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T h e i n t e r n a t i o n a l p l a s t i c s m a g a z i n e f r o m B A S F
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L u x u r y : p l a s t i c p a c k a g i n g f o r c o s m e t i c sS c re w s : t h e a r t o f b l e n d i n g
R o n f a l i n : B A S F p u rc h a s e s A B S b u s i n e s s f ro m D S M
2
T i t l e
Pure
continued P. 4
The first thing to strike anyone from today sent back
in time to a medieval town in Europe would proba-
bly be the smell. Hygiene was not high on the list
of our forefathers’ priorities: no perfumed soap, no deodo-
rants, no sweet-smelling powders, no aftershave.
It was not until the end of the 14th century that the first
perfume was produced, in Venice. The fashion in the next
two centuries were pomanders, made of gold or silver and
filled with fragrant essences. They were carried on the
body, on the belt or on a chain, and in their artistic design
were the predecessors of today’s lavish plastic perfume
bottles. Modern attitudes also applied then: beauty and
taking the trouble to appear beautiful were expressions of
luxury. This is still reflected today in the packaging – rarely
in the contents.
P las t i c s make new unusua l shapes poss ib l e
In the 17th century, perfume containers were made of
glass. By the 18th century, porcelain had become an alter-
native. Now, in the 20th century, plastic is replacing
traditional materials. BASF, as a raw materials producer, is
playing its part, supplying plastics for perfume bottles, and
containers for cosmetics and hygiene products.
„Glass is still a very popular material amongst designers“,
but if the designers want to give their bottles or jars more
The des i re to beat t ract ive, andhow plast ic pack-aging can he lp
LUXURY
Whether Terlux for Givenchy andJP Gaultier or Terluran for Dior:BASF plastics with their glossy,scratch-resistant surfaces withspecial-effect colouring and pleasant handiness, appeal tocustomers.
plast ics 2 99 3
polystyrene is natu-
rally transparent,
Lucryl being the closest
to the traditional material
glass in appearance and feel.
„This is often known as acrylic
glass, and is particularly rigid and
scratch-resistant, but on the other
hand is more brittle and sensitive“ .
Glossy, sc ra t ch- res i s t an t ,w i t h me ta l f l akes o r
mo the r-o f -pea r l
Transparent materials also have the
advantage of being easier to colour
than opaque plastics. „The colour is
also much deeper“. An interesting
material for designers is tough Terlux,
which is suitable for special-effect
colours, such as metal flakes or
mother-of-pearl, which make the
material more brittle. Opaque Terluran
in turn has the advantage of enabling
particularly intense colours to be pro-
duced in a multitude of shades – with
a good price/performance ratio.
These plastics all feature scratch-
resistant, shiny surfaces. BASF pla-
stics give designers plenty of free-
dom for visual appeal: they can be
coloured and metallized, electropla-
ted, printed and laser-inscribed, and
Mascarafrom YvesSaint Laurent,
attractivelypackaged with
Lucryl.
4
unusual shapes, they are, better and
cheaper off with plastic. „A good
example is the bottle for Gaultier’s
‘Madonna’ perfume. The French
manufacturer Techpack could not
have made the characteristic
copper-coloured body in this
complex shape in
any other material
than Terlux®“.
Terlux (MABS),
Luran® (SAN),
Terluran®
(ABS),
Lucryl® (PMMA) and
polystyrene are the most important
products purchased from BASF by
manufacturers of cosmetic packa-
ging. The list of brand-names whose
packaging contains BASF plastics
reads like a who’s who of the cosme-
tics industry, stretching from Dior and
Clarins via Beiersdorf, L’Oreal and
Estee Lauder to Wella, Yves Saint
Laurent and Yves Rocher.
An important factor in the choice of a
material is of course its appearance.
In contrast to Terluran, packaging
made from Luran, Terlux, Lucryl and
4
p l a s t i c s i n s i d e
Men and cosmetics -two worlds?
