Marx and the Foundations of the Critical Theory of Morality and Ethics
Transcript of Marx and the Foundations of the Critical Theory of Morality and Ethics
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Marx and the Foundations of the Critical Theory of
Morality and EthicsB. Ricardo Brown
Understanding the Question of Ethics in Marx
1. How are we to understand the ethical content of Marx's work? Is there a socialist
ethic or an ethic of socialism? Of course, these are not new questions within the
marxist tradition. One hundred years ago, debates over "ethical socialism" coincided
with those over accumulation, imperialism, organization and party. Although the
question of ethics has been raised most recently by neo-liberal and neo-authoritarian
critics, the turn to the question of ethics has not occurred for intellectual reasons. It is
occasioned by the passing of state capitalism in the USSR and by the simultaneouscritique of the adaptation by the Left of the discursive categories of bourgeois science
in the forms of scientific socialism and the science of historical materialism. However,
to raise the question of ethics is one thing, but to uncover its location within critical
theory is quite another.
2. Broadly speaking, responses to the question of ethics have displayed two
theoretical tendencies. In the first tendency, there is a moralization of Marx through
the construction of the "young Marx." This tendency identifies the entirety of Marx's
critique of morality with his readings of Hegel and Feuerbach, the assumption being
that Marx's critique of morality is restricted to these early works, leaving theimpression that his materialism is at best discontinuous from his critique of morality,
and, at worst, simply derived from a previous, enlightenment moral theory.
3. The second tendency is that of the so-called orthodox marxists who hold that
ethics are merely the reflection or representation of economic determinations, simply
a transparent feature of the base/superstructure model. This view also displays strong
evolutionary arguments (see Kautsky and cf. Habermas). Like the first tendency, the
effort here is to restrict ethics to Marx's early works. However, the goal is not to
moralize the works but to transform the later works into promethean discourses of
modern science, what Max Horkheimer called "Traditional Theory." The reduction ofhistorical materialism to a science of social development attempts to remove ethics
from consideration because of its "unscientific" nature. The very fact that ethics exist
asunscientific simply means that at least one aspect of critical theory can not be
reduced to the disciplining of science -- and it also means that there are possibly many
more. Of course, these tendencies are not mutually exclusive, and evidence of both
can be found in the writings of marxists as different as Althusser and Habermas, but to
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answer the question of ethics in Marx is to also critique the moralization of Marx, as
well as the adoption by marxists of the techniques and discourses of modern science.
For Marx, ethics and morality do existscientifically, i.e., they exist
both historically and materially. Marx's view of ethics is, in other words, an active
expression of a materialism that holds the promise of emancipation.
4. This essay, by starting with Marx's later works, and particularly with
the Grundrisse, departs from the two aforementioned tendencies by deriving Marx's
ethics from his materialism, demonstrating that if we open the question of ethics in the
later works, the ethos that emerges provides little comfort to those who would turn
Marx into either a moralist, or a scientist of the social. Marx's project of "ruthless
critique of all things" certainly included the critique of bourgeois ethics and morality.
It is precisely because ethics are most often sought after or confined to Marx's "early
works" that the question of ethics allows us to touch on the continuous issues of the
"young Marx" and the idea of an epistemological break, Marx's critique of morality,
the place of this critique within the entirety of his development of materialism, and the
relation of ethics to materialism. By beginning with the later works, I make an implicit
argument for a large measure of continuity in Marx's project. It is true that works like
theHoly Family are more overt critiques of morality, and we will discuss this work in
more detail later. It is also true, I will argue, that these works should be seen as
moments in Marx's overcoming and exposing of bourgeois morality and that the
results of this critique are to be found within a later work like theGrundrisse. It is, to
be sure, a critique different in style and depth than that found in the early works. Marx
himself is often critical of these early efforts, but they are nonetheless continuous with
his development of materialism. We can find a discourse on morality and ethics in
the Grundrisse, but it is a discourse that pointedly avoids all sentimentality,
development, or predetermined categories such as good and bad. It is a discourse in
which ethics are derived from the practice of struggle. The struggles around morality
are not a struggles over values, but conflicts in which each class is expressed in their
means of reproducing the very struggle that creates them -- and finds emancipatory
expression in their practices of resistance, pleasure, and authority, i.e., in their
sensuous social activity.
5. Marx moved beyond the question of human nature or essence, Althusser notes,
and towards a critical analysis of the reproduction of the everyday world of capital. Ifwe do not identify this critique with bourgeois political economy, then we are obliged
to view the concept of an epistemological break -- despite its value in showing Marx's
overcoming of Hegelianism -- as concealing the continuity and development of
Marx's materialism. By taking production as his stating point, Marx attempts to
address a fundamental problem of all previous materialist philosophy, identified in the
First Thesis on Feuerbach as the problem of sensuous activity, pleasure and freedom.
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While Marx's rejection of Hegelian idealism was complete, his rejection of Feuerbach
is not a rejection of materialism. "The separation from the Hegelian School was here
also the result of a return to the materialist standpoint" (Engels 1941:43) and the
practical tasks of materialism, which always consist of"denouncing all myth, all
mystifications, all superstitions" (Deleuze 1994:270), and the purpose of which is, as
Marx said, to change the world.
The "Young Marx"
6. The ethical question is not a question of the "young Marx" vs. Marx. Althusser
was correct to see the construction of the "young Marx" as both a theoretical problem
as well as a practical tactic of social democrats opposed to the Bolshevik party
ideologies within the Cold War Left. The ethical question is fundamentally, "Which
Marx? The Hegelian or the materialist?"
7. Althusser rightly noted that Marx systematically rejected both Hegel's idealism
and Feuerbach's materialism, purging his work of both humanism and essentialism.
