APR¡L-MAY 1988No. 3

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Rumours ¡re confitmcd: Bonnie R¡itt rill bc among the numer-ous stellar performera to appea,r ¡t the 1988 Ma.ripola Feativ¡l

MARIPOSA F'ESTIVAL

HEADLINERS UNVEILED'BB Festival to Feature Major ActsThe Mariposa Festival, to be held at Molson Park inBarrie Ont. Iune ?4, % and 26 will feature the followingheadliners: John Allan Cameron, John Prine, BonnieRaitt, John Hammond, Arlo Guthrie, Newgrass Revival,

Messenjah, Taj Mahal, John Hartford, Ken ilhitely, BarraMacNeils, David lindley, Iæo Kottke, Maria Muldaur, Lyle

Lovett, Iohn Hiatt, Roger McGuinn, Louden lïainwrightlll and Donovan. lïatch for more signings to come...

Preserving A Unique Native Musical TraditionPart I

forth, end thc liddlee ¡eemsd to come inAom both ¡id¡: From thc Scoùt¡rh tndcrrwho car¡e dorn ñom Eud¡on Bay, ar tcll ae

f¡om all of the Frrnch CanadianE who cameover land. So right in th¡t middlc area ofM¡¡¡itoba it ra¡ Lind of ñltering dovn fromboth ¡ide¡.S: So vhich Li¡d of muric did thc French

Canadian tradcr¡ introducc?A: Well it'¡ ha¡d to rry for run bec¡u¡ceven in Quebcc the French Canadiang¡eemcd to have gotten mo.Ë of their tuncand their fddler ñom tbc Scotr tho canpdorn. That'¡ ¡ rhole ñtry ar.ea, or timcperiod hirtorically. I'm gucl¡i¡g th¡t forthat ñrrt hund¡ed yearr, lhcn thc Frcnchrere in Quebec that they didn't havc manyinrtn¡ment¡ a¡rd ùhat wa¡ in thc latc 16(X)'0,170O'¡. There isn't much evidence left ofFrench music from Fr¡ncc ¡t all ¡nd rh¡tseems to be the mo¡t logical cxplan¡tion irthat they toolup thcfiddlee rh¿nthc Scot¡and Iri¡h ¡tarted aniving, rhcn thc furtradc caure in with thc fddlce...md the5ral¡o took up Scottiah and lrish tunee at the¡ame time. It didn't talc thøn very long tochange thore tunet into a real Frcnch Cana-dian atyle ofplaying which, at that poin!,may have already had ¡lot of NaSivc influ-ence mi¡rcd in- You lnow, thc thole qua-

An Interview lïith Ann Lederman -By STEVEFRIIITIIAIÍ

About three yean lgo ¡ne Lcdcm¡¡became interested inthc rci¡dcrt, cmicrt,mogt intimate fddling ¡he ever hea¡d. Itgrabbed hold ofher eo deeply that ¡he ¡etout riÈh eirylc-mindcd dctsnin¡ti,on toget to the bottom of thia mysterious oral/aural tradition. Soon ¡hc t¡¡ ofi to n¡nlNative ]k Metis communitic. in Manitob¡ ona three year quest which, r.ecently, culmi-nated in thc ¡elee¡e of trodoublg-alþrrm offield r¡ecording¡ of Otd N¡tivc & Mcti¡Fiddling In M¡¡ritobo.In the rheltcr of her boæ, a¡ rbwc-¡toæ

apartment onlolonto'r Quccn Strrct Ycrt,the vibea mostly come from cars and gtreet-c¡n of the ¡treet belor. IIer collecùion ofrtringedinstrument¡ a¡rd drum¡ donot ¡eemout of placc hene, but bcc¡ of reco¡d¡ th¡tahe ho¡ree to tale to Èhe torld do. Thcydon't belong herel Thcy bclong out thcrc.Thege ¡ttreßtivc vinyl diec and tapc pacl-ageehold the results of yean of labour, yearrof love.

Steve: Ilaving read rhaù I've read, thiatradition c¡æfromthcñ¡r traden th.Ê 6¡¡trettled amongtt thc Indian population ofMa¡¡itoba.

Anne: Ya, or even travelled througb.There ç¡r ¡n ¡vñ¡l lot of mbility bact and

tion of Nrtivc cultu¡e, Nativc blood inQueboc - in tbe rholc culture of Quebec - ira nd intcrrtin¡onc. Somctim¿¡ f ro¡derif rh¿t t€ thinl of ¡¡ F¡cnch Canadianfddlingien't partlyfromNative influence as

vell.3: Yfell rbat about dancing - clogging

bcing a najorform of Quebcc dancing? Didthat tnnrpotc into M¡nitob¡?A: I3 definitely did, not only the kind of

cloggingthat theñddlerr do which ir, again,lomcthip3 rh(¡. origin ir lolt in the mirt¡ oftimc. f mr,n, rc Lnor that pæplc in Fr¡nccdon't do th¡t. Actu¡lly the¡c'¡ no ñddlc

(Cóntinued on Pagc 12)

fim Harrison.............................3

Peter Rowe's Honeydew Cafe...3

Morris Dancing.........................4

Record Reviews.........................5

Notes From All Over.,..............6

CIub & Concert [istings......B-10

?age /

ru,ïlfllflSl,AØlW

Editor's NoteSteve Fruitman

Sorry I mirrcd ¡sttin¡ into the l¡¡t isucof Thc No3¡ but ¡qc... thon tun'ù anyda.m¡cd rprcc for thc like¡ of m. Trcntypagu nr r tÉt d¡ hc¡dache to producc rnda ccùþ vcotun ¡¡ rcll ro rc dæidod to cutit down ¡ bit ¡¡d cram it all iato thc 16 pageformat ro gct outyour glarrer arld n¡3n¡fy-ing leurc.Thc Notcr h¡¡ r¡or gonc bi-mnthly - you

ehould cryæt 'b¡ ¡¡d i¡¡uc at tÌ¡ cnd ofMay. Þçcrimont¡ continue (ar you crn recby thc marthcad) ú re try to iron out thewrinlla and pre¡cnt ¡ rcll laid out, attrac-tivc ner¡lcttc¡that dcmon¡tnte¡ the diæc-tion of thi¡ organiration.

the Lirting Guidc: probably thc mo¡tde¡i¡edfc¡tu¡c of Thc Notce, thir gu¡dehu

bccn thc mo¡t critici¡cd feature of TheNotcr of the part. Common compl¡intr rcrcit r¡¡ out of d¡tc bcfo¡c rc printod iù. Orrc mi¡cd romcbody. Or it had too mr¡ch¡ocl ¿nd ¡oll. Thc Note¡ i¡ not printod anddi¡tributcd a clc¡¡ week before thc lirtingrb"dn ro only you (or thc mail) can bebl¡med for not gettingyour copy ¡oo¡cr. Ifrc mircd romcbody you can let ur Inow bycrlling our ofñcc ¡nd rpcalin3 to Li¡ orFr¡nL. Wc do try to lirt ¡ll cvent¡ th¿t tcfeel ræ pcrtincnt to our n¡der¡ æ if tban'rtoo much ofthh end not cnough ofth¡t leüu¡ tnor rhat you toul{ lit'c to rcc. thcproblem of boing a bi-monthly Sride ir arfolloçr: rc phonc I venue for their lirtin¡rthc rcel bdo¡c çc go to print urually¡¡ou¡d thc lOth of thc mth (fferct in thircarc). Thcy givc ur rhet they'vc got boolodfor Âpril and May but ¡till have to fll in ¡lot of ¡lo3¡ for tùc ¡ccond m3h.

^Dd thcn

therc'¡ thc ¡urp*c boolingr th¡t ¡r- u¡-¡vailablc ¡¡ re ¡p to pr¡. Montbl¡r ncrr-lettorr do not cqudly rhe¡¿ thí¡ problemand mr¡rbc nqt yc¡r ;c c.n join tbcirr¡ob.

.Any lottcn, complaintt, or potcntid ar-ticlc¡ ¡¡c ahayr rclcomc. Ând ifyou taat¡n cvent li¡ted ia our gu.idc plc¡¡c ¡cnd it in.Be¡ide¡ bcing rcnt ñet dchrr!! to ¡ll ou¡mcmbcrr,ltct{ot¡a¡cdi¡tributcd toclubrand ¡torcr rbor¡t torn. We may cvcn ¡e¡chthe 2,000 plateau thL timc.

David l. Warren, 8.4., M.Sc. (Econ.), LL.8.B¿rrister and Solicitor

103 Old Forest Hill Road,Toronto, Ontario M5P 2R8 (4161 i81 -3922

**t(

ADVERTISE IN THEMARIPOSA NOTES

Reach the growing OntarioFolk ¡udience.Rates are ¡s follows:B¡ck coyerFull page2/3 pa;gel/2 pqel/3 pasel/6 pqeBusiness Card

$200$160$r2s$8s$6s$3s$20

Menbers Qualify fot 20o/oI)lscountsC¡ll 769-FOLK

,WilP05,4 Gtu ffiAI¿ f ,4 ûUtl1lfI[fG[S fflE .fAPP2ff 0f.

Life llembenIlonrld llbnrnlustin & Btærly ClorÌsonDiano le4usonllichocl & Susân Goleo

Remmell Hu¡nmclenRuth Jonæ-bYcighHcine KeillcrIh. RG.ll. l¡idlorDmgo hleinerl(atc )lurghyDienne llycrsBrian PickcllJudy RobcrtsBill Russell & Sorah CunminsRob & Kotìy Sincloirlnn SnilcyBob Sl¡rcnsPeter SusananI)rrid lômn

Sustaining llembenRos3 0ibbons & Betty StcrcnrShoron Hanpsonl,ois liliensttinlù¡ t Joon lloclöllonRuth ù Br!¡¡ ¡lonisnDonold C. lollace

Patron llemberslliehoel Blugennanllichael Soshæ & FanilyEric ChodokBrÉndð Coll¡ng

Cothe¡íne lhrittPoul Doron!z & fuy llusotnePron Fulford

Page 2

th. fillir¡¡ E. t Flo¡rnce Goorl¡¡onllor¡l GreerDevid & llolly XelleherJonæ L Kin¿ & Borbom l. leissnsnnDoug & Roberlo l,itUe0ord lbEillllichæl þllcilEaine lluno¡Eonon 0'la¿[in¡rffrcy PikerJudith ù Brpdley RogenRoy t lhble StcrortBricn l¡lÌcrlfchoel J, lilson

Supporting llembersCarol ¡lndcnon & larry PandisHelen &ckr¡Jo¡næ t Erendo Bisikerllbert & lloræn BisschopJohn EutlæPhil & Sondy Byerflolph t Slorio lhnt¡l¡lene llunborStew & llt¡¡ie Fruit¡nanCrsce & Jim GonnettIlory 0ickGeorgc Goldberglhrsho Grovcr & lom KelþJohn GunnPeter Huttonlndulis Xeksis & J. Corlt¡nl(atrino l(nightfilliam & Ruth l¡rdnerfulph t Èsther Lcrislonet l¡nnBes lladdock

Dovid ù $moon llcionfro¡nos llsrchildonIounnn lhPhæ & Schoel llulrancyHorold S. lücoyI. Skog¿o & C. Robinsonllorili ù Roolind lloonDick & Ceml lunrcDouglcs & Soþ PclmctrcrPoul lothfds & hrycnt lÌ¡ackRononi Rcid-BoysSonþ & Bmnlo Sonrlhr t lhrgo SaundcnJoonne Sm¡lcKrt! ftgncr t lfln Kor¡orskiJoel fortmon

Corporate Donors

l.&P.-Do¡ninion8.1.8.F., loroîtoContcl lnc.Cornpbell's SoupCôYtlier Bcaemg¿sConfort Sound RÊcording StudiorCooper lool, BonieCyclclorldHorbour0ogtle Hilton HohlHoffmon )leol KitchencrKeystonc Cosh Regstersllolmns Ontôrio Brcrcriesì¡ightrood TheobÈPloytoy trdugtriæRodius lntrrnotionolRiring Honda-Yamoho, BanieSefety Supply Concdo$ony of Canodoleletech, loronto

lcparman & Son¡, Îo¡ontoñc Second Ctp, ()akville

ftonor J. üpton lnc..Tomnl,olrcnd Rccords?-Up lomnto

Government

The Government of 0ntario.through the llinistry ofCulture and Communications.the Honourable Lily llunro,l{inister.The Ontario Arts CouncilEmployment and lmmigrationCanada

Ìlunicipality of MetropolitanToronto - Cultural AffairsDivisionThe City of Toronto, throughthe Toronto Arts Council

TEE MARIPOSANOTES ir publiehcd bi-monthly by the Maú-pora FolL Foundation,96 L¡vini¡ Âyenuc,Suite¡ 10 & 11, loronto,Ont., M6S 389.

llanþan foll foundalionhadof ûiælotsþnne Hury, Præidcntlnn Smilcy. First Viæ-Presidentl(en Conner¡, flcasurerIlorid forær, Sæntoryll. Blu¡cnnan, Ræording Seuet¡nHæthcr BoklerJoe Bcnor¡æhllichoel BoshcgSt¡n F¡uitmanllorm GrctrShn s:to¡chevJan llstonwliz lluso¡ne,

hecutivc Di¡rctorFronk Saundcn,

Production llgr.

