TOURS PLANNED WHEN the autumn jazz. sea.son opens in September It Looks Ukely that

New Orleans trumpeter-singer Wmgy Manone will be among the visitors to Britain.

Other names put forward to the. MM on Monday by the Davison Agency's Jack Higgins were clarinettist Barney Bigan:l and tenonnan Eddie MJUer, also natives of New Orleans. and trombonist Quentin Jackson and trumpe­ter Taft Jordan.

" We are oegodating for these artists to make tours here as singles next autumn and winter,'' says Higgins. "M.anone will probably be the first to tour.

0 We are also trying again to get clarinettist Edmond HalJ over, and we h• ve made. an offer to Mose Allison to tour as a sJngle.

.. " Red Allen will definitely be hack next February, and .Earl Hines - on the strength of his considerable success thls tour - will return in March.''

STEVE WINWOOD was knocked out and Spencer Pavis "filled in" when told

that in election week Britain's raving group had once again been voted in with a big hit - "Somebody Help Me", at number four, one week after its release.

The Jackie Edwards song has disproved moaners who have been saying the Spencers couldn't hit the chart high again after the zooming "Keep On Running".

Told the news on Monday, Steve said: "You're joking! I'm absolutely knocked out."

Meanwhile Spencer was temporarily speechless. He had to rush to his dentist on Monday afternoon for treatment for a gum infection - and for fillings.

Today (Thursday) Spencer Davis Group Welsh fans can see the boys at the Asan Lido, Port Talbot and the Ritz Ballroom Skewen. They appear "live" on Light's Saturday Club on Saturday.

They go to Paris for four days in April for TV and club dates. They are at the Top Ten Club (27), Bun Palladium (28) and La Locomotive (30). On May 2 they go to Germany for two days of TV appearanc;es.

Meanwhile it is hoped Spence, Steve, Muff and Pete York will be going to Australia for a tour in June.

MAKER. A1,1 II J, 1966

t 11 THE SUN AIN 'T GONNA SHINE ANY MORE alker Brothers, Ph,l,ps

2 i'-l DEDICATED FOLLOWER OF FASHION Konl,.s, P;e 3 t' I I CAN'T LET CO Hollies. Parlophone 4 1231 SOMEBODY HELP ME Spencer Davos Font,1na 5 (3) SHAPES OF THINGS ardb,rds. Columbta 6 (9) ELUSIVE BUTTERFLY . Bob Lind, Fontana 7 141 MAK£ THE WORLD CO AWAY . Edd, Arnold, RCA 8 (7) BARBARA ANN .. .. . . Beach BO\s, Capitol 9 ( 151 LOVE ME WITH ALL YOUR HEART /THE SOUND OF SILENCE

Bachelors, Decca 10 (14) ELUSIVE BUTTERFLY ............... Val Doon,~an. Decca 11 I 171 HOLD TIGHT Dave Dee, Do~ . Beaky, Mick and Tich. Fontana 12 It,) SHA- LA-LA- LA- LEE . . .. .. .. .. .. . ...... Small F,,ces Decca 13 110\ THESE BOOTS ARE MADE FOR WALKIN '

Nancy S1nJtr.:1, Reprise 14 ( l BACKSTAGE . . . . . . ., . . . . Gene Pitney, Stateside l 5 I I 8) SUBSTITUTE .. . The Who. Reaction 16 (12) LICHTNIN ' STRIKES .. ............. Lou Christie. MGM 17 (13) WHAT NOW MY LOVE ... ...... Sonnv and Cher, Atlantic 18 (29) BLUE TURNS TO GREY ............. Cliff Richa rd, Columbia 19 ( 111 A GROOVY KIND OF LOVE ..... Mindbendars, Fontana 20 (37) SOMEDAY, ONE DAY .. . ...... .. Seekers. Columb,a 21 (-) ALFIE .. ..... ....... ........... .. ...... Colla Black, Parlophone 22 { 16) MY LOVE ....................... ., .............. Petula Clark, Pye 23 (20\ SPAN ISH FLEA .. .. ............... ..... .... .. Herb Alpert, Pye 24 (30\ YOU WON'T BE LEAVING ..... Herman's Hermi ts, Columbia 25 (-) BANC BANC ......................................... Cher, Libert 26 (27) I MET A GIRL ................................ Shadows, Columbi~ 27 (42) TH£ BALLAD OF THE GREEN BERETS ...... Barrv Sadler, RCA 28 (25) MAY EACH DAY ........................... Andv Williams, CBS 29 (21) W OMAN ......................... ... Peter and Gordo~. Colu,r,bia 30 (46) SUPER GI RL .. . ..................... Graham Bonnev, C'olurrbia 31 (SO) HOMEWARD BOUND ............... Simon and Garfunkel , CBS 32 119) 19TH NERVOUS BREAKDOWN ........... Rolling Stones. Decca 33 (391 TIJUANA TAXI ............................. Herb Aloert, Pye 34 (22) INSIDE LOOKING OUT ........................... Animals, Decca 35 (24) YOU WE RE ON MY MIND ........... . Crispian St Peters, Decca 36 (-) YOU DON'T HAVE TO SAY YOU LOV E ME

. Dusty Springfield, Philips 37 (-) I PUT A SPELL ON YOU .................. Alan Price Set, Decca 38 !Ll!i 81:UE RIVER ..... .......... .... ............... Elvis Presley, RCA 39 (-) A LEGAL MATTER ....................... The Who, Brunswick 40 (36) 634-5789 ....... ........................ Wilson Pickett. Atlantic 41 (34) SECOND HAND ROSE .................. Barbra Streisand, CBS 42 (26! YOU DON'T LOVE M E .... .................... Garv Walker, CBS 43 (31 \ I COT YOU ................................... James Brown. Pye 44 (-) HEARTACH ES .............................. Vince Hill. Columb;a 45 (-) SATISFACT ION .......................... Otis Redding. Atlantic 46 (45) SPANISH EYES ................... .... .......... Al Martino, Capitol 47 (32) PLEASE STAY ........................... Cryin' Shames. Decca 48 (35) UPT IGHT . ..... . ........... Stevie Wonder, Ta,,.,la Motown 4<l (-) SOMEWHERE ................................. Len Barrv. Brunswick 5'1 (49) WORKING MY WAY BACK TO YOU ... Four Seasons. Philips

© LONGACRE PRESS LTD., 1966 I Atdmor(' and Bet!Chwood; 2. &ltocb : 3 Apnl ; S •~tond; 5 F-01dmari; 6 Metnc: 7 Acuff-Rose; S Pl.1net,1~-Nom ; 9 L.,t,n Amenun/Lorna; 10 Mettn:.: 11 Lynn ; 12 Belinda ; 13 MCPS: I• Brori ; 15 ~abulous; 16 Oebrn.,r : 17 Blossom ; 18

~~~!~~Ppe~~ rr~e,ec~/ ll i~~,~~ 2• M.1rlon: 25 K..nsrier; 26 Shadows ; 27 Pete•

P P SO COMPOSERS

TOP lEN LPs l fl) SOUND OF MUSIC Souf'\dlrack. RCA

2 (2.) RUBBER SOU L 8<!a11M. PadOPhone

3 (31 MARY POPP INS Sour'ldlrad<., HMV

4 141 BEACH BOY S PAR~ech Boys, Capilol

S (6) TAKE IT EA.SY WtTH THE WALl<EA BROTHERS W,1lker Brothers. Phltfps

6 lSI U CONO .ALBUM Spencer D.1111.s. F0<1tana

(',J COINC PLACES Herb Alperl. Pye (7; BY E BY£ BLUfS

Be.rt Kaempfort. Polydor 9 (9J OTIS 8LUE Olis Redding, Atlant1c

10 (-1 BOOTS N;incY Slna1ra, RePme

,o r ,~Is ,;:-o\.'1<.

l IOHN RENIOURN£ (LPI Tt,1n~tfonH.c l RAMBLIN ' BOY !LP) Torn Pa~ton, Elelcllll 3 IUDY COLLINS 5TH ALBUM (LPl Elektra 4 FROST AND FIRE (LP) The W11tersort1., Topic 5 WOODY GUTHRI[ BOWS FOR CL.ORY

(LP) Topic 6 MORE SONCS BY WOODY CUTHRIE AND

CISCO HOUSTON (LP) f',ietodi,c 7 MARTIN CARTHY {LPJ fon t.-,n11 8 BERT IANSCH FIRST RE.CORD (LP)

Tranutlont1c 9 VOODOO MAN BLU£S llfl)

Juoior Wells, Oelm,1r 10 BLUES FROM MEMPHIS (LPI

V~nous Artists, LOndon FOLK SONCS Of '6 5 (LP}

Yllt!OW Art"b· Ele!( l re Tho 1ei"I be$t~s.ell1n1 folk. records for t he

afLren\, M/Qch~mgi!~rdfr~~r.'ul.~'. •nd OOBElL "5, 77 Charing Cross RObd. londOI'\.

US TOP TEN I (I)

l (21

! (81

4 {6)

S (SJ

TH E BALLAD OF THE CRfEN BERITS

19TH N ERVou!"~'X£~~~~:~A Vld'or

I YOU'RE M YI so ~tt.fD5~:'s1iR~lt~

DAY DREAM Righi~ Bros, Verve

HOMEWAR'i,°v~~ij~nh>h Ko1m11 S1.11,., Simori .1nd Carh.mkel, Columb1,1

Ul NOWHERE MAN . Beatles, Capitol (7) CALIFORN IA OREAMIN ',

M.smas ,1rld P-'Pa.$, Ourthlll TH ESE 800TS WERE MADE FOR

W ALKIN' • N11ncy Sinatra. Repri!.C BANC BANC Cher, Lrripeti,)I

8 (•I

SUR£ CONNA MISS HER G.uy Lewis and the PJaybo,n. Llberlv

TOP TEN JAZZ I THE ORNfTTf COLEMAN TRIO AT THE

COLDEN CIRCLE STOCKHOLM Vot 1 (LPt Blue No!o

l BIRD SYMBOLS (LPJ Charne Parker, Esmont 3 UNDER MILK WOOD (LP)

Stan Tr11cey. Columbia 4 LOUIS ARMSTRONC AND DU KE ELLINC-

TON (LP) . . . . . • • _ , • Atle11ro 5 819'0 IS FR.El (LP) Ch11rlle P4rker. EemOl'\I 6 WOODY 'S WINNERS lLP!

7 TH£ OTHER SIDf ~~tor:vma~~:: s ~tt:> 1LP1 - . , . M1ie,: 0.1~1,~iS 9 THf BESSIE SMITH STORY Yol 2 {LP)

CBS 10 OR.CAN CAINDER'S SWINC (LP!

Thn ten best-selhn,i: recc!:imro~";~~· ~~ ~~ ~:.'ttES ~J>~~s. b(o,~~;~rr~· ST°5?~tb¾~ Gl.ntow; BARRY'S RECORO RENOUVOUS, Man• che1ler, RUSHWORTH 11nd OREAPER, l1v~,­pool.

SA VILE WALKS FIFTY MILES FOR CHARITY RADIO t u,~mhou"" Gt.•nt'.'tal t;m~"r GC<1lfn•l l\ rltt bC't Jlmru Sa.vii, CHlO he

l;ouldn't w;.lk from B~hton to l,t\11don - lht.' m0Ut.'V to I)(' paJd W ~~n.r, ty ,\ All 1

1230 rm on \\lond4\· Jnnm, t-nde-d lus t31•h~ur \H1lk tu~~I stat,:,~l•r I 11 10 ,ec Commented CJt"otfrt'\ •·1 w1::;h hi bt'l on him fllf tht• Natlot13I

W'~,~~./·~~!}~~,~~~ t-< l ..,,.li~:~~~~:~~~~;;;;;;~iii..,.~~:~:~~:~:~~:~:_ best ~•und or all Bnt1Jh

!'>"i\' sho\\t 11:oubiu' tu Lt.ath\\000 got • :?S·

foot lonJ b\rtti:day ettrd rrom thl' tatt.s i,1mf'· bod)· phonrd !\1\1 Cor &

f~~P \qnttd In \Ill)' ,

C'JJfl R1chAtd an~'>' Ml his (\\\'I\ phone ) OU tll"l

fi~oh~~ti'::.~ ti~J'~t;:'~~ba11 s lanists Lc:nnle Ftlh:. Ton)' hort And Johnn)' Puk~r

;~~~/ at ~i& c?ub1 11n ~~~~~

dab.each Boy i\tlke t.ovt say$ he's J;rQWf'i 11, beard to divert attention (rom ht'>

t"J!:lySot!~~;efil:~~l vt'r)'

qukk on his ftct for a

~~~ff fot~~~~n· apl)rove 0i1

Lonnie Donc.g11n's Pall•d· ium TV 1c-t?

Memo to Rs) Ouks: lt's Tony Hatch, not your

!~!!i6ve~~ns;:~~in~1e -~~ drummer Lennie Hulln,i:s ·•choked'' to discov~r Dub• lin pubit ~hut et 10 p.m. on St Patnck's Night . . R&}' Ennis promi.$ed to vote for Lord Sutch in H•1rold Wilson's Huy ton constitu­ency.

8atTY Fanton! so fed up with the elect ion he flew ~°es~'!~f1~J'\!,:n~11te~~ till tomorrow , • Radio London decjft,Y John Ed· ward turned up for n Col• chester record show and round they hadn't got a gramophone.

PAU~o!~:i~ u~:ak~:~

his 1932 Austin Si.x OUl­:.fde h,s home llob Lind could ~ back in May •

!;>°\v'i~~(b~;.;1r~~ a\~~':; * * *

p~s1ty0 ~1n~~h~~. P!~~t a~~ Run."

Ba1,m11n Ray Tolllday went into publicity b~ause he thought it wBS "some­thinJ:, 10 do wHh pubs" , live girls locked in ladie.s at Astoria. Finsbury

r:!~i::0Fr:"1te~~? see. ~f,~~

Jaqe.r fhu hunting, Oana Glltespte:, 17 yes•

}~r:yd.a0~nd !1:uts~it:t drivina lessons from mum

Ltnnle. Hastings dream. ed the winner of the Un• coin, but only put 5s. on fl •.• what were Ray and Adri1mne on about on JBJ?

Isn"t it dme the glossies t'f'&liited wany Fawkf'S isn't the only British jazzman? • . Sllkle's Jvor Aylesbury a new dnd ••• CUff Bennett persuaded to have a glam• our Job done on hi! teeth.

THE NEW HIT L.P. BY

DAVID FROST PARLOPHONE PMC 7005

SUPER GIRL'

GRAHAM BONNEY

Personal Management, REID/ MASON Sole Agent, TERRY YOUNG

2 Crawford Place, London, W.1 AMB 2639

DON'T be FOOLED on ArRtL 1st- Go DUTCH on C.8.S., get

"SOUL AND INSPIRATION" bythe ZUIOER ZEE

on C. B.S. RECORDS EDDIE mvm. ORBIT HOUSE MUSIC PROO .

EMI WELCOMES THE RIGHTEOUS BROTHERS

POCKET IOOIC OF IUS!tEl:S Nv :2 IW~IO'O munm bu. -"AU, POOi lL'nn

:m~~~D;:J,.~:!~:~~l=~:=• U~VT n o IOU!. ND Ull tOl ffl. m. Ut. ITL

THE UNIQUE MICK JAGGER LOOKS AT TODA Y'S POP SCENE poPha~; l~~th h!~ae\~

strom of c riticism and a lot of it has been showered in th<- past on Mick Jagger.

llR~~~~ia~1s l~~n kR~,~~~ tones ~enern II\'. wit h the

rr~;~lt: a~dce~~~sctr Viv

\1 1C'k h.ts bt.-en un 1hc rt:• ce1vmg tnd or the Jibes of those Ywho resent that rrighl• en1ng combination- success 3nd individuality

Arter years of Jagger­bashing, one might expect Mick m 1966 to be a biller twisted you ng popper. with a tendency to bare his teeth , nd hiss at passers-by, a nd pointedly bend pokers ove r his knee in lhe presence of jlUests.

Cheerful In ract, Mick '66 is cheer­

ful. friendly, retai ns his :;ense of humour a nd is now one of the more interesting conversationalists on the scene.

to Hi:.~s t~:~~t~n:~ ~~ r:irix a rtists when asked who he thinks a re contributing the real pop ideas in Britain and America today.

1d;~~h~•~s a cr~i~tt!mo~ to say we a re,". said Mick

h1: t~~o~0~~c;1~hir:~:ek~

" Let's s tart w ith Eng­land-the BeaUes. I thin k they are our most creative song writers and perror-

KENNY BALL GOES GEJZEN K• My aoll b th9 kitut big nome to b. odd.d to th. ht! of lop ortul•, wl,o her,, H lecled o G.h,11 " Elen10 " Trumpel In prefe,fflCe to ony other leoding molt. , S101,1td, , 1h11 lid - which ,ndude, tuch nomu os Doc S.YerlnHn oMI lobby Hodtett - .-..de,,ce of lhe Get:en ,epu1o. lie n f.o, occurole tuning, perffft lone quol,ty ond ,.~ .. In top drdu Geh:en tt regorded en prOYid/ng the moil occun11, ual,e l'Yet on o 3-pltlon lnlln,ment

