Master the Accordion Workshops PH Book 2 ‐ Session 13 ...
Transcript of Master the Accordion Workshops PH Book 2 ‐ Session 13 ...
MastertheAccordionWorkshops PHBook2‐Session13
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
1
Palmer&HughesBook2–Session13
InstructionandCompanionMaterial
PresentersSheliaLee&MarkRopel
MastertheAccordionWorkshops
Sponsoredby
5013(c)NonProfit
MastertheAccordionWorkshops PHBook2‐Session13
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
2
Session13Duringoneofyourpracticesessionseachweek–pleaseGRABatleastoneormoredrillsANDoneormoreScales.Thisway–youwon’thavetodoallthedrillseverypractice–butwillHITthematleastonceeachweek.
ReviewofDrillso Full“AllWhite”block&Arpeggios(1+3+5+1)o Full“AllMAJOR”block&Arpeggioso C,G,F,D,A,&BbScale–FullOctaveso MajorthenMinorChords–AllWhite.Blocktheminrhythmic
pattern.RolltheminrhythmicpatternSong#13PHBook2–CountryGardensCompanionSongs:
1. BeerBarrelPolka(Chorus)2. BlueSkirtWaltz(Chorus)3. EinProsit4. JulidaPolka(Chorus)5. MussIDenn(WoodenHeart)6. AufWiedersehen(leadLine)
BassSoloReviewandC&GBassScaleLearntoReadBassClefNotesPlay“Full”RHChordstoBeerBarrelPolkaMoreLeadLineWork
Let’sGetStarted: Step1.PlayFirst
Perform3favoritesongstowarmup PlayatperformancespeedwithNOSTOPSFORBOO‐BOOs
Step2.Theory–BassSoloReview&IntrotoBassScales
ReviewBassDrill#2 BassDrill#3
• Learnthe“Words”thathelpreadtheBassClefLines&Spaces(readfromthebottomup)
• NoticetheNEWCbass–2ledgerlinesbelowthestaff• PlayVERYSLOWLY–FingeringwillworkforALLScalesinLH
MastertheAccordionWorkshops PHBook2‐Session13
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
3
? 43 .. ...˙b
A
.-.˙ .-
.˙.-
.˙ .-
? .. ...˙B
.-.- .˙ œ
œ- œ- œœ œ
FM
? .. ...˙
C
.-.- .˙ œ œ- œ- œ
œ œCM
? .. ...˙D
.˙ .-.˙ œ œ œ-
œœ œCM
? .. ...˙E
.- .˙ .˙ œ œ- œ œœ œGM
Bass Drill #2
© 2010 So Good Productions
Bass Solos Using Counterbasses
Counterbass Row is the closest row of buttons to the bellows.
The counterbass of ANY bass is the 3rd tone of the Bass's Major Scale.
You will know when to play a counterbass when the note has a _ (line) under it.
Bb (C) D F (G) A C (D) E G (A) B
3
43 4 3
43 4
2
4 2 32
4 23
Line your fingers up - 4 on Bb, 3 on F and 2 on C Bass
Play 2 on C - then move the entire lineup of fingers
across to the Counterbass row and Play 4 then 2
Then Return with 3rd finger to the F and follow with the chord pattern
C D E F C D E F
Scale Lead-in Walking Bass Solo
This Scale Lead-in Walking Bass Solo FINGERING works on ANY BASS!
The trick - line up with your 3rd finger on the Bass you want to END on and walk the 2-4-2-3 fingering!
G A B C
2 4 2 3
Arpeggio Walking Bass Solo
Play the 1st, 3rd, and 5th tones of the Major Scale
OR the ending bass, then the bass above and the bass's counterbass
This Arpegio Walking Bass Solo FINGERING works on ANY BASS!
The trick - line up with your 3rd finger on the Bass you want to END on
and play the bass's counter bass and bass above - in any order!
