Mary Shelley’s Frankenstein British Novel to Film Fu Jen University Dr. M. Connor.
Mary Shelley’s, Frankenstein An Introduction AP Literature & Composition1.
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Transcript of Mary Shelley’s, Frankenstein An Introduction AP Literature & Composition1.
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Mary Shelley’s, Frankenstein An Introduction
AP Literature & Composition 1
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Mary Shelley• Born to radicals
– Mary Wollstonecraft (MOTHER), feminist writer, A Vindication of the Rights of Women (1792) which drew attention to women’s second class status
– William Godwin (FATHER), ex-minister, atheist, influential writer (politics, morality); name became associated with truth, justice and liberty
– Both influenced by French Revolution– Both anti-marriage, but did wed when Mary became pregnant– Mother died of septicemia (blood poisoning) after Mary’s birth:
beginning of hardships…• Father remarried• Mary Shelley was emotionally void, but intellectually guided
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Mary & Percy Shelley• Met in 1814: Mary (16) Percy (31)• Shelley, “Romantic”, attached self to Godwin and his
idealistic political notions• Shelley abandons wife (pregnant) to spend time at
Godwin house, hence spending time with Mary • Eloped in July 1814• 1815 Mary gives birth to 1st baby, but baby dies a few
days after birth…Mary has a dream…– “Dream that my little baby came to life again: that it had
only been cold, and that we rubbed it before the fire and it lived.” –Mary Shelley
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Mary & Shelley in Geneva
• Opposite of gloomy London, yet rained much in summer to confine to house
• Ghost story contest (challenge between writers)– Mary, Percy, Lord Byron– Discussion of Darwin’s experiments with
galvanism (uses of electricity)
• Dreamed about monster coming to life
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Historical Context
• The French Revolution and the Rise of Industrialism– Early Romantic writers strongly advocated the French
Revolution,– Revolution signaled throwing off of old traditions and
customs of the wealthy classes– Balance of economic power shifted toward the middle
class with the rise of industrialism. – Advanced machinery and technology threatened to
replace workers – England's literary thinkers welcomed revolution because it
represented an opportunity to establish a harmonious social structure.
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Science and Technology• Technology/machines replaced workers creating low
wages and poor working conditions• People encouraged to sabotage machines that took
jobs away from workers. • Darwin, scientist who wrote about biological
evolution big influence (people began to question power of God)
• Percy and Mary also attended lecture by Andrew Crosse, scientist whose experiments with electricity– discussed galvanism, or the study of electricity and its
applications.
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Arctic Exploration
• The late 1700s also marked the beginnings of a new era of ocean exploration.
• England's Royal Academy, which promoted the first voyage to the South seas, appealed to scientists and travelers alike.
• Explorers wanted to find a trade route through the Arctic to connect the Atlantic and the Pacific.
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Romantic Writers
• Began in 18th century• Promote unique individual imagination and
expression• Nature, spirituality and humankind
interrelated
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Characteristics of Romantics
• Emphasis on intuition and emotion – rejected rational and intellectual (didactic – for sermons); emotions for art
• Emphasized strange an bizarre – common has no place in art
• Choose subject not encountered in everyday life
• Not always interested in creating viable/ believable characters
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Characteristics of Romantics• Setting usually obscure, remote or unknown place
(or foreign country)• Rugged, natural settings provide comfort and visual
appeal• Creation of new/different worlds so readers
concentrate on themes and ideas• Close relationship and concern for poor and less
fortunate• Searched for fundamental knowledge and
consequences of acquiring knowledge• Humans born inherently kindhearted and moral
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Gothic Style
• Supernatural forces• Imaginative excess• Delusions• Religious and human evil• Social transgressions• Mental disintegration• Spiritual corruption
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Gothic Style – Stock Features• torturous, fragmented
narrative• horrible images and life-
threatening chases• spectres• monsters• demons• corpses• skeletons• evil aristocrats• monks
• nuns• fainting heroines• bandits• scientists• criminals• madmen• monstrous doubles
(dopplegangers) signifying evil and duplicity
• wild landscapes
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Reaction to Gothic Style
• Perceived as subversive• Promotes violence and vice, celebrates
criminal behavior• Texts give free reign to selfish ambitions and
desires beyond law and family duty
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Gothic Motifs
• images of light and dark• duality of selves (alter ego)• conflicts between reason and passion• supernatural and natural• past and present• sacred and profane
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LITERARY TERM – FRAME STORY
• Narrative technique• Main story sets the stage for internal story or
smaller narratives• Within Frankenstein, Robert Walton’s letters
to sister set the stage for Victor Frankenstein’s tale
• Epistolary (adjective) of or relating to a letter : suitable to a letter, written in the form of a series of letters
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Theme Topics
• Alienation and Loneliness• Nature vs. Nurture• Appearance vs. Reality• Duty and Responsibility• Justice and Injustice
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Sources
• http://www.answers.com/topic/frankenstein-novel-3
• Mary Shelley’s Frankenstein, Cliff’s Notes• Robinson, Robbie. Lecture Notes • Shelley, Mary. Frankenstein. New York:
Penguin Books USA Inc. 1818, 1992. • www.wikapedia.com
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