GmlN "m•NA" tlH.10.0

~~~::;:1,!-~:~:=~= ~~~::.::, l•,.,.IMlyfoMGMqv""O<lion

GmEN " 300" t7t .10,0 S11Pttb tOM qual,ty •"d co..11<vct,o,. bc.ilw!t ~"0 q..al "" •n4 ci•~n.dobil!ty o"' "'°"l' ,._,

GEORGE

Clay 0..,.. Cloy M11tk Celtfre

21.5 216 lfood StrHt, llfmlnghom I r.t. MIDiand 0593- MID •956

1rvdo fnquir,11 /11 ,,.,ed

me rs. Not only do they create material for the m­selves they pra ctically throw song ideas away ror others. "Maybe they are not

'va lid' - as the Ya rdb1rds wou ld say - but the way they use their ideas 1s fan. tastic. Think of " You've Got To Hide Your Love Away", nnd 'Michelle' a nd the way they threw them away on LPs. Tha t's confidence, something we hnve always lacked.

" I th ink the Who are rea lly creat ive. It sounds \'ery dull but l haven't h~ rd

;~~stl~uv~;v~o)nrl~ ~~t~, work recently.

" I was disappointed with their LP but l don't think they' ll mind if I say so, be­cause I believe they were disappointed as well. 'The Ox' I liked a nd 'Lega l Ma t­ter' was fa ntastic.

"Actually 'Generation' s howed just how fast things move. There were lots of delays and when they finally brought it out it was a little bit pass~ ly ric-wise."

~ : '

a i'~ih:( p~~~~~i b~~v,e h~~~ :~~~u1f~ns:;;.f's.irr:g

0~f~ outpu t and ideas. I know

~~: ofl" ~he r1!~~e:c:p~~ ~i•i says he dot:, n't hke w ha. t he's done. Most peo ple don't, bu t no one say~ 1l

"We've had ou r doub ts about records and I'm sure th e Bc1tlles have. One reco rd, which ,;ha ll be

ri~~el:l~~ t~:!ut!~~ :?:; :1bout four hits back.

No dearth "There's certainl y no

dea rth of pop ideas ," con­tinued Mick, "no more than llSUa l. You can' t have fnn­tas tic ideas a ll the time. of course. But what I admire about the whole thing is tha t ideas and influences a re

~~a~;~s ~~0t areo:~~te:~:.

They've done the best they can with the talent they have, and end up being

recognised a,; the most ta l­ented a nd proressiona l.

''Before 1t was all up to the songwrite rs- 'the tune­smiths'-knocking out the same things.

" ln America, too, Brian Wilson is a very clever pro­ducer, but I don't admire him. The Beachboys have made so ma ny bad records, although some are fantastic.

"I just don't understand how he can write some of those lyrics , like 'It's Been

SCUTTLE­like a breath of fresh air

r,ue picture

THANK you for your article on Fred Scuttle. There is too much rubbish being printed about

the spoons. II was like a breath of fresh ah to hear about the real R and S. Spoonfred Spoon and Pink-::===================;, ertons Assorted Spoons r play plain beat music,

let's run for cover zoot money's big roll hand

let's run for cover by zoot money's

big roll band is less relative to today

than the general election

which can only bring more bigotry

unfulfilled promises

long moody advertisements

and the ultimate big bring down.

let's run for cover won't put the

country back on its feet

but it will give you eversucha lift

for two minutes and ten seconds

and sometimes that can be too long

george bruno money, lovable eccentric

p.s., 1 helped write it, my agent publishes

it. i sing on it, i co-produced it. columbia release it, i like ii, buy it.

and aren't as sexy as our Fred. As for Keith Spoon, be is just a lot of noise with no rhythm. - CYNTHIA SCUTTLE, Farncombe, Surrey.

I si~ :reJ0~~~t~;=~~~7 ;~,~ ody Make r Is In terested In the art of Spnon Playlng. But surely you cannot be serious In you r lavl.sh praise or Mr Scuttle"s art. He's a very talented young man, but "the greatest exponent" he Isn't.

Where I come from, In Northern Canada, we have a

~~:::er ~~lton 0 ~::r:;' w~~ Scuttle. My ta1her, Ratsy Q, Spoogle. who was the King or the Northwestern Quebec and Abltibl County Spoons, could have played rings around Mr Scuttle.

1 am over here on a brief visit to study the Indigenous culture or this county and 1 am appalled at the terrible things that are belna done to the Spoons. I have been btought up In the tradition of authentic, unadulterated, country spoon playing and 1 find It quite a shock to see rour or five young men on the stage playing electric 1poons. They 5ound like skelelons walklnit over 11 tin roofed warehouse, they have no n·nse of the rhythm, sim­plicity, and tonal quality of

;01Jco:11•~;'boc~l0n~~ndo-;

Y0s~~ttle •r~:!e stu~1d. ~~=:

Scuttle has no Idea of spoon music, U you asked him to play a real number like "By J he Llthl or The Slivery Spoon" he would be lost for !tpoons. - WALTf.R LOO, ''-------------------....J' GodalmlnR, Surrty.

A Great Day In Li tt le Old LA •-rea I teen pop ly ri cs.

,; I do n't th ink Paul But­lerfie ld is crea tive," said Mick. " He's jus t got a good band. You could probably say the same thing about the Rollin~ Stones. They must be domg 1t heller than us because they are older. They have been knocking around for years.

" BuL now they are trying to promote them as a pop attraction. I'm not putting them down, but they are just copying blues slanda~ds note for note, and domg most of the numbers we used to do. probably better When you start out ob­vious ly you copy somebody, but you have to evolve your own music."

Have lhe Rolling Stones evolved? Have they got anything new to say?

Ballad ''Wail till you hea r our

new LP! It's very different. We haven 't changed radic­ally but we ha\·e done a lot of rock and rolly numbers. the sort of Lhing we could neve r write before. Writing a ballad is much easie1.

"There are five rock and roll things and the rest are very varied with all sorts of sounds and instruments. One number from the ses­sion was · 19th Ne, vous Breakdown', We chose them from 22 tracks we did in Los Angeles.

"The album will be 25 minutes a side with 14 tracks and will be about the longest ever pop LP.

Potential "We always try to make

each song have single potential if noL for us, somebody else. And we hope som~body will be happy to consider them for s ingles.

"I think Cliff's song will be a hit , nnd it might be a hit in America, which would be good for him because he's never really taken off there.

"Keith wrote nearly all or It about 18 months ago and the Mighty Avengers recor• ded It. Andrew Oldham sent it to Cliff ahouc five months ago and they said lhey would do it, lt wasn•t my Idea!"

Chris Welch

MF.LUl)V MAKER. /\pr il 1, l'lhfi Pai,:t< I

CAUGHT IN THE ACT SMOTHERS of screams fo r lhe Brother,; and shouts of Joy

ror Roy made It difficult to decide who won the battle or the billings in the Walker Brolh~rs, Ro~ Orbison tour

w~~te ~f1ei:fl :~or~n1~:si ,::tc~~t~~1:n °~n%b~~; :~5~h:~i~~,

part of the show but although there was an absence of !ilruggllnft and Beatie typ~ yellinR during 'Orby's' HCl he was received with all star respect and delight by his fans.

Scott and John sailed into "Land Of A Thousand Dances", and the fi rst wave of nurses waded in\O the a udience. The spo t• light democratlcally !!Wilched alternatively between them, Scott looki ng a bit like Mick Jagger (from the circle) and John clomping

en~~rJ~is1~t ~rou~,!.

5~:s

0~0~~:i1:~~ugh, "Make lt Eusy On

::~t~~~}f", an~'Sh~!~~~ Ain't Gonna Shine Anymore". Missiles showered on .st11ge, and yo u co uld nlmo.st hear lhe elastic break, Ing as th e Bro1hers made forays down stage and eage r girls pressed forward.

Lulu, cute in a red i"\nd white ensemble

Roy and the Walkers tie

and huge hat, sounded 11 bit hoarse, due to laryngills, which was to force her to leave !he show, but she romped g am e I y

for honours Lhrough "l Saw Her Standing I here", and " La Bamba", as ~ ell as her hits.

Then came Orbison, Calm, collected, and profes,;ionul, he sang with co nviction and power the old Orbl-.on fav. ourites, " Running Scared," "Only The Lonely,'' " Dream Baby," and a rocking "Mean Woman Blues.'' a nd the new one "Twinkle Toe.'' Roy's ramous suggestive gurgle on "Pretty Woman" drew gasps of "Fantastic" from the fans. -c.w.

TIMI YURO

TIMI YURO exploded into London on Monday when

she had them screeching for more on her opening at Annie's: Room.

After a freneclc half-hour .set, Timi emer,,ed as a kind of souJ version or Judy Gar­land. A skilful audience manipulator, sh e rocked powerfully on "Movln• On". calmed thlnRs down with "Whal Kind or Fool Am ... and "Misty"• and finished with a roomful or uuer devo. tees.

Backed by lhe hard-workln1 Pedlars, Tlml'.s jau Influences showed through 1tron1ly de­spite a preponderance or rock­type material.

She swings like the clap. pers, works llke mad on her audience, and Is one of the most excltina cabaret acts ever to make London.-B.H.

JUDY COLLINS

1r:r1:-:C~·1n u~~0:'H:iJe~~· 1f:;

up to the promise uf their records when }"Ou hear them In the Hesh, Judy Collins, In the tiny C(lnway Hall at the conclu Ion or her brief British

tour last Friday, was an ell:• ceptlon.

Quite apart from the beauty of her voice, It wns a 1,leac;ure to hear and -,ee a real pro­fes!tlon:d at work, In ,, tield beset by amateurism. She even knew how 10 tune her guitar! Her own quite acceptable Instrumental work was com• plementeil brilliantly by her accompanists, the Incompar­able guitar and banjo virtuoso, Eric Welssburg, and Chuck btaels on bass.-K.O.

TROUBADOUR SOMETIMl:S you're ~o clou

to hlscory being made that you can smf'II 1t. Last Saturday at the Troubadour, London·,; oldht fol;. ~luh lhl' air was full ol hlscory. ·

Thc> featurNi performers were the Strawbf'rry HIii Boys - Dave Cousins, whnse-

::~.~ ':!nr~he ~:t:na,c::; for ,ome years; John Berry. a sensitive (as opposed 10 a plonk•plonk) bas• player, and Tony Hooper on (tultar.

ara~:r!!:: 1e1 .~:,;, <JWl~l~~

f:u~tryaiir~11r.~-:.ts .;:~~~ u well as loved for his autborttaUn •ork In lhe blul'gra1s field; Eric Wrin­bel'I, sometime of 1he Tar­riers and lately in Drh1tn to accompany Judy Cofllns; and

~:':nt~0

'ti::.~,em~': (tg~t•s1b!

group, lhat is). The vlsllon ,oon w("nl lnlo

:td hoc rehearsJI with 1hr Strawberry Hill Bny., and emerged to produc• an as1on• lshlng ,ound :,n 1uch hlafa-0ylna numben as "\lary dear" and "Tlu!• little whil• washed chlmnty••, noc 10 motn­llon standards such .1 "Salty Doit" and ''Thel'I!' ain't nObod) itonna mhs me when I'm &one," LW.

l'til!t' -4- \f FLODY \fAKFR April l., 1%1,

THURSDAY R o;a,1r~~B~~o~~. , /~~ to~hr~ h1l lh•• Odt·,111, G1:t,,tllW

I " p1.1r11,t Ea rl Mfnu '"'llh lh,• Ale a Wel sh a and , ;U lh•· Cunll,IUl:ht 11.lll. l'lt'w t,l.)llc

Nt'W J:Ul'\l :ii Annk'S. Room Cnn-nt Gankn. London It Arnl'rk.1n ,nn~\lrt'<.'i Timi Yuro, r,•-.1drnt !or lhre~ w,·, k,

FRIDAY R ov OA a lSON . WALKER

BR0THEllS lour at Ult' £dinbur1h Thratr~.

F,1Jk 1.;ir Julie Fell• 1n C'<'IIICNI .,,, lh1• Royal AlbNl H.tll. Ll'lnd11n

Th<' Mike Danie ls • lg Band Jl lh<" ~l•nch",kr Sports Gutld

Amc•rll·.an v1ul ,;;,ni::cr Don " Sees.aw" Covay, 21 the flR~~:'rf~1

-.1;~u,b R<"~J~~i~ud Go• !rnrn P,1r1, tonlg:ht wit~ th1• Who ,md th,• Y"rdbl rds ,IT\' 1 pm J

N,•w fl'\'lltds '" the !1.h0p.1, lod.t)" - Twml.lc T0t''I"," rrom Roy 0rblt:on ; "Do An)itll1n,: You Say," by g:~l~C ~o

0v-:~!;Sp~•c!':fu1[t'.~~~

Of lft'l1rtbrcuk," from .101 Brown ; "'L('t 'T'hl• [,IV(' Live." by thi• Sorrows; "Don't Stnp t,1,·rn,: Ml'" Pinkerton's (A.s· sort) Colou,.., :rnd "CYnu're \o!)'J Snul And ln(ptn,tltln" by !he R/ghteOU5 Grothe,.. ,

Chris Andrews, Don Covay .ind lht' League of GenUe­rn en nn TWW'( Now, ITWW, 110 pm 1

SATURDAY T l!~cmos~~;, /'~:~!~ !: lo .at the Frc" Trade 1h 11. Man• ,·he.,lt.'r ,

Roy Orbison ilnd the Walker Brothers play the C1vht'Ha~~ek~e,_:'<'a:: ~c. ;at the i,o, 1nler Gardens, Bnu rnc• moul h

Martha und tht.' Vandellas doubll n,; tonl,;ht al the Dun• .;con Clu b. Noltlngham. :1 nd lht.' MnJo Cl ub, ShcA1cld .

Earl Hines and Alex Welsh ,It lht.' City Hall, Pt' r lh.

Kid Sheik, John H.andy and Kid Martyn's Ragtime Band .11 tht' Dancin,; Sli pper. Not• Hni; h,l m

hen Frank lffeld, Vince HIii,

Lorne Gibson Trio, Ju lle Ro gen: , Carol Deen•, Chrl5 Andrews, Them, ,1 nd th e

;~:~k 01 0~:o-~~~k~•n~l:1~~ •BB CTV 5. 15 p.m.)

The Small faces return to tho: London Cavern In ~ lcc.1ol t.' r Sq_uure lonlg ht

11::'k~len~•c7'h '::}:/fa•;~ ~~';; l"ctor Mu1Tay on the Juke Box Jury pan!!! tonig ht I BBC· TV, 5 -45 pm )

SUNDAY os~~RO::;nE~!!"m:r~~lt~~ Londnn ,

Orbison _ Walkers tnur 111 lhl' Odeon, Ueds. The Don Rendell . Ian Ca,T Qu int.et, Nat Pierce, Steve

;:~~e:"~nthfhe8i !;, TS::ri:

1 t11iht Programme. 11.31 Pm>

:"11DNDAY FREODIE" and the! Dreame"

do a weuk doubti ng at u Dolce Vit a , Newcastle, and T1tn!,, s101.:kto n-on,Tces. play Conks t-·crry Inn. Ed· montnn, Londbn

TUESDAY T11

~1c 0c'!~~o:~:~

0:r1°;1~

1t Earl Hln11: • ruce Turner,

Johnny P/ca0rd, and. Sandy

Brown arc among the guests 11 t the! Hideaway, Hamp•

s•crt:n covay on Manchester's Si.:t'nl:' at 1.30 p m

WEDNESDAY MARTHA and the Vandtllas

.at the T11wn 11 • 11. rarn·

but~~f11HfnH ;and the Ale•

W1lsh aand chis-e their· • rlt• u,h cour af the 100 Club, in London 's 01tCord Street

Orbison • Walken: tour at lhl• O0c11n, Mancheste r

The Oscar Pelenon Trio at

lh~o!1r~~~F!I.'." ~:;.n H~=~5 Jnd lhe Sm•N Faces, on Whole Sl'Cnc! Going ,BBCTV. 6 30 pm I

wher

Hines to tour USSR for State Department EARL "Fatha" Hines, now touring Britain with

Alex Welsh and his band, has been invited by the U.S. State Department to take a seven-piece band on a tour of the Soviet Union this summer.

Jo~~~~ ~o~d t~~~r ~~d l~~5e ';;~~:~ ~~~- ~oi~f11

1be t~~:r: ur~~

ahout six weeks, beginning the las[ week in June." 1.ast Fr,do.y, at the Starl,te Ballroom Crawley, Hines cut short

h.is performance :lnd lold some three hllndred people that he had never had to play on a piano as bad as the one he had there.

a ;~oou fC:fo1:r!

1!~c~e:~~ hJ'wrcc::df•'~t;~~ldj'u~·~~: ~~u ac~~j~~

like t~s? rnis pinno Is so had I've nearly broken a fi nger trying to piny ,t. I'm so rry 10 cu t this prQg ramme, but 1 shall co mplain to my agency."

In his office after the protesL from Hines. Starllte manager Leslie Chappell t;ald: ''The piano was tuned on ly two hou rs beforeha nd," Told this. the

i , u,.~ l 1

SLOUGH GROUP WIN HEAT 2 MARK BARRY, a six-piece group from

S lough with a Manfred Ma nn-type name. w on the second hea t or th e MM Na tiona l Beat Contes[ a t Brighton 's Regent Ba llroom on Sunday, The g roup fo rmed in October J96S - now go through Into the second semi-fin als o f the contest la te r in the year.

About 1,600 people saw the Mark Ba rry group play their way into first place, The final

Pr~s~loRnu l~ansd, \o~a;: l~a r1'd'J/·/'hfh:''Vo~~~!: from Pon Talbert South Wa les, fo rmed in January 1964: 4 · Dave Champion and the

strangers, rrom Gillingham, formed in 1963 The hne•up of Mark Barry - man_aged by

Jan and Ann Grey, from Slough - 1s: Mtck An"US aged 18 and Martm Jones, aged 20 (le;d ~ocals). Jo~ Wayne, agtd 18 (lead guitar): R"Y Quinnan, aged 17 (drums). Dick Bnstow, aged J 9 (rhythm ~u1tar) and Dave Tavlor, aged 18 (bass guita r)

Winners of the MM Beat Contest will receive a Decca recording contract, £500 _in cash donated by the MM and Bri tru n:s musica l !nstrume r.1 t manufacturers, free clothmF, a t ransistor radio each, a trip to Rad\o_ Carohne, an d appearances on radio and telcv1s1on

And since the start or the

CAROLINE TO ALTER WAVELENGTH

R A1~~0 ,;t!~!;~!,\~ c::n1~~ Southem tra nsmitter, The s1atlo n h: curttnlly testing for a s atisfactory wavelength.

Carohne's ship, tht- "Mi

~~~~o•;t ~:~C\g7t~n2a:dr~ months ago m II storm, has been complete!)' re-fitle<I and w ill come into opera11on again at 1he end of this we~k

The ship will broadcast it SO k1lowat1.s and Radio Caro­line claim thnt thts will make them the stronMl!St radio !lhtp m the world Carohne North i1 also to be mcrused-init1ally 10 20 kilowatts

Spider here S'1~.i~ bl!?sH~rtis~ ?:: ~clf~ er11aln next week for • seriH of c-'ub and concert dates.

~i~~isk~fnl~e\h'~~id wi~~n~~ excuse. What good woul d a tuner do? The pia no needs completely re-stnnging,"

Hill on Stars • ~ Brown

back and Flames

October 1n

h~~~e'~ee~ o~~d~~butl~ u~frJj;~ a C200 Aka, 300X tape re­corder, presented by Pullin

~r0 :~:cas:~~ '6~Pn~sa~~i:;.be; £225 electric o rgan and a tubon, \\ Orth 100 guineas.

There are still a few places available for the latter part of the contest, bul applica• tlons fo r entries must be re­ceived within the next week .

Koerner, who sin~s and plays seven•strln,t gu llar and harmonica, will kick off h is 1our at Birming ham's "The Jug o• Punch" on Aprll 7. He then goes o n to London 's Ma r­q uee (10), Romfo rd (15), Lon­don's Les Cou5i ns (1 6), Bark­ine: (20), No rwich (2 1 ), Coven­try {23). Chelmsford (26), Bris to l (28), Shefrleld (May I), Isleworth (3) a nd a Royal Albert Hall concert with Buffy St Marie (8)

Faces' delay THE Small f aces follow~up

record will be lst:ued on April 22, but scu r they haven't chosen the partlcular track. Plonk Lane. bass guitarist with V1

~~:es~•~~e~~o:~e •~~~a;~ at 44 this week. guests In Lucky Stars on Apri l 2, Satur• day Swi ngs (30) and Parade Of The Pops (May 18).

Vince is s till trying to find time to get to the States to promote his new American release. "Love Me True". It seems probable he will fly out on April 25, for four days o f TV a nd interviews in New York.

On Aprtl 3, Vince s tart$ a week doubling the Club Fri1n­chi, Jarrow a nd Club 69, New• raslle.on•Tyne.

Sales boom A BIG pop sates revival was

annou nced by Mr Leslie

~~mg; :~~:~~~gthl~lr:.~:. of " After having o ne of o ur

bes t sa les years ever in 1965, we have entered 1966 with a terrific start--during the firs t 10 weeks of 1966, Philips Re­cords Group Sales are up by 45 per cent."

FOCUS ON FOLK-P.12

J A~~ou!Ri=es an:111 t~! returning to England In Octo­ber, report,: promoter Arthur Howes.

He will be In London for a

rt: :~~! t~:s~;~~!1r a ar::a!~~ other concert similar to the two fantastically successful dates here last month .

He then goes to Europe fo r co ncert dates In the major capitals, France Is reported to want him back as rast as he can get there.

Spastics show ov:t~5~~0~her~pl:!epc::i:

~=~n~· ~npr!~:t·iot~· s!:~ Show In aid or the Stars Or• ganlsatlon for Spastics.

The all -star bill includes: Cliff Richard and the Shad. ows, Spencer Davis Group, Manfred Mann, Paul and Barry Ryan, Adam Faith, Georgie Fame, Wayne Fontana, Billy J, Kramer and the Dako tas, Moody Blues, For­tunes. Ke nny Ball's Jazzmen,

Rolf Harris, Sand ie Shaw and Jackie Trent.

All the artists are giving their serv ices free DAvid Jacobs o rganises the show and comperes with Alan Free• man, Don Moss and Peter Murray.

Ray in action H~~~~~~n~· p~~f;:•:; 1-: activity, followed by a couple of months casual work around

~rg~~f,~\1~ab1~\•:!~s :~ Is on the road again (reports Leonard Feather).

The new line-up has Steve Huffsteter, Marshall Hunt, Herb Anderson, Ike WIiiiams (tpts), Henry Coker, Keg John­son. Fred Morrell and Sam Hurt (tmbs), Pres1o n Love, Curtis Pegler, Clifford Scott, Curtis Amy, Leroy Coo per

~d=~~\v?8~h{ba~1~~~k L~~~Ji Moore (drs).

The Raelets include two newcomers, Clydie King and Merry Parker. along with two original members, Gwen Barry and Lillian Fort.

Fantoni tour B AR!~rse~~,!~~,~~ ~;~ been ftnaJls~. He aoes to Hol­land for TV and radio datu In Amsterdam on April 8 and 9 and then on to Belgium for more TV and radio In B,ussels.

Shooung on his second fl.Im, a thriller, will involve three weeks ltaly from late June and during the t rip, he will be featured as a singer and compere at a Milan club.

Same titles By pure coincidence two

si ngles with the same titles were scbedu.leci for tt~ lease on Apri l 15. The new singles by the Searchers and the Riot Squad were both tilled ''Take It Or Le.ave lt' ', aJthough they were both dif­ferent tunes.

To avoid confu sio n. the Riot Squad have retitled their s ingle, "I Take It We're Through,"

Radio Caroline will be giv­ing fu ll details of the contest , Includin g the resu lts of the heats each week, and at 1he third hea t th is S unday (April 3), guest st ar will be singer Anita Harris

~!nlar;tp .. tg~~ ~hre or;}:1 o!~ numbers Is unde r consider-a. tlon, but we haven't decided yet. Most of th e nufflbers we've recorded have been ex­cellent LP ma terial but not single releases.''

NEW MANFRED SINGLE A ~e~ : :~gl~n~atf:nt.~~t~nf~~:n,~. ~-:e ff~ly~f:!S:"o: April 15.

Core!!'shi~:1t!~d ~y ttt~%~a~1a~:::d ~:~~fen 'tow~co~~:!te'1~~?;

new augmented hne up and features Lyn Dobson on Rute. " Pretty Flamingo" was recorded by Gene Pitney but never

released. Manfred's dates include Bris tol Corn Exchange (6) Kidder•

mm5ter Town Hall (7), Camberley Ag1ncourt Ballroom (8) Bos1o n Gliderdome (9). London Marquee (12), Welwyn GardCn City College (13), Ritz Ballroom and Port Talbot Lido Skewen, Wales (14), and Ammo nford Regal Ballroom (15). •

Brubeck tour THE Dave Brubeck quartet, featurina Paul Desmond (aJto) and

pre-sumably Ge:ne Wright (bus) and J oe Morello (drs) will do a ~hort tour of DrltaJ n ln October. '

The tour opens at London's Royal Festiv.:1I Hall on October 15, after which the quartet will appear in six or seven mure concerts before going o n to the Continent .

BEN & THE STRANGERS THE WISHES OF HER

FATHER

AN AMAZING INTRODUCTORY OFFER FROM

ALISON LENEY SOME DAY

c / w

c/w

BABY

ALISON LENEY end

KENNETH RIMMER ln

MUSIC FROM IT ALY 2 JULIO EIROA

(Solo Guitar)

IA PALOMA c/w

LA COMB.ARSITA 3 KENNETH RIMMER

end

ALISON LENEY ONLY A ROSE

c/w

FUNICULI - FUNICUL.A 4 DON & RAY

DEVIL WOMAN c/ w

DREAM

KENNETH RIMMER SANTA LUCIA

c/w

5

0 SOLE MIO 6

WHITE LABEL

CHOOSE RECORD CLUB

4BRAND NEW SINGLES

FOR ONLY 10 / - rosT THIS NOW

VILIA (from the Merry Widow}

KENNETH RIA1MER

DRINKING SONG c/ w

LOVE ME, LOVE ME

AN INTRODIICTION TO THE CLUB FOR 7 DAYS' c/w FREE TRIAL .AMONG MY

7

8

WHITE LABEL REC..:ORD CLUB was formed by WHITE LABEL RECORDINGS LTD., and it i, the first dub in Britain ta release NEW 7'' single records for its members . To introduce you to this club, we offer you o choice of 4 records from our first nine pro­ductions, which ore listed here. You only hove to send us the coupon and we will send you the 4 records of your choice . If you like them you keep them for 2/ 6 each. If you don't like rhem you send them bock and you owe us nothing .

l KENNETH RIMMER

I ' ll SEE YOU IN MY DREAMS

:_IIIIIIUIUUIIIIIIIIIIIIIIIIIIIIIIIII 111111111,~t>.Y.Y.~.~!~.~ ........ ?.:

ARTISTES ON OUR RECORDS: .All ortistes ore new ond there­fore unknown . But what does moke on artiste known and popular? YOU ! , . . the public who buys the records . Our first artistes ore the following : BEN & THE STRANGERS. A new group with o really new sound. DON & RAY, two young men who will soon be known oll over the country. JULIO EIROA, o guitarist from Spoin . KEN ­NETH RIMMER, o young man who will become the ballad singer of the year . .And the artiste whom we reolly feel proud to present, ALISON LENEY, a young, beautiful girl with o very melodic voice.

SY JOINING THE CLUB you will hove no obligation to buy any number of records. You will receive all our productions and you will keep whot you like, and when you like.

SEND YOUR COUPON WITHIN 3 DAYS TO RECEIVE AN EXTRA L.P. ABSOLUTELY FREE AND WITHOUT ANY OBLIGATION

To: WHITE LABEL RECORD CLUB ( I I

30 CRAVEN STREET, LONDON, W.C.2

Please send me lhe 4 records I have listed here on 7 doys FREE TRIAL. If I decide to keep them I will send you I 0/­,plus 1 / 6 posloge) and will automatically become a mem­ber of lhe club. If I don ' t like lhese records, I will return them and owe you nothing.

NAME

ADDRESS

THE 4 RECORDS I WANT ARE:

ii(;1Vll1il:• li:i• :l:t~•t~ 0 ~~:"~"' hf'r "%,~!N~,1~ :11 I/,! ~Nntlln• \'I• "hl' II , h f' Ol)t'II• • l'on cN'I lou r o r "i-wl"t.lf'n 11 Sl\)rkholni', I 1\-oll (;1"1•1111 on \ prll 21'1. lt,.r " \ ou no n'I " ""• To .'t;1 \ \' ou Lo\'• Mf'" olt'rt<I lh~ ~ -'I) 50 • I 31 (h i•

V.t'fk. Rrtnda IAl' l''CJK"Ch In tr

tu rn to Britain In CklOht>r Sht 11' t'U t r ntly COn1'IdrrlnK J1Cnpt11 for II Rn11tdw•v mu11 I ra l . Jay Ind th<' Anll'rl • can, vl•H llrltofn In May tor ~onrtrt 11 •nd rv

Tom Lona, rhyt hm auuar 1st with P$nkerton•..- A8\0rl f'd Colours, It ~ufTtrlna (n1111 nt rW'IUJI ('JlhllU!ltlnn l .dd)' Amold rtturn, to nr11111n fM TV and rnnct1rl• un MA\· !l He may do Palh1dlum rv 1how

1ll~m!.~~tl•d t~~m~~W!in ~~ the autumn SwlnglnR Blue Jtu1 wlll tnur Scand l• navll\ for th rtt! week-, In th('I autumn a nd fl y to Malt a on

M?eJ2 •~r r~-relu1lnR Mtl Tormt't cover venlon nr tht

f;:~!~ 8~~~~,;,w"Po(Fur!da~;

. . the ~ttlon next 1lna le, rel ued April 6, will ht" l Tony Halc.h compothlon

Another pirate, Radio 270, oprnt up tomo rrow otr Scar~ borouAh, bro11dcutln1t ~ -tween 7 a .m. a nd 12 p.m. , Kenny Dall't next J ingle, re-

~e'r!f~n °~r ~~1e

2l>oo1: ;c~:~ Or Paris"

Johnny Dankworth Is saxo­pho ne 1olol1t with the Lon don Phi lharmonic Orchestra

S~nt::y R(~1 :i!~1l::1 n~~a~ 7a~~~~•~l bo •r~~lloi~~~estra~.:

The Birds fly to Norway In Mny for a week in 0 110 fo l• lowed by four days on tour

tht- l\teneys next slnate

;'~11

A~~111leitscd ~lek~~;1R~~

cords are to release the American Testament blue, ca ta logue on their 21 s. 110

,~~~1~~~ers Anonymous

Gu 1. t~elr th~Xl e~lfi~~ r~stru~j~ or Jau. Studies Is meellnA at lhe Lamb and Flag, Jttme, S tree t , London, W.I. at 7.J0 p m. tomorrow (Friday ).

