Lewitt Microphones Catálogo 2015
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Transcript of Lewitt Microphones Catálogo 2015
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Austrian co-founder and CEO of LEWITT Roman Perschon has been deeply,
involved in microphone development with some of the industry s top brands and,
was for many years Senior Buyer & Project Manager for one of Austria s leading
microphone companies.
The design & research team located in Vienna, Austria recognized as a worldleading
centre of excellence in professional microphone development does all the product
development including all software and electronic engineering.
,This backs on to the company s own 45.000-sqm facility in China exclusively
designed for manufacturing microphones.
The state-of-the-art production base with
+1000 employees includes its own die
casting, clean room capsule assembly,
anechoic chambers, the latest SMT
and soldering equipment etc., to cover
all aspects of engineering, testing and
production.
As such, LEWITT is delivering its own
unique innovations with its own technology
in high quality propositions at reasonable
prices - a truly rare combination.
All of the microphones sport the LEWITT
look that signals modernity, individuality
and technical professionalism and all have
the LEWITT feel that exudes ruggedness,
an appealing design and a quality capable
of fulfilling the LEWITT promise of unaltered crystal clear transmission of your
sound, making it authentic and memorable.Roman Perschon CEO and Co-Founder
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LCT 340
LCT 550
LCT 940
LCT Series ...........................................................................................
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08
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MTP 840
MTP 940
MTP Series ..........................................................................................
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DTP 640 REX
DTP Series ..........................................................................................
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DGT 650
DGT Series ..........................................................................................
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// LTS Series ........................................................................................... 34
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0.67-inch small-
diaphragm capsule
Cardioid polar pattern
124 dB dynamic range,
19 dB (A) self-noise
3-position attenuation,
3-step low-cut
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0.8-inch small-diaphragm
capsule
Cardioid and optional
omnidirectional capsule
124 dB dynamic range,
15 dB (A) self-noise
4-position attenuation,
4-step low-cut
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1-inch large-diaphragm
condenser microphone
Cardioid polar pattern
135 dB dynamic range,
8 dB (A) self-noise
2-step attenuation,
2-position low-cut
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0.67-inch capsule
Cardioid polar pattern
130 dB dynamic range,
16 dB (A) self-noise
3-step attenuation,
3-position low-cut
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0 dB (A) self-noise from
electronics and circuitry
Any two LCT 550s form a
matched pair at +/- 0 dB
1-inch true condenser
cardioid recording mic
140 dB dynamic range
3-step attenuation,
3-position low-cut
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1-inch large-diaphragm tube microphone
5 polar patterns
130 dB dynamic range, 9 dB (A) self-noise
3-step attenuation, 3-position low-cut
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Tube and FET technology combined in one
single housing
Continuously blend between Tube and FET
9 polar patterns
4-position attenuation, 4-step low-cut
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Five different polar patterns for extraordinary flexibility
Superior transient response Flat frequency response for
natural, authentic sound 4 switchable pads 4 switchable low-cut filters Low self-noise of 10 dB (A)
and max SPL of 145 dB for a superior dynamic range of 135 dB
// Interchangeable capsules: cardioid and omnidirectional (optional)0.8-inch small-diaphragm capsule with ultra-thin externally biased, gold-layered low-mass diaphragm Flat frequency response for natural and authentic soundPerfectly suited for sophisticated live and studio applications
// 124 dB (A) dynamic range 15 dB (A) self-noise 4 switchable pads (0 dB, -6 dB, -12 dB, -18 dB) for handlinghigh sound pressure levels4 switchable low-cut filters: linear, 80 Hz (12 dB / Oct.), 150 Hz (6 dB / Oct.), 300 Hz (6 dB / Oct.)
