M. Sesic PROJECTS – TRENDS AND TOOLS
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Transcript of M. Sesic PROJECTS – TRENDS AND TOOLS
PROJECTS – TRENDS AND TOOLS
MEANING OF CULTURAL MANAGEMENT IN
CONTEMPORARY SOCIETY
Old model Transitional model
Desirable (new) model
Model in turbulent circumstances
Institutional logic Organizational logic
Project logic Logic of the key factor
Institutional planning
Strategic planning Strategic-project planning
Strategic-functional planning
Short-term planning
Long-term cyclic planning
Long-term flexible, proactive
Long-term adaptable (re-and pro-active)
mode of institutional behaviour (e.g., dependence on public authorities and funds)
Plurality of strategies hierarchically defined
Several multivariant strategies (diversifi-cation of funds with cross-references to the diversification of programmes and methods)
Plurality of strategies given the co-existence of several development scenarios subject to revision and adaptation
Sectorial activity (precisely defined)
Sectorial activity as the dominant form, accompanied by a development of partnerships on the inter-sectorial basis
Horizontal domains:culture science, educ., tourism, health Vertical inter-sectorial activity (public, private, civil)
Inter-sectorial activity based on the observed needs and the internal developmental resources and capabilities of the organizations
Feeling of institutional irreplaceability (undisputable mission – e.g. national museum…)
Vision of a stable internal organizational success
Vision of success, in the sense of the promoter of overall social development
Sustainability, to develop a vision of success which helps to stabilize and develop the community
Yearly based programme-financial control
Full procedural transparency (organizational, programme, financial)
Model of responsibility for public good
Changeable interactive mechanisms of management –pro-cedural transpar.
Professional skill and expertise guaranteed by diplomas and formal status in the organizat.
High expertise and specialization confirmed by the org. success
Professionalism confirmed in problem areas; understanding
Ability to apply and adapt codified knowledge in ra-pid change(AQM)
Learning as a necessary formal precondition for development in a professional carrier:
- formal, organized (usually on the national level)
Functional learning, mostly acquisition of skills required for strategic and organizational development:
-organized ad hoc by agencies for development and cooperation, etc.
Life-long learning of complex conceptual and narrowly professional most recent knowledge, together with the knowledge of techniques and skills required in complex specific situations:
- formal and informal, organized through flexible multivariant inter-sectorial methods of education
Multifunctional learning of the operational type (MfLOT):
- self-organized in cooperation with the relevant local and international partners
CULTURAL MANAGEMENT
a) analytical - descriptive
description and study of the existing forms and methods of organization
b) project - modeling
development and research of new, more adequate and more efficient means and models of organization
c) Conceptual – generator of ideas?
Projects in culture of excellence
Excellence is power; it is identity
Asef Bayat
The goals of cultural management
• development of a system (model) of cultural life (policy based approach)
• planning of cultural development (priorities and methods);
• development of branch systems of cultural activities• development of models of organization - institutional
management • production process organization (project
management – product oriented)• organization of dissemination) of culture - mediation
(project management process oriented)• modelling and managing international cultural
cooperation
THE MANAGEMENT ROLES
• PRODUCER - P
• ADMINISTRATEUR – A
• ENTREPRENEUR E
• INTEGRATEUR I
TYPES OF MANAGERS:
PAEI paei ----(ideal) (mediocre) (useless)
P--- Lonely rider
-A-- Bureaucrate
--E- Firesetter
---I Facilitator-mediator
Ideal managerial teams
• PaEi + pAeI
• PAei + paEI
• Paei + pAei + paEI, etc.
Project phases
• CONCEPTUALIZATION• PLANNING• IMPLEMENTATION• MONITORING
• CONTROL
• EVALUATION
• ENTHUSIASM• DISILLUSIONMENT• PANIC• SEARCH FOR THE
GUILTY• PUNISHMENT OF THE
INNOCENT• PRAISE AND HONORS
FOR THE NON PARTICIPANTS
Adizes project life cycle
• Beginning – paEI
• Baby period – Paei
• Go-go period - PaEi
• Adolescence - pAEi
• Top forme – PAEi
Or Mediocrity (paei) or Collapse (_A_i???)
Positionning the project
• BRANCH
• SECTORS- PUBLIC- PRIVATE- CIVIL
• CULTURAL FUNCTION- PRODUCTION- MEDIATION- PROTECTION AND ARCHIVING- EDUCATION
Types of projects
• Projects of vision• Technical projects
• Art production projects
• Art mediation projects• Art documentation &
archiving projects• Art education projects• .....
Types of projects
• Past re-visited• Present oriented• Future oriented
(experiment, innovation)
• Artistic• Raising awareness• Inclusion
(participation) oriented
Milica Stevanovic – Keep the view
Philosophy of cultural policy operation
Cultural diffusionism Cultural functionalism Cultural mercantilism
Methods of cultural policy operation
Cultural consultancy Cultural management Cultural intelligence
Characteristics of cultural policy operation
Representativeness, excellence, systematicity, traditionalism
Inventiveness, dynamism, dispersiveness, participation
Establishment of trends, design of change, co-modification of products and services
Focus of cultural policy operation
CULTURAL CREATIVITY
CULTURAL LIFE CULTURAL CONSUMPTION
Concept of cultural policy operation
Elite culture and programme of decentralization
Parallel cultural models and intersectorial cooperation
Mass culture and cultural hybridization
Key agents Public institutions at all levels
Organizations in all three sectors
Transnational corporation
Primary territorial coverage
National/state State/local Transnational/ global
Strategic questions
The vision: What do we want to be – to have as long term outcome?