By far the majority of our
readers are men, as
“Plastics” goes primarily to
materials scientists, engineers
and buyers - and these are still
mostly male preserves. In spite
of this, we have chosen
“Cosmetics” as our cover story
as the frequently complex
shapes involved in cosmetics
packaging are a challenge to
any technician.
The market for luxury packaging
is tiny compared with the
automotive market, for example.
However, it is demanding. And
these demands can be met
using BASF plastics.
However, since BASF is not only
a plastics producer, but also
makes equally good profits with
chemicals, “Plastics” takes a
peek at the outside world and
describes how BASF produces
the ingredients for cosmetics,
namely fragrances, vitamins and
auxiliaries.
We hope you enjoy
reading this issue.
Simple shapes need appealing material : Luran for Chanel.
continued from p. 2
5plast ics 2 99
T i t l e
allow velvet and cool effects. Our
plastics for the cosmetics industry
are all resistant to chemicals. After
all, cosmetics often contain alcohol,
fats or other constituents which
could easily attack the packaging.
Another material which needs to be
durable is Ultraform® (POM), as it is
used in many atomizers: „The
material is resistant to chemicals and
is also dimensionally stable, which is
necessary to prevent the tiny spray
hole from closing as a result of swel-
ling“. The broad field of packaging
for lotions, shampoos, shower gels
and creams usually uses coextruded
bottles. Blow-moulded polyethylene
containers, which have excellent
chemical resistance and low-
temperature impact strength.
The surface of polyethylene is not
very attractive, so many manu-
facturers use our Ultramid as a shiny
coating. This gives the bottle a
glossy,
scratch-resistant surface, and the
polyamide acts as an oxygen barrier,
protecting the contents against oxi-
dation and also preventing the fra-
grance from escaping.
As transparent asglass, but more
stable:cream potsfor YvesRocher
Ul t ramid – he lp ing bod ies look good
Most injection moulders only know Ultramid® as
granules which are tipped into the moulds to make
the casing of power drills, inlet manifolds or similar
relatively large parts. But Ultramid can also be con-
verted into fibres, in which form it makes a sparkling
appearance in bathing and swimming: Ultramid BS
(nylon 6) is highly suitable for the spinning of fibres for
swimsuits. Apart from this, Ultramid BS fibres are also
made into carpets and tights, fishing nets and
parachutes.
Ultramid products are especially suitable for high-
speed spinning, so increasing the package yield. The
yarn is extremely easy to dye and is light- and heat-
stable, so offering the ideal prerequisites for high-
quality, stripe-free fabrics – showing a good figure,
for example, in the best possible light.
F i b r e - g r a d e p o l y m e r s f o r s w i m s u i t s
F i b r e s
6
It all startswith a bottle
The consumer does not buy
because of the product, but
because of the presentation.”
The man who says this knows what he
is talking about. Joël Desgrippes is the
founder of the international design
agency Desgrippes Gobé & Associa-
tes (DGA), whose clients include IBM
and Coca-Cola as well as brands such
as Kenzo, Cartier, Boucheron, Betty
Barclay, Beiersdorf Nivea and Sans
Soucis. The world of perfumes and
cosmetics is an area where it is not the
contents that determine the design,
but the design that determines the
contents. The designer first starts by
creating the concept and form, and
the professional noses then develop
the perfume to match.
”A customer who wants to launch a
new perfume on the market comes to
us with an idea of which target group
he would like to address and how he
would like to position his product on
the market”, explains Corine Restrepo,
packaging designer at DGA. The trend
analysts at the agency then create the
product concept which matches the
consumer profile, using a creative
method developed by the agency cal-
led ”SenseÒ”, which stands for ”Sen-
sory Exploration and Need States Eva-
luation”.
They find out which needs and expec-
tations characterize the target group.
D e s i g n
Designers he lp determine whether a f ragrance is a success
What feelings should be associated
with a product? Should it be luxurious
or more sporty? Soft or sharp? And
finally, together with the designers,
they apply themselves to the question
of how to create brand identity. When
these questions have been answered,
the designers start their real work.
