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    Marx and the Foundations of the Critical Theory of

    Morality and EthicsB. Ricardo Brown

    Understanding the Question of Ethics in Marx

    1. How are we to understand the ethical content of Marx's work? Is there a socialist

    ethic or an ethic of socialism? Of course, these are not new questions within the

    marxist tradition. One hundred years ago, debates over "ethical socialism" coincided

    with those over accumulation, imperialism, organization and party. Although the

    question of ethics has been raised most recently by neo-liberal and neo-authoritarian

    critics, the turn to the question of ethics has not occurred for intellectual reasons. It is

    occasioned by the passing of state capitalism in the USSR and by the simultaneouscritique of the adaptation by the Left of the discursive categories of bourgeois science

    in the forms of scientific socialism and the science of historical materialism. However,

    to raise the question of ethics is one thing, but to uncover its location within critical

    theory is quite another.

    2. Broadly speaking, responses to the question of ethics have displayed two

    theoretical tendencies. In the first tendency, there is a moralization of Marx through

    the construction of the "young Marx." This tendency identifies the entirety of Marx's

    critique of morality with his readings of Hegel and Feuerbach, the assumption being

    that Marx's critique of morality is restricted to these early works, leaving theimpression that his materialism is at best discontinuous from his critique of morality,

    and, at worst, simply derived from a previous, enlightenment moral theory.

    3. The second tendency is that of the so-called orthodox marxists who hold that

    ethics are merely the reflection or representation of economic determinations, simply

    a transparent feature of the base/superstructure model. This view also displays strong

    evolutionary arguments (see Kautsky and cf. Habermas). Like the first tendency, the

    effort here is to restrict ethics to Marx's early works. However, the goal is not to

    moralize the works but to transform the later works into promethean discourses of

    modern science, what Max Horkheimer called "Traditional Theory." The reduction ofhistorical materialism to a science of social development attempts to remove ethics

    from consideration because of its "unscientific" nature. The very fact that ethics exist

    asunscientific simply means that at least one aspect of critical theory can not be

    reduced to the disciplining of science -- and it also means that there are possibly many

    more. Of course, these tendencies are not mutually exclusive, and evidence of both

    can be found in the writings of marxists as different as Althusser and Habermas, but to

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    answer the question of ethics in Marx is to also critique the moralization of Marx, as

    well as the adoption by marxists of the techniques and discourses of modern science.

    For Marx, ethics and morality do existscientifically, i.e., they exist

    both historically and materially. Marx's view of ethics is, in other words, an active

    expression of a materialism that holds the promise of emancipation.

    4. This essay, by starting with Marx's later works, and particularly with

    the Grundrisse, departs from the two aforementioned tendencies by deriving Marx's

    ethics from his materialism, demonstrating that if we open the question of ethics in the

    later works, the ethos that emerges provides little comfort to those who would turn

    Marx into either a moralist, or a scientist of the social. Marx's project of "ruthless

    critique of all things" certainly included the critique of bourgeois ethics and morality.

    It is precisely because ethics are most often sought after or confined to Marx's "early

    works" that the question of ethics allows us to touch on the continuous issues of the

    "young Marx" and the idea of an epistemological break, Marx's critique of morality,

    the place of this critique within the entirety of his development of materialism, and the

    relation of ethics to materialism. By beginning with the later works, I make an implicit

    argument for a large measure of continuity in Marx's project. It is true that works like

    theHoly Family are more overt critiques of morality, and we will discuss this work in

    more detail later. It is also true, I will argue, that these works should be seen as

    moments in Marx's overcoming and exposing of bourgeois morality and that the

    results of this critique are to be found within a later work like theGrundrisse. It is, to

    be sure, a critique different in style and depth than that found in the early works. Marx

    himself is often critical of these early efforts, but they are nonetheless continuous with

    his development of materialism. We can find a discourse on morality and ethics in

    the Grundrisse, but it is a discourse that pointedly avoids all sentimentality,

    development, or predetermined categories such as good and bad. It is a discourse in

    which ethics are derived from the practice of struggle. The struggles around morality

    are not a struggles over values, but conflicts in which each class is expressed in their

    means of reproducing the very struggle that creates them -- and finds emancipatory

    expression in their practices of resistance, pleasure, and authority, i.e., in their

    sensuous social activity.

    5. Marx moved beyond the question of human nature or essence, Althusser notes,

    and towards a critical analysis of the reproduction of the everyday world of capital. Ifwe do not identify this critique with bourgeois political economy, then we are obliged

    to view the concept of an epistemological break -- despite its value in showing Marx's

    overcoming of Hegelianism -- as concealing the continuity and development of

    Marx's materialism. By taking production as his stating point, Marx attempts to

    address a fundamental problem of all previous materialist philosophy, identified in the

    First Thesis on Feuerbach as the problem of sensuous activity, pleasure and freedom.

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    While Marx's rejection of Hegelian idealism was complete, his rejection of Feuerbach

    is not a rejection of materialism. "The separation from the Hegelian School was here

    also the result of a return to the materialist standpoint" (Engels 1941:43) and the

    practical tasks of materialism, which always consist of"denouncing all myth, all

    mystifications, all superstitions" (Deleuze 1994:270), and the purpose of which is, as

    Marx said, to change the world.

    The "Young Marx"

    6. The ethical question is not a question of the "young Marx" vs. Marx. Althusser

    was correct to see the construction of the "young Marx" as both a theoretical problem

    as well as a practical tactic of social democrats opposed to the Bolshevik party

    ideologies within the Cold War Left. The ethical question is fundamentally, "Which

    Marx? The Hegelian or the materialist?"

    7. Althusser rightly noted that Marx systematically rejected both Hegel's idealism

    and Feuerbach's materialism, purging his work of both humanism and essentialism.

