Mainstage Playbill

Richard Hopkins, Producing Artistic Director

Sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture.

Connor Carew. Photo by Matthew Holler.

by Richard Beanbased on The Servant of Two Masters by Carlo Goldoni

with songs by Grant Olding

* Denotes member Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

ONE MAN, TWO GUVNORSby Richard Bean

based on The Servant of Two Masters by Carlo Goldoniwith songs by Grant Olding

Charlie “The Duck” Clench...............Wilbur Edwin Henry*Pauline, his daughter......................Christina King*Harry Dangle, Charlie’s solicitor...... Andy Prosky*Alan Dangle, his son.......................Tommy Crawford*Dolly, Charlie’s bookkeeper..............Vanessa Morosco*Lloyd Boateng, Charlie’s friend....... Lawrence Evans*Francis Henshall..............................Connor Carew*Rachel Crabbe................................ Amy Hutchins*

Percussion......Tony Bruno, Rhythm Guitar, Accordion......Tommy Crawford*,Bass......Sean Tillis, Rhythm Guitar......Teddy Yudain*, Lead Guitar......James Zap

Music DirectorDarren Server

Season UnderwritersGerri Aaron, Georgia Court,

Gulf Coast Community Foundation, Bob & Bonny Israeloff, Ernie Kretzmer in loving memory of Alisa Kretzmer,

Dennis & Graci McGillicuddy, Anne Nethercott, Dorothy Waldron

Scenic Designers Moriah & Isabel Curley-Clay

Costume Designer Tristan Raines

Lighting DesignerMicheal Foster

Sound DesignerRyan Kilcourse

Physical Comedy ConsultantRichard Crawford

Stage Manager: Roy Johns*Directed by: Joseph Discher

Time: April, 1963 - Place: Brighton, England. Charlie Clench’s house,the pub yard and dining room at the Cricketers Arms; the pier.

CAST(in order of appearance)

BAND

The videotaping or other video or audio recording of this production is strictly prohibited.

One Man, Two Guvnors was first performed at Lyttelton Theatre, National Theatre on 17th May 2011 in a National Theatre production. It then transferred to the Adelphi Theatre and then to Theatre Royal Haymarket in a National Theatre production.

On Man, Two Guvnors was first performed at Music Box Theatre, New York on 6th April 2012. The original Broadway Production was produced by Bob Boyett, National Theatre of Great Britain under the direction of Nicholas Hytner and Nick Starr, National Angels, Chris Harper, Tim Levy, Scott Rudin, Roger Berlind, Harriet Leve, Stephanie P. McClelland, Broadway Across America,

Daryl Roth, Jam Theatricals, Sonia Friedman, Harris Karma, Deborah Taylor, Richard Willis.

Special Note on Music: A CD containing sheet music composed by Grant Olding is required for produciton and is available through the Play Service for $35.00, plus shipping and handling. There is no additional fee for the use of this music. In addition, the composer encourages licensees to work from the original cast recording in order to capture the arrangements correctly as well as the feel of the

music. The cast recording is available from the National Theatre in London: www.nationaltheatre.org

One Man, Two Guvnors is presented by special arrangement with Dramatists Play Service, Inc., New York.

Stanley Stubbers......................... Montgomery Sutton*Gareth, a head waiter................. Zach ShotwellAlfie, a waiter..............................Teddy Yudain*Ensemble................................... Alison CampbellEnsemble................................... Trevor CatalanoEnsemble....................................T.J. PatrickEnsemble................................... Cat Patterson

Show Co-ProducersHerald Tribune Media Group, Janet Hevey,

Frank & Anne Folsom Smith, Gail & Skip Sack

WILBUR EDWIN HENRY (Charlie “The Duck” Clench) Broadway: Is He Dead?; Off-Broadway: Our Town, Bill W. and Dr. Bob & Orson’s Shad-ow; Cincinnati Playhouse, Safe House, Clybourne Park.; Center Stage, An Enemy of the People;

Engeman Theater, Christmas Carol, Other People’s Money; Alabama Shakespeare Festival, Falstaff, Mer-ry Wives of Windsor. Television: Judge, Boardwalk Empire; District Attorney John Landi, Hack. Law & Order, One Life to Live, Another World, Guiding Light and All My Children. American Academy of Dramatic Arts. Actors’ Equity Association.

