Plakat A3 - polskamowiaaa.pl · Title: Plakat A3 Created Date: 3/11/2020 10:32:44 AM
Material Authencity of The Ephemeral Plakat fileCaoutchouc: Material Analysis of a Diving Suit from...
1
Material Authenticity of the Ephemeral International Workshop – Historical Authenticity in the Museum IV October 16 to18, 2017 Kerschensteiner Kolleg, Library Building Deutsches Museum • Museumsinsel 1 • Munich Please register by October 12, 2017 at Julin Lee: [email protected] Concept and Organization: Marisa Pamplona-Bartsch, Rebecca Wolf Leibniz Research Alliance “Historical Authenticity” in Cooperation with the Research Institute of the Deutsches Museum and the Leibniz Research Group “Materiality of Musical Instruments” Monday, October 16, 2017 1.00 to 7.00 pm Welcome Helmuth Trischler, Deutsches Museum Achim Saupe, Leibniz-Research Alliance “Historical Authenticity” Introduction Marisa Pamplona-Bartsch & Rebecca Wolf Conservation Science Stefan Simon, Yale University, New Haven Exploring Context and Values: The Role of Heritage Science in Cultural Heritage Research Elena Gómez-Sánchez, Deutsches Bergbau-Museum Bochum Following the Natural Degradation of Caoutchouc: Material Analysis of a Diving Suit from the Turn of the 20 th Century Charlotte Holzer, Deutsches Museum How to Preserve the Story of a 19 th Century Glass Fibre Dress Hanna Hölling, University College London Trace, Memory, Time: Perpetuating Media Art Summary & Perspectives Stefan Simon Laboratory Visit Tuesday, October 17, 2017 Theory & Measurement 9.30 am to 1.00 pm Stefan Brüggerhoff, Deutsches Bergbau-Museum, Bochum Introductory Words Patrícia Falcão, Tate, London Software-based Art Installations as an Object of Conservation Nadja Wallaszkovits, Austrian Academy of Sciences, Vienna Digitization and Restoration of Historical Audio Recordings: A Balancing Act between Authenticity and Manipulation Guided Tour, Exhibition “Musical Instruments” Silke Berdux, Deutsches Museum Oskar Sala and the Digitization of Audio Tapes 2.30 to 6.00 pm Johannes Müske, University of Zurich Constructing Authenticity: Ethnographic Archives and the Material Traces to Intangible Cultural Heritage Gerard Alberts, University of Amsterdam In Defiance of Authenticity: Software as Heritage Fabian Offert, University of California, Santa Barbara Preservation as Translation: The Case for Programmable Logic Devices as a Strategy for Circuit-Level Authenticity Katja Müller-Helle, Freie Universität Berlin Orchestrated Destruction: The Dissolution of Form and the Production of Sound since 1950 Summary & Perspectives Frank Bär Wednesday, October 18, 2017 Performance & Communication Exhibition “Marine Navigation” 9.00 to 10.00 am Peter Kimmel, Römisch-Germanisches Zentralmuseum, Mainz Introductory Words Jörn Bohlmann, Deutsches Museum Just Doing It Right: Craftsmanship and Historical Authenticity in the Case of Restoring Historical Boats and Ships Kerscheinsteiner Kolleg 10.15 am to 12.00 pm Peter Bartsch, Museum für Naturkunde Berlin On the Minor Differences between Natural Objects and Man-made Constructs Lars-Christian Koch, Ethnologisches Museum der Staatlichen Museen zu Berlin Materializing Sounds: Sonic Concepts and the Ephemeral in North Indian Musical Instrument- Manufacturing 1.30 to 3.30 pm Frank Bär, Germanisches Nationalmuseum, Nürnberg Aura versus Information? Artifacts and Their Virtual Representation Tim Boon, Science Museum, London Musicking, Museum Objects and the ‘Long Now’ Summary & Perspectives Stefan Brüggerhoff
-
Upload
truongtram -
Category
Documents
-
view
213 -
download
0
Transcript of Material Authencity of The Ephemeral Plakat fileCaoutchouc: Material Analysis of a Diving Suit from...