// Illuminated user interface for quick and easy handling in dark environmentsRecessed slide switches prevent accidental operation
// Rock-solid construction ensures longevityBlack die-cast full metal bodyRuthenium-galvanized steel mesh grille to prevent wear and abuseCorrosion-resistant gold-plated 3-pin XLR output connector
THE CAPSULE
SOLID SPECIFICATIONS
EASE OF USE
RUGGED AND TOUR-WORTHY
// Features
Acoustic instruments (strings, guitars, piano and similar)Ambitious stereo on-location recordings techniques (XY, ORTF, AB)Ambient and on-location recordingsClassical instruments and ensembles
// Applications// LCT 340 microphoneDTP 40 Mts shock mountLCT 40 Ws windshieldDTP 40 Lb leather bagLCT 340 OC optional omni transducer
BOX CONTENTS
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Acoustical operating principle pressure gradient transducers, externally polarizedTransducer Ø 20,32 mm / 0,8 inchDirectional pattern cardioid / omniFrequency range 20 to 20.000 HzSensitivity 9 mV / Pa (-41 dBV), cardioid8 mV / Pa (-42 dBV), omniSignal / noise ratio 79 dB (A)Equivalent noise level 15 dB (A), cardioid (IEC 61672-1)16 dB (A), omni (IEC 61672-1)Dynamic range of mic. Amp. 124 dB (A)Max. SPL for 0,5 % THD 139 dB, 0 dB pre-attenuationPre-attenuation pad 6 dB, 12 dB, 18 dB, switchableBass cut filter slope 12 dB / octave at 40 Hz6 dB / octave at 150 Hz6 dB / octave at 300 HzRated impedance < 150 ohmsRated load impedance > 1.000 ohmsSupply voltage 48 V + / - 4 V (IEC 61938)Current consumption 6,6 mA (IEC 61938)Connector gold plated 3-pin XLRDimensions Ø 24 dia. x 160 mm / Ø 0,94 dia. x 6,3 inchNet weight 200 g / 7,05 oz
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// Specifications
// Features// Highly precise calibration of capsule and electronics means that any two microphones from this series will always form a matched pair at +/- 0 dB
// Precise transient response thanks to the 3-micron-thin, gold-layered, low-mass, 1-inch Mylar diaphragmExtraordinary sensitive: capture even extremely weak signals with great precision and detailCardioid polar pattern for effective rear sound rejection
// 0 dB (A) self-noise from electronics and circuitry3 dB (A) according to IEC 60268-1 due to Brownian Motion - in simple terms: the sound caused by the movement of air molecules ...140 dB dynamic rangeMax. SPL of 155 dB (A)Immune to electromagnetic interference thanks to transformerless preamplifier circuitry
// Illuminated user interface for quick and easy handling in dark environmentsNoiseless pushbuttons for attenuation and low-cut selectionAutomatic Attenuation and Clipping History mode
// Rugged zinc die-cast bodyInternal shock mount for maximum reduction of structure borne noiseCorrosion-resistant gold-plated 3-pin XLR output connector
A PERFECT MATCH
THE CAPSULE
UNRIVALED SPECS
EASE OF USE
RUGGED & TOUR-WORTHY
// ApplicationsClassical instruments and ensemblesAmbitious stereo recording techniques (XY, ORTF, AB, ...)Vocals & background vocalsAcoustic instruments (strings, guitars, piano and similar)Drum & percussion overhead
// LCT 550 microphoneLCT 40 SHx shock mountLCT 40 Wx windshieldDTP 40 Lb artificial leather bagBlack carrying case
BOX CONTENTS
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Acoustical operating principle pressure gradient transducer, externally polarizedDiaphragm 3 micron gold sputtered MylarTransducer Ø 25,4 mm / 1 inchPolar pattern cardioidFrequency range 20 to 20.000 HzSensitivity 36 mV / Pa (-29 dBV), +/- 0 dB @ 1 kHzSignal / noise ratio 91 dB (A)Equivalent noise level 0 dB (A) self-noise from electronics and circuitry3 dB (A), according to IEC 60268-1 due toBrownian MotionDynamic range of FET mic. Amp. 140 dB (A)Max. SPL for 0,5 % THD 143 dB, 0 dB pre-attenuationPre-attenuation pad 6 dB, 12 dB, switchableLow cut 12 dB / octave at 80 Hz6 dB / octave at 160 HzRated impedance < 150 ohmsRated load impedance > 1.000 ohmsSupply voltage 48 V +/- 4 VCurrent consumption 5,5 mAEnclosure Zinc die castConnector gold plated 3-pin XLRDimensions 158 x 52 x 36 mm / 6,22 x 2,04 x 1,42 inchNet weight 425 g / 14,9 oz.
