Stuffing:

4 Local Artist Profile: Benjamin Wallis6 The New

8 The Spectrum Guide9 Fahrenheit 9/11

10 Out & About 11 The Hopetoun Hotel

12 Queer as Folk: festival review 13 A Tale from Lair of the Twisted Kitten

14 A Beginner’s Guide To…15 Two Men, a Twelve String and Many Bars!

16 RantMan 17 Live Review: 10 Band Pile Up

18 TV Shows You Thought You Had Forgotten 19 Local & Live

Roasted by: Claire R DullooCover by: Dale Harris featuring Spectator by B. Wallis Ingredients by: Louis Claveria, Korshi Dosoo, Claire R Dulloo, Em Faulkner, Roc Kandrol, RantMan, Bridget Robertson. David Tuite, Mike Turner, Shannon Wakefield, Aaron Wallace & Benjamin Wallis.

The Producer would like to thank: Lizzie, the BAA, Marianne, Davels as always, Bridget & Tash, Dale, Lica for her talents, Bex for the free HP tix, The New, Ludwig, Rhett & The Butler family, Cheer Bear, Shannon W, Malit Singh. Special thanks and farewell to: Nadia Reid.The Pastry Chef was: Dale Harris (design & layout)The Caterers congratulate: George Foreman for knocking out all the fatThe Printers were: Bolton Bros. BendigoThe Publisher would like to pimp: www.vamplepublishing.comThe Customers can email: spectrum@blamlan.com

The opinion expressed in Spectrum is not necessarily that of the City of Greater Bendigo Cultural Development & Events. All content is copyright blah blah etc blah.

The Spectrum staff looked riveted at the prospect of another issue

tm

Here we are, yet again. Spreading the love. I’d like to say an rather large thankyou and a fond farewell to Nadia Reid, formerly of CD&E, for giving the team at Spectrum Street Press so much support and encouragement. We wish Nadia well in whatever she pursues in the future. Spectrum is looking for another Editor for 2005, so if you think you’re up for it then contact us at HQ.

I don’t have much else to say other than:Go to www.thewebshite.co.uk/nickelback.htm

It’s well worth it, especially if you are a diehard Nickelback ‘fan’.

Cheers.

Ed.

tm

street press street press2 3

nameBenjamin Wallis

age:21

star sign:Aries

right or left handed?Left

introvert or extrovert?In between

studying:3rd Year of Bachelor of

Visual Art (Fine Art)

originsOriginally from

Shepparton

my storyI went to Notre Dame College in

Shepparton and have been painting since Year 10, but I was drawing long before that.

The expressive nature, music, cartoons, comics, movies and exposure have all been influences that have drawn me into the creative process.

My style is a mixture of random/controlled movements of paint, combined with some sort of figure/notion of one. The background of my work involves itself with the figure. The medium I work with most is acrylic and charcoal.

My favourite personal pieces would have to be one of this year’s works entitled Falling. This overall theme has been the basis of my work for the last two years. The piece has been the most personally fulfilling to date.

My favourite artists are Gordon Bennett and Roy Lichtenstein. All I can say about them is: magic. People should definite ly check them out. I have drawn a lot of inspiration from animation and other works of art. Although my work might not show noticeable influences, I have many which may not always change the aesthetic quality of the image, but shift the meaning.

To sum up my personality and my work: Easygoing and relaxed, enjoying my work and just having fun with it.

So far my mentors have been my VCE art teacher Bethanie Philips and my two university lecturers Steve Turpie and Robyn Burgess.

The RAW art comp experience was great. It was my first comp and it was nice to get some feedback from the show, this interview being another perk. It’s worth going in and I think more people should.

My future plans are to finish my course and do a DipEd. So I will end up being a secondary school art teacher one day.

Thanks very much for the opportunity to appear in Spectrum. Anyone willing to expose/help youth talent and inform people about local art and music rates with me.

I have an exhibition coming up in Melbourne with my classmates called Parallels and Meridians. It will run from July 28th to August 15th @ 69 Smith St, Collingwood. Anyone who is interested should come along.

contact bjwallis@students.latrobe.edu.au(03) 54427891

tmtm

LOCAL ARTIST PROFILE: benjamin wallis LOCAL ARTIST PROFILE: benjamin wallis

SPEC

TATO

R

FALL

ING

JUST

HER

E

LOO

KIN

G

NA

ILED

4 5

You used to know them as Of Anaesthesia. But now after a slight line up change it’s time to get used to The New. I believe this name is here to stay. Formed back in 2001, this five piece has gone from strength to strength. You can now catch the boys playing at all sorts of venues in the city, including places such as the Hi Fi Bar, the Corner Hotel, Pony, Revolver Upstairs, and the Espy (yes, impressive!)

