林旦華

Lin Tan-Hua’sPortfolio

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Contents Resume

Work

1/ Blance2/ The Other Dimension3/ City Of Canoe4/ Becoming City5/ The Distance Between Us

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Resume

林旦華Lin Tan-Hua

1985 Born in Kaohsiung, Taiwan

2003-2007 National Taiwan University of Arts,Department of Painting&Calligraphy Arts.

2008-2012　 Shich Chien University,Master of Architecture ,MArch

2007.6　　　 “Man of letters ”Graduation Display by Fine Arts Dept

2008.3 “ What for ” Pacific Cultural Foundation joint exhibition

2008.9　　　 Architecture Department Shich FULONG Workshop

2009.1 SCU+MIT International Workshop

2009.9 　　　SCU+CAFA International Workshop

2010.10　　 Taiwan & Germany international architectural workshop

2011.1 　　　TAITUNG Alliance Cultural Foundation workshop

2011.6 　　 Shich Chien University Department of Architecture design Exhibition

2011.11 　　 Work in Laboratory of orogene

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1/

Balancewinged steed

2008

physicalanthropology

structuralbionical

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Winged Steed

The name of this work is called 驥 ( ji)This mean is a winged steed.and the name itself is originated from a Chinese poem by 荀子 (Xunzi)The meaning is a great horse can run one thousand miles a day,but a simple horse can do it too,taking more time and trying harder,it can get the same result. this sentence in Xunzi to encouragement we creation process.

The work idea is from “Pulls the horseback”.And I use the form of house let house two legs to combine the one.When I on the horse. Because my weight change the median point,head and Front foot of the horse will be raise.The fulcrum can let Three points turn into two points and also I can be bal-ance.I imitate the biological of the horse in my work ,and the sit I use the curve to follow the ergonomics.Although this project’s main idea is blance, but I hope we can also to found some interesting and memory.

驥。夫驥一日而千里，駑馬十駕，則亦及之矣。 取自《荀子 修身》

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Model in accordance with ergonomic design, the intention to make the horse more distinctive.

Pulls the horseback

驥　 　　　　　　　 　 千里馬也。夫驥一日而千里，駑馬十駕，則亦及矣。取自《荀子 修身》

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The Other Dimension

south airport plan

2009

architectureinstallation art

reconstructspatiotemporal

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South-airport apartment is the public housing built in the 1970s. The military airport set in Japanese-Occupied Period was rebuilt into public housing by national government. Due to the population, the south airport night market developed increasingly. This community gathered reloca-tion apparent which was on the margin of society, dealing with the relocation spaces with small rooms. But with the deficit of space, peccant building merged and now It has become the slum of Taipei.

South-airport apartment

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Site investigationObserve the Southern Airport from the child’s point of view.

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PART 1

The other dimension

From the imagination and purity of elementary school student, we put the experience of space in the south airport and to create a Heterotopia space. With the basis of behavior, we divide the simplicity of space, deriving another floating experience of space and start the game.

The place/secret base under the slideCrunched in the corner of South airport, it has become ambiguous and vague because of the time, with the fantastic feature of slow transition.

The slide with the shape of Elephant's nose is like the South Airport, surrounded by the upcoming activities in continuity,

ready to fly at any time.

The place/public sphere on the slideAs the given practical space of the South airport, in addition to the start running, sliding, and flying, there are other possibility hidden behind.

Game of place

From the imagination and purity of elemen-tary school student, we put the experience of space in the south airport and to create a Heterotopia. With the basis of behavior, we divide the simplicity of space, deriving another floating experience of space and start the game.

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Public placeSecret base

1 dimensional2 dimensional3 dimensional

Concept

Installations

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PART 2South Airport Community Plan

The first-stage south airport apartment was built with lots of same units. With premise of keeping the main body of the buildings, we break the fixed arrangement, and re-group the units. Users may not get the same unit.

Break the fixed arrangement, and re-group the units.

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Users may get lots of units with different a r r a n g e m e n t s . W e h o p e t o c r e a t e m u l t i -faces of the buildings, so we set spaces with different functions, hoping to create new interactions with the original residents.