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// Specifications
// Features// Tube and FET technology combined in a single housing for maximum creative freedomContinuously blend between tube (dual triode tube) and FET circuitry for your preferred "sound flavor"
// Pressure gradient dual-diaphragm systemPrecise transient response thanks to the 3-micron-thin, gold-layered, low-mass 1-inch Mylar diaphragmNine different polar patterns for maximum flexibility in any recording situation
// Superior dynamic range of 128 dB (A) (tube) / 135 dB (A) (FET)Exceptionally low self-noise of 12 dB (A) (tube) / 8 dB (A) (FET) for ear-catching realism and sonic depth
// Illuminated user interface for quick and easy handling in dark environmentsNoiseless pushbuttons for attenuation and low-cut selectionAutomatic Attenuation and Clipping History mode
// Rugged zinc die-cast bodyInternal shock mount for maximum reduction of structure borne noiseCorrosion-resistant gold-plated 3-pin XLR output connector
TUBE // FET AND EVERYTHING IN BETWEEN
THE CAPSULE
UNRIVALED SPECS
EASE OF USE
RUGGED & TOUR_WORTHY
// LCT 940 microphoneLCT 940 PSU remote control unitLCT 40 Trs 11-pin cableLCT 40 SHxx shock mountLCT 40 Wxx windshieldBlack carrying case
BOX CONTENTS
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Directional pattern omni, broad-cardioid, cardioid, super-cardioid, figure-8 andfour intermediate patternFrequency range 20 to 20.000 HzSensitivity 23 mV / Pa (-33 dBV), cardioidSignal / noise ratio (FET) 86 dB (A)Signal / noise ratio (Tube) 82 dB (A)Equivalent noise level (FET) 8 dB (A), cardioid (IEC 61672-1)Equivalent noise level (Tube) 12 dB (A), cardioid (IEC 61672-1)Dynamic range of FET mic. Amp. 135 dB (A)Dynamic range of Tube mic. Amp. 128 dB (A)Max. SPL for 0,5 % THD (FET) 143 dB, 0 dB pre-attenuationMax. SPL for 0,5% THD (Tube) 140 dB, 0 dB pre-attenuationPre-attenuation pad 6 dB / 12 dB / 18 dBBass cut filter slope 12 dB / octave at 40 Hz6 dB / octave at 150 Hz6 dB / octave at 300 HzRated impedance < 200 ohmsRated load impedance > 1.000 ohmsCurrent consumption 170 mAConnector gold plated 11-pin XLRCable 8 m (26 ft) / 11-pin audio cableDimensions (Mic) 192 x 60 x 46 mm / 7,5 x 2,4 x 1,8 inchDimensions (PSU) 250 x 150 x 70 mm / 9,8 x 5,9 x 2,8 inchNet weight (Mic) 662 g / 23,3 ozNet weight (PSU) 1930 g / 68,1 oz
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// ApplicationsHigh end lead & background vocalsSpoken word (radio anchor, high quality podcast, TV & movie post production)Acoustic instruments (guitars, strings, piano and similar)
Acoustical operating principle pressure gradient transducer, externally polarizedTransducer Ø 25,4 mm / 1 inch
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// Specifications
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TP
SE
RIE
SA
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MO
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PO
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O Y
OU
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TH
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Dynamic capsule
Cardioid polar pattern
High gain before feedback
Integrated acoustic pop
and windshield
Highly shock-resistant and
effective structure-born
noise elimination
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// MTP 250 DMWired handheld dynamicmicrophone for ambitiousperformances
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High gain before feedback
Dynamic capsule
Frequency-consistent
cardioid polar pattern
Rock-solid full metal,
die-cast body
Highly shock-resistant and
effective structure-born
noise elimination
// MTP 440 DMHighly versatile dynamicinstrument microphone forloud sources
LO
UD
AN
DC
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AR
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AN
SP
AR
EN
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IN M
OT
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TH
E B
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R W
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OR
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F
OR
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RE
Cardioid polar pattern
Natural, authentic sound
Integrated pop and windshield
