Martial ScienceBIMONTHLY MAGAZINE OF MARTIAL ARTS OCTOBER/2014 - Nº 05

THE MARTIAL ARTS KID

MASSAGE IN MARTIAL ARTS

FEDERICODINATALE

TRADITIONAL VS PROGRESSIVE

MARTIAL ARTS, WHY NOT BOTH?JUSTIN CATALDI

INTERVIEWBOB GOMEZ

TRAVELLING RONIN

MARTIN FRANSHAM

www.cienciamarcial.com

PUBLISHER/EDITOR -IN-CHIEFHenry Binerfa C.

CONTRIBUTORSGM. Pablo Rodarte

Kyoshi Federico DinataleJames WilsonAirr PhanthipAnjarn Monlit

GM. Samuel KwokBob Goméz

Martin FranshanSifu Justin Cataldi

Yin Zhi ShakyaGM. Les Kiersnowski

Roberto De Lima

TRANSLATIONSYisel Viamontes

Alcides CervantesDaryanis Tamayo Fuente.

The direction of the magazine does not hold responsible itself with the opinions

of the collaborators.

The publicity included inside the pages of the magazine is only and exclusive

responsibility of the advertisers.

Many of the techniques of the martial arts can be dangerous, please training them only under the guide of a professor

or expert.

OCTOBER/2014 3

30- The inteview bob gomez

Presents

4 - Publisher’ s Message

6 - Martial arts movies

12-The martial arts kid

18- teachings of the budha

20- Traditional vs progressive m-a . why not both?/sifu justin cataldi

26-the interview/Bob gomez

34-a travelling ronin/ Martin Franshan 38 - sandokan system/ GM. les kiersnowski

40- flexibility training part III/ Henry binerfa

44- Nak muay Thai/ master airr and master monlit Sitphodaeng

46-The medicine warrior-Massages in martial arts / kyoshi federico dinatale

12 - The martial arts kid

4

PUBLISHER´S MESSAGE

HOW DID THE FIGHTER’S EGO DIE?

There is a moment on the practice of martial arts, in which the practitioner feels untouchable, his in-ner being is absolutely full of power; at times, he feels even on top of his own master, and looks at him upon his shoulder; he might feel superior to everyone around him.

The acid test of the martial artist begins right here; it is here where a true Budoka shows up. The tru-th is that, after one wins 100 or 200 combats and proves the easy application of the techniques by one’s own experience, a gentle reliability inundates one’s being and the ego of the practitioner begins to grow; he stars to visualize thousands of illusory matters; but, one day, the least expected event will happen, and those illusions will kill you. I also fou-ght against my ego once; I struggled against my in-ner demon, which made me failed to the real sum-

mit of the martial arts. When I draw attention to my own errors, at once, I engaged in a battle to be-tter up such improper posture; from that moment on, there was not a minute in my life, be it awake or put to sleep, which I did not make good use of to progress and surpass my own self; and this revela-tion was not given by any master but in dreams, as from the stars.

Been away on one of my seminars, I had a dream, which I believed could be a nightmare for some people; but, I rather looked into it as the sweet tea-ching that cuts off the ego’s illusion once and for all. I dreamt of the place where a fighter grows, an unorganized place, full of people with different personality traits, a very noisy place which used to get noisier after every combat; of course, there were also cigarettes’ smoke, alcoholic breathing and sweat smell. I was one of the instructors on the right corner guiding the major height and weight fighter; it was then, that a man came and ordered me to end the combat, he set up that there was an unbalanced weight and height and that it might be against the established fighting rules, so, it would be better to stop the combat.

I agreed, and I headed towards the fighters to in-form them; but, something unexpected happened; the fighter on the opposite corner started to yell at me, he even pushed me; from that moment on, my ego started to operate and with a reckless face, I in-quired him if he knew who I was, I also asked him if he wanted to fight with me. I made him know we will do it without any protection; I only claimed to fight on one’s own; hand to hand, and he accepted. His eyes were red of rage and expressed his wish for defeating me. His gaze revealed that he not only wanted to physically damage me, but to end with my prestige and honor. Immediately, he pulled out his gloves and the fight started. I was absolu-tely self-reliant and calmed, I gleamed by the first punches using graceful and timely movements; I looked like a bullfighter against the beast.

OCTOBER/2014 5

But as inexplicable as death, as quick as a lighting, and as real as my suffering my rhythm stopped, I noticed that my hand was full of fecal grounds, I looked to my stomach and the scarf of an old sur-gery was completely opened, I could see my insides perforated. Then, I felt how I declined; I smoothly watched how things moved away, I turned my head right and left, and I saw and unending sea of blood around me, and my opponent was there, making fun, pointing, and shouting at me; and then, I co-llapsed.

From that very instant, I only remembered a few things about my dream, but I have blunt remarks of my Sempai’s face, my boy came closer, he took my hand; and my last thought was “Have fun, follow the road” it was addressed to him. After this, my eyes closed forever.

When I opened my eyes and realized that nothing had happened, that I was not death; I felt that so-mething inside me had changed forever, something had happened inside me. I immediately remem-bered Sosai Masutatsu Oyama’s speech, where he confessed that in the middle of the night, he had had a period of analysis and self-criticism.

“Who is Masutatsu Oyama? Who am I? I am not a person with a great ability for leadership, neither a business man nor a politician. So, Who am I? I am a Bugeisha, someone who fights wherever it mi-ght be, all the time. I am a person who only trains budo; but, a skillful gunman turns weak when he gets old, and a horse cannot be good forever. So, what does a Bugeisha do when he finds someone stronger than him?”

The speech was delivered by Sosai Masutatsu Oya-ma on May 10th, 1978 on Nara, former capital of Japan; it was part of a public seminar and lasted about two hours; he did it as usual, straight from the heart, unplanned, without any notes to assist himself.

Sosai’s self inquires served me a starting point to begin my intern investigation; I have to confess how much I learned from this inquiry.

