LE SALON - Art and Jewels of the World...

LE SALON

MOSCOW

ART, DESIGN AND JEWELLERY

SEPTEMBER 25-30, 2018IVANOVSKY HALL

PRESS KIT

PRESENTS

press release

Le Salon of Art and Design - the only event in Russia to combine the fine arts, the latest advances in design, and articles of jewellery - will be held in the Ivanovsky Hall of the Russian State Library from September 25th to 30th. Paintings and pieces of applied and decorative art will be presented in Moscow by leading galleries and the foremost international art dealers.

‘Our company’s mission in working with VIP clients is to open new markets and offer exceptional opportunities to the most discerning connoisseurs of art and jewellery. Our approach is best embodied in our slogan: “The Art of Art”. As a focal point for the cultural elite, Moscow is an ideal location for establishing marketing contacts between key figures in the international artistic community. Our return to Moscow with a new concept of Le Salon is for us a thrilling and truly unforgettable event that will mark a new chapter in our history’, commented Valentina Vassileva, director of the Art & Jewels of the World company that is the organizer of the event. The ART-Courier company and the Russian State Library are the Russian co-organizers of the exhibition.

Among the Le Salon exhibitors is the renowned Parisian Galerie Le Minotaure, which offers paintings by internationally famous Russian and Central European artists of the first half of the 20th century at major international fairs. The Galerie Vallois for almost half a century has provided original works of Art Déco applied and decorative art and furniture to both the European and American art markets and will be offering designer furniture by the legendary Jacques-Émile Ruhlmann. The Galerie Lucas Ratton, which specializes in African art, will be showing exclusive works of ritual sculpture. The finest examples of Art Nouveau and Art Déco porcelain and applied and decorative art will be presented at Le Salon by Robert Zehil, a prominent specialist in Art Nouveau, who has recently opened a gallery in Monte-Carlo. La Maison d’Art, one of the most prestigious galleries on the international art market, will be showing masterpieces by Parmigianino and Titian. The KD Fine Art gallery specializing in masterpieces of European modernism will bring to Moscow its unique collection of Impressionists including Pierre-Auguste Renoir’s Portrait of a Woman depicting Gabrielle Renard and Claude Monet’s Hiver à Giverny. The great admirer of contemporary art, gallerist Stanislas Bourgain, will display works by a new generation of Russian and Ukrainian artists who are as yet little known abroad. Finally, ABA Gallery of New York, specializing in Russian art, will be showing canvases by Ivan Shishkin, Natalia Goncharova, Alexandra Exter and other renowned artists.

Among design firms participating in Le Salon, special mention should be made of the original solutions offered by Hom Le Xuan’s gallery and of the exquisite pieces from the gallery of René Bouchara, which collaborates with both VIP clients and prestigious institutions. The choice highlights of this section are the unique pieces of Russian jewellery designed by Ilgiz Fazulzyanov, whose works are in the collection of the Moscow Kremlin Museums and the Moscow Diamond Fund. Brilliant designs that have intrigued Hollywood stars with sophisticated patterns and extraordinary materials will be presented by the New York jewellery firm Bochic.

© ART AND JEWELS OF THE WORLD. 2018

LE SALONIVANOVSKY HALL, MOSCOW SEPTEMBER 25-30, 2018

The Salon’s organizers hope that it will be a new gathering place for collectors, galleries, museums, and also art lovers. It will operate as an exclusive showroom where visitors will have the opportunity to examine the finest masterpieces from international art and design collections in person.

Le Salon of Art and Design will occupy the Ivanovsky Hall of the Russian State Library, which reopened 23 December 2016 after a major restoration. This unique exhibition space was created to house the Rumyantsev Museum’s art collection, which was at one time located in the famous Pashkov House.Innovative methods of museum design and the restoration have transformed the old hall into a modern art space equipped with media stations and lecture areas.

ART-Courier, one of the Russian co-organizers of the exhibition, was established in 1997 and is one of the leaders among Russian logistics providers, specializing in organizing Russian and international exhibition projects and in the storage and transportation of works of art from the world’s major museums as well as from private collections.

For additional information, please contact:Anna Svergun, Natalia Vorobiova, Anton Mirimanov+7 (905) [email protected] | [email protected]@gmail.com | [email protected]



Stategic Media Partner General Media Partner

Media Partners

Partner

Co-organizers

ART & JEWELS OF THE WORLD





EXHIBITORS’ LIST

FLOOR #01LE MINOTAUREVALLOISLUCAS RATTONDesigned by René BoucharaABA GALLERYROBERT ZEHIL GALLERYKD FINE ART

FLOOR #02HOM LE XUANHELMUT KOLLER’S STUDIOMAISON D’ARTGALERIE STANISLAS BOURGAIN

BOCHICILGIZ FAZULZYANOV

ART PIECES ON DISPLAYCourtesy: Berko Fine Paintings, Galerie Hom Le Xuan



GALERIE LE MINOTAURE, PARIS

Galerie Le Minotaure, created in 2002, is situated Rue des Beaux-Arts, at the former address of the famous bookshop of Surrealists from whom it preserved its name. His founder, Benoit Sapiro, is fascinated by Russian and Central Europe artists of the first half of the 20th century. Benoit Sapiro has been dedicating himself to rediscover Russian and Central Europe artists of the first half of the 20th Century for more than twenty years, with a constant and passionate action. The gallery has been promoting with the same involvement the avant-gardes of the XXth century, and the so-called “Ecole de Paris”.Through all those years, more than 50 exhibitions have been held, each time accompanied by important publications: Beothy (catalogue raisonné), Kupka, Blumenfeld, L’oeil de Pascin, Charchoune, Lanskoy, Tutundjian, Vera Pagava. Celestial bodies, Geometric abstract art, and many others.The gallery has also been organizing huge retrospectives in Paris, gathering with other galleries, like the Judit Reigl’s show (2015), viewable into no less than five renowned galleries simultaneously in Paris.It will be glad very soon to propose an important exhibition, focusing on Hungarian avant-gardes at Der Sturm Gallery (1910-1932) discovering painters like Laszlo Moholy-Nagy, Bela Kadar, Janos Mattis Teutsch, Alfred Reth among others, together with Galerie Alain Le Gaillard.The gallery has sustained its artists through a constant help to museum through its loans, as well as through its acquisitions.The gallery is present on several national and international fairs, like FIAC, Art Genève and Art Cologne.