Guitarist and vocalist, Aaron Wallace describes experiencing the live Melbourne scene as ‘interesting’. ‘There’s a lot of support for you if you can impress the right people; it’s a matter of climbing the ladder. We’ve been working on doing a lot of support shows for bigger bands with their own crowds in Melbourne. We have been able to impress, which has earned us return shows at places like the Espy and Hi Fi Bar.’

It’s not easy to describe the sound that is The New. ‘We’ve never really had a ‘sound’. We’ve usually just written whatever we’re in the mood for. It’s never really been about direction or anything.’ Clearly inspired by Sonic Youth, Jeff Buckley & The Deftones, the group have won over fans from all corners of the state.

The New have come a long way in three years. They have played every festival Bendigo has had to offer. In the process they have supported acts such as Motor Ace, Gersey, Blood Duster, Bluebottle Kiss and Fourth Floor Collapse.It is not only Bendigo audiences that are impressed by the band. Mid 2002 saw them win the Castlemaine Push Battle of The Band. Then they went on to take out both the Bendigo and the Regional heats of the 2003 National Campus Bands Competition. From there the guys performed at the Corner Hotel to 600 eager punters, where they came a very admirable second place.

Rhys O’Loughlin, formerly of Sleep Field and Buddwyer, has joined the band on percussion. According to Aaron this is a good move. ‘Rhys played his first gig at the Espy and did great, so he’s definitely a keeper. He’s also hot.’

The New hope to head into the studio and record soon with something delectable to listen to by Christmas 2004. They then plan to follow up with an east coast tour if all goes well. The band will continue to write music regardless of rules or convention.

If you haven’t seen The New at one of their many gigs around town then what the hell are you waiting for? A sound like this doesn’t come along every day.

The New play The Hopetoun Hotel Fri Aug 13th – with Hinge & 2 more bandsStarts 9pm $3 cover charge

For all the tour info, contact details and other tasty stuff head to:

www.ofana.net

For some sumptuous sounds onlinehead to:

www.mp3.com/ofana

tmtm

formerly known as... formerly known as...6 7

The Spectrum Guide to People You May Need to Knowfor Engaging in Perspicacious Conversation

Sylvia Plath (1932-1963) Plath published her first poem when she was 8. Sensitive, intelligent and compelled toward perfection in everything she attempted. Plath was trapped by her own desire for death. She nearly succeeded in killing herself by swallowing sleeping pills. She later described this experience in a novel, The Bell Jar (1963), where she tried to trick everyone by using the pseudonym ‘Victoria Lucas’. But they all knew it was pretty much her autobiography. She then had some electroshock and psychotherapy and resumed her career. She married English poet Ted Hughes. That didn’t last long. The harder her life was the more she wrote. In 1963, at age 30, Plath killed herself with cooking gas.

Jean Jacques Rousseau (1712-1778) A Frenchman who is said to be the most “feeling” of all philosophers. His greatest contribution to philosophy was his concept of the noble savage. Unlike the thinking man who is a depraved animal, the noble savage is untutored, unambitious and unspoiled. Rousseau concluded that man should stop thinking and start feeling. He came under criticism for starting a school of thought that broke all the rules of non-European equality in relation to America. Known for his elegant powdered wig and attractive accent, he defied the very fibre of 18thC philosophy. He eventually lost his mind, convinced that the world was trying to kill him. “Man does not need to be educated to be good, he need only follow his heart”.

Emily Dickinson (1830-1886) An American and one of the greatest female poets ever to have lived. Not too keen on living, she’d lock herself away in her room writing on death and dying. Best known for her poems I Heard a Fly Buzz - When I Died and I Felt a Funeral in My Brain. Overworked and underpaid, Dickinson battled sexism in the workplace, consequently becoming a recluse at 23 and hardly ever leaving her room. She dressed only in white and saw few of her visitors. Only 7 of her some 1800 poems were published during her lifetime. Dickinson’s works have had considerable influence on modern poetry. Feminist critics have challenged the popular conception of the poet as a reclusive freak and underlined her intellectual and artistic sophistication. Like an old fashioned Alanis, minus the music and career as a child TV star.