This means that he rid himself of any ethics based upon an abstract notion of human
nature or rights. Althusser maintained, however, that what remained after this
revolution of subjectivity was a science of historical materialism. Aronowitz
decisively critiques this move on the grounds that Althusser mistakes materialism,
which is always a revolutionary ideological practice, for bourgeois science
(Aronowitz 1988). There is indeed, one might say, a Hegelian Marx, else Marx and
Althusser would not have spent so much time exorcising him. Nor would Lenin have
suggested that one read Hegel'sLogic to understand Capital. Of course,
the Grundrisse was unknown to Lenin, but to follow up on a suggestion of Nicolaus,
with the Grundrisse it is no longer necessary to see Marx through Hegel, but instead
as a materialist who gave us an alternative understanding of the dialectics of history
and materialism.
8. At the same time, some writers like McCarthy in his otherwise admirableMarx
and the Ancients, attempt to transform Marx's work into the discourse of Greek
philosophy, as though Marx simply returned to the Greeks. These works exaggerate
the continuity and at the same time they forget that what Marx said about Greek art is
equally true of Greek philosophy: "One can not become a child again withoutbecoming childish" (1973:103). In his dissertation, Marx critiqued Epicurean
philosophy as an ascetic and contemplative philosophy that justified a withdrawal
from the everyday world into the garden of philosophy.1To find the ethical content of
the Grundrisse, we can look to the example of Epicurus, who derived his ethics,
including an egalitarianism and freedom quite uncharacteristic of most Greek
philosophers, from his physics. In much the same way, we must derive Marx's ethics
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from his materialism. This is in fact how Marx undertook his own work on Epicurus:
". . . instead of presenting moments out of the preceding Greek philosophies as
conditions for the life of the Epicurean philosophy, I reason back from the later to
draw conclusions about the former and thus let it itself formulate its own particular
position" (1975b:493).
9. As we mentioned earlier, because the Grundrisse begins with the production of
difference, it also has indeterminacy at its center. Determinism, Marx noted in the
dissertation, is a crucial question of materialism. In his study of Democritius and
Epicurus, Marx concluded that despite what he understood as Epicurean materialism's
contemplative stance, it was a major advance over the Democritean system, which
viewed the fall of the atom as determined, and removed chance from the workings of
nature. While Democritius held that the atom fell in a straight line, and hence the
experience of the world was essentially determined, Marx notes that Epicurus
advanced the thesis that instead of falling in a straight line, atoms are subject to
spontaneous swerves because of their effects upon one another. In this spontaneous
swerve of the atom, Epicurus located his argument for the immanence of freedom in
nature, and a world not determined for people, but made by them (Marx 1975). It is
instructive to note that De Santillana (1961) sees the same element of freedom in
Epicurean materialism that Marx discerns, and also goes further and interprets
Epicurus and his more famous follower Lucretius within the political context of their
time (a task that Marx did not do in his dissertation). Rejecting the repressive weight
of Hamlet's "dread of something after death, the undiscovered country from whose
bourne no traveller returns, puzzles the will," De Santillana seconds the traditional
view of Epicurus as the first to bring humans to the status of god, or god to the status
of human invention, and thereby free us of this myth. ". . . [T]he man who destroyed
the whole foundation of religious faith and overturned the altars and the temples of the
gods, not by manly force, as Xerxes did, but by the force of argument" (Cicero
1972:116). And in doing so, the determinism and unity of divinity gave way to a
materialism that located spontaneity and difference in nature. For materialism, chance
is
an initial element of indeterminacy, of spontaneity, at the core of the atom, so that it
should work out as freedom at every point, in nature and specifically in life. . . . The
message, in any case is clear: freedom does not come . . . from above, and to the electas Plato would have it in hisLaws; it comes from the very core of things, within life
itself. Hence it is every man's [sic] inalienable inheritance. (De Santillana 1961:291-
292)
10. But we can not really say that Marx returned to Epicurus. Marx had long
before, in his dissertation, condemned even Epicurean materialism as a contemplative
and ascetic philosophy (which is also how Nietzsche would later describe
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it).2However, it did have some very positive elements that Marx highlighted. It
derived its ethics from its materialism, and more importantly, Epicurean materialism
lacked essentialism. It placed all humanness into the sensuous experience of an
indeterminate nature.3Marx is particularly impressed with Epicurus locating freedom
in nature itself, in the spontaneous swerve of the falling atom, and not in a
transcendental category or in an essentialized Human Nature. Humans, from theirsensations to their thoughts, never stand apart from nature. Epicurean materialism
immersed all humans in the sensuous experience of an indeterminate nature. Marx in
the Grundrisse does the same with the social relations that make us human.
11. The Grundrisse and Capitalbegin at a very different moments.4Capital, for
reasons of political practice, begins with the commodity and with the fetishism of
commodities. I.I. Rubin convincingly places the fetishism of commodities at the
center ofCapital. "The theory of fetishism is,per se, the basis of Marx's entire
economic system . . . revealing the illusion in human consciousness which originated
in the commodity economy and which assigned to things characteristics which have
their source in the social relations among people in the process of production" (Rubin
1993:5). But it is notMarx's economic system-- for he proposed no such theory -- but
"the many capitals of capital" that spread with the commodity form to every corner of
the social world.Capitalbegins with difference, with the multitude of commodities
that appearas one vast accumulation, as the unity that reveals the imperialism
inherent in commodity production (Luxemburg 1964). In the relentless drive by
capital to overcome all limits, production must be subsumed under the commodity
form. Rubin's analysis shows how Capitalis an immanent critique, starting
necessarily from the capitalists' own understanding of the world as a world of
commodities. As described by Marx, it is the fetishism of commodities that gives the
appearance of an infinite market of difference, but this difference is a mystery whose
solution reveals the unity of capital accumulation made real by its essential
imperialism. In the Grundrisse, Marx replaces the fetishistic difference of
commodities with the real difference of production.