2 rue des Beaux-Arts75006 ParisPhone: + 33 1 43 54 62 [email protected]



galerie le minotaure, paris

VLADIMIR BARANOFF-ROSSINE

Autoportrait circa 1910Oil on canvas 72 x 48 cm




JULES PASCIN

La toilette 1911 1911-1912

Oil on canvas 59 x 40 cm

JULES PASCIN

Hammam-Life (Tunisie) 1924 Oil on black paper marouflaged to canvas 239 x 302 cmAnnotated on the bottom right and left




ANDRÉ LANSKOY

Lueurs incertaines 1947

Oil on canvas 116 x 81 cm

Recto: signed on the botom right

SERGE CHARCHOUNE

Nature morte 1925 Oil on canvas contrecollée on cardboard 28 x 35,5 cm Embossed on the right in French and on the botom left in Russian



GALERIE VALLOIS, PARIS

For more than 45 years, Robert and Cheska Vallois have devoted themselves to Art Deco. The Art Deco gallery was opened in 1971 and since 1981, is located at 41 rue de Seine, in Saint-Germain des Prés.October 1999, saw the opening of a new space in New York City, on Madison Avenue, dedicated to the same period.For furniture and art objects, the Art Deco years (1918-1940) were a period of abundance and sophistication of the materials used (shagreen, ivory, parchment, lacquer, mother of pearl, precious exotic woods…), sublimated by great creative forms. This period has exerted a major influence on contemporary design.Those years marked the apogee of French artisans. The gallery presents the most talented creators of the era: Pierre Chareau, Marcel Coard, Jean Dunand, Jean-Michel Frank, Alberto and Diego Giacometti, Eileen Gray, André Groult, Paul Iribe, Pierre Legrain, Eugene Printz, Armand-Albert Rateau , Jacques-Emile Ruhlmann… Robert and Cheska Vallois have forged an international reputation as pre-eminent specialists in this field. Robert Vallois is a member of the Compagnie Nationale des Experts for Art Deco furniture.

41 rue de Seine – 75006 ParisPhone: +33 (0)1 43 29 50 [email protected]




JACQUES-EMILE RUHLMANN

Cabinet in amaranthThe top is ornated by a decor in ivory and ebony figuring a rug, realised by Eugénie O’Kin Circa 1920©Arnaud Carpentier – Galerie Vallois – Paris




JACQUES-EMILE RUHLMANN

“Triplan” secretary in Macassar ebony and ivory The interior is in coral wood and tooled leather featuring an embossed gold pebbling. Circa 1920.©Arnaud Carpentier – Galerie Vallois – Paris



GALERIE LUCAS RATTON, PARIS

The Lucas Ratton Gallery is located at 33 rue de Seine, in the historic quartier of Saint Germain des Prés. Lucas Ratton is part of an old merchants family specialized in African arts, a tradition of taste for objects, in which the gaze of the gallerist takes a preponderant part.The gallery is specialized in the African’s ritual artworks. Even if works are coming from Ivory Coast, Nigeria or the Democratic Republic of the Congo, they are always chosen according to many criteria.Classics of African tribal arts are acquired in French and international collections, which is also the case for a collection of rarities more specific and with a less conventional charm. Lucas Ratton benefits from long-standing contacts since the beginning of his grandfather Maurice Ratton in the profession, towards 1920s.Lucas Ratton has his own look on objects, which is not just the result of his famous name. He started his apprenticeship at the market of the Puces de Saint Ouen, mixing ethnographic objects and artworks. These six years have been an opportunity to develop and affirm his eye, today recognized internationally.In 2012 he moved to the district of Saint-Germain where only a small amount of high quality objects and a wide price range are available. In 2014, the gallery moved and expanded at 33 rue de Seine. This have been an opportunity to reaffirm strong aesthetic choices, and to propose major thematic exhibitions as «Animaux» and «Bamana».

33 rue de Seine - 75006 Paris Phone: + 33 (0)[email protected]




FANG FIGURE

Ethnic group: FANGCountry: GabonPeriod: 19th centuryMaterial: WoodHeight: 42,5 cmProvenance: Formerly in Arman collection, France

Reproduced in:Perrois, Byeri Fang – Sculptures d’ancêtres en Afrique, Marseille, Musée d’Arts africains, Océaniens, Amérindiens, 1992, p.80African faces, African figures. The Arman collection, NY, The museum of African art, 1997, p. 73Arman et l’Art africain, rmn, Marseille, 1996, p. 80Fang, Galerie Rattont Hourdé, 2006, p.24

Exhibitions:Byeric Fang, MAAO, Marseille, 1992African faces, african figures, The Arman collection, The Museum for African art, 1997- 1998Fang, Galerie Rattont Hourdé, 2006




TEKE FIGURE

Ethnic group: TEKECountry: CongoPeriod: Early 20th centuryMaterial: WoodHeight: 44 cm

Provenance: Formerly in a Belgian collection

Description: This Teke sculpture represents a standing character. Its function was linked tomagical and religious purposes. There is indeed a square hole on its chest where a magical charge was ritually taken away, as the sculpture was not used anymore. This is also shown by the crusty patina on its chest.Its small hands rest on its knees. Its face has a very high coif on its top, the beard is huge and darkened by a black patina. The whole face is carved with some ritual scarifications,surrounding a special and intruiguing gaze, made of two buttons. This is caracteristic of the great style of Teke sculptures.