Oscar Wilde (1854-1900) Irish poet and dramatist whose reputation rests on his comic masterpieces Lady Windermere’s Fan and The Importance of Being Earnest. Among Wilde’s other best-known works are his only novel The Picture of Dorian Gray and his fairy tales especially The Happy Prince. Known for wearing what was considered at the time ‘garish and lewd garments’. Think Victorian-style Elton John. Had an extraordinary memory where he was able to read a book then quote any page requested. Wilde went to trial for being a homosexual (it was illegal in England at the time) and was imprisoned for two years. Best quoted as saying, “A true friend stabs you in the front”. Wilde died of cerebral meningitis in 1900, penniless, in a cheap Paris hotel at the age of 46.

fahrenheit

9/11I got the chance to see

Michael Moore’s...you know, I’m not sure that “documentary” is the right word since Moore’s bias is so clear. Perhaps “fucumentary” is more appropriate.

It’s a staggering piece of

work—even with the understanding that Moore is out to get Bush. The most damning moments for the Bush A d m i n i s t r a t i o n come from simple facts: The refusal of even

a single Senator to join with the Black caucus in protesting the disenfranchisement of black voters in Florida; the entanglement of Bush family business interests with Bin Laden and Saudi Arabian business interests; the contradictory statements of Bush’s own people (their assurances in early 2000 that Saddam was not a threat as opposed to their later proclamations that he was); the extended, agonising, deer-in-the-headlights look on Bush’s face during seven minutes of non-action at a Florida kindergarten. We see children in Iraq post bombing, with arms blown off, legs blown off...a little boy screaming as medics desperately try to sew pieces of his face together; an elderly Iraqi woman screams that God has forsaken them, that her house and all her neighbours’ houses are destroyed, that she has been to five funerals in the previous week...

Everyone of voting age in America should see this film.

Moore has come up against a lot of criticism in the US for his work. F 9/11 has been labelled as “shameless propaganda” and a moneymaking machine for Moore and Hollywood’s Weinstein brothers.

The thing that is most important about it, even if you disagree with Moore, is that the film raises questions which no one else in the media has. If Moore is wrong, then the media should do the job that they are supposed to: prove it.

Fahrenheit 9/11 is a moving and powerful work. But will it change anyone’s mind? Who is going to go and see it that doesn’t already oppose Bush? Not the diehard Republicans, and not the apathetic.

Fahrenheit 9/11 can be seen inBendigo from July 29th.

tm

fahrenheit 9/11

michael moore Roger & Me (1989)

The Big One (1997),

Bowling For Columbine (2002)

Fahrenheit 9/11 (2004)

CRD

bendigo’shopetoun

hotelIf you’ve ever wondered what it’s like on the inside of the Hopetoun Hotel,

don’t be scared, just go on in and take a look! If you want a pub with

atmosphere and character, then look no further than the Hopey. It is one of

the last pubs in Bendigo to still offer great live original music. Having hosted

some of Australia’s finest bands such as Muzzy Pep, Warped and Forth

Floor Collapse, the Hopey continues to support local bands and has become a beacon of live music venues. Bendigo

acts such as Ruteger, Upinarms, Blank Expression, Cement Pig,

Eyeleveleye, Ermintrude, Frog In A Sock, Leechseed and Kill The Boss have all had the experience of

playing at the Hopey, a relaxed and laid back venue.

Every Friday night has a happy hour and live music. Saturdays are karaoke

night with drink specials. There are also two pool tables, a pinball

machine, jukebox, couches, a telly and inexpensive accommodation available.

If you’d like your band to play at the Hopetoun Hotel then head to the

website or call (03) 5443 4871 and chat to the friendly staff.

Hopetoun Hotel94 Mitchell Street Bendigo

Open Monday - Saturday 10am - 1am

http://hopetounhotel.tripod.comhopetounhotel@hotmail.com

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bendigo’s hopetoun hotel

Hopetoun Gig Guide:Fri 6th Aug Ground Component & The Spazzy’s

Fri 20th Aug Violet Protocols & SalvadoreFri 27th Aug Union

Fri 3rd Sept Words UnrelatedFri 10th Sept Angel Fire

Fri 17th Sept Leechseed & Suicide Bombers

the girls from

Lacquerat the H o p e t o u n

Adrian, punter of the Golden Vine, browsing issue #7

places Spectrum has been spotted...

random girl ata randompub enjoying a read

tm

out and about

out

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abou

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out

and

A tale from Lair of the

Twisted Kittenwww.lairofthetwsitedkitten.co.uk

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tm

tm

twisted kitten

12

two men, a twelve string guitar & many bars

I saw John Butler play once, at the Golden Vine Hotel, maybe about four years ago when he was just a wee lad on the scene. The most memorable moment in the show (for all the wrong reasons) was when a heckler decided to tell John to stop talking and start playing. Sporadically throughout the show he would talk about the political and sociological motivation for his songs.