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---ilsùle MaUe¿át

--.Í¿ttEÈtWút-ù*t,brArü--Wbtff¡rrlW.-.tçHrùU

þrztúþirh,

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Tim Harrison.By Joel Wortzman

Tho toncrhoc, tcn P.n. on a MondaYnight. ltr plrcc¡¡i¡Dn d. Id3timfoùfeltiv¡l d¡¡cctor rnd pcrforur' CI(LN radiorhor ho¡t of rrAcou¡tíc Erpionl¡c" ¡nd dl¡¡ou¡d t'folLic" Ttm Er¡riron bound¡ ontothc rtrgr tith hL nor b¡od. But lh¡tgivð? Wf.æ il tt¡ rt¡¡dr¡d 'ço¡Licttuniform - tbc bcard, br¡gr bluc jcanr andtor¡¡lcd h¡¡r, thc Ttm E¡¡¡tron of foræ¡ycrn? Bc ir clcan rhrvcn, hir b¡ir i¡ coilfcdin r rþlc th¡t tould do proud mott ¡Yantgardo vidoo .¡t¡¡3t. Blrcl prntr ¡ad rhirt¡nd ¡ ¡rd ¡ill 3ic complcto tho plctup.Thc b.Dd cxudcr ooa¡r ¡¡ tbct ¡o¡¡ into

"Kecp Sterùin'Âll OvcÀ¡rinD. ¡lll i¡ quiotin tbc ¡udicncc a¡ if i3 nccdr time to digatrh¡t i¡ ¡oing on. Thc rong c¡¡d¡ ¡nd thcnban¡ - tbr audionco qPlodc¡ rith ¡ppl¡u¡c,rhirtlor, whoopr a¡rd rcn¡m¡. I lool¡¡ound. Surr, I numbcr of E¡¡ri¡on'r loydf¡n¡ ¡n h¡¡. Errt thc rrgulù (hE 81ilÇtcrord i¡ ñid.nt tt roll, cl¡ppin¡ rigbt¡lon3, prob¡bly un¡rr¡c of thc ¡rrfoturtrfoll ¡oot¡. But thcy mr¡¡l ron¡c romthin3dilfc¡¡nt. A¡d i3 L. Good old rocl ¡¡d rollmr¡¡icrith ron¡itivc lyricr, good ringing ¡¡¡dù¡¡tcû¡l playinS. loll ¡nd noü?

Tbc pecc do¡n't lot uP. Wc bo¡¡ thcfamiliarrdl rculptodHarri¡on roa¡t: "1roEe¡*r Bort In Gehnrtt' "Wh¡t'.

^h.¡dyGonG". t.Ilfr¡r of P¡ti.tt, t'To Thc VorYEnd", "Etilabctht¡ L¡mcnt". But thc

The Times They Are A Changin'ron6l, lilc tbc pcrfotær, havc a ncw pacl-rgcr ¡ nc,t drivc. Lcrd guitarist DannyGrcon¡poon can hardly contain Èiælf a¡hc ripr out rcrringß¡tul¡ct . ¿ll Ghor odn¡m¡¡ad D¡úd Woodhc¡don berr, oacofTorontotr prcmiorrùythn rccttonrr.Dluñ! ¡rolid, profciond round. .A¡d ton3 ËæA¡¡riron .idGL¡cL, ¡cco'rdio¡ld non S.tl-rood, LcoDr thint¡¡or¡¡ç rddin¡ ¡û¡nbrydoco û¡vour.

Ita æcnin¡ L ¡¡ i¡t¡l¡3inf Uad ofEa¡ri¡on'¡ pa¡t ¡nd futu¡¡. Ec bclt¡ outinrpind votlion¡ of ¡omr old *¡nd¡rd¡.D¡vid Witon'r "Drivin3 Wh..P, Dylrn'l'LiLc A noü¡na Stono" ¡nd 'Jr¡¡t LiLo AWom¡¡" ¡nd Woodi¡ Guth¡ic'¡ 'Ðc-portæ". But bc'¡ ¡oÊ ¡3ucl inthc put. Eo'rjurt rryilg, 'EÉlt¡ lt¡r I'm coóahom". ¡d rh¿æL t¡ ¡oing? Tbc ¡rlrri¡ prgrid¡d tt tto dhL ¡ad rDd bdroa¡1, r'Innoccnt Eyc' ud "Joy Âlri3[t"."Joy Ahi¡bt" m¡8üt wcn bc ¡ pc¡on¡lanthomto partsont¡ inE¡ri¡on'r ora lifo.Brolcn Fomlne! ¡Dd ab.ttartd d¡c¡u

^¡d rt¡ll hopc aocr drncin¡

Wíth noùhi¡g to lo¡c¡d thar'r tour rlri¡htTh¡ro'r p¡in ¡lrtht.A¡d 3horc'¡ fcrn rbi¡ùtS3ill tho¡¡'r jot ùtùt.

I rpolo rith lim tto tcú¡ aftor thc Bone -¡hoo ¡nr¡gw¡nt, rovcrtl dryr rftor ho badrori¡aod ¡¡ hat of "Acor¡¡tlc Er¡rlont¡:".

I7/[,t4úIlflSt //0/W

J.W.: Why havc you ¡ono to ¡ b¡¡d topruout your mrtorirl?T.E.: Wdl rcturlþ ÈhL i¡nrt ry ñrrt cn-cou¡tc rith ¡ b¡ud. IYc bc¡o pl¡yi¡¡ o'ürnd on in b¡nd¡ ¡incc I tu rbout 1{ ycanold ¡¡ htah .chool in Or¡n Sor¡¡d. Th¡t l¡¡my û¡rÈ bt¡ tur¡ on to n¡¡¡ic. Plrytng in rb¡¡d rllorr ¡ll of ry l¡Ír¡coc¡ to bcprs¡nt¡d.J.W.: Íhich r¡r...?T.E.: fh¡r¡ rr th¡u n¡i¡ or. lin3. tbrfoll d dtb. ff¡. P.od. [f. BobDyt¡¡, Joni Mitchcll ¡nd Phil Och¡. Butthcr¡ r¡¡ ¡ lot ofdifio¡cnt nuric h¡ppcninsin thc rixticr thrt lll populer. Rhythm end

Gonti¡ucd on Pagr 14

Sccond i¡ ¡ rcrior of Tbc Opcn Stagr...

PETER 'SKID' ROITE...

THE HONEY DEIT CAT'EBy 9tcvc Fruitma¡¡

He could bc mi¡t¡'l,en for ¡ much drarfodMoæ&rdd, agclcg b.htndbLñ¡llbc¡¡d¡dfaco. Ec ¡nivod i¡ tor¡ Èon thc Toclr in'61 ¡nd ¡till lc¡ver tho III'I" ofi the begin-nint d hb rold.. ffr ron¡r arr drrpþpononrl, prlin¡ on hir bclicf th¡3 it ¡ toocary to for¡ct thc reccnù tregedier, trialr¡nd Sribul¡3ion¡ of othcrr: 'fbo G¡ndcrC¡r¡h', Tbc Occ¡n l,u¡:d, Th. Strifi¡3Ncrfou¡dlandcÉt¡ a ron¡ rbout a ñvc ycrrold boy rboro !l ycar old fathor peroduay. Eir ¡uitu pl¡yin¡ b gpntlc l¡d l¡cltûnce¡c but it adequ¡tcly helpl portray themood of hi¡ ho¡¡3.

Pctor'Slidt Rotc tur thc rEoncy l)crrGafc', en o¡ra dq: rt 3tr tlrnrf-Cor¡aComurunity Ccnt¡G (22O Cor¡n Avc.) æcryFridey night bctrc¡n t & l0:t{l pm. Oth-crri¡c he rorh u t por¡.r st the WcllealeyHorpitat. Ec h¡¡ beon invoþcd üth 3hcM¡¡ipo¡¡ fs¡ m¡qt yean rad hl badgct'buùtonr, t-rhirtr, poaterr and prograor toprove it. If ùhcn'¡ ¡ foll fcrtival in torn,thir guy'r there.It t¡Lc ¡ lot of coct¡r to nrn an opcn ttagercel ia and wcek out, 9om tccl¡ are gre¡t- other¡ arc emb¡rrasaing. 'Somc *eekr we

¡ct trouty poopl¡ i¡ hrtrt, Le ¡úæt¡.'Othc rocù¡ I rondcrriy I bolùr torb¡up-.t Onc !.* onlt four pæph ¡bol¡d.to rnd hi¡ dfo Crr,ol lu¡ thc roundboard,mic rùand ud guitar from thcir bomc ¡ fcçbloclr ury. 'Sot up i¡ rrl¡tivdy cas!'boc¡¡¡r you ca¡r rhryr Sivc Youncücoou¡h tim to do it.r But tcir3 doça ttcr3{p, p¡cling ury tho 3r*, pilin¡ ql tb¡chrin rnd t¡blc t¡ r rort a¡einrt tim.Tho Eoncydcr Cúc ür¡t opa¡d it'¡ doorr

lart Scptombor tõ. Xú Sc¡rlctt rr than,ro ra¡ lim E¡¡ti¡on rnd ttcnty-frrt othcrb¡¡d co¡c foll pcrformcrr and f¡¡¡tic¡. Ecn¡dc ¡dcd çiththc Comnuni3y Ccut¡cforthc fncc ure of thcir rp¡cc but thcy inairtcdth¡t thc cvcning cnd ¡t thc carly hour of10:Jl. Thcy'vc ¡ot union clur rhoqurlify for ccttiæ if thcy lort part 11 rorc aottr bo ou3. fn¡t L proùrbftr th. Eddfficult thing to contcnd with.' Indcrd' inecitythrt onlybqinr to bn¡3hcof r¡3i¡3iclifc aûcr 9 pm on r Friday ni¡bt, Potc hu tocontcmplatc clæin3 ¡hoP ¡hortlt afrcr mætpcoplc 8ct thcn.the Maratyl-Colrn Communiþ Gcnù¡r

har a mort ilterußilg hirtor¡r, but hor andrhy ie it nor ¡¡¡oci¡tod lith honeydcr? Itñr¡top¡ncdin 1E98 ¡ a¡ indoor curlingdnl¡nd r¡¡ c¡llcd thc P¡vlorr Boll¡r nisl ¡n1906. But in 1910 ft rr¡ rann¡d rftrr thcñnt prerident of Thc Rcpublic of C¡ccL-

odovrlir ltmr G. MuatYL. A Pùfdd.!-td.Bt fotmul¡t¡d thc honc¡rdol drinlrbout thi¡ ùimo ¡¡d lù t¡¡ ûnt r¡wod in thcMrnryl, thu¡ thc ¡¡rocirtion ¡nd PctcrRoço'¡ cb<¡irr of ¡¡m for bb oolr-ûrro.¡dmt¡doa-ñæ opcn rtt¡: cúc.

Continucd on Pa¡c 6

ot tåe lt0¡lêy DêHl cafcS o n g w û t e ¡s, P o c ts, Itî a s lc ia a sand Stotytcllc¡s ,,.,Come sl,a¡e oar 0Pêtl SnCê

f Rl0âlS-8 Pnwìth- Pêlênkld'ROWê

llo Cover - F¡eelJo Cover - F¡ee lldnìsûoa

rara@+.\Commuaìty Ccatrc q.ìf220 C0WA¡l âYê. neat Queei,

ìust 3 tloclts wcst çf Duffc¡ìn

?age 3

I7/L¡//I?/HS| /YfW

THE RITES OF SPRING...or, any one ïant to ilorris?

By Jeff lteedIt ir carly in the morning, bcforu dawn, thcround ofñddl¡, mlodconr pip¡ ¡ad t¡borrfll tho rir. Fi¡uru wc in thc h¡¡fl¡aht inmyr¡d p¡ttcr rccom¡rroiod by ¡ ¡ùyth-mic ji¡¡fing of b.ll¡. thc ru¡'l firrt rr¡rgleam ovcrthobcirn Aùout ¡or out fc¡ ¡on¡t

E¡l-¡n-3orJoþ nrnbclorIfc rcm upLon3 bdon thc Dey-olTordcoæ in thc runmr,Tho ¡unmr ¡¡d th. May-o.For tho.umær i¡ ¡ comin¡ in

^¡d riot rr apn ¡t¡y-o

Ä sc€nc ñom toæ tim of thc di¡tant part?A pagrn rÍtual of dayr gone by, rhonvitch¿r ¡nd r¡rlocl¡ rerc h¡r¡ldcd forthcirporen? Yfell, tbc rccnc may bc rimilar, butthi¡ i¡ loronto¡ 198t, Bigh p¡¡l ¡t d¡n onlrt of Mey ... Mryday. Thc ritud beingperformrd i¡ m¡c for fun than any pagaarignifcance, ¡ troup of pcoplc rho gettogethcr bcc¡r¡¡c tbcy ¡h¡¡e ¡ lovc of tbcMorri¡.So rh¡t exrctþ ir thc'Îlo¡ri¡"? Mo¡li¡ i¡r form of da¡cc rhich h¡ib from Britain,mortþ arrociatcd Íth England but withsome cyidencê of cloæly rêlsùtd form¡ inWsloe¡ndScotlrod. Thrdancc'ori¡inrrælo¡t in antiquity, but cv¡dcncG of thcircxi¡tcncc ovcrlülyca,n ago h¡¡been found.Probably grovn out of ¡ome form of útual toencouragc good cropr, thc drncor ra¡c tr¡-ditionally donc in thc rprin¡ and thmugbuntil baw¡¡t tiæ. Mat villager probablyh¡d thci¡ own "aide" ¡¡ Motri¡ g¡oup. ¡¡curually lnon. thcy rould dancc lt grth-ering rad chluth "Alð", ur¡dl¡r bcingprúdinfood rndbc. It id!wouldhrvccon¡i¡tcd of ¡i¡ d¡nccn, a nrrkiu and efool to ¡mu¡c thc crord¡ bctwecn'danccrandby dodgingin and out duringthcm. Thefool was uruallythcmorË experienced of theda¡rcen and rould have been lnorn as

"8quirG" 3o rcdect thi¡. thc fool ra¡ al¡othe m¡¡tcr of cc¡cmo¡icr, Thb mu¡icia¡ruually playcd a thr,ce hole pipe and a tabor,or m¡ll dn¡m. lbc drrs of thc drocclrwould vrry Aoo villaæ to villagc, buttypical for "Cot¡roldt' Mo¡ri¡ (tom ùhe

Cot¡rold hill¡ ncar Odord, rert of London)rould bc çhitc rhirt¡ ¡¡d rhit¿ p¡ntt, orlnec'britchcl, rhitc socls and a colourcd¡ash or "b¡ldricl" ¡cro¡¡ thc cheet. thb¡ldricl cou¡d bG ringle or c¡o¡¡ed rrú¡and thc coloN¡n rould bc uniquc for eachdifie¡cot ¡idc, Ribbon¡ on the armr mightmatch thc colour of the bddri:L, ¡nd ro-¡ettee of ribbon¡ on ¡rmr or baldricl orboth.

