LIGHT_MICROSCOPEweb97RO.ppt

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INTRODUCTION The program, prepared in Powerpoint 97, was converted to HTML format in Windows XP, and should be readable by most PC browsers. Any warning messages that might appear can be clicked through and disregarded. It is intended to be run as a slide show (icon on the lower right), although once in the slide show mode, a viewer can drop back to use the directory by pressing ESC or the return button on the lower left of the screen; the directory can be expanded to show full text with the button below the bottom of the outline column. I have not (yet?) added any notes, so the note window can be closed with repeated presses of the “notes” button. The program is intended as an instructional tool, and therefore is tailored to run through in a limited time; consequently it is not intended to be comprehensive, but contains what I consider the most important milestones. It is divided into two major sections: The Simple Microscope, whose importance continues to be inadequately appreciated, and The Compound Microscope. The latter is divided into three sections, dealing with English, European, and American Microscopes. English and early European microscopes are better researched and documented, with considerable literature available (especially for the English), therefore I have concentrated on the American makers, where my own interests lie, and I have the most to contribute. The latter section can be ended after the treatment of Bausch & Lomb, or can be run to completion -– the full program contains nearly all makers with known surviving instruments, and can therefore be considered comprehensive; for some of the better known makers I have chosen to use examples of less familiar models. I would appreciate any comments, suggestions or corrections. Because of time and space constraints, I may not be able to utilize all of them, but the effort will be appreciated nonetheless (and perhaps incorporated in future versions). I could use original or copyright-free color photos (or references to the same) of instruments illustrated by drawings or “representative instruments” in the program. I especially need a color photo of an early tripod, an early Marshall, a box microscope, and an early wood/ivory/leather/shagreen Culpeper for replacements. Email:[email protected]

Transcript of LIGHT_MICROSCOPEweb97RO.ppt

