Live subtitling with speech recognition Pilot research project and training at the University of...

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Live subtitling with speech recognition Pilot research project and training at the University of Antwerp and Artesis University College. I. Research: Tijs Delbeke (research assistant), Mariëlle Leijten, Aline Remael & Luuk Van Waes (supervisors) II.Training : Veerle Haverhals (Artesis/VTM)

Transcript of Live subtitling with speech recognition Pilot research project and training at the University of...

Page 1: Live subtitling with speech recognition Pilot research project and training at the University of Antwerp and Artesis University College. I. Research: Tijs.

Live subtitling with speech recognitionPilot research project and training at the University of Antwerp and ArtesisUniversity College.

I. Research: Tijs Delbeke (research assistant), Mariëlle Leijten, Aline Remael & Luuk Van Waes (supervisors)

II.Training: Veerle Haverhals (Artesis/VTM)

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Today’s programme

I. Research at UA-AHA (Oct. 2008-Jan.2009)1. Observational research 2. Experimental research (data to be processed)

II. Training: research & practical at UA-AHA1. MA dissertations (UA & Artesis)2. Within the MA in translation/interpreting at

Artesis3. Course structure & content at Artesis

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Purpose of the Research

Short term:• Create a classification of different types of

reduction, error (production), delay and their interaction (delay = dependent variable)

Longer term:• Identify the ‘ideal reduction rate’• Identify the ideal respeaker-profile• Improve live-subtitling procedures

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Two stages in research: both with ‘Inputlog’

Observational research Experimental research

‘Real live’ footage Recorded ‘as live’ footage

Sports programs Talk show

Observational Experimentally controlled

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Participants

• 12 live subtitlers • Flemish Public Television (VRT)• 8 men, 4 women• Various experience levels (1-7 years)

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I. 1. Observational Research

1. Live subtitling process: a schematic overview2. Corpus 3. Reduction4. Delay5. Error production

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1.1. Production of live subtitles: overview

spoken > respeaking > speech > subtitle tv comment recognition

(1) (2) (3) x x+t

reduction correction error production

delay

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1.2. First corpus• Flemish Public Television (VRT)• 15 hours of sports programs• Transcriptions & broadcast subtitles• Time stamps• Character & word counts• Audio recordings• Detailed logging data (inputlog)

- Speech input- Keystrokes- Mouse movements

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1.3. Reduction

• Verbatim vs. reduced/summarized/edited/condensedContinuumLargely program dependentReduction crucial:

- Slower readers- Speech recognition constraints

- Quantitative analysis- Qualitative analysis

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Reduction

Quantitative analysis

• -30% (football) • -45% (tennis) • -60 % (cycling)

Reduction table, example

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Reduction (2)

Qualitative analysis

• Causes of reduction• Reduction classification

- Literature: only vaguely- 3 main classes - 30 categories

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Reduction (3)

Qualitative analysis

- Reduction to prevent delay (49%)- Forced Reduction (22%)- Time-induced reduction (15%)

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Reduction (4)

Qualitative analysis

• Prevention of delay- Deletion of redundant info

Repetition, obvious element, hesitation, interjection, …

- SubstitutionNames, metaphors, idioms, …

SUBTITLE SPOKEN COMMENT

But they can forget about that, I think. But they can forget about that, I think. They can forget about that

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Reduction (5)

Qualitative analysis• Forced reduction

Erroneous grammatical construction, too difficult for respeaker/speech recognizer, meaning unclear,…

• Time-induced reductionComplicated interaction, sudden event, prepared title

coming up, not relevant anymore,…

SUBTITLE SPOKEN COMMENT

Cercle very dangerous using that combination.

Iachtchouk. De Smet. Passes back. Van Mol. De Sutter. Crosses. Yes. Cercle Brugge very dangerous using that combination.

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1.4. DelayFactors

• Block mode vs. scrolling mode• Additional corrector vs. self correction• Reduction degree (mutual process)

Delay table, example

• 6 sec : cycling (-30% red.)• 11 sec : football & tennis (-45 & -60% red.)

