Magdalena festival may_2013_where_does_design_thinking_begin_edited

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013 WHERE DOES DESIGN THINKING START ARSENYEV RODION RED KEDS ANATOMY OF DESIGN THINKER POWER OF GOOD

description

Родион Арсеньев — арт-директор Red Keds

Transcript of Magdalena festival may_2013_where_does_design_thinking_begin_edited

Page 1: Magdalena festival may_2013_where_does_design_thinking_begin_edited

WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

WHERE DOESDESIGN THINKINGSTART

ARSENYEV RODIONRED KEDS

ANATOMYOF DESIGNTHINKER

POWEROF GOOD

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

PLEASED TO MEET YOU

DESIGN DIRECTOR

ART DIRECTOR

TEACHER

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

THIS IS OBVIOUS!ORLY?

ATTENTION! TRIVIALITY DETECTED!

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PEOPLE ARE REAL We do things for people. They exist.

They are real!

FOUNDATIONS

EVERYONE IS A HAPPINESS SEEKEREveryone wants to be happy. Even you!

PEOPLE HAVE MANY NEEDS TO BE FULFILLED

Food, sleep and … those aren’t the only ones. There’s lots of them.

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OUR LITTLE BIG SECRET

CHAPTER NUMBER ONE

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IT’S SIMPLE AND CLEAR

BIGBADABOOM

WE CARE

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DESIGN THINKING IS WHEN YOU’RE TRULY CONCERNED WITH THE SUBJECT

THE MOST POWERFUL WEAPON OF DESIGN THINKER: THE ABILITY TO CARE

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BIGBADABOOM

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WE CAREABOUT PEOPLE

BIGBADABOOM

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WE CAREABOUT PEOPLE

WE CAREABOUT PEOPLE’SNEEDS AND EXPERIENCE

BIGBADABOOM

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

WE CAREABOUT PEOPLE

WE CAREABOUT PEOPLE’SNEEDS AND EXPERIENCE

BIGBADABOOM

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WE CARE ABOUT DESIGN PRODUCTS

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

WE CAREABOUT PEOPLE

WE CAREABOUT PEOPLE’SNEEDS AND EXPERIENCE

WE CAREABOUT BUSINESSGOALS

BIGBADABOOM

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WE CARE ABOUT DESIGN PRODUCTS

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THE BIG IDEA

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THE BIG IDEA

FOR ME DESIGN THINKING IS THE SKILL OF EMPATHY

The naked truth is that we sell our caring.

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THE BIG IDEA

FOR ME DESIGN THINKING IS THE SKILL OF EMPATHY

The naked truth is that we sell our caring.

People don’t want brands.

They want good and experience.

DESIGN IS NOT FORTHE BRANDS.IT’S FOR PEOPLE!

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DESIGNER IS NOTTHE KEY PERSONIN DESIGN PROCESS

PEOPLE WHO USEDESIGN PRODUCTS ARE THE KEYS

SIGNIFICANT STATEMENTS

Design in notan art. It’s a tool that we

use to make people happier. To design things driven by selfish reasons

is the professional deadlock.

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THINK WITH YOUR HEARTFEEL WITH YOUR BRAIN

CHAPTER NUMBER TWO

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LOST IN TRANSLATION

HOWDO WE UNDERSTANDDESIGN?

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WORLD OF WORDSDETERMINATION

Design is the creation of a plan or convention for the construction of an object or a system (as in architectural blueprints, engineering drawing,business process, circuit diagrams and sewing patterns). Design has different connotations in different fields (see design disciplines below). In some cases the direct construction of an object (as in pottery, engineering, management, cowboy coding and graphic design) is also considered to be design.

VISUAL DESIGN

URBAN DESIGN

WEB DESIGN

SOFTWARE DESIGNSERVICE DESIGN

PROCESS DESIGN

PRODUCT DESIGN

PRODUCT DESIGN

LIGHTING DESIGN

INTERIOR DESIGN

INTERACTION DESIGNINSTRUCTIONAL DESIGN

INDUSTRIAL DESIGN

GRAPHIC DESIGN

FASHION DESIGN

GAME DESIGN

ENGINEERING DESIGN

COMMUNICATION DESIGN

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WORLD OF WORDSDETERMINATION

Design is the creation of a plan or convention for the construction of an object or a system (as in architectural blueprints, engineering drawing,business process, circuit diagrams and sewing patterns). Design has different connotations in different fields (see design disciplines below). In some cases the direct construction of an object (as in pottery, engineering, management, cowboy coding and graphic design) is also considered to be design.