C G E C
G B D G
3 24
3
3 42
3
MastertheAccordionWorkshops PHBook2‐Session13
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
4
? 44 ˙ ˙2
G
4
FA
- ˙3
E
2
D
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3
C
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C
4
BbB
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2
G
œ œb œ- œ œŒ Ó
3
F
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C
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œŒ Ó
F
2
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3
C
2
BD
- ˙4
A
2
G
˙ -
F
4
E
3
˙ ˙
D
2
C
3
?˙ ˙# -
G
3
F#
2
E
- ˙
E
4
D
2˙ -
C
4
B
3
˙ ˙A
2
G
3
Bass Drill #3
© 2010 So Good Productions
Bass Solos Using Counterbasses
Read the Lines & Spaces
of the Bass ClefLines
A-Always
F-Fine
D-Do
B-Boys
G-Good
Spaces
G-Grass
E-Eat
C-Cows
A-All
Bass Solo from Beer Barrel
Down C Major Scale
Down G Major Scale
C & G Down Major Scale
MastertheAccordionWorkshops PHBook2‐Session13
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
5
Step3.NewSongTechniqueBlock/Absorb/Vertical
o BeerBarrelPolka–SingleNoteVersion KeyofF–allBbs
Block/Absorb/Vertical• NoticethatthereareNOslurmarks–thissongshouldbeplayedALLDETACHED
• Dynamics–ThereareNONMarkedbutyoushouldstillcrescendointothephraseanddiminuendoattheendandstillliftyourhand.
Vertical• NO8thnoteordottedquarternotes• NoticetheBasssolos–learnedinexercise• WATCHBbandBnaturals
Startatlast4measures• Playdetached(noslur)• WorkeachmeasuretogetBassSolosgoing• HavefunwithNEWEnding–“Shave&aHairCut–2bits”
NowBackup4measureorbackto#17
• PlayBassesFirst• BlockHandMoves• Phrasein4measuresections
o BeerBarrelPolka–FullChordVersion• Learnbackwards–justlikeSingleNoteversion• Takeyourtime–EachChordis“SIMPLE”
MastertheAccordionWorkshops PHBook2‐Session13
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
6
&?
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44
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q=160 .˙ œnout the
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8
w
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wRoll
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15 wrun.
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w
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w
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wcheer.
œ œœ
œBbM
w
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œ œœ
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.˙ œroll the
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œ .˙bar rel
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-
&?
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b
28 ˙ œn œfor the
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wgangs
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wall
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œ œ œ œb œhere.
œœ Œ ÓFM
Œ œ œ Œ
Œ œœ œœ ŒC 7 FM
Beer Barrel Polka Lew Brown, Wladimir A. TimmJaromir Vejvoda and Vasex Zeman
© 2010 So Good Productions
arr. by Shelia Lee
2 4 3 22 4 3 2
2
3 3 2
1 2
2 1 3 1 3 1
2 1 1
3 2 4 2
3 2 4 2 3 2 4 2
MastertheAccordionWorkshops PHBook2‐Session13
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
7
&?
b
b
44
44
wwwRoll
œ œ œ œFM
q=160
...˙ œœnout the
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œœœ ...˙bar rel
œ œ œ œ
www
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œœœ ˙ œœœwe'll have a
œ œ œ œ
œœœ ˙ œnbarrel of
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www
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œœœ œ œ œb œhere.
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Œ œœ œœœ Œ
Œ œœ œœ ŒC 7 FM
Beer Barrel Polka Lew Brown, Wladimir A. TimmJaromir Vejvoda and Vasex Zeman
© 2010 So Good Productions
arr. by Shelia Lee
2 4 3 22 4 3 2
MastertheAccordionWorkshops PHBook2‐Session13
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
8
Step3.NewSongTechniqueBlock/Absorb/Vertical
o CountryGardens KeyofC MiddleReed BLOCK(KeyofC)
• ReviewBasses–NOTNAMED• ReviewRightHandPositionChanges• NoticeDynamicsareEXTREMEftop
Vertical• Lookfor8thnotesanddottedquarternotes• ViewandPlayin2countsections
Step4.Read2NewSongs(SightRead)o MussIDenn(WoodenHeart)
PlayLefthandFirst–AlternatingBasses–7thChordsalternatefirst
BLOCK(KeyofC)• Blockouthandmoves• Blockbasssolos
Vertical• Watchwherecountshit–watchfordottedQuarterNotes
Then–playbothhands–withNOSTOPS
o BlueSkirtWaltz PlayLefthandFirst–AlternatingBasses–7thChordsalternatefirst
BLOCK(KeyofC)• Blockouthandmoves• Blockbasssolos
Vertical• Watchwherephrasesendandlifthand• PlayNON‐phrasedsectionsdetached
Then–playbothhands–withNOSTOPS
MastertheAccordionWorkshops PHBook2‐Session13
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
9
MastertheAccordionWorkshops PHBook2‐Session13
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
10
&
?
c
c
..
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Œ Œ œ œCanAndAndCan'tAndCan'tAnd
youif
!