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1.5. Error production

• 6 fragments of 60 titlesQuantitativelyPure recognition:• Title: 72,22% (7 out of 10 titles correct)

After correction:• 84% corrected --> 93% titles correct.• 22% by respeaker vs. 78% by corrector• 12% with speech vs. 88% with keyboard and mouse

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1.5. Error production (2)

Qualitatively• Classification model• Based on Karat (1999) & Leijten (2007)

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1.5. Error production (3)1. Technical errors (71,6%)

- a. Erroneous Recognition» i. One word» ii. Multiple words» iii. Proper names (20,6%)» iv. Geographical names

- b. Erroneous Interpretation» i. Command as text» ii. Text as command» iii. Word as letter» iv. Letter as word» v. Abbreviation or acronyms as words

- c. Programming Errors» i. Grammatical error» ii. Background noise as text» iii. Crash

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1.5. Error production (4)

2. Human errors (14,3%)- a. (Corrector)- b. Respeaker

» i. Misinterpretation» ii. Wrong word» iii. Additions or transformations» iv. Formal revision

3. Technical & Human errors (1,6%)- Slurred speech/mumbling or inaccurate recognition?

4. Other Errors (12,5%)

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2. Experimental Research

• Infotainment talk show ‘Phara’• 3 excerpts (15 minutes)

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2.1 Method: procedure• Backward Digit Span• Reading task• Verbatim subtitling (9 min)

Aim at 100% subtitling. Quantity > Quality.

• Summarized subtitling (15 min)Aim at 50 % subtitling. Quantity = Quality. (usual)

• Heavily reduced subtitling (15 min)Aim at 25 % subtitling. Quantity < Quality. (no errors)

• Concluding interview

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2.2 Results

Quantitative analyses of 1 excerpt• Reduction• Error production• Relation reduction & error production

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2.2 Results: Reduction (1)Subtitling percentage in function of reduction mode

0%

20%

40%

60%

80%

100%

1 2 3

Reduction Mode

Su

bti

tlin

g %

8,00

8,50

9,00

9,50

10,00

10,50

11,00

11,50

12,00

12,50

Tit

les

pe

r m

inu

te

Demanded subtitling %

Performed subtitling %

Subtitles (number)

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2.2 Results: Reduction (2)• Fairly inaccurate execution of demanded

reduction mode- Subtitling percentage lower than demanded

• Verbatim (100%) 51%• Summarized (50%) 38%

Important: Theoretical OptimumStop words

RepetitionsHesitations …

- Subtitling percentage higher than demanded• Highly reduced (25%) 35%

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2.2 Results: Reduction (3)

• Reduction mode affects number of broadcast subtitles Less reduction = more titles

• Reduction mode moderately affects subtitle length Longer titles for verbatim mode

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2.2 Results: Error ProductionError rate

0,00%

5,00%

10,00%

15,00%

20,00%

25,00%

30,00%

1 2 3

reduction mode

Err

or

%

Title level

Word level

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2.2 Results: Error Production (2)

Title level Word level

Verbatim

Summarized

Highly reduced96% 99,5%

Level

Red. Mode

95%

98%

73%

89%

Accuracy per reduction mode

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2.3 Concluding remarks

• Indication of maximal performance (verbatim subtitling)

• Error in 3 out of 10 subtitles

• Indication ‘normal’ performance• Error in 1 out of 10 subtitles

• Subtitle production drops after 10 minutes • More reduction yields more accurate subtitling

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II. Training: 1. MA dissertations

MA dissertations in support of ongoing research: error analyses, trial classifications, reception research, Dragon training, …

- UA (Master in multilingual business communication)- Artesis (Interpreting, 2007-2008)

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II. Training: 2. Interpreting –general (1)

At Artesis:

- MA in Interpreting- European Master in Conference Interpreting

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II. Training: 2. Interpreting - general (2)

At Artesis: MA in Interpreting= initiation in different types

Community InterpretingBusiness InterpretingIncludes consecutive interpreting, speech training, research topics, institutions, …

Option: Live subtitling with speech recognition (Dragon)

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II. Training: 2. Interpreting – Live subtitling

Research training (beside MA theses)

- Within interpreting programme Artesis- Within AVT programme Artesis

Practical training- Within translation programme: subtitling (sem. 1)- Within interpreting programme Artesis: live ST (sem 2)

Veerle Haverhals: MA in interpreting and full time respeaker at VTM

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II. Training: 2. Interpreting – Live subtitling: course topics practical training (1)

- Initiation to DRAGON: make a profile, try out all the functions, add terminology and test it.