CHRISTINA KING (Pauline Clench) FST debut! BFA in Drama at NYU Tisch. Previous work: Romeo and Juliet (Ala-bama Shakespeare Festival), Mary Poppins (ASF), Taming of the Shrew (ASF), Guys and Dolls (Cohoes Music Hall),

Sunset Boulevard (CMH), Much Ado about Nothing (RADA), War of the Roses (RFT), Richard III (RFT), Bye, Bye, Birdie (NYU). www.christinaking.net

ANDY PROSKY (Harry Dan-gle, Charlie’s Solicitor) FST: Over The River and Through The Woods, In The Book Of. In New York City his credits include King Lear starring Christopher Plummer at Lin-coln Center and The Tempest

at The Pearl Theatre Company. Regionally he has performed at Arena Stage, Fords Theatre, Walnut Street Theatre, The Old Globe Theatre, and The Folger Theatre. Film and Television credits include Taking Woodstock directed by Ang Lee, Men In Black, Mrs. Doubtfire, John Adams, Law And Order, ER.

TOMMY CRAWFORD (Alan Dangle; Band - Rhythm Guitar, Accordion) FST debut! Regional: NY Stage & Film, Cape Cod Theater Project, UCSD/La Jolla Playhouse, Philly Fringe, Elm Shakespeare. Favorite

NYC: SeaWife (Naked Angels), These Seven Sicknesses, A.R. Gurney’s Heresy (The Flea). As a composer and music di-rector, recent projects include SeaWife, The Grapes of Wrath, and Burial at Thebes (UCSD/La Jolla). He co-founded and

leads NYC’s indie folk band The Lobbyists, and is currently creating a piece about Cain and Abel. BA Yale University. tommycrawford.com

VANESSA MOROSCO (Dolly, Charlie’s Bookeeper) New York: Around the World in 80 Days, The Rover. Region-al: Dancing Lessons (FST), Importance of Being Earnest (Shakespeare Theatre DC), Lend Me a Tenor (Fulton

Theatre), Much Ado, Tempest (Colorado Shakespeare Festival), 39 Steps, Henry VIII (Alabama Shakes), Way of the World (Yale Rep), Love’s Labour’s Lost (Folger Theatre), School for Scandal (PICT), 7 seasons with the American Shakespeare Center. Film: Isn’t it Delicious. Member: League of Professional Theatre Women. M.A. Ethics (Yale). vanessamorosco.com

LAWRENCE EVANS (Lloyd Boateng, Charlie’s friend) New York theatre credits: Black Stars of the Great White Way (Carnegie Hall), In a Clean House, Willie, Flat Street Sa’Day Nite, Monsieur Bap-tiste, The Con Man. Regional:

Clybourne Park, A Soldier’s Play, Fences (Arkansas Repertory Theatre) Rip.Tied. (freeFall Theatre, St. Pe-tersburg, FL), Ruined (Florida Studio Theatre), Take Me Out (Caldwell Theatre Company, Boca Raton, FL), Charlotte Repertory Theatre, North Carolina Black Repertory Company, Negro Ensemble Company. National tours: And Still I Rise, (written and directed by Mayo Angelou), Camp Logan, The Sweet Spot. Television: All My Children, Another World, As the World Turns, One Life to Live, The Good

ARTIST PROFILES

Wife, Law & Order (all three). Film: State Property II, The Devil Wears Prada. B. A. in Theatre, Jackson State University.

CONNOR CAREW (Francis Henshall) is thrilled to be making his FST debut. Connor has appeared for six seasons at the Shakespeare Theatre of New Jersey (Love’s Labour’s Lost, Midsummer, Trelawny of the Wells, Devil’s Disciple), as

well as at Two River Theatre (Henry V, Much Ado), Hudson Valley Shakespeare Fest, (Troilus & Cressida, Julius Caesar), 59E59, and The Pearl Theatre Co., among others. He holds degrees from Temple University and the New School for Drama, and is a proud member of AEA.

AMY HUTCHINS (Rachel Crabbe) New York: Taming of the Shrew (New York Classical – Off B’way); The Tempest (Pearl Theatre – Off B’way); Better Homes and Homelands (Drama League); Regional: Wait Until Dark (Public The-

atre of Maine); Wait Until Dark and It’s A Wonderful Life (Arkansas Rep); Bedroom Farce (Florida Rep); Dividing the Estate (People’s Light); The Foreigner (Festival Stage of Winston-Salem); Twelfth Night (Shakespeare Theatre of NJ); Cymbeline, Othello, and London Assurance (American Players Theatre). Member: AEA and SAG-AFTRA.