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Dynamic space

We hope to create multi-faces of the buildings, so we set spaces with different functions, hoping to create new interactions with the original residents.

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PART 3South Airport Slow living Hostel

Further develop the designing concept of previous phases.Rebuild the base into a LOHAS hotel for 1~3 months living.Keep the early public housing culture and entitle new functions of the space.Deepen the depth of the l iving experience for both tourists and residents.This case main focuses on the experiences of space from different aspects and to construct the spiral-staircase type linger.

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1FLiminal Space between new-programmed elemen-tary and the original architecture of South-airport, facilitated with public service function.

2FProviding bookstore and café for neighbor resi-dence and guests of hotel, a floor between public and private.

3FKeep the roof space between two buildings, extend-

ing and engaging with the public green areas.

4FThis is simply the private space of the hotel with lobbed office area.

5FKnocking down the original 5th floor, extending the vision and openness of space and providing observation deck for tourists.

6FRoof

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City Of Canoe

2010

architectureUrban designreconstruct

culture trait

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Banka Boulevard -- the central way of Wanhwa district.

Shuangyuan --situated in the juncture of Dongyuan and Xhyuan, with lots of transitional old apart-ment, residential area only.

Navigating in city.

The horizon emerges to the surface; the escaped travelers come back to the city and start their grand tour.

The canoe floats on the Banka Boulevard; the passerby of the city easily draws the tide up and tide down of the day with the gravitation of the sun and the moon. The tide in the morning is called "chou" and the tide at night is called "hsi".

B

with the block of A, winding down the direct encounter with Banka Boulevard,

but keeps the exotrophy.

Wanhwa -- With traditional culture, rich in historical architecture and tourism atmosphere.

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Site

The image of coast comes back to the city on Banka Boulevard. The base is situated on the fragmental land of Xiyuan Rd. and Banka Boulevard, struggling in two types of urban space. The northern and the southern part of the old Wanhwa and Shuangyuan presents different tones of space respectively.

A

situated in a thin fragmental land of Banka Boulevard, as if it was an idle traffic islands.

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Congregate Housing

Since the base is located in the middle of the old and the new area, they provide a congregate housing for the young group who are open to changes and new things.

Base A provides 5 Isolated Individual residences. ( to live independently out of reality)

Passer/Persistence

Resident/perennial

The body is taken Into consideration in the metaphorical scene, forming the situ-ation of the space. The sinking topography leads the west-side residents to go through the narrow corridor and go out from the exit of the east side, facing the surging cars on the road.

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Base B takes the original form of the apartment and provides 13 families livings for 1~2 people, with individual spaces. (to live independently within reality)

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ASITE

B1 restaurant, rooms and public spaces for two families.

1F These five families are all higher than ordinary ground level, mingling with the plain landscape and become part of the architecture.

2F provides inward and outward residences from different perspec-tives.

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BSITE

1F with public spaces in front of and behind the residences for area A and B.The northern part is the community center, the southern part is the secret garden of the residents and provide two routes for experiencing.

2F -3Fexcept for the café for accidental visitors, 2F and above are all residen-tial quarters.

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Becoming City Renewal of faith

New Taipei Pantheon

2011

passengerUrban designreconstruct

culture trait

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The site situated at the Jiou-Ru Village of Banciao City, Taipei county. New buildings mixed with old houses due to the fast developing pace of city. Most buildings are of mixed-uses. Alongside the old railroad branch there remains building constructed based on the curve of it’s path. The main site is a built project of four apartment buildings in 1980’.

Becoming City

Secondary entrance

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Liangtian Temple

Building

Market

Periphery

Liangtian Temple is a private temple constructed in 1977. The main goddess of cult is Ma Zu. It is located on the top of a four-storey

rental mansion, creating a distinctive worship space but now less known to public.

The four buildings were constructed by a private project in the 1970’s. The corridors are connected. There are some stores in the 1st floor and the other stories are for residence. One of them was

once a hotel but now most of them are empty now.

A traditional market situated at Mingsian st. of Banciao city. Stretching along the road to the resident area of Jioju Li. It’s

crouded and supplying everything for daily use.

A path of shops formed alongside Jongshan rd. and Sanmin rd. A hypermarket Carrefour created a high contrast with the traditional

market inside.