BAULE MASK

Ethnic group: BAULECountry: Ivory CoastPeriod: Early 20th centuryMaterial: WoodHeight: 31 cm

Provenance: Formerly in a French collection

Description: This Baule mask is called «Ndoma» which means «double» or «replica». Herepresents an important member of the Baule ethnic group. This type of mask was used during the «Mblo» ceremony. The person represented by the mask was often present during the ritual. The expression of the mask is serene, the eyes being half-closed, in a beautiful interiority. The face has coffee bean scarification between his eyebrows, on his temples and around his nose. These scarifications were considered as attributes of beauty among the Baule. The mask has a very complex headdress that the sculptor has carefully detailed, the central hull rising much higher than the side mats. The patina of the object darkening on the protruding parts enhances the great sculptural qualities of this mask.The sculptor of this mask has become iconic, thanks to its realization of the doublemask from the collection Vérité. This Master, named «Master of Ayahu» is characterized by the rigor accorded in the proportions of his masks and the softness of the elegant traits of the characters represented. The sculptures in this hand of Master are extremely rare and poignantly expressive.



RENÉ BOUCHARA, PARIS

René Bouchara was born in Paris in 1963. After earning a Bachelor in Art from Pratt Ins-titute in New York, René founded René Bouchara Design in 1995. Located in Bastille, the studio houses numerous activities among which interior design, scenography and furniture design. Years of practice have allowed René Bouchara to work and meet ce-lebrities. Working for the Musée du président Jacques Chirac, he has staged numerous prestigious exhibits among which: Meyintang collection in 2010 (prestigious collection of Chinese ceramics), Christian Dior in 2011), Edmond Dartevelle (African art) in 2012, and le Cinquième Soleil in 2012 (Pre-Colombian art). He has also designed two Biennale des Antiquaires in the Grand Palais collaborating in 2012 with world famous fashion designer Karl Lagerfeld and in 2014 Jacques Grange. Even though the studio activity is overwhel-ming, René’s passion for classical music has gotten him involved in the making of a parti-cular chair belonging to the world-famous concert pianist Glenn Gould. René Bouchara has earned numerous prizes: General Motors (1985), Grand Prix du design de la ville de Paris (1996), Prix de la presse international du salon du meuble de Paris (1997) and Prix du Nombre d’Or (1997),... More recently, René Bouchara has delivered in the African country of Benin a museum: Le petit musée de la Récade.

René Bouchara Design 36 boulevard de la Bastille, 75012 Paris Phone: +33 (0)1 43 43 01 01 [email protected] www.boucharadesign.com




Offical opening, December 2000

MUSÉE DU PRÉSIDENT-JACQUES-CHIRAC, SARRAN, FRANCE

Exhibition of Chinese ceramics from Meyintang Collection, 2010© ART AND JEWELS OF THE WORLD. 2018



LE PETIT MUSÉE DE LA RÉCADE, COTONOU, BÉNIN




LA BIENNALE DES ANTIQUAIRES, PARIS 2014

REZA AT TEFAF, MAASTRICHT



ABA GALLERY, NEW YORK

ABA Gallery is one of the largest and most important galleries specializing in Russian Art in the world. One of the most important missions of the gallery is to show beauty, rarity and importance of Russian Art all over the world.The Ministry of Culture of the Russian Federation, The Pushkin Museum of Fine Arts, the State Tretyakov Gallery, the State Russian Museum, Moscow Museum of Modern Art (MMOMA Moscow) for many years have been the partners of ABA Gallery in Russia.ABA Gallery holds an important place in the cultural exchange between Russia and the United States, which is especially significant during recent years, when this exchange has dramatically decreased.ABA Gallery plays a prominent role in joint projects with Russian cultural institutions, and in particular, in organizing museum exhibitions and finding lost masterpieces of Russian Art for the museums in Russia, Europe and USA.The art market of Russian art is still relatively young and in general prices have not yet reached the level of comparable categories of European and American art. But in re-cent years the value of works by Russian artists in the world art market has been steadily increasing.Today, Russian art is one of the most dynamically developing and promising investments. Each auction season brings new world records in almost all price categories. The works of Russian art are now acquired by collectors not only to add a masterpiece to one’s collection, but it is also viewed as a financial instrument in diversifying ones investment portfolio.

7 East 17th Street New York, NY 10003Phone: (212) 677-2367 By Appointment Only [email protected]




ALEXANDRA EXTER

Carnival ProcessionOil on canvas 140 x 100 cm




NATALIA GONCHAROVA

Abstract White Flowersoil on canvas61 x 50 cm




IVAN SHISHKIN

Wooded Clearing Oil on canvas laid on board35.24 x 59.05 cm

KONSTANTIN GORBATOV

View of Amalfi in the morning lightOil on canvas70.6 x 80 cm



ROBERT ZEHIL GALLERY, MONTE CARLO

Since its launching in California in 1982, the Robert Zehil Gallery has continued to honour the finest examples of Art Nouveau and Art Deco European Fine and Decorative Arts. Now located in the exclusive Carré d’Or in Monte-Carlo, the gallery permanently exhibits paintings, furniture, sculpture, silverware, enamels, objets d’art, glass, ceramics, jewellery and illustrated books by the most renowned artists from the 1890s Belle Epoque to the 1930s. The owner, Robert Zehil, has been a dealer for nearly forty years and is proud to have the most important Art nouveau inventory in the world in private hands. He has highly contributed to supplying museums and collectors in Japan, the United States, and Europe. He has regularly lent and also donated works to museums exhibitions all over the world and his name is in many books written on the subject.In 2014, the gallery led by its new Director, Deborah Biermann, got involved in international art fairs: Masterpiece London, Design Miami/ Basel, le Salon Moscow, PAD London up to today. The gallery edits a yearly catalogue, and works actively on the promotion of Art Nouveau worldwide. Besides, we are currently working on thematic publications featuring the work of major early 20th century French artists and designers.

Park Palace «Les Allées Lumières»27 avenue de la Costa, 98000 Monte CarloPhone: +377 97 77 86 [email protected]: robert_zehil_gallery




EDGAR BRANDT (1880-1960) & DAUM FRERES

‘Tentation’ Floor Lampcirca 1925Patinated bronze and inverted bell-shaped thick glass with gold leaf ; the base in marbleThe base stamped E.BRANDT and the shade signed Daum Nancy with the Cross of LorraineHeight: 197 cm.

