Late-blooming composers

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The official website of BBC Music Magazine Search the site... search Shop Competitions What's on Awards Polls Log in Register ! " + $ % Fri, 2009-05-15 10:28 Submitted by root_admin Share !"+ A a - In our June issue prodigies take centre stage as we name the ten best child composers. But who were the composers who bided their time and produced their masterpieces in later life? Rebecca Franks finds out Leos Janáček (1854-1928) An organist and schoolteacher by trade, Janáček’s first piece Exaudi was published when he was 22. But it wasn’t until the Prague premiere of his opera Jenůfa in 1916 that Janáček, then 62, began to establish his reputation. In the final decade of his life the Moravian-born composer penned some of his most enduring and inventive masterpieces, including the Sinfonietta and the Glagolitic Mass. Crucial to Janáček's late burst of creativity was his passionate but unrequited love for Kamila Stosslova, a married woman 35 years his junior. Janáček's infatuation with Stosslova, whom he met in 1917, found its expression in the strong female characters in his final three operas. Late masterpiece: Sinfonietta (1926) Anton Bruckner (1824-1896) Like Janáček, Bruckner began his career as an organist and schoolteacher. One of Europe’s finest organists, he held a post at the renowned St Florian Cathedral in Linz, Austria, where as a church composer he wrote his first works. From the start of his working life, Bruckner studied theory and composition alongside his professional duties. But it wasn’t until he heard a performance of Wagner’s Tannhäuser in 1863 that he felt liberated from the compositional rules he had studied so laboriously. Bruckner began to write symphonies on a Wagnerian scale and his massive orchestral edifices, rooted in his devout Catholicism, remain masterpieces in the canon. Late masterpieces: Symphonies Nos 1-9 Emmanuel Chabrier (1841-1894) Another composer who took wing after hearing Wagner was Emmanuel Chabrier. Though a gifted amateur pianist, as a young man Chabrier didn’t consider the idea of becoming a professional musician. Late-blooming composers Email: Sign Up! Listen to Radio 3 Radio 3 broadcasts classical music, jazz, world music, new music, arts programmes and drama. MOST POPULAR MOST RECENT By clicking on the 'Sign Up!' button below, you are agreeing to Classical-music.com's terms & conditions. You can opt-out at any time. ADVERTISEMENT FEATURE Competitions Guide Discover the range of classical music competitions in the UK and Internationally with our exclusive Competition Guide. Enjoy a rare piano work from Wagner Win a copy of Camerata Nordica’s new recording The 50 greatest recordings of all time Hear a clip from Maurizio Pollini’s new Beethoven recording Six of the best: pieces of music for Firework Night DIGITAL EDITIONS Free Newsletter HOME NEWS REVIEWS FREE DOWNLOAD EXCLUSIVE FEATURES PODCAST BLOGS COMPOSERS MAGAZINE

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Biographical information of great composers who didn't start out as virtuosos.

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  • The official website of BBC Music Magazine

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    In our June issue prodigies take centre stage as we name the ten best child composers. But whowere the composers who bided their time and produced their masterpieces in later life? RebeccaFranks finds out

    Leos Janek (1854-1928)An organist and schoolteacher by trade, Janeks first piece Exaudi was published when he was22. But it wasnt until the Prague premiere of his opera Jenfa in 1916 that Janek, then 62, beganto establish his reputation.

    In the final decade of his life the Moravian-born composer penned some of his most enduring andinventive masterpieces, including the Sinfonietta and the Glagolitic Mass.

    Crucial to Janek's late burst of creativity was his passionate but unrequited love for KamilaStosslova, a married woman 35 years his junior. Janek's infatuation with Stosslova, whom he metin 1917, found its expression in the strong female characters in his final three operas.

    Late masterpiece:Sinfonietta (1926)

    Anton Bruckner (1824-1896) Like Janek, Bruckner began his career as an organist and schoolteacher. One of Europes finestorganists, he held a post at the renowned St Florian Cathedral in Linz, Austria, where as a churchcomposer he wrote his first works.

    From the start of his working life, Bruckner studied theory and composition alongside hisprofessional duties.

    But it wasnt until he heard a performance of Wagners Tannhuser in 1863 that he felt liberated fromthe compositional rules he had studied so laboriously. Bruckner began to write symphonies on aWagnerian scale and his massive orchestral edifices, rooted in his devout Catholicism, remainmasterpieces in the canon.

    Late masterpieces:Symphonies Nos 1-9

    Emmanuel Chabrier (1841-1894) Another composer who took wing after hearing Wagner was Emmanuel Chabrier. Though a giftedamateur pianist, as a young man Chabrier didnt consider the idea of becoming a professionalmusician.

    Late-blooming composers

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    Instead he took a post in the civil service and surrounded himself with a circle of artistic friends thatincluded many Impressionist painters.

    Then in 1879 his friend the composer Henri Duparc took him to hear Tristan und Isolde in Munich.Chabrier, profoundly moved, quit his job and turned to full-time composing. His Dix picespittoresques, hugely admired by Ravel and Poulenc, and his ever-popular orchestral rhapsodyEspaa, date from this first flush of inspiration.

    Late masterpieces:Dix pices pittoresques (1881); Espaa (1883)

    Giuseppe Verdi (1813-1901)When his opera Aida was premiered in 1871, Verdi was 58. With 26 operas behind him he at thatpoint lay down his operatic pen and turned his attention to revising earlier works and composing theRequiem.

    But eight years later Verdis thoughts turned back to opera and he began sketching ideas for Otello.He finished the work, based on Shakespeares play, when he was 73 and it was an instant success.

    Verdi soon began to compose another Shakespearian-inspired work, Falstaff and in his 80th year,his final, comic masterpiece was first heard.

    Late masterpieces:Otello (1886); Falstaff (1893)

    Elliott Carter (1908-)With his 101st birthday at the end of the year, this American composer laysclaim to being one of the worlds oldest working composers. Carter initiallystudied English and maths at Harvard before the encouragement of thecomposer Charles Ives convinced him to head to Paris to study with NadiaBoulanger.

    On his return to America, Carter began to make his mark, winning thePulitzer Prize in 1960 for his Second String Quartet, and writing the DoubleConcerto hailed by Stravinsky as an American masterpiece.

    Carters last decade has been exceptionally fruitful. Premieres includeInterventions, Dialogues for piano and large ensemble, Three Illusions forOrchestra; in 2007 alone he wrote seven new pieces. And after his 90th

    birthday Carter wrote his first opera a work called What Next?

    Late masterpieces:Interventions (2008); Dialogues for piano and large ensemble (2003); Three Illusions for Orchestra(2004); What Next? (1999)

    To find out which composers were the greatest child prodigies, take a look at our June issue. And letus know your thoughts by voting in our poll.

    Audio clip: Janek: Sinfonietta Fanfares (BBC Music Magazine Cover Disc, February 2009)

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