Martial arts are neither combat nor techniques to kill; they are a great deal more; to me as to many other people, they are the cure for the soul. It is Zen Buddhism motion; it is the betterment of one’s mind, heart and spirit.

Perhaps you don’t find the necessary literary cha-racter on this essay, it may even sound nonsense to introduce a personal dream; but, maybe the mes-sage hidden within these words can help you not to get lost in your journey; they can also help you try what others have already felt; of course, you will realize that to go through these stages is regular; and one needs to outdo all obstacles at any cost.

What I have covered on these two pages is only the truth about the events which helped me to value the “Do”, I advise you to change the characters of the story and to perform the role of the defeated fighter, then, try to feel such pain and find the res-ponses to the inquires on this text; I am sure, you will learn something that you did not expect, ex-plore yourself, get to know yourself better.

By: Henry Binerfa

“Who is Masutatsu Oyama? Who am I? I am not a person with a great ability for leadership, neither a bu-siness man nor a politician. So, Who

am I? I am a Bugeisha, someone who fights wherever it might be, all

the time. I am a person who only trains budo; but, a skillful gunman turns weak when he gets old, and a horse cannot be good forever.

So, what does a Bugeisha do when he finds someone stronger than

him?”...

6

Jackie Chan Talks Rush Hour 4 and Drunken Master 3

“We’ve been talking about Drunken Master 3 for a long time but nobody can write the script” he explained when the subject turned to sequels. “Drunken Master 1 I teach drin-king, fighting, drinking, fighting and the audience liked it. Everybody ‘Ha, ha, ha.’ But then I grew up and realised I’m wrong. I send out the wrong message. I have to make Part 2 to tell the audience ‘Don’t drink! Don’t fight!’ I have to correct myself. All those years slowly correct everything.

“So what about Part 3? Part 2 I already tell people ‘Don’t drink! Don’t fight!’ When I was making The Karate Kid, when Jaden Smith was training, I was sitting there, then I looked at myself and realised this is Drunken Master 3. Now I’m becoming the master. And Jaden becomes Jackie Chan.

“I believe after Drunken Master 2 – stop – better than we make no more. Unless we have a better script. Just like lately they want to make Rush Hour 4. I said ‘No, show me the script first. I don’t need another Rush Hour 4. You need Rush Hour 4. Show me the script.’ I don’t want to do a rubbish script just because they want to make the movie.”

Source: www.ign.com

8

PRESS RELEASE 2014 The Ultimate Destination is the world’s largest ga-thering of martial arts superstars, film and combat celebrities and renowned Masters from around the world. The Ultimate Destination is the only destination where you can congregate, meet, greet and share with thousands of fellow martial artists who gather together from around the globe. Commonly ter-med “The Academy Awards of Martial Arts”, this event is lis-ted as one of the largest banquet gala in Atlantic City and the world’s largest assembly of celebrities, champions, suppliers and, of course movers and shakers in the martial arts & MMA industry 5,000 plus people attend The Ultimate Destination each year. There are 3 days of amazing seminars (50+) taught by THE BEST OF THE BEST and all seminars are free and new this year we have included a stage for 12 amazing shows throughout the weekend. Open to the public and to dinner guests.

We have paid attention to the trends in the industry last year we had implemented The Health and Fitness Indus-try Into our show , not being any surprise due the crossover markets our New vendors did great . In 2015 we have exten-ded the Trade show to accommodate this new and growing part of our ever expanding event. In 2014 with the MMA and Martial Arts, and fitness Industry we were honored with the distinction of becoming the largest convention ever held in the Tropicana Casino Convention Hall.

Our Expo and Trade Show continually expand in many different directions, with over a 100 vendors spots. We have also expanded to include Martial Arts Business Conference with top of the line speakers. We bring in over 800 school ow-ners that mold and decide on the purchasing and discussion of tens of thousands of students under their school banners.

Expo Celeb Spot Lights: Actor Jason Statham, Eric Ro-berts, Michael Jai White, Cary Tagawa, Martin Kove, Chuck Zito, Ray Mercer, Ridick Bowe , Fred the Hammer William-son, Don the Dragon Wilson Cynthia Rothrock , Phil Morris , James Lew & Richard Norton .UFC stars such as Dan The Beast Severn, Mark Colman, Shonie Carter, Kimbo Slice , Ron Van Clief, Kick boxing champions like Benny the Jet,

Bill Wallace , Jeff Smith, Olando Rivera , Oak tree Edwards plus 20 others

As a added attraction we have 5 Tournaments and Com-petitions including:1. Sticks of Thunder Challenge . 2. The War on the Shore Open Martial Arts Tournament3. The Point MMA Tournament 4. The Amateur Grappling League Tournament 5. Amateur Arm Wrestling Competition

Also new this year is the Friday night ROC51 MMA Fights with Shihan Lou Neglia and The International Warrior Pageant. For those of you who love Muay Thai, we have ad-ded the Ace Ramirez Thai Kickboxing and Stick fighting with Apolo Landra Certification program.

Of course, we are having the Friday night Wine and Chee-se Dance Party and it’s open to all participants. We’re having the Sunday VIP Brunch with the Stars and Masters and then the anchoring of the weekend is our Saturday night banquet dubbed the “Academy Awards of Martial Arts”. Our star stud-ded banquet has taken place for over 14 years with over 1,200 dressed in their best. We are proud to reach the point as the largest banquet in the history of the Tropicana

The only destination is The Ultimate Destination for Martial Arts taking place on January 23, 24, 25, 2015 at The Tropicana Casino & Resort Atlantic City.

For more information contact Alan Goldberg at Actionma4@gmail.com or call him at 718-856-8070. You can also visit the website www.ActionMagstore.com for event information and registration forms for The Ultimate destination.