This model was specially commissioned and is probably unique




MANUFACTURE NATIONALE DE SÈVRES

Important vase D’Alençon, probably unique 1926-1936Model: D’ AlençonShape designed by: Alexandre Sandier, 1906Decor by: Adrien-Auguste Leduc, decorator at Sèvres from 1923 until 1948After a design by François QuelvéeGlazed ceramic, with a stylized decor of women in an exotic landscapeBearing the manufacturing marks Made in France and S 1926 DN (for pâte dure nouvelle) and decorating marks Manufacture Nationale RF Décoré à Sèvres 1936Signed in the decor A. Leduc d’ap. F. Quelvée90 cm. high; 37 cm. diameter




LOUIS ERNEST BARRIAS (1841-1905)SUSSE FRÈRES, FOUNDRY

“La Nature se dévoilant devant la Science”or “La Terre dévoilant ses trésors” Circa 1890A French Art Nouveau gilt bronze sculptureSigned, and with foundry mark Susse Frères éditeurs, Paris78 cm. high



KD FINE ART, MONTE CARLO

KD Fine Art specializes in Impressionist and Modern art. Gallery based in Monaco, works with top-level private art collections and offers full range advisory services. KD Fine Art in collaboration with Old Masters gallery Maison d’Art made several impor-tant art exhibitions. One of them, ‘’The Magic of Surreal ‘’ (2015) displayed a number of surrealist painters such as Salvador Dali, Max Ernst, Giorgio De Chirico, Man Ray, Roberto Matta, Oscar Dominguez, Kurt Selligman, Andre Masson. The exhibition received conside-rable attention in the mass media.KD Fine Art in collaboration with Maison d’Art Gallery participates regularly in important international art fairs throughout Europe and the USA, including: TEFAF Maastricht, Spring Masters New York, London Masterpiece, EAF Monaco, showing works by Claude Mo-net, Auguste Renoir, Henry Matisse, Egon Schiele, Pablo Picasso, Fernand Leger, Marc Chagall. The Gallery has been mentioned in several fair’s highlights.

1, Avenue Henry Dunant98000 Monte Carlo+336 07 93 20 56 +44 795 668 16 [email protected].

Ekaterina Dolgova Grégory MathieuBy appointment




PIERRE-AUGUSTE RENOIR

Portrait de Femme 1912Oil on canvas51.4 x 41.3 cmSigned Renoir. (center right)




ProvenanceGalerie Bernheim-Jeune, Paris (acquired directly from the artist)Mrs. Dübi-Müller, Solothurn, SwitzerlandPrivate Collection (and sold: Christie’s, New York, May 12, 1987, lot 35)Bentley Gallery, Scottsdale, ArizonaAcquired from the above in 2003 by the previous owner

Certificate This work will be included in the catalogue critique being prepared by the Wildenstein Institute from the François Daulte, Durand-Ruel, Venturi, Vollard and Wildenstein archives.

Exhibitions New York, Leila Heller Gallery, “Look at Me: Portraiture from Manet to the Present”, May 06 - August 29, 2014, ill. In colour, p.145

Public NotesPainted circa 1912, Portrait de Femme, Gabrielle Renard is a vibrantly executed example of Renoir’s masterful late portraits. The lively brushwork is accentuated by the vivid palette chosen to depict the artist’s longstanding model. During his long career, Renoir painted the portraits of a wide range of sitters: fellow artists such as Alfred Sisley and Claude Monet, affluent patrons such as Madame Georges Charpentier, and dealers including Paul Durand-Ruel and Ambroise Vollard. His own family also sat for him frequently and in his art one can follow the development of his three sons, Jean, Pierre and Claude, as they mature from infancy to adolescence. Individually each representation of Gabrielle served to explore Renoir’s capacity for greater Impressionistic effects. This example of the artist’s mature oeuvre displays his pre-eminence at rendering light as it fell upon the human form. By the time he painted the present work, Renoir was renowned as the finest portrait painter of the Impressionist circle. His portraits of women in particular received overwhelming praise from his contemporaries and were admired for their sweet docility and sensual allure. The critic Théodore Duret later wrote: «Renoir excels at portraits. Not only does he catch the external features, but through them he pinpoints the model’s character and inner self. I doubt whether any painter has ever interpreted women in a more seductive manner. The deft and lively touches of Renoir’s brush are charming, supple and unrestrained, making flesh transparent and tinting the cheeks and lips with a perfect living hue. Renoir’s women are enchantresses» (Théodore Duret, Histoire des peintres impressionnistes, Paris, 1922, p. 27).



KD FINE ART MONTE CARLO

CLAUDE MONET

Hiver à Giverny 1886oil on canvas60 x 81.5 cmSigned with Stamp Claude Monet (lower right); stamped Claude Monet on the reverse




Provenance Michel Monet, GivernyPrivate Collection (sale: Sotheby’s, London, 2nd December 1986, lot 35)Acquired by the previous owner in 1993

LiteratureDaniel Wildenstein, Claude Monet, Biographie et catalogue raisonné, Lausanne & Paris, 1979, vol. II, no. 1057, illustrated p. 187Daniel Wildenstein, Monet, Catalogue raisonné, Cologne, 1996, vol. III, no. 1057, illustrated in colour p. 400

Public NotesIn the winter of 1885-86 Monet painted several views of Giverny and the neighbouring Limetz under snow. A town situated on the outskirts of Paris, Giverny would become synonymous with the most innovative compositions of the artist’s career. Monet moved with his family to Giverny in April 1883 and remained there for the rest of his life. In 1890 he bought a house and a large garden there, which provided the site for his legendary Nymphéas compositions at the turn of the century. According to Daniel Wildenstein, the present work was painted on the road between Limetz and Giverny and the houses at the edge of Giverny as well as the Cossy mill are visible immediately to the left of the road, facing the marsh. In the background are the hills on the right bank of the river Epte (D. Wildenstein, op. cit., 1996, p. 400).

