Master the Accordion Workshops PH Book 2 ‐ Session 8...
Transcript of Master the Accordion Workshops PH Book 2 ‐ Session 8...
MastertheAccordionWorkshops PHBook2‐Session8
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
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Palmer&HughesBook2–Session8
InstructionandCompanionMaterial
PresentersSheliaLee&MarkRopel
MastertheAccordionWorkshops
Sponsoredby
5013(c)NonProfit
MastertheAccordionWorkshops PHBook2‐Session8
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
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Session8REVIEWofpriordrillswillbelistedhere–soatleastduringoneofyourpracticesessionseachweek–pleaseGRABatleastoneormoredrillsANDoneormoreScales.Thisway–youwon’thavetodoallthedrillseverypractice–butwillHITthematleastonceeachweek.
ReviewofDrillso OctaveDrill&Full“AllWhite”block&Arpeggios(1+3+5+1)o C,G,F,D,A,&BbScale–FullOctaveso MajorChords–AllWhite.Blocktheminrhythmicpattern.Rollthem
inrhythmicpatterno MinorChords–Fullblock&Arpeggioso Glissandos–EndawarmupsongwithaGlissando!o AddaCoolEndingorBassSoloSOMEWHERE!
Song#8PHBook2–ViveL’Amour(&Duet)CompanionSongs:
1. DeepintheHeartofTexas2. MacktheKnife3. You’llNeverWalkAlone4. JesusLovesMe(Introto7thChords)
LearnBellowAccents&7th&DimChordsinLH
Let’sGetStarted:
Step1.PlayFirst Perform3favoritesongstowarmup PlayatperformancespeedwithNOSTOPSFORBOO‐BOOs
Step2.Theory–LHBassTechnique
DrillPage–Introto7thChordsinyourlefthand
• FINGERINGCHANGE‐forthe7thChord
• Use4thFingerfortheBassandthe2ndFingerforthechord
• Most7thchordsAlternateFIRST
MastertheAccordionWorkshops PHBook2‐Session8
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C m
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4 2 2
C 7
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4 2 2
C 7
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4 2 2
G 7
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3 2 2
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4 2 2
G 7
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3 2 3 2
CMC
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3 2 3 2
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4 2 3 2
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4 2 3 2
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CMD
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3 2 3 2
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3 2 4 2
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3 2 3 2
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3 2 4 2
D 7
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3 2 4 2
G 7
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3 2 4 2
C 7
7th Chord Bass Drill
© 2010 So Good Productions
7 - stands for 7th Chord
Alternating Basses
7th Chords USUALLY Alternate FIRST.
Rotate LH to put 4th finger on the Bass
AND then 2nd finger on the 7th chord
MastertheAccordionWorkshops PHBook2‐Session8
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4
sus
2
loves me!
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4
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For
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the Bi ble
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tle ones to
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˙ œ œYes,
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3
me!
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˙ œ œYes,
2
Je
1
sus
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œ ˙ œloves
3
me!
5
The
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ble
1
tells
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me
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wso.
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wwCM
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Jesus Loves Me
© 2010 So Good Productions
arr. by Shelia Lee
William Batchelder Bradbury
Tune added to Poem by
Anna Barlett Warnerin 1862Key of C
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Intro to Bass 7th Chords
MastertheAccordionWorkshops PHBook2‐Session8
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Step2.Theory–BellowAccentsTechnique
Accents–awristPOP‐NOTPRESSUREonthebellows
OutBellows–withasnugbassstrap–POPyourWRISTDOWN–keepskinin‐touchwiththebassmachinesideplate–andwithaquickPOPDOWNWARDofyourwristatthebeginningofthenote.
InBellows–withasnugbassstrap–POPyourWRISTUPWARD
(withaslightmovementtotheback)–keepskinin‐touchwiththebassmachinesideplate–andwithaquickPOPUPWARDofwristatthebeginningofthenote.
DONOTRAISEorLOWERthevolumeofthenoteorthesection
IFYOUUSEa“changeinPRESSURE”–youwillPROLONGthe“POPof
theAccent”andthisisNOTWANTED.
Thereare2kindsofaccents–“>”isagentleaccentand“∧ “isaheavyaccent.
AccentsareplayedattheEXACTbeginningofthenote–withthe
PullorPushofthebellowsremainingthesamespeed.
MastertheAccordionWorkshops PHBook2‐Session8
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œ. œ. œ. œ.1
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œœ Œ œœ Œf~~~~~~~~~~~
Accent Drill
© 2010 So Good Productions
Shelia Lee
Hold the notes for the entire
value of the note. Accented notes
and not-accented notes should have
the SAME VALUE.