The Ultimate Destination For Martial Arts, MMA & The Health and Fitness Minded

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OCTOBER/2014 11

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On January 23,24 & 25, 2015 the world’s largest gathering of Martial Arts Superstars, Film & Combat Celebrities, and Renowned Masters from around the world once again will gather, to meet, greet and share with the thousands who congregate from around the globe. Commonly termed “ The Academy Awards of Martial Arts. This combined event is listed as both the largest single Banquet Gala in Atlantic City and the world’s largest assembly of Celebrities, Champions, Suppliers and Movers and Shakers in Martial Arts Over 1200 in attendance.. 3 Days of Seminars are amazing THE BEST of The BEST and all free to the Public and Dinner guest alike. Plus over 100 Vendor Booths . Thousands showed up last year don’t be left out

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12

Photos: Oscar Benjamin Mike Graham

Edition : Henry Binerfa

Special thanks to Mr. James Wilson in the

realization of this article.

THE MARTIAL ARTS KID

OCTOBER/2014 13

Martial-arts and action-Movie legends

cynthia rothrock known to you as the “lady dragon”, and don

wilson coMe together for the action packed Movie the Martial arts kid.

Focusing on the pair, who play an aunt an uncle, they take in an unruly and troubled

young relative to their Florida beach town after the death of his mother.

Soon, in an effort to channel his anger and rage, they begin to teach him martial arts. When troubled teen Robbie moves to Cocoa Beach, Florida from Detroit after his grandmother has had enough of his antics, he soon realizes that everywhere he goes there is somebody who doesn’t want him to be happy… and in Cocoa Beach, that somebody is Bo Whitelaw, the toughest and most popular guy at the high school.

From the moment Bo gives Robbie a beat-down in front of Rina (the prettiest girl in school), we know Robbie’s chances of living in a happy neighborhood are just not realistic. To help Robbie stand a chance of survival in a dangerous teen world, his estranged Aunt Cindy and Uncle Glen (played by action legends Cynthia “Lady Dragon” Rothrock and Don “The Dragon” Wilson) are there to coach and train Robbie. Along the way, Robbie learns defensive skills that will give him a chance to defend himself… But will that be enough to protect himself from Bo in an all-out epic battle?

And will Robbie ever be ‘the man’ in Rina’s eyes? Find out when everything comes to a head in a final showdown that pits legends of traditional martial arts against MMA fighters in a battle you will.

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From 1981 to 1985 Cynthia Rothrock was the undefeated World Karate Champion in both forms and weapons competitions. She is one of the only individuals to be inducted into both the Black Belt Hall of Fame and Inside Kung- Fu Hall of Fame.

Catching the attention of Hong Kong-based Golden Harvest Productions, they casted Rothrock as kung-fu queen Michelle Yeoh in 1985’s box office hit Yes, Madam. She also stared in both of the China O’Brien films as China O’Brien.

Rothrock spent five years in Hong Kong, becoming one of the few Caucasian performers to achieve genuine stardom in seven films. She is now staring in the Martial Arts Kid as Cindy.

AUGUST/2014 15

Don Wilson and Jansen Panettiere are working on a scene under the direction of Michael Baumgarten.

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don “the dragon” wilson is known to be one of the greatest kick-boxing chaMpions in sports history. he is in the guinness world book of records holding 11 world kick-boxing chaMpionships. wilson defeated such world chaMpions as dennis alexio, oaktree edwards, and dick kiMber. don has been in over 30 Motion pictures all around the world such as batMan forever, bloodfist, the last sentinal and Many others. he is now staring in the Martial arts kid.

AUGUST/2014 17

Jansen Panettiere is getting some instruction from James Lew for a fight against multiple opponents during the

shoot in Florida.

The Masters on stage at Masters Spring Workout scene: Christine Bannon,

Olando Rivera, Jeff W. Smith, Don The Dragon Wilson, Dr Robert Goldman

and Glenn C. Wilson.

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One day the Buddha was sitting in the wood with thirty or forty monks. They had an

excellent lunch and they were enjoying the company of each other. There was a farmer passing by and the farmer was very unhappy. He asked the Buddha and the monks whether they had seen his cows passing by. The Buddha said they had not seen any cows passing by.

The farmer said, “Monks, I’m so unhappy. I have twelve cows and I don’t know why they all ran away. I have also a few acres of a sesame seed plantation and the insects have eaten up everything. I suffer so much I think I am going to kill myself.

The Buddha said, “My friend, we have not seen any cows passing by here. You might like to look for them in the other direction.”

So the farmer thanked him and ran away, and the Buddha turned to his monks and said, “My dear friends, you are the happiest people in the world. You don’t have any cows to lose. If you have too many cows to take care of, you will be very busy.

“That is why, in order to be happy, you have to learn the art of cow releasing (laughter). You release the cows one by one. In the beginning you thought that those cows were essential to your happiness, and you tried to get more and more cows. But now you realize that cows are not really conditions for your happiness; they constitute an obstacle for your happiness. That is why you are determined to release your cows.”

Releasing the Cows (Told by Master Thich Nhat Hanh)

Teachings of the Budha

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20

By: Sifu Justin CataldiPhotos by: Henry Binerfa

Traditional Vs Progressive Martial Arts,

By Sifu Justin Cataldi

In a time in the evolution of martial arts where mixed martial arts has shown it can be a force to be respected, the debate whether traditional martial arts works or has validity rages on.

Does a particular technique or training method work in the ring or on the streets and why . Do the rules of the ring hinder a traditional practitioner or should he/she be able to function anyway if his/her training is sound ? Is there a end all , beat all style or technique that is infinitely superior ? With many valid perspectives, it can be difficult to figure out.

As a lifetime practitioner of both traditional and progressive

martial arts I thought I would offer my perspective to you. In 1985 I started training in Tibetan Lama Kung Fu under Sifu Ste-ve Greenbaum , as a 14 year old boy that grew up on Bruce Lee movies , Kung Fu was amazing to me.

Sifu Steve and his group where all from Chicago so they were a rough group , but very friendly and willing to help a new student learn.