MONTGOMERY SUTTON (Stanley Stubbers) London: Passion in Practice Ensemble. NYC: American Bard, Met-ropolitan Playhouse, White Horse Theater, EBE Ensemble, Rebellious Subjects. Region-al: world premieres of Booth

(Second Thought Theatre), On the Eve (Theatre Three), Gordon Dahlquist’s Tomorrow Come Today (Undermain Theatre); Trinity Shakespeare Festival, Casa Manana, Shakespeare Dallas, Circle Theatre.

DFW Critics Forum Award; NYIT Award Nominee; Best Performances of 2014 (TheaterJones, D Maga-zine). Film: Trouble with Women, Day 90, Brute. BFA, NYU; International Actor’s Fellowship (Shakespeare’s Globe). www.montgomerysutton.com

ZACH SHOTWELL (Gareth, a Head Waiter) is originally from Colorful Colorado. He received his BA in Theatre from the University of North-ern Colorado. Credits from his time in Colorado, New York and Florida include: Malcom,

Bedroom Farce; Juror 12, 12 Angry Jurors; Demetri-us, A Midsummer Night’s Dream; Don Pedro, Much Ado About Nothing; Tybalt, Romeo & Juliet; Lion, Androcles and the Lion; and as part of the ensemble for FST Improv and Under Six. He is proud to be making his FST Mainstage debut.

TEDDY YUDAIN (Aflie, Band - Rhythm Guitar) is making his FST debut! Past work includes several summers at the Hope Summer Repertory Theatre in Holland, MI; the Shakespeare LIVE! Tour with the Shakespeare Theatre of

NJ; and El Gato con Botas with Gotham Chamber Opera and Tectonic Theatre Project. He has studied clown with Kenny Raskin and Christopher Bayes, and he performs regularly with his sketch group Nerds on Fire around NYC. BFA from UConn and proud AEA/AGMA member.

ALISON CAMPBELL (Ensemble) is honored to be a part of One Man, Two Guvnors. She was born and raised in Mesa, Arizona, but received her Bachelor of Fine Arts in Acting for the Stage and Screen from Azusa Pacific University located in Los Angeles, California. Her recent credits include Leading Player in the musical Pippin and Beatrice in Shakespeare’s, Much Ado About Nothing. She is serving as an Acting Apprentice for FST this year.

ARTIST PROFILES

TREVOR CATALANO (Ensemble) recently received his BA in Theatre from The College of Charleston with a concentration in performance. He has also studied at the British American Drama Academy’s Midsummer in Oxford Program. Trevor toured this past summer with Prairie Fire Children’s Theatre’s Snow White and the Seven Dwarfs as the Huntsman. Notable undergrad performances include Bread and Circuses (Daniel, KCACTF IV Festival), A Midsummer Night’s Dream (Lysander, BADA), The Who’s Tommy (Tommy, C. of. C), and Andrew Lippa’s The Wild Par-ty (Sam Himmelstein, Village Repertory Company).

TJ PATRICK (Ensemble) was born and raised in the suburbs of Chicago, IL, where he began singing and performing for friends and family at an early age. In his freshman year of high school, he appeared in his first full-length play, the popular musical Les Miser-ables, and proceeded to perform throughout high school as well as college. TJ is now working as an Acting Apprentice at Florida Studio Theatre, and is touring with the Playmakers as part of FST’s WRITE A PLAY program.

CAT PATTERSON (Ensemble) was born in Lynch-burg VA. Cat is a graduate from Baldwin Wallace University where she majored in Theatre and Inter-national Affairs. Some of her past credits include Cat on a Hot Tin Roof, What is Love, Baldwin Wallace’s Performance Ensemble, The Stronger, and Henry IV Part I. Cat has been involved with numerous films, and just finished shooting the film On Duty. She is currently performing in FST’s production of Rum-plestiltskin as Tillie and Lady Fizzlebottom. She is thrilled to be a part of the team for One Man, Two Guvnors.

TONY BRUNO (Band - Percussion) began his pro-fessional drumming career at age 17 in FST’s 1988 production of No Way To Treat A Lady. Since then, Tony has drummed for 52 different musicals across the country. He has completed twelve national tours. Not limited to show drumming, Tony has shared the recording studio and/or stage with Ben E. King, The Tokens, Fabian, Jr Watson, BB King, Bobby Haggard, Johnny Varro, June Garbar, Bowzer, Steve Guyger, Terry Hank, Jesse Yawn, and Dick Hyman.