Light Accent Heavy Accent
Glissando AFTER the last chord
Now play the quater notes Staccato
AND still play the SAME style accents
The two sections should sound DIFFERENT!
Gradually Softer Gradually Louder
MastertheAccordionWorkshops PHBook2‐Session8
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Œ œœœ Œ œœœ
œ œ œ œFM
Œ œœœb Œ œœœ
œb œbœ
œBbM
Œ œœœb Œ œœœ
œ œœ
œC 7
Œ œœœ Œ œœœ
œ œ œ œFM
Deep in the Heart of Texas
© 2010 So Good Productions
arr. by Shelia Lee
Key of F
Chords Only
Introducing C7th Chord
IIV
IV7
7th - ADD the 7th tone of scale -
down 1/2 step (or flatted)
Step2.Theory–MoreChordBuildingTechnique LearnhowtoplaychordsCLOSETOGETHER–withonlyanoteor
twochangeinposition.
o DeepintheHeartofTexas KeyofFplaytheFMajorScale
• 3chordsinKeyofF–FM,BbM&C7• BuiltontheFirst(I),Fourth(IV),&Fifth(V)toneoftheFMScale
PlaytheCMajorScale–findthe7thtoneofscaleandlowerit½step(maketheBaBb)–thisistheONEnotethatturnstheCMchordintoaC7th(V7)chord
ChordPositionKeyofF–Put5thfingeronFandlocatenotesoftheGMchord(1‐2‐5fingering)
Use“ChordOnly”arrangementtolearnpositionforthechordsbuiltonthe1st,4th,&5th
PlaytheChordsand“Sing”DeepintheHeartofTexas
MastertheAccordionWorkshops PHBook2‐Session8
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
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˙ ˙starsCoy
atotes
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/C
FM
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area
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˙ ˙big
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œ> Œ Œ Œ
bright,trail,
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Œ œ œ œdeep in the
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œ .˙Tex as.
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œC 7
-
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˙ Œ œTheThe
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riebits
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Œ Œ œskyrush,
isa
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andthe
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.˙ œheart of
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-
Deep in the Heart of Texas
Don Swander
© 2010 So Good Productions
arr. by Shelia Lee
3 2
4 2
3 4 4 2
1 2 4
4 2 1
1 2 4
4
MastertheAccordionWorkshops PHBook2‐Session8
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
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˙ Œ œThe
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˙ ˙sagecow
inboys
œ œ œ œFM
B
œ>
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˙ ˙likeyip
perpee
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œ> Œ Ó
fume,yi."
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.˙ œheart of
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œC 7
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b
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˙ Œ œReThe
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˙ ˙mindsdog
megies
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œ> Œ Œ œof,
bawl,theand
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˙ ˙one
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love,bawl,
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œ Œ œ̂ Œ
œœ Œ œœ ŒFM
- -
~ ~ ~ ~ ~
Deep in the Heart of Texas2
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MastertheAccordionWorkshops PHBook2‐Session8
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
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Step3.NewSongTechniqueBlock/Absorb/Vertical
o ViveL’Amour MoreDynamics(ExpressionMarks)(howloudorsofttoplay)
Shift–Useamiddlereedonyouraccordion
Block• LookforRHhandposition–Onlysmallhandmoves
• LookattheLHBasses–NoAlternating!• Watchhowthefirstandsecondendingworks
Absorb• PlaybothhandsusingRHchordsonly–rhythmically
Vertical• WatchforalignmentbetweenRH&LH• Insertasmallbasssoloatend• ANDGlissandotoHighCattheend
Startwithlast8measureso PracticetheAccentExerciseo UseOutBellowfor2Measureso UseInBellowsfor2Measures
Backup8MeasuresandRepeatstepsabove
PlaycompleteSolo• EndwithaBASSSOLO&GlissandotoaChord
DuetPart‐PlaywithaDuetPartner–orevena3rdplayer–playingjustchords.
MastertheAccordionWorkshops PHBook2‐Session8
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
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MastertheAccordionWorkshops PHBook2‐Session8
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
12
MastertheAccordionWorkshops PHBook2‐Session8
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
13
Step2.Note&ChordReadingTechnique
PHBk2–NoteReadingReview SAYthenames–Playthenotes LINE‐LINE‐LINEandSPACE‐SPACE‐SPACE EXACTLYHOWchordsareformed!