Consumer p ro f i l e f o r pe r f ume and bo t t l e
”Firstly, we consider which shapes,
colours and materials, which acces-
sories, awake the desired feelings in
the consumers”, explains designer
Restrepo. A number of concepts are
developed in this way. Of the preli-
minary rough designs, the practical
ones are selected - always together
with the customers and trend collea-
gues. ”It is then time to produce the
first 3D models from plastic foam.”
In consultation with possible manu-
facturers, the designers then check
the suitability of various materials
(feasibility and cost study). And final-
ly, a model which looks exactly like
the later product is produced from
acrylic, for example BASF Lucryl®.
And perfume and packaging together
ultimately evoke the feelings that
marketing experts and trend ana-
lysts, designers and ”noses” were
aiming at.
Design influences purchasing behaviour Joël Desgrippes, the founder of the FrenchAgency DGA.
7
B e a u t y
In or out – this is not a question of fashion for BASF: In
cosmetic products, they are often inside and outside.
On the outside, plastics in the form of pots and tubes
form the packaging, and the cosmetics themselves often
contain BASF fragrances, active ingredients and auxi-
liaries which are amongst the world leaders in this field.
Most commercial perfumes – no matter how expensive –
cannot manage without industrially produced fragrances.
BASF markets around 100: products like anisaldehyde
(„sweet, flowery, hawthorn“), and citral (“fresh, citrus-like,
green, lemon peel”). Phenylethyl alcohol, for example, has
a mild floral, hyacinth- or honey-like scent, while
cyclohexylethyl acetate a fruity floral, green odour,
reminiscent of raspberries and apple.
With around 150 auxiliaries and active ingredients, BASF
also helps with skin and hair care. With new Luvigel® EM,
for example. This
thickener makes
gels, creams
and body
lotions more viscous, stopping them running off like
water. „This innovative liquid thickener can be
incorporated more quickly and saves the cosmetics
manufacturer time and money“, explains Dr. Petra
Neumann from Technical Marketing at Ludwigshafen.
Excessive exposure to sunlight is prevented by Uvinul® T
150. „The UV filter offers the highest light protection
currently available in suncreams“, says Dr. Karin Sperling,
underlining its advantages.
Vitamin products such as retinol (vitamin A) and vitamin C
phosphate counter the skin aging process. They prevent
cell damage caused by free radicals and UV rays. They
also promote collagen formation, so improving skin
elasticity.
I n c reams and shampoos,cond i t i one r s and sp rays
However, intense sunlight not only
irritates the skin, but also stresses the
hair. This is why many manufacturers of
care products use panthenol. This
provitamin B5 penetrates deep
into the hair structure, improves
elasticity and combability and
protects the hair against dry-
ing out. Luviquat® Care, on
the other hand, protects the
hair surface in conditioners,
shampoos, sprays and dyes
and not only makes wet hair easy
to comb, but also prevents static
and flyaway hair and gives the cut
body and hold – the style stays in
place. In any weather.
Fine fragrances, effective auxil iariesA b road range o f BASF p roduc t s fo r t he cosme t i cs i ndus t r y
plast ics 2 99
8
The recycling of packaging waste is regulated at
a European level by the EU Packaging Directive,
which came into force at the end of 1994. It
prescribes that, by the year 2001, at least half of all
packaging - whether plastic or metal - must be re-
cycled or incinerated for energy recovery. At least a
quarter must be recycled.
The various EU states have incorporated the 1994
directive into national law in quite different ways. There
are significant differences in the methods used, ranging
in the case of plastics waste from incineration of hou-
sehold packaging together with other waste (energy
recovery), as in the Netherlands, to collection, sorting
and recycling of even small items of packaging
(Germany).