SEAN TILLIS (Band - Bass) graduated with a music degree from Florida State University, studying un-der Grammy-nominee, Professor Rodney Jordan. Sean has performed at Post Playhouse in Nebraska and has been the bassist for the Utah Shakespeare Festival for their past two seasons. He has been playing bass and singing for 18 years, performing all over Florida in an array of styles including jazz, funk, bluegrass, musical theater, salsa, rock, and classical music.

JAMES ZAP (Band - Lead Guitar) This is James’ first time with FST and he is very excited to be a part of this production. He recently graduated from the University of New Haven with a bachelors in Music and Sound Recording. Recent shows and roles include; RENT (Mark), Into the Woods (Baker), Little Shop of Horrors (Dentist), Triumph of Love (Agis), Baby with the Bathwater (John).

ARTIST PROFILES

JOSEPH DISCHER (Director) is thrilled to be at Florida Studio Theatre for the first time. He has been directing, casting and producing Shake-speare and classical productions for over twenty years. He is an associate artist at The Shakespeare Theatre of New Jersey, where he was Associate Artistic Director and Casting Director from 2000-2012. The New York Times has called Mr. Discher’s productions “beautiful,” “devastatingly effective,” and “joyously funny.” Directing credits include: The Diary of Anne Frank, Our Town, Henry IV: Part One, To Kill A Mockingbird, Arms and the Man, The Grapes of Wrath, The Tempest, Amadeus, The Play’s the Thing, Cymbeline, Life of Galileo, Of Mice and Men, A Midwinter Night’s Dream, The Fantasticks, Twelfth Night, That Scoundrel Scapin, Travels With My Aunt, Much Ado About Nothing, The Complete Works of William Shakespeare (abridged), and Romeo and Juliet at Shakespeare Theatre of New Jersey; Butler at Barrington Stage Company; The Weir, Red, and As You Like It at Theatreworks Colo-rado; Julius Caesar at The Shakespeare Festival of St. Louis; Macbeth at Stella Adler Conservatory. He directed the world premiere of Butler by Richard Strand at NJ Repertory. Mr. Discher is a member of the Society of Directors and Choreographers and Actors’ Equity Association. He has been a fac-ulty member at Stella Adler Conservatory, and has guest lectured at TVI studios and The Neighbor-hood Playhouse in Manhattan, as well as Denison University and Rutgers University. He is a profes-sional singer and classically trained violinist and a proud alumnus of Drew University.

DARREN SERVER (Musical Director) was born into a family of stooges. Namely, The Three Stooges! His grandfather, “Curly” Howard and his great-uncles, Moe and Shemp Howard, have always been Darren’s source of pride and inspiration. He began singing, dancing, acting

and playing the piano at the age of ten and has never stopped. Darren has been the resident MD at Totem Pole Playhouse in Fayetteville, PA, for eleven years. Last season, Darren was Associate MD for Asolo Rep’s South Pacific and MD/Keys for Title of Show. Currently, he is MD/Arranger for Ah, Wilderness! at the Asolo. See him in the film: Atlas Shrugged-Part II, the role of “Richard Halley.”

ROY JOHNS (Stage Manager) is pleased to be back for another season at FST. He has had an exciting and varied career both on stage and behind the scenes from Tokyo Disneyland to the White House. Past credits at FST include Taking Shakespeare, Chapatti, Hairspray, and The Hound of the Baskervilles.

MORIAH CURLEY-CLAY & ISABEL CUR-LEY-CLAY (Scenic Designers) Past work at Florida Studio Theatre includes Hound of the Baskervilles, Inspired Lunacy, Taking Shakespeare, Hairspray, Dancing Lessons, and Chapatti. Favorite recent credits include scenic design of Detroit ’67 (Kenny Leon’s True Colors Theatre), and Murder Ballad (Actors Express). Isabel and Moriah are the recip-ients of five Suzi Bass Awards and several Critic’s and regional awards, are Resident Scenic Design-ers at Atlanta’s Horizon Theatre, Artistic Associates at Theatrical Outfit and members of IATSE, United Scenic Artists 829.