Tiff llo lllr• nn• to record In Anw rlca for the firs t tlmr. I hey flew

to the Slntt•• on Sundny for o len~thy lour which ends on Aprll 2H.

l)urini,t tlw lrip IIWy will 1t•l·urd IMCk!I

~:•1l~h\ t~t~t ll~tl. \'i1~!~~!~1~ 1 i•~t ~~l~:t::\~\I ,.t::~"

will IK• wrl ll l'n hv llo lli r• Ahm, ,rnhnm ,uul rnnv

nw tuur wlll 11 1~0 fn<"l 11d1• 1-V AJ'IJW1trn ncr1 m llullnhnlno nnd lht• l)lrk Clu rk Show

llt•fon• lt•iwm.i, lht•v 1fw1wtl for llwlr \lt•rmnn rv ~MJu t in brt'n1rn un Mny 20 l"hl'V ~tort « 1wo W\'t•k Sr1rnd11111vlnn tour on Mny 2K

MARTHA &

Ted for N. York Tl-.O llf.ATII I• lravlna for

New York on batltr Mon­day, lie ,o ... 10 llt.l(0lll1t'I l

~~~~ra:,tktdwl~~m ~!u':.~r1 N,h! York for dh,t'uHIOnt,

"I'll 00 101na to one of their rerordlnR 1 111lnn1 In New Y(lrk on th~ Thur da.y after ra ster," Ted Heath taltl tht' MM this week . "And while I'm over there I wlll, of courat, look out for tho p0111lbllltlc1 of the band golnrc the.re again . We haven' t bct.n to the State• sin~ 1958."

of tour

Proby pulls out projected USA

Don moves N l:.W YORK, Tuesday. -

After a month In New York, Donovan has moved on to Hollywood where he wlll do a two*week nppearnnce at 1he Trip, one or the "lnntsl" and noisiest dubs alona tht'I • trip (ttport1 Ren Grcvalt).

W1s,1y, Donovan h11 11 fo rmed • group o f New York musi­cians to wo rk wit h him o n the datt', They' ll use electri c gu1ta.r, hD.!!S auitar, celr.s t t", a rgn n nnd drums.

Negmiations are continu lnR o n Donovan·• future record commitment In thll States Meanwhile, Hickory's new alnglc, "You're Go nnll Need Somebody On Your Bond", Is guthcrlng more rndlo play than his last couple of discs

Two chart Whos TIIE Who left for Paris on

Tuesday to nppenr at the Music 111II da Franct on Wed­nesday, and lhtn In R~lffu­fuslon's rans cdl1lon on Fri• day, (Aprll I), Tha group pl1y La Locomotive Club, on Satur-

d•f~u(~P[!~ :t., .iroup are nlso bcinR neRotlnted fo r Swhzer­l11nd, a nd Gcrmnny-nnd there

~~ u~ 1':i°!~~~11i10°J !11~a~~~~~ Robert Stigwood in DelJ,tlum and France,

This week the Who's second

currrnl rcleoae, from their nr.r I 1•, hit tha chart, The number, "A LCAl'II Matter", comet lnlo tho Pop 50 at num• htr 30, while their "Substl • tute", movCJ up 10 the number 15 J Pot

Fury film BILLY FURY may makt'I his

nu t nlm In Hollywood. M11n11ger Larry Parnu ls ac prut-nt In Am" rlca nc(l:otlatlng the mm 11 nd also llnlng up • vlsll for Fury.

DIiiy hlUJ switched lftbCl!I In America from London to United Artl1t.,c, who arc plan­nlna II hla promotional drive fo r the artl1t

Matt flies M~'fo';1y!~::~ Apnr~~,2~ three week! cnrlltr than cxpee­lcd-to •~nd 18 days record­Ing an LP and two singles tor

Cn8~t0tny IO he 1Larts three

weeka of cabaret In Reno and then goe.s on to San Jose for a further three weeks. He opens an Australian visit with three wcek.111 It the Checkeri1 Club, Sydney, from June 23 .

Mall will be back In Britain In September and opc:ns for three wc:cks at London'• Savny Hotel on September 19. He will then rt'!turn to Amenca for a two-weeks session at Lake Tahoe

Lacy leaves AMERICAN soprano sulst

Steve Luy, who has been

~hned;~lnfo/" t~!w1j~a~1~tntk new out on Saturday tor the. San Remo Jau Ftsilval, Italy.

With him went the rest of tht' RrOuP-ltalian trumpeter Enrico Rava and two members of Chris McCireROr's Blue

~nOJC~~U~~:i:to~r."~ah~ra~ni In addition to the Fe!ltlval,

lhe quartet had a TV date In Turin at the weekend.

Hitting it out on a Farfisa Compact Duo ... Giving the kids lhe driving belling kind of sound they want. Night after night, the sparkling brilliance of his Farfisa Compact Duo gets them really going. Screaming for more. Gives him his kick. Makes it all worthwhile. Thanks to his fabulous Farfisa. He likes the twin manual, the bright punchy tone, the snap•action effects. The special Farfisa Multi •Tone Booster gives his playing

a butter.cutting edge, without overwhelming his own style. And that's really important He hasn't had it long. His Compact Duo But already he's experienced the exciting extra dimension that on ly an instrument of this calibre can provide. It's what he's always wanted in a portable-with looks to match 285 gns. The Compact Duo is not all Also in the fabulous F arfisa range are :

The Compact A reanv vor 111h•11ngJo manual inslrument. Endlesseflecl~ nnd tonal vorlllhons maka1 ta na1ur11l fo r voono groups. Mull!· T ono Booster Q1Y0S lanlaslu;; pl11y1ng edge. May be used V11!h any omphfi er. Price 199 on

Compact Mino r A PQ1 table 1n every r~ oec l ldenl for orouos who heve lo travel a 101, Thouoh wo1ghmg only 481b ., a wonderful ranoo ol colourlul 1ona1 once ts can booblamed. Multi-Tone Boos tor 11p1 up lhtt sound no ond. Price : 162gns

Trans lcord The otoc. tron1c organ lorthoncconUonlall Play-,11nd looks likeo rl'al accordion. l3ut 1usl liston 10 lhe ,ound. Bt0, punchy, incisive lon<>. Crisp piny.no edge . Crtn bo u~ed w1lh any amplifier. Puco 275gn-;,.1

MfLOOY M AKfR, /\pr ll 2, l'l66 PIIJl:t ~

LULU: l11,yngiti1

Lulu has to quit tour L UL~f w::r'o~~~~ t~ft~P ::; Orbison and lh t'I Walker Bro• thers at the weektnd, due to an 1tt1ek of laryngiti s.

ho~iru~~s::w ~•~t1e11

to ":-~~ Join the tour as 100n as she IS well. Ptrpe.tual Langley, 17-fiear-old fir! singer from Bel• d~~;s ~~f, a;~k. her on three

Walkers still top r ,~:~kt~r;cr~~~~:, :~~kn:! ~::i~t, it?~" !~~k o:~P r~~J~~ numbtr one 11:po t In the P~

~~h a~~u~~~h thJ!~ l~r\1!n: this week.

EMI Announctd this week they have decided to withdraw

~ali~dr s1:,i1:n midee ~asScolt~ America four years ago , fo l­lowing protes ts by his man­agemenL

co~nth~;~ut~~~{/~~e 1::?!h{ceh

may be chosc:n for their next single.

MURRAY DENIES RUMOUR DJ Peter Murray denied this

wttk thll lhf' BRC had dro pp('d hi• "l,att 1Rh1 Satu r­day" show bccauu ht h•d i l • rt t d to work fo r Radio London.

"11'!1 noth1n11 hkt th1111 at all," he Hid "The !lhow ha!I

lust comt" to the end of a very Onfl ru n and 1hey've dtt'ldl'd 10 1ake 11 orr

"l'vt had lhe lonRCSl run of anyone at Ihe oec. -.o l'"e no t'omplaint1, And anyway,

!~:c,~o,~~mffic J:e;;'!, ~:y one time It's the n N!ntwtd o r not as they sc:e Rt."

Best of 625 F0

~e~e::s~::s,1h:oc:.~ ~I:~~

525 wlll bt screening repuu of some or Its most successful ,hows.

First of chest: repeats, nn April 6, features pla nin Erro ll Garner with Edward Cal ho un (bass) and Kelly Martin (d rs) This will be followed by the Dave Brubeck quartet (13), Clark Tcr,rBob Brookmer~r

a~rt':t (~~y' Z! 11~teTh~Je~~

Jazz Quartet (11 ), Woody Her­man's o rches tra (1 8) and the O!lcar Peterson Trio (25).

On May 11 , Jazz 625 will r~cord Tubby Hayes with an e1fhteen piece band Hayes

Th1! s~°m;"~! ~d 0!n~h~uss4~r~,,i

then be recorded by Fontana

Jazz 625 producer Terry Hcne~ry will as!ume produc­tion responsibility for Juke Box Jury fro m the programme to be seen o n April \ 6

Overlanders tours THE Overlanders may visit

America a nd Australia this summer. Negotiations are goi ng on tor trips to both countrlts In May and June, •Jlhough neither trip was finalised at presstlme.

Distributed by The Rank Organisation ~

~ Rank Audio Visual ~ i Woodger Road, Shepherds Bush, London W.12 .§ ~ Telephone : SHEpherds Bus h 2050 Qt :,

f To: Rnnk Audlo V11u11.l,WoodoerRoad ------, ~ ~ : Shepherds Bush, London, W.t2. ' : f i 1 PINiso send mo further dolads of F-,rnsa Etc.. lronic 1 : Orgn.ns andlh~ nameotmyncarcstdcaler. !· ! j : Namo • -no : Address _ J } ~ : M.9 : ~ ~ L------------------------------ - J := W

r -PETERSON:two difficult jobs to be filled

ANDY: New Orleans alto? I phrased as if I was playing trumpet J \I 1 • II mlitht be ar1uNt, p~dudC!s p'!.rft ctlon by Its vtry

ch~ ,1!~~~ r:,; Q~~r:~t~~:•,~~ ':Y:c"ar15:!!!!:of1-':f:.=-~~~ OSCAR: April ha," t'<""" ~ .. clflie •~ can bf: co perfection ror n Jazz combo.

\!u,.ldan" or abllltl· musl ~~~~r-~~nJln~y:.:rth/rof;:. Interesting to see how they gcd periods or associatio n, fill the shoes or tWo of the

JOHNSON: 62nd

PETE JOHNSON' 62nd binhday "''&S hon­

ourtd la'lt Frldll)· by a ~pttl al ronct n at Kleln­han's \tude Hall In Bu t• ralo, whe~ he h1a,. livl'd d n«- 1950. His nld part­ner Jot Tumer ,;ana wllh the R11~ Bryant Trit'I and the Ruff alo PhiJharmonic Orche'lt ra playNI Sy 011 -, ·tir and Luther Hender­~on 1trri,nRemt nt -1: of "We• 8.abl' Blu , 41" and ·Roll 'l::.m Pete·•.

Elvin JoMs Is arou,;\ng much lnte~st with his new qu:irtet a t SluRs' nnd Top of the Gate. The ex­John Coltrane drummer Is letidlng Hsnk Moble)• (tnr). Dollar llnnd (pno) and Don '\1oore (bass).

GtrT)" \tulllRan's new quintet Is playlnR "'eek­ends at th, Vlll1Re Van­i ua rd opposite Che BIii Evans Trio. Gerry Is fronting \Van-en Bern­hardt (pno). Pete Berton­cini (gtr). Eddie Gomu (bass) and O:n·e Railey (drs).

l>tt \Vee Rusu.II, who was 60 on Sunday (27). Is breaking all house rt-­cords a t Blues Alley In Washing ton O.C. . • . tht Lionel Hampton band took off las t week on a 40-da}' concert tour of the Far E:lst.

Jimmy Witherspoon has been singi ng week­rnas at th,: HaJf-Note, backed by Clark Terry's QuarteL

George Wein ls to pro­duce the ffnt major Jau fMtl\'al In the State of Georgia. from \tay 27 to 29 at \Uanta Bravu .­J.A.

and when the men Involved mos! rupected ln.s1rumcn-11tt of the u ll bre ot tallst.s In Jan. -Pc-terson, Ray Brown and The re art probably hun-Ed Thi,tpen, tht' re.sui t cnn dred11 about who would •11 be u.ceptlonal. have liked to ftll the Jobs; "HIS playing is s till brill iant, st ill exciting, _s ll wh~~~ 1:~.r1~e1ei~" ~;j~ ~~~1J!Y1"~h1

1:: h~!~ce!~~~; unrecorded." IL is eight years or so s ince British tour at Manchu- Oscar Ptte rson groups ha"'e Sam Charters wrote that sentence about John tu•s Fre, Trade H:aH on set Is • n° ther matter. Handy. It's no less lrue today except that Capt. ~~~'"

2 .~~ 1~f:~~~n~~1th, 1a~·; :;s~nJfng pl:lp1a~~ John has since been recorded, with Kid Howard,

for varying reasons, have ~~~:s'thl:~t of 1 • njt"~;•:!I Kid Sheik and Barry Martyn, and one or two more. :r~i:d h\~h,~~e .rf :::n~t rather hu r with Pflerson. But In h ls prime he neve r got onto r~ords, doubtless J•u. mu.slclan. P 8 -B.H. because he chose to s tav In New Orleans or a t home In

;ifi~~;~~J;?g~1 JAZZ:;!~~.~ir~;:~~~~~~d cruiled from the C.nnon- no l a t a ll until la tely, but I baJI Adderley group where I I hope there'll be more soon. thtlr duties were 10 drille a When I leave Euro~ , I'm hlfl:hly extrovert frontll ne. going to play concerts in

Both are superb musl• - Connecticut. I don't know If ~~a:!on

111:a1~: b~l~~r~ou~ute~: they'll be recording any or

In late 1964, and h will be them or not."

HARRIOTT: yielding ground to the East

S·Bl·I·H FEW jnzgoe.rs and record

buye rs with elle.n half an ear to the Rround can faJI to have noticed the Eas tern lnOuence - predominantly lnd ian In source - which has wal led Its way Into mod­em Jau these past few years.

A new British-made LP, released by Columbia to­morrow (Friday). hints at the posslblJIUes of a jazz .... lndian music coalition, be­sldu provlna a recital of highly stimulating work de­v\sed by John Mayer, a CaJ­cutta•bom composer and viollnlsL

The re.cord Is caJJed "lndo­Jazz Suite., (SX6025) and played by the loe Kantott Double Quintet. This, In fact. Is a Harriott Ju.z quintet w ith Pat Smythe (pno) and

JOE: lndo-l~n

Eddie BlaJr (tpt) plus a quin­tet led by Mayer (vln, harps!• chord) which Includes Olwu Motlhar (sltar) ancl Keshan

S•wrtJ~ab~~~ weeks or so the Double Quintet - most of the same musicians but with Kenny Wheeler on trumpet - wUI perform these pieces, based on ragas, at a Fusions concert at the Chichester Fe.stJval Theatre (M•v 7).

The other evening I Us-

tened to the proaramme on tape a.nd found It enjoyable, unusual and Jnterestlna In a variety of ways.

It Isn' t easv, to be sure:, on one hearinR because the scalar patterns a.nd rhythmic techniques arc not all tha.t familiar to Jazz ears, and what has been a ttemoted Is a blendlnR or dlsslmllar forms and approaches to Im• provlsatlon. The experiment probably came off because lhe Jaumen yielded more ground than the Indian com• poser and players.

Mayer, who came to Brl• taln In '$2, llstened with me. and explained the con1truc­tlons, the metres and the resL This one., wholly scort!d, uses a flvt--beat metre; this passage ls In a rhythm of ten. some have alxtetn beats, and one has a bass melody written In elghteen.-M.J.

DRUMS When we think of New

Orleans reedmen we envisage A llne of Crescent City clart­nettl sts, not altomen. And Handy belonged to this line In his young days.

" I began on drums, play ... Ing with my fa ther's band -he was a vlolinlsL My younger brothers, Sylllester and Julius, played bass and guitar.

"During my teens I changed from drums to clarinet, self­ta ught . I came Into New Or­leans Crom Pass Chrb tJan -whJch lies sixty- three miles east of New Orleans-around 1918.

"When 1 came J was play­Ing clarinet. J'd never seen a saxophone a t that time. Joc­Watson, who worked with the Sam Morgan band, that wa.s my favourite clarinet man of the time."

Did Handy come across Sidney Bechel In the earlv days?

"No, he had left New Or-

----------------------:::--------=-=-:::::::===::;:;;;:;;--, ke:~sT/:'~a~efth:rel .!.°th!h!':

;1:r,'n~ t!~~. ::;~al ~i:j:

WE SLIPPE·o UP. .. When we lhowed our Drum fadory manager a letter from a guy-In of all placn 1-logondanga In th• Congo, __.-who'd written to soy how much _,..,, he liked the so'..lncl of hit lroaclway Drvm1. Aft., all, th• Conga It, you m}vht soy, where it all started and this foctory-manager of ourt has been nattering for Y"" about "authentic Drum sound"-lhore'II i.. no holding him now f

This is the "Super" outflt costing £84'.11.1 Os. (or 4'2,000 Congolese Francs), and is ava1loble from ony live dealer either side of the Equator.

ROSE, MORRIS & CO. LTD. ~tiiiiiiiiiiii! -.......-111'11 32 • 34 GORDON HOUSE ROAD, LONDON, N W 5

net, who was my ldol, was Joe Watson.''

When did the switch to alto take place-?

"That came later. 1t was a long time bef0tt I changed to saxophone. When I was really young I was working with Kid Albert's band-Tom Albert, that Is no connection with Don Albert.

"With Kid Albert I made a tour of Texas, playing clari­net you understand. They had a lot of New Orleans musi­cians going out there. Oh, that was around 1918.

"I stayed with Albert In New Orleans 'tll about 1923, when I wtnt to Baton Rouge to play wUh Tut Johnson's orchestra until '27. Then back to New Orleans.

CLARINET "Jl was a bit after that I

started playing alto. Why? Well, clarinet was going out of style then and alto was com• Ing In fast. I was trying to

:::~8:a t:1:x~~iot~i:et~o~o J

"I bouitht a Conn alto -same make or hom 1 use today - and got myself golnR. A few weeks later I was using lt at the Entertalners Club. Haven't olayed a lot of clari­net since.''

Writers on Jan, mys.all In• eluded, have bttn known to r,.fer to a pecullarly New Orlean1 way or playln,c alto. If there Is such a tradition, Handy doesn't recoitnlze It.

TRUMPET "No, lha1 was my own i.tyle

•nd le came about because i always wanted to be a uum• pet player. My daddy wouldn't let me play trumpet - he

:=r~Y 1~e tC1n:a~~u~n th9

when I •ot the ,ax I .,t.;": llke I wu phrasing on trum• .. ,.

0 1 heard other g!• ers but =· ..!R:!:-=.o.:. ·::n.;J

HANDY: " my d.addy wouldn ' t let me play trumpet"

21 or 22 ; he doubled clarinet and alto In New Orleans. He could play so prano, too . I never did try that.

''Then there was Earl Foucht:!, who was with Sam Morgan, and Jim Lewis - J heard him play snx lots or times. Then there was WIiiie Humphrey played oJto and Andrew Morgan played tenor.

"Who l.s the be.st today? Well, they'lle got some prtllY good saxes round there., but I'd choose Son Johnson-alto, still playing. Of course, he wouldn't want me to give him that crealt, but 1 rate hJm top as musician and teacher."

And who would Capt. John nominate as hls all-lime fav­ourites? .. My reed man would be- <Aleman Hawkins. And, of course, Bechel - a top reed man - and Johnny Hodges."

LINKS These are not surprising

names, If )IOU are ramlJlar with Handy's playing. And wha\ about the- Louis Jordan and Earl Bostic links?

"Well, I tell you, both these players used to listen to me. You'U notJce. thnt both or them

f~:a.~0%e.i~a'wi:.1s'~1!re1; sti~:·

Bostic, and when I was play-

inh,rti':s ~x8;,lt~n :: e~ Louisiana Shakers - I know Jordan was there: llstenlng.

''Of course, 0

he was a young man then, but ellerywbere we played, Louis Joraan was there. And everywhere t played In New Orleans, Earl

rn~11

~o w~v1~:reUn~;er~h~ g~; the time, And studylnR music.'"

BOUNCY Listening to Handy at re­

hearsal, blowing "Cap's Blues''

~t ana a1:::a:.r;~~/r riff Of~::

~;: .. : h~o:.,;•,llt: ar•;:~~ ~~:d~uartel or ft•e--plece Jump

"I would enjoy worktnst llke lhat," ht qree1. "But back home, all 1mall outfits like tha1

~l I t:!!•t r::/i~.;roll stuff

It may be so, but from what I've heard or tht Captain I'd say his forceful, bouncy blues oxcw-slon1 are almoat a deft• nlllon or euly R&:B. And youna members of Su11ex Unlveralty Cfftalnly responded to them, Perh1n1 It's all In the name1 after atl.-M.J.

SECOND CITY: big band sound IUMIWdltUI 'W\:a~e a 0 ~:nchm:! who were fed up being asked to play like Acker, or Chris, ocr Monty," said Stan Keeley. guitarist/ banjo player with Blrm~ lngham•s Second City Jazzmen. "So we decided to form our own band and play what we liked. That's how we came to i~_.. the Second City

th~~,u~~:r•s .Ja: yr:!: 8J: bana•s policy Is to play anything that makes for good Jazz..

"Our music ranges from re-creaUons of early Ellington numbers and King O 11 v ec pieces through to a big band sound which the elgbt­plece group alms for on numbers like 'Kina Portff Stomp". 'East St LouJs Tood.le-Oo' - the- first Ellington slgruature tune - and 'Satin Doll'. In

~1• :in pl~ak!ny~~ Jazz.," said Stan.

Second Clly's personnel ls: Gordon Whitworth (tpt), Brian Casson (tmb), Jlrn Hyde (clar/ sop), Dave Lee (sop/ clar/ bass clarh Ken Freeman (pno), Stan Keeley (gult / bjo), Don Gray (bass and tuba) and Len Coton (dn).

The band work hard at gettlnt a big band sound out of their elaht-man llne--up. "None of the boys read mu.sic, so tblt ffll'aRS that l'nrythlna

~~rke!t0 o:t an

1:17:!:~ Ir means a lot of hard re­hearsal and we meet 1neral times a week In • local oub to work out new arranaements.'"

A band which tlercel)" enjoys lt11 music, without slottlng Into c.te1orles. lbe Sttand City band 11 set for anolhtt JO ye&rS

ftlay!:ro::~ ~!;te of !1~ ~!1onal

th:nthe';:t,rn!::

lhouaht It would make • aood fut 1ound."--A.W.

b, JEFF ATHRTON MAX

/ONfS /\LAN W,\L',H

BACHELORS HEAD FOR NEW FIELDS - . ----~.-.n mr ~ bl ffirUe ud ,_ __ nm

tr.lJ thtoJ" .9't pct ..... 1l .. • Jo,iac tlec:lsiloa -~l>Kaasx!._... w:b-es.. l\ip wuta~ ~---­Gz:r:twab,l ffniia. For =----1"!nttfm-the- .... W'aS~·--

n.r gJ9Up ?us .so:rlffd l ts auJ,ar sa-ees:ses ID tM p:Ut-----S coJiecud a fewbocksliialM~ ~ n:.-fQ}s of old!les..Butdu.t"sa

~=~~ ....,.b'Oliiiiba~hm::re.

-rltt: troab)r bas btt1:11 IJ::a • put that ~ rould -~ti:adlRW"SOD;CS UDl SW.led CS. ud lLad oc-.r thad o1 ballad rm 111.at's wrir)'" W'e used to WJ 1-k .. rtmlqold """"""-

-&1 D0\1,* Mr rceord­lq _, Dklt Ro-. MS J:Ol bold of SQG)e origiul a.1-UDbtts [or us aad~are&O'D&.tore­c:Ord lhem for t. British Gd tk-t ltallaa ud Fttocb ma.rbls tdilch we ~ bopi.aa 10 IIIQff iato iD CR- future.

4- tbiak mow songs will grre us • $Orf of tkk in the pants., a .oew ~of We. We~ be6I inelmed lO Cd in.lo a bit ot a nn am tb.l.s will pttll US out of iL.,.

~ B.IIC:belon are still 1'f':l'Y much canc,:me,d

9 Bob Dylan went electric because he heard it that way~

Gl lTUS A. r; t.a.r or an\ 1ru.1mmrnl

~-, idf, l\ lilc.r•c&r t .u .._ .-""-"' an dn l' m lt'! DC<\ ffll.-..UJ:.h, tn 1t'-('tl It

ho) t;a};f' w hC'tt --it ~ h. ... U t: lht- fttllnl;,~ that )'"' ha"-e and d~wt'r t: l• t.:t. •udtfltcc s. N rR.A.,a co

Qh be-·. AL tn.h ot LhoQ&hU <Omf' (HJl and :M 'ff .;~t oN .n ft<'ts.

!!:t~htt'.n:I::~t'ttun~'°:f San Fft.ac1sco., I think of the: rn,o \\-C<rds "nl&ht lovt: .. 1 b'\'f!d tn • sod<eU 1n whic-.h ~ bad am, mor,~> and .as a ttS\l.l t. lbt su.rl'6«-s \\ ertt s lnppt'd. ftd 1t \\ u • shar-­•na lhtng_. You'd £0 to a r,art., . and. if wu had c.ig.,.. etle$: , -ou took thl' p1~k ul -c! C )~ p,,.')Ctet a.nd ;-ou put ,t on ~ t.tbff' and ITivbtwh wh.l \U.Dl~ a tigatTttC took It ~~ 1~ c)'l&fttt$ ~'ttt' the rtf':'tt wne. )'OU uldn~t b.a.,~ d.gste:tt6

BEATNlKS I think thst's • maoufac­

ture-d " td by l sodtl)' that donn't unrl~ntand ('l!rt.tl n a~pttts of ilulf. It's a " '1rd hke ""irdo SL'llFIN'G