12. The Grundrisse is first distinguished by the fact that it is not written from the
perspective of the capitalist. Instead, it is written from within capital, by an active
opponent of capitalist relations. The Grundrisse does not begin with commodities but
with "material production. Individuals producing in society -- hence sociallydetermined individual production by an animal which can individuate itself only in the
midst of society" (1973:83-84). But in starting with production, Marx avoids the error
of bourgeois political economy, which also startswith an abstract discussion of
production. Instead, he opposes the a priori totality of "production in general."
Horkheimer further reminds us that for "traditional" or "scientific" theory, "production
is the production of unity, and production is itself a product." Classical political
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economy is marked by a "determinative, ordering, unifying function" that serves as
the "sole foundation for all else, and towards it all human effort is directed." This
unifying function expresses itself as the "consciousness of the bourgeois savant in the
liberal era" (Horkheimer 1972:198), and is opposed to critical theory, which holds that
production as the production of difference. Political economy, in both its marxist and
its bourgeois forms, aims to describe production "as encased in eternal natural lawsindependent of history, at which opportunity bourgeois relations are then smuggled in
as the inviolable natural laws on which society in the abstract is founded" (Marx
1973:97). Marx's work is a critiqueof political economy. Horkheimer is simply
paraphrasing Marx's statement that "the whole profundity of those modern economists
who demonstrate the eternity and harmoniousness of existing social relations" lies in
forgetting "that each determination is itself segmented many times over and splits into
different determinations" (1973:85). The "essential difference" within any
determination should never be forgotten. Production as an abstract unity, "production
in general" did not concern Marx. And if "there is no production in general, then there
is no general production, or it is always a particular branch of production, or it is a
totality [comprised of many branches of production]. Production is also not only a
particular production, rather, it is always a certain social body, a social subject, which
is active . . ." (1973:85).
13. Production -- material production -- is the production of difference. But the
production of difference is at the same time the consumption of this difference. In
fact, it is this dialectic of production and consumption that Marx uses to demonstrate
both his debt to and his overcoming of Hegel's dialectical method. For Marx states
that "there is nothing simpler for a Hegelian than to posit production and consumption
as identical" (1973:93), but it is not Marx's goal to prove this identity, but to critique
it, to expose the non-identity of capital and labor, and thereby show that production is
not merely consumption, but also the consumption of difference: "productive
consumption" Marx calls it. In maintaining that production is the production of
difference, Marx does not close off dialectical development, but opens it up to spiral
ever further, acknowledging a fundamental indeterminacy to social relations. In a
world of socially individuated humans producing in society, production is never the
abstraction of "production in general," but is always expressed in material difference,
i.e., in class. And ethics are inherent in the determinations of class, for Marx does not
allow us any generalizations, even that ofsociety. "This so-called contemplation fromthe standpoint of society means nothing more than the overlooking of the differences
which express the social relation (relation of bourgeois society). Society does not
consist of individuals, but expresses the sum of the interrelations within which these
individuals stand" (1973:264-265).
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14. The Grundrisse is best understood as the foundation of a materialist critique. If
we want to understand ethics in the Grundrisse, then we must see it as the foundation
of a materialism that derives its ethics from the experience of social bodies immersed
in the historical activity of the production of difference. For theGrundrisse has
difference at its center, in other words, it has the historical indeterminacy of class
struggle at its center. And Marx, to emphasize the point again, is not writing about thisstruggle from the perspective of the capitalist. Thus, it is difference that allows us to
derive the ethical content from a work that rarely mentions the word "ethics." For the
entirety of this essay, I take seriously the possibility that the Grundrisse is truly the
foundation of an exposition of materialism. My argument will proceed bearing in
mind that any discussion of ethics is obliged to avoid the trap of searching for
moralizing statements in Marx's texts, and instead locate the ethical content in the
critique itself, i.e., within materialism. Morality, Marx said, is a particular mode of
production (1978:85).
The Critique of Bourgeois Morality: life as sensuous activity
15. In some ways, The Holy Family is the first work of Cultural Studies, or at least
of Critical Theory. All of the concerns are there, popular culture and the media, the
"mass," authority, morality, punishment and ethics, the method of immanent critique
that is to form the basis of the critique of political economy, and the technique based
upon immanent critique and close reading. The texts (Sue's novel, the newspaper, the
review of the novel) are deconstructed and recombined, with the addition of Marx's
critique, into a new text. One moves from the review of a popular novel to the critique
of Hegelianism itself, as well as a Nietzschian critique of morality. Certainly, it is adefiant rejection of bourgeois morality, ethics, and sexuality. Perhaps this is what is so
important about The Holy Family, that it is where Marx takes up the problems of
ethics and ethical life, following Rudolf through Parisian society in much the way one
follows "ethical self-consciousness" in thePhenomenologythrough its development
(another turning of Hegel on his head).5It is also a critique that is never again given
an extended, or explicit, treatment -- although one does hear it in theManifesto in
Marx's denouncement of marriage as a respectable form of prostitution and slavery. It
is a critique that Marx himself critiques for its humanism, but the critique itself, as a
ruthless critique of ideology, is never renounced. Indeed, The Holy Family was
written at the same time as theEconomic and Philosophic Manuscripts, and so it isnot the result of a youthful Marx's naivet or an early Hegelianism, as it was at this
time that Marx overcomes Hegel. A certain indeterminacy lies at the heart of Marx's
critique of morality, but Marx realized that to critique morality was not enough. Marx
therefore carries over his critique of the social relations of morality to his critique of
political economy and social relations in general. The multiple determinations and
overdeterminations of historical relations express the indeterminacy of nature and our
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attempts to control and rationalize it, first through others (slavery), and then directly
(commodification, management, and supervision) and which has its expression in new
forms of discipline and control (Marx 1973; Marx I, 1976; Deleuze 1994).