Step4.Read3NewSongs(SightRead)
o You’llNeverWalkAlone BLOCK(KeyofC)
SightReadingRules–reviewLHChords
• WatchforFdimandEMandPLAYALL7thChords
Measure3031–PlayCounterbassoftheBassNoted
Then–playbothhands–withNOSTOPS
o MacktheKnife BLOCK/ABSORB/VERTICAL
UsetheChordsOnlymethodandplaysongwithchordsonly.
• Put5onC(CMChord–CEG)• LocateDm&Am• LocatetheG7Chord(GBDF)
ThereareNOPHRASEmarkingssoplayallnotesdetached
NOTICEalltheaccents
AddaCOOLENDING
MastertheAccordionWorkshops PHBook2‐Session8
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Œ Œ œ œWhen you
!
˙ œ œwalk through a
wwCM
˙ œ œstorm hold your
ww
˙ ˙head up
wwGM
.˙ œhigh And
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˙ œ œfraid of the
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˙ œ œend of the
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˙ œ œstorm is a
wwbbBbM
˙ ˙gold en
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˙̇bb ˙̇BbM FM
˙ œ œsong of a
˙̇ ˙̇G m FM
- -
You'll Never Walk Alone
Rodges & Hamerstein II
© 2010 So Good Productions
from Carousel
arr. by Shelia Lee
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1
F dim chord is played
just like the 7th Chord
Just Back one more button
(Last row)
MastertheAccordionWorkshops PHBook2‐Session8
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
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wlark.
wwEM
˙ ˙Walk
wwC 7
˙ œ œon through the
wwFM
18 .˙ œwind, Walk
wwF dim
˙ œ œon through the
wwCM
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21 ˙ œ œrain, Tho' your
wwF m
˙ ˙dreams be
wwCM
˙ ˙tossed and
wwEm
wblown.
wwFM
˙ ˙Walk
wwG 7
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26 ˙ ˙on, walk
wwCM
˙ ˙on with
wwEM
˙ œ œhope in your
wwFM
˙ œ œheart And You'll
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D 7
˙ ˙Nev er
˙̇-̇
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˙ ˙Walk A
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˙ ˙You'll
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wlone.
wwCM
www
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You'll Never Walk Alone2
1 2 2
5 3 2 1 2-1
1
5 3 2 1 2
MastertheAccordionWorkshops PHBook2‐Session8
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Mack the Knife
© 2010 So Good Productions
from "The Threepenny Opera" arr. by Shelia Lee
Kurt Weill, Marc Blitzstein7th Chord Alternates FIRST
MastertheAccordionWorkshops PHBook2‐Session8
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Step5.CoolDownSectiono Play3EasyTones–canbesame3youstartedwitho EndonesongwithOctaveDoubleNoteso EndonesongwiththeMajorChord(135)o EndonesongwithaGlissandoo EndAnotherwithaRollOverorRollingArpeggioso AddabasssoloatphraseendingortheendwithaArpeggio
MusicNotebookWhenthesongsfromSession8arelearned–movethemtoyourEASYTUNEsectionofyourRingBinderandtheycanbeusedforFUTUREWARMUPorCOOLDOWNTUNES.
1. QueSera,Sera2. DeColores3. Du,DuLiegstMirImHerzen4. CamptownRaces5. WhentheSaintsGoMarchingIn6. CavallitoBlanco7. ThisLandisYourLand8. Jambalaya9. BigParade10. InHeaventhereisNoBeer11. WearingoftheGreen12. RockyTop13. YouAreMySunshine14. CaissonsGoRollingAlong15. WhiteChristmas16. VieniSulMar17. WingsofaDove
18. Hofbrauhaus19. TheWildColonialBoy20. I’mAYankeeDoodleDandy21. BlueChristmas22. JingleBells(ALL)23. OhMyPaPa24. BambooFlute25. MarinesHymn26. AmazingGrace27. ElPaso28. TheLittleCafébytheHarbour29. DeepintheHeartofTexas30. MacktheKnife31. You’llNeverWalkAlone32. JesusLovesMe33. ViveL’Amour
CONGRATULATIONS!YouhavenowcompletedSession#8Remembertofollowthesestepsforeachofyourpracticesessions:
1. WarmUp‐Starteachpracticesessionwithyourfavorite3songs–nomatterhowsimple
2. TechniqueBuilder–doadrillor2–likeascale,speeddrill,chordstructureofsong,etc.
3. WorkonNewSongs–practiceassignedsongs.Startwithlast4measuresorlastsection
4. SightReading‐Whileyouarenowyourmostalert–readanewsong(sight‐read)–startwithchordstructurefirst
5. CoolDown–withyourfavorite3songs–canbethesame3youwarmedupwith