VISUAL DESIGN

URBAN DESIGN

WEB DESIGN

SOFTWARE DESIGNSERVICE DESIGN

PROCESS DESIGN

PRODUCT DESIGN

PRODUCT DESIGN

LIGHTING DESIGN

INTERIOR DESIGN

INTERACTION DESIGNINSTRUCTIONAL DESIGN

INDUSTRIAL DESIGN

GRAPHIC DESIGN

FASHION DESIGN

GAME DESIGN

ENGINEERING DESIGN

COMMUNICATION DESIGN

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DESIGNIS NOT A SCIENCE

SOME THINGS NEED NO DEFINITION TO BE UNDERSTOOD

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DESIGN IS BELIEF

YOU NEED TO FEEL TO UNDERSTAND

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BELIEF IN PEOPLE

DESIGN IS

They exist! They are real!

Belief in their problems.

They are like you.

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BELIEF IN USEFULNESS

DESIGN IS

People wants to be happy. We can help.

Useless design is absurdness. The deadlock for all.

They are like you.

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BELIEFIN YOURSELF

DESIGN IS

It’s really hard to believe in yourself until you start to believe in other people. We have to do something for people, but they have no need to say thank you.

You are the same as them.

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HUMANDESIGNERDESIGN PRODUCT

CHAPTER NUMBER THREE: EXPERIENCE-ORIENTED DESIGN PROCESS SCHEME

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CLASSIC ARTIFACT-ORIENTEDDESIGN PROCESS SCHEME

IMPULSES

Designer

DESIGNARTIFACT

Design product People who usedesign things

In this case the designer stop caring about the design product after he finishes it.

Designer only thinks about the artifact that he’s creating at the moment: about content and the formal appearance.

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CLASSIC ARTIFACT-ORIENTEDDESIGN PROCESS SCHEME

IMPULSES

Designer

DESIGNARTIFACT

Design product

Most people think that design happensin this area

People who usedesign things

In this case the designer stop caring about the design product after he finishes it.

Designer only thinks about the artifact that he’s creating at the moment: about content and the formal appearance.

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We have two impulses. The first one is when designing of an artifact happens. The second is when the design artifact interacts with people.

In this case we have a problem. Both impulses are completely separated from each other.

This is the artifact-oriented design process that lead us to everywhere but usefulness for the people.

CLASSIC ARTIFACT-ORIENTEDDESIGN PROCESS SCHEME

IMPULSES

Designer

DESIGNARTIFACT

Design product People who usedesign things

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Impulse #1

We have two impulses. The first one is when designing of an artifact happens. The second is when the design artifact interacts with people.

In this case we have a problem. Both impulses are completely separated from each other.

This is the artifact-oriented design process that lead us to everywhere but usefulness for the people.

CLASSIC ARTIFACT-ORIENTEDDESIGN PROCESS SCHEME

IMPULSES

Designer

DESIGNARTIFACT

Design product People who usedesign things

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Impulse #1 Impulse #2

We have two impulses. The first one is when designing of an artifact happens. The second is when the design artifact interacts with people.

In this case we have a problem. Both impulses are completely separated from each other.

This is the artifact-oriented design process that lead us to everywhere but usefulness for the people.

CLASSIC ARTIFACT-ORIENTEDDESIGN PROCESS SCHEME

IMPULSES

Designer

DESIGNARTIFACT

Design product People who usedesign things

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

Impulse #1 Impulse #2

We have two impulses. The first one is when designing of an artifact happens. The second is when the design artifact interacts with people.

In this case we have a problem. Both impulses are completely separated from each other.

This is the artifact-oriented design process that lead us to everywhere but usefulness for the people.

CLASSIC ARTIFACT-ORIENTEDDESIGN PROCESS SCHEME

IMPULSES

Designer

DESIGNARTIFACT

Design product People who usedesign things

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

IT’S ALL ABOUT THE EXPERIENCE, BABY!

We do not create design things first.

We design the experience which is connected to an artifact that we create.

Design artifact is the result of designing experience scenarios.

EXPERIENCE-ORIENTEDDESIGN PROCESS SCHEME

DESIGNARTIFACT

Designer Design product People who usedesign things

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

IT’S ALL ABOUT THE EXPERIENCE, BABY!

We do not create design things first.

We design the experience which is connected to an artifact that we create.

Design artifact is the result of designing experience scenarios.

For me, the real design area is here

Experience

EXPERIENCE-ORIENTEDDESIGN PROCESS SCHEME

DESIGNARTIFACT

Designer Design product People who usedesign things

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

IT’S ALL ABOUT THE EXPERIENCE, BABY!

We do not create design things first.

We design the experience which is connected to an artifact that we create.

Design artifact is the result of designing experience scenarios.

For me, the real design area is here

Experience

EXPERIENCE-ORIENTEDDESIGN PROCESS SCHEME

DESIGNARTIFACT

Designer Design product People who usedesign things

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

IT’S ALL ABOUT THE EXPERIENCE, BABY!

We do not create design things first.

We design the experience which is connected to an artifact that we create.

Design artifact is the result of designing experience scenarios.

For me, the real design area is here

Experience

EXPERIENCE-ORIENTEDDESIGN PROCESS SCHEME

DESIGNARTIFACT

Designer Design product People who usedesign things

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

IT’S ALL ABOUT THE EXPERIENCE, BABY!