Highly shock-resistant,
effective structure-born
noise elimination
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// MTP 350 CMProfessional wired handheldcondenser microphone forhighly detailed sound
// MTP 550 DM
Authentic, powerful sound
Frequency consistent
cardioid polar pattern
Integrated acoustic pop
and windshield
Highly shock-resistant,
effective structure-born
noise elimination
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The dynamic handheldperformance must-have
ST
UD
IOT
EC
HN
OL
OG
Y
O
NS
TA
GE
Uncompromising studio
condenser sound for
stage performances
Superior dynamic range of
140 dB (A), exceptionally
low self-noise of 15 dB (A)
Cardioid polar pattern
for clean live sound and
effective rear rejection
2-step attenuation,
2-position low-cut
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Handheld performancemicrophone with 1-inch studiocondenser capsule
// MTP 740 CM
DY
NA
MIC
MIC
RO
PH
ON
E
CO
ND
EN
SE
RS
OU
ND
Dynamic capsule tuned
specifically for demanding
vocal applications
Supercardioid pickup pattern
Highly shock-resistant,
effective structure-born
noise elimination
Superior dynamic range of
121 dB (A)
3-position switchable
high-pass filter, optional
3-position amplification
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// MTP 840 DMFeature-rich dynamichandheld microphone forexceptionally clean sound
TH
E H
AN
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EL
D
ST
UD
IOM
ICR
OP
HO
NE
1-inch dual-system
condenser capsule
Highly accurate transient
response for nuanced and
authentic sound
Cardioid, wide cardioid and
supercardioid polar pattern
135 dB (A) dynamic range
3-step pre-attenuation,
3-position low-cut
Highly shock-resistant
thanks to advanced
suspension technology
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// MTP 940 CMLarge-diaphragm studiocondenser technology andfeatures in a handheld housing
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// MTP 840 DM microphoneMTP 40 MCs shock mount DTP 40 Lb artificial leather bagBlack carrying case
BOX CONTENTS
// Dynamic capsule tuned specifically for demanding vocal applications, brightened range and extended low end Uniform supercardioid pickup pattern for maximum isolation of the main sound source
// Optional active mode provides superior dynamic range of 121 dB (A) and extremely low self-noise of 19 dB (A) for maximum realism and distortion-free sonic depth Optional 3-position switchable amplification (0 dB, 6 dB, and 12 dB) for unrivaled signal quality in demanding environments 3-position switchable high-pass filter for direct adjustment of proximity effect Highly effective integrated acoustic pop and windshield offers excellent protection without compromising high-frequency clarity
// Illuminated indication of microphone settings for quick and easy handling even in dark environmentsRecessed slide switches prevent unintended change of settings during the performance
// Rock-solid full metal, die-cast body for rough daily touring routines Hardened steel mesh grille to prevent wear and abuseShock-resistant and effective structure-born noise elimination thanks to advanced suspension technology Minimally affected by varying load impedance Corrosion-resistant gold-plated 3-pin XLR output connector
THE CAPSULE
UNRIVALED SPECS
EASE OF USE
RUGGED & TOUR-WORTHY
// Features
Lead and background vocals Demanding live and studio applications
// Applications
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Acoustical operating principle Dynamic, moving coilDirectional pattern SupercardioidFrequency range 40 to 18.000 HzSensitivity 3,5 mV / Pa (-49 dBV), passive mode7 mV / Pa (-43 dBV), active mode14 mV / Pa (-37 dBV), active modeSignal / noise ratio 75 dB (A)Equivalent noise level 19 dB (A), Super-cardioid (IEC 61672-1)Dynamic range, passive mode 135 dB (A)Dynamic range, active mode 121 dB (A), 0 dB gainMax. SPL for 0,5 % THD, active mode 140 dB, 0 dB gainGain settings, active mode 0 dB, 6 dB, 12 dB, switchableBass cut filter slope 12 dB / octave at 150 Hz12 dB / octave at 250 HzRated impedance < 600 ohmsRated load impedance > 1.000 ohmsSupply voltage 48 V +/- 4 V (IEC 61938)Current consumption 5,5 mA (IEC 61938)Connector Gold plated 3-pin XLRDimensions 51 dia. x 183 mm / 2 dia. x 7,2 inchNet weight 336 g / 11,85 oz.