%˙ œ œ
seeyou
Isay
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don'tI
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.˙ œstrings up
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˙ œ œmine, it was
œ œœ
œ
Muss I Denn
© 2009 So Good Productions
(Wooden Heart)arr. by Shelia Lee
Weisman, Twomey, Wise & Kampfert
2 1 2
4
2 1 1 3
5 2
3C 4A 2G3E
4B
MastertheAccordionWorkshops PHBook2‐Session13
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
11
&
?
18
˙ ˙al ways
œ œ œ œFM
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œ œ- œ œ-CM
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22
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26
.œ jœ œ œI'm not made of
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œœ œ œG 7
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wheart
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D.S. al Fine˙ œ œCan't you
œœ Œ Ó
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œ Œ Ó
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2Muss I Denn
Muss i denn, muss i dennZum Stadtele hinausStadtele hinausUnd du, mein schat, bleibst hier?
There's no strings upon this love of mineIt was always you from the startSei mir gutSei mir gutSei mir wie du wirklich sollstWie du wirklich sollst'Cause I don't have a wooden heart
1 2
3 5C 3
1 2 1
MastertheAccordionWorkshops PHBook2‐Session13
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
12
&?
43
43
..
..
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A
œ œ# œdream of that
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7 .˙met.
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&?
14
˙ œheart for
œœ œ
.get.
œ œ œCM
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œ œ œFM
B ˙ œskies and
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21
œ œ œjust like the
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œœ œ
.˙wore.
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.˙Come
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&?
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28 .˙back.
œ œ œG 7
˙ œDon't be
œœ œ
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œ œ œCM
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œ œ œCM
œœœ Œ Œœœ Œ Œ
CM-
Blue Skirt WaltzMitchell Parish & Vaclav Blaha
© 2010 So Good Productions
arr. by Shelia Lee3 1 4
3 5 3 1 2
4 3
1 23
If you don't know or
don't have 7th
chords on your bass -
play M instead.
5
3 4 3 4 3 1 2 5
2 4 2
2 4 2
2 4 2
MastertheAccordionWorkshops PHBook2‐Session13
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
13
Step4.SightRead3Songs(2areLeadLineStyle)
o AufWiedersehenExercise LeadLine–Reviewthebasses(GuitarCues) PracticeHOWtheBASS&CHORDareplayedwithDottedQuarternotes
o AufWiedersehen–LeadLine
SightReadingRules• ReviewBasses–watchfor7thchords
o Whenonly2countsforbass–DONOTALTERNATE1ston7thchords
• Playwithoutstoppingforbooboos
MastertheAccordionWorkshops PHBook2‐Session13
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
14
& 44 ..ÓAuf
2
.œ jœ ˙Wie der sehen
D m G 7A
˙auf
.œ jœ ˙wie der sehen
CM
˙ ˙we'll- - - -
&6
.œ jœ ˙meet a gain
D m
˙ ˙sweet
5G 7
wheart.
4CM
˙ ˙2
This
5C 7
- -
&10 .œ jœ ˙
love ly day
1FM
˙ ˙has
5G 7
.œ jœ ˙flown
4
a way
1CM
˙ ˙the
2
A m
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D 7
˙to
wpart.
G 7
˙We'll
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D m G 7B
˙ ˙like
.œ jœ ˙this a gain
CM
˙ ˙don't- -
&22
.œ jœ ˙let the tear
D m
˙ ˙drops
G 7
wstart.
4CM
˙ ˙2
With
5C 7
-
&26 .œ jœ ˙
love thats true
1FM
˙ ˙I'll
5G 7
.œ jœ ˙wait for you
1CM
˙Auf
2CM
& ..30
œ œ ˙Wie
1
der
2
sehen
3F mD m
˙ ˙sweet
5G 71.wheart
CM ˙Auf
G 72.wheart.
CM w- - -
Auf Wiedersehen
© 2010 So Good Productions
arr. by Shelia Lee
Eberhard Storch,
John Sexton, John Turner
MastertheAccordionWorkshops PHBook2‐Session13
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
15
& b 44 Œ Œ Œ œ ˙ œ œF
˙ œ œ œBb
˙ ˙F C 7
.˙ œ
& b6
˙ œ œ œ œ œ œ œBb ˙ ˙
C 7
.˙ ŒF
Ein Prosit
© 2010 So Good Productions
arr. by Shelia Lee
German Beer Drinking Toast
(With Beer stein or glass in hand)
Ein Prosit, Ein Prosit, der Gemütlichkeit
Ein Prosit, Ein Prosit, der Gemütlichkeit
(Cheer!) Eins, zwei, drei g'suffa!
Zicke, zacke, zicke, zacke, hoi, hoi, hoi,
Zicke, zacke, zicke, zacke, hoi, hoi, hoi,
Prosit!