~~~zaz.Ji:h~h ~~"n~~~ ntffe.Stt-d i" s1.1rfi~ , \\h(:I ~n•

,0\-td butnmin, around on

~h:t ~;: :rs~~~ ::'~~ mh:idle or u~ tountl') whett­tbur w,'t a.n <-a.an for 600 or 100 mJ~s. 1t rutns iL

LONDON l ha,-e to sa}· that l real!)

like Er.gland from ,~ hat httlt r,e seen cf 11 so far Tht first thi1'5:! 1 notictd "~ '>'bt-n 1 cot off th(' ~lfPlane I.M dOor 1ud1n, to th" out• s ide- -$-aid •·w,v out.. ln

THE BE....\TLES

,-.~::· ()~~~:~~!'"ft !~m; Ml $tt'1nJ:t th11t a aroup can

~1~ ~i~tt01tt~d ,:":o:~~~ lQ l,ll nctpt tl1hN 10 .stay the- um.e, or go down but 11 am;iu, m(' how th~ Beatles

~~!P r::~~:~t·,nT'1~:;: :~ the top WRITL'\G SONGS

nu1t's a good ont To me. t.he proeess of wr\clnJ: ,o"lls Is prcote,nhng a pt"lin1 or view N' certttln ~molton, tha1 t'm fttling and ,\ ant to COm•

munl act' 1 <'fi n' ! monufor, IUN' ~ na,. 8ut I'm not put• tin& It down, tht r\11 nr(I • lot ot Pt()pt(' who Are Vfl ry AU<'• ctJsfol wr il l na aoni::t ab<ml !lhuMlnns thl\t hrw~ MV('f l.')cturr&d lO thc-m. I rnn'l de, i i~ t htwe to wrHt\ abnut th!'! thin~• 1 know

TRAVELLING To mt, hcinR rith has Ill •

was• rnf'nnt hnvlnK ,nou11h

bt:net;1s~~11!fk~f nhn~~t~~~n~ Tho C\)nditlOnA lllld('r whiJl,; l'Vt- trnvttll~ l'lrt! condttlnns und('r whkh you !('(' po<1plt mlnu1 !ht.Ir flr<'lt"ntion,. When yt'IU'tt hn,kc, nnd

}~:~m~~~.g ,Kg~• :!" n~~ IV'llf'ij;; 10 bo nlCI' 10 you t1"lt:! l<$ 1hcy realty \vn,nt 10.

:;~d\~:s. }~~~ ~~~.t"~~~~\?~., ~~J\lt11~~t thhn~P~~ ~ol:a~ t('d by concern tor yc.'lu

THE THEATRF. To mt' it'~ Just nn t-motlon•

nt etr{'CI, not on lntt1ll~t11nl puull" If you Ct~f'I tt, Jtrenl. ff you don't nt> 11mount or l'lnAly!!ln.: l!I golnR to mnkc \C111 enjoy it. 00 8 OYL AN

Bnb Oylnn lit n ,tood

~\~1:r ~l" R~l~;\l'~tt::~~ Vt7s ~:!~~r~fm~nc~~ n~~i5~'!!1 ~~~~ in a ccrtoln direction I le hnsn't IN erhlC'lsm chnnno th:11 l think he \\~nt to ctrc ,

Ith IMttllll'll'nl• hf'tl\\llt, ht" hrnnl II lhn t WIIY, nnt 111 ht­cmnmrrrllll C'OMMUNlqM

I dnn't knllW whnl II 1111 ~ ·omnrnnham I• jl t !IIW11n!11n1 word I hnl 11r-opl1, nr~ rrnlly n nX hlll l tn 1111' rl l\fl lll nny \hina chnt ,ll1n11rrt11 with whnt limy hnvc to ,my Poll tknlly, I dM'I kMw whn t It mMn l VAL DOON ICAN

Pt'nplA Jhllc n\t! I( I'm hll trr, but I'm nl.'l t. Tha 1nnK• nru wrltt.111 to he aunn ond If Vnl OflonlrAn llkt•1 11111

:~:!flt ft~~IJn~(' 1f, h1c,na•h~

1u1'~

hRp(\Cn tri irl\ ml,r<' rrrnrd11 tMn I do, It ,ilmply ll\Nlfll thnc he's snld It In n wny ctuu'i1 roor(! ncropcnbl1" . Thn1'1 l'lnt", In thnl rnae h,• IIWll'rYt'II io ae\l more. CJVl L RIGHTS

SomNhlnR T m1cd to thtnk I knew Ahout And found H chrrci nrl" aa m11ny 1\dc'I 10 1t0 mnny things . t don't hr · !love 1hM nny h11m11n holn~ :i;htlUltl bl' 1m 1:Jul1lted nr h('!

rh1!~0~~lr!11s r~~rn ~'n~tl~ritt cnn'l hdp I don't think thtt1's right. As for nt cl..-11 rl,;hu, RMI, tlwrc t1rr !IQ mnny 1hlntti1 lnvolvl'IJ 1hnt It's ,;ot nil out or rm,nort1nn nnd IL doc,im ' I mQk1,.• 1wnM h's nM l'nty tn look nl lu

~r:i~ 0:;HF~Jh1~~ 11~:r~~~n, In

ARMY ORAF'l' BOARD

nn~ d:;,~~e,wr1n~~ml~lsti~~l I'm Nrnmpl from It. I sure wish lhl\NI wasn't II Med rM It. Tho drtlft di!prt!tllil'B n,l" lwcn1u1a It you th ink pn.wt wha t lhl• drnrt l• you tO· member t hl't t th torc!' II O CAO!l'

TIMI YURO IS COOKIN' UP A STORM AT ANNIE'S HER LATEST SINGLE

"ONCE A DAY" MF 903 AND HER GREAT LP

"THE AMAZING TIMI YURO" 20032 MCL

a IGotlt~ THE

All ,eols\bu Jotumy AMAZII lt.o,,,MyMan

I Gan Dream Can't I I Dtdn'I tlna;;What T me ll Vias

Th<, Masquerade Is Over There Must Be A way

1 ~ybe Vo,tTJ Be There MyFool,sh Hearl

l'mSl Around

TWICE A NIGHT Annie's Room is proud to present one of the greatest soul singers you'll ever hear - TIMI YURO. Good? Great I

She had them lined up outside the Copa. Standing on the

tables in Vegas. Make sure you have a seat at Annie's. Book now. You're not a member? Easy. It's 2 gns. It's

worth more. Just use the coupon and you're in business.

* * * TIMI YURO THE PEDDLERS A BAND OF RUTHLESS MEN

* * * ANNIE'S ROOM, 24 - 26 RUSSELL STREET, LONDON W.C.2 Res. TEM 6100 & COV 1931

r------------------------------, I To: Annie's Room, 26 Russell Street, Covent Garden, London, W.C.2 I I I would like to become a member of Annie's Room, Please send me a membership application I IN~E I I I I ADDRESS I I . . . I L------------------------------J

l'J,:o; ,-\1ll<JDV MAKlR, April :.!, 19Gti

DUSTY 1

E ~F~a~k~ An~~~~~:,; (RCA~VJctur):

1n ~ ~k~l~ hf h~1:~~~~f:1 /~: ·

~~ n!: h~~v ~h1t~~~'- fie i~ck~ ni:: 's nice 11nd or course 1f

1t~~o,;~;:: a11~~sl~e lt~lia:;.~ lf)l bad You can llkt> It o rr l's ruhb1ih J1m1

R~~l~k~ ~o!s! 8.o~~ don):

Oooh. atmosphere, atmos -

~~~ePt~r c:n" ttuts:~~~int:U~ mg the audience when to clap and laugh . r don't llke this . It's Roy Orbison Isn't it? It doesn't rock. I don't dig this sort or thin& - It's 100 desperate.

P1~'b1U,0uN~t <~;.il Stop Loving Me, Baby" (Decca).

hk~h(h~hi~;:_ 1"~~~~( ~~~t: who this is? It's not the Fortunes, is it. A nice round iOund, but I can't work out wh<1 1t fs. Good heavens, Pinkerton's Colours. fn that case it might well be a hit.

Bai~~ w~~o~c,;~~Q: I like that sound In the

backing. I'm doing very badly aren't I? I can't think who any or them are. I must be getting out o r touch! This sound.s like that lot who did 'Sandy'. That's right Ronnie nnd the Oaytonas. It's not them! Oh! A very pretty song. Jan and Dean? Very, very pretty song. (Looks at label) Brian Wilson. Lovely sound. I did n't recognise this as one of the Beach Boys -probably because there aren't so many backing harmonies Beautiful sound. He writes lovely songs and this Is no exception but I don't think Jl'll be a hit In England

T~e sr,~:0~!;, ~~~ cadllly):

w~~mlt di~~"ft•:'E~a1~:~_1YT!ili

so unds hkc the sort or num• her that probably sounds h,ntastlc live I've no Idea who It Is. The Sorrows Doesn ' t quite make It. Now I've taken It off, I can vaguely remember the sing• er Not bad.

PA~E ~E';:tii E ~~ "Kicks" (CBS):

Everything sounds alike to-. day. This must be an Ameri­can group like the Gcntrys, or the Vo1ues or somethlna - the Young Rascals? It'• Just another group beat num­ber Don't. like It very much. ~:d ~!u.w.p~~~n w~te ~~~ good songs but I'll have to say this Isn't one or their best. They're super wrlterS, lovtly people, but I don't Uke this one. Oh, Paul Revere - they're very bla ln the States.

DA~~1:t~:!; ~~~ (Pye):

I haven't got a clue who this Is ei ther but I can see

~~fs e~~r~~•t11~:s n~~~ ~~ sound is a bit messy.

JOt!~,':~:. ~":i, or J like this song, r like iL

I love that string aound. I

g~~•\t~"0nict~~dlt e~o:M:!~·

Oh, Just a minute, I know

JOE COLLINS & MERVYN CONN in ossociotion wi th SAUL HOUFF

present

JOHNNY CASH STATLER BROS. JUNE CARTER

olso

TENNESSEE THREE

MAY 'LIVERPOOL 6 20 7th SATURDAY EMPIRE 8.35

8th SUNDAY BIRMINGHAM ·-· ONLY

HIPPODROME 8.00

12th THURSDAY NEWCASTLE ·-· ONLY

CITY HAU 8.30

13th FRIDAY GLASGOW 6.40 0DEON 9.IJO

14th SATURDAY MANCHESTER ·-· -· PALACE 8.30

ISth SUNDAY HAMMERSMITH 6.45 0DEON 9.00

IOOI fAllY AGENCIES & BOX OFFICES NOW OPEN

tha1 vnict' Jill' lln1 "'11 , li. n't 1t? lh1 ~ 1, the h~,i t rl'<'ord he'!i made lnr J Ion~ wh1lt You know, I r,,•11ly love this

~~tr,~11: ~: :i~r~;rn so~; d, nit'e Cu uld be II hit - 17 though It' s tltht'r • hard rC{'(l rd to judac

B0~01~:~~;1,ng Timt:' '

I like rtcord,i; 1h11 !\tar t with those sort or " H~ni Co mes The 0rlde" paru U stt n to that oraan - It's a real cathedral organ sound

I:1~ r '1;i~~, 1~~~~1 h

1i:' n:S~ record . Someone had a nice Idea with this. No, I don't like the vocal Off! Oooah, ll'$ 80:r

L ~~!~,.;,.!~~~L: So~t~~11 t~fketo;~f~ ~,n;uli

!!~ ~~u 1~·:11:~/~~n~.~~:.t: nnd the last one, wett areal. I can Just Ste Fats Waller slnglna 1hls. For only Rve people they make a rat,

;~~:1nl,.u

1~f:1\1.~!.

0 i11i~~ them Just for darlnfl to do this number, Vtry Jood, I

f:~~~ !~'{J1~ c~~~t81~ke~

with promotion. They look fantastic. They could taslly happen In England. They were the • ll •tlme rage when I was !alt In Callfornln

T ~-~ •• TR"!'~;:"~:f; Motown):

Nice drum sounds The Temptations. Lovely sound. Thtlr records are so areat. Everybody say, Motown sound 11 the same, but It'• atlll the best on record. It's so full . They never leave an

~~~? !~dee ~;u~~e •c::e,;: Beouurul for dancrn, to. ~:~~wn l'~ln,rk:rt Ji<i, nf~; months, but commtrt'lally

~~~ r~:~~iyca~~- th!! death

.. BRITAIN" say lhe thh"'s-were-bet ler­

ln-my•d•l· hrl~nde as they stare ,t th~ Idiot box, "Is nation of watchers rather than doers. Sport or music -they'd rather be on the touchllnes thnn actunlly taking port."

And as u~ual , lht'y nrt' talk­ing through th~ 2R-mch bot ­toms ()r tht"lr blue i-N)tt !iUllS

This Wt't'k the Mt'lody Mnker Opinion Poll qUN, tloncd 130 U~t'nn1tcrs through out Britain to Rnd out whether they Wt"r? just 11s tencrs or w'erc also makint:, their awn muslc - ,,·h"th~r ror monty or fun

1n~~u~~~1.1,3~'9 t~,-!11i~~1

~~ somt' tlm, or othN and 11\•t'n up, and only 36 have nt\\"ttr tried ta mike thtlr o"·n muuc A.nd of thos,. 315, 31 would like to learn an lnstrum,nt

As m1,iht ~ ft Jl«ll'd. lht au,tar is currently the m<1~1

~gu~~n~~~~r:'~"r~~tt:~s~,ur The pla.no clatmtd Ul; thttt

wcrt tt'n drummtrs, fl11~ hut aul11rl1t.s and, turprislnitl)', four clannt:ulsts

But only one lane u. pl,.ytr, three trumpcHcrt and • trom•

t~~~~ :nln~o~ t::~ o~::v~~ strumt nt.

or tht 29 who had ai,•tn up playlna, a hlah propartlon were forctd to learn piano It chO\ll --comethina or an lnd1 tn,cnt

~~T!d'~o l~~h~n~n me~\1,'nt~~!r Typical w•s t1.)lctM'lld WII•

11am 8amu, or GIHIO"• who ,aid: "I •I"<' up piano h«tu!lit1 I didn't Ilk" the kind or muslc-

!\n~~•nl' t~~\~~ .. (I 7tnf:J'!t B~d~ ford, who aa,-e up piano "be--

f::c~N l oru~fuit~!r :~~le. ~ :;:;~cltkest~~~r!I~~ • .- tr: i:!: up piano beCIUH he WH bared by the Its.sons,

A variation or this th('mtl Clll mt from Alftff Martin (18)1 or Cambclr"·cll, Londc,n, who trltd to learn trumpN •t school but gave up wh en "thty trled

'I gave up because I didn't like the music I was taught' to ~u~h u• all1na lt'--' tn•rd and &IK, 1INt It "

°'fl\.'tr11I tttnaatri •1\I that J)llnl.) \\U thl" nnl}· ll'l!li1f\lm('1'~

~•~~~ ha1,1t t~~)C'l~lut~t:, t~~~

~:~ak1:~n. ttti~wtt [~!, \\ ~t

In ttumtnts are m<'rt fun Somr f tho rOt\'M f<'r tak

Ina \lf'I lnJtl'\nMnt• Wfl't" In ttrUtlnit Many dtthf~I h> Ir')"

ltro:~~tr- ~~:- s~':~:!NI" hJ fl"9qUt'ntl · m<'nth)ntd. M • n )" llllrtf'\I for l\lCtll ~ n•- IIY11

~~~· m~ii:.do~J "l d~?S~r~; ~~)~ n'n .. ~-~1f1n:n1l'I

I r1a: ~heo

au11ar." Run \II or~ of Uanbhtn,

Canlltr, •h\'\"~ \\ tl•h ('lrtttl callt\' "'1th · "I 1''1('111. up N I auuir ~•ut<' I d,a th• ,.,und and lt'I " :)' t(t il In \\ 1th

~~~fi\na\'!':PI (r:). It ;r '~'rlJ,~ took up aullar tt«-1u1t ··u•, tM raslht to lum and pnwldu pin manty."

Gulttr " u t.,taln th• mn«t

fre~u~;rlt:~htf ';~en ~~Ct t'~~n~~ with drums f.tt<ind and, dt f'lill" 1he moans ff\'lm thc-tto who " fo~d to td,t it ur,, the p.an~, cam, thlnt

MMOP also asktd for fa\'OUrilf ln&tr\ln1'nt~h U Tht­ans, rs ""' "" too v•rl~ h\ lu;t llut Oni! lnttte!Ulnt f•('h)r \Ii. ~:~n!:!~~ll~!t~"~ rnan,· ,,r the,

a.;;;~~~1.e ,.-ri:~, .... ~~t J~~:i. ar Catfont. t.ondan; "Ktnn.)· Ball and Paul ~kC'artne)·.'' aid AndNW Wlllln,h•m. or llrl tat;

~Ji~:>· N~i: ~~aha:\~\·~\!~: ~~~~~,• ·~1n~\~~Hk~·":. ~\.~urt~;i\l wutnd ,1:~,•~·•nt"6J

outh Shi Ids. \\ ,- t.t'lult ffll • 1tron1t and liddlo (.'ah rt

(lthtr n\mtnl lMludC"J , nu ,,nl\ ha h' htar "'' mt

,lr thl' l"ffll r"' arNll'-,t l ,..h.\" It I nN---t,,al"'," ~brlt

~~l~~•\\'!9nt ~;!~~tl' I~'\; :~~~:: ~J:[t't,1 ,,r1~m,1 1~~:~n. n; t~

C'"t h) \lillht\ut It" (1"1\\\ffll

,,:i11 r~~m !~'~ • '~!,,~at•~ 1h,1\11..i ht 1Mt t tttd" tt.Nr• fN'\ (,{'t '°\uUM-, nc-,tt Kt1Jh• 1,y\.

<\" 1.J nnt R.ltk• t. 1,\/ llradrl,rd, "ll'I rt aro ma~· mu l,111\ \\ho C'ln"t Nt1,I n," le ln\l lh1'\ pla, j~it u \\ 11 a th,1c:• who t•n •• Gr•h•m Waltih, r 81ffllln,:ham., ,h"a.i""" ~.\

1,,t t l'"\ll' that an't """ mt"-i! I b\ ll""h·UI' ll( lhtlf ~r, h.>rtnant"1'• If ) u ant c plll.)· I\ )d mutt(', N'oAJtng MUlll' il ,,tntl•l"

h11V: ;~~1~tt,;1 ,~ ~~~~•t~ ._

n.n1 nly \\Int h\ ma~" I\\U 1C', hot -t,\ ltnfth11\1, abl.,ut \t Th~tt mt.,·, "o" " r, ~ a «. :;~n•~h~~i~" 1~( t~it~ ,,-Ji

AND ON THE CURRENT SCENE .

MORE WORK AND MORE MONEY THAN THERE EVER WAS

·•out tht1ro'1 mot,• Wflrk­and mur<' mnnf>•-than th('te evt1r waa Thtrt •rt •bout .300 reaular nulon n\tn and theN' work for mart' "

~

U..ro Wtl"t'n't ,nouch ,u mu1lc-lan1 comtn1 up co • er ror the dl'mand,

~o"f!:.J'~rteda ~~:cat~~ ::•:!~b~'frat,>f l:1 mu•I 111u

''Tht1ro 1ro two m11n rt-awn for tho ll<'k of n\tn," tit ta\d "flnt, lh kldt don' t ftlllo..,. lhe lnnrumontall11 the- w1y

~~a.Io:~~ ;:~':,.."It~~ rl~; thh1 11 c-h1na1n1 now that HNh I~ and Pf°'tpl llktt

lh~.' ~ndly, ~~ ~~u';,u of ,v~r) mtmher of a bl.3 bcttn1 an MU momhflr moan•

~i:'n '"r~":u ~n r ... r~ ~= hind.

" I lhlnk lhll bllndlNdffl ahou.ld be IIIOWff to II .. lhf'lt own dlterfllon hm and allow, uy, ona yuun1 non u.nkn1

Th •rc1u111,n1 I• Barry McGu.,,•, roe De truction",

10 n

p• rod with t~, 0

..,

have b n rou, d 01

gt• nt Bury S ditr'

PO PR

,st year o.,er ord, "Eve Of ,othing com-10tions Iha t er Staff Ser­"The Ballad

Of The Green Berets". The rec­ord reached number one in America and entered the Pop 50 last week. Mutterings against the record were brought to a head when deejay Brian Mat­thew described it ,s "sick and

nauseating" on Juke Box Jury­and was rebuked by chairman David Jacobs who defended the disc. This week Melody Maker canvassed the opinions of other recording stars. This is what they had to say about the record:

»-OR JUST tPAGANDA?

TOWNSHEND, I hate any kind of army recruitment that doesn ' t actu11I• ly come out with

CLIFF; I pen.onailly don ' t think it's

sickening at all .

LENNON: It's. just prop.Jcanda . We don ' t need stuff like that in the

it.

This may, or may not, be due to cowardice. t prefer to believe the American

;~~zi~i ;~~r ~!~ti~~ war." I think it's the sickest record-and I have this awful suspicion the same people nre buying it who bought Barry McGuire's record. It's strange-it proves .i:eople prefer heroes to pacifists.

G~:: :~':~0 ~~! that just comes out of the blue and suddenly every-

~k tti::b: b!i~hi~g~.r; a change and a load of

Pop SO

rubbish gets in the Pop 50 anyway.

A Lf~eer~~~; tJ:~ec~~~ is the way I feel about

~~~fdn't ~~eit to~Pbu~ 1•J ~~l ~lor

1~~l~-~e ju~tt~~

no value for me. l sup­pose it must have some sentiment about it that makes it sell.

pLo~~ces)~NE (New

I don't like ill I sup­pose it's all ri.a:ht for some, but J can't understand why the kids are buying it. Whenever we hear it

on the radio going to a Job or something, we

f~reth: b:;: orfh:1 C:r~out

M 1~~,:~~~~:~Jtant~rj hoped it wouldn't sell in ~~l,:~~dfn l~~~I~~~~~:~ shows what a warmonger• ing nation they are. The last verse of the sons is so bad-you won't believe it when you hear it-all

e~~- hl~~in:w~~l , 5~~rr,g~

and shows how much taste American record buyers have. That'll stop us from being number one in America!