Page 4

Thc mat ch¡ræt¡ri*ic p.rt dth. lldú"Lit" and thc d¡¡cc ihem¡elve¡ ¡¡c thebell¡ ror¡ on leather pad¡ on thc shins sndthe ha¡dle¡chieñ r¡vcd in the ¡ir. In ¡oædanco¡ thc h¡adlcrcbicú ¡æ ¡æhccd byrticlr, about n inch i¡ di¡ætcr.Dd th¡¡ttirchce long, a¡d i¡¡ ¡till othcr foru byroodcn "lrord¡tt or fexiblc mctal ttRappor

¡rord¡". Tbc Lit rorn by dancen todayclorely ærcmble¿ that ron bund¡edr ofyca¡l rgp.thc d¡ncc¡ ¡¡ rc lnor thcm tod¡y had .llbut ö¡d out by tbc cnd dtbc lrrt ccatur¡rand, butÍortbrrort of trom, rfolllorirtby thc naæ of Cccil Sharp ud bir ôiendEerbcrt Mellwaine thcy might h¡ve indeedbecn lo¡t into obrcurity. Sharp r¡r in fact

collccting foll rongr rh¿n be finÈ became¡ç¡¡c of thc Moni¡. By talting to da¡rcersrho h¡d d¡¡ccd romc forty or frft¡r yea,rs

earlicr thcy rc¡c ablc to ctart piecing thetraditionr togcther. In 1906 they publishedtheir fir¡ù bool, "The Morrir Bool", con-¡¡ining rou: d'orcn or ro denccr. By 1912 I¡ccond odition c¡me ouù ¡nd the number ofd¡ncor of rhfuù thcy hrd L¡odcdg" h¡d bythen incre¡¡ed to lom€ one hund¡ed a¡dfftv.Ovcr tb¡ pcriril of tro World Wan, thcdanccr oncc rgrin fcllinÈo obrcuriþ,but inthc 19fl1'¡ in England tha rev¡val bcgÐ.Tbi! t¡mc the liter¡ture r¡r rxc readilytraceeble to ¡¡rd ¡o the tradition once moreadv¡nccd. Continued on page 6

æffro

¡ü

Eq

il

MMorrir dg¡rccr¡ celebr¿te thc coming of Spring, (High Park, Mayday 1983)

NAKED MORRIS DANCERS CAUGHT ME ON THE HOP

(Rcprintcd sithout pcrmirrion iron Ncr¡Of the World)

I've been happily ma¡ried - orthoughü I wa¡ happily mârr¡ed - to my police-m¡n husband for the last 16 yea,n. Noü long¡fter we werc wed he ra¡ ¡ent to a countrydi¡tricü rêre re sct up home, and both ourchildren were born there.

I've never really taken to village life,but my husba¡rd ha¡ - even joiningthe Mor¡i¡dancer¡. It'r no good, but I jurt f¡nd Morrisd¿ncing hilariou¡. So while he wa¡ engaged inthere rural purauit¡ I u¡ed to nip up totown and¡ec my family, taking the Lid¡ with mc.

I'd donc this about three weekr ago,planning to rtay overnight at my mumr¡ hou¡e.But when I got there, I found my ¡ieter and herkids had arrived too, and there wasn't roomforur all to rleep. I decided to leave my kidr thereand set off back again, getting home aboutmidnight. Now I wish I'd rung to warn myhueband I was coming bacl that night.

The house was in darknes¡ ¡nd I letmyaelf in and went uprteirs. I got to thebedroom and crept in, then I heard the soundof tinkling belle. Puzrled, I turned on the lightand there in my bed ra¡ my hu¡b¿nd and one

of hia lady dancing partnerr, both ¡tark naledexcept for the bell¡ around their c¿lves.

Well, I went potty. I bodily flungthe woman out of the houoc, drured in noth-ing but her bloody belb. Since then theatmosphere, 8s you c¡n imaginc, harntt beengood.

I'm wondering if I rhould havechucked him ouül But he eayr ít was the firgtand only time and that it'r all my fault forrefuring to take part in village lifc. Hc oayr ifI'd b¿en intererted, none of thi¡ would havehappened. I'm not aure that I can get over thisand forgive him.

Unsigned

Dear Unrigned,Since you found the Morris dancing hilarious,couldn't you find it in your heart to laugh atthia, too? Poor man, to be caught with bellson mugt be the be¡t deterrent to being un-faithful again. My guesa ir that for them toland up in bed, ring-a-dinging, muat meanthey vere both one over the eight belb. Turnit into a family johe - and get a bit moreinvolved in hig interegts.

t7ecord flewþn'sMOONCOIN

Tip Splinter(Carcttc Only)

Rcúcwor:It YIDW nnBfTbc 6rlt ca¡rctta rrlcr¡o ûom Tip Splinterrouadcd, ¡t lc¡¡t in part, litc ¡ bucmcnttapc of, r puty thc¡c 'tb¡ crrcl' (3É uIrirh ñicnd 3o tno¡l¡tc--it her nothin¡ todo riùh thc cbcrp form ofcocrino) rrr jurtgrcat--cvcr¡ronc tu having ¡ m¡twclou¡time and cvcr¡r mueician in the ju wartrying to uplttgp thc ¡at onc. But that'¡not alreyr ¡oodfor tbrli¡t¡n¡r. UncY.nG..both inth. rtiliÈyof thc pbyclr ¡nd thcirfccl for ¡¡y l¡¡¡tlcul¡¡ pirr rcultrd inromtbinglilctbccunto'r ca¡--it r¡¡ goodin partr. It ru pobrbþ ¡ ¡rut dcd mrfun ùo pLtin thr¡ tolñ¡a to. Somnc¡Lrdid ¡ rwiu for lEE NOTEiS rhich ruproba,bþ ¡ ¡pod thi¡¡.

On tb. othor hand, MOONCOIN'jurt ncloucd o 8t Pi¡icl'r l)ry, mûùlilc ¡b¡¡d. Not jurt abrnd, but afirrt-ratcb¡nd, quiþ crpthlc oÍ comPcting i¡ themartctplrco rlth ùhô lil¡ d Dc l)toma,crrþ Cl¡nnrd, otc. But, bo rr¡nr n3¡c3ñ¡llyand probrbly quitr ualoroa¡bly ¡ivon hi¡con¡idcrbl¡ r-vúitr (not to rry ndi-nan) about thc ûr¡È ttpc, but romthingrocm to b¡vc bæn lcù. Wbdbc tb¡dirciplinc of ¡ ¡tudio rrlor¡o l¡oclod thcmicleyort dtüû (trtch thorP--Ed)or th¡ ùiÉtcr goup ovcr-rrru¡:d itrmaÊcrid, I crn't rry.

fbb L not tn¡c of ¡ll Èbo tword-ing, horoc. 'iÌh¡ Four thovcl", "Errt7Boothþ'r", ¡nd putía¡l¡rly 'Tt Bd-lydcrmnd PolL¡" d¡c¡ib¡d þ thc ¡roupa¡'rthru ¡or¡¡in¡poll¡¡tt ¡¡t i¡do¡d ¡or¡¡-¡¡g. lñ.tll ¡rt you up lod droci¡¡ in thcmiddlc of thc night - ùhcy did mc, et uyntc, rnd I'm ¡ot mr¡ch d ¡ dracc.

TimelinesJames Keelaghan

Rsvicrcr: JOEL WORTZT'ÍA!ÍlL tt¡dcdG¡th of 8t¡8 lofrr dd õ

y..¡r {o ldÈ ¡ t¡c¡3 ¡¡p i¡ thc C¡¡¡di¡ofoll mu¡ic ¡c¡nc. To ny thú Cal¡rriraJan Kælgbr¡ fll¡ Shrt grp rould bcprtm¡tun. Buù rith hL frrt dbun,"Tinêlincr", hc'r t¡la r lt¡: rtcp in thcrigbt dircction. Tb¡3'¡ noû to rty thorehrvçn't bocn û¡c ¡chirvcmont¡ by othcrC¡nrdi¡¡ ùti.t ¡D tù. intGù¡n, ittr jurtth¡t Kcclqùrn h¡¡ ¡o obviou¡þ bæn infu-cncrd by R!æt¡ ¡¡d follot¡ i¡ tho ¡¡ætr¡dition.A¡did Strn, K¡dqhr¡h¡¡ ¡Lccn int¡d

i¡rhidrxicd cyút , rùocb¡r thcy be of

rorldrørn ('Thc Firuof Crlrir", r-rll-ing thc Bdtbh trtúqt fir6¡ þr¡nlirl i¡19{0), or G¡nedi¡¡ occurrcncc! ("BoomGonc To Bult", I rong about Can¿di¡n¡parS and prcront crord¡g thc country inrca¡ch of torl). "Thc Fircl of C¡l¡i¡" rilllilcly bc ¡ingl.d out s th: brd tum m thcalbun, rrongtiSh an cpic roundforu epiccvcnt. Itl largcr thr¡ lifc qualitir are

brougbt out by Kela¡hr¡'r rin¡ing tlolvc¡Èring gu¡tlr eod rondoltrl þrricl:

"I\rc f¡hcd thac Ch¡ond l¡tan rincc Irr¡ m¡D cnou¡h to f¡cc thomFor thc bcrdn3 ¡Dd tb. flor¡¡der I h¡vooltcn h¡r¡lcd ¡r¡yBut e c¡tch lilc thi¡ I'vo ncvor brd in fortyycrn of rilingSrvi¡¡ Tøúc r thc lor¡¡dc b..th th.fru of Cd¡ir.

Ko¡l¡rb¡¡ ¡l¡o ù¡¡¡ Ro¡cn' lcc forM¡¡itin thr ead n¡r riùh rolli¡¡'¡olliclin¡chon¡¡¡r ¡¡ dooúrt¡d i¡ Pc-tår Bcllrqr'r r'noll lìofn", Ylc Bdl'r"Snrp Tba LiD. Titbt", rnd Kdr¡brn'rovn t'3¡¡ ForTb¡ San". ÍLih not quitrhrvin¡ th¡ nu d..p b¡- ¡¡d rich¡s ofvc¡ico th¡t Strn hrd, f¡¡¡¡Én t d f.lboùind; hi¡rin¡in¡voir:o ir rtrong, clorrndplc¡rin¡ to thc o¡¡.

'-.James Keelaghan

Thc Ro¡rrr coanætion cætinu¡ llthÍJonny Br¡rcott, r brdhl, hi3t¡¡r,r-Kclr¡ùrn b¡llrd th¡t Grtut Xo¡rr rr-c¡üd.d. I3'r intorrtia3 to hc¡¡ tor ¡imilartbo tro nnditio¡¡ round,

ldy p¡¡¡on¡l f¡vor¡¡ito o th¡ ¡lbun L ¡¡u writton by Kcrlr¡bea c¡lled 'Iot".It'¡ ¡ c¡lobntion of lifc ¡¡¡d lovr lith ¡p¡cttydod¡r thrÊ eteycd in nyd¡d rfrconly onc ¡¡¡t¡n¡n¡.

A¡ for the ¡rr¡ngtm¡b aad production

{uütV, 3hr dbum i¡ r cr¡t rbovo dGr¡¡diro foll rlbum. Thr uten¡rmntr¡¡. v.r!/ t¡¡tcñ¡l iith ¡on modorn DX-?

itiilr':'l+:.ì,:i'¡:rr'rrj11.:.ì:i:l+il .-; .,:Hi ^,,':, ..tÍ¡r,ç:i'T,

ff#,f,úilH't4 llØlW

roundl, but mtly fe¡ture tho accllcnt,clcu¡rir:Lin3of Krd¡brnonrirr¡dtrcùvcrtriry ¡uitrr. I rer prrticul¡¡ly ¡ryrro¿rith tbc m¡ndolin tott of Katby CooL'crpoc¡¡lly thc cutting, dr¡m¡tic edge rhcprovidc on "Follot Mc Up To Csrlowt'.Th. ottñultlca¡ fndútù 3h¡ ¡lboni¡

3h¡t I'm lclt raating to hcar mn d J¡ro'on mrtori¡I. Only fvc of thc rcagl on thcdbum ¡¡r rriÙton þ hin^ So ry rdvico toyou ir to ¡at out and buy thc rlbum; thcrooncr wr'll ¡ot anoùbcr ñom thb ticût dron¡rritc.

Tfntin i¡ ¡y¡il¡H¡ th¡ot¡¡! Yr¡Ëi.tEût tp¡¡.¡r Woodbu¡n no.d, B.R.#l'Íranom, Ontrrio II|R lPO.

