Living in a World Without Color(bars)johnthemathguy.com/files/pdf/Living in a World Without...
Transcript of Living in a World Without Color(bars)johnthemathguy.com/files/pdf/Living in a World Without...
The Art and Science of Color Management
Living in a World
Without Color(bars)
John Seymour
Principal Research Engineer
QuadTech
The Art and Science of Color Management
Living in a World
Without Color(bars)
John Seymour
Applied Mathematician
QuadTech
The Art and Science of Color Management
I don't want to live in a world
without love or grief or beauty
or color bars, I'd rather die.
Dana Winter,
Invasion of the Body Snatchers
The Art and Science of Color Management
Why no colorbars?
1. Colorbars aren’t welcome
The Art and Science of Color Management
Why no colorbars?
Color patches can hide in a flap
The Art and Science of Color Management
Why no colorbars?
What if there is no flap?
The Art and Science of Color Management
Why no colorbars?
No color patches
Hershey’s has a
2.0 DECMC tolerance
The Art and Science of Color Management
Why no colorbars?
No color patches
The Art and Science of Color Management
Why no colorbars?
Color patches
The Art and Science of Color Management
Why no colorbars?
Magazines are trimmed
Colorbars can hide in the trim
The Art and Science of Color Management
Why no colorbars?
Newspapers are not trimmed
Colorbars can run,
but they can’t hide
The Art and Science of Color Management
Why no colorbars?
Where is the eye drawn?
The Art and Science of Color Management
Market research
2009 – QuadTech sales force collected newspapers
142 newspapers, twelve countries
The Art and Science of Color Management
Market research Belgium Metro
Montreal La Presse
Montreal Le Journal
Montreal Les Affaires
China Guangzhou Daily
Santo Domingo Listin Diario
Manchester Daily Express
London Daily Express
Manchester Daily Mail
Manchester Daily Telegraph
London Daily Telegraph
London Evening Standard
London Guardian
London Observer
Manchester Times
London Times
Finland Lansi-Savo
France La Depeche du Midi
Nimes Le Fiagro (Nimes)
Paris Le Fiagro (Paris)
France Le Progress
Germany Darmstädter Echo
Jalandhar Ajit Samachar
Kolkatta Anand Bazar Patrika
India Business Line
Agra Dainik Jagran
Noida Dainik Jagran
Ludhiana Dainik Jagran
Varanasi Dainik Jagran
Jalandhar Dainik Jagran
Delhi Dainik Jagran
Ludhiana Dainik Jagran
Meerut Dainik Jagran
Hyderabad Deccan Chronicle
Chennai Deccan Chronicle
Bangalore Deccan Herald
Mangalore Deccan Herald
Dharwad Deccan Herald
Pondicherry Dinakaran
Salem Dinakaran
Coimbatore Dinakaran
Madurai Dinakaran
Trichy Dinakaran
Vellore Dinakaran
Tirunelveli Dinakaran
Chennai Dinakaran
Madurai Dinamalar
Chennai Dinamalar
Coimbatore Dinamalar
Ahmedabad Divya Bhaskar
Mumbai DNA
India DNA Money
Mumbai Economic Times
Delhi Economic Times
Pune Economic Times
Kolkata Economic Times
Lucknow Economic Times
Hyderabad Economic Times
Chennai Eenadu
Delhi Hindustan Times
Mumbai Hindustan Times
Noida Hindustan Times
Chennai Indian Express
Noida Indian Express
Pune Indian Express
Navi Mumbai Indian Express
Nagpur Lokmat
Pune Lokmat
Kolhapur Lokmat
Mumbai Lokmat
Mumbai Loksatta
Cochin Malayala Manorama
Trivandrum Malayala Manorama
Kozhikode Mathrubhumi
Kochi Mathrubhumi
Pallakkad Mathrubhumi
Calicut Mathrubhumi
Navi Mumbai Midday
Mumbai Midday
Mumbai Mumbai Mirror
Mumbai Navbharat Times
Delhi Punjab Kesari
Jalandhar Punjab Kesari
Ludhiana Punjab Kesari
Mumbai Ratnagiri Times
Pune Sakaal
Ahmedabad Sandesh
Mumbai Sandhyanand
Kolkatta Telegraph
Coimbatore The Hindu
Madurai The Hindu
Cochin The Hindu
Trichi The Hindu
Vijayawada The Hindu
Delhi The Hindu
Chandigarh The Tribune
Jalandhar The Tribune
New Delhi The Tribune
Mumbai Times of India
Delhi Times of India
Pune Times of India
Kolkata Times of India
Lucknow Times of India
Bangalore Times of India
Hyderabad Times of India
Chennai Vaartha
Korea Chosun Ilbo
Korea Donga report
Korea Korean Economic
Korea Mailgungie
Korea Segai Ilbo
Korea Ecoprint
Korea World Journal
Wisc. Rapids Daily Tribune
USA Dow Jones
Jacksonville Florida Times Union
Miami Miami Herald
New York NY Daily Times
Sarasota Sarasota Herald Trib
4 German nationals
Clave
Germany De Morgen
De Standard
De Tijd
Diario Libre
Financial Times
guardian
Herald Tribune
Het Laaste Nieuws
Hoy
Independent
France La Province
France Le Figaro
France Le Monde
France Le Soir
England Telegraph
USA The Times
LA Times
Chicage Tribune
Cleveland Plain Dealer
New York Times
Pittsburgh Catholic
Pittsburgh Courier
Pittsburgh Post Gazette
Pittsburgh Tribune Review
San Francisco Chronicle
Washington Post
USA Chronicle of Higher Ed
USA Jewish chronicle
New York Village Voice
Washington Sports Weekly
Washington USA Today
USA Barron's Weekly
USA Wall St. Journal
New York Times
The Art and Science of Color Management
Market research
How many had color patches?