One day after a hard sparring session , I still had my gear on and one of the grown men in the group came over to me and whacked me in the head , laughing and proclaiming how my

Why Not Both?

OCTOBER/2014 21

opponent hit me similarly . One of the senior students that had been coaching me at the time , my good friend and big bro Rejj , came over and whispered “ Hey man , you gonna let him do that to you ? “

He was half joking but at the same time it was somewhat da-ring . Being a bit of a wild kid back then, a dare was all it took . I looked Rejj right in the eye and confidently proclaimed, “ No ! “. So I walked up to the grown man who smacked me while he was still laughing and jabbed him in the face.

He stared at me in amazement and yelled out “ GIVE ME SOME GLOVES!! “ I must admit I was scared ! Especially because I was new and had only practiced center line defenses and a jab as a counter . Now I am squared off with a pissed offgrown up , and I am real nervous . I found to my surprise that everytime he tried to hit me , my centerline would divert his attack leaving his face open for my jab . We repeated this 5 times , at which point he had given up either to fatigue or he was just tired of getting jabbed in the face.

That was the first time I felt traditional martial arts work against an uncooperative opponent intent on really going full power and trying to clobber me . In the early 90s I was training with Dave Howard , at that time they were training in Brazilain Jiu Jitsu and kickboxing as well as some Kali and Jeet Kune Do . I saw how they were able to easily defeat traditional practitioners with mma , especially on the ground , and I started to think that mma was the best way to go.

In the late 90s I was very fortunate to start training with Guro Rich Lamoureaux ,first in BJJ and Kickboxing and later in Kali/JKD & Sifu Jack Soderberg who taught me Kickboxing , Tibe-tan Lama Kung Fu , Tai Chi and Mook Jong wooden dummy training . With my mind kind of stuck on mma, being the un-beatable new thing , something really cool happened to my perspective.These two awsome instructors had a full and complete un-derstanding of not only mma but traditional as well , and the

22

fighters they produced ( including myself ) all did well in com-petitions , whether they were mma or traditional competitions . I started to realize that all techniques can be valid and effecti-ve in the right circumstances , and under different circumstan-ces would not be valid or effective at all.

Now in 2014, Im seeing some fighters without not only the fundamentals that traditional martial arts teaches us, but I dont see the RESPECT , which is the core of traditional trai-ning . Is who wins or loses more important than our spiritual , mental , & physical growth ? After all, what is mma without traditional techniques?

The great thing about mma is it challenges and promotes the evolution of martial arts , so new techniques and training me-thods are constantly being born all the time . My perspective is , traditional martial arts builds a core of fundamental me-chanics, conditioning , and values that is ever important in a society with so many social issues . Once this is established progressive training can be very valua-ble to the growth of a practitioner . I believe this not only for social reasons, but I have found that fighters with the old fundamental training already accompli-shed , usually do better in the ring and have a better unders-tanding of human body mechanics , as a science.

Look at most of our long time UFC champs , I mean the ones who won over and over again , consistantly for a long period of time . Anderson Sylva was a traditional Muay Thai practitioner as well as traditional Brazilian Jiu Jitsu . Randy Couture was a traditional Boxer and Greco Roman wrestler. Chuck Liddell was traditional Kenpo.

The Gracies were traditional BJJ. Lyoto Machida was a traditio-nal Japanese style created by his own father.

Instead of thinking why not both , people tend to seperate , be open to all forms of training , they all have value not only for

fighting but also for lifes journey in every way , as a person.

Of course there are schools that focus more on money and bu-siness and lose sight of the art itself , but dont blame the style, blame the practitioner . Its not the style but the man/woman behind it that makes it work.

Of course I havent even gotten into the street aspect , where weapons and multiple attackers are entered into the picture . Now kickboxing or grappling might be the mistake of a li-fetime and I personally preferr a Kung Fu/Kali/JKD approach , whichwould apply the use of eye jabs , throat, knee and groin attacks and of course, the use of my own weapons. Since the circumstances have now changed , so must my techniques and responses.

With no rules or refs a practitioner must display much more caution , respect and humility to avoid and survive such en-counters as much as possible . Make no mistake without mma traditional martial arts would still exist , however would mma exist without traditional arts?

OCTOBER/2014 23

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BOBGOMEZ

Old School Kajukenbo workouts

Photos: Stanley FontillasBy: Henry Binerfa

WHAT DO YOU TEACH?

I teach the Art of Kajukenbo - Hawaiian Street Fighting or Polynesian fighting arts. “Street fighting” actually hits the nail on the head. It’s America’s original MMA. It began in 1947 Honolulu, Hawaii and consists of a combina-tion of Karate, Judo, Jujitsu, Kenpo, Kung Fu. Over the years I have added other techniques generously taught to me by my brother and sis-ter martial arts professionals. These additions were not impetuously learned or added - I took a great deal of time to explore, understand, and train these techniques, understanding how they fit into the core martial arts training that I ori-ginally received. In my opinion, one art is not better than another. All arts are equally valua-ble.

WHAT IS YOUR PHILOSOPHY OF TEACHING?

Based on what I learned from Kajukenbo and Sijo Bruce Lee and his ideals: “Absorb what is useful. Discard what is not. Add what is uni-quely your own.” While still teaching tradi-tion, the goal is to ultimately make the training realistic. I believe the training should evolve to reflect the times, this way an art will never be-come obsolete, or even worse, irrelevant. Arts are meant to be shared with students and other schools. It is necessary and I would say, be-neficial, to get the intermediate and advanced students involved in teaching. This way they become even more proficient and they allow the students to continue to receive competent and individual attention. The reality is that no single teacher can do everything alone. An ins-tructor is not an island. If I have a student, I build a team around that student so they feel as though they have an entire coaching staff helping them with their every need. If someone like Manny Pacquaio needs a team around him

to help him succeed, how much more does a be-ginner need such a team? I believe in this very strongly. I want to nurture my students. This isn’t about volume or maximizing my income, this is about people, and it’s about Ohana. A lot of people use Ohana as a catch phrase, but I take that term extremely seriously and live my life by it.