HOneydeW(continucd From Page 3)

But hc doøa't rit comfortably úth thcuoùc-ù¡ drcription: a.br cnomitYc¡ntrr b¡ppo¡ tobo ¡ ool¡-ù¡¡ bu¡ld¡¡¡- rc dmtt r¡o3 to bo thott¡ùt ol r¡ ¡n ¡nti-mU¡¡ club,' hc ¡rit¡n¡¡ ¡ ¡Pod hdfdorú t¡Ð. rI dontt t¡¡n¡ n¡l¡ ¡¡to¡cf¡t r¡¡codorSrble - wrrybody'r ¡¡lcø.I3'¡ jr¡¡t th¡t pooplo alcn't alloved to rmoloin tl¡¡ bu¡¡din¡i.I rù.d nllid'vby hr ¡oa lnùo doll3 thl

thlnS? It'r r boll of ¡ co¡osúto¡at ¡¡d ¡ l,ot

of b¡rd rort. Eb ¡o¡tc t¡ tL¡ n¡fic ofnot Lnorin3 thrt to qræt. tYoú ncvcrL¡ou rho'r goiry to rhor np rod do rom-thi¡¡ out of tho ordin*7.' Er r¡¡ fntldd¡ct d ûo tho oPa dqc úorrt lTYcnr¡o ú Frt Albcrt'¡, tbc aru'd-dlddt of thccity'r o¡nn ¡tfg. t¡ rLo Lu3 ¡rou¡dEcrll¡rrr6r, Tb. finaË Eo.d ¡Dd tb.J¡ilbour Gú r¡d ¡¡t tù¡ ¡¡¡d fu ¡t¡ch ¡f.¡tü¡! in tù¡ P¡¡tdd¡ ¡n¡ rb¡æ L¡ b¡livrd for thcprt thn¡ yo¡r. [Ec rll llrclof n¡ppat frou¡ tbo lrrfpõlL com¡¡ttydon ú thr ¡nrr !ooÛ. Lvcl rh¡r 3h¡Er¡dc dl bfirJ alñl lôdft¡¡nVcf¡¡ ri3LÊ boæ in SouSbc¡ Ont¡rlo' ¡iabu¡dc or¡¡ m but nobodf bor¡ it.' Eetdb rtc¡- oa¡¡cc¡dbf ndcíru lf,o rtillú,rqrnt 3te opro rtr¡f 'bccul of Shdtfriüdlt ¡*rqfæ rhrYou dm't brvoto rolrt ¡ùouÈ W¡tr¡h¡ ¡4/oB¡.' Erd¡stb¡ tùr dub¡ r¡ tl¡ ¡ræ'¡¡rou¡dr lot futr¡n foll lft. tltt¡ rhlrColi¡ Lindcn ¡¡d thirly Eith¡rdt both ¡otttlr.ù¡ttt.tI ûoÉd up at thr c¡ftu r¡crnt FridrY

ni¡bt rhlh ¡ Eolt oorr¡d qr tb tæl.Abor¡t rb Dq¡L d b ù dlt r--¡oú r¡Êch¡n¡ Potr rtite I Po u¡dü tb.h¡lo of rlon rrd li¡bt. Ib¡r tem tro ÈonEnqto, ø Êon Xhr¡¡ ¡¡dmE cro ell ßbrr¡rttotErd-tü. 8¡d Süu¡l p¡cL.d out a blrú3tunr, r ooqù otyou¡p ¡pr ðd r bls-drr3, po¡trt ru rud by onc of the tro ¡¡dI ao ¡ot up ¡ûd did ¡m Jufù¡¡d tum.All ¡rr rdæ, tbcr'r oooül ud colfctud romtbin¡ to be ¡b¡¡¡d ¡od l¡¡¡¡¡dåloo ¡t ¡tl. !ûcTtdlrr' porl nf-ttiÛo¡¡d dl, rad rpocfrüy ùhore lbo JrS rratto l¡t D þ thcir çord¡.

Prye 5

Iïlil{,úilHÍl /VØ/W

MORRIS(Continucd From Pagc 4)Thc Pin¡r¡¡od¡ foll camp in Capc Godincludcd, u i3 rtill dool, Morrir aurongrt thcforu of d¡nc¡ taught ro'd thc Pi¡croodt¡Mcnrould mt ¡nd tour¡¡nu¡¡ft. Th¡. ¡nSurn c¡u¡¡d oth¡c oilbhooÈ ddc i¡ l{crEn8l.Dd. In l97f a group of mbon of 3bcFiddled¡ Grm Folt Club in Torcato, lodby rom rb h¡d lc¡¡nt Morri¡ ¡t Pinc-roodr, forord Gru Fiddh Morri¡. GruFiddloMcri¡ ¡3ill cxi¡t¡ ¡¡ r ¡irh today, andmembcnofthoridcrill bc amonçt tho¡¿ inEisù PüL on MryIt i¡ o'ftcn thc rey tha3, ro tooncr ir r ¡roupformcd thr¡ it rub-övid¡ ¡ad foru ofi-ehoot groupr. Thir i¡ no dific¡¡nt in Morri¡and ¡t 3hc l¡¡t cou¡t wc had thc following¡idcr i¡ Ontr¡io:

G¡oon Fiddlc To¡ontoBr¡¡d ¡nd Ra¡r TorontoÎo¡onto Morri¡ Men TorontoTham Valley l¿ndo¡Go¡bhcrd LondonForert City LondonM¡¡t Mill LondonBlacl Shoop GuclphEqrb*L Ott¡r¡

Not ¡ll o,f th¡c ¡idor ¡¡c firlly activc all thctiæ, but maqy c¡¡ñeld rcvc¡¡l "rider" (i.c.groupr ofrix, or in tbc ca¡c of "Northwett"rtylcMorrir, aigbt) of da,nc.n. In addition,thrrc r¡c nct "Northtctttt aDd"Svord" Morir ridc¡ forming i¡ To¡onto.So do thorc ¡id¡ jurt airt to d¡ncc thc ru¡up o Xrydry ED¡n¡? Eardly. Me¡rmrning ir jurt thc ¡t¡rt of thG Motrbcalcndar, rud bcainr ¡ rhole r¡l¡o of danccoutr, Festivalr, Pub Tourr, ¡nd Äles. AnAle L in thi¡ ca¡e an cvont, not ¡ dri¡l.(âfthougù thc¡c ¡rc dcfini3€ connectionrt)Âle¡ ¡¡c thc Morri¡ danccn equivalenü to aconvcntionr, rhclr r bumh d eidee ¡rttogcthor to dancc, ctt and drinl and gener-ally nrlc ær¡r. Southern O¡trrio h¡¡ it¡f¡i¡ shar. ofAlcr, rith London in the latespring, Toronto in the l¡tc ¡umro andOtt¡r¡ in thc fall-Ìthich bring! u¡ b¡cl to May lrt, 19t8,rrigh p¡¡'L, nc¡r the Gr.cn¡dier R¿lt¡u¡aot.(A litùlc c¡¡t of thc ¡staura¡t, ncar thcrtatr¡c) 6:1O ¡.m. ¡¡d ¡ rholc bunch ofMotri¡ d¡ncc¡¡ having a gr.cat timl Whynot com out and join r¡¡ ¡¡d m¡Lc ¡u¡e the¡un ri¡er for ¡nother ñnc Summer? WhoLnorr, you might fnd it æ nucù firn you'llra¡¡t to givc it a tr¡r younclfl

(If you rould lilc morc i¡fotm¡tion on theMorrir, c¡ll Jcf Wced at 69ll-21&f)

RoføsMAR¡POSA PRESEÑIS

On Thurrdry, Äpril 7 Mrripoc pluotrM!¡¡tim Nigùt ¡t thc 83. L¡ç¡rnco E¡ll.tho acnin¡ rill fc¡tun 3h. food, fr¡n ¡ndmu¡ic of thc M¡¡itimcr rith ?iddlcr'rFanst. Ticlot¡¡¡r ll0form-rnda¡ -It for m,mbcn. Coæ on out ¡nd h¡vc ¡

good tim at the cryoæ of primc-timetclæirion. C¡ll 769-t666 for Info.

On Saturday, April 16, Meripcr proudlyprcronùr JOIIN RENBOURN lith hi¡ bandSEIP OF FOOLS ¡t thc Ont¡¡io ScienccCcntrc ¡uditorium. Thc cvcning rilt bcho¡ùcd hEr t¡lcntcd tu¡tri* GordùZubr:cli rho lill abo pcrfom ¡onof hi¡dading guiùar roÈ to o¡rcn thc rhor.Tictct¡ ¡æ ltl - (lro tor membcre) - anda¡c ¡v¿ilablc ¡t Bar or thc Malipaa o6cc769-FOLK. (Notc: Mcmbcrr' di¡countr ¡¡conly availeble thr.ough thc Maripaa ofñco).Get ticletr ouþ co¡ thb ir ¡mnr bc a hollof a rhow.

On friday, Junc S Mrripora, thc FlyingGloud ¡nd En franc¡ir S'il Vor¡¡ Pleit, in¡¡roci¡tion lith CBC R"adio, rill prcrcnt LaBottinc Sou¡iantc i¡ concort ¡t S¡crc Cocr¡¡Chu¡ch (Shcrùourac & Carlton). GBC willbe t¡ping tho ¡hor for Mitch Podol¡l'r9imply foll rhor. Tfctoar rill 3o m nlcmid-April. Membcr¡ di¡count¡ arein oücct.

BUT STILL flTTIY ARE WITE USgince thc la¡t i¡¡uc of Îñc Notcr lrr ¡nrb-lirbed, thc muric rorld bid f¡¡eçcll to ttogeal artirtr: Glifton Chcnicr and Je¡nCarignen. Chenier, 3h: rndir¡xr3cd XiDt drydeco, was riagle handedly reaponriblc forthc cutr=nt popularity of rydeco muric,having ¡üpiæd the lilcr of Quccn lda ¡ndBuclrhe¡t Zydeco. Carignan, rhomt"Oo¿¡ tr¡"¡'hin c¡llsd 'a n¡tur¡l virtuo¡o'of the violin, drovc c¡b i¡ Mo¡t¡e¡l rhilcbeing â¡l,cd to pcrfotu in ¡uch vcnuGr arCa,rncgic Eall. Pr,obably the gnatcetFrench G¡nadian fiddler, Carignan per-formed ¡t thc fint Medpct Fertival in1961.

GET'EM WEILE I'IIEY'RE RED EOTMa,ripola board membcr Steve Starchevhorte thc rcmaining thrcc rtorytelling Gve-ningr at Earbourfront (four havc alreadybecn nrrhin¡ ¡uc¡.rc.). For tro br¡ct¡you get talcn to the C¡n¡di¡n Weat, MotherRuria, rnd Sudbury on r Sundry lrl"çht,úth livc mu¡ic. Chcct it out in TEE LOFTSundayr, April 17, 2{, and May 1.

LAYING DOWNTRA,CKSR¡rc Air i¡ bacl in the studio laying downtraclr for thcir forthcoming album on tbcGrecn Linnet label. The b¡r¡d will be

appcaring ¡t thc Silvcr Dollsr lgter in thcmonth,.. Loc¡l blucmen Joü Ec¡ly h¡¡rrccntly bocn ri¡ncd to a mulùi-ycrr r.ccord-ing contract rith ¡{¡i¡t¿ R.co¡ù. Hc i¡cunntly ncording hi¡ firrù ¡lbum whichthr company plaor to di¡tributc torld-widc. Anothcr loc¡l to hit iÈ big ir $padinaEotcl rc¡ular Anùcr Carh. Ec'r jurù ûn-bhcd hi. fint ¡lbum for Chri¡ Blaclrell'¡I¡l¡¡d R¡cord¡ (Bob Marley, Stevie Wi¡d-rood, Tbc Po¡ucl) - thc comprnytt lintC¡¡adiu ¡rti¡3.... For all you Norm EacL-ing nu3r, ¡et ¡c¡dy co¡ the big man'r jurt¡bout 3o rrdæ hL ûr¡t dbN¡m in 8 ycrn.Lool for ¡ rwicr in tho next i¡¡uo of lbcNotc... And of cou¡rc thc¡c'r JIINO .A,tardli¡¡cr lillirn.Al!¡n'¡ l¡to¡t ¡Iburn rGriticdConditio¡¡' which ha¡ jurt found itr wayinto thc ¡ùorr¡.

MAruPOSAEITS TEE STREEÎSM ilPOS.â' ¡N THE STREETS ir comingbaclt Yc, thirr populer event thicb fe¡-tu¡cr loc¡l foll he¡o¡ Þanhandling for ouror¡anirrtion on thc tt¡eet¡ of To¡onto rilltale plecc Jum 11. Morç info on thi¡ in thenext i¡¡uc.

WANTED: GOOD ^ND

ALfyETlrr' fLlTNc CI,()UD FOLK CLITB i.i¡tcrutcd in n¡dci¡¡¡ rbo tould lilc torann thc ¡rlu up. After dl, that good ¡t¡ hcadlincr if ther,e'¡ no ona to torl thecnoud? If you'rr interortcd, got gutr end alott¡ cù¡¡mr c¡ll Du lúc.ût ¡t 92õ-1O21end tcll him Meripora r€nt you.

flEARYEITEE M^RIPOSA FOLK fOUNDATÍON i¡plcrrod to ¡nnounce the appointmentr ofLi¡ Du¡om a¡ Exocutivc Dinctor, tadFnol 9eundon a¡ Production Mrnager.Both clm toMa,ri¡rom about eyoar ago andhavc givcn thcir hea¡t ¡¡rd roul¡ to thcFound¡tion. Ch¡¡rce¡ ræ if you c¿ll 769-FOLK you'll be epe¡Þing to ono of them.

GI(LN ¡nd Thc Long Note a¡c prerentingMlry Blach in Conccrt ¡t thc Dia¡aondApril 2t. A tr¡ditional Irirh foll ringer,Blacl h¡¡ ïon nutne¡out ¡t¡¡d¡ includingÈhe IRMAfc lem¡le voc¡li¡t of thc yeal' in19E7. Shc i¡ cumcntly on a NorthÂmric¡ntour rhich üll include Ncr Yort, Pittr-burg, Detroit ¡¡rd San Fr¡nci¡co a¡ well a¡other U.S. ¡¡rd Can¡dian citic¡. Thc r¡¡ncpr.omotcn are dþ bringingNidl Toibin toConvoc¡tion Eall April 9. Dæib.d hyMcKen¡ic Portcr r¡ 'thc funni¡t lri¡hman Ihave:lvce ¡ccn.' Ticketr for both rvrilrblc¡t 8489.

COMING YOUR WAY IN JI'NEthc Ju¡c i¡¡uc of TEEMARIPO9.â, NOTESrill fc¡tu¡a part tro of Anne L¿d¡rrn¡¡'¡intcrwicr, Thc Maripora Fc¡tiv¡l Linc-up,a¡ O¡t¡¡io Fortivalr Guidc, cvcn rcartoon,¡nd ¡ wholc lot nr. Onc tay to m¡Lc¡unyou ¡ct your prcciour cop¡r ir to bccomc ¡mcmbcr of thc Maripor¡ Foll. Found¡tion.For llt you can't aek for anythi¡g mobr.Page 6

C a ¡u ¡' Ra¡" b l¿ rs i.'.