None CMY Gray
Just Solids
Just Halftones Full
57 61 42 1 9
40% 43% 30% 1% 6%
Q: Why do they add up to more than 100%?
A: Overlap – e.g. use of gray and solids
The Art and Science of Color Management
Market research
What color patches did they have?
None CMY Gray
Just Solids
Just Halftones Full
57 61 42 1 9
40% 43% 30% 1% 6%
Ok with using full color bar
94% are not ok
The Art and Science of Color Management
Market research
What color patches did they have?
None CMY Gray
Just Solids
Just Halftones Full
57 61 42 1 9
40% 43% 30% 1% 6%
Not interested in quality??
60% are interested in quality
… but only 6% use the full colorbar
The Art and Science of Color Management
Treasure of the Sierra Madre
Color bars? We ain't got no color
bars! We don't need no color bars! I
don't have to show you any stinking
color bars!
The Art and Science of Color Management
Image-based color control
Currently at least five vendors
QuadTech AccuCam
Mitsubishi Diamond Eye
EAE Loop
QI IDS
Grafikontrol Colorscan
TKS - rumored
Several million dollars development X 6 companies = >$10M
The Art and Science of Color Management
Image-based color control
Currently at least ten newspaper printers
Newsprinters (Knowsley and Broxbourne)
Sankei
Yomiuri
Nikkei
Chunichi
Nikkan Sports Printing
Polaris (Alesund)
Freie (Chemnitz)
Transcontinental (San Francisco and
Montreal) Corelio (Brussels)
5+10
16+?
110
??
??
??
??
3?
3
??
Roughly 150 systems… maybe $15M?
The Art and Science of Color Management
Image-based color control
$25 M spent to get
color quality
without color bars
Why?
Isn’t the newspaper market shrinking?
Newspaper printers that survive
must reduce labor costs
print semi-commercial work
The Art and Science of Color Management
Why measure in the work?
1. Colorbars aren’t welcome
2. Circumferential variation
The Art and Science of Color Management
Why measure in the work?
Are they all the same color?
Copied from presentation by Franz Sigg at TAGA 2007
The Art and Science of Color Management
Why measure in the work?
Also stolen from presentation by Franz Sigg at TAGA 2007
The Art and Science of Color Management
Why measure in the work?
Stolen from my own presentation at TAGA 2007
ISO Tolerances
Density equivalents
Cyan – 2.2 DE
Magenta – 2.3 DE
Yellow – 5.0 DE
Black – 2.0 DE
DE of circ variation
50% to 100% of tolerance window!
The Art and Science of Color Management
Colorbars don’t predict the work
Siljander, Roger, and Richard S. Fisch, “Accuracy and Precision in Color Characterization,” 2001 TAGA Proceedings Sigg, Franz, “Noisy Dot Gain”, 2007 TAGA Proceedings Breede, Manfred, “The Effect of Ink Film Thickness Variation on Color Control in the Circumferential Printing Cylinder Direction of Offset Presses”, 2007 TAGA Proceedings Motaal and Sikander, “Repeatability of Ink Transfer and Color Management Lithography”, 2009 TAGA Proceedings
Papers with similar results
The Art and Science of Color Management
Why measure in the work?