Material Authenticity of the EphemeralInternational Workshop – Historical Authenticity in the Museum IVOctober 16 to18, 2017
Kerschensteiner Kolleg, Library Building Deutsches Museum • Museumsinsel 1 • Munich
Please register by October 12, 2017 at Julin Lee: [email protected] and Organization: Marisa Pamplona-Bartsch, Rebecca Wolf
Leibniz Research Alliance “Historical Authenticity” in Cooperation with the Research Institute of the Deutsches Museum and the Leibniz Research Group “Materiality of Musical Instruments”
Monday, October 16, 20171.00 to 7.00 pm
WelcomeHelmuth Trischler, Deutsches Museum Achim Saupe, Leibniz-Research Alliance “Historical Authenticity”
IntroductionMarisa Pamplona-Bartsch & Rebecca Wolf
Conservation ScienceStefan Simon, Yale University, New HavenExploring Context and Values: The Role of Heritage Science in Cultural Heritage Research
Elena Gómez-Sánchez, Deutsches Bergbau-Museum BochumFollowing the Natural Degradation of Caoutchouc: Material Analysis of a Diving Suit from the Turn of the 20th Century
Charlotte Holzer, Deutsches Museum How to Preserve the Story of a 19th Century Glass Fibre Dress
Hanna Hölling, University College London Trace, Memory, Time: Perpetuating Media Art
Summary & Perspectives Stefan Simon
Laboratory Visit
Tuesday, October 17, 2017
Theory & Measurement 9.30 am to 1.00 pmStefan Brüggerhoff, Deutsches Bergbau-Museum, Bochum Introductory Words
Patrícia Falcão, Tate, LondonSoftware-based Art Installations as an Object of Conservation
Nadja Wallaszkovits, Austrian Academy of Sciences, Vienna Digitization and Restoration of Historical Audio Recordings: A Balancing Act between Authenticity and Manipulation
Guided Tour, Exhibition “Musical Instruments”Silke Berdux, Deutsches MuseumOskar Sala and the Digitization of Audio Tapes
2.30 to 6.00 pmJohannes Müske, University of ZurichConstructing Authenticity: Ethnographic Archives and the Material Traces to Intangible Cultural Heritage
Gerard Alberts, University of AmsterdamIn Defiance of Authenticity: Software as Heritage
Fabian Offert, University of California, Santa BarbaraPreservation as Translation: The Case for Programmable Logic Devices as a Strategy for Circuit-Level Authenticity
Katja Müller-Helle, Freie Universität BerlinOrchestrated Destruction: The Dissolution of Form and the Production of Sound since 1950
Summary & PerspectivesFrank Bär
Wednesday, October 18, 2017
Performance & CommunicationExhibition “Marine Navigation” 9.00 to 10.00 amPeter Kimmel, Römisch-Germanisches Zentralmuseum, MainzIntroductory Words
Jörn Bohlmann, Deutsches MuseumJust Doing It Right: Craftsmanship and Historical Authenticity in the Case of Restoring Historical Boats and Ships
Kerscheinsteiner Kolleg10.15 am to 12.00 pmPeter Bartsch, Museum für Naturkunde BerlinOn the Minor Differences between Natural Objects and Man-made Constructs
Lars-Christian Koch, Ethnologisches Museum der Staatlichen Museen zu Berlin Materializing Sounds: Sonic Concepts and the Ephemeral in North Indian Musical Instrument-Manufacturing
1.30 to 3.30 pmFrank Bär, Germanisches Nationalmuseum, NürnbergAura versus Information? Artifacts and Their Virtual Representation
Tim Boon, Science Museum, LondonMusicking, Museum Objects and the ‘Long Now’
Summary & PerspectivesStefan Brüggerhoff