Site Condition

main entrance

market entrance

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The Pantheon in Jiuru village of Banciao was LiangTian Temple formerly. The unused apartment nearby the tra-ditional market was Tiancheng hotel where received the passing visitors. For the Taipei county people, the city is always full of passing visitors, they bring their ancestors to this place but move out with the time passing by. The new Taipei City is changing violently, the buildings and the overpasses separate people’s home.

The program is: New Taipei Pantheon is the Taiwan traditional religion center, it receives all of the gods and keeps the circumstance of hotel, providing the long-term, short-term and permanent stay.The arrangement is according to the level of the gods, and we designed the processing of believers and other programs. The project is about the urban renewal of religion, absurd, but reacts the social phenomenon of this new munici-pality. Maybe the way of cult will change with the New Taipei City.

Book your accommodation now in Liang-Tian templeNew Taipei Parthenon,your top choice in the city!

Renewal of faithNew Taipei Pantheon

1F

2F

3F

4F

1FMarket

2FResidential

3FHotel

4FTemple

Lian-Tian Temple is built on fourth floor, with skywalk connecting to the other three building.

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神樂園Recreation Facilities for GodsDuring the day people can move around and visit the place,at night this area is designed for God’s recreation.Here we have a stage for traditional chinese plays,strip shows,old movies or else.When there is a festival or a celebration,people can see only the lantern hang up high on the attic,but God knows they’re having lots of fun up there.

神獸園God’s zooIt is believed that crane and tortoise are God’s pets in Taoism and they are fed in the top story of the temple.

櫥窗間Ancestral halls-Second storyThe second story of the temple are Runed by the form of hotel,where people can rent a space to set their ancestral hall here permanently,long-period or temporarily.

停機坪ApronIn Taoism,Gods have their own transportation which can be either in the form of sedan or animal.On the roof-top,the transportation of gods can be parked in the apron where people are allowed to come up and visit.

天坑塔Tower of SinkholeThere is a sinkhole in the middle of the plaza.People can walk down to the bottom of the sinkhole or they can take the elevator that is built inside the sinkhole up to a 6 stories high level.People can see different levels of design in this temple when they are moving vertically with the elevator.

天眼窗God’s WindowThrough these windows,people will be monitored by Gods.Therefore one should be humble and sincere when they come to this Temple.

四神廣場和天坑剖面圖Plaza of the FourThere are four big-size statues of God in the plaza,they are placed separately in the corners of this plaza.The statues of god are all 9 meters high(about 3 stories) and they are all been surrounded by corridors that are attached with the temple.

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The DistanceBetween

Us

2011

the mirror stagealter ego

relationshipdevelopment

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，

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The distance between usLeaving the behindness gradually, and moving forward to beyondness.

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Developing solution develops the places with memory. Time is divided into a two-layer dimension. One is the ambiguous present; another is symbolic eternity filled with transcendence. Thoughts lie In between the layers, measuring and re-posi-tioning each other.

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Manilins: It is not due to dimness but due to standing high.

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The distance between us.Exhibition projection2011

By the images reflected by the physical world, the negative records the time when the light deviates, overlapping different situations of time. Because the traces record the space, there comes the events and structure.One lies for the physical object, one lies for pure consciousness. The image may be divided with the Interlace of multiple times, an overlapping shadow effect by double exposure. It connects a real-surreal relationship, and builds an imaginary distance.

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Overlapping three interfaces with different angles, lights come from three directions. The transpar-ent tracks of light build invisible shadow, and the invisible shadow builds the invisible places. Shadow overlaps in the wall, and the ink erodes out of the wall, trying to seal the permanent penetration.

As the effect of a mirror, the influence of absence or oblivion and the existing or spoken events shines upon each other, a metaphor of distance emerges.

Distance is something to do with the lack of the tactile integration , the lager the distance is, the larger the lack is.

To transfer the frame size of one’s hand into the criteria of identifying the object.Re-measure and re-locate the body measures form the standing place, connecting the relationship between the space and emotion and to translate it Into the text of the theater of space.

Leaving the behindness gradually, and moving forward to beyondness.

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