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Iïlf ,U4fl/P2S/ tVtlß"tnrytlü¡hSouo"

Cttaprpfrútaüãt|.ÚÈr¡nß

tTrBlFs'la36ûr¡Strtþ.fürb.oil¡io llllhÍoplC.rr¡" ItYz^l filO Slttaa

o RE]ITALSo SALESo REPAIRS¡ TWO ÌlEW LOCATIONS¡ OVER I5'OOO SOUARE FEETo+4,OOOTOOO INVENTORYr WE HAVE lT ALL¡ BEST PRICE ¡ BEST SERVTCE AIIYU|HERE¡ OVER 15'OOO SQUARE FEET OF ]UIUSICAL

IIISTRUMENTS & ACCEISSORIES

COSDIO MUSTC WAßEHOUAEç¡.r TOllGEtllEEl

t¡cttrotfD Hll.lr oNT'cAxArrA ¡¿GÔZtf4fôlEagó3aa

cosrro lluslc çAnEROt ¡ErroL¡xçr¡lolDDl¡lyl-tc^llolouon o¡l1rc^lf^rt^Itt¡rt

lûtöl21rrtfl1t9

Stil.r,.fr.,.,he&( c,,j," r c.eeìe ¿ (g

millwheel music arts foundation

MUSIC LESSONSægimeßloúYtttøÆd o ell tges tn

',,ydaso BASS o PIANO ¡ V0ICE o FIDDLE

MANDOLIN ¡ BAIIJO T THEORY

BEPAIRS O CUSTOM GUITARS

462-9990161'DANFORTH AVE

(EAST OF BROADVIEW SUBWAY)¡ lror'¡ þnorr EDUGATIoNAL ORGANIZATION

Page 7

lH[Lúî/P2,fr4 ,//A/ß

WFor11CArEñpAnWA¡,BERT'S EALLÆr BLOOR gT W 96'l-tt{2Âpr 2 ChcryI Lrcom& Tq¡¡ Floodrlpr 4 Eluo Monday J¡m úth Dauny

MùtrÄpr 18-10 Wi¡d¡or Dul¡lÄpr tl-23 MondoComboúthJohn

DiclicApr 25-18 Jecl, Dcl(cyrcrBandMay 2-{ Wcrt Sidc Eelt

(ñoIn Chicage)May õ-7 Robcrt Noll & Bluce

Mir¡ionMay 9-11 Mor¡an DavirMay 12-1{ thil Crry (Buddy'r Bro)May 16-21 Bcrn.¡d ttli¡on & B¡cL

lalkMay 23-28 Eddy ClcerratcrGoming in Junc - Marcia Ball,

The lomaniac¡

BAI(EN SÎRTET2ß2 qItEEN Sl E 6e{-dlllEvery Sunday Larty Gloodhand

& Tueedayr - Bluc¡ Jam rithBurgser Bror.

BL/\CK SWAN164 DÁ¡TFORTE AVE 469-0637Wedneedayr Bluer J¡m rith Michael

Picl,ett & Mile McDonaldS¡t aGemoon¡ Kendall Wall Bluee

Matincol úth gueetr

C.ABANA ROOM - SPADINA EOTEL{60 KING ST W (å,T SPADINÀ) 36E-0729Acou¡tic tWednerayr

Âpr I P¡ul MycnApr 13 P¡ul Myen &

Fl¡naelettc CorboyrApr 20 Paul MyenÂpr 27 Paul MyanApr 39, May 13 Gúevour A¡gêlr nightr

Dornrtain loungeFolL Mondayr fr*urin¡fhc Skydiggþrl ¡¿

Gue¡t¡

CÄMEBON TAVENN{08 qItEEN gT W 16.1-0111May Thundayr thc Flying Bulgar

I0c¡mcr B¡nd

CAR¡,OTTATAVERNDANFORTE A\J.E AT PAPE 4€6-0709Every Wcd to Fri - Eddy Coficc

CHIC.A,G O'S CEECXERBOARD LOT'NGENORTII3:|õ qUEEN ST W õ9E-330rEvery Thurr thnr S¡t it'¡ 9tevcn C &

R¿d Roclets

Page I

COMEALTAS CEOLTOTR¡ EIREAI{NTnANZACCLLE rtl-768eEvcry lad & 4th W€d¡G.dey: Irirh o¡urfegs

CONVOCATION.EALLCALL BASSApr 9 CI0,N l¡ Thc Long Notc

Prc¡cnt Ni¡ll ToibanApr 2t Rich¡d Flohil prucntr

Gar¡et Rogerl & Doug Mc.¡|,¡thur

COT'NTRYMUSIC SÎORE2203 DANVORTE AVE 690-666,'lSaturdayr Opcn Stage 3-G p.m.(pbonc for rpecial eventr)

cRooKs1{'6 FRONT ST E t66-8906Âpr 3 M¡lcolm Tomlin¡onÂpr 10 Rita Ghi¡¡elliApr l7 Morgan DovirÀ1 ff Jactie Waehinston

DI^MOIü)

'110 SITTIRBOITRNE ST 9¡7-9010

Âpr 7-8 Shinead O'Co¡norApr l1 Paul J¡nerApr 12 Blue RodeoApr 14 Belamy B¡otherrÂpr 18 Dianond'¡ 4th

Annivarrary featuringThc Ncville Bror

Âpr 28 Ct(Lil & Èhc Iong Noteprreeent Mary Blact

May 9 B.B. King (two rhorr)

F.AT .ALBERT'g COFFEE EOUSE3ü) BLOOR ST WWedaeadayr Open Stag:

TLICKS2400 YONGE ST 411-7633Âpr 1-l Frigidairo!Àpr 7-9 Jerty Marlha,mApr 1{-16 Eot 9¡r¡c¡ rith Brend¡

SpcnccrApr 21-23 C¡mco Bluoa BandMey 6-7 Danny BSundayr Dr. McJ¡¡¡ Matinoe

FLYING CLOUD FOLK CLI'BTR DITIONS ROOM, SPADINA EOTEL{60 I(ING ST W 651-,!l(1119

Apr 8 Grupo TallerApr 15 MÀRIPOS^ PRESENTS

FOOLS GOLD WITIIDORE GRAIIâM

Lgt 22 Ster Ca¡rrc¡on rithMum'¡ Thc Word

Apr 29 Orealis

May 6 M^RIPOSAPRESENTS ITRBANACOUSTIC WIÎH KIETH McKIE

May 1{ Bob D¡vi¡ & Friend¡May 21 JonrthanL¡mn,KcvinKooncdytz

Dor,othy TaylorMay 28 Mary.rladenon/CatchpcnnyJunc.l MAruPOS PRESENTS BLTIE

GRAI¡S rith BL/\CKCRAEKJunc 11 Fiddler'r FancyJunc lt Ft¡¡o FcloJune 26 CLOSED FOR TIrt' M IUPOSA

FESTTVAI,

TREETIMES C.AFEs20 GoLLEGE ST 967-1078Mondayr Open Stage rith Judy Perþ,lpr 1-2 Norn Eacling çith Kevin BellApr t Micha¿l Piclettrlpr õ Pcter Eastmute/Ron ScxrmithÂpr 6 Thc Âtomic Fa,milyApr 7 Lonerom Don Duo rith W¡rren

BrubalerApr t-9 Don FrcedApr 10 m¡tinee with D¡vid Hincr &

T¡,m¡r¡ Silvercvcning wiùh Jamca Go¡don

Apr 12 Vincent Dan¡e¡e¡nApr 1E-14 llugh Mareh, Bill U¡her

& I)¡ve WoodheadApr 16-10 Rodney Br.orn & No¿Ì¡

ZacharinApr 17 TroApr 18 Steven FearingApr 19 Jcú[ Bat¡e¡Apr 20-21 Tim BovacontiÂpr 12-23 SyrenApr 24 C¡ech GrabApr 26 The Simpletonril.:pt 27 Stevc Ä¡drcçrApr?8-t{l Tro/CatchpcnnyMay I Doug McArtherMay 5-7 Jim LaycuxMay 12-1d E¡rbord TrioMay 16 Cathy WinterMay 19 Bob SnydcrMay 16-2t Joe II¡llJu¡c 2-.1 Moro flc¡rlcttJune 9-11 lnd J EaglcmithJune 16-1t lim E¡¡d¡onJunc 23-16 Willic P BcnncttJunc 29-30 Gatchpenny

GIIITAR' SOCIETY OF TORONTO626 B^LLIOL gT, I,NIT 6May 8 D¡vid T¡n¡enbaum

g RaounrBoNT326 QUEEN'g QUAY W 973-:Xn0Apr 24 Brroquc, Rrn¡i¡¡r¡cc &

Medieval Mu¡ic

WFotKCAtEñpAnWBrigantine Boomrtpr 23 Gla¡encc Ga,temouth BrornW¡tcr'r Edge GafeSundayr Coc¡ Col¡ Pr¡rcnt¡ Foll Mr¡¡icPrrmicr l)¡acc The¡t¡cMayt D¡vid T¡nnenb¡umThc Loft

' "O¡cc Thcrc TYr¡..."Intern¡tion¡l Storytclling

Apr 1? C¡nadi¡n WorÈ rith C¡rolMcGuirr - mu¡ic by Muddy YorL

;å:pt21 Mum'¡ the WordMay 1 folllorc and Fairytalce

û.om Ru¡¡i¡

HONEYDEW CAFEr20 cow.ÀN^vEFridayr Open Stegr

EONSESEOE TAVERNr7o qITEEN S1 W 59r-4763Apr I Morgan DavirApr t-9 Ellcn MctrraincApr 16' KoLo leylorÀpr 2l Lon¡ic M¡cLtThL d¡tc in queetion at prrlr timc

IIOÎEL ßAAELLA666 SEEREoURNE ST 92r-1167Evcry Mon l¿ Tuce EocL in Ju

rith EocL W¡lrhEvery Wed - Set Mondo Combo sith

John Diclic

IIT'RRICANES3361 ELLESMERE nI''tI-It85Apr 1{-16 Burr Upahar BandÂpr 21-23 MiLe McDonald Ba,nd

J.AILEOUSE CAFE97 MAIN ST 69r-1113Saturdayr Opcn Stagcrith Topar

Âmbor D¡wnMay 28 Foll Fc¡t

JEWISE COMMUNITY CENIR^ESPADINA

^VE AT BLOOR W 92{-6211

Aprl? EricN4kr

MAPLE I,E.ÀF GARDENSCALL BASSAÉr 16 Metro Policc Concert with

Randy lravir

MOD ONTANTOFor l¡foruation Cdl (4fo) 4gt-09fl0Apr 22-23

l2th Annu¡l C¡n¡di¡nFc¡tiv¡l of 9cottbhG¡clic Mu¡ic & ütcntun

lom¡to DownSown Eoliday lnn89 Che¡nut St

RPM132 QT EEN'S QU Y E E69-1a62May 12 King Sunny Ade & Ei¡.Afüc¡¡

Bc¡tr

STLVERDOLL/IR4tl SPADINA AVE 921-trtrlll;pt 22-2t Warhington Squa,ruApr l9-t0 Br¡t Air

SNEAI(Y DEES662 BLOOR gT W õ3t-t062Sundayr FolL & Blue¡ J¡m with Jim Ridcr

TRANZAC CLI'Br9r BRrrNswIcK AvE 657-1708Mey 8 ThcWood¡Muric&DuccSocicty

Prerontr Magpic

WOODS MUSIC & DANCE CAT{P411 DOVERCOITRT RD 630-09117(forærþ Maripcr In the Wood¡)Augurt 2-7 A¡¡c Lrdcrman,

Bob Dabcmar, Mrgpic,Fúcnd¡ of Fiddlcr'¡ G¡ocn

OUT OF TOìVN LISTINGS

COT'BT'RG WAMRTNONT TESf,tYAL -at6-tn-agll

Junc 2 Fc¡turcr craGr, muric & rong

GREENLEAf CE¡LIDSS20 DI'RTAM ST, SUDBURY ONT - 706-676-tt5tApr 16

PRTERBOROUGE ENGLTSII DANCERSlÛTE ANNÏVERS.f,RY PARTY & WORK-SEOPMay 14

laU fo Regilter - 706-7{t-Oõ1t

rucKY SK^CGS SEOTVÂpr6 Lulu'r-KitchcnorApr 7 AIUû¡¡ E¡ll - London

fl/[,t/,4fl/Hs/ ,il01ß

MARIPOSA EVENTSMAR¡pOS COrrNltùY D Ì{CESChurch of St Gcorg: Tbc Mrttyr9tophanic & McC¡nlrtpr I & t{l - May 14 - Junc 11

MAN¡POSA TOLK FOI'NDATION9õ L/wD{IA^VE 700-FOLKApr 7 Mùi3iæ Nigbt rith'' Fiddlcr'r Fmcy

St L¡rnnco EdlApr 14 Voluntocr Opon Eouro rt

Mrripora Ofic¡ 96 Lrvini¡ADs 16 John R¡nbou¡n'r Ship of Foolr

Ontr¡Ío Scicncc CcntrcJu¡c 3 L¿ Bottinc Souria¡tr

Sæ¡r Co¡ur Chûcb(Sæ li¡tintr for Fþin¡ Gloud FolL Club)

MARIPOSA IN TEE SCEOOT,S'O'-9'{NApr 17 Wholo Lo¡f Tb¡¡¡r

C.ntrd 'Yt on Gr¡¡v¡nor StApr 2t 9rlly Jar¡:r (8torytdhr)

Ea¡t Yort Public LibnryMry 29 Wholc Lo¡f Th¡¡t¡¡

Bcncût for Dor¡'¡ Eyndrcmc(Gdl for d.3db)

M RIPOS SONG CIRCLE 696-8üXl orõt6-9616Apr t K¡¡u OrÈcr - 73 Ec¡thddcApr 1õ Judy Mavorcvitch

I Mùtdrh, #tApr2tt E& KKaplu - Eorl¡¡dAvcNO SONG CIRCI.E ON GOOD FRIDAYM¡y 6 J¡cl Botncr - 2tl Div¡d¡lcMry ãl PemEalporn -tõ{ Ro¡cl¡nMry 17' Tem Kcarny - 19O E¡rlinc AveJunc 3 Tem Lcamy - 109 E¡rli¡c AvcJu¡c 17 TBAJunc l{'K¡æn O¡3or - ?it E¡¡thd¡lc

fFourth Fridry Group

Li.tin!. compilod by Stcvc Fn¡itnrn

The MARIPOSA NOTEScommitee and the staff of the

FLYING CLOUD NEWSLETTERlvould like to thank

Mr. Michael Blugermanfor allowing us to base our

respective publishing empiresin his office.