CHAc~a;.u~o~;~l I~~ what Is going on in America. They are getting so nationalistic-minded and everybody's behind their

f:1~l;~~~. \>°a~"'~g~~i~~ it will be a hit in England, we've got too much sense. Somebody in America said to me quite seriously that if the war keeps going, Barry Sadler will get really big a nd they 'll be able to run comic strips on him.

- - ' ·~· .... .... ' ' . .. . ..

MATT MONRO EMI ARTIST OF THE MONTH

latest single BORN FREE CAPITOL CL15436

Hns of Y1t11e,doy Pirlophono PMC1265 Q

Min Mol'\l'o 11nos Hoegy Carm,cheel Parlophon• PCS303' PMC1185 f-1

.·!·,1,. ~, .. . ~,

Love 1!1 the S11me anywhere P•rlophon• PCS3020 " PMC1151 ~

I have dreamed hrlophon• PCS30l7 PMC1250 ._.

More big names on EMI records MITCH RYDER

Take: a R1do S11tHld• SSL10178 SL10171 A

ROLF HARRIS Surviv1I Columbi• SEG8411 8 E P

LATEST SINGLES AMERICAN

THE TEMPTATIONS Get Ready Tamla Motown TMG557

CONNIE FRANCIS Love 1s me, Love is. you M .G. M . 1305

BRITISH

DAVID & JONATHAN Speak her name Columbia 087873

DON & PETE And I'm Crying Again Columbia 087881

THE BARRON-KNIGHTS Round the World Rhythm & Blues Columbia 087884

THE BONZO DOG 000-DAH BAND My brother makes 1hc noises for the talkies Parlophone R5430

MORECAMBE & WISE Now that vou're here H.M .V. POP1518

I." ,. IIICOIDI ll'lll a•ANOPMO""f CO lfO

l " I ... ou.t. 10 -••c•un .. IQU••·· \ONOON WI,

JAZZ LP OF THE MONTH COMPLEX RUSSELL, YET IT'S ALL JAZZ

ClORCl RUt ILL •·Th• 0-titt \Ii.• .. .I\,~ ~t\ ~,.

I I ; .• f,11 1N °'11 \. "- I•' Ate My \u, ~• UH O, 0,\ ,t,"""'\IC' \-41 1r•"t "" ... 10$ lL I

1.1--a,owll tron.•l. Don lltu tt ti c.,,,.,.u l,.wn 11...e,1 ,Jwl rtw"'"'" (h\11. \t-O• S-,,1 .. w \t'Winl '•t• la leu tJ,,1

1111> " ,,., rh. sti.u.-1••~" I II

f"\\RUF RUSSEi I.. hn • •1,.\ll\' v f\' mu~h tits own

1,;'\,.. .... 1.·,1nllX"~r •nd ar• , ,n~t"r , , t tht- po. t 20 , :1r,, , r 1..' - Jl'lhn \ '-'Wl!it h.t J nb t his L,,hnn .,;hn1m t11..· ni:.!pt ., "the n,-..1 prMound thN>rdic.11 contnh\1t1on to b ,, l" om t ), u."

II mull '""' Ill "itlmtthln11

~!,n·' It~!;:". '~~!~i~- 1~1.""~ r\l'J In lhC' rnrttnt av1nt &lrdt m,,-;t>n1c-n1

Thi, lt\um b Cull ..,, l)'rt· R II -th tc,.·ith•ro1llf'\n

"'' d C"I rath,n, 1he J1 s,,nnnt rnM:tnt'1'11 \liirlt1n11 lhf' n•t h •

f II \I\"• 1mpnw1Hli<'ln ' I. h " vt'r C'Omrlt,c: thfo "ritu,,-: 11 l• ah-. ay-.r, unmls• I hbh· 1:iiu

Th• m('st rtmarkable ltf'm hl"r\" Is ··sunshin..i", the- Ion,~ t track It Mromt'.s a moody, bt'00(.11ns rtf'ce full or alnlster unJi.'rtone Shtlla Jordan's \\'l("lf--lht ftrst chonq com­filtttlv untccomt)llnltd-i.t an

d~rr:.it l\f:uk.r!0Sht'•ni

0:V,: tht> c-ntkll prlii.tt- thl\l has bttn hHpt'd on ht'r.

Trumptttr Don EJUs is an 1nfu.r1auna; musician. Blesstd with moro talent than ten tvtta.St' mustcl11n1 put to-

fttt~ei~h hr~tt~~':10: ~r~~1~! tor fft-eL Hit experiment• are too self . conadoUJ. Yet whtn ht ttlues and blows he Is brilliant

Garneu Brown, thouah not quite u eood IS hls predtc:H·

~rket1:: a:!: 1~:!lvc 0

:~~ te:norist Plumrner I• consis­tenUy aood. Any rhythm tee• Llon contalnlns Swallow and La Roca couldn't rail to be artat

A fascinatlna &lbum that rfpaYt study.-8.D.

I\\ II

( "'llNl ), l-l 1 .irr1lllt,t_t'llWlll~ of JUll I h,\Vt' 1wver t:nrr<I for: ~o I .1m

l11t:,hl \' n•q1~1111H 10 the SUJ.!,,red .ittrnc­llnn. M "lluk,• At ·r,in~kwoocl", 10 1,1kt' lh,• lt••S<•r I P first.

1 hf l-llh1llldn (Ullt''f, prt,tmtfd In orchc.!o tnl t•ltinw h\' Rh·hnrtl llnymun, urc n1m1t1y w~ll 1•11ou11,h kmm n hl 11srnd on their own

:,~.,\, ~~~nt~1ll111

~~~:~1~. P~~d 1:~~~• 8:,t~t.~

l" \UtlllU !'ltlfll) l<IOIU ('tlllnOI h'!I \ll' Lht' LP

th'h' 1.uul thi:rt•, " t ty frn,:;ment or 111 •lody tht• t>hOl' ,tnh•nhml which ault.t: the

"~0 !!~!f.:~~10~i~d: :i';'' t~~'i'1~h~;e "~~~ 1~h~

~n--atlC1 11, or 1m ou1,1nndfng composer and 11\0t\\';ltt•t.

In the m•ln, thm1ah, P.llln111on'1 11enlu1 11 1ub­mrr1t"d undtr ttOlm"'nu nnd ~rformances alltn hi hl1 mu•k Theo br1u hu no concef.Uon ~;~l':~~~h~~~";~~•Ja~~d lt&ltlmDtt' 11rlng1 1e dom

lmpnwl•i\11011 11 llh t'nl, .,,d even IUt'h

r~fn"t1~ ~<'~h~~~~,~~d ~v•,rn: t~~'!,0~o tgr,c:, t:~ ·ruion whkh rl'cnanl1 d Elllngton'1 1tandln11

wlth('ut domQ Al\ ,ort ot n1111lcal Justice to II After that rarlraturn. of the

t 11,niamn 1tt"nr(I ("C.:ntlWlln" It flll<'hrd 11,,mt>wht,rt' httwetn ·•noh.•I'<\" Ind "Nlaht On 811r('

tli:~;:~~t;u~n ,-~,~,•~r~::r~on ul~ ht'IIV\'nl\l

Tone

How wonderful are the. Ml!''-'I the Oukti'I hand pro­duc~~ C'ln Ducal worksl And

~rh v~l::,:.H7~:~~ld hl:v;ha~~! plt'Uure of huma.n tone llmoat At hto:i,ut\ful and exp~~11ve u tht" N!1;t lnJtrumental sounds di plnyc-d

" om~thlnK To Live For", 1n alluring 1tarter, has a frec­tt'RlJl<l verse over Jimmy

~~~:;trnr1i~~ndsnn~h1nudnl~~:

chorus. Jones Is the arranger and pianist a,taln on ··tove­some Thing", which mclude11 a fltsh)' ttnor lnt~rlude

Tender

The slow and tender ~nt:ts continue throu&h side one, with Jones the pio.nl1t and arraru::tr on "PnssJon Flower",

~:;~nrl~~t.~lllte:~!Y co~:f·1n a,~~ "A.lure", a fine song appar• t ntlv oubllshed In '37. He and Ella are abetted by a little warm band support.

On the st-COnd aide come

~~e~~t~'ba11lfi~1

·g:~:r~~1!~~

Hodaes, Cootie, Gonsalves and

i!~n;ri~~~~~f~•~)~~ s;~~t~c~~ lar come to the fore.

Reeds

.. ~e:J' A~~- !hf~• rti: :e:~t~r•and w!~:o o~n th:rfi~~\ "~tton Tall''-lhe s tepped-up, pepped-up version heard on the recent concerts.

RED ALLEN

Duke is sunk by the Boston Pops

ELLA FITZGERALD-DUKE ELLINGTON : Mood Indigo· The Mooch. Love Scene. I Let A Song Go Out Of My Heart . l'n'. ~• ginning To See The light, Do <,thin T,I You Hear From Me: Soph,st,cated Lact. Timon Of Athens March: Solitude I Got It Bad And That Ain't Good: Sat1n Doll (RCA Victor RD7778). .

"Ella At Duke's Place". Something To Live For, A Flower Is A Lovesome Thing; Pas­sion Flower: I Uke The Sunrise : Azure: Imagine My Frustration; Duke 's Place; Brown Sk;n Gal In The Calico Gown: What Am I Herc For ; Cotton Tail. (Verve VLP 9119) .

DUKE ELLINGTON-ARTHUR FIEDLER : Ellington (pno), John Lomb (bass). Louie

Bellion (drs) with the Boston Pops Or­chestra. "The Duke At Tanglewood". Caravan:

tunes put over with origin­ality .

"Cherry", the opener, ls dis­tinguished by fast, light trum­pet flights, a humorous and rather Fats-like vocal and some stomping piano which Red says is Lannie Scott.

Next comes "Substitute" (without the "s" so far as Henry is concerned}, an intri­guing Jelly Roll song which Red performs, vocally and in· strumentally, with pronounced

int1~:ua~~r great jazzmen, Allen Is challenged by 9.uality

~~~~'iheH~e1~re1:s of

0·~~

1~b:t\~

tracks featuring ba.ritonist Mu_lligan with several other ma1or stylists has been put together with care and taste.

Ranging from the baritone-­alto conversations with Paul Desmond ("Lyon") and Johnny Hodges ("Carrot"), through two previously unissued out•

!~~s .;\~e'~)tal~ ~!~ e~~fa~lf ing Mulligan Concert Band

~~!!~0~.~~s .. :::e:reu~~tr~~ o( "Red Door" has romp(na

Zoot Sims' tenor: "Cat" a rhapsody In two between Mul-

~~f!~er'' and fea~s w;:~!hj

In many ways, thl• l• ~'f!e~r~~j~e earlier Duke-

Mosrll~p~n whh~ssa%~~~

tute", ''All Alone", "You're Nobody" nnd "Gee Baby", loosing a couple or good, growly vocals on Don Red­man's "Gee" nnd J . C. John­son'• "Alone".

"Siesta'', a brisk stomp which calls to mind the I 930's jam-ups, ha, very alert trum-

Harry Edison trumpet, lyrical Getz over a superlative Oscar Peterson • Herb Ellis - Ray Brown-Louis Bellson rhythm section.

visit would aaree that he was

~~~ln'be~!~enwf~~e a h~ie !~~ ---------------------, cool, and that hi• performance ~f~d~~o u:ntro:r~~ ~~d~

Mulligan's baritone playing is so timeless thnt it tran­scends all schools and schisms. From Hodges to Desmond, Mulligan comes across as never less than a perfect part­ner. -B.JL

Buy Signature Reeds by today show, only traces ot the somewhat frantic period he i~~'f:,. throuah In the late

"Feeling Good" Is a flirly powerful reminder of Red's nimble trumpet and swingy, spluttery singing. As Allen said himself, It might have been improved by one or two extra horns, but a, it is the album presents • set of good

also a little of the o!d Rutter­Ing to close.

The Newly-Bricusse title song, from the "Greasepaint'' show, makes an apt vehicle tor Red; and "Yellow Dog" and "Patrol Wa11on" confirm the bluesy strength of his slow­tempo pJayinR with its always individual choice of notes.

RADIO JAZZ CHRIS HAYES

Get them from your Arbiter Dealer today!

Two or three tracks hold soft passages reminiscent of Eldridge in tone and approach; no doubt the course ot modern trumpet was charted from Loul, by Allen, then Rov and Dizzy. Anvwav, from track one to twelve Red strikes out warmly. hitting his notes like a true jazzman. - M.J

GERRY MULLIGAN

FRIDAY l .lO p .m . Hl : J11n Rondo.

t.25 N: Jan Comer. 10.0 R: Past and Prcstnt Jan. 10.1 A; Jan. 11,lS •• c H: Wardell

~taxh;:d0~.~:ri~o.•ti:.J1f Hl1tory Of Jau. U0 T: Wood)' Hl'tman and hJs Orlt. U.JO G BtrUn JF 1965.

SATURDAY ll.55 a.m. L: Swccllsh Jau: and Folk Music . 12.11 """ ••c Tl t;~ R~~d L~('cw~:11 r\!~~:'r~~J: Z.15 Mf: .Radio Jau Club TAO HJ: Plano Jau t.5 J: C"°rg:e Sh11ar Ing. 10.0 R: ltahan Eut Cc,.agt Juz. 11.15 T: Ceorctc Auld and hl1 Ork. U.O T: All-Star Jam Se111on U..5 J; Tht Bia: Banda SUNDAY

an~S &:::f. ~~R•J: ~0a~~

1~n?:r~

me:no IBtnnv CaMt'r) 1.e NJ : Radio Jau troup tlay Pllhl f.O LI Paul Whlk-man - 7) YHn. 1.JS M: Jan and ~Hr Jau: 10.,0 A: FrN- Jan 11.J "- : JUI In The Nlaht MONDAY

II.I ··"'· LI Jan Qu11 I.S p .111. Ml: Jau. 1.JI HJ : Nina Simone al Newport t.JO N : lau Corne,, 11.1 A, Ja.u 1.lllon, Thurs) 1.1..J.I NJ: llay a1'ft' ~.• oJ' Duke llltnaton and

WATERS' FIFTIES HARPER

SEEGER AND BROONZY • v,,.,_. n•)\lt t"l"l•..-i• lhfl I Olk

.t,w,~' ~;:,,_m:•n3,\,o•~~tt1III 1\•:!' ,-.,t1· cv1,.r!l-0Uf, . "111<l.t1 11v., ~, kM1f\ ,ttttt U"tveo111ll,)' If' 1,H• -.fl 1~~ .-ttiu~ hh bffll 111ull

.,tilt Pitt• l!•f.-i, .... bul h1 "" 111':nl t-6 ti,e .... I'd bv )Up«t• And "''ffl\l\t.'J' ••HOit t"\ 'l'lllhO dor,'\

:::",t~~.\:!Jl\i,,- "~1•,f-t-lli,!~ 1-'t ~hH U1f,y do " Midnight

;J'Z.u1::.._,':.':::'.'! oi!i",~!. :;: 1.iit•• ''Thi" 1"t,UII' ' " C11t,,.tled ttttl•~. " Wlln• .. __ •• t ""d othot f..liffll \l,lit ..-Ot"li.i. , Po.If> \100 " H" Mo..(,Ml1'1 1

\ .UI 11111r\llnotnl•I ' 1o,o,l\fl" (H' llh"" r11111l11tlng

~-~" •n>11 n•':'Wh~i\~"t~nj:d 1\1\: quit.\.- 11 ~,nplllnlmonl. U ll'lu"•ft.i hk• a pluunt ,we.n • , ....... l'tltM t ,dnnuinl M.J

• o,~.\t ll ts.1.nd , Amtrk.nn

"'r~i1,h,~\A~~~11'l•· 1n:~

11~h: ,~.-:;! tttt of air (~h.--. -.ono~ and omo ,1p wOh a Y1)1htn• of rlC.h muu,al h-om o11n All' Forco a1,• , .. K w "OICO • t,.f!lt\otlon or l"C'H lt<M,~n, •fj11«,-., und•r \t\f: Hlto " lt.t Wltd Ohut Y..,_d..-" '°In Oo\lhlY OY'®I,. ~\ll\ll by 1!1Nit1d with VO Al find I tt\U'nU1t.-1 ;u;;bton«.

""'".:~: .~~,-..~ .. :::\.:~.~ .. "--~~ h ,Ah- .. H~von" llr• dl:t-

~:~~tlr.~t'Od!!~.,:t ••w::::: DAVID AND JON ATHAN: superior version of " Michelle" MOUl'I\Alft" And llko <:1111.ICI, T~" • "°df Ai r (Or'PJ. v.,,._

~::~~;;:1r~l,;,•-,,.._~•'jJfC:.:~''! J~a.no•• fn l t-t,N1t,1,Uon n,unod .••• , .. ~ And $Aka", 1'nd '" h

V"ffl$ 11'.I .. $Ave A Flghl61' PUot'J ~ " A lo( ~r tho ~unq and aU fho b«~c: •U11,1th111s. will he htln\• 91-.0\lnd ta .-.n:,one who ,.-~vt4l lime, h, th o Arn1t:d ,.,'t1!i. A f ew ;11N f11mlll>1r- trom •hciol AU QJ ll 1, put over

~ ~t,,loMl 1kUI 11-lllell lO • h.-H1'1y ~l\llA'llt t.plrlt , M,J ,

FOLK LPs

NEW THIS MONTH ON TRA NSATLANTIC

CONTEMPORARY CAMPBELLS

•"-di ~• ,-tq,ll"" M°"rc1• - Dirt)' Old Tow11 30 foot Troller "'t• o..or Ntt tta,,,,1,~ Sono Th• Do~ Bloody Ot~II•)' U¥•fPOOI .,,,,,, ...... TRANSATLANTIC TRA 137

THE

r l"R \NS.\ rl .. \NT1C CROUP

I. I ti.hn.lrh.u-,r 1.-"' I 11111"11 \\"I 111 1NtN IJ"i1,II

David & Jonathan avoid the cliches

1t,i~0~.tv!?e:~~ ~~;ln ~r~~ The Rushes".

JACKIE GLEASON: "Love Embers And Flame" (Capitol). Your Hrat dote with a new

st~1nei8:~d

1.JackfeurGl!~s~/~1:J

~:reet.r~:o th~o~\~d b3!te ;~~ ~~o~~k~c ~~~e ~~e!:1~tenbauc\~ ground music to the tinkling o! the. daiquiris.

EYDIE GORM.E: "On Stag:e" (World Record). Eydie giv~ us a fresh look al such stan~ dords as ''Taklng A Chance

~;d Loov3~';s''Ollne ~~~ ~rAiT:6:'. Okny, You w1/. Sound stuff

~~I t~~ t~r:6~al~~rhs8tf! a:~~! to summon up when singing With hubble Steve Lawrence Is missing,

"ci~J't!1\l~~S~~~nEd~~t Straight from No11hvi11e the 39Lh Grand Ole Opry anni­versary show bring, you n

~g~~trt mub:iif~~ar!.n~a~!e!/fi enjoy Johnny nond'" unc.en• 3orod J••rcn t..ltllo Botllcs", the Wllll11 Brothora' "J1,1kc Box" r. nd "When 111e Lhthl11 Co Dim Downtown" by 1,eo Wee l<lng and Redd Stews.rt.

TF.X, RJ'rTER: "1110 Friendly Voice Ot ioJC Ritter" (Capitol). Your old pn.1 Tex end eleven trftck, ot rich country fore. A deep and haunting "Gallows role'' Is the standout among ,rnch great, ag "Tho Fool's Porodisc" und "Rnllroud Lilt"

i,·n .,.

newrecord Vince deserves spotlight

y m~~ . ~°:t.:r .. ~~:m~:;. Vi.nee is one ,...,, the mo5t ~­perienced aingers in lM coun­try_ He't been oonnected -.,,·1th

~~~~ ~.':.=,~ ;r:_ But he wasc m the background until be made a single lut with ''Take Me To Your Heart Again., He deserved the spot~ light as he_ proves he.re. Fine, straight. voice with $01J)e great

~:~g:;lm::tsT~ds~n:, Johnny Pearson and Jobnoy ScotL Jncluded; "Have- You Met Miss Jones". '"'Poor But,. terfiy", ''Like SO:neo:ne ln Love .. , "A World Withoul You•·

.,TWANG!'' Origin.ii Can Recordlng (United ArtJs-isJ. "What makes the crowlh come from afar'' 1inga Prince John and company, well it certainly couldn't have beeo the music,

~~ :~~ tbi: deJrv'er~~~t out a acrap of conviction, with a, much innuendo per line as is humanly pouible. nus mu.st be .Bart'• Jut WOTd 00 musi~ caJs - he hun't got much

~~tf!n 5~To!f'k:n•~~~

der "Dreamehild", but enough said

THE SPR!NCFI.ELDS SING AGAIN (WlnJ). One of lhe best vocal tnos this country has seen. Great. to bear them

~~=!~e:nd

lab~f ~=lueex~n;':,1~

Dusty certainly ,parked the group. Top tracks: ' 'Wimo­weh Mambo" , ''The Black Hills Of Oako~ '"The Green Leaves Of Sumlner'', ·'Allen• town Jail", "Dear Hearts And Gentle People", and ••Tbey Took John Away•·

BOBBY BOND: " Bobby Bond

Song~0of• ~:rb~:gi1!~ll~

handy compendium o f Miller hits for a mere handful of shillings.

PAlTY DUKE: "Don't Just Stand There" (UnJted ArtlSU). Pretty Patty is 18 and the rage in America, apparently, hut it wilJ be a long haul be· fore Pauy is established here, with this brand of pretty pop. She sings fluffily the title track, ''Down Town'', "World

~f~~i!s LoJ\~'j •;yg~s~~u'!i~J more.

JOHNNY RIVERS: "Johnny Rivers Rocks The Folk"

f ~!~e~~~nt.1:;e~~~e~l!J~~: lion is epitomised by Rivers, from the same stable as P F. Sloan and Barry McGuire. The concept of rocking folk is enough to give Bnlit1h folk and rock I ans apoplexy. But the mu:Uc is too inoffensive to bring such positive reaction . Rivers can wear his Donovan

~:ic:~~f 'I!ch ~: ~~~~::; ''Tom OQoley", and ''Mr Tam-

~rol~"fn ~~0 ·A t0: &u~t~f~.

will appeal to the happy heedless, undiscerning. '

T HE LETT~RMEN: "The Hit Sounds or The ~Uer-

::~~s (';.,aJ::1~2~gG~~~ fft~t?; 11 all rather n bore. The 1.hree Lettermen are at thefr best when soun~lng like n watered­down version of the Beach Boys but thl11 i11 Housewives Choice music rather than Saturday Club. Titles include: "Oowntowrf', " S u m mer

~~~r~:. ~~~r~~~. ½'H~wR,1:~ ~r~~fn·.. Song" a n d

fjf:[35fW s.enY~ • •~ -~~

B~ar~~; Car Named Dog* CRCA Y-IC&.Or). If MoGWre ca11 ~ oown lb.at prGtest

:!fad ~e! = ~ into prOr'li~ .