Executed at the height of Monet’s Impressionism, Hiver à Giverny exemplifies the artist’s life-long commitment to painting en plein air, exploring the effects of weather conditions and light at different times of the day on the surrounding landscape. The present work offers a vibrant contrast between the ochre and brown tones of the ground and trees, and the icy blue and white tones of the snow-covered hills and water, evoking the atmosphere of stillness and tranquillity of a winter day. The undulating lines of the foreground and a few figures walking along the diagonal of the path take the viewer’s eye towards the centre of the composition, the hills rising in the background and the icy sky above them. The unique properties of winter light presented temporal and tonal challenges that appealed to Monet’s most profound sensibilities as a landscape painter. By the time he painted Hiver à Giverny in 1886, he had already established himself as the leading landscape painter among Impressionist artists, and his pictures from this era exemplify his interest in the transformative power of the elements on the natural world.



HOM LE XUAN, PARIS, GSTAAD

dt

Hom Le Xuan, interior designer and landscape gardener, adopts the oriental concept of an inseparable link between interior and exterior - home and garden. His knowledge of garden art acquired throughout the years and his innate sense of beauty allow him to blend his love of architecture with his passion for plants.The creation of unique, bespoke furniture by a team of experienced, outstanding craftsmen, who specially make them to fit the interiors they are designed for, is a response to the core ambition of luxury production. Every piece of furniture reminds us of haut couture in the world of fashion. The luxury of the materials and fabrics, the absolute attention to the smallest of details and the whole coherence of his concept weave the fabric of his work, where nothing is to be added or withdrawn.Hom Le Xuan, builds, with each of his designs, his concept of furnishing and interior decoration, stamped with the French tradition of luxury, reconciled with the use of modern shapes and perfectly adapted to contemporary living. Of all his creations, we will remember his consummate art of varying atmospheres according to the lifestyle and taste of the patrons who give him free hand. His relationships with clients are placed under the sign of complicity and of a shared passion for precious materials and perfection of execution. 1994 to 1996. Two years spent as assistant to Nicole de Vesian, then Hermès artistic director, work projects with Anne-Marie de Ganay and film director Ridley Scott.2004. Exhibition at the Palais Royal in Paris at Joyce. As a luxury icon, she symbolizes European luxury in Asia. He was one of the first designers to be able to showcase his range of furniture in her Paris gallery.2010. Given free hand by the Moët & Chandon family, mixing with the best furniture designers of the 20th century. Hom Le Xuan creates both the interior design and the garden of their residence2011 to 2012. Exhibition project for his designs of furniture/sculptures in bronze.

40, rue du Mont Thabor75001 Paris - FrancePhone: +33 6 08 23 68 [email protected]




SOFA “UNDULATION”

Lustrous Bronze inside, outside Polished BronzeHeight: 80 cm Length: 240 cm Depth: 83 to 100 cm

TABLE “EROSION”Sculptured Base in lustrous bronzeTop in stones polished and pebble-shapedHeight: 74,5 cm - Length 215 cm - Depth 160 cm




“TREE TRUNK”Finely shaded brown Bronze PatinaHeight: 52 - Diameter: irregular 36 cm



HELMUT KOLLER’S STUDIOBY FRANCK LAVERDIN’S PROJECT, PALM BEACH

Helmut Koller is mainly known for his colorful, bold and festive paintings of animals which are collected on four continents, America, Europe, Asia and Africa. Koller grew up in the beautiful Austrian countryside. After completing his training as a photographer and a brief professional detour to Germany he became the official photographer for the Vienna State Opera back home in Austria.




FIVE ZEBRAS ON RED2018Acrylic on linen300 x 200 cm




PURPLE LEOPARD ON DARK BLUE2015Acrylic on linen120 x 180 cm



MAISON D’ART, MONTE CARLO

Maison d’Art Gallery specializes in Important Old Master and Modern paintings.Since its foundation in 1997, Maison d’Art has helped many private collectors and museums to acquire valuable works of art. Today the gallery intends to continue to engage in the art of the old masters and to expand the direction of its activities, working on interesting projects involving Impressionist, Modern and Contemporary artMaison d’Art takes part in major art fairs around the world: TEFAF Maastricht, MASTERPIECE London, the Biennales d’Antiquaires in Paris and Florence and many others. With an outstanding collection of artworks, the gallery organizes many thematic exhibitions in Monaco and around the world.Marietta Vinci-Corsini has worked for many years in the art field and today she successfully directs the Maison d’Art Gallery.

Park Palace - 27, avenue de la Costa - 98000 MonacoPhone: +377 97 97 11 60 Fax: +377 97 97 11 61 www.oldmasters.com [email protected]




TIZIANO VECELLIO & WORKSHOPPIEVE DI CADORE, CA. 1490 – VENICE, 1576

An Allegory of LoveOil on canvas 96.8 x 108 cm




TIZIANO VECELLIO & WORKSHOPPIEVE DI CADORE, CA. 1490 – VENICE, 1576

An Allegory of LoveOil on canvas 96.8 x 108 cm

Provenance: Imperial Collection, Vienna, 1770;Sent from Vienna to decorate the Pressburger Schloss (now Bratislava Castle), 1770;Imperial Gallery of the Belvedere Palaces, Vienna 1781;Kunsthistorisches Museum, Vienna, 1937;Sold as an exchange with the Gallery de Boer, Amsterdam, 27 July 1937;A.F. Mondschein [Frederick Mont], New York, 1946;Private collection, New York.

Exhibited: Venetian Paintings. From Titian to El Greco, Piero Corsini inc., New York, 10 October – 8 November 1991;“Titian, Vanitas – The poet of the image and the shade of beauty”, exhibition in Prague Castle, Prague (The Czech Republic), curated by Prof. Lionello Puppi, 15.12.2015 – 20.03.2016; “Die Poesie der venezianischen Malerei. Paris Bordone, Palma il Vecchio, Lorenzo Lotto, Tizian” (English working title: The School of Titian) at the Hamburger Kunsthalle, Germany, 23 February 2017 – 21 May 2017.