16. Marx establishes his position, which is an essential aspect of materialist
philosophy, that there is no good or bad. The opposition of good and bad is not adialectic, he says, but only a "mystery" of bourgeois morality. This view goes to the
heart of his critique of Proudhon as having merely modified Hegel's Dialectic, making
"every economic category" have two sides
. . . one good, the other bad. He looks upon these categories as the petty bourgeois
looks upon the great men of history: Napoleon was a great man; he did a lot of good;
he also did a lot of harm. The good side and the bad side, the advantages and the
drawbacks, taken together form for M. Proudhon the contradiction in every economic
category. The problem to be solved: to keep the good side, while eliminating the bad.
[Marx then mocks Proudhon.]
Slavery is an economic category like any other. Thus it also has two sides. Let us
leave alone the bad side and talk about the good side of slavery[!]. . . . (1978:104-105)
Marx accuses Proudhon of having read Hegel's ethical development of the spirit as
expressing essential ethical qualities of good and bad. For Marx, ethics exist in the
material situation itself, in this example, in the institution of slavery. The good of
slavery is that without it, you would have no cotton, and no modern industry, and no
world trade. "The value of slavery is not in any good inherent in the abstract concept
of its thesis -- we have left aside its 'bad' side -- and it seems that the 'good' side isgood only relative to whether you think that it is 'good' to have a system built upon
slavery at all" (Marx 1978:105).
17. To remain within materialism, and not be reduced to the negative abstraction of
good and bad, ethics must be derived from sensuous experience. Bourgeois morality
seeks to limit sensuous experience at every opportunity because such limits are seen,
as Freud pointed out, as the foundation for social life. This limit is a limit not of
nature -- for which the very indeterminacy of its material existence endows it an
almost infinite productive potential (Epicurus 1964:11) -- but always a limit of capital.
Freud later found, but could never admit, that the limits of the human psyche that hediscovered were the products of the social relations of capital and specific to the
bourgeois and petite bourgeois classes, and that even the Oedipal relation, supposedly
so universal, was experienced first as a deployment within the bourgeoisie for the
purpose of controlling itself and only later universalized to the other classes.6
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18. It is sensuous experience that Marx takes up in theHoly Family, his first
collaboration with Engels. Written at the same time as the "Economic and
Philosophical Manuscripts," theHoly Family demolishes the "mysteries" of the
Young Hegelians. By interweaving a critique of Szeliga's review with a close reading
of the text, Marx's critique operates on two levels: 1) as a general critique of the
Idealism of the Young Hegelians, and of Hegel himself, and 2) as a critique ofmorality and discipline that uses sensuousness not a transcendental ideal that may be
repressed, but as the basis for human emancipation.
19. Like Freud, Marx avoids the error of the science of his day and rejects
degeneracy as an explanation for poverty, deviance, and other social problems and
conflicts. Degeneracy is only a mystification that conceals the real social conditions
that are expressed through the bodies of humans producing socially. Marx finds the
limit to human freedom not in the "mystery of degeneracy," but in the experience of
capital relations in the everyday world. It is this limit to freedom, to nature itself, that
Marx exposes in theHoly Family, where he deconstructs a review by the critical
criticism of Szeliga through his review of Eugene Sue'snovel Mysteres de Paris.
Because the mystery of degeneracy is to be found in the world, Marx follows Szeliga
following Sue's protagonist, Rudolph, through his rounds of the city, where he seeks
to raise up the weak and punish the wicked. Only we find that things are not so clear
cut in Marx's close reading.
20. Marx speaks first of Szeliga: "his art is not that of disclosing what is hidden,
but in hiding what is disclosed . . . [and] presenting world conditions as mysteries. He
proclaims as mysteries degeneracy [criminals, prostitutes, the poor, etc.] within
civilization and rightlessness and inequality in the state." Marx sees no mystery in
these conditions, after all "the credo of most states starts . . . by making the high and
the low, the rich and the poorunequalbefore the law" (1943:70). Marx characterizes
Szeliga's presentation as the "mystery ofspeculative, ofHegelian construction."
Szeliga proclaims degeneracy in civilization and rightlessness in the state to be
mysteries, which Marx says dissolves them into the "category mystery" which takes
on an abstract existence apart "from present world conditions":
Only now, after dissolving real relations, e.g., law and civilization, in the category of
mystery and making "Mystery" into Substance, does [Szeliga] rise to the true
speculative,Hegelian, height and transform "Mystery" into a self-existing Subject
incarnating itself in real situations and persons so that the manifestations of its life are
countesses, marquises, grisettes, porters, notaries, charlatans, love intrigues, balls,
wooden doors, etc. Having produced the category "Mystery" out of the real world, he
produces the real world out of this category (75-76).
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21. Rudolph, the protagonist, roams the streets of Sue's Paris, encountering
representatives of the various social classes. But in Szeliga's review, even Sue's
bourgeois morality, which at least recognizes the existence of other classes and
moralities, is reduced to the category of "mystery." Of course, Feuerbach also used the
metaphor of mystery, "but whereas Feuerbach disclosed real mysteries, [Szeliga]
makes mysteries out of realtrivialities. His art is not that of disclosing what is hidden,but of hiding what is disclosed" (Marx 1980:70). Rudolph's journey through the
mysterious social hierarchy of Paris consists precisely in this hiding of what is
disclosed, for no sooner is a "mystery" exposed than its expressive, affirmative aspect
is subsumed under the sign of bourgeois morality and an ethic of bad conscience and
revenge. In fact Marx effectively shows the role of revenge and punishment in
Rudolph's administration of justice, thereby putting punishment at the center of
Rudolph/Sue/Szeliga's bourgeois morality.