1 5 1 41
3 1 4 1 2
o EinProsit(BeerDrinkingToast)
KeyofF Reviewthebasses(VerySimple) ReviewRighthandPositions Playwithougstopping
o JulidaPolka Reviewthebasses(VerySimple) ReviewRighthandPositions BlockDoubleNotes PlaywithoutStopping
Step5.CoolDownSectiono Play3EasyTones–canbesame3youstartedwitho EndonesongwithaGlissandotoaMajorChord(135)o EndAnotherwithaRollOverorRollingArpeggioso AddabasssoloatphraseendingortheendwithaArpeggio
MastertheAccordionWorkshops PHBook2‐Session13
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
16
& C œœ ˙ œœI
We
I
hadwent
like
aout
Bud
C
˙ ˙girl
walk
wei
friending,
ser,
œœ ˙ œœSheShe
She
isdid
drinks
athe
diet
˙ ˙hontalk
co
ey.ing.
la.
G 7
-
--
-
--
-
&5 œœ ˙ œœ
SheMoon
I
onwas
dance
lyso
the
˙ ˙wantsshin
Pol
meey
ka,
œœ ˙ œœwhenmy
she
Iheart
does
gotwas
the
˙ ˙monpin
Hu
ey.ing.
la.
C
-
-
--
-
&9
œœ ˙ œœWhenShe
Moy
Isaid
ya
am"What"
Ju
˙ ˙bustJohn
li
edny
da
œœ ˙ œœShe
Please
Moy
getsdo
ya
disnot
Ju
˙ ˙gusttease
li
edme
da
G 7
-
-
-
-
-
-
-
&13 œœ ˙ œœ
MoyMoy
Moy
yaya
ya
JuJu
Ju
˙ ˙lili
li
dada
da
œ œ œœ œœShe'sShe's
She's
thethe
the
girlone
girl
forfor
for
œœ œœ œœ Œme.me.
me.
C
--
-
--
-
Julida Polka
© 2010 So Good Productions
arr. by Shelia Lee(Zulidy Zulida)
Lyrics creatively compiled
2
1
5
1
3
12
1
5
3
2
1
4
15
3
1
2
MastertheAccordionWorkshops PHBook2‐Session13
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
17
MusicNotebookYouhave52SongsinyourEASYTUNEsectionofyourRingBinderandyoushouldbepracticingthemALLforyourFUTUREWARMUPorCOOLDOWNTUNES.
1. QueSera,Sera2. DeColores3. Du,DuLiegstMirImHerzen4. CamptownRaces5. WhentheSaintsGoMarchingIn6. CavallitoBlanco7. ThisLandisYourLand8. Jambalaya9. BigParade10. InHeaventhereisNoBeer11. WearingoftheGreen12. RockyTop13. YouAreMySunshine14. CaissonsGoRollingAlong15. WhiteChristmas16. VieniSulMar17. WingsofaDove18. Hofbrauhaus19. TheWildColonialBoy20. I’mAYankeeDoodleDandy21. BlueChristmas22. JingleBells(ALL)23. OhMyPaPa24. BambooFlute25. MarinesHymn26. AmazingGrace27. ElPaso28. TheLittleCafébytheHarbour29. DeepintheHeartofTexas30. MacktheKnife31. You’llNeverWalkAlone
32. JesusLovesMe33. ViveL’Amour34. Sugartime35. Edelweiss36. Rockin’AroundChristmasTree37. Don’tBeCruel38. NorwegianWood39. AwayinaManger40. WeWishYouaMerryChristmas41. OvertheWaves42. ISawMommyKissingSantaClaus43. PufftheMagicDragon44. Ramblin’Rose45. Smile46. GoldenSlippers47. Chiapanecas48. LosMachetes49. LasMananitas50. SenoraSantana51. ElCondorPasso52. ElTambordelaAlegria53. CountryGardens54. BeerBarrelPolka(Chorus)55. BlueSkirtWaltz(Chorus)56. EinProsit57. JulidaPolka(Chorus)58. MussIDenn(WoodenHeart)59. AufWiedersehen(leadLine)
CONGRATULATIONS!LookatwhatyouhaveLEARNED!
Remembertofollowthesestepsforeachofyourpracticesessions:1. WarmUp‐Starteachpracticesessionwithyourfavorite3songs2. TechniqueBuilder–doadrillor23. WorkonNewSongs–practiceassignedsongs4. SightReadingreadanewsongor2(sight‐read)5. CoolDown–withyourfavorite3songs