    This means that he rid himself of any ethics based upon an abstract notion of human

    nature or rights. Althusser maintained, however, that what remained after this

    revolution of subjectivity was a science of historical materialism. Aronowitz

    decisively critiques this move on the grounds that Althusser mistakes materialism,

    which is always a revolutionary ideological practice, for bourgeois science

    (Aronowitz 1988). There is indeed, one might say, a Hegelian Marx, else Marx and

    Althusser would not have spent so much time exorcising him. Nor would Lenin have

    suggested that one read Hegel'sLogic to understand Capital. Of course,

    the Grundrisse was unknown to Lenin, but to follow up on a suggestion of Nicolaus,

    with the Grundrisse it is no longer necessary to see Marx through Hegel, but instead

    as a materialist who gave us an alternative understanding of the dialectics of history

    and materialism.

    8. At the same time, some writers like McCarthy in his otherwise admirableMarx

    and the Ancients, attempt to transform Marx's work into the discourse of Greek

    philosophy, as though Marx simply returned to the Greeks. These works exaggerate

    the continuity and at the same time they forget that what Marx said about Greek art is

    equally true of Greek philosophy: "One can not become a child again withoutbecoming childish" (1973:103). In his dissertation, Marx critiqued Epicurean

    philosophy as an ascetic and contemplative philosophy that justified a withdrawal

    from the everyday world into the garden of philosophy.1To find the ethical content of

    the Grundrisse, we can look to the example of Epicurus, who derived his ethics,

    including an egalitarianism and freedom quite uncharacteristic of most Greek

    philosophers, from his physics. In much the same way, we must derive Marx's ethics

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    from his materialism. This is in fact how Marx undertook his own work on Epicurus:

    ". . . instead of presenting moments out of the preceding Greek philosophies as

    conditions for the life of the Epicurean philosophy, I reason back from the later to

    draw conclusions about the former and thus let it itself formulate its own particular

    position" (1975b:493).

    9. As we mentioned earlier, because the Grundrisse begins with the production of

    difference, it also has indeterminacy at its center. Determinism, Marx noted in the

    dissertation, is a crucial question of materialism. In his study of Democritius and

    Epicurus, Marx concluded that despite what he understood as Epicurean materialism's

    contemplative stance, it was a major advance over the Democritean system, which

    viewed the fall of the atom as determined, and removed chance from the workings of

    nature. While Democritius held that the atom fell in a straight line, and hence the

    experience of the world was essentially determined, Marx notes that Epicurus

    advanced the thesis that instead of falling in a straight line, atoms are subject to

    spontaneous swerves because of their effects upon one another. In this spontaneous

    swerve of the atom, Epicurus located his argument for the immanence of freedom in

    nature, and a world not determined for people, but made by them (Marx 1975). It is

    instructive to note that De Santillana (1961) sees the same element of freedom in

    Epicurean materialism that Marx discerns, and also goes further and interprets

    Epicurus and his more famous follower Lucretius within the political context of their

    time (a task that Marx did not do in his dissertation). Rejecting the repressive weight

    of Hamlet's "dread of something after death, the undiscovered country from whose

    bourne no traveller returns, puzzles the will," De Santillana seconds the traditional

    view of Epicurus as the first to bring humans to the status of god, or god to the status

    of human invention, and thereby free us of this myth. ". . . [T]he man who destroyed

    the whole foundation of religious faith and overturned the altars and the temples of the

    gods, not by manly force, as Xerxes did, but by the force of argument" (Cicero

    1972:116). And in doing so, the determinism and unity of divinity gave way to a

    materialism that located spontaneity and difference in nature. For materialism, chance

    is

    an initial element of indeterminacy, of spontaneity, at the core of the atom, so that it

    should work out as freedom at every point, in nature and specifically in life. . . . The

    message, in any case is clear: freedom does not come . . . from above, and to the electas Plato would have it in hisLaws; it comes from the very core of things, within life

    itself. Hence it is every man's [sic] inalienable inheritance. (De Santillana 1961:291-

    292)

    10. But we can not really say that Marx returned to Epicurus. Marx had long

    before, in his dissertation, condemned even Epicurean materialism as a contemplative

    and ascetic philosophy (which is also how Nietzsche would later describe

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    it).2However, it did have some very positive elements that Marx highlighted. It

    derived its ethics from its materialism, and more importantly, Epicurean materialism

    lacked essentialism. It placed all humanness into the sensuous experience of an

    indeterminate nature.3Marx is particularly impressed with Epicurus locating freedom

    in nature itself, in the spontaneous swerve of the falling atom, and not in a

    transcendental category or in an essentialized Human Nature. Humans, from theirsensations to their thoughts, never stand apart from nature. Epicurean materialism

    immersed all humans in the sensuous experience of an indeterminate nature. Marx in

    the Grundrisse does the same with the social relations that make us human.

    11. The Grundrisse and Capitalbegin at a very different moments.4Capital, for

    reasons of political practice, begins with the commodity and with the fetishism of

    commodities. I.I. Rubin convincingly places the fetishism of commodities at the

    center ofCapital. "The theory of fetishism is,per se, the basis of Marx's entire

    economic system . . . revealing the illusion in human consciousness which originated

    in the commodity economy and which assigned to things characteristics which have

    their source in the social relations among people in the process of production" (Rubin

    1993:5). But it is notMarx's economic system-- for he proposed no such theory -- but

    "the many capitals of capital" that spread with the commodity form to every corner of

    the social world.Capitalbegins with difference, with the multitude of commodities

    that appearas one vast accumulation, as the unity that reveals the imperialism

    inherent in commodity production (Luxemburg 1964). In the relentless drive by

    capital to overcome all limits, production must be subsumed under the commodity

    form. Rubin's analysis shows how Capitalis an immanent critique, starting

    necessarily from the capitalists' own understanding of the world as a world of

    commodities. As described by Marx, it is the fetishism of commodities that gives the

    appearance of an infinite market of difference, but this difference is a mystery whose

    solution reveals the unity of capital accumulation made real by its essential

    imperialism. In the Grundrisse, Marx replaces the fetishistic difference of

    commodities with the real difference of production.

    12. The Grundrisse is first distinguished by the fact that it is not written from the

    perspective of the capitalist. Instead, it is written from within capital, by an active

    opponent of capitalist relations. The Grundrisse does not begin with commodities but

    with "material production. Individuals producing in society -- hence sociallydetermined individual production by an animal which can individuate itself only in the

    midst of society" (1973:83-84). But in starting with production, Marx avoids the error

    of bourgeois political economy, which also startswith an abstract discussion of

    production. Instead, he opposes the a priori totality of "production in general."