22. Rudolph's is a reactive stroll. The stroll has become familiar in some genres of
critical theory. Closely associated with urbanism, the stroll, which dates as a
theoretical subject to Simmel, Baudelaire, and Benjamin, is often conceived of as an
emancipatory experience, an example being Deleuze and Guattari's discussion of
Buchner's "Lenz" (Deleuze and Guatarri 1983:4-5). Lenz on his stroll is removed
from the conditions that require that he "constantly situate himself socially, in
relationship to the god of established religion, in relationship to his father, to his
mother," and to the reproduction of capitalist relations. Lenz on his stroll experiences
"not nature as nature, but [nature] as a process of production" (Deleuze and Guattari
1983:2). His stroll "emancipates him from the jail-yard of individual relations"
(Emerson 1887). Conversely, Rudolph's stroll can be read as the steady accumulation
of the very limits that Lenz seeks to momentarily escape. Rudolph seeks to enforce
limits, especially to limit production to proscribed paths (and hence conceal
production's essential difference by giving it a false identity). Possessing the ability to
reform even the most wretched person in accordance with his "impartial judgment"
(Szeliga), Rudolph sets about reforming the lives of all the nere-do-wells he meets. In
order to accomplish this task, he either punishes them in accord with the "ruthless . . .
thought ofpure criticism" (Szeliga), i.e., punishment and torture; or Rudolph brings
them into the strictures of bourgeois morality, where "the ethics of political economy .
. . acquisition, work, thrift, sobriety" (Marx 1978:97), dictate that they, like the
characters he "reforms," should willingly die for their "master," having no other needthan to serve him.7Rudolph goes to a ball and finds the aristocracy in its everyday
condition. He talks to two of the "most beautiful among the beautiful" and he expects
to hear from them their joy regarding "the blessing of beloved children and the
fullness" of a life spent seeing to the "happiness of a husband." At the very least, since
he is amongst the aristocracy, he expects a certain moral supremacy that comes with
political power. Instead, they gossip about adultery and the very real and decadent,
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morality of their peers. This leads to Szeliga/Sue's speculations on love and
sensuality.
23. It is here that Marx reverses the terms of the discussion and, in the manner of
Spinoza, unmasks real relations that are so easily proclaimed mysteries.8Marx puts
forward the materialist view that it is through sensuous activity -- in love and in labor-- that humans experience the world. It is within sensuous activity that we experience
the production of desire, the utilization of human impulses, and the historical
materiality of human relations. This sensuous activity has, since the end of feudalism,
been increasingly expressed in the production of the general ideological practices of
capital, commodity fetishism and the concealment of bourgeois morality through the
production of the "mystery of speculative love." This is aptly shown by Marx's
analysis of the character of the parson in Sue's novel. Marx points out that the parson's
idea of love conforms to the design of the church (1980:81) and not the actual
sensuality of sex. It is a statement limited by Christian morality. The parson uses the
metaphors of love -- which Marx deconstructs into the real social power of the church
-- to conceal the real sensuousness of love, and to deny the very real things of sex.
Szeliga goes on to ask:
What is the mystery of love? . . . Not the shady paths in the thickets, declaims the
parson, "not the natural semi-obscurity of moonlight night nor the artificial semi-
obscurity of costly curtains and draperies; no the soft and enrapturing notes of the
harps and the organs, not the attraction of what is forbidden. . . . All this [curtains,
draperies and organs] is only the mysterious. The mysterious in it is what excites,
what intoxicates, what enraptures, the power of sensuality." (1980:81 interpolation by
Marx)
To which Marx replies: "Curtains anddraperies! Soft andenrapturing notes! Even the
organ! Let the reverend parson stop thinking of the church! Who would bring an
organ to a love tryst?" The parson states that the "mysterious in [love] is what excites,
what intoxicates, what enraptures, the power of sensuality." Sensuality therefore
invokes the experience of these things. On the contrary, Marx argues that our
sensuality is excited, intoxicated, enraptured in our experience of the world. He says,
The parson advises us, after the fashion of speculative theology,
to recognize sensuality as our own nature, in order afterwards to dominate it, i.e., to
retract recognition of it. True, he wishes to dominate it only when it tries to assert
itself at the expense ofReason -- will-power and love asopposedto sensuality are only
the will-power and love ofReason. The unspeculative Christian also
recognizessensuality as long as it does not assert itself at the expense of true reason,
i.e., of faith, of true love, i.e., of love of God, of true will-power, i.e., of will in Christ.
(1980:81)
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The parson does acknowledge that sensuality "has such a tremendous power over us"
because we will not recognize it as a part of our nature. Szeliga maintains that this is a
mystery of love, he does not explain it. So we must rhetorically ask, why this refusal?.
"It is true that we [the parson or the church?] do not like to admit the power of
sensuality. . . ." This is understandable, given that such an admission can only come as
a confession and a submission to Reason. According to Szeliga
If then love ceases to be the essential element of marriage and of morality in general,
sensuality becomes the mystery of love, of morality, of educated society -- sensuality
both in its narrowmeaning, in which it is a trembling in the nerves and a burning
stream in the veins, and in the broader meaning, in which it is elevated to
asemblance of spiritual power, to lust for power, ambition, craving for glory. . . .