The ”g reen do t ”i s w idesp read
In Belgium, Germany, France, Ireland, Luxemburg,
Austria, Portugal and Spain, recycling is regulated with
the aid of licensing through the ”green dot”, which
appears on around 460 billion items of packaging per
year across Europe. Although in most countries the
green dot is restricted to retail packaging for house-
holds, it can, in Austria for example, also be used for
commercial and industrial packaging. Other countries
finance the collection and recycling in other ways, for
example in Denmark by means of special waste fees.
The 1994 EU directive stipulates that the targets must
be re-examined after five years. The states are there-
fore currently discussing whether the recycling rates for
the individual packaging materials should be raised.
”We are concerned to see that, in order to meet
quotas, there is a growing trend in the recycling of
plastics only to allow restricted use of feedstock
recycling methods”, says Dr. Thomas Plesnivy, respon-
sible for questions concerning plastics and the environ-
ment at BASF. This would favour mechanical recycling,
i.e. the remelting of used plastic to give new moulded
articles.
”It has been shown that feedstock recycling and energy
recovery are ecologically appropriate methods of
recycling plastic packaging waste and are superior to
mechanical recycling methods if the waste is soiled or
of mixed types“, emphasizes Plesnivy. There is there-
fore no ecological justification for preferring mechanical
recycling. There is therefore no recognizable benefit for
the significant cost increase this causes.
About 66 million metric tonnes of packaging is consumed annually in western Europe. Plastics account for about 17 percent of them.
Different countries, different conceptsT h e E U P a c k a g i n g D i r e c t i v e i s a p p l i e d d i f f e r e n t l y a c r o s s E u r o p e
L e g i s l a t i o n
BASF’s R&D employees
stepped up the pace again
in 1998: they were re-
sponsible for 1,075 new patent
applications worldwide, 141 more
than in the previous year. This has
enabled BASF to maintain its leading
position amongst major chemical
companies. By the end of 1998, the
company held a total of around
90,000 patents and patent applicati-
ons, about 8,000 more than at the
end of 1997. This increase is primarily
attributable to a larger number of for-
eign filings.
Of the new applications in 1998, 37
percent came from BASF’s Plastics &
Fibers segment. Life sciences,
covering products for
health and nutrition,
pharmaceuticals,
fine chemicals
and
crop protection, came next with 23
percent. Colorants & Finishing Pro-
ducts accounted for 21 percent, and
the Chemicals segment 13 percent.
The remaining 6 percent came from
other units, such as process enginee-
ring and information technology.
DM 2.6 b i l l i on fo r r esea rch
The figures for patent applications
relate only to inventions which were
first filed at a national patent office – in
most cases at the German Patent and
Trademark Office in Munich. They
form the basis for further
applications throughout the world. On
average, a BASF patent provides pro-
tection in 14 countries. In the year
2000, BASF will achieve at least one
fifth of its sales (excluding the Oil &
Gas segment) with products launched
during the last five years. The cost? In
1998 alone, the company spent
around DM 2.6 billion.
p last ics 2 99 9
R e s e a r c h
Researchersat the top Number o f pa ten t app l i ca t i ons i nc reases
aga in i n 1998
Automatic laboratory equipment for routineoperations. Speed is of the essencewhen it comes to patent applications.
BASF researchersput in a lot of headwork. The results in 1998:1,075 first-filedpatent applications.
10
The screws make the differenceBASF pilot plant optimizes processes for the production of compounds, blends and mixtures
T e c h n i c a l
Whether plastics or
detergents, pharma-
ceutical activestet
compounds or animal feeds –
BASF’s compounding pilot plant
employs around 40 people
dedicated to the art of com-
pounding. In general, their job is
to process two or more
substances under optimum con-
ditions in a type of mincer, the
extruder.
Where b l end ing i s an a r t
For plastics, this means using
the compounding pilot plant to
carry out small-scale trials to
determine the best conditions
for incorporation of glass fibers
into the Ultramid® (PA) raw
material. The incorporation of
additives into the raw product,
which sounds so simple to the
layman, is actually extremely
difficult: for example, not every
material withstands the
temperature necessary to melt the
blend components sufficiently to
allow them to be mixed inten-
sively and then granulated.