Literature: Chrétien de Mechel [Christian von Mechell], Catalogue des tableaux de la galerie impériale de Vienne, Basel, 1784, p. 23, n. 27 ; [Joseph Rosa], Gemalde der k.k. Gallerie, Vienna, 1796, vol. I, Italienische Schulen, p. 77, n. 63; Erasmus von Engert, Kurzgefasstes Verzeichnis der k.k. Gemaldegalerie im k. k. Schlosse Belvedere, Vienna, 1870 [1885], p. 1, n. 6; J. Crowe and G.B. Cavalcaselle, The Life and Times of Titian, London, 1877, vol. I, p. 376; Eduard von Engerth, Gemalde Beschreibendes Verseichniss, Vienna, 1881, vol. I, pp. 354-55, n. 504; Oskar Fischel, Titian , Leipzig, 1904, p. 58, ill.; Louis Hourticq, La Jeunesse de Titien, Parigi, 1919, p.225 ; Salomon Reinach, Répertoire de Peintures du Moyen Age et de la Renaissance (1280-1580), Parigi, 1923, vol. VI, p. 23, ill.; Wilhelm Suida, Tizian, Zurigo e Leipzig, 1933, p. 73; pl. CCXXIIb.; Harold E. Wethey, The Paintings of Titian, vol. III, The Mythological and Historical Paintings, London 1975, p. 129; pl. 187; Ugo Ruggeri, “Ales-sandro Varotari detto il Padovanino”, Saggi e Memorie di Storia dell’Arte, 16, 1988, p 143; F. Dabell, in Venetian Paintings. From Titian to El Greco, exh. cat. Piero Corsini inc., New York, 1991, pp. 14 -23, notes pp. 131 – 132; Giorgio Tagliaferro e Bernard Aikema con Mat-teo Mancini e Andrew John Martin in Le Botteghe di Tiziano 2009, pp 89 – 94, ill; a colori p. 94; Exh. catalogue curated by Dr. Sandra Pisot “Die Poesie der venezianischen Malerei. Paris Bordone, Palma il Vecchio, Lorenzo Lotto, Tizian” (English working title: The School of Titian) at the Hamburger Kunsthalle, Germany, 23 February 2017 – 21 May 2017, no.65, p. 218.




FRANCESCO MAZZOLA called PARMIGIANINOPARMA, 1503 – CASALMAGGIORE, 1540

Portrait of Man holding a book inscribed “Franc. P.”Oil on panel 66 x 41 cmInscribed on the back: “1526 A DJ P° DI MA.ZO/ ERA DI AN[N]I 28”With a label ‘GOVERNATORATO VATICANO’ and No. 52 over a papal crest, on the back, and inventory No. 2




FRANCESCO MAZZOLA called PARMIGIANINOPortrait of Man holding a book inscribed “Franc. P.”

Oil on panel 66 x 41 cmInscribed on the back: “1526 A DJ P° DI MA.ZO/ ERA DI AN[N]I 28”With a label ‘GOVERNATORATO VATICANO’ and No. 52 over a papal crest, on the back, and inventory No. 2

Provenance: Possibly the work described in the 1680 inventory of Palazzo del Giardino in Parma;Sotheby’s Milan, 18th March 1987, lot. 688;Private Collection, Lugano

Exhibited: PARIS 2006 Titien. Le pouvoir en face, Musée Luxembourg, Paris ;Aldo Manuzio, le arti, il libro. Il Rinascimento di Venezia, exhibition in Gallerie dell’Accademia, Venice, 19 March – 31 July 2016.

Literature:Giuseppe Cirillo, Dipinti e disegni inediti del Cinquecento parmense a proposito del nuovo catalogo della Galleria Nazionale, in “Parma per l’arte”, 4-5 1999, pp.7-31;Sylvie Béguin, Mysterious Parmigianino, in S.Beguin, M. Di Giampaolo e M. Vaccaro, Parmigianino: The Drawings, trad. it., Turin 2000, pp.9-27;Sylvie Béguin, Portrait d’homme tenant un petit Pétrarque par Parmigianino, in “Artibus et historiae” 43, 2001, pp.9-16;Maria Christina Chiusa, Parmigianino, Milan 2001, pp.185-193;Mary Vaccaro, Parmigianino I Dipinti, Turin 2002, p.198, cat. 44;Mario Di Giampaolo & Elisabetta Fadda, Parmigianino. Il catalogo completo delle opere Santarcangelo di Romagna 2003, p. 61 cat. 16;Vittorio Sgarbi, Parmigianino, Milan 2003, p. 124;Maria Christina Chiusa, Parmigianino, Milan 2003 (2nd edition), pp.86-87, p. 98;Augusta Ghidiglia Quintavalle, Parmigianino, Milan 2004, p. 80;David Ekserdjian, Parmigianino, New Haven & London 2006, p.134 (as attributed);Caroline Vincenti Titien. Le pouvoir en face, exh. cat. Musée Luxembourg, Paris 2006. p.200 ;S. Momesso, in exh. cat. Aldo Manuzio, Rinaissance in Venice, exhibition in Gallerie dell’Accademia, Venice, 2016, pp. 348, 351.




ALVISE VIVARINIVENICE, 1442/53 – 1503/05

The Blessing ChristOil on wood panel48.2 x 31.4 cm

Provenance: Private collection, New York

Exhibited: Important Old Master Paintings. Within the Image, New York, Piero Corsini Gallery, 1990; Nel segno della Serenissima. Capolavori dell’arte veneta dal XIV al XVIII secolo, curated by Maria Cristina Chiusa, Museo Diocesano di Arte Sacra, Chioggia (Italy), 2006.

Literature: Important Old Master Paintings. Within the Image, exh. cat., Piero Corsini Gallery, New York, 1990, pp. 20-23; Davide Gasparotto in Nel segno della Serenissima. Capolavori dell’arte veneta dal XIV al XVIII secolo, exh, cat. curated by Maria Cristina Chiusa, Museo Diocesano di Arte Sacra, Chioggia (Italy), 2006, pp.52-53, ill. p. 20.