    Horkheimer further reminds us that for "traditional" or "scientific" theory, "production

    is the production of unity, and production is itself a product." Classical political

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    economy is marked by a "determinative, ordering, unifying function" that serves as

    the "sole foundation for all else, and towards it all human effort is directed." This

    unifying function expresses itself as the "consciousness of the bourgeois savant in the

    liberal era" (Horkheimer 1972:198), and is opposed to critical theory, which holds that

    production as the production of difference. Political economy, in both its marxist and

    its bourgeois forms, aims to describe production "as encased in eternal natural lawsindependent of history, at which opportunity bourgeois relations are then smuggled in

    as the inviolable natural laws on which society in the abstract is founded" (Marx

    1973:97). Marx's work is a critiqueof political economy. Horkheimer is simply

    paraphrasing Marx's statement that "the whole profundity of those modern economists

    who demonstrate the eternity and harmoniousness of existing social relations" lies in

    forgetting "that each determination is itself segmented many times over and splits into

    different determinations" (1973:85). The "essential difference" within any

    determination should never be forgotten. Production as an abstract unity, "production

    in general" did not concern Marx. And if "there is no production in general, then there

    is no general production, or it is always a particular branch of production, or it is a

    totality [comprised of many branches of production]. Production is also not only a

    particular production, rather, it is always a certain social body, a social subject, which

    is active . . ." (1973:85).

    13. Production -- material production -- is the production of difference. But the

    production of difference is at the same time the consumption of this difference. In

    fact, it is this dialectic of production and consumption that Marx uses to demonstrate

    both his debt to and his overcoming of Hegel's dialectical method. For Marx states

    that "there is nothing simpler for a Hegelian than to posit production and consumption

    as identical" (1973:93), but it is not Marx's goal to prove this identity, but to critique

    it, to expose the non-identity of capital and labor, and thereby show that production is

    not merely consumption, but also the consumption of difference: "productive

    consumption" Marx calls it. In maintaining that production is the production of

    difference, Marx does not close off dialectical development, but opens it up to spiral

    ever further, acknowledging a fundamental indeterminacy to social relations. In a

    world of socially individuated humans producing in society, production is never the

    abstraction of "production in general," but is always expressed in material difference,

    i.e., in class. And ethics are inherent in the determinations of class, for Marx does not

    allow us any generalizations, even that ofsociety. "This so-called contemplation fromthe standpoint of society means nothing more than the overlooking of the differences

    which express the social relation (relation of bourgeois society). Society does not

    consist of individuals, but expresses the sum of the interrelations within which these

    individuals stand" (1973:264-265).

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    14. The Grundrisse is best understood as the foundation of a materialist critique. If

    we want to understand ethics in the Grundrisse, then we must see it as the foundation

    of a materialism that derives its ethics from the experience of social bodies immersed

    in the historical activity of the production of difference. For theGrundrisse has

    difference at its center, in other words, it has the historical indeterminacy of class

    struggle at its center. And Marx, to emphasize the point again, is not writing about thisstruggle from the perspective of the capitalist. Thus, it is difference that allows us to

    derive the ethical content from a work that rarely mentions the word "ethics." For the

    entirety of this essay, I take seriously the possibility that the Grundrisse is truly the

    foundation of an exposition of materialism. My argument will proceed bearing in

    mind that any discussion of ethics is obliged to avoid the trap of searching for

    moralizing statements in Marx's texts, and instead locate the ethical content in the

    critique itself, i.e., within materialism. Morality, Marx said, is a particular mode of

    production (1978:85).

    The Critique of Bourgeois Morality: life as sensuous activity

    15. In some ways, The Holy Family is the first work of Cultural Studies, or at least

    of Critical Theory. All of the concerns are there, popular culture and the media, the

    "mass," authority, morality, punishment and ethics, the method of immanent critique

    that is to form the basis of the critique of political economy, and the technique based

    upon immanent critique and close reading. The texts (Sue's novel, the newspaper, the

    review of the novel) are deconstructed and recombined, with the addition of Marx's

    critique, into a new text. One moves from the review of a popular novel to the critique

    of Hegelianism itself, as well as a Nietzschian critique of morality. Certainly, it is adefiant rejection of bourgeois morality, ethics, and sexuality. Perhaps this is what is so

    important about The Holy Family, that it is where Marx takes up the problems of

    ethics and ethical life, following Rudolf through Parisian society in much the way one

    follows "ethical self-consciousness" in thePhenomenologythrough its development

    (another turning of Hegel on his head).5It is also a critique that is never again given

    an extended, or explicit, treatment -- although one does hear it in theManifesto in

    Marx's denouncement of marriage as a respectable form of prostitution and slavery. It

    is a critique that Marx himself critiques for its humanism, but the critique itself, as a

    ruthless critique of ideology, is never renounced. Indeed, The Holy Family was

    written at the same time as theEconomic and Philosophic Manuscripts, and so it isnot the result of a youthful Marx's naivet or an early Hegelianism, as it was at this

    time that Marx overcomes Hegel. A certain indeterminacy lies at the heart of Marx's

    critique of morality, but Marx realized that to critique morality was not enough. Marx

    therefore carries over his critique of the social relations of morality to his critique of

    political economy and social relations in general. The multiple determinations and

    overdeterminations of historical relations express the indeterminacy of nature and our

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    attempts to control and rationalize it, first through others (slavery), and then directly

    (commodification, management, and supervision) and which has its expression in new

    forms of discipline and control (Marx 1973; Marx I, 1976; Deleuze 1994).

    16. Marx establishes his position, which is an essential aspect of materialist

    philosophy, that there is no good or bad. The opposition of good and bad is not adialectic, he says, but only a "mystery" of bourgeois morality. This view goes to the

    heart of his critique of Proudhon as having merely modified Hegel's Dialectic, making

    "every economic category" have two sides

    . . . one good, the other bad. He looks upon these categories as the petty bourgeois

    looks upon the great men of history: Napoleon was a great man; he did a lot of good;

    he also did a lot of harm. The good side and the bad side, the advantages and the

    drawbacks, taken together form for M. Proudhon the contradiction in every economic

    category. The problem to be solved: to keep the good side, while eliminating the bad.