INTRODUCTIONThe program, prepared in Powerpoint 97, was converted to HTML format in Windows XP, andshould be readable b most P! browsers"#n warning messages that might appear can be clic$ed through and disregarded"%t is intended to be run as a slide show &icon on the lower right', although once in the slide show mode, a viewer can drop bac$ to use the director b pressing ()! or the return button on the lower left of the screen* the director can be e+panded to show full te+t with the button below the bottom of the outline column" % have not &et,' added an notes, so the note window can be closed with repeated presses of the -notes. button"The program is intended as an instructional tool, and therefore is tailored to run through in a limited time* conse/uentl it is not intended to be comprehensive, but contains what % consider the most important milestones"%t is divided into two ma0or sections1 The )imple Microscope, whose importance continues to be inade/uatel appreciated, and The !ompound Microscope"The latter is divided into three sections, dealing with (nglish, (uropean, and #merican Microscopes"(nglish and earl (uropean microscopes are better researched and documented, with considerable literature available &especiall for the (nglish', therefore % have concentrated on the #merican ma$ers, where m own interests lie, and % have the most to contribute" The latter section can be ended after the treatment of 2ausch 3 Lomb, or can be run to completion 45 the full program contains nearl all ma$ers with $nown surviving instruments, and can therefore be considered comprehensive* for some of the better $nown ma$ers % have chosen to use e+amples of less familiar models"% would appreciate an comments, suggestions or corrections" 2ecause of time and space constraints, % ma not be able to utili6e all of them, but the effort will be appreciated nonetheless &and perhaps incorporated in future versions'"% could use original or copright4free color photos &or references to the same' of instruments illustrated b drawings or -representative instruments. in the program"% especiall need a color photo of an earl tripod, an earl Marshall, a bo+ microscope, and an earl wood7ivor7leather7shagreen !ulpeper for replacements" (mail1swarter8csulb"edu BEGIN TRADE CARD OF JOHN YARWELLLONDON, w. 1671-1708 ORIGIN AND DEVELOPMENT OF THE LIGHT MICROCOPE1600-1!00"#$%"L W$%"&%, P%'(&))'% E*&%+"#)D&,$%"*&-" '( B+'.'/+0$. 0+&-0&)C$.+('%-+$ "$"& U-+1&%)+"2, L'-/ B&$03 THE LIGHT MICROCOPEP.$- '( "3& P%&)&-"$"+'-I-"%'4#0"+'-T3& +*,.& M+0%')0',&T3& C'*,'#-4 M+0%')0',&T3& E-/.+)3 M+0%')0',&T3& E#%',&$- M+0%')0',&T3& A*&%+0$- M+0%')0',& EEING I BELIEVINGT3& .+/3" *+0%')0',& ',&-&4 "3& *+-4 "' "3& w'%.4 '( "3& 3+"3&%"' #-)&&-. 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THE EUROPEAN MICROCOPEW3+.& *'%& w&..-"'-4' E-/.+)3 w&%& 4&1&.',+-/ "3&+% *+0%')0',&) +-"' +-0%&$)+-/.2 &.$5'%$"& $-4 0'*,.+0$"&4 4&1+0&) "' ,#%)#& "3&+% V+0"'%+$- -$"#%$. 3+)"'%2 3'55+&), E#%',&$-) '- "3& C'-"+-&-" #)&4 )+*,.&%, *'%& 5$)+0 +-)"%#*&-") "' $41$-0& *'%& "&03-+0$. )"#4+&) )#03 $) 3+)"'.'/2 $-4 &*5%2'.'/2.F&w&% '( "3&+% +-)"%#*&-")$-4 3+)"'%+0$. %&0'%4) )#%1+1&, 3$1+-/ 5&&- .')" +- "3& *$-2 w$%) "3$" )w&," "3& C'-"+-&-" '1&% "3& 0&-"#%+&). 