As the heckler piped up it was one of those moments where most people in the room were embarrassed to be a ‘Bendigonian’. With dignity and grace John acknowledged the comment and said, “I was just trying to share something with you.” Back then; playing the small bars and hotels around the country it was obvious he had that something about him. I must admit I’m not an avid fan, but I can see why some people are. Last month the John Butler Trio once again rolled into town, this time playing in an auditorium to around a thousand people. I was lucky enough to catch the last 45 minutes of the show, and judging by the crowd he was giving a hell of a performance.

There were long instrumental interludes where the band members were almost jamming. If they had not been so good it would have seemed a little indulgent. It was great to see the freedom of expression embraced and encouraged by the audience. But I had to wonder whether the majority of the thousand or so people watching

John Butler venture out into their community to see live music often? Did they know he had been here before or was their introduction to him via Triple J? The last time I saw him play it was to about 50 people.

Back at the Golden Vine that same night, playing to a crowd of about 60, was another man on a twelve string with dreadlocks dangling around his face. Our very own Stringybark was belting out some traditional blues on the same stage he has played on for years and years.

So the moral of the story is, boys and girls, that you just never know who will be playing at your local hotel…so get out there and support them!

bridget robertson

tm

two

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part one: forming a bandand promoting yourselves.

g Firstly find a band via putting up ads in music shops. Once the future drummer has figured out the touch-tone phone you’re well on your way. Get together with your new band mates figure out who’s parents are the richest and get them to buy $4000 worth of musical gear. If the rich kid ends up sucking at playing an instrument get him to be manager or a roadie. If you all are poor buy your stuff from Cash Converters because it’s normally cheaper.

g After the first jam together you must dictate who’s doing what. You are obviously the singer because you lug less gear and pull more chicks/blokes. Also work out the personalities to suit an instrument (it isn’t that hard). Tell the new members to get guitar lessons off the bloke who plays in Bendigo’s premier cover band. They will master Khe Sanh on their instruments in no time. The drummer should teach himself watching The Who - Live at Leeds video.

g Find a name, then steal a few chords and a look

off a bigger band i.e. Rolling Stones

g Write some songs and practice, which will annoy the neighbours who will then call the cops on you, because they are jealous.

g Work out who is the most with it and make them the band’s manager (or see rich kid reference above). If that doesn’t work ask the class nerd because he needs more friends and loves to work

g Do everything in your power to stop your dad managing the band.

g Get your manager to call youth music services and tell them how shit hot your band is. Then tell them you want to headline one of those non-

paying Battle of the Bands gigs. Announce that your band is doing this gig as a warm up for the Falls Festival.

g When you have the date of the gig start the hype machine, build a website, contact press, radio and whoever will give free promotion.

g Tell the press that 3 major labels have asked you to record a demo because they heard about your band through the high profile out-of-town gigs you’ve been playing. If they think this is bullshit tell them that your manager used to work for Grinspoon and you can get them free tickets to an up and coming Mildura show. Then they will become your band’s best friend.

g Practice but don’t record a demo yet because if you suck people still don’t know.

g Put posters up everywhere to promote the gig. If you get caught doing anything illegal, just blame the drummer because it was his idea.

g When you do interviews make the “manager” do them because the band is too busy this will make the press talk even more. Work out a big story to tell them and hint at label interest in the band.

g Keep building up the website about how great your band is. Tell everyone an MP3 will be up soon and that you are doing the national tour with Jet in 3 weeks because your sister is dating one of the Cester brothers.

tm

beginner’s guide

shannon wakefield ( SHANNON@RUTEGER.COM.AU )

tm

The Golden Vine was the venue for the second annual

band pile up. Last year was so successful that the

new proprietor’s of the Vine were happy to run the event

again. Even though I didn’t stay for the whole day, I did witness

some of Bendigo’s best musicians and an afternoon of diverse entertainment.The day kicked off with Skip (Ethanol), who filled in for Matt Chapman, running late on his way from Melbourne. Skip sang songs off his EP as well as a couple of new ones. Tash Hayes from Violethands helped out on background

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band pile-up

vocals for two of his strongest songs, Warm Latte and The Fool. In a very intimate setting Skip was in fine form. Chapman, whose album from last year was what I considered the highlight of all local releases, chimed in with the two last songs, showcasing his unusual and arresting vocals.