Great beat and Nailinz ha:rmo ·ea. he gets away from

E McGUI QUITS PROTEST

protesting and moves :.::.:.o the gi.,ttural bit.es wn&.crry. A

~ .:::xr!i°DJ::i °:;. T~ has got typecut ;,aw

MITCH RYDDl Atii.1> TUE DETROIT WKEELS: MLiUJe Latin Ulpe ~ (Sta.t.e,lde):

~I; Nl~d-'.eu-~~~ ~ A JUd~,.. come ;t wuh th! old Righteou, Brothers lut. They UJ.e the S2.IUe ;~ beat and genffZ.I heavy ch:.1:-a­ing effect.. lat.erestir.g iasf....,. mentaJ brt:aks, acid a.II ?"ound a beaty, active rea,rd. Sbowd hit chart. qwct.ly.

THE TURTLES: .. You 8-)'" (immediate). A mediwn•pu;ed beater with all the rng.re6ea"J for th~ Pop 50 apart fro:r:i lJ?.at euetrt.sal eu-c:akerag d1ffere.nce. Fa::!r:Y irrterestin-g rhythm. but j1.1st l acks t:w. b1re wbkh could wheel -lo the bt:st ~Jlers. SUD na:cls a cha.nee though

c~~~~~~~~~ You" (MG'1.). ste•s: doulg

a Petula aa~ Connie .fraacs deserts her Sf.>b.filled wailing

r-------------------------1 I I I I I I I I I I

!

rru~@[}{]1f! ~m •1i ~~ rffi~~m ~COR·TON This range oorefulfy seleded from +hr -worlds ~:rf:91'5 offers stud~fs the high sto.odord of re:,.p;nu.e., .:i~ durability and finish nKHsory to pro-per deno:lo;:,~em- e, o price ordincry people can afford. O~r .frtsir\J rTte'l!s ore also ovo.iloble from Rosetti o:nd are sncrwn ~ i.e:mr'l offered below.

a,;. CO R·TO N CLARINET Boehm sysr•"'• 17 ">"• 6 '"'SI' Grenodillo wood, heavily plo~d lt.eys, 17 G,:s eom!

A, on outfit in its own case., t 9 Gns. -,--=-~~-~•~.~~=--1

I I I water lce13 With two mo11 P«ft I I wow-wow mute., in plush-lined aJse~ 15 G,is... each • I l-------------------------~ I S•ndth1Jcou~forf1.111'J.ecf!.jc,4s,udMt~ I I Jo Ro••"•• Dept. MMICO~ lJ ~ Stttiet, i..ondiwl, E.U I

l N- I I

: ADORES, I

e cooKE e cORME • RIVERS I I ~-------------------------J

f H!1111~::~~;:, .. · l~~l\\~ ,.~t\ ,~:;, \\l'11,t, lh,·\ h~\\•11't ~ •'l'I\ 11,llh'II

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1,.,, ''""'" \\111 \ I

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•ni lit'lt S11111tl\\ 11 '"'' 1m t ht' ,1111' ,,1 11\r fl'\\ "ll1)l1'111

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tt\t t,,,t 1111\(' I n'l\h'll\h\'I

1~11:-::,:~ t--111\~~:r.,:~!!. I \\•;1,~\',~:: 1tu•, '\\' \l,•tk,'1 h'~11th•-r 1111 lht> iu <1nh.,.. '''" "' tht> 111,1 llh-41 tM,"I, St1<1tt111,I, ,lit,, • 1-h•m tl11• t'n1,,•,~ln '"lk , tut-, 11'1 ~n111h1m,,1,•n 1·,,1111•, ,w,,, ,,f 1h1' 1hsl r-1 th,• h•,..11 , ..-1-t. 1n ~,,111h.,mpl,,n r111.1in \\" 6 M ~ It wlll lf'\..t' Jlhw,· II\ lhl" St\hh11\h' \.11\\M, l\l\\l

k~~\~•~1 ~~~~ ~~~,~{~~~1\1~1i,t~b1n; fohn \ \'lf\lh'f', hll\ Cl'l lll\'N n, tlw '\u \\l'IN~· HUI t) \)l' " 1 "-'ut \\mt lh l'll h;\d ,,_ hhit trti , \ \ 'h,1" num~1•r l('I l"k,• 1lw 1•la"" M "l)I\I\\"\' l)l'l"l, lh,, \ fr.,1tlfntlh,n Q1u\rt\ i\h)rth , tlw ll hh~.,_ (;hwt 1\M d, lh~ 1,1,·.tl tblh,,tlt>h,. 0"1ttk S1u j~A tH, I rat11dt' \ m,~1ro 11 ir, R,i, · ,\1\11

FOLK FORUM THURSDAY

A1 "ll' " , l.l\.l \ lN !to" l 11\ I llo

DAVY GRAHAM '\luJ,:tttM!'t'~i1 l~~~h i11~1~ = ?\ 0 ' l'" ll N, \\I',,• 1111¥.h,,., N, \I ¥111'11 r,m1 l'•h•1

J~ ,H\" t.O NU.M f {ill\· , 11111 ... U\ \i,.lt\ \ ,rnn-11111, lh•h ,\. Jutm

\,:~\:!1''~lt\1~1:,•t t1\~;r, h;~~:1~t "t:1•::1

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I 01.k ttl NTIUf, HAMM R ~M11 It t,0M ~ Al.I. VI,

Tt! r OX, hllllltl"II l>t,·,111 ti.hi :-.h,•O, ,rn,t \'t\11-'ltl 1111111 lh111111 tr.1111 ~,\\\ ll1 l,•,rni,,

FRIDAY cont, " t m1 t OU!!: lkll" j11t'll1,1p11 11 Ill

II \hi "Ill

ALLNI CHTEII MARC SULLIVAN

NEW TIC RS HEAD l ~ 1ofUU\N HU

TONY SHAW 1.i::1~~llh\~::~1111, ~'·'i':1~ 11

l'tll:~: lum,r;~ 11111\ .hlt111

Ttl 14111.. l fHK , n •1 l'll t.l'V

It,!~;~ ::~~1AT1:~,~~,::J :;~•~ll I aH!ii, 1•.1111 l ,111 t,n1 1'11!.• l1 1U1l4lll'II

Si\fURDAY 1·h~"~1~.

0 ~i~.~.~ ,,~10~~~1,•u ~::!,~!' A U t.1 Alt 11 v1H>11N n w1111 '"""

~-~.fl~~J;:Y"'\;'11~~1

1 ~~~ :~.~~,~ ~•~,11~~.~1',i' Nf, 11~\ 1

~1~,:~. n~u1~ ~• ,mil ,11111,•1 r J1l I 1 11 m 1·,1n11u1•111·1• N 11 111

FRIDAY

A GMliAT 1•11'tlln1t \\ 1111 tlw 1111 !111\,1hl"

BERT JANSCH ~~~~'( tS~1t, ,l-'<

1co:NMJ11i;o1.1~1

~l~~h '.Ju~~•n~::, 1~\\~ ('~i~l'bll~~t.

DAVI l..lP1 0 N

COLVU H. ca.U ri , "' Nl•Vt'1111rt Mltlt'I, W L'.i A L.L N IGHT 111•11

~\~~. JJ!~~,~~11'., 0 ~~='.IV IO I(

Oil OI SLIY 1•11(1111111 \11 11111 '' A11n h1r•"• llr1111111 Unutl , l',111111u11 toll\

IAH RUSULL, MAN Clt STl!R.

AT " \. • '$ COUS INS" 7,311 11 j\l " LIS COUSI NS", ,W llrl'•'~ ~r•11.~t1c'l'~Tl'll-t APPI.AMAN CB St11•1II, ~••ho, llll'lil•nt • Mid 7 no

JACKSON C. FRANK ., "' ALL-NIGHTER 1•11~~1,~~\ ,~.~~~ 11!:~~~~.h~' ,l{~ ALEXIS KORNER

SUNDAY cont, Al "l.~lj C OU II HJI" I 10 I

BEVERLY 1t111t IJ IM O H I AW 11 MI C"

0 1 Vlt M ( I litl, I l l N1•Wjmf I 11t,,,,,t WI" I 11111 NAY I, 10 0 ,0111

I 0 1 N .. ON(l M •l •M V(J\I MA ll t.11 1

l;ASTER DAY IIA f,IM II HJI Mll ll r OWH )j ,\I I

illU Nt)AV Att llll HI r WO t- tUH,tj Nf!II

• '"ooo DAV ENPORT IHl ttOf) Ut Jtll

CUY CARAWAN SH I RLEY COLLI NS TOMMY DEMPSEY TONY McCARTHY

DAV E PHI LLIPS IOHN SWIFT

110 I' ·"' ERIC WIN TE R

IN t'JtOUU • II HARVEY ANDR EWS

BARRY BEATTI E SANDY 11, JEANIE

DIZ DISLEY TERRY COULO SHIRLEY HART

BOOK NOW TI CKlfU 10/ 6, 7/• And 6/- fr ll r11

COi.U T$ AIC OJ1D SHOP, 10 NI W OX FOlfD HT Nl l 'r, W,C. 1,

(MUS (l ,~~2i'1t . ~!"c,,.:Nc:~:THI R PROCIJIDS TO <lHD

SUNDAY cont, 110. 11 AM ftOI U#H Jtll P PHHtl

11111 IHJU lil'U IOH • 111 1/h- jl,11• Ill no, llfmlml

MONDAY AAH l•A li tOlh (HUIAlt ,inti Ill

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PUTNEY!II TONITEI! ' ltl\i;.f MQOW

GERRY LOCKRAN!f ROYO RIVERSI!

CLIFF AUNCIER! I 'ro•u r 1111 ou1n1

HICKORY NUTSII

TUESDAY

f'JM II IHTMAHCI AT " LIJ COU I IH S" III T ,1• J J HADIU o,r

IIAMPSTBAD. f H I CouHTAY DLUI,

~ t 1~ ·~~.~-rif1t1,11f~~i'i10 -:.,~~/\~~~ 11\ H HUSSDLL. Cltll.HS,oAo, 'r,•rry nuuld , 1'1111 F. 11h1rprh1(!, oo 1)11111\1' t" h n lk •'nrm S in , 7.;JO II /II

HO KTO N HAl.t.. 1,,C 8. tu I Ii

f'Ol'T.Nf UAII . " Ji11t)h1 lfl)4.ld", ll ru111l11 t11111 1 Ki 11 1,1:, ,folm t,,r,•,n1rn wlll uhouf1• 011r MIi)' (J 1111m1 1mcJ lt/l l l' r H,111 t r<J nl 7.,1/l IJ m

SIi VlR BLADfS l(F RINK, STIIEATHAM PRO UOL Y PRESEN'I

THE JOHNNY HOWARD BAND SHOW••• (ROM n.o c. " I A ',f 8fAI" 41/i APU/1 /J, / N, l(R MO/IIJA( 11 //1 APPi/ IJI/R/Nr, 1111 110 1/MAI / Vf/111 /t, ',1',SICJ/ 1

THE CAT ACOMBE QUEENS GARDENS

EASTBOURNE - 1971

CRISPIAN ST. PETER fr /da y, Ilk Ap,11

SHADES St:1111rd11y, 9lh Ap,11

TOMMY QUICK LY

' •,i,~~~1·~r1;:::.,~\ ~!-~rt~ ,~~~,~ ~-~•:11~~~•U!~~~~1~1;:;~~;,s ~I~ ;~~

n111, 'THII $0 UTHIRN MAH IILllRS . 11\''<I 1\111 1•.:rii,,, 111 rnw11 , 1111111 1"1•111 11\-111,

Ol..US ROOM , ,\l\)llll :;;d t.' r t1wn. l'fl('l•'r SI, NI 1u,r 111 11 h1b roo m Mi'RCARIT DAN.RV and MICHAGl. COR MAN , rRao MJI.C• KAY.

OLD TICIIRS HIAD, MOVIIII lo thQ Nl!W T ICl!RS HIAD 011po•l111, on Prh!11y1 ,

ulu h, 1211(1 ll i)Xlon lit ri11, 1, Hllo rfl UtlQh , N I. Al!Olhtl r Hf(,11 1 tnJk

~'U13 s1T~~~~-•~~v ''~i1L1CK nt~~: rJ: •HA~::ri-~AS,,.WI CKIHHAH, r---------------------, WHISKY A GO GO -'•h1NA1 .,Ut'nl\1f1n J ,lhn

1•41,tJ.) t\n.• \\lh' \\ill ht" t:tlkin,: ,,n , 'lh•1;1l1\1t e \ h1U, '"""'NI .tl Ch1•l1<1t:\ l(•\\11 Hall nr,t rh11rtd1W (N'I

~~\n: th~ ,~~~"f""i;~'1Ao1>~!~~• l'\'m:, R,1 • \\'In J onr ~ nmf t°¥tl' ~~r•nl!"!\", :\ nd I h;1 T\mwt,

S1l\tt1J'l. i ,-,,1 \ \•Qf\\'d 11(\ • i;rnmm1", II ., lllth1 l.'d\llv (l~ ­

'"'TI~. hut llh'I'\' -.h~\1\d bt'I o1;1, l"c1l'\hh11t h'r (',·,•ty,1rt\' in 1l e l\lu1·1tt ;t~, l:!t\'S -4f\U ~1\~0IW t'h,• lnt<' t t'\ lMI U\ nn¼lt•rn ·\ ~ 1•r1,111 n k\lk m\l~IC-htHlhl

~:~\;,a k~W' ~!, 11~!~c ~\,~''};;': l\111 \h'l lll''lk', lhl" llrltz:in.tldr 111 hh1ti;,tl11ti-M \ Rl Ol\ tLAS

FAIRFl• l..O HAl.L, C:R 0 V0 0N fOl.t<S ON C MHTS TH ~ i)l,.UliS

ON MAY 6 UOOK NOW (CRO 92'1)

WITHERSPOON BOB DAVENPORT AND THE RAKES

DIZ OI SLEY BERT JANSCH

GEORGE MELLY BRU CE TURN ER

PRTIJR COX 1111(1 THG SUH· DOWN IRS ,U till' 1111\11 In UH• r.rou nd, U Wtiw1w11t11 r llnnt1 , SWtl(,. l'Oll lll;t•, N.W ~. tl,:111 11 ,111 ,

THO P' l&l..OIIAS 11111 11 0/\ w ith MA Y COULOIH C to h•iul th .. tl(III C In ~. rro m ~. t h//1 111 11 r1•11I v1i:­torl 1.1 11 mu1dr l1utl w11II WrJlth Urn 111 11rnu11

WEDNESDAY AT DARKING,

JOHHH V SIL VO, Nl)r tll Rl rt•l; I,

pm f,111 '1 ,

KIHC STON , \J1Uun lf oh•l, 11 JI m D[HI BK SARJ EANT, •r11.- SOUl'H• AT ' ' LIS COUSIN S'" , Al. STIIW• ERt-! AAMO LliRS. ART. I HTRAHCS :ti . ,d ,

SUN DA Y ADAM S ARM$ , t'Olll\'IIY S t rl'\' l ,

1)1'f M\IJ)h.' .'i t n•,•I rn..-nrl'll t IU,1)1• W,1,r,•11 s 1n•,•11. CENTRE COM E•

MA RC SULI .. IVAN, s111rt111K <"11tc, Wood Gr,w n,

ALL• YE" Wlllt CO LIN C AT ER, ST . /\LOANS , QU1'1•J1 lf ll •1h'l. TON Y ROSS, DICK SHELL, JOHN 7,:10 p .nL l,11 11 Killl'I! ltll (I th\" WHl <i HT . r1•,lth' t1 tli -------~

CON CERT, EALI NG . T OWH HAl.L, 5,,

BERT JANSCH LEVEE BREAKERS JOHN FOREMAN

HICKORY NUTS DON PARTRIDCE

ALAN YOUNG PAT KEENE

CEORCE BOARD

'r=m-t_ 4-~---.~ ____ T_H _I_S_ W _E_E_K ____ 7, ~c:.~:=+.ii~;:i;~: i~g::

4 MERCURY THEATRE, Nu lling 11111 G:au, , 8 p, ,n . 'fh e Mer cury

I •• j r (lri-ldcnt11 11 r tt !fl.id to phay host a t i) TREVOR LUCAS, CA!me ll rld Ila• • A T T I L E s I ten to hlit lil!,ni,: , (rum AurtrJJlla. t Q t MIKE AHO PECCY S EEGER, The

t :r• ... • a>e Jt OAD a T . ~ • f ~~11;~"f~l~~~dcc1:"~~lcfr.o r~~~rG~(d

~1:~~11t'1 .-W'1~ri111c~ld1u~~ :~·

I GERrord 2977 ----------- -, f n:'.'lt 1f:: :~:: l!' ·,J"· •. ~ .• I ·- - - - f •':alr0uh1 Uall, Croydon und u11ual

Th\,lrsday A LA N p R I C E s ET LATE JlfUB~u1rc1!/S~~1: g~1::11~<;t~~~:: I Mar<:h 31st f w.,. f ,~!!,·'°.••,.~ STEVE DARBISHIRE NIGHT f 11n~x~~!,11!,ll7<1~~

1: 1fo~i:; s":"t

- • AND THE YUM YUM BAND Cu111111: BRIXTOH BERT, PETER

l ~~~ ylst TH E- R- 0 U LETT ES SHOPPING : '.~~~;;;,;,.::'.;;~:~~::~~~; ', ~ .1, EVERY : 'ciuv""cARAWAN

STEVE DARBISHIRE FESTIVALS I AND THE YUM YUM BAND NIGHT •· f ORITIS H FEDERAT ION o f Bon -- - ·-- f foh.19, Mandollnl•t:, olnd Cullar•

f KENNY EVERETT SHOW S~~s·p!11n1~·1r11~n;~~l)u\li:11~ s':~i~:~

I Saturday t ~!~0 t p~:;n~~1fn~:~s~ 'G~1r11:i::!~~ April 2nd Plus IN I lncl udl n,11. Bea l, R hy thrn / Bl t11.'»,

I r.,o . ll .30 T H E " IN " C RO w D ::"•,,' ii::-..~•-;~",;· T~~:.,;;n;:; I ~c{ 6 j wlnnen 100-gufnca~ Grimshaw

Plus TI L Es t~~/~i~ tfi:n1n~ueJ-fnce~[11t~~~;

t T H E A N T EEK t ~u~;iin,:?:~i'~*t,flr;!-;?.~~ru~si::i I - - D- E-E D-EE WARWICK STREET , ~;~~-~:t~~•~;.{:;;,:d;:;:~· .i~~· f Monday f ~~~:;!i~~· n~~~l~ s.'ii":Ji.,n, cs8fl: I t!~:, : h plu1 TOP SUPPORTING GROUP c--' Daly I · - f P -r'-'_'-'_•_>_.-::_-::_-::_-::_-::_-::_-::_-::_-::_-::_-::_-::_-::_,-

1 '~':,'::;.t _ __ _ plu1 EVERETT OF ENGLAND _ RADIO f MELODY MAKER f Tuesday Radio Luxembourg'• ThoU.K.'1blggHtlivoradl01how, LUXEMBOURG j Vol. 41 16B2

I April 5th 'READY STEADY Introduced on ,toge by 208 f .. ~~)!J:,'.~~ ,?,;;~(;~ • I

1>0 - 11 :110 I I EVERETT OF ENGLAND l UN ( HTI ME I ,., ...... "'" ...... ,.,, ~=• ~• RADIO I' and DODIE WEST DISCPAR TY ,'.:':;::.,:~~~=~:::~:, t Wedne1day 'Th• Evening News' Star Disc Se11ion Noon .. 3 p.m. I 1-4 o./!,~•:o~:~s.~~h .. ,.,' I April 6th "YOUNG Introduced on stage 2;R6E:n~'c;;~• f c., .. ,.,,,, , , :110 . 11,,0 LONDON by young London Columnist , TO MEMBERS f ADVERTISEMENT OFFICES

I =~-!'6 _ -- _ SPINS"____ DAVID WIGG :=:::.·:~~~:! I T;~~~-6:.":l~•!';;::~.'s~:, '-------------------------------.-J .. Men•••• nTIIWILl:IHSON

preHn,$ on MONDAY, APRIL 4th

GEORG"'i'E FAME ANDTHe BLUE FLAMES

THURSDAY APRIL 1th Tf,• drn(J"-1(

DON COVAY 33 • 31 WARDOUR STREET, W.1 GER 1616

FAIRFIELD HALL PARK LANE, CROYDON.

Wednesday April 20th, al 7.45 p.m. Roy Guest and Joe Lustig present

MIKE & PEGGY SEEGER

ROYAL ALBERT HALL APRIL 23, SATURDAY, al 7.30 p.m.

John Coast presents a concert by

NINA AND FREDERIK 2 1/ · , JS/•, 12/6. 10/6, 7/6, 3/ 6 Hall (KEN 8212) &. Agt-nts

ELVIS GOING ON? FIND OUT IN

DISC WEEKLY

OUT NOW 6d

CLUBS IJ.1, J. M,,.l1Jhf 'll>, 1

THURSDAY NIGHT DISC SESSION

,,,,,hl ,uJt,lAll\t•H~1MflJM,l 1,ul\t '1AJII. ,,11,1 ,,1,,,-ni, 11.,..

OIi AllstlACT ._, I ,111n,!1,n ·ut mltlril1,1hl

,,1..,,1, ~, .. ,, 111

THE MIKE DANIELS BIG BAND

,!Vt nt& 0C fA JAUM[N ,,11 .... "'Y,,./ ... ,1., .. 1

THE BACK 0' TOWN SYNCOPATORS

f•t ,.,,,.,,,.,

ALAN EISDON 'S JAUIANO

~-'Vr, Apnl •lh

MONDAY NIGHT DISC SESSION

with O I li UVf V•OUl'S, l,\ 11 Sf 1m.0•01 ond C"1Ul"if STAIS

ALL LADY MEMBERS fREE fwl<l<1,,A,tr11't1h

THE ARTWOODS ""' t..,11 •uppo,tlno P"-VNfflffl• ·1\~~.~-~.~I~-~ "'**""1* "'• lanta1tit AIYl•rlcon Jau

fllanh l and $how,non

EARL HINES whl, AlfX WELSH

AND HIS IANO ,_..._ l-'6 o ... ,h 11,& ..... .............

