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© New Zealand Qualifications Authority, 2013. All rights reserved.No part of this publication may be reproduced by any means without the prior permission of the New Zealand Qualifications Authority.

Level 3 Art History, 201391482, 91483, and 91484

2.00 pm Wednesday 20 November 2013

RESOURCE BOOKLET

Refer to this booklet to answer the questions for Art History 91482, 91483, and 91484.

Check that this booklet has pages 2 – 34 in the correct order and that none of these pages is blank.

YOU MAY KEEP THIS BOOKLET AT THE END OF THE EXAMINATION.

L 3 – A R T R993703

For copyright reasons, the resources in this booklet cannot be reproduced here.

INSTRUCTIONS

This booklet contains the plates for Art History 91482, 91483, and 91484.

There are five plates for each of the Level 3 areas of study:• Early Renaissance: Plates 1–5 (pages 3–7)• Late Renaissance to Mannerism: Plates 6–10 (pages 8–12)• Early Modernism 1900–1940: Plates 11–15 (pages 13–17)• Modernist Design and Architecture 1900–1960: Plates 16–20 (pages 18–22)• Modernism to Postmodernism: Plates 21–25 (pages 23–27)• Contemporary Diversity: Plates 26–30 (pages 28–32).

Make sure you read your chosen questions carefully before making your plate selection.

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EARLY RENAISSANCE

Plate 1: Donatello, Equestrian portrait of Gattamelata, 1444–1453, bronze sculpture on marble plinth, statue 340 × 390 cm, base 780 × 410 cm, Piazza del Santo, Padua, Italy

Commissioned by the Republic of Padua to commemorate Erasmo of Narni, a condottiere who became Dictator of Padua in 1437.

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Plate 2: Fra Angelico, The Annunciation, c. 1432–1433, tempera on wood, 175 × 180 cm

An altarpiece made for the Church of Gesu of Cortona, now in the Museo Diocesano, Cortona.

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Plate 3: Ghirlandaio, Birth of Mary, c. 1485–1490, fresco, width 450 cm

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Plate 4: Piero della Francesca, Madonna and Child with Angels and Six Saints, c. 1472–1474, oil and tempera on wood, 248 × 170 cm

Commissioned by Federico II da Montefeltro for the Ducal Palace in Urbino, now in the Pinacoteca di Brera, Milan.

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The interior is marble with enamelled terracotta medallions by Brunelleschi (attrib.) and Luca della Robbia. The chapel was commissioned by Andrea dei Pazzi.

Plate 5: Brunelleschi, Pazzi Chapel (interior), c. 1433–1461, stucco / plaster, and pietra serena, Santa Croce, Florence

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LATE RENAISSANCE TO MANNERISM

Plate 6: Michelangelo, Tomb of Lorenzo de’ Medici with allegorical figures of Dusk and Dawn, 1520–1534, marble, height of seated figure 177 cm, Medici Chapel, San Lorenzo, Florence

Commissioned by Cardinal Giulio de’ Medici.

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Plate 7: Raphael, Baldassare Castiglione, 1514, oil on canvas, 82 × 67 cm

Commissioned for a private family apartment in Rome, now in the Louvre, Paris.

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Plate 8: Bronzino, Eleanora of Toledo and Ferdinando de’ Medici, 1544–45, oil on wood, 115 × 96 cm

Commissioned for the Medici State Apartments, Florence, now in the Galleria degli Uffizi, Florence.

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Plate 9: Botticelli, The Mystic Nativity, c. 1500–1501, tempera on canvas, 108.5 × 75 cm, National Gallery, London

Privately commissioned in Florence as a personal devotional work.

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Plate 10: Titian, Assumption of the Virgin, 1516–1518, oil on panel, 689 × 388 cm

Altarpiece commissioned by Germano da Caiole, Abbot of the Frari Monastery, for Santa Maria Gloriosa dei Frari, Venice.

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EARLY MODERNISM 1900–1940

Plate 11: Kathe Kollwitz, The Grieving Parents, 1932, granite, life-size, Vladslo German War Cemetery, Diksmuide, West Flanders, Belgium

Front view of sculpture shown in bright spring light.

Rear view of sculpture shown in dull autumn light.