17"3B18"3 CENTURYH'..$-4, F%$-0& $-4 G&%*$-2 ,%'4#0&4 *+0%')0',&) "3$" w&%& )+*+.$% "' "3')& +- E-/.$-4 #-"+. "3& 1!"3 C&-"#%2, w3&- "3& 0'-"+-&-"$. ,$""&%- '( *+0%')0',& 5&/$- "' &*&%/&. 17"3B18"3 CENTURYA- &>0&,"+'- w$) "3& #-+7#&.2 E#%',&$- B'> M+0%')0',&, +- w3+03 "3& )#5)"$/& *+%%'% w$) &-0.')&4 w+"3+- "3& 5'> "3$")&%1&4 $) $ 5$)&. T3+) ,$""&%- ('%&)3$4'w&4 "3& 4%#* *+0%')0',&. 1!"3 CENTURYO-& '( "3& (+%)" )#00&))(#. $03%'*$"+0 *+0%')0',&) w$) *$4& 52 V+-0&-" C3&1$.+&% +- P$%+).I" w$) $ 5'>-*'#-"&4 ,'%"$5.& "3$" w$) 4+)*'#-"&4 $-4 4+)$))&*5.&4 ('% ,$06+-/ +-"' +") 5'>. 1!"3 CENTURYA-'"3&% &$%.2 $03%'*$"+0 *+0%')0',& +) "3+) ,'%"$5.& +-)"%#*&-" 52 G+'1$--+ B$""+)"$ A*+0+, w3' 3$) 5&&- 0%&4+"&4 w+"3 "3& 4&1&.',*&-" '( "3& (+%)" )#00&))(#. $03%'*$"+0 .&-). THE REFLECTING MICROCOPEA- $""&*," w$) *$4& +- "3& &$%.2 1!"3 C&-"#%2 52 A*+0+ $-4 '"3&%) "' &.+*+-$"& 03%'*$"+0 $5&%%$"+'- 52 %&,.$0+-/ "3& '59&0"+1& .&-) w+"3 $ 0'-0$1& *+%%'% +- $ 3'%+G'-"$. *+0%')0',&. THE HORIFONTAL MICROCOPET3& 3'%+G'-"$.0'*,'#-4 *+0%')0',&, 4+)"+-/#+)3&4 (%'* "3& %&(.&0"+-/ "2,&, 0'-)"+"#"&4$- $""&*," "' 0'*,&-)$"& ('% $ .'-/ 5'42 "#5& "3$" 0'#.4 -'" 5& +-0.+-&4 4#%+-/ '5)&%1$"+'- '( )#59&0") )#),&-4&4 +- $ (.#+4 *&4+#*. THE DRUM MICROCOPEJ')&,3 F%$#-3'(&%;) 181C +5+.+"2 '( +..#*+-$"+'-, $-4 "3& 0'-"+-&-"$. *+0%')0',& w$) 5'%-. 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'*& *+-'% *$6&%) w3' $%& '5)0#%& '% 6-'w- 52 '-.2 '-& '% $ (&w )#%1+1+-/ &>$*,.&) ('..'w -&>"D JOIAH BENNET ALLENPRINGFIELD, MAT3& )&0'-4 A*&%+0$- *$6&% $("&% C3$%.&) ,&-0&%, A..&- w$) ,'))+5.2 "3& (+%)" "' ,%'4#0& $- '%+/+-$. 4&)+/-. JOIAH BENNET ALLENPRINGFIELD, MAT3+) #-4'0#*&-"&4 +-)"%#*&-" *$2 3$1& 5&&- 3+) (+%)".'*& '( +") ),&0+$.+G&4 ',&%$"+'-$. (&$"#%&) $%& -'" 2&" (#..2 #-4&%)"''4. AMUEL MURETP3+.$4&.,3+$, PAT3+) 3+"3&%"' #-6-'w- +**+/%$-" w+)) +-)"%#*&-" *$6&% )#,,.+&4 +-)"%#*&-") "' "3& P3+.$4&.,3+$ (+%*) '( L#&&- $-4 M0A..+)"&%. AMUEL MURETP3+.$4&.,3+$, PAT3& )'#%0& '( "3&)& *+0%')0',&) w$) #-6-'w-, $-4 )'*& w&%& "3'#/3" "' 3$1& 5&&- F%&-03 +*,'%").H& 03$%$0"&%+)"+0$..2 #)&4 $ 5%$)) ).+4+-/ )"$/& ,.$"&, %$"3&% "3$- "3& #)#$. /.$)) ,.$"& #)&4 '- A*&%+0$- *+0%')0',&) '( "3& "+*&. CHARLE FAOLDTALBANY, NYC3$%.&) F$)'.4" w$) 6-'w- ('% 3+) (+-& %#.+-/)J "' *$6& "3&)& 3& 5#+." 3+) 'w- %#.+-/ &-/+-&.H+) *+0%')0',&) w&%& 4&)+/-&4 ('% #)& w+"3 "3&)& ),&0+$.+G&4 ).+4&), w3+03 w&%& #)&4 "' *&$)#%& "3& %&)'.#"+'- '(*+0%')0',& '59&0"+1&). ERNET CHARLE FAOLDTALBANY, NYO-.2 )&1&- *+0%')0',&) *$4& 52 E%-&)" $-4 3+) 5&""&% 6-'w- ($"3&%, C3$%.&), $%& 6-'w-. T3&+% '-.2 )#%1+1+-/ +-)"%#*&-") $%& &$03 '-& '( $ 6+-4, &>0&," "3+) *'%& 5$)+0 *'4&. '( w3+03 "w' $%& 6-'w-. DANIEL PIKENEW YORK CITYT3+) )'- '( +-)"%#*&-" *$6&% B&-9$*+- P+6& 0$%%+&4 '- 3+) ($"3&%;)5#)+-&)). N'" 4'0#*&-"&4 $) $ *+0%')0',& *$6&%, 3& +) 5&.