„Every researcher who has an idea
for a new formulation variant, for
example using a new flame
retardant, comes to us. We test
whether the formulation can be
converted into a practical product
using standard commercial
equipment and whether the
conditions can be applied later on
a production scale“, says Jürgen
Hofmann, responsible for com-
pounding and high-viscosity
technology in plastics research.
This means that every new pro-
duct will pass through the compo-
unding pilot plant at some stage.
The extruders of various sizes can
process from 500 grams to 300
kilograms of material per hour.
Qu ick ass i s t ance fo rcus tomers
Another function is described by
the Head of the Pilot Plant,
Armin Kurps: „If a customer calls
the Technical Service Department
and says that the plastic he uses
in injection moulding sometimes
tears during demoulding, the Just as fascinating for engineers as photo-graphers, detail of a screw.
plast ics 2 99 11
Technical Service Engineer or
product developer comes to us.
Together, we look for a way to
improve the demoulding properties
of the product“. This could mean,
for example, adding more rubber
or a demoulding aid, for example
beeswax, to the raw material. In
the pilot plant, engineers work out
how to modify the screws in the
extruders or how to adjust other
process parameters so that the
added component is distributed
correctly and does not adversely
affect other product properties.
Produc t i on p l an t r ep roduced i n m in i a tu re
„In the end, our job is to recom-
mend how the plastic can be com-
pounded by us at BASF or by our
contractual partners on a large
scale“, is how Hofmann
summarizes the job of the pilot
plant. The list of additives for
plastics is long, ranging from
pigments and metal flakes via
sawdust and glass fibres to
stabilizers, lubricants and
plasticizers. „Sometimes, one of
our production plants comes to us
because they want to improve the
output of their compounder while
maintaining the specification“,
says Kurps.
In such cases, the pilot plant per-
sonnel build a small copy of the
production plant and try to optimi-
ze it. „The plant conditions are
usually such that we only modify
the screw configuration. The
remainder is permanently
installed“. The correct com-
bination of various mixing, com-
pounding or conveying elements
(to mention but a few) of which the
screw is composed requires a lot
of experience and technical and
product knowledge – which the
pilot plant personnel have in
abundance.
It is not just customers who profit
from this experience. The
manufacturers of plastics
processing machines also benefit,
explains Hofmann. „We are
continually testing new machines
in collaboration with the manu-
facturers. This means we are bang
up to date at all times“.
T e c h n i c a l
Changing the screw clearance by the rotation of special mixing/conveying elements.
Mixing with toothed discs Dispersing and kneading with kneadig blocks.
12
here were lower raw materials costs
and rationalization and cost reduction
measures, ex-plained Strube. A good
financial result also helped. However,
Strube predicts hard times in the near
future. „After a reasonably successful
1998, we will be working in a much
tougher business climate in 1999“.
Sales in the Plastics & Fibers
segment increased by two percent to
just under 15 billion marks. Earnings
improved even more. Strube: „We
increased profits in Plastics & Fibers by
almost half, to well over one billion
marks.“ An upswing was experienced
by engineering plastics, where sales
increased due to high demand from the
automobile and electrical industries. In
Ulsan, Korea, a world-scale ABS plant
which is setting new cost standards
was brought on stream, says Strube.
Another plant is expected to start pro-
duction of ABS commodities and spe-
cialties at Altamira, Mexico, in 1999.
The capacities for compounding
engineering plastics at Schwarzheide
and producing Ultraform in the USA
were increased.
Styrene plastics recovered from their
low point. Through structural changes
and improvements in cost structures,
they achieved an improvement in ear-
nings of 270 million marks. BASF bro-
The 1998 financial year was
characterized by strong con-
trasts in the BASF Group.
