Lit Criticism

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    What isLiteraryCriticism?

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    Literary criticism is used to

    analyze the value of literatureusing many different

    schools of criticism

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    Schools of Criticism

    form when a variety of readers andcritics hold the same assumptions

    concerning an approach to literary

    analysis are groups of fellow believers who

    share common concerns about

    reading, writing, and interpretation. Examples: Marxist, Feminist,

    Cultural Studies, Psychoanalytic,

    Archetypal

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    A literary critic patrols the

    boundaries of good writing,determining what should be

    thought about a text and why,and what personal and

    cultural value should beplaced on a work or works of

    literature.

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    Basic Questions

    Does a text have only one correct

    meaning?

    Is a text always didactic; that is, must a

    reader learn something from every text? Does a text affect each reader in the same

    way?

    How is a text influenced by the culture of itsauthor and the culture in which it is written?

    Can a text become a catalyst for change in

    a given culture?

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    Each school of literary

    criticism is a different

    colored lens through

    which to view a text. To

    interpret a world ofpossibility within each

    text you must becapable of seeing it in

    many different ways.

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    Because the various schools of

    criticism ask different questionsabout the same work of literature,

    they provide an abundance of

    options from which readers canchoose to broaden their

    understanding not only of texts butalso of their society, culture, and

    their own humanity.

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    By embracing literary theory,we learn about literature, but

    importantly, we are also taught

    tolerance for other peoples beliefs.When we oppose, disregard, or

    ignore literary theory, we are in

    danger of blindly accepting ouroften unquestioned prejudices and

    assumptions.

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    This week you willlearn to analyze

    literature as aFEMINIST

    literary critic.

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    FEMINIST LITERARY

    CRITICISMPlease refer to your handout:

    - Goal

    -Central Issues/Assumptions

    - Historical Foundation-Questions to Ask when reading as a

    feminist literary critic

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    THREE TERMSYOU SHOULD

    KNOW AND USE

    AS A FEMINIST

    CRITIC:

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    patriarchal

    A term used by feminist critics andothers to describe a society or

    culture dominated by males; the

    adjective form ofpatriarchy, a societalor social organization in which males

    hold a disproportionate amount ofpower. In these societies, the male

    defines what it means to be human,

    including what it means to be female.

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    misogyny

    A term used in feminist

    criticism to refer to ahatred or distrust of

    women

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    sexual politics

    A term introduced by Kate Millettin Sexual Politics (1969)

    Economic inequality and not

    comforming to prescribedroles/steretypes have been the

    chief causes of womensoppression and places the

    patriarchy at the center of the

    feminist movement.

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    DisneyPrincessesvs. Disney

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    How do women

    in fairy tales

    becomeprincesses who

    live happilyever after?

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    They marry princes,of course!

    Princes in fairy

    tales must usuallysave women fromdanger because

    their perfect bridesare too daintyand/or nave to

    save themselves.

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    Lets begin

    by lookingat Aurora

    andMaleficent

    fromSleeping

    Beauty

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    Briefly examinethe contrasting

    imagery of these

    two figures

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    VS.

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    Aurora Designed as the perfect woman at birth when

    fairies give her these wonderful gifts:

    Beauty: Lips that shame the red, red rose has a

    soft pink complexion and bright dresses with long,

    lustrous golden hair

    Song: a beautiful, melodious voice

    Dances barefoot in sunshine in the green

    woods and converses with cute, furry animals

    Obedient, nave, and passive

    Raised lovingly by the three motherly fairies

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    Maleficent

    dressed in all black, her face a pale and hideous

    shade of green; hat resembles horns of demon

    Of above average height and hairless

    Lives in gray castle surrounded by storm clouds

    Lives among boorish, dim-witted troll-like

    henchmen

    Power and strength very unfeminine: threat tomasculine authority (i.e. the king)

    Alone: no husband or relatives or friends

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    Possible effects of the good

    woman/bad woman dichotomy

    Young girls aspire to be like the ideal woman(Aurora) and feel like having or using powermakes them bad (like Maleficent).

    Girls believe that being weak and passive andobedient will result in a fairy tale union with aprince.

    Girls will see a division between the kind andloving, and the powerful and strong withinherself, rather than seeing the way they worktogether within her to create one complete

    personality.

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    Now lets

    look at thecharacter

    Ursula fromThe Little

    Mermaid as

    a Feminist

    Critic

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    Ursula

    Conclusion derived from analysis usingFeminist Literary Criticism: Women

    with power are unfairly demonized.

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    Power held by men makes them strong leaders

    who can be trusted (King Tritan), but Ursula is

    an example ofhow women are turned into

    villains when they desire power.

    Ursula has been cast out of the high societyAriel enjoys because she threatens the power

    of the dominant males by being assertive.

    Because she has no man to keep her in line,

    she turns to evil and sorcery.

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    Link to Ariel:

    Even Ariel, the heroine of the story and King Tritansmost precious daughter, is rejected when she explores

    outside the kingdom (defying her fathers command).

    Tritan seeks to control his daughter by attempting to

    force her to repress her desires, just as he tried tocontrol Ursula by denying her a higher social status.

    HOWEVER: When Ariel needs help Prince Erik is

    there to save her, and because she has allowedanother man to take control of her, King Tritan accepts

    their union. Because Ursula will not allow herself to be

    controlled by any man, she is killed.

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    Cinderel

    aand the wicked

    stepmother stereotyp

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    Cinderellas male-dominated (a.k.a.

    patriarchal) society has conditionedher to believe that the only way she

    can find true happiness in her life is

    to wear a pretty dress, haveservants, and try to marry the

    prince.

    S h h f i th t

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    So when her fairy mother grants

    her wishes, these are the things

    she receives.

    BippityBoppityBoo!

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    If the shoe fits-The stepsistersfeet were too big to

    fit into the slipper

    -Cinderellas daintyfeminine feet,

    however, were the

    perfect fit for theprince

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    Theres a lot more analysis that could

    be done with Cinderella. Even her

    name is a form of oppression.

    But we may also choose to overlook

    some things in our analysisthat dontsupport our Feminist standpoint. We

    ignore things that would not strengthen

    our argument. This is not the BESTpolicy, though.

    A E l

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    An Example: The fairy godmotheris given power, but has notbeen corrupted by it (like Ursula or Maleficent).

    I wouldnt want to put THAT into my FEMINIST

    analysis, would I? No.

    Unless, I concede (admit to) this, but in the

    process make my own point.

    For instance: Even though the fairy godmother is

    not made hideous and evil by her power, she doesuse it to change Cinderella into something she isnt,

    further perpetuating the idea that women must look

    beautiful to be worthy of love.

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    So remember: Do not weaken your feminist analysis

    by making points that do not supportfeminism.

    You can concede points, as long as inthe process you help prove your ownpoint.

    Thats feminist literary criticism!!!

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    Your Turn!

    Think of a female character (from anystory, movie, etc.) that we have notdiscussed today, and use your notes

    on Feminist Literary Criticism tocreate an analysis of that characterthat is at least one paragraph (5complete sentences) in length.