OCTOBER/2014 27

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WHAT IS YOUR PHILOSOPHY OF TRAINING?

Conditioning and fitness are things a student should try and bring to the dojo. Now, a begin-ner who is out of shape or overweight but who has the right attitude and ready to work will immediately be welcome. But I expect them to put in the hard yards OUTSIDE of dojo time. This is not only important for their health, but also necessary for their safety and effective-ness in training. I expect adult-level discipline and consistency, which is why I do not teach persons under the age of 16. As for the trai-ning, I specifically believe the importance to establish trust between the instructors and tra-ining partners. There will be a clear agreement about how much contact is acceptable between the participants. This will vary depending on age, sex, injuries, etc. Then we will break the techniques down to about 3 movements at a time, and insure everyone becomes comfor-

table and fluent with those movements to the point where the thinking stops and the body simply reacts. Repetition is key to turning lear-ning into reaction. We will follow up in each class with review and further development un-til the technique is completely ingrained in the students’ bodies. Even so, we will occasionally revisit that technique over years to make sure we scrub off any rust and bring it to the fo-refront of the student’s reactions. My goal for all students, when the command is given for a technique, the response will be with no hesita-tion and with unconscious competence.

WHAT MAKES YOU DIFFERENT THAN OTHER TEACHERS?

First of all, I don’t think I’m that different from other teachers. Like any serious instructor, I am always a student of the arts, looking to im-prove both in my training and in working with my students. My students won’t always realize it, but they are my teachers too. I hope they be-

OCTOBER/2014 29

come better than me. I prefer to keep my clas-ses small, because I’ve realized in large classes there are often people that don’t receive enough attention and come away with the memory of a bad experience. I would never want that to ha-ppen. I want every student to get the maximum benefit from every single class they attend. This is why I run smaller classes in a semi-private setting, spending equal time with each indivi-dual student. I want to understand how each individual student learns, thinks, and evolves. And I want to pass that attention to detail on to my advanced students and dedicated black belt instructors. This can be difficult to repli-cate in large schools, unless they have enough help from other instructors. Once again, I run a small school and like it that way. My students through the years have commented that I have a uniquely positive, can-do attitude that helps

them truly believe they can accomplish their goals. I try to be very approachable, down-to-earth, available for discussing anything the student wants to talk about, with no subjects off limits. Mind you, I am not a Psychologist and will never pretend to be one. If a students wants to tell me how I can improve their trai-ning experience I am happy to listen. I was tau-ght from the beginning to be humble, and have learned that doing so improves everyone’s ex-perience in training. Some people are intimi-dated by the training process, and I work to allay their fears and help them feel confident. This opens them up to all the possibilities in training and positions them for long-term suc-cess inside and outside the dojo. We’re going to laugh a lot, and we’re going to learn a lot! We are Ohana

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WHAT WOULD IT BE LIKE TO BE YOUR STUDENT?

It is my hope that a new student gives me a chance to truly be their instructor in a long-term professional relationship that ultimately grows into a lifelong friendship. I thrive on clear and frequent communication, students are encouraged to feel comfortable asking lots of questions and clarifying their training, and I have adapted the philosophy that the stupidest question is the one that was not asked. I expect my school's instructors to be nurturing while simultaneously pushing my students to excel, always in a positive way. This is possible to do, and most students welcome the push when they realize that everyone, including themselves, believes in their success. In my dojo, no stu-dent ever gets left behind. We will take as long as we need to help the student grow. We are not in a hurry, and this is not a McDojo. While we don't hand out belts like Chiclets, we won't hesitate to bring anyone to that level when they have earned it. We will never hold anyone back or impose arbitrary time requirements. Ever-yone learns at their own speed and that must be respected.

WHAT IS YOUR VISION AND DREAM FOR YOUR STUDENTS?

I would like my students to pass on the legacy they receive from my school, growing the arts and developing good students of their own. I would like their experiences in my dojo to have a positive impact on their personal lives, throu-gh improved health, attitude, mental abilities, and whatever spiritual growth they desire. I greatly desire that through the martial arts, each student who comes through my school de-rives a positive benefit that is experienced by others in their lives, with a ripple effect throu-gh society that is purely for the good. I would

hope and expect that each student who enters my school make a lifelong commitment to the art and to their development derived from their experiences in the school. This is not about ge-tting a rank and then saying, “Okay, mission accomplished, goodbye.” This is about conti-nuous growth and development through a life-time of discipline, training, and Ohana.

WHY HAVE YOU DEDICATED YOUR LIFE TO MARTIAL ARTS?

After seeing “Enter the Dragon” in 1973, I wanted to do martial arts as a kid, but as the years passed it became a way of life. I rea-lized I needed to learn discipline, dedication, and what Ohana was about. I needed to feel as though I belonged to something bigger than myself. It just kept growing, and the more time has passed, the more I have felt sustained and inspired by the martial arts, and most impor-tantly, through the rich interpersonal experien-ces with those who have spent their lives simi-larly. At this point I simply want to give back. I have learned to take what I have learned in the dojo and apply it to everyday life inside and outside the dojo. Now I fully understand the phrase “Martial arts is not something to do; martial arts is something to be.”

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YOU ARE CLEARLY A LEADER IN THE INTERNATIONAL MARTIAL ARTS COM-MUNITY. WHAT LEGACY WOULD YOU LIKE TO LEAVE BEHIND?

I don’t want anything for myself. I want my stu-dents and those interested in learning to take what I have taught to the next level. I am not personally important, but I feel that what I have learned is important and valuable, and would hope such treasures, which were entrusted to my care through my lifetime, would continue to be valued and developed through subsequent generations.

WHOM DO YOU ADMIRE AS A MARTIAL ARTIST?

