may not be shipped internationally or in some cases, domestically. By placing a bid the bidder acknowledges that he is aware of the restriction and takes responsibility in obtaining and paying for any license or permits relevant to the delivery of the product. Heritage Auctions does not accept liability for errors or for failure to mark lots containing protected or regulated species.

Heritage Auctions strongly encourages in-person inspection of lots by the Bidder. While Heritage is not obligated to provide a condition report of each lot, Bidders may feel free to contact the department for a Condition Report, and Heritage will attempt to furnish one, but shall not be liable for failing to do so. Condition is often detailed online, but is not included in our catalogues. The Bidder should review online descriptions, as the descriptions supersede catalog descriptions and any condition reports otherwise provided. Heritage condition statements whether appearing in the catalog, online, or at a person’s request are based on a visual inspection and are for guidance only and should not be relied upon as statements of fact, and do not constitute a representation, warranty, or assumption of liability by Heritage. Please note that we do not de-frame lots estimated at $1,000 or less and may not be able to provide additional details for lots valued under $500. All lots offered regardless of a condition report are sold “AS IS”.

For wiring instructions call the Credit department at 877-HERITAGE (437-4824) or e-mail: [email protected]

Notice as to an Auction in New York CityThis Auction is conducted in accord with the applicable sections of the New York City Department of Consumer Affairs Rules and Regulations as Amended. This is a Public Auction Sale conducted by Auctioneer. The New York City licensed auctioneers are: Samuel Foose – 0952360, Kathleen Guzman – 0762165, Michael J. Sadler – 1304630, Scott Peterson – 1306933, Andrea Voss – 1320558, Ed Beardsley – 1183220, Clinton Swett – 1407750, and Nicholas Dawes – 1304724, who will conduct the sale on behalf of Heritage Auctioneers & Galleries, Inc. NYC #41513036 (“Auctioneer”). All lots are subject to: the consignor’s right to bid thereon and consignor’s option to receive advances on their consignments. Auctioneer may offer, in its sole discretion, advances on consignments and extended financing to registered bidders, in accord with Auctioneer’s internal credit standards. The below symbols appear next to lot numbers in the catalogue, for New York auctions, where those lots have Heritage ownership interest including an advance, an irrevocable bid, a guarantee, or are offered without reserve. All Terms and Conditions of Sale are available at HA.com and in the printed catalog, including term #21 which states: Consignor, auctioneer’s affiliates, and its employees may bid on their lots or other lots for their own account in accordance with the laws of New York, and they may have information as to the lots not available to the public. On lots bearing an estimate, the term refers to a value range placed on an item by the Auctioneer in its sole opinion but the final price is determined by the bidders.

SYMBOL KEY ■ Irrevocable BidsA party has provided Heritage with an irrevocable bid on this lot that will be executed during the sale at a value that ensures that the lot will sell. The irrevocable bidder, who may bid in excess of the irrevocable bid, will be compensated based on the final hammer price in the event he or she is not the successful bidder. If the irrevocable bidder is the successful bidder, he or she will be required to pay the full Buyer’s Premium and will

not be otherwise compensated. ▲ GuaranteeThe seller has been guaranteed a minimum price by a third party. Any third parties providing a guarantee benefit financially if a guaranteed lot is sold successfully. ● ReservesUnless indicated by an XX symbol, all lots in this catalogue are offered subject to a reserve. A reserve is the confidential minimum hammer price at which a lot will be sold. The reserve is

generally set at a percentage of the low estimate and will not exceed the low estimate of the lot. If any lots in the catalogue are offered without reserve, such lots will be designated by an XX symbol. If every lot in a catalogue is offered without a reserve this will be stated in the Front Matter and the symbol will not be used for each lot. Lots shall open at Auctioneer’s discretion (generally at 50% of the low estimate). Please review the Terms and Conditions of Auction. ◆ Ownership Interest

Lots with a YY symbol indicate that Heritage has an ownership or financial interest, which may include an advance to the consignor that is secured by consigned property. Where Heritage has an ownership or financial interest in every lot in the catalogue, Heritage will not designate each lot with a symbol, but will state its interest at the front of the catalogue

Rev 3-30-2016

Rev.8-14-2014

How to Ship Your Purchases

Shippers that Heritage has used are listed below. However, you are not obligated to choose from the following and may provide Heritage with information of your preferred shipper.