(Szeliga in Marx and Engels1980:81)
Marx then gives his final blow contra Szeliga, Sue and Hegel:
The parson hits the nail on the head. To overcomesensuality he must first of all
overcome thenerve currents and the quickcirculation of the blood.. . . . As soon as
there is no more nerve current and the blood in the veins is no longer hot, thesinful
body, this seat of sensual lust, becomes a corpse and the souls can converse
unhindered about "general reason," "true love," and "pure mortals." The parson
debases sensuality to such an extent that he abolishes the very elements of sensual
love which inspire it -- the rapid circulation of blood, which proves that man does not
love by insensitive phlegm; the nerve currents which connect the organ that is the
main seat of sensuality with the brain. He reduces true sensual love to the mechanical
secretio seminis and lisps with notorious German theologian: "Not for the sake of
sensual love, not for the lust of the flesh, but because the Lord said: Increase and
Multiply" (1980:82)
24. Love and labor are for Marx the real sensuous experiences of everyday life.
The experience of Homo sapiens who are made human throughtheir social
production. Love is not a spiritual bond, nor does it represent the internal development
of an absolute love in the ideas of humans. It is nature itself in humans and it must be
dominated as nature is dominated. Even before labor there is sensuous activity, and
this remains even after it becomes human sensuous activity through social labor. It is
that part of us that is nature, not human nature, but nature-as-nature, which is
historically prior to human social relations, although the two are historically linked.
The passion of love is incapable of having an interest in internaldevelopment because
it can not be constructed apriori, because its development is a real one which takes
place in the world of the senses and between real individuals . . . what Critical
Criticism combats here is not merely love, but everything which is immediate, every
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sensuous experience, any and every real experience, the "whence" and the "whither"
of which one neverknows beforehand. (Marx 1980:30)
Hence Critical Criticism combats the everyday world of individuals producing in
society, the "whence and whether" we can not know precisely because it
is materialproduction, and therefore, indeterminate. It is the production of difference.The particular production that concerns us is capitalist production, which is a
historically situated domination of social production through theseemingly unlimited
expansion of wage-labor and the concurrent commodification of the everyday (Marx
1980: 322-324). It is the particular character of domination that is found under capital
that necessitates that we turn our attention towards the most terrible of expression of
"moral" order, slavery.
Morality and Slavery
25. The domination of sensuality, or the domination of sensuous experience, is also
the domination of human labor -- since it is labor that is so much a part of us and
through which we create ourselves (Lefebvre 1991:74-75). Under capital, the
domination of sensuous experience has its particular form in the work of supervision
and management-- authority-- that pervades both family and work.9However, as
authority "necessarily arises where the direct production process takes the form of a
socially combined process . . . it takes on two different forms" (Marx 1976 [III]:507).
In the one, the increased cooperation inherent in the historical division of labor,
authority can appear as a "governingwill . . . like the conductor of an orchestra"
(Marx 1976 [III]:507; emphasis added) who leads, but is not the composer. The
division of labor necessitates authority, but the expression of authority is specific to
any process of social production. This is the second form of authority and it is the
specificity of capital production that concerned Marx. While chattel slavery is the
"high point" of the concentration of supervision, capital has its own concentrations of
authority. The work of supervision and management is as "indispensable in the
capitalist mode of production" as it is under slavery. Moreover, there is in both the
tendency for supervision and management to become separate from ownership. In the
case of Roman slavery, this tendency resulted in the villicus, the manager of a slave
estate. In the case of American slavery, it is found in the position of the overseer, and
in the separation of the house from the field slaves. Under capital, it is the slavery ofthe wage. But under capital, there is a multiplicity of supervisory positions so that
even the individual capitalist can appear to another as a worker, for example,
theindustrial capitalist might appear as such to thefinancial capitalist. Marx actually
applies Aristotle's description of the slave holder to the capitalist. The interpolated
comments are Marx's:
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"For the master" -- the capitalist -- "proves himself such not by obtaining slaves'
ownership of capital, which gives him the power to buy labor" -- "but by employing
slaves" -- using laborers, nowadays wage-laborers, in the production process. "There
is nothing great or sublime about this science but whatever the slave is to perform, the
master must be able to order. Whenever the masters are not compelled to plague
themselves with supervision, the overseer assumes this honor, while the masterspursue public affairs or philosophy." (Marx 1976 [III]:509, quoting Aristotle,De
Republica, Book I, 7)
Marx explains the importance of this science:
What Aristotle is saying, in very blunt terms, is that domination, in the economic as
well as the political, imposes on those in power the functions of dominating, so that in
the economic domain, they must know how to consume labour-power. And he adds
that this supervisory work is not a matter of very great moment, which is why the
master leaves the "honour" of this drudgery to an overseer as soon as he is wealthyenough (1976 [III]:509).
In the social domain, the critique of capital relations is also the critique of slave
relations, there is, after all a reason why it is called wage-slavery. In a sense, Marx
reveals to us the paradox of Hegel's statement that "A slave can have no duties; only a
free man has them" (Hegel 1967:261). The "free man" is free to submit to duty. In
other words, the free man has his freedom determined by his duty, his unfreedom. The
slave, having no freedom, also has no duty. And having no duty, can not be fully
human. But this does not go far enough. The specific aspect of capital's social
domination in the capitalist mode of production is that the slave and the "free man"
become one and the same. It is not a question of the contradictions between
abstractions, but, of the conflicts around the ownership of production and the
apparatus of supervision and administration (e.g., the state, the boss, the teacher, the
doctor, etc.). The capacity to command the labor of others permeates the labor process
in general, so that even the capitalist appears as "a functionary of capital, as a simple
bearer of the labor process in general; as a worker, and a wage-worker at that" (Marx
1976 [III]::505). Marx draws this comparison of the slave and the "free worker":
The slave is the property of a particularmaster; the worker must indeed sell himself to
capital, but not to a particular capitalist; and so within certain limitations he may
choose to sell himself to whomever he wishes, and he may also change his master.