TRISTAN RAINES (Costume Designer) OFF BROADWAY/NEW YORK: Would You Still Love Me If...(New World Stages), Soul Doctor(Actor’s Tem-ple), The Eternal Space (Theater Row), Stalking the Bogeyman (New World Stages), Bare (New World Stages), Tribes (Barrow Street Theatre), Murder in the First (59E59), Falling (Minetta Lane), AZAK, Yosemite, Scarcity (Rattlestick Playwrights The-ater), The Bilbao Effect (Center for Architecture), A Christmas Story (Engeman Theater), Carnival Kids

ARTIST PROFILES

in East Hull in 1956. After school, he worked in a bread plant before leaving to study Psychology at Loughborough University. Richard has worked as a psychologist and a stand-up comedian. He was awarded the 2011 Evening Standard Award for Best Play for The Heretic and One Man, Two Guvnors the 2011 Critics’ Circle Award for Best Play and 2012 Whatsonstage.com Award for Best New Comedy, both for One Man, Two Guvnors. His work for the stage includes One Man, Two Guvnors (National Theatre (Lyttelton)/Adelphi Theatre/Theatre Royal Haymarket/Music Box Theatre, New York/World Tour); a stage version of David Mamet’s The House Of Games (Almeida); The Big Fellah (produced by Out of Joint); Pub Quiz Ss Life (Hull Truck); England People Very Nice (National Theatre (Olivier). Olivier Award Nomination for Best New Play); The English Game (produced by Headlong); Up On Roof (Hull Truck. Nominated for TMA Play of the Year); In The Club (Hampstead Theatre); a version of Moliere’s The Hypochondri-ac (Almeida); The Heretic, Harvest (Nominated for Evening Standard and Olivier Best New Play Awards. Winner Critics’ Circle Best New Play), Hon-eymoon Suite (Pearson Play of the Year), Under The Whaleback (George Devine Award) and Toast (all at the Royal Court); The God Brothers (Bush Theatre); Smack Family Robinson (Newcastle Live!); The Mentalists (Lyttelton Loft, National Theatre); and Mr. England (Sheffield Crucible Theatre). His radio plays include Of Rats and Men; Yesterday; Unsinkable; and Robin Hood’s Revenge.

SPECIAL THANKS to Al Krampits of Al’s Hubcaps & Wheels for the use of the hub caps used in the performance.

SPECIAL THANKS to Jack Gill for loaning us his Xylophone for this production

(Lesser America), Gormanzee (Flea Theater). Henry Hewes De-

sign Award and IT Award Nominee 2013 for House of Von Macramé. www.tristanraines.com

MICHEAL FOSTER (Lighting Designer) is the lighting design professor in the Department of Theatre and Dance at Missouri State University in Springfield, Missouri, where he coordinates the Bachelor of Arts and Bachelor of Science degree programs for the department. He has designed over 200 productions nationwide, and this marks his nineteenth production with FST. He is a mem-ber of and represented by United Scenic Artists, Local USA 829, the union for professional theatri-cal designers and artists.

RYAN KILCOURSE (Sound Designer) is pleased to be returning to Florida Studio Theatre after designing recent favorites like Over the River; Hairspray; Pump Boys and Dinettes; Daddy Long Legs; Let’s Twist Again with the Wanderers; and Smokey Joe’s Café. Other recent design work in-cludes: Sweeney Todd; A Light on the Piazza, Lost Highway,The Hank Williams Story; Marvelous Won-derettes; Nunsense Merry Go Round Playhouse, The Last Supper, Rising Sun NYC.

RICHARD CRAWFORD (Physical Comedy Consultant) is an actor/teacher specializing in heightened comedic performance. He trained at the Rose Bruford College, London and at Lecoq in Paris. A founder of award winning ensemble - The Flying Machine - Richard has also worked exten-sively on and off Broadway (including War Horse and Slava’s Snowshow). He has taught physical theater in many places including the Yale School of Drama. Richard has clowned with and directed clown work for Cirque Du Soleil and is the director and founder of Movement Theater Studio, NYC - the first Lecoq-based acting studio in New York.

RICHARD BEAN (Playwright) was born

ARTIST PROFILES

FST FORUMS

The plays of the Italian dramatist, poet, and librettist Carlo Goldoni brought new realism and more credible characterization to the Italian stage. He wrote more than 250 works in Italian, Venetian dialect, and French.

Born to a prosperous middle-class family, Carlo Goldoni displayed a theatrical inclination from early childhood. As a university student, he often put aside his law books to attend performances. In 1734, after 3 years in the diplomatic service, Goldoni became poet of the Imer company in Venice and successively was appointed director of the S. Samuele and S. Giovanni Crisostomo theaters.