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// Specifications
// Features// Uncompromising true 1-inch studio condenser for stage performance3-micron gold-sputtered Mylar diaphragmIntegrated acoustic pop and windshield for excellent protection without compromising high-frequency clarity
// Three directional characteristics - cardioid, wide cardioid, supercardioid - for maximum versatility on stage and in the studioFlat frequency response for natural sound for ear-catching realism and distortion-free sonic depth
// Superior dynamic range of 135 dB (A) Exceptionally low self-noise of 9 dB (A) thanks to innovative direct coupling technology (patent pending)3-position switchable pre-attenuation pad (0 dB, 6 dB, and 12 dB) for handling extremely high sound pressure levels3-step switchable high-pass filter for direct adjustment of proximity effect
// Illuminated indication of microphone settings for quick and easy handling even in dark environmentsRecessed slide switches prevent unintended change of settings during the performance
// Rock-solid full metal, die-cast body for rough daily touring routines Hardened steel mesh grille to prevent wear and abuse Minimally affected by varying load impedance Corrosion-resistant gold-plated 3-pin XLR output connector
THE HANDHELD STUDIO MICROPHONE
THE CAPSULE
UNRIVALED SPECS
EASE OF USE
RUGGED & TOUR-WORTHY
// ApplicationsAuthentic and dynamic live vocal performancesHandheld vocal studio recordingsAcoustic instruments (live & studio)Jazzy snare drum and percussion instruments
// MTP 940 CM microphoneMTP 40 MCs shock mount DTP 40 Lb artificial leather bagBlack carrying case
BOX CONTENTS
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Acoustical operating principle pressure gradient transducer, externally polarizedTransducer Ø 25,4 mm / 1 inchDirectional pattern Wide cardioid / Cardioid / Super-cardioidFrequency range 20 to 20.000 HzSensitivity 10 mV / Pa (-40 dBV), cardioidSignal / noise ratio 85 dB (A)Equivalent noise level 9 dB (A), cardioid (IEC 61672-1)Dynamic range of mic. Amp. 135 dB (A)Max. SPL for 0,5 % THD 144 dB, 0 dB pre-attenuation150 dB, 6 dB pre-attenuation156 dB, 12 dB pre-attenuationPre-attenuation pad 6 dB, 12 dB, switchableBass cut filter slope 12 dB / octave at 80 Hz12 dB / octave at 160 HzRated impedance < 150 ohmsRated load impedance > 1.000 ohmsSupply voltage 48 V +/- 4 V (IEC 61938)Current consumption 5,5 mA (IEC 61938)Connector Gold plated 3-pin XLRDimension 51 dia. x 183mm / 2 dia. x 7,2 inchNet weight 332 g / 11,71 oz.