+&1&4 "' 3$1& $44&4 "3&* "' "3&'#",#"'( 3+) .$%/& )3',, $-4 )#,,.+&4'"3&% N&w Y'%6 *$6&%) $-4 %&"$+.&%) w+"3 *+0%')0',&). DANIEL PIKENEW YORK CITYD$-+&. w'%6&4 #-4&% "3& -$*&) '(B&-9.P+6& E '-8):, $-4 B&-9. P+6&;) '- 818AA-18!C:. H& #)&4 )'*& (&$"#%&) +- 0'**'- w+"3 "3')& #)&4 52 "3& G%#-'w) $-4 '"3&%).H& +) -'" "' 5& 0'-(#)&4 w+"3 B&-9. P+6&, J%, w3' %$- $ 0'*,&"+-/ 5#)+-&)). MILLER BROTHERNEW YORK CITYT3& M+..&% B%'"3&%) *$4& .&-)&) $-4 $ (&w *+0%')0',&), 5#" $.)' %&)'.4 *+0%')0',&) (%'* *$6&%) .+6& P+6&, F&-"*$2&% $-4 03%$#&%, $) 4+4 '"3&% N&w Y'%6 (+%*) .+6& C.B. K.+-&, T.H.M0A..+)"&%, $-4 03%$#&% 3+*)&.(. JOHN W. IDLELANCATER, PAI- 1880 J.W. +4.& 5&/$- ,%'4#0+-/ $41$-0&4 *+0%')0',&) +- 3+)A0*& O,"+0$. W'%6).H& w$) 7#+06.2 5'#/3" '#" 52 J.W. L#&&- E C'., $-4 ,%'4#0&4 3+) A0*& *+0%')0',&) ('% "3&* #-4&% "3& L#&&- -$*&, )' &$%.2 &>$*,.&) )+/-&4 52 3+* $%& 1&%2 )0$%0&. JOHN W. IDLELANCATER, PAO-& '( "3& +--'1$"+'-) ('% w3+03 +4.& +) 6-'w- +) 3+) #)& '( $ 0$.+5%$"&4 )&0"'% 4+)6 ('% "3& ,%&0+)& *&$)#%&*&-" '( $-/.&) '( +..#*+-$"+'-. YAWMAN AND ERBEROCHETER, NYT3&)& ('%*&% &*,.'2&&) '( B$#)03 E L'*5 3$4 $ 5%+&( ,&%+'4 '( $))'0+$"+'-w+"3 E%-)" G#-4.$03, 5&('%& 5&+-/ ('%0&4 '#" '( "3& *+0%')0',& 5#)+-&)) 52 BEL, &+"3&% 5&0$#)& '( ,&%0&+1&4 0'*,&"+"+'-, '% 5&0$#)& '( "3& #)& '( 4+),#"&4 ,$"&-"). YAWMAN AND ERBEROCHETER, NYT3+) #-4'0#*&-"&4 *'4&. 3$) $ ,''%.2 4&)+/-&4 (+-& ('0#) *&03$-+)*, ,'))+5.2 *$4& +- $- +..-$41+)&4 $""&*," "' 0+%0#*1&-" ,$"&-") 4+),#"&4 5&"w&&- G#-4.$03 $-4 B$#)03 E L'*5. LABAN HEATHBOTON, MAI- 1866 $-4 .$"&% +- 1877 L$5$- H&$"3 ,$"&-"&4 "w' +-)"%#*&-") "' 5& #)&4 +- 4&"&0"+-/ 0'#-"&%(&+" 0#%%&-02.T3& (+%)" 0'#.4 $.)' 5& 4+)$))&*5.&4 +-"' $ "&.&)0',& $-4 $ 3$-4 *$/-+(+&%. JAME H. LOGANWAHINGTON, D.C.I- 186! J$*&) H. L'/$- ,$"&-"&4 $ )+*,.& *+0%')0',& *$4& $.*')" &-"+%&.2 '( w''4.I" 0$*& w+"3 "3%&& /.$)) 5&$4 .&-)&) 81@0M, C00M, @00M: .+6& "3')& #)&4 52 H''6& $-4 L&w&-3'&6.Tw' &>$*,.&) )#%1+1& +- *#)* 0'..&0"+'-). GEORGE L. GOWLLANDCAMBRIDGE, MAT3+) *$6&%, 6-'w- '-.2 (%'* "3& )+/-$"#%& '- "3+) #-+7#& *+0%')0',&, %&*$+-) #-4'0#*&-"&4. I" +) *$%6&4 $*,.& $,,&$%&4. E.H. 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THE FINE PRINTMOT INTRUMENT DEPICTED ARE 8OR WERE: OWNED BY ACTIVE OR CORREPONDING MEMBER OF THE MICROCOPICAL OCIETY OF OUTHERN CALIFORNIADK&--&"3 G%&/'%2 B$%%2 '5&.J$*&) '..+4$2"#$%" W$%"&% A..$- W+))-&%IMAGE CONTRIBUTED BY 8)'*& &4+"&4 ('% #-+('%*+"2:DD$1+4 C'((&&- (Tesseract) B%+$- F'%4 T'* G%+..J$*&) '..+4$2"#$%" W$%"&% D'-$.4 W+-/ A..$- W+))-&% G&'%/& V+""'*& +-)"%#*&-") 4&,+0"&4 3$1& 5&&- +..#)"%$"&4 +- '-& '% *'%& +))#&) '( "3& Journal of the Microscopical Society ofSouthern California.'*& +-)"%#*&-") 4&,+0"&4 $%& -'" "3& &>$0" '-&) *&-"+'-&4, 5#" -'-&"3&.&)) $%& $00#%$"& %&,%&)&-"$"+'-). END