Navis Pack & Ship The Packing & Moving Center Craters & Freighters 11009 Shady Trail 2040 E. Arkansas Lane, Ste #222 2220 Merritt Drive, Suite 200 Dallas, TX 75229 Arlington, TX 76014 Garland, TX 75041 Ph: 972-870-1212 Ph: 817-795-1999 Ph: 972-840-8147 Fax: 214-409-9001 Fax: 214-409-9000 Fax: 214-780-5674 [email protected] [email protected] [email protected]

• It is the Third Party Shipper’s responsibility to pack (or crate) and ship (or freight) your purchase to you. Please make all payment arrangements for shipping with your Shipper of choice.

• Any questions concerning Third Party Shipping can be addressed through our Client Services Department at 1-866-835-3243.

• Successful bidders are advised that pick-up or shipping arrangements should be made within ten (10) days of the auction or they may be subject to storage fees as stated in Heritage’s Terms & Conditions of Auction, item 35.

Agent Shipping Release Authorization form

Heritage Auction Galleries requires “Third Party Shipping” for certain items in this auction not picked up in person by the buyer. It shall be the responsibility of the successful bidder to arrange pick up and shipping through a third party; as to such items auctioneer shall have no liability.

Steps to follow:

1. Select a shipping company from the list below or a company of your choosing which will remain on file and in effect until you advise otherwise in writing.

2. Complete, sign, and return an Agent Shipping Release Authorization form to Heritage (this form will automatically be emailed to you along with your winning bid(s) notice or may be obtained by calling Client Services at 866-835-3243). The completed form may be faxed to 214-409-1425.

3. Heritage Auctions’ shipping department will coordinate with the shipping company you have selected to pick up your purchases.

rev 2_2015

NOTICE of CITES COMPLIANCE; When purchasing items made from protected species.Any property made of or incorporating endangered or protected species or wildlife may have import and export restrictions established by the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES). These items are not available to ship Internationally or in some cases, domestically. By placing a bid the bidder acknowledges that he is aware of the restriction and takes responsibility in obtaining and paying for any license or permits relevant to delivery of the product. Lots containing potentially regulated wildlife material are noted in the description as a convenience to our clients. Heritage Auctions does not accept liability for errors or for failure to mark lots containing protected or regulated species.

40958

Inquiries: 877-HERITAGE (437-4824)Marianne Berardi PhD | Ext. 1506 | [email protected]

HA.com/5265

Including examples of Viktor’s award-winning ceramic sculpture; hand-

built and thrown pottery; watercolors and drawings; children’s pedal

cars, the most successful ever marketed; and his commercial modern

American dinnerware designs, theater designs, puppets, and furniture.

Viktor Schreckengost, The Seasons (Summer, Fall, Winter, Spring), 1938, Glazed ceramic, 17½ inches high

Estimate $150,000-250,000

THE VIKTOR SCHRECKENGOST AUCTION 20TH CENTURY ART & DESIGNMay 13, 2016 | Dallas | Live & Online

Pursuit Plane (Child’s Pedal Car), 1941, Designed by Viktor Schreckengost for the Murray Ohio

Manufacturing Company, artist’s own example, Estimate $3,000-5,000

FINE & DECORATIVE ARTS INCLUDING ESTATESJune 24-27, 2016 | Dallas | Live & Online

41512

Inquiries: 877-HERITAGE (437-4824)Moyun Niu 牛默耘

Ext. 1864 | [email protected]

HA.com/5260

A CHINESE CARVED HARDWOOD ALTAR TABLE, CIRCA 1850

36 inches high x 82-1/2 inches wide x 20-1/4 inches deep

Estimate: $15,000-$20,000

FEATURING ASIAN ART

41273

Inquiries: 877-HERITAGE (437-4824)Nigel Russell | ext 1231 | [email protected]