The mission: Why do we do this project?
The strategy: How do we actualize and will accomplish that?
The goal: For whom and for what purpose?
Vision Mission
Inspiring Strengthens values and defines identity
Predicts and promotes new aesthetics and programme challenges – trend-setting
Defines the aesthetic-programming criteria
Mobilizing Strengthens organizational – team cohesion
Distinctive and innovative Recognizable in the public space
Ambitious Adequate for the organization’s resources
Future oriented Present oriented
Possible visions Mission
1. Central coordinating office in Southeast Europe for the preservation of the Roma (Gypsy) culture and language
2. Central coordinating office for the development of inclusive culture and art programmes for the Roma in Macedonia –Roma creativity
3. Roma cultural and educational centre for the education of new generations of Roma professionals and artists, trainers who will then run programmes in Macedonia and throughout the Balkans
Darhia, Skopje: Non-profit organization engaged in the preservation of the Roma cultural heritage and language and in the Roma involvement in democratic processes and progressive moves of civil society by promoting Roma culture within Macedonia and in the wider region
Types of strategies
• programming and organizational (competitive) strategies
• quality achievement strategies
• linkage strategies
• public engagement strategies
• strategies for the achievement of sustainability
• Sunsetting – exit strategy
programming and organizational (competitive) strategies
• diversification of programmes • diversification of resources • increasing the volume of production and
services – the organization’s growth • commercialization of programmes and the
spread of services• audience development and market expansion• programme-focused orientation/shrinking of the
organization (declining numbers of personnel)
quality achievement strategies
• support for quality development – achievement of excellence
• strategy of harmonization with professional standards of operation
• securing (exclusive) licensing rights
• education and knowledge transfer
Pyramide du Louvre, by I. M. Pei, at Paris, France, 1989.
linkage strategies
• orientation towards partnership/co-productions
• networking
• internationalization
• decentralization of activities
• inter-sectorial linkage
public engagement strategies
• positioning in the public domain and development of recognizability – public visibility
• lobbying and support-gathering strategies
• public commitment strategies and changes in the public space
strategies for the achievement of sustainability
• strategy of minimal self-sustainability
• merging strategy
• strategy of privatization
• migration strategy
Sunsetting
• strategy of dissolution, with the preservation of institutional achievements and collective memory
Tools of project management
• Idea verifying – reasoning control matrix• Logical matrix of planning process• Management and planning tools:
- strategic analysis: SWOT, GAP, Portfolio- project organization analysis- strategic planning methods (Gant ch....)- strategic tables
• Evaluation matrix, etc.
Project organization analysis
Analytical outputs (“reports”)
1. Individual and team self-analysis
Formula of managerial abilities
2. Genealogical diagnosis of an organization (strategic meaning of the project...)
Chronological map
3. Analysis of the organizational structure
Project organization chart
4. Analysis of the decision-making process, delegation of responsibility
Matrix of the decision-making process
5. Analysis of information flows within the team and organization
Diagram of information flows (information flow chart)
PROJECT PROPOSAL EVALUATION FORM
I APPLICANT CAPPABILITYBased on the information contained in the proposal judge the capability to carry out such a project.
II PROBLEM STATEMENT AND DEMONSTRATION OF NEEDExtent to which the proposal demonstrates the need and importance for such a project in the region. What is the main problem /need that the project intends to adress? Applicant's knowledge of key issues related to the problem.
III GOALS AND OBJECTIVESExtent to which concrete goals and measurable, time-framed objectives developed. And if they are logically linked to the problem statement and need.
IV METHODS BY WHICH GOALS WILL BE ACOMPLISHEDComment on the proposed activities and strategies by which the problem will be addressed. Major strengths and weaknesses in the proposed approach. Can the project realistically achieve it's goals and objectives given the problem and proposed methods? Is the approach justifiable and realistic given the problem statement and need. Does it demonstrate the applicant's expertise in the subject area? How project results will be disseminated to relevant organizations, individuals, to assure necessary follow-up or how project is publicized toward audiences, to assure marketing success?
V EVALUATION
Does the proposal contain an evaluation component? Extent to which it will be useful in determining the effectiveness of project ( linked to objectives?)
VI BUDGET
Is the budget sufficiently detailed and itemized? Are the costs reasonable and justifiable given the proposed methods and activities? Different funding sources? How will the project continue beyond the funding period?
Based on your review, rate the following on a scale of 1 - 5 (1 being poor and 5 being outstanding).Problem statement ___ Evaluation ____Goals and objectives ___ Applicant capability ___Methods/approach ___ Budget ____
Total rating _____
Board of CompanyEvaluation of project idea –
1. Author (s)2. Exclusivity3. Actuality4. Cultural impact
(problem importance)
5. Relation to institution profile and strategy
1. Selling or financial results
2. financing possibilities
3. Capacities, key resources, used
4. Marketing potentials
5. Media visibility potentials
The recommended navigational equipment for the project making:
Compass: methods of environmental analysis and self-evaluation
Sail: methods of use and development of the key resources according to the AQM
Rudder: methods of strategic planning
anchor: methods of understanding of cultural policy and anchoring within this policy