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Plate 12: Piet Mondrian, Gray Tree, 1912, oil on canvas, 79.7 × 109.1 cm, Haags Gemeentemuseum, The Hague

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Plate 13: Wassily Kandinsky, Swinging, 1925, oil on board, 70.5 × 50.2 cm, Tate Modern, London

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Plate 14: Hannah Hoch, Cut With The Kitchen Knife Through The Last Weimar Beer-Belly Cultural Epoch in Germany, 1919–1920, photomontage and collage with watercolour, 144 × 90 cm, Nationalgalerie, Staatliche Museen Zu Berlin, Berlin

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Plate 15: Pablo Picasso, Guernica, 1937, oil on canvas, 349 × 776 cm, Museo Reina Sofia, Madrid

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MODERNIST DESIGN AND ARCHITECTURE 1900–1960

Plate 16: Vladimir Tatlin, Model for Monument to the Third International, 1919–1920, painted wood, iron, and glass, height 6.1 m, Russian State Museum, St Petersburg

Photograph shows the model in the artist’s studio.

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Plate 17: A. M. Cassandre, Advertisement Poster for Nord Express, 1927, colour lithograph, 106 × 80 cm

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Plate 18: Aleksandr Mikhailovich Rodchenko, Advertisement Poster for the Lengiz Publishing House, 1924, gouache and cut papers on photographic paper, mounted on cardboard, 63 × 88 cm

Original is now in the Pushkin State Museum of Fine Arts, Moscow.

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Plate 19: Peter Behrens, AEG Turbine Factory, 1909, concrete, iron, and glass, Berlin

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Plate 20: Le Corbusier, Unité d’Habitation, 1946–1952, concrete and glass, Marseilles

Front view

Rooftop

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MODERNISM TO POSTMODERNISM

Plate 21: Richard Serra, Fulcrum, 1987, Cor-ten steel, height 16.8 m, Broadgate (near the west entrance to Liverpool Street Station), London

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Plate 22: Edward Hopper, Four Lane Road, 1956, oil on canvas, 69.8 × 105.4 cm, private collection

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Plate 23: Colin McCahon, Urewera Mural, 1976, acrylic on unstretched canvas, 215.8 × 549 cm

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Plate 24: Bill Culbert, Light Column / Cabbage Tree, 1996, nylon flare canisters on a steel sub-frame with solar powered battery lighting system, 4.5 × 1.25 × 2.18 m, Gibbs Farm sculpture park, Kaipara Harbour

Night view

Day view

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Plate 25: Andy Warhol, Queen Elizabeth suite, from Reigning Queens, 1985, four screen prints, each 99.7 × 80 cm, signed and numbered 40/40

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CONTEMPORARY DIVERSITY

Plate 26: Ai Weiwei and Fake Studio, Working Progress (Fountain of Light), 2007, mixed media light installation, steel, and glass crystals on a wooden base, (h) 700 × (w) 529 × (d) 400 cm

Designed specifically for the Albert Dock, Liverpool, England to mark the Tate Modern’s Exhibition of The Real Thing: Contemporary Art in China. Photographed (above) in an unidentified warehouse / studio, and (below) in place, in Liverpool.

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Plate 27: Mariko Mori, Link, 1995–2000, DVD still from a 360-degree, four-channel video installation with sound, Solomon Guggenheim Museum, New York

This work documents a series of performances in major cities around the world. In each location, an image of the artist is shown lying dormant in a ‘body capsule’. The duration of the video is 9 minutes and 15 seconds.

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Plate 28: leoh Ming Pei, Louvre Pyramid, 1983–88, steel frame and glass, the Louvre, Paris

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Plate 29: Francis Upritchard, Loafers, 2012, bronze figures on concrete plinths, height of standing figures: 53 cm and 70 cm; height of seated figures: 23 cm and 26 cm; height of plinths: 98 cm, 100 cm, 118 cm; diameter of all plinths: 183 cm, Symonds Street overbridge, Auckland

Detail

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Plate 30: Michael Parekowhai, On First Looking into Chapman’s Homer and A Peak in Darien, 2011, sculptural installations of bronze and stainless steel, (h) 250 × (w) 162 × (d) 285 cm and (h) 220 × (w) 175 × (d) 285 cm

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Acknowledgements

Plate 1 http://www.proprofs.com/flashcards/cardshowall.php?title=art-history-key-works-chapter-16-italy-14001500

Plate 2 Rolf Toman (ed),The Art of the Italian Renaissance: Architecture, Sculpture, Painting, Drawing (Köln: Könemann, 1995), p 251.