Business was very satisfactory until
mid-year, but flattened off consider-
ably in the second half. This was how
the Chairman of the BASF Board of
Executive Directors, Dr. Jürgen
Strube, summarized the results from
the preceding year at a press con-
ference. Crises in Asia, Russia and
South America had an impact on pri-
ces, and demand fell. „We did not quite
repeat the high sales level of 1997“,
said Strube. The BASF Group achieved
sales of around 54 billion marks in
1998 – a drop of 3.1 percent compared
with the preceding year. Nevertheless,
profits before taxes for the BASF
Group remained high, rising slightly to
5.4 billion marks. Contributory factors
1998 resu l ts : S t rong beg inn ing, weaker endI nc rease i n sa l es and ea r n i ngs fo r p l as t i c s
R e s u l t s
ught on stream new plants for
Styropor® at Nanjing, China, and for
polystyrene at Joliet, Illinois. The acqui-
sition of the Hyosung Group’s share in
BASF Styrenics Korea Ltd., now BASF
Company Ltd., Korea, strengthened
BASF’s position in Styropor and poly-
styrene in Asia, says Strube.
Annua l Repo r tExact figures and explanations of
BASF’s business are given in the
Annual Report entitled „Excellen-
ce in chemistry“, available in Ger-
man and English. It can be orde-
red by filling out the fax response
form on the back page.
Further information is also available fromthe BASF homepage at www.basf.de.
L i b r a r y
5671
4359
3639
3024
2707
Investment BASF GroupMio. DM
‘94 ‘95 ‘96 ‘97 ‘98
BASF’s Terluran® family has
grown. On April 1, the
Ludwigshafen company
acquired the Ronfalin® and
Stapron N® ABS plastics business
from DSM of Holland. ”These two
products from DSM will enable us
to strengthen our market position
in ABS plastics and so achieve our
strategic aims in this sector more
quickly and effectively”, explains
Christian Meyer, responsible
for integration of the new products
into the BASF portfolio.
Although this is a major step for
BASF and DSM, hardly anything
has changed for the customers.
”The contracts with the customers
naturally remain valid. And we
guarantee that the customer
service and the quality of the pro-
ducts will be exactly the same”,
assures Meyer. The only difference
that the customers will notice will
be that BASF will provide
the customer
care instead
of DSM.
Lego buildingblocks, for instance,are made from theABS Ronfalin.
plast ics 2 99 13
In addition, BASF can now offer
customers a wider range of ABS
products. It is made up of the pro-
ducts of the Ronfalin range,
Terluran specialties and Terluran
commdodities. Furthermore, BASF
is expanding its line of specialties
with the ABS/PA blend Stapron N.
The background to the transaction
is that BASF wants to strengthen
its market
position,
New additions to the ABS familyRonfalin and Stapron N from DSM integrated into the BASF plastics line
New Products
expand its product portfolio and
utilze synergies in distribution,
marketing, logistics nad techincal
service. Further, the deal with
DSM will provide BASF with
additional product and process
know-how.
I n fu tu re, a lmos t600,000 met r ic tons o f
s ty rene copo lymers
BASF is one of the world’s leading
suppliers of ABS plastics and
other styrene copolymers. The
company has so far been
operating production and compo-
unding plants with a total capacity
of 400,000 metric tonnes per year
in Germany, Spain, Korea and
Australia. When the new plant at
the Altamira site in Mexico comes
on stream in the second half of
1999, the capacity will rise to
530,000 metric tonnes per year.
Via DSM, BASF now has a plant at
Geleen, the Netherlands, with an
annual ABS capacity of 60,000
metric tonnes.
Your contact for Ronfalin and Stapron N:Christian Meyer, Tel. +621/6048798
14
Absolute silence, not a
single sound, even when
listening closely – many
people cannot imagine this sensa-
tion. However, it has been possible
to experience it since April in the
city of Paris, not exactly known for
being quiet. In the „Cité des
Sciences et de l’Industrie”, Euro-
pe’s largest science and industry
museum in the Parc de la Villette,
BASF has used its Basotect foam
to build the „Corridor of Silence“ –
an entrance hall full of corners into
I n b r i e f
Absolute silenceBaso tec t i n ac t i on a t t he Pa r i s Acous t i c sExh ib i t i on
The colouring of plastics requires
considerable expertise. When
selecting a suitable pigment, not
only must the type of plastic be
considered, but its processing and
use are also important criteria.