Although he interrupted theatrical activities in 1744 to practice law, Goldoni returned to

Venice in 1748 as poet of the S. Angelo theater, then under the leadership of Girolamo Mede-bac. Overworked and underpaid - his contract for 1750 demanded 16 new plays - Goldoni accepted a competing offer from the S. Luca theater.

1748-1762 represent the most successful time in Goldoni’s career. He was able to incor-porate his views on dramatic reform into the fabric of his works. Until Goldoni, the prevail-ing commedia dell’arte style depended upon actors who improvised their roles from a list of stock characters. Goldoni’s works restored direction to the playwright, whose scripts - not an actor’s improvisations - determined the play.

Goldoni’s more credible and more realistic works soon gained an immense following. Among his most successful are The Crafty Wid-ow (1748); The Anti-quarian’s Family (1749); The Comic Theatre (1750); and La Locandiera (1753; Mine Hostess). From these and other works emerged the ethical content of Goldoni’s character plays. A believer in modernity and progress, he championed the rights of women and the equality of all classes.

Goldoni’s successes did not spare him from criticism. During the period 1748-1753, while Goldoni was creating more realistic and thoughtful plays, he was often attacked by Pietro Chiari, a writer of sentimental, romantic dramas at a rival theater and also Count Carlo Gozzi. Irascible and title-conscious, Gozzi endeavored to discredit Goldoni for the demo-cratic, progressive views that were opposite to those of the aristocratic conservative. Disguised

About Carlo Goldoni (1707 - 1793)

S. Giovanni Crisostomo Theater.

Carlo Goldoni.

FST FORUMS

1. Bangers and mash2. Barmy3. Blinkered4. Cheeky 5. Chuffed to bits6. Cock up7. Folding8. Guvnor9. Knackered10. Lairy11. Nine-bob note12. Peanuts13. Porridge14. Quid15. Rozzer16. Skint17. Snookered18. Spend a penny19. Tooled up

Answer Key: 1)J, 2)G, 3)P, 4)E, 5)D, 6)N, 7)B, 8)H, 9)I, 10)A, 11)K, 12)M, 13)L, 14)F, 15)O, 16)C, 17)S, 18)R, 19)Q

Answers are at the bottom!British Glossary of Slang: Mix and Match

as a defense of traditional dramatic forms, Gozzi’s criticism of Goldoni’s realism was an extension of this personal antagonism.

Goldoni, a mild-mannered, pleasant person with no desire to continue this bitter polemic, left Venice for the prestigious directorship of the Italian theater in Paris. However, after 2 unhappy years (1762-1764) he accepted appointment as tutor in Italian (1764-1768) to the daughters of King Louis XVI. While maintaining residence in Paris, Goldoni furnished new material in Italian and dialect for the Venetian stage. Also from this period come his works written in French. Especial-ly noteworthy are the comedy Le Bourra bienfaisant (1771) and Memoirs of His Life and Theatre (1787), from which the reader gains a view of Goldoni’s evolving dramatic style and detailed accounts of artists, directors, and theaters of his time.

The French Revolution brought an end to the pension Goldoni had been receiving from the French government. Already in his 80s and nearing blindness, Goldoni spent his last years in pov-erty-stricken suffering. Ironically, news of the reinstatement of his pension in 1793 arrived the day after his death.

A. Aggressive, looking for a fightB. Slang for ‘money’C. BrokeD. PleasedE. FlippantF. A ‘buck,’ as in a dollarG. Mad or crazyH. Boss/someone of authorityI. Tired out, specifically hung overJ. Sausage and potatoesK. Slang for ‘gay’L. Serving time in prisonM. CheapN. To mess upO. Slang for policemanP. Narrow-mindedQ. ArmedR. Go to the bathroomS. Up a creek without a paddle

GERRI AARON To me, FST is a great theater experience in the respect that I’ve seen plays in New York City and then seen the very same plays here; they are just as good if not better. Richard Hopkins is amazing; he continues to select plays that both confirm and challenge one’s beliefs. FST is a Sarasota treasure that keeps getting better.

GEORGIA COURT I love great theater and FST delivers that. FST is among the best theater companies I have seen, but it is more than a theater company. It is an organization that recognizes it is part of the greater community - and it reaches out to that community in positive, productive ways. Having FST so accessible adds to the joy of living in the fabulous arts community that is Sarasota.

GULF COAST COMMUNITY FOUNDATION Together with its donors, Gulf Coast creatively invests in unique cultural assets like Florida Studio Theatre. Gulf Coast is the philanthropic home of more than 600 families who have established charitable funds there and together they have invested over $208 million in grants in the areas of arts and culture, health and human services, civic and economic development, education, and the environment. Learn more about their bold and proactive philanthropy at GulfCoastCF.org.