HA.com/Photographs

FEATURING REFLECTIONS OF CHILDHOOD PART III BIDDING BEGINS MAY 12

PHOTOGRAPHSJune 2, 2016 | Internet Auction

Robert Doisneau (French, 1912-1994) Untitled (girl with ball), 1947

Gelatin silver print 9-1/4 x 6-3/4 inches

Estimate: $800-$1,200

Department Specialists For the extensions below, please dial 877-HERITAGE (437-4824)

Comics & Comic ArtHA.com/ComicsEd Jaster, Ext. 1288 • [email protected] Lon Allen, Ext. 1261 • [email protected] Sandoval, Ext. 1377 • [email protected]

Todd Hignite, Ext. 1790 • [email protected]

Animation ArtJim Lentz, Ext. 1991 • [email protected]

Entertainment & Music MemorabiliaHA.com/Entertainment

Margaret Barrett, Ext. 1912 • [email protected] **Garry Shrum, Ext. 1585 • [email protected] Moon, Ext. 1725 • [email protected]

Vintage Guitars & Musical InstrumentsHA.com/GuitarMike Gutierrez, Ext. 1183 • [email protected] Evans, Ext. 1201 • [email protected]

Fine ArtAmerican Indian ArtHA.com/AmericanIndianDelia E. Sullivan, Ext. 1343 • [email protected]

American & European ArtHA.com/FineArtEd Jaster, Ext. 1288 • [email protected] Aviva Lehmann, Ext. 1519 • [email protected] *Ariana Hartsock, Ext. 1283 • [email protected] Ford, Ext. 1926 • [email protected] ***Marianne Berardi, Ph.D., Ext. 1506 • [email protected]

Asian ArtHA.com/FineArt Moyun Niu, Ext. 1864 • [email protected] **

Decorative ArtsHA.com/DecorativeKaren Rigdon, Ext. 1723 • [email protected] Mani, Ext. 1677 • [email protected] **

20th & 21st Century DesignHA.com/DesignKatie Nartonis, Ext. 1704 • [email protected] **Karen Rigdon, Ext. 1723 • [email protected]

Illustration ArtHA.com/IllustrationEd Jaster, Ext. 1288 • [email protected]

Todd Hignite, Ext. 1790 • [email protected]

Tiffany, Lalique & Art GlassHA.com/DesignNicholas Dawes, Ext. 1605 • [email protected] *

Modern & Contemporary ArtHA.com/ModernFrank Hettig, Ext. 1157 • [email protected] Sherratt, Ext. 1505 • [email protected] ***Leon Benrimon, Ext. 1799 • [email protected] *

PhotographsHA.com/PhotographsNigel Russell, Ext. 1231 • [email protected] *Ed Jaster, Ext. 1288 • [email protected]

Fine Silver & Objects of VertuHA.com/SilverKaren Rigdon, Ext. 1723 • [email protected]

Texas Art HA.com/TexasArtAtlee Phillips, Ext. 1786 • [email protected]

Handbags & Luxury AccessoriesHA.com/LuxuryDiane D'Amato, Ext. 1901 • [email protected] *

Max Brownawell, Ext. 1693 • [email protected] *

Barbara Conn, Ext. 1336 • [email protected]

HistoricalAmericana & PoliticalHA.com/HistoricalTom Slater, Ext. 1441 • [email protected] Ackerman, Ext. 1736 • [email protected] Michael Riley, Ext. 1467 • [email protected]

Arms & Armor HA.com/ArmsArmor

David Carde, Ext. 1881 • [email protected]

Jason Watson, Ext. 1630 • [email protected]

Automobilia HA.com/Automobilia

Nicholas Dawes, Ext. 1605 • [email protected] *

Civil War & MilitariaHA.com/CivilWar

David Carde, Ext. 1881 • [email protected]