For me the highlight of the afternoon was hearing Salvadore for the first time. Consisting of experienced musicians, with Chris Davey on guitar and vocals, the band gave a consummate performance. Not afraid to show their pop influences, they had a new wave style and paid particular attention to dynamic arrangements and vocal harmonies. Their use of keyboard gave them a variety of sounds from atmospheric psychedelia to dance/pop. The set was all too short. The Trembles seemed to enjoy their performance, often laughing among themselves. I couldn’t decide whether they were enjoying the challenge of the slot they’d be allocated, if they were making mistakes, or whether they were just pleased about the country rock sound they were generating.

Damien Neil on guitar was nonplussed when a string broke; on rhythm his cohort, Don Web, continued playing without him. Their cover of an Alex Harvey song enthralled me. I didn’t think bands played his material any more!

The last couple of times I’ve seen the Violethands play they’ve had keyboard maestro Mick O’Connor on board. Has he permanently joined as a member? What a bonus! Pity he was on the electric piano and not the Hammond, but his embellishment was worth the entrance fee alone. The harmonies of Bridget and Tash were uplifting and I enjoyed Gypsy on the mandolin.

I hadn’t seen Tyson Hodges Trio (TH3) before and was expecting a little blues outfit with some delicate guitar solos against a percussive background. But I was totally blown

away by what I saw and heard. Percussionist, Colin Thompson moved his kit out front and Don Webb, now on bass, was relocated to the back of the stage. This was certainly effective. Instead of just looking at the guitarist, we could appreciate the hard work of Thompson, and notice the connection between the two. It made the audience appreciate the involvement of a drummer in the band, and when Thompson broke one of his sticks, we knew he wasn’t just there as support. The sound this that trio generate is something else. The closest I can compare is the work of John Butler, with crashing 12 string chords, powerful strumming and an array of effects. The trio certainly had the audience mesmerised. It’s about time Hodges got this outfit into an appropriate studio so that people outside Bendigo can appreciate their music. I couldn’t work out why a non-Bendigo band was invited to play next. However the last three bands, Ethanol, Ruteger and Colonel Vipers Whipstick Band went down a treat by all accounts.

roc kandrol

if meat is murder then i’m down for fifteen to life for lunch at mum’s last sunday.

I considered becoming a vegetarian. For about three minutes. I have enough trouble with people giving a shit about me now, let alone imposing some other form of social alienation upon myself. The fact of the matter is that Australians don’t get vegetarians, they mock them. The native ocker blue-bellied piss-sucker might be a lot of things, but subtle he is not. When I arrived at a BBQ with a tray of “I can’t believe these aren’t dead animal bits, breadcrumbs and offal encased in an intestine”, I was greeted with “What, you want to cook that lentil shit on the barbie before I cook everyone’s meat, or I’ll have to clean it?” Exactly.

I don’t get into half a cow, moo still echoing, inch thick with a serving of couscous. Gimme the couscous any day. I don’t love meat, but I eat it. When Mum cooks up something and I’m there for dinner, I’m not going to say “Hell no, I don’t dig this dead animal.” Of course I’m going to eat it. I need the iron, I need the nutrients and, well, I don’t wanna be hungry either!People say, “Being a vegetarian is all, like, expensive and stuff.” Have you seen the price of meat lately? We have a drought on, people. All the little animals are dying! They can’t grow up to reach their scientifically ideal weight: light enough to be slung on the band saw, but heavy enough to be maximum fat to tissue ratio for succulent consumption.

