Marjorie fergusons facial expressions theory

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Marjorie Fergusons Facial Expressions Theory and Why Music Magazines Apply it.

Transcript of Marjorie fergusons facial expressions theory

Page 1: Marjorie fergusons facial expressions theory

Marjorie Fergusons Facial Expressions Theory

and Why Music Magazines Apply it.

Page 2: Marjorie fergusons facial expressions theory

Explanation

Marjorie Ferguson (1980) has identifies the facial expressions used by British cover models into 4 sections :

• The Chocolate Box

• The Invitational

• The Super-Smiler

• The Romantic/Sexual

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The Chocolate BoxThe “Chocolate Box” facial expression shows innocence and kindness through a friendly, warm half or full smile at a full or three quarter angle to the camera. Projected mood: blandly pleasing, mild warmth, where uniformity of features in their smooth perfection is devoid of uniqueness or of individuality. The name “Chocolate Box” suggests this.

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Invitational

Emphasis on the eyes, mouth shut or with only a hint of a smile, head to one side or looking back to the camera. Projected Mood: suggestive of mischief or mystery, the hint of contact potential rather than sexual promise, the cover equivalent of advertising’s soft sell.

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Super Smile

A full face, wide open and toothy smile with the head thrust forward or chin thrown back. Hair often would be wind blow or messy. Projected Mood: aggressive, “look at me” demanding, the hard sell, “big come-on” advertising approach.

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Romantic or SexualA fourth and more general classification devised to include a male and female “two-some”; or the dreamy, heavy-lidded, unsmiling, big-heads, or the overtly sensual and sexual. Not smiling suggests availability to readers. Projected Mood: possible “available” and definitely available.