Historical ManuscriptsHA.com/Manuscripts

Sandra Palomino, Ext. 1107 • [email protected] *

JudaicaHA.com/Judaica

Erin Patzewitsch, Ext. 1575 • [email protected]

Rare BooksHA.com/Books

James Gannon, Ext. 1609 • [email protected]

Lloyd W. Currey, Ext. 1885 • [email protected] *

Space ExplorationHA.com/Space

Michael Riley, Ext. 1467 • [email protected]

TexanaHA.com/Texana

Sandra Palomino, Ext. 1107 • [email protected] *

Domain Names & Intellectual PropertyHA.com/IP

Aron Meystedt, Ext. 1362 • [email protected]

JewelryHA.com/Jewelry

Jill Burgum, Ext. 1697 • [email protected]

Eva Violante, Ext. 1872 • [email protected] *

Jessica DuBroc, Ext. 1978 • [email protected]

Luxury Real EstateHA.com/LuxuryRealEstate

Nate Schar, Ext. 1457 • [email protected]

Marina Medina, Ext. 1976 • [email protected]

Thania Kanewske, Ext. 1320 • [email protected]

4-8-2016

Vintage Movie PostersHA.com/MoviePosters

Grey Smith, Ext. 1367 • [email protected] Carteron, Ext. 1551 • [email protected]

Nature & ScienceHA.com/NatureAndScience

Craig Kissick, Ext. 1995 • [email protected]

NumismaticsCoins – United StatesHA.com/Coins

David Mayfield, Ext. 1277 • [email protected]

Win Callender, Ext. 1415 • [email protected]

Chris Dykstra, Ext. 1380 • [email protected]

Mark Feld, Ext. 1321 • [email protected]

Sam Foose, Ext. 1227 • [email protected]

Bob Marino, Ext. 1374 • [email protected]

Brian Mayfield, Ext. 1668 • [email protected] ***

Harry Metrano, Ext. 1809 • [email protected] **

Sarah Miller, Ext. 1597 • [email protected] *

Al Pinkall, Ext. 1835 • [email protected]

LeeAnn Sparkman, Ext. 1326 • [email protected]

Rare CurrencyHA.com/Currency

Allen Mincho, Ext. 1327 • [email protected]

Len Glazer, Ext. 1390 • [email protected]

Dustin Johnston, Ext. 1302 • [email protected]

Michael Moczalla, Ext. 1481 • [email protected]

Jason Friedman, Ext. 1582 • [email protected]

Luke Mitchell, Ext. 1859 • [email protected]

Kenneth Yung • [email protected] ****

World & Ancient CoinsHA.com/WorldCoins

Cristiano Bierrenbach, Ext. 1661 • [email protected] Warren Tucker, Ext. 1287 • [email protected] Michaels, Ext. 1606 • [email protected] **Matt Orsini, Ext. 1523 • [email protected] Peplinski, Ext. 1959 • [email protected] Spiegel, Ext. 1524 • [email protected] Yung • [email protected] ****

Sports CollectiblesHA.com/Sports

Chris Ivy, Ext. 1319 • [email protected]

Calvin Arnold, Ext. 1341 • [email protected] **

Peter Calderon, Ext. 1789 • [email protected]

Tony Giese, Ext. 1997 • [email protected]

Derek Grady, Ext. 1975 • [email protected]

Mike Gutierrez, Ext. 1183 • [email protected]

Lee Iskowitz, Ext. 1601 • [email protected] *

Mark Jordan, Ext. 1187 • [email protected]

Chris Nerat, Ext. 1615 • [email protected]

Rob Rosen, Ext. 1767 • [email protected]

Jonathan Scheier, Ext. 1314 • [email protected]

TimepiecesHA.com/Timepieces

Jim Wolf, Ext. 1659 • [email protected] Fossner, Ext. 1208 • [email protected] *

WineHA.com/Wine

Frank Martell, Ext. 1753 • [email protected] **Amanda Crawford, Ext 1821 • [email protected] **Ian Dorin, Ext. 1805 • [email protected] *