1. Colorbars aren’t welcome
2. Circumferential variation
3. Standard patches don’t predict much of CMYK
The Art and Science of Color Management
Some fun data
• 102 Newspaper printers applying for SNAP
certification
• IT8 target from each (928 patches)
“An Analysis of the Current Status of Process Control for Color
Reproduction in Newspapers”, Seymour, Stanton, 2011 TAGA
The Art and Science of Color Management
Correlation of measurements
Some printers
leaned heavy on cyan solid
C90 heavy
Also a bit heavy on C80 M10
Heavier on C60, M60, Y50, K20?
Not heavier on K40
The Art and Science of Color Management
Correlation of measurements
-10
-8
-6
-4
-2
0
2
4
6
8
0 50 100 150 200 250 300 M100
M90
Comparison of variation between M100 and M90
The Art and Science of Color Management
Correlation of measurements
R² = 0.8221
-8
-6
-4
-2
0
2
4
6
8
-10 -8 -6 -4 -2 0 2 4 6 8 10
r2 = 0.8221
Comparison of variation between M100 and M90
The Art and Science of Color Management
Correlation of measurements r2 = 0.8221
r is the correlation coefficient
82% of the variation is “explained”
82% of the variation is shared
The M100 patch
is a good proxy
for the M90
Comparison of variation between M100 and M90
The Art and Science of Color Management
Correlation of measurements
The M100 patch
is a good proxy
for the M90
If I want to track 90% magenta,
I can watch the magenta solid
The Art and Science of Color Management
Using patches as a proxy
Good proxy – sharing at least 50% of the variation
Fair proxy – sharing at least 25% of the variation
The Art and Science of Color Management
Using patches as a proxy
Solid M - good proxy for 10 of 928 patches
Solid Good proxy Fair proxy
Cyan 6 26
Magenta 10 61
Yellow 9 35
Black 3 9
C+M+Y+K 28 131
Four solids predict
3% of CMYK values
The Art and Science of Color Management
Using patches as a proxy
Mama always said life was like a
box of solid patches. You never
know what you're gonna get.
Forrest Gump
The Art and Science of Color Management
Using patches as a proxy
Patch set Num
patches
Good proxy Fair proxy
Four Solids 4 28 (3%) 131 (14%)
4 Solids + 40% 8 186 (20%) 587 (63%)
ISO 12647-2 requirements
only speak for
20% of the colors
The Art and Science of Color Management
Why measure in the work?
1. Colorbars aren’t welcome
2. Circumferential variation
3. Standard patches don’t predict much of CMYK
4. Tony the Tiger, flesh tones, mastheads
The Art and Science of Color Management
Who uses colorbar data?
1. Press crew
2. Press office
3. Print buyer
4. Prepress
The Art and Science of Color Management
Customers of the data
1. Press crew
2. Press office
3. Print buyer
4. Prepress
Needs data to run the job well
Familiar with density / dot gain / trap
Hard to use CIELAB
The Art and Science of Color Management
I don't care what they say,
I won’t stay in a
world without color bars.
In a World Without Colorbars,
by Paul McCartney
(made famous by Peter and Gordon)
The Art and Science of Color Management
Customers of the data
1. Press crew
2. Press office
3. Print buyer
4. Prepress
Needs data to run the job well
Familiar with density / dot gain / trap
Hard to use CIELAB
Press diagnostics
Familiar with density / dot gain / trap
Insurance against customer complaints
The Art and Science of Color Management
Customers of the data
1. Press crew
2. Press office
3. Print buyer
4. Prepress
Needs data to run the job well
Familiar with density / dot gain / trap
Hard to use CIELAB
Press diagnostics
Familiar with density / dot gain / trap
Insurance against customer complaints
Proof that job ran properly
The Art and Science of Color Management
Differing viewpoints
The Art and Science of Color Management
Customers of the data
1. Press crew
2. Press office
3. Print buyer
4. Prepress
Needs data to run the job well
Familiar with density / dot gain / trap
Hard to use CIELAB
Press diagnostics
Familiar with density / dot gain / trap
Insurance against customer complaints
Proof that job ran properly
So… what is needed to prove this?