Plate 3 http://upload.wikimedia.org/wikipedia/commons/9/91/Birth_of_St_Mary_in_Santa_Maria_Novella_in_Firenze_by_Domenico_Ghirlandaio.jpg

Plate 4 Rolf Toman (ed),The Art of the Italian Renaissance: Architecture, Sculpture, Painting, Drawing (Köln: Könemann, 1995), p 273.

Plate 5 Frederick Hartt and David G. Wilkins, History of Italian Renaissance Art: Painting, Sculpture, Architecture (4th ed.) (New York: Harry N. Abrams Inc., 1994), p 202.

Plate 6 http://www.scanopia.com/michelangelo/tomb-of-lorenzo-de-medici.jpg

Plate 7 http://upload.wikimedia.org/wikipedia/commons/e/e9/Portrait_of_Baldassare_Castiglione_by _Raphael.jpg

Plate 8 http://upload.wikimedia.org/wikipedia/commons/f/f0/Bronzino_-_Eleonora_di_Toledo_col_figlio_Giovanni_-_Google_Art_Project.jpg

Plate 9 Ibid., p 285.

Plate 10 Frederick Hartt and David G. Wilkins, History of Italian Renaissance Art: Painting, Sculpture, Architecture (4th ed.) (New York: Harry N. Abrams Inc., 1994), p 575.

Plate 11 (front view) http://www.ww1westernfront.gov.au/ieper/vladslo.php#!lightbox-uid-17 (rear view) http://farm3.staticflickr.com/2265/1570080695_ac8f550971_z.jpg?zz=1

Plate 12 Susanne Deicher, Mondrian (Germany: Taschen, 2004), p 35.

Plate 13 http://www.tate.org.uk/art/images/work/T/T02/T02344_10.jpg

Plate 14 http://0.tqn.com/d/arthistory/1/0/6/O/dada_berlin_08.jpg

Plate 15 http://www.cultorweb.com/Picasso/IMG/guernica_pablo_picasso.jpg

Plate 16 http://bartlettyear1architecture.blogspot.com/2011/11/vladimir-tatlin-tower.html

Plate 17 http://designblog.rietveldacademie.nl/?p=26268

Plate 18 http://webposters.adm.ntu.edu.sg/site/page/poster/1949

Plate 19 http://3.bp.blogspot.com/-bm1At9D-JpU/T-R1YMwTApI/AAAAAAAAASQ/izMQu-p5GgQ/s640/Pedro+Varela+behrens.jpg

Plate 20a http://www.weareprivate.net/blog/wp-content/uploads/Le-Corbusier-Unite-dhabitation-de-Marseille-1946-52.jpg

Plate 20b http://4.bp.blogspot.com/_svAyYhspKJw/S8BITV6crbI/AAAAAAAAFCo/nJj4YrfDmMc/s1600/2172+copy.jpg

Plate 21 http://en.wikipedia.org/wiki/File:RichardSerra_Fulcrum.jpg

Plate 22 Rolf G. Renner, Hopper (Germany: Taschen, 2002), p 83.

Plate 23 http://www.mccahon.co.nz/cm001411

Plate 24 (night view) http://www.gibbsfarm.org.nz/culbert.php (day view) http://www.gibbsfarm.org.nz/images/culbert/culbert_03.jpg

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Plate 25 http://www.phillips.com/Xigen/image.ashx?salenum=NY030112&lotnum=71&height=600

Plate 26 http://img.listen.no/copper/albums/userpics/louis_aiai_fountain_of_light.jpg http://images.tate.org.uk/sites/default/files/styles/enlarged/public/images/ai_weiwei_and_

fake_studio_working_progress_01.jpg

Plate 27 http://www.guggenheim-bilbao.es/en/exhibitions/installations-ii-video-from-the-guggenheim-collections/

Plate 28 http://upload.wikimedia.org/wikipedia/commons/f/ff/Louvre-Bannenhaff-mat-Pyramid--w.jpg

Plate 29 http://www.robgarrettcfa.com/uploads/media_items/francis-upritchard-loafers-2012-symonds-street-auckland-photo-by-rob-garrett.480.271.s.jpg

(detail) http://aucklandartgallery.blogspot.co.nz/2012_03_01_archive.html

Plate 30 http://farm9.staticflickr.com/8018/7540537406_7f58238fa2_o.jpg

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