CLUB:638-0278 BBS:636-6394

ÐGG_The Pergonal Computer Club of Toronto

--FOR IBM PC AND C0l,lPATlBLt USERS

NTIIISLIITIR, SOflIYART & SIG GROUPS' P.o. Boiò42s-, siaiion Ã-

Toronto, Ontariq MsW 1No

Page I

lïlilllßlffiSl/YUß

Ø $Dp Fo¡.nrdA{es ØCKLN. 88.1 FM

't9rcct P.tooth"(Womrn in Bluc, Go¡pol & Jrrr)Tuordry 8-9 pmítbMrryMilhn

"Doctor Fcclgood'r Bluol Emporium"(8tur)Wcdnadey t-10 pmrith D¡vid Bcrn¡¡d

"Rldio Boogic"(Hinbily)Wedneeday 10-11 pmrith Stcvc Pdtch.rd

íR ¿l¿ B Porc¡ Eour"(R&8, Blucr, Roclúily)Friday 7-t pmritb Eddy B

ttRaggr: Shorcere" pm(n"gs".)Fridey 9 pn - 12 D¡dn¡gùtrith D¡vid Kingrton

ttl,rtin Part¡ttt(Latin)Satudey 12 ¡oon - l pmrith Richa¡d P¡ul

ttSou¡d¡ of Âfric¡t'(Contcmponry Âñicao)Saturday {-5 pmúth 9¡n Mc¡¡ah & Twaddy lltrcn

"RocL lll!¡ Soul'(corpcl)Sunday 0-6:t{l pmlith Lornc V¡n Si¡cl¡ir

"Îhc long Notc"(¡¡tuh/Cclt¡c)Sunday 8-9 pmrith MicL C*a tz Golm O'Bri¡¡

CIUT 89.5 FM

(lÍorld¡ of Mu¡ic"(roll)Mondry 10-11 pmrith Li¡c W¡xor

"$rc¡¡ To Tcll thc Tn¡th:Bluc¡ ¡ud R.hythm Eour"(Blucl)Thurrdry l0-lt pmr¡th Chr¡. Gompton

'nrlrnd Eo¡3"(r4¡rc, rocr, ralre ctc)&idry 11 pm - 12 m¡d¡itbtri3h D.D¡d C¡r¡dc¡onc

"J¡nbo Cr¡¡bouD¡"(contcnporrry âfricar muric)Srturdry 10-11 pmr¡th Gilbcûn Bcrnüd

"Kalcidccopc"(childænr'rhor)Sunday lt noon - I pm

'The O¡rcn Road"(Contenporary folt & btuee)Sund¡y 1-9 pnçith Jim Ridcr

"Ner Acor¡lic Mu¡ict'(Singcr/SongüÍør)Suaday t-{ pmrith Judy Pcrly

"L¡tin Bc¡t"(Latin)Sunday 9-10 pmrithMæAccvdo

CJRT 91.1 FM

"Foll Muric & Follreyr"(Folt)Saturday 12 nooo - 3 pmrith Joe f.erir

ÍThc Blucr Eou¡"(Bluor)Seturdry t-4 pmüth Joc Lcrir & John Vdcntry¡

cBc 94.1 FM

ttThe Entcrt¡iner¡"(FolL Pcrfotmancc)Saturday 10:05 - 11:t0 ¡mlith St¡n Cucr(¡lþ CBC 7{lAMSundey 1:83-3 pm)

rrginrFly Foll"(rolr)9aturdry 11:t{l ¡¡r - 12:tXl pmtithM¡tch Podol¡L

"Îhc Max FctSuron 9bot'l(Eth¡o-fo¡L)Sundey 1O:05 ¡n - l2 noonrith Mrx lcr¡uron

cBc 740 AM

r'pct{otm¡ncatt

(rolt)9*urdry 5-6 pmr¡th Bob Knrpp

"Saturday Night Blucl"(Bluc)S¡tu¡d¡y 1O-11 pmrith Eolg¡¡ Pctcrron

CFNY 102.1 FM

"The Daddy Cool Shor"(Bluee)Sunday 7-8 pmritb Davc Booth

CHRY 105.5 FM1û7.9 Rogcrr Gable(Radio YorL)

"Everyday I E¡ve Thc Bluor"(Bluor)Monday 10 ¡m - 12 noonrith Vinc¡ Vit¡cco & Jim Ghiapctta

ttFocu¡ on Follt'(Singer/Songrritcrr)Monday E-9 pmúth Jocl Wort¡m¡n

"Scott B R¡dio Eou¡"(Cenadian Âcourtic)Tuorday {-6 pmçith Scott B

"Thc Googlc l)u¡t Shor"(Bluc)9undey t-10 pmúth Dr. Lornc Fo¡tcr

CIAO 790 AM(Bnopton)

"Fricnd¡ & Ncighboun"(Maritiæ Muric lz Ncrr)Sundry 9-tO ¡urith Bob Cor¡¡in¡

Page 10

I7/['A4Ê/P054 /Yt/ß

Announcing:

A MARIPOSA PRE-F'ESTIVAL OPEN HOUSE

Mariposa is looking for volunteers for the 19BB

Mariposa Festival (June 24,25& 26). If you areinterested in helping out please call the Mari-posa office at ?69-F0lI( or, better still, come outto our OPEN H0USE on lhursday, April 14 at 7:30

p.m. at our office - 95 Lavinia Ave - just 10

minutes walk from the Bloor-Runnymede Sub-way) Volunteers have been Imown to have greattimes worhng our festivals - see what's in it foryou.

Heather Bakker - Volunteer Co-ordinatorMariposa Folk Foundation

CoI'NTNY AN¡' BLUEONASÊREconDs - TaPEs - .¡\ccEssoB¡Ea

Bluegross, Cojun, Vorious Styles of

Fiddle, Troditionol Music From

Conodo's Eost Coost

Also Records By PopulorFolk Artists Like

Leon Rosselson, Tom Poxton, Utoh

Phillips, tric Bogle And Mony More!22()3 DANr.ORTE AVE, TOROIT¡'rO M4C tI(S(4f O) 60(}-51164 (rr-o Brocx¡ DÄar or ldoorrnrrr)

Present

I{IALL TOIBINILIVE

l'¡hll Toåin b h0 ft.nniosl lrbhman I havs svof s€on. I

lawh€d till üìo lærs ran down my laco.

KKETAE FomEn .....,tORO1{f0 SUil

As hs oldsr Bshân, Niâll ToÈin looks uncannily like theman he is play¡rE and his Gaelic way wih a bâwdy tune

could set a bâr room on fìe rcil

NhllToitinin Eatth€ P€ach...... hilar¡ouslyreal, genüy

movirig.

ouu¡n may haì¡s its miflennium hf I bsliovs thâl in

üþatre toíns lS8 will b0 üe yoar of Cork's o$rn NhllTdUn

....., sutDAY PnESSi

At

CONVOCATION HALL u.oFr.(Jniversity and College)

Saturday, April 9th 8:00 pmTickets $17.50 - $15.00 - $12.50

At all Bass Outleß . 872-2277

Also at Mick E. Fynn,sThe Harp & Sharn$ck, The Emerald Corner

Further Information 7 62-9495

The Long Note & CKLN 88.1 FM

I.R.M.A. Female Vocalist of the Year 1987

currentþ in the Top 10 in lreland with "KATIE"

MARY BTACKFEATURING

DECLAN SINNOT ...Guitar/vocals

MICK DALY ...............Mandolin/BouzoukiPAT CROWLEY .....Keyboards/Acco¡dianCARVIN G4LL4GHER ....................Bass

AT

The Diamond ¿tO Sherbourne St. (at Carlton) phone: 927-9OLO

Thursday, April 28th 1988$15.00 atBass o 872-2277

also available at "Records on Wheels" 621 Yonge St.

Donal Lunny with Liam O'Flynn (Sept.) o The Fureys (Oct.)Davy Spillane, Maura O'Connell (Oct)

Further Information 7 62-9 495

IheLong\otr.is.rprog¡âmrÌìeof lrishTradition.rl ñC(ìlìttenìpot.tr\ \tu\icon CKLN 88.1 Ir\,1 Sund.ìvs 8-9 pnì

Hosted bv Colrn O'Brien & \'lick ( ase r

Page 1/

IH[il4nru9l ,/t/0/W

lnne ldennan(Continucd From Pagc 1)rtylc in Ëur,opo tbrÈ do¡ th¡t lind ofdoubh-foot ctgtfi¡a tbr rry th¡t thcFrrnch Cu¡di¡r, tbrMctL rod thc N¡tivcpæplc do ln Gu¡d¡. 8o it'r ræth¡¡t thatthcy døvcloprd ovor hcrc rnd anctly horth¡t ¡¡ue rr'¡o ¡ot v.qt tu¡l.

Th. r.ûur¡ rtcp draci5 Tb¡lr'r ¡ ¡olotnditiou of rtcp dradn¡ lrom Scotl¡nd andI¡¡lr¡d rnd it m¡t b¡v¡ com ñln th.r.initidly. On 3hi¡ l¡¡t trip out wcrt, whcrcI ru rpcnding ¡ lot of timc furthcr up north¡¡ound Tbr P¡¡, I rcnt rnd tetchrd ¡ lot ofrtcp-drncin3, rhrt thcy c¡ll their iigging;rhich thry do to ñddlc mu¡ic - tb:t do thcf¡¡t ñddh h¡¡- - rhic,h L rcdþ eo rvñrllot lih Nrtive pow-ror drocir¡. lt'r thorlm rtcpr rr tbcy do to the Chir:Lrn Danccor... ¡nd th'¡n'¡ t rrd rel¡r rha you ¡etinto the mrr hræiþ Nrtiva ucar, thcy'rrdoin3 thro... tbcy'rr rbob pctun Û rortofbent ovcr c¡rd tb¡irtns ¡¡c rc¡lly bentrad thay'n .bufüry beclr¡¡dr ¡nd ridc-rryr end s¡l tbo.. tinù of ndly lor rtcprthrt ¡¡c ¡ lot morc lilc Nrtivr dancing.Whrn you ¡rt ñrrthcr rcuth into thc morcfËaßh con¡nr¡nithr and into 3t. Bonif¡ccùbcy rü h¡vc tù.¡¡ L¡rd-¡ol¡d rho¡ m ¡ndit'r much moro lilc F¡¡och Cst¡dian rtep-d.re¡n¡¡

So itt¡ Sbir rhoh raugr rod i3 dl ¡ocrr¡¡d¡r tbo namc ltlintr doæ to fiddlc

CORECTIONSl{o, we ain't perfect yet! TheFebruary issue of The Notes didhave a few errors. Firstly we wouldlike to apologize to photographerDavid Langer - who took pictures ofThe Red Clay Ramblers - for notcrediting. Everybody spells JoeBenarroch's name lyrong but that'sno excuse for us. lve sincearlyapologizo to the residents of 202Cowan Ave - ü'e claimed that to bethe address of Tho Honey Dew Cafebut it's not - try 220. Well, if youever $'anted to start a folk club inyour home.... And a ghastly error!lVe forgot to give the byline credit toHowardKaplan and Susan l;awrence(he ,,wrote and she kibbitzed) fortheir article ARE YOU BUSY THISWEEKEND? Lastlf¡-.(thank good-ness!) a small error in Dore Graham'schart (page I 5) should have listed theFire and Air facets as Male insteadof Female. At least we now knowour left from right. Look for morecorections in the next issue of TheNotes.

muric, but depending on hor French andIYhitc thc com¡nunity ir, ar oppoacd to holN¡Èivc thc influencc¡ uc, thcrc'r e realran¡u of daacin3. Up North, they all wearmcr¡i¡¡. They don't cur if you can hcrrthc *ar - tbry'll do it in mccrd¡¡, rtocl-intfcot, or ruD[cr. lYhcrc tho¡c'¡ morc ofr Frcnch C¡n¡dian influence, ùhey'll rcrrh¡¡d-rolod ùo¡ ¡¡d you cr¡ bä¡ r¡l tb.t¡p..3: 8o rhy dill thcy telc up rith thc ñddlc,

I mrn, boin3 ro fo¡cit¡ ¡¡ i¡¡tn¡mnt? Didth¡ Indi¡o¡ phy eny Lind¡ of rtri¡g¡d ia-rtrumnt¡ ¡t rll?A: No, thcy hed no frin¡pd i¡Èurot¡

rt rll. Thq bericrlþ rrd pcrcurion in-,tn¡mntl rith ¡ lot ef in3in3 ¡nd æûutc 3h¡t th.y ut d mtþ for courtinSronSt,for lovr rongl. For rm r-lrm thry¡¡vod tbo f,uto for thorc, rad for rom¡iÈud¡. lt'¡ ju¡t uy thcory that thc rou¡dof thc ñddlcça¡ noÈ th¡t dilfcr¡nt to tbcm.thc ¡ound of thc ñddlc ¡¡d thc Li¡d¡ ofrù¡rthn tþ¿¿ the Scot¡ ¡nd lri¡h tuncr ¡rcin w¡¡ uot that öforrnt to thon ñom theirorn ringing rnd dnrmning. You h¡vorhytbr that ale oer¡r todraca to and thcrcrar jurt G¡ougb in common, I thi¡l' bc-træn the tro culturc¡ tb¡t itçr¡n't ¡uch ahr¡d tn¡rition to m¡L.3: Acco¡din¡ to your boot (rhich coru

riùh thc æord¡) , thc old-tim ñddlc phy-crlilcd to improviro alot,tryingto developthoir on uniquc rtylc. I ro¡dcn if th¡trould be truc of thvocdr ¡¡ rcll. Wor¡ldthcy jurt malc up their on rordr to rcngr?A: Whcthcr dGt¡/onc hr¡ their orn YGr-

d,on? Ya, I vonder. It'r roæthin¡I don'tLnov much ebout yet, but I'm r,celly gonna

¡o loolin¡ for tho¡c Lind¡ of .otl¡¡' -¡tr-ci¡lly thac ¡u¡gto n¡tivcñddlc muric, rndthorc rhodn¡both N¡tivc ¡nd Whitc influ-Gnc!.