    [Marx then mocks Proudhon.]

    Slavery is an economic category like any other. Thus it also has two sides. Let us

    leave alone the bad side and talk about the good side of slavery[!]. . . . (1978:104-105)

    Marx accuses Proudhon of having read Hegel's ethical development of the spirit as

    expressing essential ethical qualities of good and bad. For Marx, ethics exist in the

    material situation itself, in this example, in the institution of slavery. The good of

    slavery is that without it, you would have no cotton, and no modern industry, and no

    world trade. "The value of slavery is not in any good inherent in the abstract concept

    of its thesis -- we have left aside its 'bad' side -- and it seems that the 'good' side isgood only relative to whether you think that it is 'good' to have a system built upon

    slavery at all" (Marx 1978:105).

    17. To remain within materialism, and not be reduced to the negative abstraction of

    good and bad, ethics must be derived from sensuous experience. Bourgeois morality

    seeks to limit sensuous experience at every opportunity because such limits are seen,

    as Freud pointed out, as the foundation for social life. This limit is a limit not of

    nature -- for which the very indeterminacy of its material existence endows it an

    almost infinite productive potential (Epicurus 1964:11) -- but always a limit of capital.

    Freud later found, but could never admit, that the limits of the human psyche that hediscovered were the products of the social relations of capital and specific to the

    bourgeois and petite bourgeois classes, and that even the Oedipal relation, supposedly

    so universal, was experienced first as a deployment within the bourgeoisie for the

    purpose of controlling itself and only later universalized to the other classes.6

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    18. It is sensuous experience that Marx takes up in theHoly Family, his first

    collaboration with Engels. Written at the same time as the "Economic and

    Philosophical Manuscripts," theHoly Family demolishes the "mysteries" of the

    Young Hegelians. By interweaving a critique of Szeliga's review with a close reading

    of the text, Marx's critique operates on two levels: 1) as a general critique of the

    Idealism of the Young Hegelians, and of Hegel himself, and 2) as a critique ofmorality and discipline that uses sensuousness not a transcendental ideal that may be

    repressed, but as the basis for human emancipation.

    19. Like Freud, Marx avoids the error of the science of his day and rejects

    degeneracy as an explanation for poverty, deviance, and other social problems and

    conflicts. Degeneracy is only a mystification that conceals the real social conditions

    that are expressed through the bodies of humans producing socially. Marx finds the

    limit to human freedom not in the "mystery of degeneracy," but in the experience of

    capital relations in the everyday world. It is this limit to freedom, to nature itself, that

    Marx exposes in theHoly Family, where he deconstructs a review by the critical

    criticism of Szeliga through his review of Eugene Sue'snovel Mysteres de Paris.

    Because the mystery of degeneracy is to be found in the world, Marx follows Szeliga

    following Sue's protagonist, Rudolph, through his rounds of the city, where he seeks

    to raise up the weak and punish the wicked. Only we find that things are not so clear

    cut in Marx's close reading.

    20. Marx speaks first of Szeliga: "his art is not that of disclosing what is hidden,

    but in hiding what is disclosed . . . [and] presenting world conditions as mysteries. He

    proclaims as mysteries degeneracy [criminals, prostitutes, the poor, etc.] within

    civilization and rightlessness and inequality in the state." Marx sees no mystery in

    these conditions, after all "the credo of most states starts . . . by making the high and

    the low, the rich and the poorunequalbefore the law" (1943:70). Marx characterizes

    Szeliga's presentation as the "mystery ofspeculative, ofHegelian construction."

    Szeliga proclaims degeneracy in civilization and rightlessness in the state to be

    mysteries, which Marx says dissolves them into the "category mystery" which takes

    on an abstract existence apart "from present world conditions":

    Only now, after dissolving real relations, e.g., law and civilization, in the category of

    mystery and making "Mystery" into Substance, does [Szeliga] rise to the true

    speculative,Hegelian, height and transform "Mystery" into a self-existing Subject

    incarnating itself in real situations and persons so that the manifestations of its life are

    countesses, marquises, grisettes, porters, notaries, charlatans, love intrigues, balls,

    wooden doors, etc. Having produced the category "Mystery" out of the real world, he

    produces the real world out of this category (75-76).

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    21. Rudolph, the protagonist, roams the streets of Sue's Paris, encountering

    representatives of the various social classes. But in Szeliga's review, even Sue's

    bourgeois morality, which at least recognizes the existence of other classes and

    moralities, is reduced to the category of "mystery." Of course, Feuerbach also used the

    metaphor of mystery, "but whereas Feuerbach disclosed real mysteries, [Szeliga]

    makes mysteries out of realtrivialities. His art is not that of disclosing what is hidden,but of hiding what is disclosed" (Marx 1980:70). Rudolph's journey through the

    mysterious social hierarchy of Paris consists precisely in this hiding of what is

    disclosed, for no sooner is a "mystery" exposed than its expressive, affirmative aspect

    is subsumed under the sign of bourgeois morality and an ethic of bad conscience and

    revenge. In fact Marx effectively shows the role of revenge and punishment in

    Rudolph's administration of justice, thereby putting punishment at the center of

    Rudolph/Sue/Szeliga's bourgeois morality.