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// Specifications
DT
P S
ER
IES
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IN Y
OU
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HA
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T M
OR
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OO
M
PE
RF
EC
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MA
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IVE
LO
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ND
AN
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NA
PP
YP
UN
CH
DO
UB
LE
CA
PS
UL
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FO
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WIC
ET
HE
KIC
K
1 x DTP 340 REX
3 x DTP 340 TT
2 x LCT 140
Comes in a black carrying case
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// DTP Beat Kit 6Starter kit for ambitiousdrummers and percussionists
1 x DTP 640 REX
3 x DTP 340 TT
2 x LCT 340
1 x MTP 440
Comes in a black carrying case
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// DTP Beat Kit Pro 7Highly versatile set forprofessional drum andpercussion recordings
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// DTP 340 TTMultipurpose percussionmicrophone for rich andpunchy sound
High-quality dynamic element
designed especially for
drums and percussion
Frequency consistent
supercardioid polar pattern
for minimum off-axis coloration
High gain before feedback
Rock-solid full metal die-cast
body for rough daily
working routines
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// DTP 640 REXDual-element multi-tool forall bass-heavy applications
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Innovative dual-element
design: two capsules
(dynamic & condenser) in a
single housing
3 switchable filter curves
(Enhanced Frequency Response)
3 switchable pads (0 dB,
-10 dB, and -20 dB) for high
sound pressure levels
Frequency response
tuned specifically for kick
drums and bass instruments
Outstanding gain before feedback
// DTP 340 REXMultipurpose percussionmicrophone for all bass-heavy applications
Switchable filter curve
(Enhanced Frequency Response).
Frequency response
specifically tuned for kick
drums and bass instruments
Outstandingly high gain
before feedback
Cardioid polar pattern for
clean sound and effective
rear rejection
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// Features// TWICE THE KICK
// THE CAPSULES
// UNRIVALED SPECS
// ENHANCED FREQUENCY RESPONSE
// EASE OF USE
// RUGGED & TOUR-WORTHY
Innovative dual-element design: two capsules (dynamic & condenser) with individual outputs, perfectly phase aligned for most versatile and accurate sound reproduction
Two capsules phase aligned in a single housingCardioid polar pattern for clean sound and effective rear rejectionFrequency response specifically tuned for kick drums and bass instruments
Outstanding gain before feedback3 switchable filter curves (Enhanced Frequency Response) for massive low end, snappy punch or both3 switchable pads (0 dB, -10 dB, and -20 dB) for high sound pressure levels
Three switchable frequency response modes for maximum sonic versatility Flat Frequency Response mode - for the most natural sound reproductionDynamic Enhanced Frequency Response mode - enhanced dynamic frequency response, neutral condenser elementDual Enhanced Frequency Response - the condenser element focuses on frequencies from 70 to 150 Hz and delivers a full- bodied sound while the dynamic element provides a powerfulattack by focusing on the range between 3 and 5 kHz
Recessed slide switches prevent unintended change of settings during the performance
Super-robust design for tough studio & stage handlingHardened steel mesh grille to prevent wear and abuseCorrosion-resistant gold-plated 5-pin XLR output connector
// DTP 640 REX microphoneDTP 40 Trs cableDTP 40 Lb artificial leather bag
BOX CONTENTS
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// ApplicationsBass drumBass amplifier TomsHorns
// Specifications
// D
GT
65
0T
HE
MO
BIL
ER
EC
OR
DIN
G S
TU
DIO
All-in-one stereo USB
recording solution and
interface for PC, Mac and
iOS devices - no camera
connection kit required!