We do not create design things first.

We design the experience which is connected to an artifact that we create.

Design artifact is the result of designing experience scenarios.

For me, the real design area is here

Experience

EXPERIENCE-ORIENTEDDESIGN PROCESS SCHEME

DESIGNARTIFACT

Designer Design product People who usedesign things

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

IT’S ALL ABOUT THE EXPERIENCE, BABY!

We do not create design things first.

We design the experience which is connected to an artifact that we create.

Design artifact is the result of designing experience scenarios.

For me, the real design area is here

Experience

EXPERIENCE-ORIENTEDDESIGN PROCESS SCHEME

DESIGNARTIFACT

Designer Design product People who usedesign things

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

FIRST GOES FIRST

DESIGNING IS A PROCESS OF CREATINGSCENARIOS OF INTERACTIONS

DESIGNARTIFACT

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WE SHOULD BECOME THE USER OF OUR PRODUCT BEFOREWE CREATE IT

A Curriculum Statement Designing Experiences, Not Objects

Meredith Davis

AIGA Journal of Interaction Design EducationNovember 2000

“THE CONCLUSION REACHED BY THIS GROUP IS THAT DESIGN IS INCREASINGLY LESS ABOUT CREATING OBJECTS AND MORE ABOUT CREATING CONDITIONS THAT SUPPORT USER EXPERIENCES, AND THAT THIS EXPERIENTIAL NATURE OF INTERACTIVE COMMUNICATION AND PRODUCTS WILL ONLY ACCELERATE UNDER RAPID TECHNOLOGICAL DEVELOPMENT THAT REDUCES THE NEED TO BE IN A PARTICULAR PLACE AT A PARTICULAR TIME TO ACCOMPLISH A TASK..”

TIP AND TRICK

DESIGNARTIFACT

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YOU CAN’TCREATE EXPERIENCEIF YOU DON’TCARE

HERE IS THE EXAMPLE

KEETRA DEAN DIXONANONYMOUS HUGGING, ALASKA, 2008

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YOU CAN’TCREATE EXPERIENCEIF YOU DON’TCARE

HERE IS THE EXAMPLE

Experience

KEETRA DEAN DIXONANONYMOUS HUGGING, ALASKA, 2008

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YOU CAN’TCREATE EXPERIENCEIF YOU DON’TCARE

HERE IS THE EXAMPLE

ExperienceIdea

KEETRA DEAN DIXONANONYMOUS HUGGING, ALASKA, 2008

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YOU CAN’TCREATE EXPERIENCEIF YOU DON’TCARE

HERE IS THE EXAMPLE

Experience

Design artifact

Idea

KEETRA DEAN DIXONANONYMOUS HUGGING, ALASKA, 2008

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

YOU CAN’TCREATE EXPERIENCEIF YOU DON’TCARE

HERE IS THE EXAMPLE

Experience

Designer

Design artifact

Idea

KEETRA DEAN DIXONANONYMOUS HUGGING, ALASKA, 2008

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

THEY AREAS REALAS WE ARE

BULLET PROOF

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AS REAL AS WE ARE

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AS REAL AS WE ARE

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THE CORESOF DESIGNTHINKING

CHAPTER NUMBER FOUR

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

DO CARE6 CORE MUSCLES OF DESIGNER’S HEART

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

HONESTY6 CORE MUSCLES OF DESIGNER’S HEART

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CONSCIOUSNESS6 CORE MUSCLES OF DESIGNER’S HEART

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

COMMON SENSE6 CORE MUSCLES OF DESIGNER’S HEART

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

DESIGN SKILLS6 CORE MUSCLES OF DESIGNER’S HEART

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

TECHNOLOGY’S LOVER6 CORE MUSCLES OF DESIGNER’S HEART

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

CONCLUSIONLET’S STRESS IT AGAIN

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3 SIMPLE THINGS TO REMEMBER

ANATOMY OF DESIGN THINKING

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3 SIMPLE THINGS TO REMEMBER

ANATOMY OF DESIGN THINKING

WHO

People and their needs

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3 SIMPLE THINGS TO REMEMBER

ANATOMY OF DESIGN THINKING

HOW

Design and technologies

WHO

People and their needs

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WHAT

Usefulness and experience

3 SIMPLE THINGS TO REMEMBER

ANATOMY OF DESIGN THINKING

HOW

Design and technologies

WHO

People and their needs

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WHERE DOES DESIGN THINKING START MAGDALENA FESTIVAL 2013

GRAND MOTIVATION

HOW ABOUT THE MOTIVATION?

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GRAND MOTIVATION

WE‘RE ALL GONNA

DIE

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PENULTIMATE SLIDE

“THEY SAY THAT DEATH KILLS YOU,

BUT DEATH DOESN'T KILL YOU. BOREDOM AND INDIFFERENCE

KILL YOU”

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THANK YOU!