There are truly too many to mention them all: a few names include Eric Lee, Chuck Norris, Bob Wall, Al Leung, Allen Joe, Jackie Chan, Malia Bernal, Karen Shepard, Al Novak, Ming Lum, Prof. Ron Esteller. I greatly admire Pro-

fessor Brian Yoshii. He is a significant influen-ce in my teaching style, and inspired me over many years. I would want my friends and stu-dents to meet him, and would love to host him as an honored guest instructor. I have tremen-dous admiration and respect for Grandmaster Pete Morales: he was there when I needed a father figure, he instilled a deep sense of ho-nor and respect, and continues to do so to this day, despite the fact that he is semi-retired from martial arts. I also admire Sijo Bruce Lee, who was my original inspiration and continues to inspire me today.

WHAT MAKES THE IDEAL MARTIAL AR-TIST?

Honor, personal honesty, honest support of other martial artists, respect, integrity, genero-sity, compassion, competence, humility, a good motivator, inspirational, willingness to expand and share one’s knowledge, emotional and spi-ritual strength.

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BACKGROUND: I found myself at Northshore Academy of Martial Arts (NSA) courtesy of a friend of mine, Randy Siordia. Randy and I got connected through social media, and he invited me to come see what NSA did. When I pulled into the parking lot I saw what looked to be a small school sandwiched in a strip mall. Having trained in plenty of small schools, apartments and parks this wasn’t a problem for me. However, when I opened the door, I realised that the school stret-ched much further back and this was anything other than a small school.

Physics at work. You can see our sticks bending on impact.

Northshore Academy is a modern training facility and is equipped to handle a variety of Martial Arts programs. Since I adore Martial Arts I decided

to participate in the three programs being offe-red that evening. It was going to be an evening of Muay Thai, Jun Fan Jeet Kune Do and Krav Maga which meant I was going to get pushed to my limit.

What makes Northshore Academy a great place to train is that Head Instructor Marc Halleck has ac-quired a fantastic staff to back him up. Each class is taught by a well trained, experienced instructor with the other instructors participating in the class to prevent “instructor fatigue.” Instructor fatigue isn’t often considered but having travelled around the continent I can tell you greatly effects a class. When instructors get tired they stop engaging

Practising groin kicks is a blast with these bags. Unload at full force.

A Travelling Ronin

Northshore Academy of

Martial Arts (NSA) By: Martin “travelling ronin” FranshaM

OCTOBER/2014 35

their class, the pace slows down and the class is generally disorganized. Whether or not you are even cognisant of it when you get tired and sloppy as a teacher your class sees it and soon they go somewhere else.

The way Northshore Academy is structured pre-vents this. Whether it was intentional or not, it provides a great environment that is full of energy to learn from.

WHAT DID I LEARN: Between the three classes I learned a ton of new tips to bring up my tech-niques. Certainly the class that I learned “most” from was the Jeet Kune Do/ Jun Fan stick fighting. We hopped straight into double sticks and I had to get my coordination down. I have always favoured certain sides when fighting or sparring. While fi-ghting with my hands I almost always fight left leg in front switching when I did Historical European Martial Arts I brought right leg forward. Suddenly, I had to contend with ambidextrous drills and was pushed to get my body into alignment to intercept strikes using either leg.

I am reminded that in a real fight my hand would be gone.

As a fighter it is great to get pushed outside your comfort zone. Having to switch sides and compen-sate for that discomfort is something that every fighter should go through. When I was competing I can tell you that I was constantly trying to stay in my comfort zone while pushing my opponent from his. Largely, I was very successful. However, despite this there were times that I was pushed well outside where I wanted. Being able to adapt is critical in these situations and I really felt doing the Jun Fan helps develop those skills.

WHAT WAS AWESOME: I really enjoyed the approach to the Muay Thai and Krav Maga. During the Muay Thai class we worked on range drills. As a tall guy I love fighting at a distance and making use of my long limbs, however, this in itself wasn’t special. What made the drill ama-zing was the instructor teaching it was a ‘swarm fighter” meaning he likes to get in close and overwhelm opponents with close range techni-ques. Regardless, he realised that every fighter is different and needs to develop their own skills.

Working in a round kick as part of a multi-strike combo.

I have met many instructors that don’t teach to the student and rather teach to themselves. They understand what made them good and that is all they teach. The problem with teaching this way

36

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OCTOBER/2014 37

is that it confines you to an incredibly small set of experiences. Even teachers that have fought in competitions, former police officers, soldiers, etc.. have only seen a tiny number of scenarios when weighed against the collective experience of the many. Any successful fighting program, whether competitive or reality-based, leverages multiple coaches and experiences. George St. Pierre, one of the best ever MMA fighters, has trained with Olympic wrestlers, fight teams in Montreal, New Mexico and Brazil, etc... to broaden his experien-ces. Krav Maga & Jeet Kune Do both have been excellent about grabbing as many resources as they can. It was great to see the NSA embraced this and keeps growing instead of being locked in its own self-aggrandizing static glory.

Working in long hooks to stay out at range instead of swarming in.

The other thing I really liked was the way the Krav Maga was handled. Guro Marc Halleck drilled us not only on technique but on the legal ramifica-tions of our actions. All to often I will see instruc-tors teaching that they need to “end the fight” wi-thout thinking about how the fight must be ended or the consequences. Marc Halleck coached us to

always keep thinking as the situation progressed. Reminding fighters to constantly re-evaluate the situation and keep their use of force to within acceptable limits is very important. Sometimes I will see people get caught up in the fantasy of a Martial Art and forget that the world is an extre-mely diverse place. The acceptable techniques are extremely different if you are an Israeli soldier in the West Bank or a civilian at a party in Chicago. It was great to see an instructor emphasize this.

Working on some basic pummelling and defence drills.