The effect of all these differences is to make the free worker's work more intensive,
more continuous, more flexible and skilled than that of the slave quite apart from the
fact that they fit him for quite a different role. The slave receives the means of
subsistence he requires in the form ofnaturalia which are fixed both in kind and
quantity -- i.e., he receives use values. The free worker receives them in the shape of
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money, exchange values. . . . [The free worker] learns to control himself [his
conversion of "money into whatever use-values he desires"] in contrast to the slave,
who needs a master. (Marx 1976 [I]:I, 1032-1033)
26. At no point does Marx condemn slavery on the basis of abstract ethical
concepts of good and bad. Instead, the critique of slavery serves to underscore theneed to understand the ethical content of Marx's work in light of the materialist
practice of deriving ethics from the conditions of life. The creation of capital's "free
man" as the bearer of capital's authority -- who is in all senses the child of the
Enlightenment -- has an important place in Marx's critique of morality, especially that
of bourgeois discipline and punishment. The critique of bourgeois punishment is
continuous with Marx's discussion of the work of supervision and management. This
is, of course, ineluctably tied to the domination of Reason over sensual experience,
which in turn intersects with human attempts to dominate nature, and which has been
shown by the impressive research of the Frankfurt School to be a necessary aspect of
the domination of humans by other humans. Of course, this form of domination is
itself the domination of the everyday life of the person It is in this sense that the
domination of the finite time granted by life becomes the means by which we can
understand capital as the crystallization of dead labor (Gulli 1996; Krysl 1997).
27. The versatility of the worker is the result of h(er/is) freedom and h(er/is)
freedom is the result of the subsumption of h(er/is) work to the relations of capital.
Versatility is an immediate result of the worker subsumed under capital. Capital
colonizes differences so that instead of producing freedom, they produce the desire for
exchange values. The alienation of the person's labor (and their labor from that of
others), becomes a desired object (commodity) that stands outside, and above, the
labor that produced it. Difference, the origin of freedom, instead is produced so as to
deny freedom. The versatility of the worker under the societies of discipline, already
the denial of the freedom of the free worker, gives way to the continuous difference,
the constant "retraining" of the present societies of control (Deleuze 1990).
Remarks
28. In the preface to his dissertation, Marx quotes Aeschylus' Prometheus defiantly
responding to the god's messenger: "Be sure of this, I would rather not change mystate of evil fortune for your servitude, / Better to be the servant of this rock, / Than to
be the faithful boy to Father Zeus." Of course, it is easy to see this rock as a metaphor
for materialism itself, which Marx never abandoned. The contradiction between
freedom and the duty of the "free man" might also be seen in this passage. Someday,
we must ask ourselves why so many editions of the "early works" begin with letters
from Marx to his father. Or why weare to find Hegel looming over Marx, providing
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the only avenue for understanding Marx. "One must read Hegel to understand Marx."
If it is not a father relationship that we often try to present in our genealogies of
Marxism, then it is certainly a chronology of master and servants. Marx would have
had none of this. He sides not with Hegel, but with Epicurus, for whom
chance/spontaneity, and therefore freedom, was immanent in all of nature.
Determinism, then, is a crucial question of materialism. Again, Marx'sepistemological break with Hegel is a meaningless question if there was never a clear
unity.
29. There is no single ethics that covers all time and places, Engels notes (1941).
Engels gives a later statement (which can used if his scientism is critiqued; see
Aronowitz, 1988):
We therefore reject every effort to impose on us any moral dogma whatsoever as an
external, ultimate and forever immutable ethical law on the pretext that the moral
world, too, has its permanent principles which stand above history and the differencebetween nations. We maintain on the contrary that all moral theories have been
hitherto the product, in the last analysis, of the economic conditions of society
obtaining at the time. And as society has hitherto moved in class antagonism, morality
has always been class morality . . . we have not yet passed beyond class morality. A
really human morality which stands above class antagonisms and above any
recollection of them becomes possible only at that stage of society which has not only
overcome class antagonism, but has forgotten them in practical life. (1978 :726-727)
30. Ethics are specific to the social bodies engaged in struggles around the
production of sensuous activity, what we might now call "everyday life." It is not that
Marx was a relativist anymore than Nietzsche was one. He was not. But he did
recognize difference in social production, and therefore ultimately rejected any
universal of human nature, or transcendental category (except those segmented by
multiple determinations, e.g., labor). Thus, Marx can assail slavery not on moral
grounds, in terms of good or bad, right and wrong, etc., but on the grounds of
pleasure, desire, and freedom, which exist materially.
31. Negri says that "to go back must be a passage into politics" (1991:103), and I
think that this is the way to understand and prepare to answer the question of ethics in
the Grundrisse. Like Capital, it is a political intervention. But by starting with
production, the Grundrisse marks the return to materialism as political action.
Therefore, any ethic in Marx must first be seen as an ethic of struggle and
resistance.10Ethics are derived from political practice, and the fundamental
production of difference means that the political is particular to each class and
segmented within each. To venture beyond this point would be to enter into a
discussion of ideology in general, which I can not dohere. But it is important to
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remark that the ethical question in the Grundrisse is inescapably linked to questions of
ideology and class.However, we can also say, regarding the current ideological
struggles within the left over the ethical question, that the moralization of Marx by
Habermas, Benhabib, Taylor, MacIntyre, and others, is an attempt to work through the
problems of materialism, and historical materialism, outside of the context of the very
conditions that gave rise to the contradiction in the first place. An ethic that serves asthe justification for bourgeois morality on the basis of Marx having been an
"enlightenment thinker" ignores Marx's materialism. Marx is not an Enlightenment
thinker. In going beyond Feuerbach, Marx also went beyond the Enlightenment
totalization. As Marx said in a circular letter, when one joins the proletarian party,
"the first requirement is that they do not bring any remnants of bourgeois, or petty
bourgeois prejudices with them. . ." (1974:374). It is for this reason that I have
avoided mention of alienation, so as to avoid any confusion of my position with those
who make the ethical content of Marx rest solely upon the Feurerbachian idea of
alienation, and in so doing reduce Marx's theory of the fetishism of commodities to an
abstraction.