Statutory requirements must
also be taken into account.
In order to simplify selection of
the ideal BASF pigment, the
company is now making version
2.0 of its ”Lucolor: Colourants for
plastics” database available on
CD-ROM. The user enters the
pigment requirements in a search
mask, and the programme finds all
suitable BASF products.
Besides colour, application and
physical properties of all BASF
pigments for colouring plastics, the
simple, user-friendly database also
includes information on supply
specifications, safety data sheets
and the major test
methods.
The CD-ROM can be ordered
with the fax response.
Co lou r i ng o f p l as t i c smade easy
N e w C D - R O M
which not a single sound penetra-
tes. The melamine resin, a thermo-
setting plastic from the amino
resin group, absorbs all noises
from the outside and muffles every
word and whisper from visitors.
Qu ie tness i n bu i l d i ngs,ca r s and p l anes
The „Corridor of Silence“ is loca-
ted in the redesigned permanent
acoustics exhibition on the Explora
floor of the French museum. Besi-
des this subject, the „Cité des
Sciences et de l’Industrie” offers
many other exhibits which allow a
broad public to find out about the
modern industrial world and cultu-
re in a fun way.
Basotect is a material that most
visitors will already have encounte-
red – probably without knowing:
Basotect foam panels provide
soundproofing in cars, aircraft,
buildings, industry and in machi-
nery. Basotect is very flexible and
temperature resistant and has
good fire protection properties.
If you would like to switch off your ears for awhile, visit the ”Cité des Sciences et de l’In-dustrie” in Parc de la Villette, Paris, 30, ave-nue Corentin Cariou.
The corridor of silence in Paris
L u r a n S
High-tech-frisbeemade from Luran S®
I wou ld l i ke a copy of the CD-ROM
”Lucolor colours for plastics”
fur ther informat ion on Terlux
on Luran
A copy of the Annual Report
I would like the information in
German
English
Please ask your sales personnel to
contact me.
Further comments:
BASF plc
Plastics editorial office
GB-Cheadle
Fax 0161 488 4133
Name:
Company:
Address:
Post Code:
Telephone:
Fax:
plast ics 1 99 15
E d i t o r
plastics
Editorial team:
Hélène Bekourian
(BASF France), Ben Bloemendal
(BASF Nederland B.V.),
Lena Christiaen
(BASF Belgium),
Karen Kling
(BASF Aktiengesellschaft),
Julie Whittaker
(BASF plc/Great Britain)
Editorial address:
BASF Aktiengesellschaft,
ZOA/KK, C 100,
67056 Ludwigshafen,
Fax +49 621 60-49497
Editor:
BASF Aktiengesellschaft
Karen Kling, ZOA/KK
Tel. +49 621 60-4 69 10
Layout:
Spektrum, Ludwigshafen
Fax response to the ed i to r ia l team
xF pla
stic
s
a
It has to stand up to a lot of
sunshine, must be resistant to
weathering and durable – the
frisbee. So, it is only natural to
use Luran S, BASF’s ASA with
the right properties. This stur-
dy material is excellently suited
for demanding applications in
the leisure sector, whether in
superstructures of boats, color-
ful facings for scooters, mobile
homes or surfboards.
Professor Dr. Burghard
Schmitt, President of BASF’s
Engineering Plastics Division
will leave the company in July
1999 to become CEO of Süd-
deutsches Kunststoffzentrum
(South German Plastics Centre)
in Würzburg. From August
1999 Dr. Ehrenfried Baum-
gartner, who is now President
of BASF Company Ltd. in
Seoul, Korea, will be his
successor.
New leader of Engineering plastics
P e r s o n n e l