ServicesAppraisal ServicesHA.com/Appraisals

Meredith Meuwly, Ext. 1631• [email protected]

CareersHA.com/Careers

Corporate & Institutional Collections/VenturesMeredith Meuwly, Ext. 1631 • [email protected]

Credit DepartmentMarti Korver, Ext. 1248 • [email protected]

Media & Public RelationsNoah Fleisher, Ext. 1143 • [email protected]

Museum ServicesMeredith Meuwly, Ext. 1631 • [email protected]

Special CollectionsNicholas Dawes, Ext. 1605 • [email protected] *

Trusts & EstatesHA.com/Estates

Mark Prendergast, Ext. 1632 • [email protected]

Michelle Castro, Ext. 1824 • [email protected]

Elyse Luray, Ext. 1369 • [email protected] *

Carolyn Mani, Ext. 1677 • [email protected] **

LocationsNew York

212.486.3500 445 Park Avenue • New York, NY 10022

DALLAS | NEW YORK | BEVERLY HILLS | SAN FRANCISCO | CHICAGO | PARIS | GENEVA | AMSTERDAM | HONG KONG

Corporate OfficersR. Steven Ivy, CEO & Co-ChairmanJames L. Halperin, Co-ChairmanGregory J. Rohan, President *Paul Minshull, Chief Operating OfficerTodd Imhof, Executive Vice PresidentKathleen Guzman, Managing Director, New York

* Primary office location: New York** Primary office location: Beverly Hills*** Primary office location: San Francisco **** Primary office location: Hong Kong

Dallas (World Headquarters)214.528.3500 • 877-HERITAGE (437-4824) 3500 Maple Ave. • Dallas, TX 75219

Dallas (Fine & Decorative Arts – Design District Showroom) 214.528.3500 • 877-HERITAGE (437-4824) 1518 Slocum St. • Dallas, TX 75207

Beverly Hills 310.492.86009478 W. Olympic Blvd Beverly Hills, CA 90212

New York 212.486.3500 445 Park Avenue • New York, NY 10022

San Francisco877-HERITAGE (437-4824) 478 Jackson Street San Francisco, CA 94111

Europe +31-(0)30-6063944 Energieweg 7, 3401 MD IJsselstein, Nederland

Hong Kong+852-2155 1698 Unit 1105, 11/F Tower ONE, Lippo Centre,89 Queensway Road, Admiralty, Hong Kong

Chicago: 312.919.1866 Palm Beach: 561.676.7263

HA.com/Consign • Consignment Hotline 877-HERITAGE (437-4824) • All dates and auctions subject to change after press time. Go to HA.com for updates.

Auctioneer licenses: TX: Paul R. Minshull #16591. CA Bond: Paul R. Minshull #LSM0605473; Heritage Auctioneers & Galleries, Inc.: CA-Bond #RSB2005644. FL: Paul R. Minshull #AU4563; Heritage Numismatic Auctions, Inc.: FL AB665. NY: Paul R. Minshull #DCA-2001161; Heritage Auctioneers & Galleries, Inc.: New York City #41513036 and NYC Second Hand Dealers License #1364739. BP 12-25%; see HA.com.

Up

com

ing

Au

ctio

ns

04/18/2016

HERITAGE INTERNET-ONLY AUCTIONS with Live SessionsComics – 6PM CT SundaysMovie Posters - 6PM CT SundaysSports - 10PM CT Sundays (Extended Bidding)U.S. Coins - 7PM CT Sundays & TuesdaysCurrency – 7PM CT Tuesdays

Timepieces & Jewelry – 8PM CT TuesdaysNature & Science - 10PM CT ThursdaysWorld Coins - 8PM CT ThursdaysWine - 10PM CT 2nd ThursdaysMonthly World Coins - 8PM CT final Sundays

