Maker’s statement The inspiration behind the final neckpiece were neckwear such as the...

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The inspiration behind the final neckpiece were neckwear such as the ‘shannongrove’ and the ‘mold cape’, these were worn during the bronze age by individuals to showcase status and importance. I realized that today in modern society , this notion still exists, with only the rich and wealthy able to afford and wear valuable and expensive jewellery, again to showcase status within society. I came up with the idea of a detachable necklace, where you could build up your status by hooking various layers of metal onto the plastic if you wish, to add colour and pattern to the neckpiece. By creating various layers inspired from patterns and swirls of the bronze age this added variety to the final piece, and the use of material such as plastic made it contemporary. I experimented a lot on the fly press, where I would put mundane objects such as nails, ball bearings and hooks to indent onto the metal when hit by the force of the fly press. I discovered that the most successful pattern was made by farming hooks, taped onto the back of the metal with masking tape, along with ball bearings, using thin sheets of brass, which made the indent more prominent. I also pierced some elements out with a piercing saw, and oxidised copper to give variety and contrast in colour. It took me a few attempts to perfect the mechanism for the detachable necklace, what worked best was laser cutting hooks that looked like decoration on the black plastic, placing it in the oven to soften the material in order to push two hooks out to perform as hooks to slot the metal onto the plastic, but also trying to get them look as a part of the necklace. Dimentions of finished work– the necklace– 280x285mm / the black plastic earrings and the hooked earrings– diameter– 58mm / the dangly earrings– 60x85mm

Transcript of Maker’s statement The inspiration behind the final neckpiece were neckwear such as the...

Page 1: Maker’s statement The inspiration behind the final neckpiece were neckwear such as the ‘shannongrove’ and the ‘mold cape’, these were worn during the bronze.

Maker’s statement 

The inspiration behind the final neckpiece were neckwear such as the ‘shannongrove’ and the ‘mold cape’, these were worn during the bronze age by individuals to showcase status and importance. I realized that today in modern society , this notion still exists, with only the rich and wealthy able to

afford and wear valuable and expensive jewellery, again to showcase status within society. I came up with the idea of a detachable necklace, where you could build up your status by hooking various layers of metal onto the plastic if you wish, to add colour and pattern to the neckpiece. By

creating various layers inspired from patterns and swirls of the bronze age this added variety to the final piece, and the use of material such as plastic made it contemporary.

I experimented a lot on the fly press, where I would put mundane objects such as nails, ball bearings and hooks to indent onto the metal when hit by the force of the fly press. I discovered that the most successful pattern was made by farming hooks, taped onto the back of the metal with masking tape, along with ball bearings, using thin sheets of brass, which made the indent more prominent. I also pierced some elements out with a piercing saw, and oxidised copper to give variety and contrast in

colour. It took me a few attempts to perfect the mechanism for the detachable necklace, what worked best was laser cutting hooks that looked like decoration on the black plastic, placing it in the oven to soften the material in order to push two hooks out to perform as hooks to slot the metal onto the plastic, but also

trying to get them look as a part of the necklace.

  

Dimentions of finished work– the necklace– 280x285mm / the black plastic earrings and the hooked earrings– diameter– 58mm / the dangly earrings–

60x85mm 

Page 2: Maker’s statement The inspiration behind the final neckpiece were neckwear such as the ‘shannongrove’ and the ‘mold cape’, these were worn during the bronze.

Brainstorming early ideas.

Page 3: Maker’s statement The inspiration behind the final neckpiece were neckwear such as the ‘shannongrove’ and the ‘mold cape’, these were worn during the bronze.
Page 4: Maker’s statement The inspiration behind the final neckpiece were neckwear such as the ‘shannongrove’ and the ‘mold cape’, these were worn during the bronze.

Tried to incorporate the hook as a function and a design feature. Taking elements from the bronze age

neckpiece and making it contemporary. 

Page 5: Maker’s statement The inspiration behind the final neckpiece were neckwear such as the ‘shannongrove’ and the ‘mold cape’, these were worn during the bronze.

Hooks on the necklace allow the metal to be slotted onto the necklace, and worn in different combinations.

 

Page 6: Maker’s statement The inspiration behind the final neckpiece were neckwear such as the ‘shannongrove’ and the ‘mold cape’, these were worn during the bronze.

As the process of the making of the necklace was so quick I was able to develop other ideas based on the necklace in a smaller scale, through earrings.