    22. Rudolph's is a reactive stroll. The stroll has become familiar in some genres of

    critical theory. Closely associated with urbanism, the stroll, which dates as a

    theoretical subject to Simmel, Baudelaire, and Benjamin, is often conceived of as an

    emancipatory experience, an example being Deleuze and Guattari's discussion of

    Buchner's "Lenz" (Deleuze and Guatarri 1983:4-5). Lenz on his stroll is removed

    from the conditions that require that he "constantly situate himself socially, in

    relationship to the god of established religion, in relationship to his father, to his

    mother," and to the reproduction of capitalist relations. Lenz on his stroll experiences

    "not nature as nature, but [nature] as a process of production" (Deleuze and Guattari

    1983:2). His stroll "emancipates him from the jail-yard of individual relations"

    (Emerson 1887). Conversely, Rudolph's stroll can be read as the steady accumulation

    of the very limits that Lenz seeks to momentarily escape. Rudolph seeks to enforce

    limits, especially to limit production to proscribed paths (and hence conceal

    production's essential difference by giving it a false identity). Possessing the ability to

    reform even the most wretched person in accordance with his "impartial judgment"

    (Szeliga), Rudolph sets about reforming the lives of all the nere-do-wells he meets. In

    order to accomplish this task, he either punishes them in accord with the "ruthless . . .

    thought ofpure criticism" (Szeliga), i.e., punishment and torture; or Rudolph brings

    them into the strictures of bourgeois morality, where "the ethics of political economy .

    . . acquisition, work, thrift, sobriety" (Marx 1978:97), dictate that they, like the

    characters he "reforms," should willingly die for their "master," having no other needthan to serve him.7Rudolph goes to a ball and finds the aristocracy in its everyday

    condition. He talks to two of the "most beautiful among the beautiful" and he expects

    to hear from them their joy regarding "the blessing of beloved children and the

    fullness" of a life spent seeing to the "happiness of a husband." At the very least, since

    he is amongst the aristocracy, he expects a certain moral supremacy that comes with

    political power. Instead, they gossip about adultery and the very real and decadent,

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    morality of their peers. This leads to Szeliga/Sue's speculations on love and

    sensuality.

    23. It is here that Marx reverses the terms of the discussion and, in the manner of

    Spinoza, unmasks real relations that are so easily proclaimed mysteries.8Marx puts

    forward the materialist view that it is through sensuous activity -- in love and in labor-- that humans experience the world. It is within sensuous activity that we experience

    the production of desire, the utilization of human impulses, and the historical

    materiality of human relations. This sensuous activity has, since the end of feudalism,

    been increasingly expressed in the production of the general ideological practices of

    capital, commodity fetishism and the concealment of bourgeois morality through the

    production of the "mystery of speculative love." This is aptly shown by Marx's

    analysis of the character of the parson in Sue's novel. Marx points out that the parson's

    idea of love conforms to the design of the church (1980:81) and not the actual

    sensuality of sex. It is a statement limited by Christian morality. The parson uses the

    metaphors of love -- which Marx deconstructs into the real social power of the church

    -- to conceal the real sensuousness of love, and to deny the very real things of sex.

    Szeliga goes on to ask:

    What is the mystery of love? . . . Not the shady paths in the thickets, declaims the

    parson, "not the natural semi-obscurity of moonlight night nor the artificial semi-

    obscurity of costly curtains and draperies; no the soft and enrapturing notes of the

    harps and the organs, not the attraction of what is forbidden. . . . All this [curtains,

    draperies and organs] is only the mysterious. The mysterious in it is what excites,

    what intoxicates, what enraptures, the power of sensuality." (1980:81 interpolation by

    Marx)

    To which Marx replies: "Curtains anddraperies! Soft andenrapturing notes! Even the

    organ! Let the reverend parson stop thinking of the church! Who would bring an

    organ to a love tryst?" The parson states that the "mysterious in [love] is what excites,

    what intoxicates, what enraptures, the power of sensuality." Sensuality therefore

    invokes the experience of these things. On the contrary, Marx argues that our

    sensuality is excited, intoxicated, enraptured in our experience of the world. He says,

    The parson advises us, after the fashion of speculative theology,

    to recognize sensuality as our own nature, in order afterwards to dominate it, i.e., to

    retract recognition of it. True, he wishes to dominate it only when it tries to assert

    itself at the expense ofReason -- will-power and love asopposedto sensuality are only

    the will-power and love ofReason. The unspeculative Christian also

    recognizessensuality as long as it does not assert itself at the expense of true reason,

    i.e., of faith, of true love, i.e., of love of God, of true will-power, i.e., of will in Christ.

    (1980:81)

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    The parson does acknowledge that sensuality "has such a tremendous power over us"

    because we will not recognize it as a part of our nature. Szeliga maintains that this is a

    mystery of love, he does not explain it. So we must rhetorically ask, why this refusal?.

    "It is true that we [the parson or the church?] do not like to admit the power of

    sensuality. . . ." This is understandable, given that such an admission can only come as

    a confession and a submission to Reason. According to Szeliga

    If then love ceases to be the essential element of marriage and of morality in general,

    sensuality becomes the mystery of love, of morality, of educated society -- sensuality

    both in its narrowmeaning, in which it is a trembling in the nerves and a burning

    stream in the veins, and in the broader meaning, in which it is elevated to

    asemblance of spiritual power, to lust for power, ambition, craving for glory. . . .

    (Szeliga in Marx and Engels1980:81)

    Marx then gives his final blow contra Szeliga, Sue and Hegel:

    The parson hits the nail on the head. To overcomesensuality he must first of all

    overcome thenerve currents and the quickcirculation of the blood.. . . . As soon as

    there is no more nerve current and the blood in the veins is no longer hot, thesinful

    body, this seat of sensual lust, becomes a corpse and the souls can converse

    unhindered about "general reason," "true love," and "pure mortals." The parson

    debases sensuality to such an extent that he abolishes the very elements of sensual

    love which inspire it -- the rapid circulation of blood, which proves that man does not

    love by insensitive phlegm; the nerve currents which connect the organ that is the

    main seat of sensuality with the brain. He reduces true sensual love to the mechanical

    secretio seminis and lisps with notorious German theologian: "Not for the sake of

    sensual love, not for the lust of the flesh, but because the Lord said: Increase and

    Multiply" (1980:82)

    24. Love and labor are for Marx the real sensuous experiences of everyday life.

    The experience of Homo sapiens who are made human throughtheir social

    production. Love is not a spiritual bond, nor does it represent the internal development

    of an absolute love in the ideas of humans. It is nature itself in humans and it must be

    dominated as nature is dominated. Even before labor there is sensuous activity, and

    this remains even after it becomes human sensuous activity through social labor. It is

    that part of us that is nature, not human nature, but nature-as-nature, which is

    historically prior to human social relations, although the two are historically linked.