The Art and Science of Color Management
Customers of the data
1. Press crew
2. Press office
3. Print buyer
4. Prepress
Needs data to run the job well
Familiar with density / dot gain / trap
Hard to use CIELAB
Press diagnostics
Familiar with density / dot gain / trap
Insurance against customer complaints
Proof that job ran properly
Adjustment of plate curves
The Art and Science of Color Management
Requirements for metrics
Data to run job
Know density / dot gain / trap
Don’t know CIELAB
Press diagnostics
Insurance for complaints
Prove that job correct
Adjust plate curves
Density-based colorbar CIELAB-based in the work
The Art and Science of Color Management
Requirements for metrics
Data to run job
Know density / dot gain / trap
Don’t know CIELAB
Press diagnostics
Insurance for complaints
Prove that job correct
Adjust plate curves
Density-based colorbar CIELAB-based in the work
The Art and Science of Color Management
Requirements for metrics
Data to run job
Know density / dot gain / trap
Don’t know CIELAB
Press diagnostics
Insurance for complaints
Prove that job correct
Adjust plate curves
Density-based colorbar CIELAB-based in the work
The Art and Science of Color Management
Requirements for metrics
Data to run job
Know density / dot gain / trap
Don’t know CIELAB
Press diagnostics
Insurance for complaints
Prove that job correct
Adjust plate curves
Density-based colorbar CIELAB-based in the work
The Art and Science of Color Management
Requirements for metrics
Data to run job
Know density / dot gain / trap
Don’t know CIELAB
Press diagnostics
Insurance for complaints
Prove that job correct
Adjust plate curves
Density-based colorbar CIELAB-based in the work
The Art and Science of Color Management
Requirements for metrics
Data to run job
Know density / dot gain / trap
Don’t know CIELAB
Press diagnostics
Insurance for complaints
Prove that job correct
Adjust plate curves
Density-based colorbar CIELAB-based in the work
The Art and Science of Color Management
Requirements for metrics
Data to run job
Know density / dot gain / trap
Don’t know CIELAB
Press diagnostics
Insurance for complaints
Prove that job correct
Adjust plate curves
Density-based colorbar CIELAB-based in the work
The Art and Science of Color Management
Gap analysis
Data to run job
Know density / dot gain / trap
Don’t know CIELAB
Press diagnostics
Insurance for complaints
Prove that job correct
Adjust plate curves
Training
Better software
Density-based colorbar CIELAB-based in the work
The Art and Science of Color Management
Gap analysis
Dense City
is on an island
Colorimetropolis
is the mainland
Paint
Textiles
Spot colors
Tennis court lighting
The Art and Science of Color Management
Gap analysis
Data to run job
Know density / dot gain / trap
Don’t know CIELAB
Press diagnostics
Insurance for complaints
Prove that job correct
Adjust plate curves
Better software
Density-based colorbar CIELAB-based in the work
The Art and Science of Color Management
Gap analysis
Solid ink density TVI
from the image
We’re working on it…
The Art and Science of Color Management
Gap analysis
Data to run job
Know density / dot gain / trap
Don’t know CIELAB
Press diagnostics
Insurance for complaints
Prove that job correct
Adjust plate curves Better software
Density-based colorbar CIELAB-based in the work
The Art and Science of Color Management
Gap analysis
We’re working on this, too…
US patent 7,032,508
Adjust plate curves
The Art and Science of Color Management
Gap analysis
Data to run job
Know density / dot gain / trap
Don’t know CIELAB
Press diagnostics
Insurance for complaints
Prove that job correct
Adjust plate curves
Density-based colorbar CIELAB-based in the work
Will be taken care of
The Art and Science of Color Management
Cold hearted orb that rules the night
Removes the color bars from our sight
Red is gray and yellow, white
But we decide which is right
And which is an illusion
Nights in White Satin, The Moody Blues
The Art and Science of Color Management
Changes to 12647-3
ISO standard for newspaper printing
Current version requires
CIELAB values of solids and overprints
Tone Value Increase targets
The Art and Science of Color Management
Changes to 12647-3
Latest draft requires one of…
CIELAB values of solids and overprints
Tone Value Increase targets
Target CIELAB values for
CMY gray and K midtone
Some set of measurements from the work
--or--
--or--
The Art and Science of Color Management
ISO 15339-1
All CMYK values
specified in CIELAB
via a characterization data set
The Art and Science of Color Management
Imagine there’s no color bars
It isn’t hard to do
Nothing to adjust your ink keys
to…
Imagine, John Lennon
The Art and Science of Color Management
How to do CCIW?
1. Find the patch in the image
2. Convert RGB to CMYK
3. Tease out black with IR
4. CIELAB optimization
Four methods for color control in the work
From “Closed loop color control in the work”,
Seymour, Tiltman, Nelson, 2010 TAGA
The Art and Science of Color Management
Find the patches in the image
Pseudo-color bar
Method #1
The Art and Science of Color Management
Find the patches in the image
?