- Working with codes, anticipating mistakes (e.g. TOX-Leterme)

- Test accuracy of the above with CRER (terminology added/or not, terminology without ‘TOX’): get acquainted with errors.

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II. Training: 2. Interpreting – Live subtitling: course topics practical training (2)

- Live subtitling in Flanders & the Netherlands: programmes, challenges, speed, different speakers + examples

- Visit to VRT: live cycling session

- Introduction to “News production” at VTM, in preparation of internship at VTM

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II. Training: 2. Interpreting – Live subtitling: course topics practical training (3)

Series of sessions to train respeaking (to be expanded)- Summarizing for deaf/hard of hearing (choice of words)

- The use of colours (or not)

- Multi-tasking in real time:corrections, colours

- Seek compromise: completeness/errors

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II. Training: 2. Interpreting – Live subtitling: course topics practical training (4)

Special issues:

- Linguistic variation (or not)

- Onomatopeia (or not)

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II. Training: 2. Interpreting – Live subtitling: course topics practical training (4)

One day internship at VTM- Watch news broadcast + question time- Live simulation of the one o’clock news

Preparation (cf. above):Learning to use the software(s), marking live passages, combining prepared with live, studying key codes, forwarding the subtitles, correcting and forwarding, …

 .

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Literature• Baaring, I. (2006). "Respeaking-based online subtitling in Denmark." InTRAlinea. SPecial issue: Respeaking.• Daelemans, W., A. Höthker, et al. (2004). "Automatic Sentence Simplification for Subtitling in Dutch and English."

Proceedings of the 4th International Conference on Language Resources and Evaluation: 1045-1048 • de Korte, T. (2006). "Live inter-lingual subtitling in the Netherlands." InTRAlinea. SPecial issue: Respeaking.• Den Boer, C. (2001) “Live interlingual subtitling.” Gambier & Gotlieb (2001)• Gambier, Y. and H. Gottlieb, Eds. (2001). (Multi) Media Translation. Concepts, Practises, and Research.• Jones, R. (2002). Conference Interpreting explained.• Karat, C. et al. (1999). “Patterns of entry and correction in large vocabulary continuous speech recognition

systems.” Paper presented at the CHI 99, Pittsburg.• Lambourne, A. (2006). "Subtitle respeaking." InTRAlinea. SPecial issue: Respeaking.• Lambourne, A., J. Hewitt, et al. (2004). "Speech-based Real-time Subtitling Services." International Journal of

Speech Technology 7: 269-279.• Leijten, M. (2007). “Writing and Speech Recognition: Observing Error and Correction Strategies of Professional

Writers.” Utrecht: LOT• MacArthur, C. A. (2006). The Effects of New Technologies on Writing Processes. Handbook of Writing Research. C.

A. MacArthur, S. Graham and J. Fitzgerald.• Mack, G. (2006). "Detto scritto: un fenomeno, tanti nomi." inTRAlinea. SPecial issue: Respeaking.• Ogata, J. and M. Goto (2005). "Speech Repair: Quick Error Correction Just by Using Selection Operation for Speech

Input Interfaces." Proceedings of Interspeech 2005: 133-136.• Remael, A. (2004). Vertaling in beeld: audiovisuele vertaling en ondertitels.• Robson, G. D. (2004). The closed captioning handbook. • Slembrouck, S. and M. Van Herrewege (2004). Teletekstondertiteling en tussentaal: de pragmatiek van het

alledaagse. Schatbewaarder van de taal. Johan Taeldeman. Liber amicorum. J. De Caluwe, G. De Schutter, M. Devos and J. Van Keymeulen.

• van der Veer, B. (2008) De tolk als respeaker: een kwestie van training.• Wald, M., Boulain, P., Bell, J., Doody, K. and Gerrard, J. (2007) “Correcting Automatic Speech Recognition Errors in

Real Time.” International Journal of Speech Technology

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Thank you for your attention