    The passion of love is incapable of having an interest in internaldevelopment because

    it can not be constructed apriori, because its development is a real one which takes

    place in the world of the senses and between real individuals . . . what Critical

    Criticism combats here is not merely love, but everything which is immediate, every

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    sensuous experience, any and every real experience, the "whence" and the "whither"

    of which one neverknows beforehand. (Marx 1980:30)

    Hence Critical Criticism combats the everyday world of individuals producing in

    society, the "whence and whether" we can not know precisely because it

    is materialproduction, and therefore, indeterminate. It is the production of difference.The particular production that concerns us is capitalist production, which is a

    historically situated domination of social production through theseemingly unlimited

    expansion of wage-labor and the concurrent commodification of the everyday (Marx

    1980: 322-324). It is the particular character of domination that is found under capital

    that necessitates that we turn our attention towards the most terrible of expression of

    "moral" order, slavery.

    Morality and Slavery

    25. The domination of sensuality, or the domination of sensuous experience, is also

    the domination of human labor -- since it is labor that is so much a part of us and

    through which we create ourselves (Lefebvre 1991:74-75). Under capital, the

    domination of sensuous experience has its particular form in the work of supervision

    and management-- authority-- that pervades both family and work.9However, as

    authority "necessarily arises where the direct production process takes the form of a

    socially combined process . . . it takes on two different forms" (Marx 1976 [III]:507).

    In the one, the increased cooperation inherent in the historical division of labor,

    authority can appear as a "governingwill . . . like the conductor of an orchestra"

    (Marx 1976 [III]:507; emphasis added) who leads, but is not the composer. The

    division of labor necessitates authority, but the expression of authority is specific to

    any process of social production. This is the second form of authority and it is the

    specificity of capital production that concerned Marx. While chattel slavery is the

    "high point" of the concentration of supervision, capital has its own concentrations of

    authority. The work of supervision and management is as "indispensable in the

    capitalist mode of production" as it is under slavery. Moreover, there is in both the

    tendency for supervision and management to become separate from ownership. In the

    case of Roman slavery, this tendency resulted in the villicus, the manager of a slave

    estate. In the case of American slavery, it is found in the position of the overseer, and

    in the separation of the house from the field slaves. Under capital, it is the slavery ofthe wage. But under capital, there is a multiplicity of supervisory positions so that

    even the individual capitalist can appear to another as a worker, for example,

    theindustrial capitalist might appear as such to thefinancial capitalist. Marx actually

    applies Aristotle's description of the slave holder to the capitalist. The interpolated

    comments are Marx's:

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    "For the master" -- the capitalist -- "proves himself such not by obtaining slaves'

    ownership of capital, which gives him the power to buy labor" -- "but by employing

    slaves" -- using laborers, nowadays wage-laborers, in the production process. "There

    is nothing great or sublime about this science but whatever the slave is to perform, the

    master must be able to order. Whenever the masters are not compelled to plague

    themselves with supervision, the overseer assumes this honor, while the masterspursue public affairs or philosophy." (Marx 1976 [III]:509, quoting Aristotle,De

    Republica, Book I, 7)

    Marx explains the importance of this science:

    What Aristotle is saying, in very blunt terms, is that domination, in the economic as

    well as the political, imposes on those in power the functions of dominating, so that in

    the economic domain, they must know how to consume labour-power. And he adds

    that this supervisory work is not a matter of very great moment, which is why the

    master leaves the "honour" of this drudgery to an overseer as soon as he is wealthyenough (1976 [III]:509).

    In the social domain, the critique of capital relations is also the critique of slave

    relations, there is, after all a reason why it is called wage-slavery. In a sense, Marx

    reveals to us the paradox of Hegel's statement that "A slave can have no duties; only a

    free man has them" (Hegel 1967:261). The "free man" is free to submit to duty. In

    other words, the free man has his freedom determined by his duty, his unfreedom. The

    slave, having no freedom, also has no duty. And having no duty, can not be fully

    human. But this does not go far enough. The specific aspect of capital's social

    domination in the capitalist mode of production is that the slave and the "free man"

    become one and the same. It is not a question of the contradictions between

    abstractions, but, of the conflicts around the ownership of production and the

    apparatus of supervision and administration (e.g., the state, the boss, the teacher, the

    doctor, etc.). The capacity to command the labor of others permeates the labor process

    in general, so that even the capitalist appears as "a functionary of capital, as a simple

    bearer of the labor process in general; as a worker, and a wage-worker at that" (Marx

    1976 [III]::505). Marx draws this comparison of the slave and the "free worker":

    The slave is the property of a particularmaster; the worker must indeed sell himself to

    capital, but not to a particular capitalist; and so within certain limitations he may

    choose to sell himself to whomever he wishes, and he may also change his master.

    The effect of all these differences is to make the free worker's work more intensive,

    more continuous, more flexible and skilled than that of the slave quite apart from the

    fact that they fit him for quite a different role. The slave receives the means of

    subsistence he requires in the form ofnaturalia which are fixed both in kind and

    quantity -- i.e., he receives use values. The free worker receives them in the shape of

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    money, exchange values. . . . [The free worker] learns to control himself [his

    conversion of "money into whatever use-values he desires"] in contrast to the slave,

    who needs a master. (Marx 1976 [I]:I, 1032-1033)

    26. At no point does Marx condemn slavery on the basis of abstract ethical

    concepts of good and bad. Instead, the critique of slavery serves to underscore theneed to understand the ethical content of Marx's work in light of the materialist

    practice of deriving ethics from the conditions of life. The creation of capital's "free

    man" as the bearer of capital's authority -- who is in all senses the child of the

    Enlightenment -- has an important place in Marx's critique of morality, especially that

    of bourgeois discipline and punishment. The critique of bourgeois punishment is

    continuous with Marx's discussion of the work of supervision and management. This

    is, of course, ineluctably tied to the domination of Reason over sensual experience,

    which in turn intersects with human attempts to dominate nature, and which has been

    shown by the impressive research of the Frankfurt School to be a necessary aspect of

    the domination of humans by other humans. Of course, this form of domination is

    itself the domination of the everyday life of the person It is in this sense that the

    domination of the finite time granted by life becomes the means by which we can

    understand capital as the crystallization of dead labor (Gulli 1996; Krysl 1997).