Method #1
The Art and Science of Color Management
Convert to CMYK
Capture RGB image
Convert to CMYK
Compare against correct CMYK
US patent 7,040,232
Add up errors
A measurement
at each pixel
of C, M, Y, & K ink
Method #2
The Art and Science of Color Management
Convert to CMYK
Capture RGB image
Convert to CMYK
Compare against correct CMYK
Add up errors
Is this just standard
color separation?
Color separation finds one
of many possible
combinations of CMYK to
give the RGB value.
CCIW needs to know how
much of each ink is there.
No
Method #2
The Art and Science of Color Management
Convert to CMYK
Test image
Cyan Magenta Yellow Black
Method #2
The Art and Science of Color Management
Convert to CMYK
Capture RGB image
Convert to CMYK
Compare against correct CMYK
Can’t get
four pieces
of information
from three
Add up errors
Method #2
The Art and Science of Color Management
Tease out black using IR
Black can be seen in IR;
CMY are invisible
Once you know black,
you can take black
out of RGB image
QT patents 5,412,577 and 5,724,259,
Man Roland patent 5,530,656
Goss patent 5,903,712
May be used in other color control systems
Capture RGB+I image
Convert to CMYK
Compare against correct CMYK
Add up errors
Method #3
The Art and Science of Color Management
RGB+I method
• Requires special camera
• Weighting of errors does not match the
human eye
Method #3
The Art and Science of Color Management
RGB+I method
Tiny changes in C, M, and Y
will cause big visual shifts
Method #3
The Art and Science of Color Management
Methods 1, 2, and 3
Paradigm -
Goal: correct amount of each of the inks
If this is the goal…
you need to measure
the amount of each ink
The Art and Science of Color Management
Methods 1, 2, and 3
Paradigm -
Goal: correct amount of each of the inks
What is the correct amount?
Is it the correct cyan density of a C40
M60?
The Art and Science of Color Management
CIELAB optimization
Alternate paradigm -
Goal: correct color
If this is the goal…
you need to measure
the color
Method #4
The Art and Science of Color Management
All pixels request color change
Target image Live image
Redder
Brighter
More
saturated
Darker
Method #4
The Art and Science of Color Management
Every pixel gets a vote Method #4
The Art and Science of Color Management
CIELAB optimization
Adjust these values
To minimize this
Estimate
and evaluate
color change
DC, DM, DY, DK
Overall DE
Current
L*a*b*
values
Target
L*a*b*
values
US Patent 5,967,050
Method #4
The Art and Science of Color Management
How to do CCIW?
1. Find the patch in the image
2. Convert RGB to CMYK
3. Tease out black with IR
4. CIELAB optimization
Four methods for color control in the work
Target CMYK
amount
Target CIELAB
value
The Art and Science of Color Management
Measuring in the work
1. Image at 300 DPI
2. Image whole web
3. 32 spectral channels
4. Up to 3,000 FPM
5. Really inexpensive
Ideal measurement system
The Art and Science of Color Management
Measuring in the work
Possible design options
Device Channels DPI All the web?
RGB area
camera
3 300+ DPI No
The Art and Science of Color Management
Measuring in the work
Possible design options
Device Channels DPI All the web?
RGB area
camera
3 300+ DPI No
Point spectro 30+ 1 DPI? Yes, in a spiral
The Art and Science of Color Management
Measuring in the work
Possible design options
Device Channels DPI All the web?
RGB area
camera
3 300+ DPI No
Point spectro 30+ 1 DPI? Yes, in a spiral
Hyperspectral
linescan
30 2 DPI Yes
The Art and Science of Color Management
Measuring in the work
Possible design options
Device Channels DPI All the web?
RGB or RGB+I
area camera
3 or 4 300+ DPI No
Point spectro 30+ 6 DPI? Yes, in a spiral
Hyperspectral
linescan
30 2 DPI Yes, in blocks
Six channel
linescan camera
6 25 DPI Yes, in pages
The Art and Science of Color Management
QuadTech AccuCam
300 DPI 25 DPI 6 DPI
Can read text, can see wrinkles
Lost detail, still color faithful
Color starts to suffer
The Art and Science of Color Management
QuadTech AccuCam
Measurement accuracy on 1,296 CMYK patches
95th percentile 1.5 DE94
The Art and Science of Color Management
Summary
• Color bars not always welcome
• Color bars don’t ensure correct image
• Customers of data can be satisfied
• Standards are following
• Various algorithms for CCIW
• Various possible measurement devices
The Art and Science of Color Management
Thanks for listening!
John Seymour
Principal Research Engineer
QuadTech