FULL YLICENSED BAR EVERY EVENING

IIDUttn U.Tli JOI UUOINf MfMtm· 111• d•lolol• 111""" Ck,t, It-,.._ '-•"•'t-100 Clwt,. I G, .. , C.._,..I ~ .... ,. w I

!G(l0l)11 Ch,~ hi•,...,.• N11MMt MUS.11!0! O.JJ

KEN COLYER

(STUDIO '51) CLUB 10 11 GI . N!WP0RI mm

Ul(!SlER SQUAR! (TUB[) WIOteDA. Y, JiU.l~H la. 7 ,0

GOTHIC JAZZ BAND ,tJO.JIY, Al'lllll I , 7 JO

QIMAX JAZZ BAND SAMOAY, ,\PIil 2, 1 ,0

KEN C0LYER'S,.zzMEN WM>A'r' AITUt«>OH U. fOU & IU1U

RAY & EMMETT

I ft ICIIUC. fl ''II

FLAMINGO & ALLHIGHTER CLUBS n n WARDUUM '1Al!ff

l0ND0N , WI au IT'I Wlli.OM

llllltKAAU 154•

TO~:,;:~~A:gk • 11?~1( K~ ~~rtt''-I r ".'.~:~ 'i~•~s~:~~:.' .. "' DON COVAY

THE CASS I 1hh1r Al.l.,NICHT HHION

U OO·S 1,n1

DON COVAY THE CASS

'A' u:1~f .. !,J!":l.,:/~t~1,. P "' A. ALEXANDER

THE CASS hlwrda)' ALLNICHT SISSION

u oo• ,i .m

THE SHEVELLS THE CASS

sun1fo' (Jrd) AFTIRNOON

s {~!o:.:~: g::'· Su nday I YI NING SHSI ON

7.00•11 P•"' •

ZOOT MONEY'S DIG ROI.L DANO

TUISDAY ($th) 7 .JO•ll p,m

RECORD NITE Admu,1\on lll•

FORTHCOMING ATTRACTIONS

Frld;sy (Ith)

CEORCIE FAME 5wnday (10th)

RAMJAM BAND W~nud1ty (Uth)

MARTHA AND THE VANDELLA'S

$EVEN ELEVEN GO GO CLUB, 337 Kt•nnlnl{ll)Tl l,illlC. s E 11 . Ur.it \ '!1 11:11:hllll SU1ttc111, Tl'I. lkltollltl' );411it. Thun, Mtlhh J I JIH DADDY, Frld.i)' , Aprll t, THE OUTLETS $11. I . A11rll t, RAFF AND HIS COMOO. Sun Aprll

fi. J,~6 o'!~I,\~TSfur ~•n~ber ~1

1.'i ~~cd•r':~, . :iggt~ J~a 1:l·(l n:b01~li 4 11 m Sal 1and ~un 3-4

I ---

THURSDAY TODAY

i!JICI-.Y, 1 JO

KEN COL YER'S JAllMfN

JAZZ AT THE SHI" 228 Vin~ Wlnl·. S £ 1 TONY LEE TRIO, DAYE QUINCY, TERRY SNITH , * *. * * * •• * * * a1nirr JO SEARLE, t•xh•nt.ion till

MOHOAY, Al'l.ll 4, 1 JO i 12 m1dnlJ:!'.!.:,__ __ ,1NAt lONOON All'U.IIANCt Of

,.! 1 t~ !mt.. .~~$>.~~t.~~-!~~ .-':•";;;~•z•;.•;•~•:.-.. VOTE FOR WKio"MAARTYN RAGTIMEIANO MIKE COTTON

SOUND FEATURING U,S . SINGER

UTUIOAY. AP'ltll 2 ,.,.,,,,.,u-.u,- LUCAS ,ou l MUH AU,,f,IIGHT S6$tON i GER~!,}~S,~RAN THANES CITY JAZZMEN

"***AAAAAAA*AltllA \tl'lropn1U.-n Tin-1.'tn, P11rr1n,:doll c;.,..o -~ of .t .. .-, Road EC I ----------1 THE HDPBINE IN. Wemblf';I' Stn}

THAMES HOTEL I TOMM:!'_~HITTLE QRT. Hampton Court. Mlddlu ...

Fridoy,April h1

BOB WALLIS'S STORYVILLE JAZZBAND Sotutdoy, April 2nd

BILL NILE'S DELTAS S11n6oy, April 3rd

MIKE DANIELS' DELTA JAZZBAND

FRIDAY

BLUES VILLE BLUESVILLE

MR. DYNAMITE GENO

WASHINGTON AND TH I:

FRIDAY cont. CROY OON 'S C.IIORCIAN l'hlh,

~/,i':1w•t~!W~1~Afl(l~~1•ly wrunvl

MIC 'ULM SOUTH IRN JAZZ• DANO. •1Ultll'tll Jii1' r:ub. EK

ii',t,~t ''r!~;:;,~, t;~c~:1 1,:~111 1i',~i~ 111;!

11111 l,lun

GOLOa!IS CAHN RIIFBCTORY

TONY KNIGHT'S CHESSMEN

HICHGATI YILLACS "GATE• HOU$•", COLIN P&TERS QUIN• TIT LI NNIE • HT

OSTIALl!Y JAZZ CLUB. Stove l.u11,• 'i1111tlu rn Stumper•

STARTIN G GATE WOOD CRIIN , KENNY WH Ee'LER QUIN­TOT

THE HIDEAWAY 210 HAYEASTOCK HILL, N,W.J ,

DEU126 PK TUBE. TUAN RIGHT

DICK MORRISSEY , .. h,rlnp PHIL SEAMAN

TUESDAY, APAIL S

EARL HINES

SATURDAY WOOD GREEN . ALAN ELS·

DON'S JAZZMEN I

SUNDAY AT THE JAUMousa;

TUESDAY cont.

KLOOKS KLEEK GRAHAM BOND ORGANISATION

WOOD GREEN. JOHN NAY• ALL'S 8LUESBREAKERSI

WEDNESDAY

BLUES VILLE DISCOTHEQUE

THE MANOR HOUSE

CAAYESENO JAZZ CLUB , Clar• t•ndnn lt('J)'tll IIO!l' I

CHRIS BARBER Wllh Anicrh:nn SlnNN Kt'nnNh W11 11 hln,: ton

REFECTORY, GOLOlilltS G"HN

DISCOTHEQUE Admission 3/- only.

THAMES CITY JAZZMEN Mctropolilan Tavern , rarrln1don Ro;ad , EC 1

··::: .•:;i':i."L'i'."~~!~T~.~::-L COUNT SUCKU'S QUINTET ~~

BEXLEY, KENT. 111,uk rnolt' UE ~B ___) llnu•I Ou~.•~ I - -M:~~~L. MOON , HAYES . JOHN 1---•-•-~_•_o:_.~_"_:r_,,_w_.• _ _

1 1

COOKS, CHINCFORD

OILL n:ktN~u.c~t 'J~MEN

COOKS FER~.30·2 p ,m . Randall, Dave Shtppnrd , etc.

DITCH HARDCASTLE. 0 M.T llugby Club, Ournuu~. Crox11:y, Nur Watford H p m

LaJo~~2

s ~Tl TH.:,,~~f ff-~ i:~f: and t'venlnR, TONY LEE TRIO , plU1 J[Ul'SIJli ----

LES CONDON NAT PECK

SN1 Groove ~~b d~play ad

WHITE HART, Southall, Cohn KlnJ.Wl" U', Janbandll'- Tl!d Wo<>d ----

WOOD GREEN . OAYE SHEl'­HER0'5 OOCIELANDERS J

MONDAY BEXLEY, KENT. Blat'k Prince

llottl. Kc-n Colyer

BRIAN GREEN AND HIS BAND , H,1lfil!ld J .C.

JAZZ A~T ~T~H~E ~S~H~IP-, 128 Loo. Lam•. S E 1 TONY LEE TRIO, TOMMY WHITTLE.

MIKE WESTBROOK BAND, Ll!Ut• Tht'alrc! Club, Go1rrlc:k Yard, SI M11run ·• Lane, W C.2. I0 .30 to I l 1 m

NICHTINGALE CLUB, 349 High

:.~~~o.wr:~,e~r~~~ ::~:.': t!,Pf~1tk~

COUNTRY Ind WESTERN, LICHT CALYPSO'..-BLUES.

" PLOUGH". Sloekwcll, s W.i RESIDENT RHYTHM SECTI ON : JIMMY SKIDM ORE, JIMMY COL­LINS, TO.. LINE C.UESTS. ADMISSI ON F~

- -

TUESDAY AT THI! "LOUGH, ILFORO .

BRIAN EYERINC::TON QUINTET "LUS ALLAN HUMM TRIO.

Thuruloy, Motdt 3ht, 6 pr,, .• 5 or,,

THE SOUL PUSHERS ond

COUNT SUCKLE Friday, Ap(i l hf, 6 p.r,i .•5 o.m.

THE TARGETS Sclurdoy, Apnl 2ttd, 6 p.m,-.S om.

THE JET - SET COUNT SUCKLE

Sund<rf, Apnl 3rd, 6 p m.-5 0 .111

THE TARGETS PLUS CABARET

with

CAPTAIN FISH ANO HII DANCERS SONNY (HILDE AND THE CHARMS

COUNT SUCKLE Mondoy to Wedo.Woy

THE SOUL PUSHERS ond

COUNT SUCKLE

COMING ATTRACTIONS

DON COVAY BIG

EASTER SHOW ond "'ony, mony mOfe greol Amerkon Mith

For Membership please apply fa lhe above address

NIGHTLY 1.30 p '"· • 3 o'" 10o~s..,i,<1or,1

WINE AND OINf UNTll J ··"' I end h"t 1he world'• fl~•

l•nortutt

NOW APPEARING ttll SAT., APRIL 9th

SONNY ROLLINS

AND

ERNESTINE 1 ANDERSON I nus I o;.f;sU'j~t• be,,

iORNETTE . ~OLEMAN I T~JO I JOY MARSHALL

Jou

Ml-.! ODY MAtffR .\pnl • I ('~ J\l&f' 11

90 Wardour Stree London W.1

manguee n,,....,_ MeOdl -.w. rt »11 o, * MARI( LEEMAN FIVE * IOfflffTI\Hal ,,...,,~h•11»1101 * GARY FARR ond the T-IONES * MMOVf '-·"'"'""""''"" * TME SATURDAY SHOW fo,,otN,._.._.. ..... .

b'!'.....,o,, ........... r ' ,.

,_ ..,. ,._. 11 »11 o, * DICK MORRISSEY QUAWffi « JOHNNY SCOTT QUINTET

r ... "'fDAWtJN&I..,....,

......, '"'°"" CLOSED --••,,,o.no, * JIMMYJAMES&THEVAGAIONOS ,~ ... toy.A,-,.ASlh17JO-IIOI * THE ACTION ,._,,.._.,.u11o * ARTMUR ALEXANDER

..Ith .... JIMMY tlOwt,I J0UND

w..,_....., .-..,i.w,17»110, 1t RAM HOLDER BROS NIWHAIVUfl'IS wnTOMOA .....

rtw..dor,,.,pril 111r111 :,0.11 01 -It MARK LEEMAN FIVE OAVlMffitOH'N M00C

maRqur.r. aRH8f8 Agency ond Mon•tomont J II 19 Ca rhalo Suo• t . W1 GIN HOI

THUR. FRI . SAT. 31st MAR. hi APRIL 2nd APRIL

DON SCREAMING "ALL STAR A'1flHOON SESSION

"S•••Sow' JAY ----11.•11e11wiM,1t

one SIUION

COVAY HAWKINS ARTHUR J , 6 '"'

pl~ plu, IYt ... lNO

ALlXANDER DISC HSSION

THE Supporting 730.1' '"'

PETER Bs Group .... ''"'' ... ond THE SHEVEUS

The RAMJAM The RAMJAM ... THE GASS THE PETER B'1

,wst At a/wo)'j - tN bul 11m~1 ~~t~0.~~~ 3s0c'o~T~~:S : 11 ~....:;:::.;...:,::::..4-..::.;:.:,...:,:~-4--,,,,=,--l~~-:::-::-:-t lh• flnell Jou Cl11b 1n the wort~( l--===::.!.-L..=.=::.!.-..L.__::=::;:::,:,..,..J,;=,;:;;;,;,;,.,;;~

NON-MEMBERS' PRICE INCLUDES 1 YEAR'S MEMBERSHIP

"HOT 100'' "H OT 100" ....... -· ....... ---· --· __ .....,,

Tlwnday {3111).130- 1200

THE FRUGAL SOUND .,....,,,l,jNll 1.,-,JQ 11.00

RAM HOLDER BROS. 5ofl,,do,, ,.-.pn1 2ndl, 7 lO 11 oo

MOX & JOHN leM0NT Svt,doy(Ap,113,dt 2.30,o>O. 730-1100

C-JAM BLUES Mando'f{.Apnl,UM 730 1200

JOHNNY CHRISTIAN T.,h0071Apn1511,J.730-lld

HAMILTON KING'S BLUES MESSENGERS

W ..... tdoy!Apnl 6thl7 30- 1100

BUDDY BOUNDS BLUES BAND HAMJtSTEAD TOWN HALl n.,,~,A,..i2'"" NEWI

DANCE - 0 - TEQUE 1 - 1130 OJ.- l'tUUrPlU.

THE ED FAULTLESS TRIO r•~•;;;~ "!,~~~~~0~.A/I

,. THE PHOENIX Cove"d11h Squar• WI MAY 1700 Wednftdoy, April 6, I 1 S-11 " m DICK MORRISSEY QUARTtT

f .. k,rtng P'tnl Soomon TED IEAMENT TIIO

Adm <l. 16 l'<t.,1.-d to, ond Oo"'"'ll

PA M COURT HOTEL IICHMONO

THE ED FAULTLESS TRIO ALAN IEHY, DICK HfNNA.N

Dr•1•11/I MODERN JAZZ Ev•ry Friday, Sotvrday and Surw:loy

friday, April lt1

BOBBY BREEN Sotwtdoy, April 2._.

ART ELLEFSON

Opet1lrt1 T11e16oy, 5fh AprU. 7.,0.1 1 P"' lfCOID NfT1 1'1111 G11"t Slon cmd Ce$ebrihfl

fORTHCOMING ATTIACTlONS Thun., 7rh MAITHA & THE YANDIUAS fr,. l!llh GEHO WASlilNGTON & THE UM.JAM IAHD Sot., 91h GAU FAU & M T-ao...S Thun , 14th TME YIIUTIONS fr, l.sltl G(OIGll fAMI:

~~:::;.GROOVE

~ LES CONDON CLUB :'.'N"'i".';.'~-Z:: ~ .. NAT PECK

A y

IT,wnpel) tfrcwri .,_Q,, tt. g,9a1 wtt+i am flE£MAN QUAim y,_,..._ Stew)

Oot1dt1' - U,t• t1lt1' - •-•lt1' Cont• Ellrly lodl" frN AdmhMOn 11p la I '°"'

FABULOUS

CLUB WEST INDIES 31 HIWIDE. HAILESDEN, NW 10

lilGAl 62st

SATURDAY, Al'RiL 2nd (M.s. Soul)

JOYCE BOND

Good E"lerla,nmenl FRIDAY AND SATURDAY NIGHT

OaMll'lg Conl•lh, •tc. Pri••' and opport11111tiH

lECORDS AND SOUNDS, plu,

Co"'iltl Eo,1•, WMkt Th11n {71hl, COUNT SPUTNIK Good fndoy : The f-ornou1 LINKS Sot (9th), Mr. Soul -

DANNY ERROL Sul'I 11 Olh), COlJNT SMJTNIK & Tl-IE

GRENADES

EASTER MONDAY flESTA b.11111.dud• t STEVE

lClub OfM"I at 1 p m I MUltATTUcno..1

UN L ICING HAMllTON ICING IUMTMOM.AS

SCIUJ,IJNG J_ HAWllll'H PAffl U.18.U l Hb lllW

, ............... ,_,,,...1 .. 111111 {0->1 Ko,,o .. ,:oad la ('9_, ..... I

HEART AND SOULS Fri, Apnl ht

THE NEW ALL-STAR CLUB

9a Artillery Pana••• E.1 off Middle~"' ~treet

Nr. live-rpool Stree-1 Station BIS 3697 o, 141S

fridoy , Saturday and Sunday from H p.m. !di .& om

fttdo-,, April It! SCREAMING

JAY HAWKINS Satvrdoy. April 2ntl

HEART 'N' SOULS Sunllo)', April 3rd

LOCAL GROUP FOUHCOMING ATTIAC1t0NS

Friday. A,-il lltl

THE VIIRA TIONS

THE SHANGRI LA'S Friday. Apnl I SH\

RICK 'N' BECK!IS

lcxol ,:_·.,o~p1 "'" ~,~do, I'.,;~-.

lod;.,, 1,ol! P"(• i,,~o, I'<~~"

ltoom, lo- l1h-.,,u,1, d""".:t ,.. • .x-,

RAMJAM BAND ERIC s!L~T"'i,;" c;;;,gc. Mor

den UCENSED BAR .......,, ...., ,,. TARGET

Sot.,AprilW

LON. WELSH R.F.C.

SIX BELLS KING'S ROAD, CHELSEA

s.tvr-day, Ap,O 2, IP•"'

SANDY BROWN

BAND

LINKS JNM, .•• A,,it

JIMMY

Moi•••ll•...i ....... MWOOO

7 lO 11 P"'

JAMES THE ACTION

UOIO LONDON O , ft1Nr, llltl A,-fl

AUN PRICE ~AMO$

GEORGIE FAME AND 04t IUJf JU.Ml.• ,~,,, \o\A•

1 ... , ..........

( Oppo:i~E ::..~~R H~~~~E TUBE) s1~~~0~~~~~111"0,.~~~N ku:c~s IC '---------.J -l'===Ac::R:.:.T,.:T:.:.H.::E::M=A:.:.N:_ _ _j

' - -NO PIGEON HOLES

JUST JAZZ b_., T ..... y el I ,_ ... , al 1M

KING'\ AO,s

l""""'Y'•I 514 COM,-UIOAL IOAD, Ll

S TE,,-y JO 13

BIOM~~!1.~~i~.•K~n~OTEL I[~:;:;;::;:;;:;;;'":;;-;;';;";;'•;;";;·;;";;•'°==;;, ...... , ..... '"' St. PETER'S HALL GRAHAM BOND 1.EADIIURY ROAD -· .,..1.., SOUTH CROYDON

THE KEYS Adm. 2/ 6 !Close,ZJ"'s,;;.':=°Ho~s-Tv......,., AprU Sth

BACK O'TOWN SYNCOPATORS

W.._..,.,Apri16th

CHRIS FARLOWE 11ounda)', Aprll 7ffi

THE EARL HENDUSON SOUL IAND Adm. 3/ •

- SAT. lad APR. ,,. . ., ,o GHAf RAYi: WITH M

LOOSE ENDS Pk.11th.

BOARD WALKERS Fullyl1een~luff,1 ADM SI-

CLUB CONTINENT Al

t ;;;'"~";;, FrWoy,Ap,ltht

THE TRIBE s.tvNlct)',AprilW

THE MOODY

BLUES MeMCr/, April 4ltl

THE RIOT SQUAD

BULL'S HEAD BARNES BR:lDGE PRO S111

,.., AWT EWfSON

""""" T\JNY HAYES

The Red Lion I 71 ""~5TMIN5TU !l~IDr,l MD ~ f

ADMISSION FREE and TO-Y WHITTI.E s..d:Jr1~ lt----------1

ART ELLEFSON ............. DICK MORRISSEY

~-"""''"" DA VE GOLDIIERG LENNIE IEST KENNY POWEU ART EUEfSON

,_ RONNIE STEVENSON

DICK MORRISSEY QUARTET feotv,ln9 ~A S.offMlt1 ol'I dnirM ~--DICK MORRISSEY QUINm feol11rit1g Mill l•amon Ol'I dninM

BOBBY BREEN JOSIE STAHL

IRIAN WALES QUINTET Pb,, JIMMY TUINER TRIO

THUR., FRI . SAT •• SUN.

JAZZ

THE HIDEAWAY 210 Ha"entock Hill, N.W J

(l,elMNl'wl.lo,beMO\f\lM

EARL HINES

SANDY IIOWN IIUCE TUINH JOHN PICARD

UIINIE HASTINGS ION MATNIWSON

TUES., APRIL 5, I p.111. Ttekots IO I Advanc. 8 6 from Dobells, 11 Choring

Cro11 Rood, W C 2

P:tJ.tc 11- MFl OD\ M,\l<FR , April 2. 111fif,

IILI..

. Lewington ltWIT lt O

SUMO Mk \I I. a, ,. • .., t90 SEIMEI SUN: I ACTION, ~ fttl CU SEIMfl IAlANCfD ACTION, wp.rl,, U O SflM(I CIGAI CUTTtl, fin• ho,n U S IC ING, ,,..,,,aw1c,,. U S OIAI MA N, 119,ft-cl ( 43

TlNOI SA.XOl'HONU

VOCALISTS I/ • per word

AMBITIOU S i:;1r l, 1:-. ~cekc<; Lnn, dun .:roup fo r work III Aui;us1.­ll,1x 511 7.

FEMALE S OUL SINCER w1shc<: lo Joi n pro " Sou l'' ban d or work• Ing .,cnu pro b:inct In S £ London - ~t ar1,1, GIP 4l47 ( ll ll,;ht ) LIV (1116 1, ~:x 1 40 td:iyJ

FEMALE \'(l~•,11\st, l'Xpen enc;e wek <: i:;rou p - Bux 5129

RAV IN G PICKETT. Bro wn type 'i1ni:c r trco.:ordlni;) n•qulrcs hack• lni,: ~roup 1< 1\ h b ra.'is - MUS 0436

VERSATILE \ 1Jt:I.IIS I .'>CCk.S-:.: ruup - SW I 661,:i

VOCALIST SEEK S ncw or u p ,Ind coming Londun-b .. sed group u1lh or~an or uri:an•.';3:it' line up P r,, or ~cm! p ro. - Box S131

VOCALISTS WANTED

WANTED

GLAMOROUS BAND VOCALIST

fat top 11,.. loMlon Or<ht11T11 M.,11 li. obl•ro 11n9oll)yp11 of nu"'b.,1,

,nc.lvdi"9f1onch, 1lc f o, aud,ioon, 11nd photo. whh 5 lo E , to,-

SITUATIONS VACANT l / · per word

RESTIN G ACTRESSES. A t>hance 111 mn ke l!Omc real cash In one or L ondon 's mos1 exeit.rn s t e1' tJ Ufl'l ll tS - Cont3.t•l Ml hS Ash• wur lh . WES 1383 ror details and ,1 pp1.un tm c nl.

RECORDS FOR SALE JI - per word

EX-JUKE BOX Reco rd s. All to p g roups and aflh tcs, from top th1rly c h a rts c,n\y , Non e cu ller than May 6:i. With s \ce veg bul n o c~• nl res Minim um lots or 500, 2 . cad1 , c pr r lagc pai d. No lls t.s. -Su lway Phono" raph lc Co . Ltd 6 OunmAII Dr ive . Ca r ll s le.

A&B RECORDS . Bet. I selection tn th t' t'OUll lry . SUE , ATLANTIC , YOCALION, comple te eata-h1~u{'s- alwa ys In s tuck Lis ts rr11 m If s T 211 lll g h St rec1, Glallignw. C I.

