Late Northern European Gothic
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Transcript of Late Northern European Gothic
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Late Northern European Gothic
By Tristan, Vanessa, Shaina, & Jessica
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The Well of Moses by Claus Sluter, Chartreuse de Champmol (monastery) (Dijon, France) 1395-1406
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Philip the Bold (a Duke of Burgundy, was very supportive of the arts)
*this base supported a Crucifixion group above
*wealth of descriptive information revealed (the promise of everlasting life as Christ’s “blood” washes over the prophets and cleanses them)
*naturalism and differentiation in the textural surfaces.
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The Wilton Diptych, c. 1395, tempera on wood panel
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Limbourg Brothers. January, from Les Tres Riches Heures du Duc de Berry, 1413-16, illumination
Created by the brothers as an advanced version of illuminated manuscripts.
It displays objects of wealth
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Limbourg Brothers. February, from Les Tres Riches Heures du Duc de Berry, 1413-16, illumination
bees, sheep and a dovecote(structure that houses doves or pigeons)
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Limbourg Brothers. April, from Les Tres Riches Heures du Duc de Berry, 1413-16, illumination
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Limbourg Brothers. May, from Les Tres Riches Heures du Duc de Berry, 1413-16, illumination
images of the aristocracy
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Limbourg Brothers. June, from Les Tres Riches Heures du Duc de Berry, 1413-16, illumination
identifiable architecture
laborers sometimes referred to as ‘Jacques Bonhomme’ as a derogatory term for the French peasants
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July Works like this
illustrated the relationship the powerful had with the peasantry.
The relationship was, at best, civil but peasants rose up against the elite in the late 14th century in some areas.
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Limbourg Brothers. August, from Les Tres Riches Heures du Duc de Berry, 1413-16, illumination
peasants swimming in the nude
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Limbourg Brothers. St. Michael Battling the Dragon of the Apocalypse above Mont. St. Michel and Temptation of Christ , from Les Tres Riches Heures du Duc de Berry, 1413-16, illuminations
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Huntsmen Exercising and Brushing Dogs, from Livre de la chasse (written by Gaston Phebus), c. 1410, illumination
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Melchior Broederlam. Outer wings of the Retable de Champmol from the Chapel of the Chartreuse de Champmol (Dijon, France), installed 1399
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Melchior Broederlam two different architectural styles attempt to render deep space on a two-dimensional surface
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Attributed to Robert Campin (also known as the Master of Flamalle) Virgin and Child before a Firescreen, c. 1425, panel
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Master of Flemalle (Robert Campin). Merode Altarpiece, c. 1425-1428, oil on wood
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Robert Campin (Master of Flemalle)/ focus on textures and surfaces/ a prosperous middle-class interior/ Northern use of symbolism/ absence of halos
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Joseph and his mousetrap/ detailed view of a Flemish town
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kneeling donors/ concepts of truth and reality in Flemish painting
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Merode’s Altarpiece