CONCLUSION: Northshore Academy of Martial Arts is a great place to train. From their reliance on multiple instructors to keep the classes fresh to their breakdown of sportive and self-defence programs I had a great time. It was great to see an academy that acknowledges all the aspects of Martial Arts.

Best regards and keep training,

Martin “Travelling Ronin” Fransham

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SANDOKANLes Kiersnowski

Photographer: Heide C

louse

AUGUST/2014 39

O SENSEI MORIHEI UESHIBA

Drawn in Corel Paint using a Wacom tablet, and finally retouched in

photoshop.

By: Henry Binerfa

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40

Flexibility Training

By: Lic. Henry Binerfa

OCTOBER/2014 41

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Greetings to all Martial Science readers; this is the closing section of the flexibility training we have been publishing lately; but we have to bear in mind that the exercises on passive flexibility have not been covered yet, for there is a great variety of exercises under the category of fle-xibility. So, I will take a linking to continue to deepen on the development of this important physical capacity by providing my practitioners and all the persons concerned with two new volumes entitled: Flexibility Training: Exercise Guide

We start from a sitting position with open legs as much as we can (Photo-1), we take the right ankle and flex the trunk forward to try to bring our chest to our leg, then do the center (Foto- 2), and left leg (Photo-3)

It is important to note that we should never bend our knees.

They can be executed of 15 to 25 repetitions.

Active Flexibility.Exercise Guide

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Slowly and gradually we start to close the legs to the size of the shoulders and carry out the same action of the preceding exercise, then, we repeat it at the three sides. (Photos- 5, 6,7and 8)

We close our legs slowly to avoid sudden movements and perform bending forward always trying not to bend our knees. (Photos 9 and 10)

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OCTOBER/2014 43

From the previous position we cross one leg over the other and we make bending forward

HENRY BINERFA CASTELLANOS(Camaguey, Cuba, 1981)

College degree in Cuba of Physical Culture and Sports, author of several books in spanish most notably, El Arte de Usar el Cuerpo y la Mente, Enciclopedía del ShinKaiDo Ryu Tomo I y Tomo II, Budismo Zen para tu Alma, El gran libro de los Renzoku Waza del ShinKaiDo Ryu.

Black Belt 1er Dan en TaekwonDo ITFBlack Belt 1er Dan en TaekwonDo WTFBlack Belt 4to Dan en KaienDoCreator of System ShinKaiDo Ryu, Black Belt 8vo Dan.

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12Coming soon!!!

44

Nak Muay Thai

MASTER (AJARN) MASTER (AJARN) AIRR PHANTHIP MONLIT SITPHODAENG

1 2#1 Defense from short round house kickMethod: Lift your leg up ward straight for bloc-king (Do not push forward while is blocking)

#2 Defense round house kick to the or bodyMethod: Lilt your leg up ward slightly to side blocking (Do not push out ward while is bloc-king)

OCTOBER/2014 45

3 4

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Nak Muay Thai-USA2142 Highland Ave

Las Vegas, NV. 89102

#3 Prepare defense from round house kickMethod: Use your leading leg light standing prepare for attack (Make sure your other leg is 100% standing in good balance)

#4 Defense continue from #3Method: Lift your leading leg straight up ward like (TEEP) push kick to stomach (While (TEEP) push kick make sure slightly bend your knee about 30 degree) Again make sure your standing is on your toe to keep good balance)

#5 and #6 Offensives over elbow strikeMethod: Standing Muay Thai position slightly forward your leading leg to make sure your distance can be reach with overhead leading elbow and push forward strike by pushing the power from your shoulder and push slightly downward between 2 blocking hands or arms (Make sure your stri-king elbow hand is open to get your end of your elbow bone is exposed and DO NOT push your elbow downward too much and your standing tall and over your opponent)

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The Medicine Warrior

Kioshi Federico Dinatale

MASSAGES IN MARTIAL ARTS

OCTOBER/2014 47

THE MEDICINE WARRIOR-Massages in martial arts

Currently, it becomes difficult to find time to meet our inner be-ings, since we take a lot of res-ponsibilities on oneself, and it turns almost impossible to relax by listening to some music or to go for a walk; So, the practice of massage is the perfect way to connect ourselves and find a ba-lance between us and our souls; so that, we get to know the ma-chine which guides our sensa-tions, emotions and experiences. The massage operates as a dis-charge that helps you to get rid of all the stressful situations you accumulate, and from other dai-ly responsibilities. By means of the body we can experiment di-fferent sensations and thoughts; Sensei Shugendo used to say at (Junan-Taiso) lessons that “A

flexible body is a flexible mind”, for all corporal attitudes and sen-sations will move forward a simi-lar mental state; if our bodies are rigid, it is likely that our minds turn rigid too, in short. It means that we can establish a mental, spiritual and physical balance by means of massage.

INTERN KNOWLEDGE ON MARTIAL ARTS

The famous temple of Shaoling became popular for its Kung Fu practice. It is located by the Nor-thwest in the province of He-nan close to Luoyang; legendary accounts link its origin to the spread of Buddhism from India during the tenth year of the Taihe age, with the figure of

“Bodhidharma” who made great contributions to the art. It was then, that Buddhism Chan Zen emerged.

Bodhidharma also contributed to introduce de Chan medita-tion, the great parchments on medicinal techniques related to combat martial arts, some issues about the art of the muscular fle-xibility of the body (yijin jing) and how to wash the spinal cord (Xi sui jing).

One can yet find some of this knowledge alive at some martial arts, it certainly highlights the in-tern treat, So that, exercises and massages carried out pre, while and post in a training session, can still be found. In our art Bugeiko,

especially on the area of Taigeiko (Bioenergetics gymnastics) the use of massage techniques with martial motions appeared, the-se techniques are aimed at relie-ving tension, and to make energy flows through different parts of the practitioner’s body.

JAPANESE KNOWLEDGE

Shiatsu or Japanese massage emerged from the millennial tra-ditional Chinese medicine. This alternative or complementary therapy is based upon the appli-cation of some pressure to the energetic dots that cover the body to balance its energy. It helps to relax, potentiates the lymphatic system, fortifies the nervous sys-tem and raises vitality.