I do like vegetarian food, though. Rice is nature’s perfect little carbo-capsule and as long as it’s served with some form of soy product,

I’m at that party. I like vegie burgers, lentils, tofu pumps my nads and I even like lettuce. I don’t care for most vegetarians I’ve known. Many of them are a vegetarian fashion statement. I love the cute little animals, too. But all the bullshit that goes along with the vegetarian “scene” bugs me. It’s the fact that most vegetarians I’ve ever known have been “all about the trees, man”, while they still use as much toilet paper and environment-destroying chemicals as every other tosser. They didn’t do it for the right reasons. Being a vegetarian probably means you are more enlightened and give more of a crap about your own body and the world around you. This means that if you are a true and virtuous practitioner of your art, you are probably a much nicer person to be around in general.Famous vegetarians include Morrissey, the Dalai Lama, Moby and that little German fellow with the funny moustache that Charlie Chaplin made a documentary about. Last but not least the one I will worship forever with no equal: Lisa Simpson. After all, she’s not a little girl. She’s twenty-five.

FAN MAIL:rantman@blamlan.com

tm

RAN

TMA

NRANTMAN:

EXPRESSIONS OF INTERESTThe Kapoozies and Bendigo Arts Alliance present

Bendigo Fringe Fashion 2004Wearable Art Project

Are you an Artist/Designer or have an interest in art?Have you ever wanted to create an

outrageous outfit or be on the catwalk?

The Kapoozies and Bendigo Arts Alliance are excited to announce Bendigo Fringe Fashion 2004 and are inviting

people to be involved.You do not need experience to be a part of this project!

For further details and/or a registration form please contact

The Kapoozies on 54428947 or 54434082 or email kapoozie@hotmail.com

TV Shows You Thought You Had

Forgotten:

Hey DadAlf DangermouseCharles In Charge He ManReal Life with Stan GrantCountdownThe Afternoon Show with James ValentineBang Goes the BudgieRainbow BritePugwalls SummerThe Col’n Carpenter ShowYou Can’t Do That on Television Heartbreak HighPunky BrewsterThe Henderson Kids Fraggle RockVidiotWho’s The Boss?Sylvania WatersAnd our very own locally made Surprise Surprise

L O C A L A N D L I V Etmtm teevee

LocalBandNews:

After a successful EP launch at the Vine, Sender can be seen on TV in their film clip You’re On Fire. Get down to your local music store and buy the disc || McAlpine’s Fusiliers return to the live circuit after a 4-month break. Catch their new line-up & knee-slapping feet-jigging tunes touring the countryside now || Ruteger have been gigging their asses off here & in the big smoke. You can pick up your copy of their new album Formation of Flight at Sanity & Leading Edge Bendigo plus hear their songs on JJJ || The EP Full Bled Circle is selling well & the lads from Blank Expression are out & about stomping up a storm. Catch them at the Hopetoun regularly || Newcomers Anti-Social Commentary is a 3 piece depressive-rock outfit from Bendy. The guys feature regularly on Jam Night at the Vine & their other exploits can be read about at www.antisocialcommentary.u4l.com || What about the grrrrls I hear you say? Well Lacquer are here to save the day with their matching outfits and punked-up riffs & you can witness all this and more at the Hopetoun every month…stay tuned for all the goss ||

|/| Want your act featured in LocalBandNews? Got malicious rumours to spread? Then email fax write phone text Morse code walkie-talkie smoke signal us today |\|

Undue Noise dates: Aug 29th, Oct 10th and Nov 21st [Old Fire Station 8.30pm]Ash Grunwald – Sat July 24th @ The Golden Vine Ruteger – Sat July 31st @ The Golden Vine // Fri Aug 13th @ The Pony, MelbourneViolethands w/ Junior (SA) – Fri July 23rd @ The Golden VineLacquer – Fri July 30th @ The Hopetoun Hotel McAlpine’s Fusiliers –Fri 6th Aug - w/ Mijo Biscam @ The Old Bar, FitzroySat 7th Aug - w/ Damien Neil @ The Palais, Hepburn Springs Fri 17th Sept - w/ Mijo Biscam @ The Old Bar, FitzroySender – Sat 7th Aug w/ Star Assassin (Albury) @ The Golden Vine The New Fri Aug 13th – w/ Hinge plus 2 more bands/$3/9pm @ The Hopetoun Hotel The Fauves w/ Shannon Wakefield – Sat Aug 28th @ The Golden VineWords Unrelated – 3rd Sept @The HopetounLeechseed & Suicide Bombers – Fri 17th Sep @ The Hopetoun

Love getting into Trouble? Trouble puts artists, performers and arts businesses onto the Central Victorian map. Get into Trouble and get region-wide exposure. It’s your easy guide to Central Vic Arts.Cheap page advertising also available. Web: www.introuble.com.auEmail: trouble@introuble.com.auCall: 5476 2777 / 0428 349 382

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