ROBERT & BONNY ISRAELOFF Our favorite FST story happened while attending a performance for the first time, many years ago and saying, “This is theater! Do they have a season subscription?!” FST is thought provoking, Broadway worthy theater. We believe FST is important because it enriches our community; helps make Sarasota what it is. This is why we have proudly contributed to past expansions; especially the new Gompertz Theatre complex, to aid FST’s mission in being ever more accessible to the public.

ERNIE KRETZMER IN LOVING MEMORY OF ALISA KRETZMER I would describe FST as uncommonly

intimate theater, well-articulated and succinct. FST is important to me because I can usually follow the dialog despite a hearing problem - almost invariably with great enjoyment. It’s the perfect window to take in the contemporary scene. Favorites have been Kate Alexander in Golda’s Balcony - superbly acted! And a comedy featuring Carolyn Michel playing the part of a dog (interfering in a marriage) can’t remember title... but lots of good laughs.

DENNIS & GRACI MCGILLICUDDY FST is important to us because we believe so strongly in the transformative power of the arts. For close to 30 years now, we have been so fortunate to experience first-hand how that transformative power works its magic in the hands of an organization that is not only experienced and dedicated but so highly skilled in their craft. The values of the theater and its leadership, as reflected in its mission, and as manifested in its work, whether it be on the main stage, in the cabaret, and in its education and community outreach programs, are values that we so strongly believe in. As a consequence, it is a privilege for us to be a part of, and supportive of this great theater.

ANNE NETHERCOTT When asked to define giving, Anne said: “My mother used to say, ‘The best way to find you is to lose yourself, by focusing on the needs of others rather than on oneself.’” So, giving has always been an important family value, which in childhood was reinforced by the community experience of surviving The Depression. Anne is proud to be a supporter of FST.

DOROTHY WALDRON I support FST for its diversity of programming; Mainstage, Cabaret, Improv, WRITE A PLAY children’s program and VIP program, for special needs children. Also, there is summer camp and classes for adults; it is truly a wonderful community asset.

SEASON UNDERWRITERS

CO-PRODUCERSThe HERALD-TRIBUNE MEDIA GROUP enjoys a history in this community that spans more than 90 years. Partnering with organizations such as Florida Studio Theatre allows us to contribute to our region’s rich creative culture in Sarasota, Braden-ton, and Venice providing an unparalleled media landscape through the newspaper, HeraldTribune.com, HT Studio, and popular niche sites such as TicketSarasota.com.

JANET HEVEY I support the cost of the plays because I have always enjoyed the professionalism and selection of theatre material. The content and issue of the play is the “thing” at FST, not the staging or set of the play. I love seeing a show and being able to have my own “theatre-of-mind” of what I’m seeing. I’ve attended theatre in Milwaukee and Chicago; FST delivers better quality, much more affordable and is a very welcoming, relaxing evening.

FRANK & ANNE FOLSOM SMITH Anne has been a mainstay in the beautification of interior design in many venues within the Sarasota area. Anne serves on several local boards which promote art and edu-cation in our community. As a longtime supporter of FST, she and Frank are thrilled to be sponsoring One Man, Two Guvnors this season!

GAIL & SKIP SACK The first time we visited Florida Studio Theatre, we were totally “hooked”. Watching a play in a small, intimate theatre, with incredibly talented actors performing only a few feet away, is a unique experience. We have been Season Sub-scribers for over 15 years, and we have always been impressed with the intensity of the acting. We’re delighted to be Co-Producers.

366.90001241 North Palm Avenue • Downtown Sarasota, FL 34236

www.floridastudiotheatre.org • info@floridastudiotheatre.org

FST COMPANYBOARD OF TRUSTEES

President.........................................Dennis McGillicuddyVice-President........................................Richard HopkinsSecretary/Treasurer..........................................Tom HayesTrustee........................................................Kate AlexanderTrustee...........................................Carol Poteat BuchananTrustee.........................................................Georgia CourtTrustee.....................................................Patricia CourtoisTrustee.............................................................Harold JoelsTrustee........................................................Barbara LupoffTrustee......................................................Jennifer Michell

EXECUTIVE STAFFProducing Artistic Director……..........Richard HopkinsAssociate Director.....................................Kate AlexanderManaging Director................................Rebecca Hopkins