    27. The versatility of the worker is the result of h(er/is) freedom and h(er/is)

    freedom is the result of the subsumption of h(er/is) work to the relations of capital.

    Versatility is an immediate result of the worker subsumed under capital. Capital

    colonizes differences so that instead of producing freedom, they produce the desire for

    exchange values. The alienation of the person's labor (and their labor from that of

    others), becomes a desired object (commodity) that stands outside, and above, the

    labor that produced it. Difference, the origin of freedom, instead is produced so as to

    deny freedom. The versatility of the worker under the societies of discipline, already

    the denial of the freedom of the free worker, gives way to the continuous difference,

    the constant "retraining" of the present societies of control (Deleuze 1990).

    Remarks

    28. In the preface to his dissertation, Marx quotes Aeschylus' Prometheus defiantly

    responding to the god's messenger: "Be sure of this, I would rather not change mystate of evil fortune for your servitude, / Better to be the servant of this rock, / Than to

    be the faithful boy to Father Zeus." Of course, it is easy to see this rock as a metaphor

    for materialism itself, which Marx never abandoned. The contradiction between

    freedom and the duty of the "free man" might also be seen in this passage. Someday,

    we must ask ourselves why so many editions of the "early works" begin with letters

    from Marx to his father. Or why weare to find Hegel looming over Marx, providing

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    the only avenue for understanding Marx. "One must read Hegel to understand Marx."

    If it is not a father relationship that we often try to present in our genealogies of

    Marxism, then it is certainly a chronology of master and servants. Marx would have

    had none of this. He sides not with Hegel, but with Epicurus, for whom

    chance/spontaneity, and therefore freedom, was immanent in all of nature.

    Determinism, then, is a crucial question of materialism. Again, Marx'sepistemological break with Hegel is a meaningless question if there was never a clear

    unity.

    29. There is no single ethics that covers all time and places, Engels notes (1941).

    Engels gives a later statement (which can used if his scientism is critiqued; see

    Aronowitz, 1988):

    We therefore reject every effort to impose on us any moral dogma whatsoever as an

    external, ultimate and forever immutable ethical law on the pretext that the moral

    world, too, has its permanent principles which stand above history and the differencebetween nations. We maintain on the contrary that all moral theories have been

    hitherto the product, in the last analysis, of the economic conditions of society

    obtaining at the time. And as society has hitherto moved in class antagonism, morality

    has always been class morality . . . we have not yet passed beyond class morality. A

    really human morality which stands above class antagonisms and above any

    recollection of them becomes possible only at that stage of society which has not only

    overcome class antagonism, but has forgotten them in practical life. (1978 :726-727)

    30. Ethics are specific to the social bodies engaged in struggles around the

    production of sensuous activity, what we might now call "everyday life." It is not that

    Marx was a relativist anymore than Nietzsche was one. He was not. But he did

    recognize difference in social production, and therefore ultimately rejected any

    universal of human nature, or transcendental category (except those segmented by

    multiple determinations, e.g., labor). Thus, Marx can assail slavery not on moral

    grounds, in terms of good or bad, right and wrong, etc., but on the grounds of

    pleasure, desire, and freedom, which exist materially.

    31. Negri says that "to go back must be a passage into politics" (1991:103), and I

    think that this is the way to understand and prepare to answer the question of ethics in

    the Grundrisse. Like Capital, it is a political intervention. But by starting with

    production, the Grundrisse marks the return to materialism as political action.

    Therefore, any ethic in Marx must first be seen as an ethic of struggle and

    resistance.10Ethics are derived from political practice, and the fundamental

    production of difference means that the political is particular to each class and

    segmented within each. To venture beyond this point would be to enter into a

    discussion of ideology in general, which I can not dohere. But it is important to

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    remark that the ethical question in the Grundrisse is inescapably linked to questions of

    ideology and class.However, we can also say, regarding the current ideological

    struggles within the left over the ethical question, that the moralization of Marx by

    Habermas, Benhabib, Taylor, MacIntyre, and others, is an attempt to work through the

    problems of materialism, and historical materialism, outside of the context of the very

    conditions that gave rise to the contradiction in the first place. An ethic that serves asthe justification for bourgeois morality on the basis of Marx having been an

    "enlightenment thinker" ignores Marx's materialism. Marx is not an Enlightenment

    thinker. In going beyond Feuerbach, Marx also went beyond the Enlightenment

    totalization. As Marx said in a circular letter, when one joins the proletarian party,

    "the first requirement is that they do not bring any remnants of bourgeois, or petty

    bourgeois prejudices with them. . ." (1974:374). It is for this reason that I have

    avoided mention of alienation, so as to avoid any confusion of my position with those

    who make the ethical content of Marx rest solely upon the Feurerbachian idea of

    alienation, and in so doing reduce Marx's theory of the fetishism of commodities to an

    abstraction.

    32. I would instead propose that an affirmative ethics can derived from Marx, one

    that is emancipatory, that finds the ethical in the materiality of pleasure and that

    constantly opens new avenues of desire that are not limited by the needs of capital

    production, the morality of bourgeois authority and family, or even by the needs of a

    party. All such political practice is reactionary, as Marx points out, because it is not

    predicated on emancipation.

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    Notes

    1Epicurus' school was known as the Garden, much in the same way that Plato'sschool was known as the Academy.

    2George Sarton disputes this reading, arguing that the Epicureans, by their practice of

    gender equality and their public attacks on religion and superstition, were quite

    conspicuous to the authorities and were therefore ultimately viciously slandered and

    repressed. "Let the common people have all the superstitions they want, Plato and his

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    disciples would have said, they are too stupid to contemplate the truth, they prefer

    lies. That may be true, but the immense difference between Plato and Epicurus

    consists in this vary fact, that the former was ready to exploit popular ignorance and

    credulity, while the latter does his best to eradicate them. [Epicurus was] the first to

    proclaim the social danger of superstition and the primary need of fighting it. The

    people must not be lied to according to the Platonic method; they must be told thetruth; if they are not sufficiently educated for that, then they must be educated; the

    truth will make them free, naught else" (Sarton 1952:593).