Numismatic Auctions Location Auction Dates Consignment DeadlineU.S. Coins and Tokens & Medals Long Beach June 8-13, 2016 ClosedWorld Coins & Currency Hong Kong June 22-24, 2016 ClosedU.S. COINS (FUN) Orlando July 7-11, 2016 May 24, 2016U.S. Currency (ANA) Anaheim August 10-12 & 15-16, 2016 June 20, 2016U.S. Coins (ANA) Anaheim August 10-15, 2016 June 27, 2016World & Ancient Coins (ANA) Anaheim August 10-15, 2016 June 20, 2016Fine & Decorative Arts Auctions Location Auction Dates Consignment DeadlineModern & Contemporary Art New York May 2, 2016 ClosedAmerican Art Dallas May 7, 2016 ClosedThe Viktor Schreckengost Collection Dallas May 13, 2016 Closed20th & 21st Century Design Beverly Hills May 17, 2016 ClosedTexas Art Dallas May 21, 2016 ClosedModern & Contemporary Prints & Multiples Dallas May 24, 2016 ClosedNature & Science Dallas June 2, 2016 ClosedEuropean Art Dallas June 24, 2016 ClosedFine & Decorative Arts Dallas June 24-27, 2016 ClosedEthnographic Art Dallas July 8, 2016 May 3, 2016Fine & Decorative Arts Dallas September 17-18, 2016 July 11, 2016Illustration Art Dallas October 10, 2016 August 3, 2016Fine Silver & Objects of Vertu Dallas October 18, 2016 August 16, 2016Photographs Dallas October 24, 2016 August 17, 2016Texas Art Dallas October 29, 2016 August 22, 2016Modern & Contemporary Art Dallas November 1, 2016 August 25, 2016American Art Dallas November 14, 2016 September 7, 2016Lalique & Art Glass Dallas November 21, 2016 September 14, 2016European Art Dallas December 7, 2016 September 30, 2016Nature & Science Dallas Fall 2016 August 1, 2016Memorabilia & Collectibles Auctions Location Auction Dates Consignment DeadlineSports Collectibles Catalog Auction Dallas May 12-14, 2016 ClosedComics & Original Comic Art New York May 13, 2016 Closed Animation Art Dallas June 11, 2016 ClosedEntertainment & Music Beverly Hills June 25, 2016 May 4, 2016Guitars & Musical Instruments Dallas July 23, 2016 June 1, 2016Vintage Movie Posters Dallas July 30-31, 2016 June 7, 2016Comics & Original Comic Art Dallas August 4-5, 2016 June 21, 2016Sport Collectibles - Platinum Night Dallas August 27-28, 2016 July 6, 2016Animation Art Dallas December 15, 2016 November 1, 2016Historical Collectibles Auctions Location Auction Dates Consignment DeadlineAmericana & Political Dallas May 14, 2016 ClosedSpace Exploration Dallas May 20, 2016 ClosedLegends of the West Dallas June 11, 2016 ClosedArms & Armor, Civil War & Militaria Dallas June 12, 2016 ClosedAmericana & Political - Lincolniana Dallas July 16, 2016 May 25, 2016Rare Books Dallas September 15, 2016 July 25, 2016Historical Manuscripts Dallas October 19-20, 2016 August 29, 2016Civil War & Militaria and Arms & Armor Dallas December 10-11, 2016 October 19, 2016Texana Dallas Spring 2017 November 1, 2016Space Exploration Dallas Spring 2017 November 1, 2016Luxury Lifestyle Auctions Location Auction Dates Consignment DeadlineTimepieces New York May 26, 2016 ClosedFine & Rare Wine Beverly Hills June 3-4, 2016 ClosedFine & Rare Wine Beverly Hills September 9-10, 2016 July 28, 2016Fine Jewelry & Luxury Accessories Beverly Hills September 26-28, 2016 July 26, 2016Timepieces New York October 27, 2016 August 26, 2016Luxury Real Estate TBD Fall 2016 August 1, 2016Domain Names Location Auction Dates Consignment DeadlineDomain Names Dallas Fall 2016 August 1, 2016

May 24 Modern & Contemporary Print Sale #5258

Art & Photos

Transcript of May 24 Modern & Contemporary Print Sale #5258