DOMENICO THEOTOCOPOULOS CALLED EL GRECOCANDIA, CRETE, 1541 - TOLEDO 1614

Portrait of a Young GentlemanOil on canvas56.5 x 43 cm




DOMENICO THEOTOCOPOULOS CALLED EL GRECOCANDIA, CRETE, 1541 - TOLEDO 1614

Portrait of a Young GentlemanOil on canvas56.5 x 43 cm

Literature: A.L. Mayer, Dominico Theotocopuli – El Greco, Munich, 1931, fig. 57; R. Heinemann, Collection Schloss Rohoncz, Zürich, 1937, vol. I, no. 166 and vol. II, pl. 234;J. Camón Aznar, Dominico Greco, Madrid, 1950, p. 1392, no. 721, fig. 851; M. S. Soria, “Greco’s Italian Period”, Arte Veneta, VIII, 1954, p. 221, no. 86; H. Soehner, “Greco in Spanien (I)”, Münchner Jahrbuch der Bildenden Kunst, vol. VIII, 1957, p. 141; H. E. Wethey, El Greco and his School, Princeton, 1962, vol. II, p. 208, no. X-199; H. E. Wethey, El Greco y su Escuela, Madrid, 1967, vol. II, p. 224, no. X-199; La Collection Bentinck-Thyssen: de Brueghel à Guardi, exhibition catalogue, Lausanne, 1986, p. 132; M. Marini, “Creta gli diede i pennelli...”, in El Greco, identità e trasformazione, Milan, 1999, pp. 131-143; M. Marini., El Greco, Florence, 1999, pp. 29-31; F. Moro, in F. Caroli, ed., L’Anima e il Volto. Ritratto e fisiognomica da Leonardo a Bacon, exhibition catalogue, Milan, 1998-1999, Milan, 1998, p. 132, with color illus p.132;“El Greco in Italia, metamorfosi di un genio”, Treviso, Casa dei Carraresi (Italy), curated by Prof. L. Puppi, 2015 - 2016, fig 49, p. 114.

Exhibited: Munich, Neue Pinakothek, Sammlung Schloss Rohoncz, 1930, no. 133;Munich, on loan to the Alte Pinakothek, 1931; Lausanne, Fondation de l’Hermitage – Paris, Musée Marmottan – Tokyo, Kumamoto-Toyama-Miyagi – Brussels, Palais des Beaux-Arts – Luxembourg, Musée de l’Etat, La Collection Bentinck-Thyssen: de Breughel à Guardi, 1986-1987, no. 16; Milan, Palazzo Reale, L’Anima e il Volto. Ritratto e fisiognomica da Leonardo a Bacon, 1998-1999; “El Greco in Italia, metamorfosi di un genio”, Treviso, Casa dei Carraresi (Italy), curated by Prof. L. Puppi, October 24, 2015 – May 1st, 2016 (exhibition devoted to El Greco in Italy).



GALERIE STANISLAS BOURGAIN, PARIS

Russian-speaking, Stanislas Bourgain is regularly travelling in Russia since he was twelve years old and he started learning the language of Pushkin at school. Art passionate, he naturally visited local galleries, exhibitions and art schools, so he was able to witness the best of contemporary art first-hand.In 2008, he created an art gallery in Paris to promote with passion and dedication the best representatives of the new generation of Russian and Ukrainian artists not yet well exhibited abroad. Projects supported by the gallery express the diversity of this energic, progressive and intelligent. For the first three years, in its exhibition space in rue Chapon, near the Pompidou Center, the gallery has given more than 15 solo shows mixing paintings, installations, photographs, videos and performance events and has participated to art fairs. Today, the gallery continues to promote its artists and to explore the emerging scene of Russian and ex-USSR countries. Its ambition is to show the diversity and the creativity of the art scene in Russia and thus to strengthen the longtime cultural ties established between France and Russia.« Suite Russe » is the new exhibition project of the gallery. For 24 or 48 hours, in a hotel suite, the gallery presents a selection of contemporary artwork to collectors, curators and journalists, by appointment only. With Suite Russe, the Parisian gallery owner Stanislas Bourgain offers his guests a different and refreshing encounter with contemporary art in a friendly and intimate environment. Suite Russe offers peace and luxury, provides a rest from urban life. Suite Russe was launched in New York in May 2016 at the Baccarat Hotel during Frieze New York, and then followed in Vienna at Sacher Hotel during the Wiener Festwochen (2016), then in Paris (Ritz Hotel 2016, Park Hyatt Vendôme 2018), and London at the Beaumont (2017).Stanislas Bourgain is also regularly lecturing on the post-Soviet contemporary art scene at cultural, educational and artistic institutions on a global scale.

14, rue Notre-Dame de Nazareth75003 Paris, FrancePhone: +33 (0) 661 467 [email protected] www.galeriesb.com




NATASHA YUDINA

Orchids in Fur80x60x23 cm2018




ELENA MINAEV

The light only falls here and thereAcrylic on canvas180x130 cm 2017




NIKOLAY KOSHELEV

Oil on canvasseries 26.1 2014194 x 246cm



KAREL JONGELINGHS (LUDOVICUS CAROLUS)

Bacchus, Dieu du VinÉcole Belge, Antwerp, 1871Oil on canvas200 x 250 cmSigned below on the right

Literature:P. Piron,Dictionnaire des artistes plasticiens de Belgique des XIXe et Xxe siècles, Ohain 2011, Vol. 1, p. 770.Arto, Dictionnaire biographique arts plastiques en Belgique; Peintres, sculpteurs et graveurs; 1800-2002, Antwerp 2002, Vol. 2, p. 213.

ART PIECES ON DISPLAYCourtesy: Berko Fine Paintings



EDMOND DE KONINCKAbundance

Bruges 1839 - Brussels 1883Belgian SchoolOil on canvas: 161 x 201 cmSigned and dated ‘1879’ lower right

Painter of flowers and still lifes.Edmond De Koninck was born in Bruges on February 6, 1839 and deceased in Brussels onMarch 18, 1883. He was a pupil of the Academy of Bruges. He participated in the restoration of the Notre-Dame des Victoires Church at the Sablon in Brussels.