3: Thc old rtylc i¡ ba¡ed on ¡ lot ofimproviration rhilr tbc lroungcr pleycrrm¡l or lc play i¡ ¡tn¡ctured form. Howdificrut e¡t thc two rù¡rlo?A: Wcll it¡ ¡ort of ¡ continuun, rome of

thc middlc-aged playcre have ¡omc of both.I æ¡u thc oldcr playerr sc dcúnitcly of adifc¡cnt ora. Thcy havc a hr¡c rqlctdrrof tb¡¿ tun¡ th¡t thcy'vc lat¡od com-plctcþ by e ¡u thdr ocr cm¡i3i¡.Thc tu¡¡ hrv¡ vory cnry rtnrctulrrr tnr¡rpeÊtr n, rad Sbcyorl¡s playou till lc¡t¡roæ of thcc, but bcc¡r¡æ thcytc he¡rd romuch m¡c notu¡l comn¡ci¡l muric, thc¡rcnd up ¡tnú¡ùtc¡¡inS d¡t tb. old: mric'n¡¡¡n¡ it ¡ littlc mr [lc eomtidnuric. 9o if you lool rÊ tbr rrpc+tirr þ ¡rlrou E thr¡ tb. Sunc ¡rt r [ßtl¡ mrr¡rmætrical,and tho rhythm ¡r¡t¡ ¡ littlcmrc rtreigbt thc youn¡ar the playcn ¡ct.So thcyïc p¡ob¡bly jurt bccn ¡ubcon-æioudy influenced by thc commercial muricthcy har if thcy dou't thi¡L ¡bout it túuch.thc oldcr tuncl to mc ¡¡c thc mot intcrút-in3 bocrurc thcy'n mt unurud, mtunlilo uy oùh¡r ñddl¡ rtylc.S: Do you thi¡L thrt ¡ lot of it h¡r to do

with tbc ñct thú tbc youn¡sr ¡rleyen haveecccs to r¡dio¡ ¡nd ncord PlaYcrr?A: Y¡. Thc oldcr pcoplc only got radioa

¡¡d ¡ccord¡ playerr in thc'3(h and'401,maybc tcn or ñftccnycarr later than ¡xoplegot thcminrhitc communitic¡ jurt becausepcoplc in thc n¡ùivc clx¡mun¡tic! terepoorcr rad couldn't afiord tbem' The olderphyen drcady had thair rÇlr ret by thcn.thcy lan¡d cvcrythin¡ tbry hea'rd. When¡ ncw tunc c¡æ on thc radio they learnedit, but iÈ rould geÈ changed re¡lly quickly intbo h¡¡d¡ of thc oldcr playcn' I hea¡dpcoplc plry tu¡c¡ from Amcrican 78's ühatc¡æ ouü in the'{0r, thing! lilc'CacLlingEcn', thin¡r thet tcr.c really popular in thertrta, rnd didn't rccogairc thcm ¡t firrt.Soætis rftor I heæd it, you know half adorn tiro, it would ruddenly hit me thattbcr,c r¡ r phrarc in there th¡t wa¡ like thiscotr¡mon tunc ¡nd l'd rc¡li¡c th¡t it wasprobrbly ¡ vonion of ùh¡t.S: A¡d c¡ch of therc playcn tÈliwed that

hc rl pla¡ring hir venion thc right r¡y...?.â': Y¡. thcy thinl 3hc¡r'n pl¡yi¡g the

ri¡ùt r¡y but tt¡t r:¡li¡c th¡t i¡ utcu, th:¡/trr not playin¡ it thc rty it rrrru,ordcd. Th¡t r¡ún L pltt of,th.¡r tndi-tion - to hrve ¡rourom venio¡otit, to mrlcit your oru. It'r r funny Lind d¡ thing r¡dI h.¡¡d botb ¡ttitudc¡. lt chrn¡or fromphyor to pleyor. Tbc¡r rould bo greatqumntl epprrently amng¡rlrycn rr torhich r¡¡ thc right vür&r of ¡ t¡¡¡c. Who¡ot it ri¡bt, rho h¡d it rru3 But on thc¡am hrod th.t toùkl trù. ¡rrlt pidc inlellirym tblt thcy'dch&gtd tbL tunc tomrlc it bettc. So than'r both vducr goingon th¡r. Th¡t rccmr to h¡ppcn in ¡ lot offoll muric culturc¡ ¡¡rd i¡ ¡ h¡rd thi¡g torort or¡t. IAc¡ i¡ ¡n ide¡ ofhri¡¡ it right,but th¡r'r ¡bo ¡¡ idcr th¡t if ¡rou en rg¡c¡t pl¡ycr thon you crn im¡novc it too,t(t,,.3: Nor th¡È r lot of thc oldcr playcn havc

parcd m, hor doc thrt ¡ücct th¡ yot¡¡¡cronc? Thcy æoL dthc oldcr phycrr lith¡dor¡tion. Do thry try to livo up to ùhrtrtúr¡r to Lccp thc tradiùion 3oin¡?A: Wcll ¡hin!¡ htvc chlngld ¡ bit. The

¡/or¡n¡rronc ¡¡rcau¡bt up in thocconomicsof it rll rhich L find of confi¡i¡¡ th¡ rùolcritu*ion, jd rtt do¡liùh utold.lfollculturu. You Lnov, thcy hevc a difrerentidc¡ of what ¡ucccr¡ i¡. To tbo youngerphyon, rucccer ir maling moncy plrying inthc ba,rr, hrvln3 ncordr, ¡cttinS phyod onthc rrdio, rud hrvin¡ a big rcputrtion. Soitt¡n¡r¡rrdi¡ rdilhrrut ny. lt old.rplryon lould h¡v¡ ¡et ¡¡rül to plry rt ad¡¡cc but thc¡c r¡rn't thr poto¡ti¡l forE¡f¡ry rro¡d¡ ¡¡d bccomin¡ flmut therry thrt th¡n i¡ nor.

Altho.¡À it wa¡ intcra¡ting thrÊ ¡ome ofthc pl¡ycr¡ in thair mid-fortic rho hadncvcrplrycdmucùoftboold mr¡¡icrrhohad¡lr¡yr pl¡ycd comrnercial 6ddlin¡' ¡¡c nowrrotin¡ ùo loarn th¡t ¡nu¡ic ¡¡d carty it on,crpocidly nor th¡ù thc oldcr phyon uratyin¡. TheV fo¡l ¡ rcn¡c of uponribiliùy,

Page /2

you Lnoç litc: 'VÍillie'¡ not around anymore¡r¡d I'd better le¿rn hi¡ tune¡ or el¡c no onerill hcar tbm ¡gs¡¡.' So they rt¡rt torealirc th¡t thc mantle of thc tradition i¡gonn¡fsl¡ on thcm and they are con¡cioug ofth¡t. Thcy Lnor tbeir o¡d 3rrd¡3¡on bditferent ¡¡d th¡t it'r rpccial, ¡nd it'r dif-fer,ent ûpm othcr peoplee ñddttng. Theydontt thin}, for thcmort part, th¡t ùryoncel¡e i¡ intcrc¡tcd in i3, and th¿3'¡ bænhervily roinforccd by thc rhitc ¡roplo rholivc in thc arca. They rhor up at conte¡t¡and gct dirqualifcd dl thc tiæforplayingtherc cr:ar¡r old 3uncr rhir:h jurt ¡¡c¡r't çhatthc judg!. t¡ût to heæ.

So to æ th¡t'r the bcrÈ part of malingthcec ¡ecordr. Ifby rhowing interc¡t fromthc outridc, rod putting togcùhcr e niccpaclag:, doing intcricw¡ oa the radio ¡ndhaving poople from v¡¡ior¡¡ prrtr of ùhcrorld ruddonly bccom btr*cd ¡¡ thLmuric, if th¡t m¡Lcr them mr proud ofrhaÈ thcy'rr doing end not ¡o omb¡r¡¡¡edabouÈ it, thrt'r probably thc brt th¡ng thi.project could pcibly do.3: Wh¡t did tbc old pbycrl rry rbout thc

atylcr of thcir peæntr and grandparentr,¡bout thr rry thcy urod to pley?Â: Somcof thcmwill rtill¡ort of apologire.

I trllod to youn3r pl¡yan rt Potarh, 8t-L¡tchcr¡n. Onc of thomplayod rvcrrion ofonc of thc oldcr tu¡cl ¡¡d I ront up and¡¡lcd bim thc¡c hc'd lc¡rnod it. Ec ¡¡idth¡t hc'd lcarned it ñom romc old guy baclin thc bu¡h. "Buù I had to f¡x it up," he raid,"'C¡u¡e ¡om of Èhelc old guyr don't under-rtaad rh¡rthm.r' So the¡r'rrc caught in therchirophrcnia th¡t a lot of Native people arecaught in,living betrccn two rorldr. ThcyLnor th¡t thc¡c'¡ ¡ commæid mutic ¡¡-durtry out tholl that i¡ ¡omcwh¡t intcr-otod i¡ old tim frddling in thc nrral arcar,and thc¡r rould lilc to bc ¡ pert of ùhat armuch ar enyonc ebc. Thcy'rr good ûddlcn,and thcy Lnor th¡t they're good fiddlen,but they haven't ñgurcd out hor to ñt theirorn tr¡dition into it.

 fcll¡ th¡t rorlcd rith m L vcry cJar¡bouù all oÍth¡t. EG f¡oür h¡ old trrdí3¡ü¡nd hc ba¡ d.c¡dcd th¡t hi¡ old tradition i¡the be¡t and bet¡ gonn¡ plty ¡t.

S: Th¡t'r (Ilucacc) Tcddt Bot EülG?* Y¡, thc guy rbo c¡u to Mrripcr

('a7). Ec'r gonna plry it no m¡ttcr rhú.No m¡ttcr h,w -.-y oth:c pcoph.¡L bûnto play tOrangc Blo¡¡om Sp€ci¡l' c lloûMcccr tunce, hc'r not gonna do thcm. Ec'¡gonnuey "Thir ir ùhc nuric I play'r. That'rrarc, ec3ual$r. Mat of them ¡¡c ¡ lot mor¡crchirophænic a,bout it ¡nd ¡ liSthlelr ¡df-¡¡rurrd about pla¡ring thc o¡d Elúc.S: Eor dll hc ¡cconcilc thi¡ ar oppo¡cd to

the otherr, about playin¡ the old rtyle ofmu¡ic?

Â: Ittr h¡¡d to lay rhy hc'¡ tuch ¡nexçeption. Hi¡ f¡ther rar a very goodñddler ¿nd rar quite well Lnorn úghtth1ough the pr¡¡ricl and h¡d recorded ¡omethingrfor thc nurcum inM¡nitob¡ a¡dhadplayed et ¡ lot of d¡¡c¡. EL frthcr pfryod

both rþla ¡¡ rcll: I)on Ma¡cr tunc, ladI)orn Ea¡t mu¡ic ¡¡ rcll ¡r thc tndiSl¡n¡I.I thint that Tcddy fdt that if it'r goodenoughfor him, it'r good cnough formc. Eeetill tellr vcry admiringly about hir fathcr'rplayingand eayr th¡t hc'll nwcrplay ar tellar hi¡f¡thcr did, He bccr,m much rtrongerin thi¡ ¡ttitudc úcr b¡! f¡thcr dicd. 9o¡g¡in, I th¡nl it'r a thing of rrrponribi¡ity -to ca*y on thc fanily tradition9: Whcn did thc ñrrt thitc ¡cttlcr¡ coæinto thc ¡¡c¡?A: The f¡rrur mvcd in rou¡d thc 1E00'r.S: Mortly lllrainien, r¡¡ it?¡t: Ulrainianr, Aaglor, Scottirh, Irirh,pcoplc ûon Ontario movcd up thcrc ¡¡ rcll.Probabþ mo¡c lllrri¡i¡¡ thrn anythingcbc.S: It mr¡¡t hrvc helpd cha¡¡r thcÞ m¡dcromrh¡t?A: Not rrdly. thoy h¡d c¡t¿bli¡hed theirrtylc by 3hcn, ¡nd I don't thinl thcrc trr ¡lot of contact for ¡ rhilc. Thr rr¡rrwcr¡ntcm lccpr thc rhite and nativc con¡mu-nitior pa*ty ropntc. Evon ml, dmt teycen later, thc dyb in thc tlo commu¡i-ticr ¡rc quitc dificrcnt. Sæ of thcmlo¡¡m¡d rom Ulr¡inian tu¡¡ but theyendcd up rounding lilc f¡ench ¿nd N¿tivetunc. Agrin, I'll rcali¡c half way thrcughtbú thir i¡ probrbþ ¡ lltr¡ini¡¡ tunc jurtby rhcrc ùhc nlody 8o.r, but thcy\re¡tt rc¿ i3 to rou¡d lilc onc of thcir on.8: Soæ of thcm rpc¡L lllnini¡n too.A: Ycp. Thcæ'r ¡oæ lilc Graady Frgnon

rho mv¡d ¡rcrnd r¡ ¡rñ¡l loÈ. It dcpcndron hor mobilc thay tcæ. Îb¡ onct rhoödn't h¡vc trG¡ty .t¡3ur h¡d no govcrn-mnt rupport aü dl, ¡nd tcndêd to bc a lotmon mbilc ¡ad tcndcd to intcanto mrclith thc othcr communiticr. GrandyroÈod in logginf crmpr, ead livcd i¡ nr¡ydificrrmt placr all ov¡r Se¡L¡tchor¡a a¡dManiSobr jurt tryinS to 3ct rort.