32. I would instead propose that an affirmative ethics can derived from Marx, one
that is emancipatory, that finds the ethical in the materiality of pleasure and that
constantly opens new avenues of desire that are not limited by the needs of capital
production, the morality of bourgeois authority and family, or even by the needs of a
party. All such political practice is reactionary, as Marx points out, because it is not
predicated on emancipation.
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Notes
1Epicurus' school was known as the Garden, much in the same way that Plato'sschool was known as the Academy.
2George Sarton disputes this reading, arguing that the Epicureans, by their practice of
gender equality and their public attacks on religion and superstition, were quite
conspicuous to the authorities and were therefore ultimately viciously slandered and
repressed. "Let the common people have all the superstitions they want, Plato and his
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disciples would have said, they are too stupid to contemplate the truth, they prefer
lies. That may be true, but the immense difference between Plato and Epicurus
consists in this vary fact, that the former was ready to exploit popular ignorance and
credulity, while the latter does his best to eradicate them. [Epicurus was] the first to
proclaim the social danger of superstition and the primary need of fighting it. The
people must not be lied to according to the Platonic method; they must be told thetruth; if they are not sufficiently educated for that, then they must be educated; the
truth will make them free, naught else" (Sarton 1952:593).
3Cornell West (1991) has mentioned what he calls Marx's "anti-foundationalism."
However, I believe that the very use of the term transforms the question of ethics into
a question of relativism. While this is clearly West's intention, and his work is an
excellent critique of Kautsky in particular, West derives Marx's "ethical dimension"
from his "historicism." The Hegelianism of this attempt is obvious and even quite
bold, but West utterly neglects both Epicureanism and materialism in general, and
instead favors an idealist conception of moral relativism.
4Because of splits in the international movement, the Grundrisse remained virtually
unknown until about thirty to forty years ago. So it is not surprising that it was
eclipsed by Capitalas the final word from Marx. Some would say for good reason.
Once the Grundrisse began to circulate, it brought the inevitable comparison
toCapital. It is in this comparison that we can find the avenue towards the materialism
from which any socialist ethics must beand is derived. Many commentators
acknowledge the separate importance of the Grundrisse, while at the same time find
its unfinished condition unacceptable (a problem they curiously do not have with thesecond and third volumes ofCapital). Others have complained that the Grundrisse is
unreadable or an abandoned rough-draft ofCapital, "a kind of intellectual, personal,
and often indecipherable shorthand" (Hobsbawn in Negri 1991:1). Martin Nicolaus,
characterized it as a rough-draft executed mainly for the purpose of "self-clarification"
(1973:). In his commentary, Nicolaus points out that the Grundrisse can be thought of
as Capitalturned inside-out. This makes the two companion works, but works that
differ because of Marx's method of presentation. The key difference being that
"the Grundrisse and Capitalhave opposite virtues of form. The latter is the model of
the method of presentation, the former the record of the method of working"
(1973:61). But Nicolaus notes that much of the content of the Grundrisse is notcarried over intoCapital. Indeed, in the scheme of Marx's project, Capitalwas a
popular political exposition of a much larger project It is entirely plausible that
the Grundrisse and Capitalare two different works. The plan of theGrundrisse shows
it to be the foundation of a much larger project, touching on the entirety of Marx's
effort to infuse materialism with history.
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5Foucault adds that "our age, whether through logic or through epistemology,
whether through Marx or through Nietzsche, is attempting to flee Hegel" (Foucault
1971:235).
6The family in Marx and Engels' Communist Manifesto is distinguished by its class
relation. Often when speaking of the family, they are referring to the bourgeoisfamily. Moreover, the bourgeois family is an institution for the exploitation of
women: "Prostitution both public and private." See also Foucault's insightful account
in hisHistory of Sexuality (1980), and Marx's "Greed for Surplus Labor"
in Capital(1976 [I]).
7"Needlessness as the principle of political economy is most brilliantly shown in its
theory of population. There are too many people. Even the existence of men is a pure
luxury; and if the worker is 'ethical,' he will be sparing in procreation. (Mill suggests
public acclaim for those who prove themselves continent in the sexual relations, and
public rebuke for those who sin against such barrenness of marriage. . . . Is not this the
ethics, the teaching of asceticism?) The production of people appears as a public
misery" (Marx 1978:97).
8"Spinoza belongs to a great tradition: the practical task of philosophy consists in
denouncing all myths, all mystifications, all superstitions, whatever their origin. I
believe that this tradition always involves a naturalist philosophy. Superstition is
everything that keeps us cut off from our power of action and continually diminishes
it. The source of superstition is the concatenation of sad passions, fear, the hope
linked to fear, the anxiety that delivers us over to our phantoms. Spinoza knows, likeLucretius, that there are no joyful myths or superstitions. Like Lucretius, he sets the
image of a positive Nature against the uncertainty of gods: what is opposed to Nature
is not Culture, nor the state of reason, nor even the civil state, but only the
superstitions that threaten all human endeavor. . ." (Deleuze 1992:270).
9Thus calling into question Habermas's claims of a social life bifurcated into
public/private, purposive/communicative, lifeworld/system.
10It should be remembered that Marx quotesPrometheus Boundin the forward to his
dissertation: "be sure of this, I would not change my state of evil fortune for yourservitude. Better to be the servant of this rock, than to be faithful boy to Father Zeus"
(Aeschylus 1942:140). This view is diametrically opposed to the words of Homer,
which Plato uses to justify his authoritarianism: "Better to be the poor servant of a
poor master, than to live like them the masses of people" (Plato 1924:216).
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Contents copyright 1999 by B. Ricardo Brown.
Format copyright 1999 by Cultural Logic, ISSN 1097-3087, Volume 2, Number 2,
Spring 1999.
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