RECORD BAZAAR, 50,000 rrom 1i. - Writ(' for lis ts . 11 -42·8 Argyl(' St Cilasgow

RECORDS WANTED I / 4d. per word

JAZZ, f" nlk. BlucJJ, l'll'. re• c nr a .. W,lf\ \Cd 'Z ll ,000 111 ~tuck -"""~"m, ?Oli Fll r(!• t Ro;1d , E 17

REcOaos BOUGHT. Ca11h by r~•1u rn - S1\vl! r<l alc, 1142 ,6 Argyle Strc\' \ , Glal'KQW

TRANSPORT I / -4d. per wo rd

FANTASTIC FORD CALAXY ESTATE r or hl r l' , wllh or without driver lt ul <I ,111 Gro up , i;: u yi. and i:: ,·:1r. Sam l' , hn r 1,:c.s :.111 for vn n l'hon c ff1r :, <t,uuh,: F.d gwnrc 611!,IJ

n•J THAMES 12{ 1,.wl Nl.'W l )l f l.'j I , ·nR lnl' llnmJcu l:i ti.• f2Ju , - RU D 11rn1

································ ······· ·· · ······················ ···: Classified Advertisement Department

" MELODY MAKER" , 161 -166 Fleet Street, London, E.C.4 Enqu i11e, FlEet Stret!I 5011, f,;1 33A

PERSONAL J 14d per word

EUROPEAN FRIEHOSHIP SOCI• ET'I' BURNLEY p, nfn,·11d · .,m ,p II , .. un1r1c~ !-i,nd , J,

,,1r rn, <ht.Iii., FRENCH pt nrru-111.1.-.. .;&I\ ~I'"

ALL UADERS' ANNOUNCtMtNTS I •ti . PU WO RD Ralu la, prl 'fole odvertJurn•nt. a u ll•l•d N low •cu::h h•adlng

All word , (allu 11, 111 two) lo nACK CAP ITALS, ,ct. pe r word u1ra lox Nu mNu: Pleau allow Two [ Jrh o Wo1d1, Plu, 1 • 5.,-Ylc:• F••

rRESS OATES Evuy !!!Ror i well bl!! mode to 1ndude clon1f11!!d advl!!rl1st!menh received ofte, 10 o .m . on the Frida y prev tous to wl!!ek of publ1c:011on.

lrum I• .'I. 'lfld ..... l' h•! ri, .. dt"lJLh \f1;:lo >'hJW/1 l 11rrr,,

I p(in<1l ntl' { ll1b P;sltnn 11011 flurnh-,

MA NCHESTER GIRL. U tGdll ~u .. , lo.• , om1uny 1•1lhl"r .. ,.,. l••r mudt·rn J.111 tlllb" Jfld ,.in,lfl Bu'( -11Jl

P ENFR IEND S W-,,Hlhrl b} m•n\. ,t ,ti!l"" !.; ~ I Pf'n So<ltl)' 1Tlfll.

n,. l'ubl,,he" re to,11 lfl• ,,;ht to ••fu•• or w,1hd10• odv,rt 1•"' ' " " ol ,,i., ,, duc11,,on Allhovg/1 ,or, ! o cor, 'I l'ohn ,0 O>'Ood fflll!O~ ••• rh•y Ofl not re1pon11b'- for d , ncol Of p,1nlt, I t <rOII : · .......... ....................... ......................................................... ..

BANDS • per word

THE "IN" CROWD go for the

INNER SET Tamla / Soul

Vacancies April to May Telephone, ILFord 4797

ABOUT 100 Dance Bands a nd g roups tmmedl1ttely av:1 1lablc l(f travel anywhere, rcason-ble prices - CIJ.yman Ag~ncy BI S 553 1 Oil a m ,6 pm )

ALEXANOERS JAZZ MEN . -ION 7910

A MODER N, happy and vcr~-· llll' band, pcrh.'CI ror prlVKI(" runcuons 1nclu<1111g coll,:~!.' balls, tHnnN d!ln('e;!, club da nCl"'I, partll'S, etc-. - Oet.111"' f rom L<'otherhc;,d I LE7l 4976

ANYT IME, OEAT CR OUP S. -Rodney 99R7

ANY WHERE. D;alJ(.'I.' B:inds ror Ral\roum s etc - RudnC)' 99117

AN YTI ME. TRIO S e l e l tJr wedding'( - Rodn ey 90~7

A SUM MER seaso n Trios, banels or sroups immediately avallabl c, travel any 11, here' - Clayman ARcncy, BIS 5531 110 .i m . 8 pm. )

A WELL KNOWN t rio, young, rend/bu sk, lrn\•e l, t ransporl, avallabl{' for good o ff"ers HOU 9751

BAN D AYAILABLE.-SYD 7-4 75

1/ 4d. per word ANIMALS. - S,.'1 ,<! • 1'ht< Head

Keeper, 311 Gc rr:trd St . , London,

ADVERTISERS PLEASE NOTE I WI . KENNY BALL App re t•11111on SC'-

rh,,rll'Y L .,n, PEN FRIE NOS WITH PH OTO ~

GRAP HS I :..,·nd :-.A E r,ir rr. I

I ~~:~~!inlt" c'i::it. l~ J~~'.:~•-Cft,~;d. l Li,nd11n, E G

PEN PALS FRO M 1 00 COUN • TRIES "·ould llkt" to corn•,;:poncl offlh you. - dt•lall'- ,and ]'.!I,

r.r:~0:,1;:~:,. ~rll~O~~NC?,~drrtt C.t~ ~ ~ 'l~CE OR PE NFRIENO S

~:~;b~~/ J~•doc[,~;~~ .. ,1n:~rl~ I rrio•nd\tup Enh.•rprL\I''· MEN Amhurs t Plirlr:. N 16

S IX lfJf1Sl?!>lOr radios Slip In p0<kct Sunlig ht octux ,c,rnplt'h' wl lh IHlllf:f)", curyc-a.sc-, pt'rM>~al ea rphone .i nd ~Wl't'l tuning 7,., 6d r .mlJ~IIC" ba ri:.d n Al,o b{'J.utHul B1n:1tnn~ lWII WIIVl• 111 · f't Dl•lux ri½ g_n\ R S mith, 4 Broadla nd '>, H:i n\lurlh , ~liddl t''l'X

UN DER 21? Pt•npuls an)wti..•r(' - DelaJI,;: frf"'l• T{'l•na~C Club Fal("un Hnu:;c, Burnlt'y

U NUSUAL PE NFRIE NOS . E:it· clu:;IH' Ill OUI Club. l(Wil'\l pos <;;Ible- ffll'fflbt.•r:;hlp fel' No l'Xtra cnarJ,l.l''- The exact fril·nc1' you an• <t>('kmt,: an· C\ur mt<mbl'r" -Wrll!! . ., .1 l' \n1B8S. 13 SJC.l· morr r.rnn;' Rui.:bJ \\ an-.ick• shirt•

3 000 BUSKER S ._. Uh kl'Y :tnd

;~~t::n~h1~.h•6u..5 \tcs~ Rt>8g~:'n~ll?;o:

r.1:1,1.::ow, C:2

SPECIAL NOTICES l/4d. per word

ACKNOWLEDGED as th l!! best ! IYOR MAIRANTS' POSTAL COURSES ror PLECTRUM a nd

~~~~~:~STo~ L~u~~r'i~~• ~~~ic~ Particu la rs: IYOR MA IRANTS' MUSICENTRE LTD •• 56 Rathbone Place . London . w.1.

TUITION

;-vIT)UNISTS GUITAllSTS, ....i ell MUSICIANS

""lacl you,hotw:i,, 1Mya,.the 'ITJALUN I( bth•·nn bro,n o<>d inattvfflt nl Ll9htNn g llngen, 1!1,lbl, .. , ,, 11,act""• plo)'ln9, a lint V,b,o!o, o<quli.d br <> f, .. .,.. ,. .,,.,. do,ly P•<Khc. , owoy fr o n, lht 111 11 ,u ... o nt D, 11erlp1 .. , lk>olJt!, " l"ir,g<1 r Magic"'. ' '"•

M,M, COWLING INSTITUTE 60 N•w Odenl Str-tet, L ... 4ffl, w .c.1

LEN STILES MIJ\IC&l INStlUMfNh HO

GIJITAU c1no, i,141mno ,"4-1,,.4 *•'•

- r "'' U•i ·11vi, 11n1 '" ..... ..,, un '11\Qtl{\~ ,,..... rto ,11W1s, UWM tll

•1• mmmn 11•u11• 11ocr •t•lt fl'51111J\III 111 l! lfafl l1U1GU\llt /fJ •"• n o U0 IIOUl'tl ll\\ , ...,,,.,, tlol tm(llf- l,IU[).,.i .,.,.....,_,llltlt ~ ""'""' flll

ftfOO r(11t,\l' U 1 ,-; "..U i a - "9 CfiM t t lit n~IYftUt1 •-tlf;•r Ul Ul:TS(" 0 5' Wllll 111 ... . UG 6L'ILI \U1l1 t! I .,,., ,n, ., ...... flh UH 'III\ISlUlllf lf • 'fllm. <'""''...,_ N '1tttoftU111(.,... (II

Jt!I.IIS 1.U Sllll ~Ill '°'"' ~ - U4I IIOlll(I l'IIITIII"- •" .. ~, UI II~ $U,I Wl 4o llfu tU Wl!f1~ Ul'UI :Q • • ,..,._ IU

llMI SI.LICTICIII Of lllll lO VUM WIUJ IILOdOII

IISOR- UllD 1(.1.f lltt IIA,.o., ~-,ma• th• . IIOlll,.IIGl lfU,IIC,llC

m,

"' "'

Hf WIU IIJY FOi CASH 0 1 ,Alf IXCHANGI YOUI UNWANTI0

1N5TIVMENT

AMl'llFIUS lt1DU ltillOll1• U0 !tll'l'Ol(l/OGl,l,(Mtw11 l4I lln,rtt'UltOCQl UI l"lllllfSPIO~Ull tlt wm:r-sto'10t m W! l. fifl.lOl lft . -,ttillii,.,M<1111 \fltN'"1

'l"Lll. MUI.•_.• ,...._ 10rUJGTWlll,blt!t. 1Df lt10 TW11 lflJTOKIIOOIACJGIWlll.,nN• IIIIYOICt lASSIUSIH un~!OIO

fl lST-ClASS u,AIIS OM AU INSTIUMENTS

OIGANS

., "' "' as

"' "' "'

(OMl'!. (Tt U IIU Gf nmtOIJ( OIGUS r~ SlO( I SIK...,,_ ~Gl co~nNtlllli, "' N • t ll 0 ~Olt llll SlllnKINJ!)Cllll,\I P'l(oUOf. OUlttlCftH

OIUM.S l hu4111•IOGftsfld tli" • •• .... • U 111 H -,~ IMlo41 .. IWIT,G- H tKpt"4,l lt" ""' 11l'° h MkC1--" lisl,-ic tDH OUl ttKJmO nno, .,,,,...t, • ... ..ii,, 11111,Hl,. t 14'' -, IW~ US CA.1:11011. ,..t ,._. ••11 k. , k\1 .. ,., 16" •

::.; ~ :;•~~::. ~::::.1~:t? I~

ff4 I II~ f?.,W., 1utl, 111 1-1rif• US OLIIIPIC. • lr1n1 ,...t, t llln,., .. 1tt,tllllt .. u 4 ~ .. i. •tt..1, .. ,t11,.,"aoli!j '"' 'u# ... , 1r1,..._ us CU \1011,lllot1""1•, • · •• Ntil,rt a ,t,lt • ii~ J l111kk, 111-lt.t, lt1ff1 t..t IKIOIYllff, -,dtai...atio. us OU M (. 1N fkltt, I ... ,. "™, ..... ,-4'1 itt..,wi ,~ ue

Eo, , ft,,,,, oncl , o ,t h dlllf'IOt t\< oUoblo

233 / 5 Lewisham High St . S.E.13 OUN 2958

lo IElMONT STIIEET, N.W.I 4 9n1. p•r hour

'TWELVE-HOUR DEMO-DISC SHvtCE

GUL 3280 - 9525 WE NEVE# CLOSE

• <loly. - s., ., . lo Mb, POI s,ur.• PUBLICATIONS (DISPLAY and CLASSIFIED) ••~to':A~.,n~:• ;,~g~'-1':J.·,. 10 11_ pe, wo,d * t[t;~~ii *

P llrtt :ind hob,•I. -45 KnuL's!o r,I

EASTER HOLIDAY, 1966 C' " " · " "" "'"" w ,m 1. ch,•,hm •, " J AZZ EAR" fobul"" ' met h"O OF D!UMI AN D £0UIPMENT THE LEACU E ur l:enl1c mcn uftl• or J:i:u. pla y1n i:: Iii. 6d p .p .- THE DOC ' S EA SY TERMS

ci 11l ru n c lub " J a nl.'l " , 16 Juhnsun IDcpl El, II Winchester 0IUMS&0I0G[A&I0IJGHl,0ICA»I

HOTELS LATEST TIMES FOR RECEIPT ~NJ.~ff,."d~~-"'Jo~:h~~l, W~~d Jp~~~~ Rog~,L~lfu}~wEs~~.~·1es ava ll :ible. :E:,.~.~•c;,,1~~N,,~':;tsc; ,:~: n " J 11u; F°'Or C('ntt-mpurnry Pl;"O()l e " HCH• NG t S Uif&A"ilNG

STON~~!~~ r::u~0~~TEL 120 0 F ADVERT I 5 EM ENT CO PY ln;1"""f.~,•11

grub (~s~.a~d_uc~:·~~ }fitJ: ,.!~~1~~

1}~ugis1:~rs·1ul 878 l.· ·w·.' wH' '.u,;.N7.T· !.:O::R.~U:M- ,( ... 0. mlnulcs west End ) Room aml ICarlls\e Strel•t , W.t . _________ _

' '"" " ' f,om " ' · ••· d,lly. !S ol A IL 9 h I b THURSDAY MARCH 31 ---------- LTD :~~ h~1:1~r~0~ri ~~~~!!1y i!~~~e: 1 PR t 1511 y ' st REHEARSAL ROOMS MUSIC 10 1~~-~:!'..~:~ ;,t;,':!~:'!~!..... T V • nd '""" AA ond RAC\ APRIL 16th issue by WEDNESDAY, APRIL 61~ l / 4d. per word ,.,, .. W'l•-· ·•w •• ,.,,r,,-~, lt stcd.- :17 Wcu combe Park Road , l / 4d. p e r word CIG Ll• RAJtY wiml cd , tna ln ly I c.t• Hn , ,n ~11~~\kh1i~V~· London, S.E 3 Green '-------------------• wtsL'o~f11ow n •he11 r1111 I n ·ntn• :c~::1 ~~

1~r~; 11~1t- ,- Dl.'l.ilh a nd price 1= ....................... 11

?ccte A11J it I """------•Esl. 1(i }'tars _______ ,

TERRY WALSH & BOBBY KEVIN Guitar and Drum Specialists

H0rNtl: ,t.MtAUAGOI '1NOP M,.u,u f(NOH IH~AOOAH 17,t t""ll IVINSJAU l~l"HONI IA$$ F(NO(t d, luu I IVHI AMI NASHVlllAM, IIHSON ECl10 UNfT

SI H PlYMl'K, ..tlfl•,.,. _.. Us PJllMlQ AOUAMAtlNf U40 rllMlfl IUJE 'tAtL USS OHTlCH krT, ,_, t,,S fAltRU. COM,ACT 199911t fAlmA MINI COM,ACT l6l1t11 IAUU OIOA.,._ 1hop lodH t16J HOHNU CfM.ALfT, tllop 1on.d ao

rumtffl mmm IIIIDSA ~8 rucuo,01; o"u,111

w.-1, fw ,m 2J. ,-_, M,11 0..,.., Cblel111~• IASY THMS tXCHANOU TUITION tXfUT AOVla

42 Upper Tooting Road, S.W.17. BAL 3997 Opt11,,,,r, do1 9 30 6 JO lltd 9 30 - I 00

MUSICAL SERVICES 1/ 4d. per word

AMATEUR SONGWRITER rc -a~~"lu~~IP trom prote5'1onal. -

&ARN MONEY song wr(Ung. P'ret1 book tells how. - L.S.S ., -4 W41ymcadow House, Bell Ro.o.d, Ha•lcmere, Surrey .

FULL PIANO SCORES FOR YOUR SONGS. - BOX 4127.

I WRITE great ,tqng$ ll l all

~'11~ro~~::. w!r1, tbl0~if!~~~:~0~

I... Harvey, 63: M:1r11on St., Oxford, MANUSCRIPT SERVICE. - MAI

7237. MAHUSCRIPTS PREPARE 0

~~~':ici~~f.'.! _!efi~~dl;f~, by CJ:pcrt MUSIC COMPOSEO.-PRI 6236,

COV 1666, Extu . 15. MUSIC TO LYRICS. Voice /

lllP~ - - 36 Sudlmry Avenue, Wembley WE:M 3•88

SONGWRITERS SERVICES , 8

:'!;~•Nl ''"'"'· Bo,kJn, . RIP INSTRUMENTS WANTED yo~: 11 ~

1:Uc~~;l':1" ,0 :0 ~oci~. ~ LI- per word

:r~~"dnotii.tt~~:: 03.fJ'hc:g~lu~f·. i,a~:!i~u1~:1!0 a~~11~·t'rs.u,~s J~8 , ... =-"=-•"-"aa· =-w=• --""'""'""'""'-'ii 76

~hR1NETs, FLUTEs, oaoes. TRUMFETS good TENORS wnnl('d - PAN. 33/37 hper1enced Publishert

TnisWeek5 Bargai11S"at KITCHENS

CLINKSCALE The Leading Border Organ Stockists for

•LOWREY •FARFISA •HOHNER • BALDWIN-BURNS

Portable ond Concert Models

THE SQUARE MELROSE

Tel. 223 or 286

oll over th• world plV<• th•b bl1 hit, wilh

Wrirdour .1 GER U78 or c:.:gg 1

/MPttFIEAS 1-----~------j

g~\!\1. 0J\11 G:u0t'\P;:ind ~~rl=~d!J GEHRMANS

P,omlHnl Publlth•n of POI' t'TIUllc In kondlnovl•

lot "'°'• ''"'" 50 1••n I

CARL GEHRMANS MIISIKFORLAG

VolO.eofOII 46 - r .O , $05" Slod1holm t - Sweff11

SfND SONGS to the U.5,A.111

IS78 or HlL 0226 c\1Ct1lnfl;S. MUSICAL INSTRUMENTS wnn•

~~:'an I~~ W!~f>ll•;-uifJ~~cal Ex· SY~HtONY 1010, clcirfnets.

l p:tlr wanted, urgent. - REN

&!:!~ANTED pnlr tympani or odd l.lrum• In 11ny condHfon - L, W llunt, 10/Jl Al"Chtll" Street, WI C.!JRr,:\rd ffill,

INSTRUMENT REPAIRS I / 4d. par word

A •DUTIFUL JOBI Overh1111l11, llulucqU(ltlnll'. , 6,7 dAy:s by np•

~~~"dj~~~t. ~xn~l~c:ro\.o'o;'t~; LESLIE EVANS, 175 Coln.i-y Jfntoh l.:mc . London, NII Ent<!rprflil' ~137

ALL CUITAA n•p11lr11. rdrl•I 1lnt.. nt•w nl'l'kl'I", 0n.l((lrboordis rt••

~fli~lllJ{fiuik-n~:lnJ~~nwW ~;11\f~,~~i ~1rr1

MAU RIC E P LACQUET

ftl)(ON. hive. S/H, <<>'"P '•'• 125g,., IOG(ltS, 01 "",. · <O"'P '"• 135gn, ,lfMIER. White or hlo•• · S/H 115 g,.. AJ AX NU-SOUNO. llv,gunclr l-40gn , t UOW!G, new o nd SIH, l,om 200gni COMNETE SIH l( ITS fro.., 3S 0"' UUISA CO MPACT OIGAN 199 gn, vex CONTINENT Al otGAN 199gn, HOHNU ~ANmE SIH 6S QM HNDEI U!MOLU)( AM' 'IS gno

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B.ECTRONIC ORGANS CLINKSCALE,

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STAN GETZ the bossa's still nova

W"!L:~•j:b ~=~i!ln~!o!b,:e ~~~ts~ such as F.arl Hlnes and Henry Allen, we must be honest and admit these bands are

ln I a r:1\"~:'!~1e:.i~e :0~':rn"~:fe ~!e~~=~ like Sonny Rollins should have: the pick of British rhythm sections. Hines and Allen are just as important and l would like to see them with people like Kenny Baker, Ronnie Scott, Ronnie Stephenson, Lennie Felix and Tony Crombie.-WELLINGTON HOLLIDAY, Lany-

* MAILBAG

WE DON'T WANT TO LOSE YOU, WALKERS!

(T doesn't seem fair. We are about to lose yet another top line group to international fame and then semi-retirement. As Lhe lovely Walker Brothers reach number once again, they are offered

shows in Paris, Holland, Scandinavia and America. It's the Beatles and Stones all over again.

Who can blame the artists for taking all these wonderful opportunities and r wish them luck and happiness. It's nice to see the world following Britain's lead once again, but isn't it sad we lose so much in the bargain!-MELANIE FITZ, Oldham, Lanes. • LP WINNER

IOHN: are the w~lice,s head• ing for semi-

reti,ement?

CARY: leave drumm ing to drummers and sticks to 8 beah in a bar.

IT'S UNSAFE, DIONNE! DIONNE WARWICK Is arguing sity as Stevle Wonder. - STEVE

LANE, ){arrow, Middlesex.

Environment J AM In complete aJtreement with

Krupa

GEN!ro?J:u~ ~e ~~~ as the finest all round drummer for dec.ades, and I was surprised to find Gary Leeds Implying Krupa doesn't know what he's doing (Pop Think in Mlu'ch 12).

I suggest Gary leaves drum• mini to drummers and slicks to eight heals in a bar. - W. A. SHARR~ St Helens. Lanes.

ERIC 0.APTON may be lb~

Britain. b~~ ~ f.'!!~~~ thlng.

"Be.side Hank Marvin he pales ioto insignificance. - J. FREESTONE. Loodon, S.W.I.

Live-ban TH£ Musicians' Union ls be-

comJng more and more dogma.tic about banning mim­ing on television, but let's race. It. eve.n tr a.n artist performs "Uve" In the 1V $ludlo, lbe

-------------- -----,,.,,,,...-,,,-, side, Glasgow. ,--------------·-------~

on very unsafe ground (Ml\1 March 19). Ir there are no white soul slngers, then tollowlng the reasoning through., there are no German opera singers. And to sug­gest that only Negroes and Jews have plumbed the depths of human misery shows a slightly Crow Jim view or human history.

Miss Dionne Warwick when she says the suffering undergone by the American Negroes has greatly Influenced their music.

:;: W'!:~1uwc! r,et~,~~ro:$. ftc.alJy transmitted.

I HAROLD DA VlSON and GEORGE WEIN present I I I 1 THE I

I THELONIOUS MONK :

I I I I I I

QUARTn 1

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I I

FOLLOW.UPS aJ:~:rie ~!0"~~s:~r1:e~a~:; tr so1 J suggest she listens to Delya Murphy or Edlth Piaf, who ex­pressed the sufferings of thei.r people with fuUy as much inten-

I thlnk Dizzy GIUesple, once asked Ir there was a difference be­tween coloured and white musi­cians, said the difference was not lu colour but environment.--JOHN DUNCAN, Harpenden, Hens.

Therefore we may u well hear the song when it was recorded at its best w1lh all the artificial aids ot t'he studio. - MARILYN LEISTER, Old· ham, Lanes. W"~o1::~u~

0~ec~=~o ~=,/~1:?~t: t~;:

In between Is getting ridiculous? The Beatie.!,

Searchers, Manfred Mann, Yardblrds and even Cliff Richard waited months to release a new re:c.ord nrter their lasl dropped out of lhe c.hart.

The Slooes and Hollies all have good timed follow-

f&se soot~~? n~

Hines and Allen merit our best rhythm sections

MARTIN DAABY, Bolton, GOOOEY, llford, Essex. Lanes.

NO JAZZ SOME JAZZ IT'S nice to see Whole Scene I. Goin, 11 to give Jazz some apace. t may not convert pop fans who are tone deaf or narrow-minded, but there

~:y:mn':u:i!02u~i"~!e:V~: the Holllet.-S. BERESFORD, w;1i.,o~,:~~hlre.

DILUTED

gi ve up singing b1u6 (Raver March 19)?

Great lhough James Brown is, lhis sort of exa,gerated comment does nothing but harm to pop music.

Some people on the scene seem to thi nk it's their duty to pour scorn and cold water

~~is~11

t~ttea~g~v/Y an~~\i~~ new and &xclting. Let's hear a bi t of encouragemen t tor a change! - TIM LARGE, Lon-

~nP Nw'ri.1.:t:R.

• LP WINNER.

·················••1 • HAROLD DAVISON and NO RMAN GRANZ pmenf

• THE :

: OSCAR PETERSON : • TRIO •

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Song1 for Mutlclant