P. & V. Berko, «Dictionary of Flower Painters; Belgian and Dutch Artists born between 1750 and 1880», Knokke 1995, p. 236.

ART PIECES ON DISPLAYCourtesy: Berko Fine Paintings



«ODALISQUE» MERIDIENNEIrregular shapeHeight at the headend: 75 cm • 108 cm / 95cm: 35 cm • length: 245 cmWidth irregular of the seat: 110 cm / 127 cm • hight: 40 cm

ART PIECES ON DISPLAYCourtesy: Galerie Hom Le Xuan



BOCHIC, NEW YORK

Launched in 2004 by Miriam Salat and David Joseph, New York based fine jewelry line Bochic evokes a feeling of romance and timeless glamour. Miriam’s background in handcrafted fashion jewelry was the perfect complement to David’s expertise inclassical European design, creating a unique blend of styles that gave rise to a look that is fresh, sexy, chic, enduring and bold.Bochic’s well-documented status as a favorite Red Carpet accessory is a natural evolution of Creative Director David Joseph’s earlier career in the film and music industries. Joseph combines ahead-of-the-curve trend instincts and a global design sensibility with a passion for one-of-a kind gems and exquisite workmanship, a talent inherited from long-standing family ties to the British jewelry industry. He is credited with introducing a whole new style of fine jewelry, bringing unique carvings in Jade, Mammoth Ivory, Turquoise and other rarely used gems to the forefront of luxury jewelry design.

BOCHICDavid [email protected]: +1 (646) 704-1399Instagram: @bochic



BOCHIC, NEW YORK

ELEGANT AND SLEEK THESE ART DECO INSPIRED EARRING infused with a glamorous Oriental touch. carved vintage sapphires, Golden, white and champagne diamonds, 18k pink gold.4.45 ct diamonds.



BOCHIC, NEW YORK

ART DECO INSPIRED COCKTAIL RING with diamond baguettes, round brilliants and a red hot Rubellite. 18k Pink Gold / 0.77ct Diamonds / 12.43ct Rubellite



BOCHIC, NEW YORK

BLACK WIDOW RING FROM THE BOCHIC SEVERINE BOND GIRL COLLECTIONThis delicate yet edgy ring inspired by the Mexican Day of the Dead, “dia de muertos”18k pink and black gold / 6.44ct Diamonds / Black center Diamonds 5.32ct



ILGIZ FAZULZYANOV, MOSCOW

Ilgiz Fazulzyanov is one of Russia’s most eminent jewelry artists. He became a jeweler almost by chance. In 1995, Ilgiz discovered the art of stone enameling and mastered it on his own in a matter of just two months. It took him several months to create a collection for an exhibition in France, which garnered Ilgiz the title of the “Champion of enamel” in the Madame Figaro magazine article. From that moment on, the stoving enamel became his favorite technique and the trademark of his art. Today, Ilgiz Fazulzyanov is one of the world’s few jewelers with virtuoso mastery of all the classical techniques of hot jeweler’s enamel. In 2011 and 2013, Ilgiz Fazulzyanov won the highest awards of the International Jewelry Design Excellence Award in Hong Kong. In 2011, he won the prize for his “Bullfinches” pendant, and in 2013 confirmed his title by presenting the “Eclipse” set of earrings and ring made with black faceted pearls. Today, this set is kept in the collection of the Moscow Kremlin Museums.In 2014, Ilgiz received the Grand Prix of the “Russia. 21st Century” jewelry competition organized by Russia’s State Precious Metals and Gems Repository Gokhran. He presented a collection of five works, the most prominent of which, the “Crows” pendant, is also now kept in the collection of the Moscow Kremlin Museums.Year 2016 was marked a special milestone in the history of this jewelry brand. The exhibition hall at the Belfry Tower of the Moscow Kremlin hosted a personal exhibition of Ilgiz Fazulzyanov.In 2017 year Ilgiz opened his first personal gallery in Paris (4, rue Miromesnil, 75008) nice and cozy space in the centre of the city. The majority of Ilgiz’s works are kept in private collections in Russia, Italy, France, Great Britain, Japan, the United States, and other countries. The collection of contemporary jewelry art of the Moscow Kremlin Museums, which numbers over 2,000 items, holds 18 pieces and sketches by Ilgiz Fazulzyanov.

ILGIZ FAZULZYANOV3-rd Yamskogo Polya str., 9, MoscowPhone: +7 963 993-15-754 rue de Miromesnil, 75008, ParisPhone: +33981439714by appointmentwww.ilgiz.com




VEZUVIUS RING

one of the significant pieces from the «Great Mountains» collection. This ring was inspired by historical eruption of mount Vezuvius. Made in champlevé technique. Gold, jewellery enamel, fire opal 9,17 ct




FAN RING is the reintrepretation of Art-deco theme. This ring is made in Japanese enamel technique. Gold, jewellery enamel, chalcedon




OLIVE TREE RING

Italian inspiration. This ring is part of the 25th brand’s anniversary collection. The whole collection is made with rock crystals as idea of prism of childhood’s memories. Gold, jewellery enamel, rock crystal, turmaline, diamonds




ARTICHOKE RING

was inspired by NYC, its architecture and common mood. The faceted pearl was polished by Viktor Tuzlukov. Gold, jewellery enamel, faceted black pearl



A Exter © ABA Gallery - A Lanskoy © Galerie Le Minotaure - Natasha Yudina © Galerie S Bourgain - Sofa © Hom Le Xuan



PRESSAnna SvergunNatalia VorobiovaAnton Mirimanov +7905 544 18 [email protected] [email protected]

GENERAL MANAGEMENTValentina VassilevaCEO+43 664 171 65 [email protected]@jw-fairs.com

ARTISTIC DIRECTION AND COMMUNICATIONSophie Jacquemoud+41 79 826 48 [email protected]

CONSTRUCTION, LOGISTICS AND CUSTOMSART-CourierGeneral Director Alexander Zaretsky+7 (495) 641 04 71 [email protected] www.art-courier.ru

CONTACT

LE SALON - Art and Jewels of the World...

Documents

Transcript of LE SALON - Art and Jewels of the World...