Shiatsu emerged about a hun-dred year ago, its antecedents can be found on the Chinese method called Anma it literally means to pressure-to rub and to remove-to call. Lately, the Japanese set the bases for its technique and treat-ment.

Based upon the concepts Ho (To provide with energy) and Sha (to remove energy), this alternative therapy is used to canalize the flow of energy that goes throu-gh the body. To carry out this technique it becomes necessary to press some crucial points lo-cated all through the body. These energy channels coincide with the ones established by the tra-ditional Chinese medicine to set up the bases of their millennial acupuncture.

Opposed to conventional mas-sage Shiatsu operates upon the energy points of the Chinese acupuncture to combine the flow of vital energy through the body. Like any other muscular techni-que, it provides relaxation and frees tensions. It also strengthens the lymphatic system, stimulates the process of detoxification of the organism, tones up the ner-ve system and calls on to recover the vital tone from the everyday stressful situations. Its effects can also be seen in people with circu-latory disorders.Every session lasts about an hour. The patient must lie downward to start the massage. It begins by the upper part of the back and gets down towards the legs following the meridian points. Then, the body is turned to one side and goes up to the hips, the abdo-men, and the lateral area of the thorax. Finally, the patient faces upward and the masseur works from top to bottom to conclude on the front part of the foot Seitai emerged by the forties, it was created by Haruchika Nogu-chi (Japan1909-1976).

The human body needs a steady balance and expresses its neces-sities when the mind or the body gets to a limit of fatigue and we automatically yawn. We close our eyes and pull out our countenan-ce muscles so that it shows our ti-redness and boredom. Such ma-nifestations are closely related to the need to find a balance; a heal-thy body shows inner elasticity, it means that it is able to contract and relax easily.

OCTOBER/2014 49

THE MASSAGE AND THE MARTIAL ARTIST The method of the massage raises the capacity to work and the muscles’ strength, it makes the mus-cles to get fit for all kind of work; at the same time, it turns a good practice to prevent from several injure that may happen during the training sessions.

The main techniques of martial hand massage are the following: friction, rubbing, hammering, and clapping.It generally starts and ends with rubbing to prepare the body for other techniques.

The preliminary massage starts about 10 or 20 mi-nute before the training session or the competitions. Its objective is to get the body functions to the top. In some cases, the massage avoids the casual cooling of the body; in others, it lightens the practitioners stress before the combats start.

There is also martial recovery massage; it is carried out after the competitions; in the interlude or after the training sessions. It is intended to revive the practitioner’s capacity to work, and to remove stress. Besides, it helps to reduce muscular pain and stan-dardizes breathing.

A good massage relieves muscular pain and activates circulatory functions by reducing the toxic waste the body. It has been tested that it also improves people’s spirit.

During the practice of Bugeiko the Chinese concept of vital energy is studied for it si closely related to the concept of universal energy.

When a junan (flexibility) exercise is developed a blockade on the energy channels may occur, some discomfort on specific areas of the body is the out-come.

Energy blockades might be avoided by a massage te-chnique joined with a flexibility motion; it is neces-sary to press with the fingers, so that the Ying – Yang forces meet their balance in continuos movements, as in a weighing machine.

FRANCISCO FEDERICO DINATALE

Therapist on Chinese Medicine and specialist in Acupuncture

Therapist on traditional Japanese The-rapy Seitai

Martial Arts Instructor

Eastern Philosophy Lover

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INTERNATIONAL HOMBU DOJO SHINKAIDO RYU Your address here. Email: internationalshinkaido@gmail.com Tel: (702) 439-9071 Website: www.shinkaidoryu.org

ALL - PRO TAE KWON DO ANDREW FANELLI

Owner 15545 Los Gatos Blvd, Suite DLos Gatos, CA 95032

Email: afanelli@allprotkd.com Tel: (408) 358-6042 Website: www.allprotkd.com

NAKMUAYTHAI USAMaster Airr Phanthip

2142 Highland Ave. Las Vegas, NV. 89102 Email: airrmail@gmail.com Tel: (702) 372-4898 Website: www.nakmuaythaigym.com

PABLO RODARTE MENDOZAOwner / Grandmaster804 Hempstead, El Paso, Texas. 79912Email: shinjimatzu@hotmail.comTel: 915 258-2152

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OCTOBER/2014 51

ISLAND STYLE KAJUKENBO Owner Bob Gomez

4657 Margery Drive Fremont, Ca. 94538 Email: primitive.means@gmail.com Tel: 510-213-5131 Website: islandstylekajukenbo.com

UNIVERSAL JKD MARTIAL ARTS Owner Allen Edmon Daoud3460 Oakdale Road Modesto, California, 95355 Suite D

Email: ujkd@mail.com Tel: 209-872-5538 Website: www.facebook.com/cujkd

SHUGYO AIKIDO DOJO James Neiman

Owner / Grandmaster33511 Western Ave., Union City, Ca 94587Email: ShugyoAikidoDojo@gmail.com

Tel: 510-205-4660 Website: www.ShugyoAikidoDojo.com

CREATIVE WARRIOR ACADEMY Justin Cataldi

Owner Email: creativewarrioracademy@yahoo.comTel: 702-302-3926 Website: www.facebook.com/CreativeWarriorAca-demyOfLasVegas

TOSH´S ACADEMY OF SHORIN RYU KARATE Dan Tosh

Owner / Hanshi120 Guthrie Ln Brentwood, California.Tel: 925-240-2990 Ext-307 Website: www.shorin-ryu.biz

UNITED STATES KARATE SYSTEM U.S.K.S. Jim Thomas Owner / Grandmaster17 W. National Rd Englewood, OhioEmail: usnmat@hotmail.com

Tel: 937-678-4435Website: www.uskaratesystem.com

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