    3Cornell West (1991) has mentioned what he calls Marx's "anti-foundationalism."

    However, I believe that the very use of the term transforms the question of ethics into

    a question of relativism. While this is clearly West's intention, and his work is an

    excellent critique of Kautsky in particular, West derives Marx's "ethical dimension"

    from his "historicism." The Hegelianism of this attempt is obvious and even quite

    bold, but West utterly neglects both Epicureanism and materialism in general, and

    instead favors an idealist conception of moral relativism.

    4Because of splits in the international movement, the Grundrisse remained virtually

    unknown until about thirty to forty years ago. So it is not surprising that it was

    eclipsed by Capitalas the final word from Marx. Some would say for good reason.

    Once the Grundrisse began to circulate, it brought the inevitable comparison

    toCapital. It is in this comparison that we can find the avenue towards the materialism

    from which any socialist ethics must beand is derived. Many commentators

    acknowledge the separate importance of the Grundrisse, while at the same time find

    its unfinished condition unacceptable (a problem they curiously do not have with thesecond and third volumes ofCapital). Others have complained that the Grundrisse is

    unreadable or an abandoned rough-draft ofCapital, "a kind of intellectual, personal,

    and often indecipherable shorthand" (Hobsbawn in Negri 1991:1). Martin Nicolaus,

    characterized it as a rough-draft executed mainly for the purpose of "self-clarification"

    (1973:). In his commentary, Nicolaus points out that the Grundrisse can be thought of

    as Capitalturned inside-out. This makes the two companion works, but works that

    differ because of Marx's method of presentation. The key difference being that

    "the Grundrisse and Capitalhave opposite virtues of form. The latter is the model of

    the method of presentation, the former the record of the method of working"

    (1973:61). But Nicolaus notes that much of the content of the Grundrisse is notcarried over intoCapital. Indeed, in the scheme of Marx's project, Capitalwas a

    popular political exposition of a much larger project It is entirely plausible that

    the Grundrisse and Capitalare two different works. The plan of theGrundrisse shows

    it to be the foundation of a much larger project, touching on the entirety of Marx's

    effort to infuse materialism with history.

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    5Foucault adds that "our age, whether through logic or through epistemology,

    whether through Marx or through Nietzsche, is attempting to flee Hegel" (Foucault

    1971:235).

    6The family in Marx and Engels' Communist Manifesto is distinguished by its class

    relation. Often when speaking of the family, they are referring to the bourgeoisfamily. Moreover, the bourgeois family is an institution for the exploitation of

    women: "Prostitution both public and private." See also Foucault's insightful account

    in hisHistory of Sexuality (1980), and Marx's "Greed for Surplus Labor"

    in Capital(1976 [I]).

    7"Needlessness as the principle of political economy is most brilliantly shown in its

    theory of population. There are too many people. Even the existence of men is a pure

    luxury; and if the worker is 'ethical,' he will be sparing in procreation. (Mill suggests

    public acclaim for those who prove themselves continent in the sexual relations, and

    public rebuke for those who sin against such barrenness of marriage. . . . Is not this the

    ethics, the teaching of asceticism?) The production of people appears as a public

    misery" (Marx 1978:97).

    8"Spinoza belongs to a great tradition: the practical task of philosophy consists in

    denouncing all myths, all mystifications, all superstitions, whatever their origin. I

    believe that this tradition always involves a naturalist philosophy. Superstition is

    everything that keeps us cut off from our power of action and continually diminishes

    it. The source of superstition is the concatenation of sad passions, fear, the hope

    linked to fear, the anxiety that delivers us over to our phantoms. Spinoza knows, likeLucretius, that there are no joyful myths or superstitions. Like Lucretius, he sets the

    image of a positive Nature against the uncertainty of gods: what is opposed to Nature

    is not Culture, nor the state of reason, nor even the civil state, but only the

    superstitions that threaten all human endeavor. . ." (Deleuze 1992:270).

    9Thus calling into question Habermas's claims of a social life bifurcated into

    public/private, purposive/communicative, lifeworld/system.

    10It should be remembered that Marx quotesPrometheus Boundin the forward to his

    dissertation: "be sure of this, I would not change my state of evil fortune for yourservitude. Better to be the servant of this rock, than to be faithful boy to Father Zeus"

    (Aeschylus 1942:140). This view is diametrically opposed to the words of Homer,

    which Plato uses to justify his authoritarianism: "Better to be the poor servant of a

    poor master, than to live like them the masses of people" (Plato 1924:216).

    http://clogic.eserver.org/2-2/brown.html#ref5http://clogic.eserver.org/2-2/brown.html#ref5http://clogic.eserver.org/2-2/brown.html#ref6http://clogic.eserver.org/2-2/brown.html#ref6http://clogic.eserver.org/2-2/brown.html#ref7http://clogic.eserver.org/2-2/brown.html#ref7http://clogic.eserver.org/2-2/brown.html#ref8http://clogic.eserver.org/2-2/brown.html#ref8http://clogic.eserver.org/2-2/brown.html#ref9http://clogic.eserver.org/2-2/brown.html#ref9http://clogic.eserver.org/2-2/brown.html#ref10http://clogic.eserver.org/2-2/brown.html#ref10http://clogic.eserver.org/2-2/brown.html#ref10http://clogic.eserver.org/2-2/brown.html#ref9http://clogic.eserver.org/2-2/brown.html#ref8http://clogic.eserver.org/2-2/brown.html#ref7http://clogic.eserver.org/2-2/brown.html#ref6http://clogic.eserver.org/2-2/brown.html#ref5
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    Contents copyright 1999 by B. Ricardo Brown.

    Format copyright 1999 by Cultural Logic, ISSN 1097-3087, Volume 2, Number 2,

    Spring 1999.

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