ARTISTIC STAFFCasting/Hiring Coordinator.....................James AshfordResident Pianist...............................................Jim ProsserAssociate Artist...........................................Jason CannonAssociate Artist................................Catherine RandazzoAssistant to the Artistic Director................Doris IemoloDirector of Improvisation................................Will Luera

PRODUCTION STAFFProduction Manager….............................….Bruce PriceProduction Office Manager.................Joseph GoepfrichGompertz Stage Manager..................................Roy JohnsKeating Stage Manager..............................Rebekah Small Technical Director.........................................Tom HansenScene Shop Supervisor..................................Dan YermanCostume Shop Manager….................Susan AngermannProps/Paint Supervisor.........................Kristine Kreutzer

ADMINISTRATIVE STAFFIT Manager....................................................Lee SchlosserAssociate Managing Director......................Jim Sorensen Business Manager.................................Carmen GonzalezAsst. to the Managing Dir....................Phyllis SilvermanOperations Manager.........................Mark QuackenbushCompany Manager......................................Luke JohnsonMarketing Director.......................................Audra LangePublic Relations Associate........................Nicole Clayton Marketing Assistant.............................Mackenzie NilsenDirector of Audience Services........Kaylene TorregrossaDevelopment Associate.................................Steve TurrisiDevelopment Associate............................Corriane OsterTicket Operations Manager.....................Kathleen SmithBox Office Manager...................................Jill ZakrzewskiAsst. Box Office Manager.............................Gigi DelperoAsst. Box Office Manager...........................Kelsey WehdeAsst. Box Office Manager..........................David WallaceRestaurant Manager.........................................Tom CurryRestaurant Manager....................................Karen Kraster

Restaurant Manager......................................Josh Rodoski

Restaurant Manager.....................................Kalin Delfino Receptionist..................................................Joan O’Dowd

EDUCATION & TOURSDirector of Children’s Theatre................Caroline KaiserInterim Director of Education...........Christine HopkinsEducation Administrator............................Pamela SmithTeaching Artist/YPF Coordinator.............Adam Ratner

WRITE A PLAY Coordinator............Patrick A. Jackson

COMMUNITY RESOURCE GROUP

AUDIENCE ENRICHMENT GROUPHon. Larry L. Eger Mr. Trevor Harvey Commissioner Carolyn Mason Dr. Lisa Merritt Dr. Eddy Regnier Mayor Willie Charles Shaw Rabbi Howard Simon Mr. Howard Tevlowitz Mr. Tom Tryon Mr. Paul White, LCSW Chief Judge Charles E. Williams

OUTSIDE ASSISTANCEHouse Counsel..........................................John PattersonFacility Custodian..............................Carlos De Oliveira.......................................Confidence Cleaning CompanyCaretaker..........................................................Doctor NikWig Designer..................................Charmaine LiddicoatWig Maintenance......................Alejandra Padilla FloresSeamstresses.......................Dolly Nichols, Kay Torralva,

Barabara Wechsler INTERN COMPANY

Acting Apprentice..................................Julia AmundsonActing Apprentice.................................Alison CampbellActing Apprentice..................................Trevor CatalanoActing Apprentice..........................................Allison DayActing Apprentice......................................Andrew DeebActing Apprentice........................................Jason HewettActing Apprentice....................................Kourtney PaigeActing Apprentice............................................T.J. PatrickActing Apprentice.......................................Cat PattersonActing Apprentice.............................................Peter RuizActing Apprentice...................Timothy VanBeverhoudtArtistic Intern................................................Dana ErnestCarpentry Intern...................................Johnnie SchleyerCostume Intern.....................................Abdiel Portalat í nCompany Management Intern..................Sarah KozmaDevelopment Intern..............................Dana BesmanoffLiterary Intern.......................................Noah ScheibmeirLiterary Intern....................................David OsmundsenLiterary Intern............................................Blake LouthanLiterary Intern...............................................Katie BooneProps & Paint Intern........................Stephanie GonzalezProps & Paint Intern..........................................Ryan FoxProd./Sound Intern......................Allison-Marie MolnaaStage Management Intern........................Julienne BaileyStage Management Intern...............Kellie McMenemon

Betty NimtzGene NobleSheila RoseIna Schnell

Alan Schottenstein Lois Schottenstein

Ann WurlitzerFred Wurlitzer

Dale Berkowitz Howard DossAlfred GoldsteinJanet HeveyBob IsraeloffBonny IsraeloffValerie JoelsDaniel Mandelker Dick Nimtz