XY-stereo capsule arrangement
Four recording modes: Stereo,
Cardioid, Singer/Songwriter
Mode for simultaneous
instrument and Stereo
Line-in recording
24 bit / 96 kHz
110 dB dynamic range
Asynchronus USB transfer
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// DGT 650iOS // OS X // Windowsmicrophone and audiointerface in one
NE
VE
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ISS
AB
EA
TA
GA
INE
VE
RY
TH
ING
UN
DE
RY
OU
RC
OM
MA
ND
// Recording App
High-quality recordings on the go
Intuitive and quick-to-use interface -
practically self-explanatory
Well-conceived archiving system for
fast and efficient searches
Add notes, ratings, tags and photos to
every recording
Supports many common consumer
and professional formats for export
File transfer via E-mail, iTunes and
direct upload to SoundCloud
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Turns your mobile device into arecording device
Easy handling of the microphone
without leaving the workstation
All settings at a glance
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// Control CenterCheck and change the settings ofyour DGT directly from your PC
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// Features
// All-in-one stereo recording solution and interface for PC,Mac and iOS devices - no camera connection kit required!iOS, OS X and Windows supportAsynchronus USB transfer: precise internal clock handles thesamplerate timing to avoid jitter and ensures bit & pitch accurate audio capture & reproductionXY capsule arrangement for phase coherent stereo recordingsOS X Core Audio and dedicated ASIO driver for Windows - theonly way to ensure minimal tape return latencyLine-in and MIDI-input
// XY-Stereo Mode for live concerts, background vocals, ...Cardioid Mode for effective rear and side rejectionSinger/Songwriter Mode for simultaneous recording of acousticand line sourcesStereo Line-In Mode, connect a synthesizer or mixing consoleoutput and record it directly to your deviceMIDI available in all four modes
// 24 bit / 96 kHz, 110 dB dynamic rangeTwo step switchable pre-attenuation and high pass filter950 mAh battery for 3h+ recording time on iOS devicesBuilt-in amp for high impedance studio headphones
// Powerful headphone amp: 180 mW @ 32 ohm, THD+N < 0.5 %Crossfade between zero latency direct and minimal latency tapereturn monitoringASIO driver for minimal tape return latency
// Push wheel to change the DGT 650 settings on the microphoneControl Center to change the settings right from your computerIlluminated user interface for quick and easy handling in darkenvironments
// Streamlined cable handlingPowerful high impedance amplifier for studio headphonesMIDI inputHigh impedance, 2 channel line in for instrument and linesources (6.3 mm, 1/4 inch TRS phone jack)
THE MOBILE RECORDING STUDIO
FOUR RECORDING MODES
BEST IN CLASS SPECS
MONITORING QUALITIES
EASE OF USE
BREAKOUT BOX
// DGT 650 microphoneDGT 50 Tr breakout boxDGT 50 Li Apple Lightning cableDGT 50 USB standard USB cableDGT 50 Tri foldable TripodDGT 50 SHx shock mountLCT 40 Wx windscreen
BOX CONTENTS
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// ApplicationsRecord vocals, instruments and live acts wherever you goStereo mikingField recordingPodcasts and YouTube productions
// SpecificationsInput impedance > 1 Meg ohmFull scale input voltage 8 dBuInput dynamic range 110 dB (A)Frequency response 20 to 20.000 HzHeadphone output power 160 mW at 16 ohm, THD+N < 0,5 %180 mW at 32 ohm, THD+N < 0,5 %Frequency response 30 to 20.000 HzHeadphone volume control - 60 dB to 0 dBMIDI analogue MIDI connectorLine in 6,3 mm, inch TRS phone jack (2 channels)Headphones 3,5 mm phone jackDGT 50 Li Apple Lightning to 18-pin lockable hi-speed connectorDGT 50 USB USB to 18-pin lockable hi-speed connectorDGT 50 Tr 18-pin to 18-pinMic enclosure Zinc die castMic dimensions 138 x 52 x 36 mm / 5,43 x 2,04 x 1,42 inchMic net weight 310 g / 10,9 ozBreakout box dimensions 54 x 50 x 32 mm / 2,13 x 1,96 x 1,26 inch
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Reliable and easy-to-usediversity wireless vocalmicrophone
// LTS 240 Diversity C+D
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Choose between condenser or
dynamic capsule
Transmitters equipped with two
AA batteries for up to ten hours
of continuous performance
Four pre-programmed frequencies
// LTS 240 Dual C+DReliable wireless performancemicrophone for high-qualityaudio transmission
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Distortion-free, natural sound
Choose between condenser or
dynamic capsule
Transmitters equipped with two
AA batteries for up to ten hours
of continuous performance
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