S: â¡d ahayr had h¡. ñddldA: Y¡. Ec rryr thrÊ b. gavc it up rÊ æ

point for lcvcr¡l ycrn afrcr hi¡ çifc hrdd¡cd. E¡ r¡¡ ro dcpracd thet bc jurtdidn't w¡¡¡t to play. Then, rcvcrd ycarrlatcr, a ûicnd of hir mrnegtd to convincchim th¡t hc'd probebly cnjoy lifc m¡c if hctootit up ag¡ún. 8o hc didl Thonh: playeddI thc time. I ront to see himbut h¡ra¡ notvory rcll. Ec wr¡ t2 and that tet jurt abouta yoer bcfon ho dicd. Ec'd bocu quito rickfor rçhilc ¡ndh¡d bæn in thohoqitrl erdI¡¡thchch..l-'tr:rry.rt.nmcb. Ithhfhc ra¡ rai3ing for money ¡¡d tbon wa¡nothin3 to c¡ù in tbc hor¡¡o. I rcn3 th¡rçith ¡aothcrfiddlcr, and rc tool h¡n out todinncr. Ec rtc thi¡ grrc¡t H3 platc full oflivcr ¡¡d ¡ll ¡ort¡ of vcgtt.blð. Thcn hoplaycd for ¡bout ñvc houn rtni¡htl Ecplaycd and t¡llcd, and played and t¡llcd¡omc morc and jrut didn't rtop at alll Thatra¡ ùhc frrt timc hc had played for rcvcralmontfr.I thiDt th¡t ç¡¡ a di¡rrion d rhrt you¡¡led æl Wh¡t did you arl?

S: I rrr trying to ¡et thr lllr¡inia¡

llff,UÊlPAY lfffßcon¡cctio¡.rt Ohya. WcIl, Gnady actuallydidhorthr lllnini¡¡ tuncl, rnd a¡dn, pobabþbcca¡¡c hc v¡¡ onc of the morc mobilc, anddid rpcù æm ro¡d¡ of lJlr¡i¡i¡n - hc didbo¡rt th¡t hc Lncw ¡ix l¡ngui3¡: Srrmpy-Crro, Cru, Ojibwa, Fronch, Englieh,lllr¡ini¡n ¡nd roæ Poli¡h. I havc no doubtth¡t b. did derpite thc fact th¡t h¡ r¡¡uncduc¡t d. Mo¡ù of thc non-¡3¡tr¡¡ Na-tiv¡ cor¡Idn't go to th: ruatrc rchool¡ ¡¡rddidn't rrdlynnt togo to tho rhitc rchoolr,¡o it re¡ r compLtcly oral culSue. Theyhtvc rmsing mnodcl.

Grandy Fagnan, 1982

You lnor, thcy alrryr thorgbt th¡3 I r¡riærodibþ rtupid bæ¡¡¡ro lcor¡ldn't ¡¡mcm-borpcoplrt phonc nunbcr, or llccnæ platcnumbcn. Thcy lncr cvory lirre platenunbor, ewcy Èm nmhG', tvc¡rbotyrbo r¡ rrl¡Êcd to cvqTùody - rùich Icould næcr Locp tncl of oithcr - and tbeythought I r¡r r littb dor. I could nwernmb¡r hoç to fi¡d romon¡'r bou¡c cventhough I'd boco tbcrc rcotrplc af rin. t'delrryrbrrr to¡* Ëiñiv. dir-tir¡¡ ¡ndh¡v¡ to rtop ¡ir tim¡¡ ¡¡{ rrt' pæþlc.

8:. Whcn you r¡rprorchod thc liddlere,¡bout tho muric, did uy of thon fæl thatyou mi¡!¡t bc oçloiting thon, or tcrc thcyquitc opcn?A: I ronicd about that, orpocially rben

rc ¡t¡¡lcd m¡¡in¡ thc ¡ccordr. Thc ñntyorr I w jurt thcrc on r r,rrcal,ch gnnt, Ir¡id I'm rrdly interutod in tbb muric;Would you pl¡y for m?r, but rh¡n f rentbrcl ¡od r¡id rctn ¡oin3 to mrlc r rrcord,I ra¡ rñ¡id they rcn going to rorty. Ithinl æm of thcm did. I ld¡d qt¡toringthc rholo¡rocr to 3h¡mof rh¡t mrting a¡tord r¡! rrdþ lile, ¡nd that tc wereætu¡l¡y vory lucly th¡t tho tpvornm.r¡trould put mn ú into thL bæ¡¡¡r lot thrt,not I, nor r4/ooc, could hrvo rfiordcd to doit on hir orn. Barically, I thinl they trurtcdn, rhicb rr. n¡cc.

Over Page...

Page /3

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bencñtr, ræ 3hc ¡nclorod b¡ochurc or call({16) 76e-rOLK

Lederman (continued)Whcn I çont b¡cl and glc thcm thc

rrcordr,I rar rrdl¡r añaid that, ûnt of all,thcy nigùt not lilc thc tun I chccr th¡tI may not h¡vc cho¡c tbcir bclt tuncl, orthey might hevc thought that they screwedtb¡t one up. Mrybc tbcy might jurt rerentthe fact th¡t thcy didn't brvc much cont¡olovcrthcpr,occo. ButI didn't æ tb¡t. lt¡till could be true. I may get ¡ bacllash inrix montb¡ but rhonl gavc thcm thc ¡lbum¡thcy dl rccm¡d to bc th¡illcd bccar¡¡c thcdlbr.m dolool nicc. It'r ¡ot ronthingth¡ttbcy cvcr thoqbt rould h¡ppcn - that theywould cncr gct on r rrcord: aad agaia, 3he

fact tbat it'r thci¡ mr¡¡ic. Thc rccord malceit particularly cle¡¡ th¡t it'¡ dcvoted to theold tradition d th.ir particular cr¡lturc.that, I thiñL, ma,tc them feel ¡ca[y Seodabout their mu¡ic.

Continued in the Next Issue ofThe MARIPOSA NOTES...

Pag:e J4

TIM HARRISON (continued From Page 3)

bluce for example, rhich I'd havc to ray irthe rccond major influencc on m¡r muric.Thc bot, hoù Toronto Rl¿B b¡nd¡ u¡ed to€omê up to Osen Sound and we got to aee

thcm all. Groupa lile M¡ndal¡ and Mid-nigbt Bluoa Band. Thcy'd play et our high¡chool dance¡ or at the S¡ublo Bcach Pavil-ion. ¡d thc third infuoncc t¡¡ ch¡rt mclaad roll, thc Bcrtlc¡ ¡nd thc 9tonr¡ ¡¡d roon. Bringing ¡ brnd to¡rthcr rt tbir par-ticulu tiæ ir jut r ùon¡:r rr¡r 30 qlrEtnc¡f. It'r vory dilñcr¡lt to f¡¡l thc X&Binluc¡¡cc rha you'rc on tta¡: r r ¡olo

¡uit¡r pl¡ycr. Thc b¡¡d ¡llorr mc toincoq¡or¡to ¡llthorcthin¡l rhich I con¡iderto be thc roots of my o;n mu¡ical .xp€ri-CDC'.J.W.: Doc¡ Lnoúng thet youtll bcpcrfor:n-ingyour mlæi¡l tith tb. bud mrùc uYdiffc¡cncc in your tdting?T.E.: Tbc difo¡cnc¡ that I nc in ryrriting et tbir particul¡¡ tim h¡vc lcr¡ todo with ùbe band a¡¡d mo¡e ;ith pcmonalglotth. But dcñnitoly rhcn you'rc phyingin ¡ b¡¡d you hcar dilhmot poribiliticr.You hcar, for inrtanco, 3hc Lind of chon¡¡c¡3¡¡3 night roüt b.ttcr ritb ¡ b¡nd th¡¡thcy rould ar a ¡olo. But I thinl ultimatelythc tct of any rong - ud I,m not thc f¡rtto ray thir - ir whethcr it rù¡nd¡ up rith oncpcrron pl¡yi¡¡ it on ¡¡ æour3ic ¡ritu.TbGn itTl traûtl¡¡c to r¡ythi¡¡ yor rrnt itto. I don't thinl thc b¡nd ch¡ngpr it th¡tmuch. A ¡3!ong þnt ir e rtronS rong.J.W.: So you ron't bo oxcludins folL fedi-v¡l¡?T.E.: Not aß all. lf thcy'll h¡vo r¡¡ rc'll bcgld to go. Ar ¡ m¡ttcr of f¡ct I'm notprrcluding doin¡ rolo pcrform¡¡ca o$r.I'm ¡r¡in¡ to b. tp¡DS to 3hc London lollFcrtiv¡l thi¡ rummer with jueù Ron, ouraccordion playcr. I¡ ¡ome rayr that'a aæûcction of theirfn¡uci¡l rituation. thcydon't h¡vc a lot of mna5r to pay ûvo pieceb¡nd¡. But in ¡¡othor rey I thinl doing thcodd ¡olo pcrformaacc rill lccp m focucd.Putting ry muric i¡ dilfan¡t contcrtr, I'lllc¡¡¡ rh¡t'¡ ¡trong and rhat'¡ not. But theb¡nd i¡ ry mrin focr¡¡ ¡t 3hi! tin.J.W.: Wh¡t ù!t your ¡o.b ¡n ¡ooUn¡younolf into thc Íorrorhoc?T.E.: My goal u an ¡¡ti¡t nor ir to aimplygetmymuric 3o ar many people arI pouiblyc¡n whether it be commerci¡l mulic or romeothor fotu. Thc major goal in going into theEor¡c¡hoc i¡ ßh¡t it ¡ccm¡ to be a club rhcr=b¡ad¡ rho ¡rl ærious ¿bout their ca¡eeÉplay. I tbiat pcoplc have th¡t u¡dc¡rt¡od-i¡g of that particul¡¡ club. So I want peopleto know that sh¡t I'm doingl'm doingon a¡criou¡ ba¡i¡ a¡d not ¡¡ ¡ patt tim thing.J.W.: What rerponse have you had to theevening?T.d,: We've hadvcqr, vcl¡ good !.¡ponæ.Wc'rc goingback into theEorrerhoc inMay.We've been approached to sorL for CanadaDay. Ând we've had feeler¡ from otherclub¡.J.W.: Doc¿ dl thfu activity hrvo rr¡rthingyou do úth your leaving "Acourtic Erpio-nage" on CKLN?

T.E.: Well some of it does. In gome waye itmay not rccn lilc r big rtep to tale, but ina lot of rayr il wa¡. It'r bcen about llyearsthat I have not becn a full timc musician.Tberc juat wasn't ¡ m¡rlerto rultainmyeelfin. tlo I drryr rcnt b¡cl to thc orguidngendpromotionof thc muaicof othcn. Àt thepnrcnt, thcrc ¡eem¡ to be rn opcning up ofcommr,ci¡l mu¡ic to tcourtic, moùr inf,u-¡ncod mu¡ic. At lc¡¡ù mrr thrn there'¡bccn inyun. 3o th¡t pro*ntl mo rith theopportunity tofocur onm¡r muric rndto go

¡bc¡d out i¡to thc rorld and do it. Srhenyou'rc involvcd with doing romcthing lile arrdio rhor or a foll fctiv¡l you have tonalc yourrclf part of that puticuler com-muaiùy. But nor I wa¡rt thc freodom ¡¡ ¿m!¡tirt to go ¡n any di¡cction I choo¡c.J.W.: Whrt'r your ¡u:nl outlool ¡ol inyour lifc ¡¡d c¡¡ccr?T.E.: O¡c d th. th¡n|t thrt tiv¡ m thcoptimirm to moye on rnd attompt ¡ côreerroldy i¡volving pl¡ying ¡nd t¡iting nuric ir¡ dilo¡cn3 Lind of rcnro i¡ my v¡iting. Intbc ¡nrt I rould rttempt to ¡¡m theror¡o,r¡ that pcople go through. LeonardCobon rr¡rr th¡t'¡ onc of thc r¡fir thin¡rth¡t a vriScr cea do for pcoplc. Nrming theronorr rod ¡iving net perr¡rcctivc to¡oro;¡ dlor one to movs on. In my prcaentüitiry I rill rtill atSompt to nrmc tbe.orrìor.. But I ror¡ld ¡l¡o lilc to n¡,m thejoy¡ of lifc u rcll. Whcn pcoplo bcr¡ mymr¡ric I w¡¡rt them to l¡ugù. I u¡nt thcm tocty. I rrnl them to h¡vo ¡ verY humanqp.riæc.. A¡d th¡t'¡ tb¡ di¡¡cùion ¡nyü13¡ns rnd my lifo ir hcadin¡.

lhe l{oods.tlusicand.0ance ,íocteÍyftænls

MgcprDTerry Leonino &

Greg Artzner

IN CONCERT

SUNDAY, MAY B, 19BB

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292 BRUNSWICK

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I7/rlllilPîs,4 //t/ß

Richard Flohil is delighled lo present in concert

GARN$ETR@GERSspeciar suest D@UG MaGARTHUR

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Lody Smith Block Mombozo; King Sunny Ade; Fronco; Tobu Ley; BhunduBoys ond hundreds of other ortists from vorious Africon countries

O AFRICAN ARTmosks; stotues; bosketry; botiks; pointings;

fobrics; ortifocts from most countries

O KINYA SISAL BAGSbest prices ond quolity

BOJ Queen St, Wesi, Ioronto, Tel: 36J- ôJ40Page 15

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The Mariposa Folk Foundation Proudly Presents:

John Renbourn's Ship cf FoolsSpecial Guest & Host for the Evening,

Gordon ZubreckiOne Show 0nly:Saturday, April 16 - B:00 P.M.The Ontario Science Centre Auditorium,??0 Don Mills Road (at Eglinton)

Tickets $tZ.OO Members Price $tO.0O*Available at the Mariposa Offices, 95 Lav-inia Ave. (416) 769-t'0LK and all BASS

outlets (An-ZZll\

*Members Tickets Must Be PurchasedThrough The Mariposa Offices

95 Lavinia AvenueToronto, Ontario, CanadaM6S 3H9

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